Uniqueness of the EPR--chemeleon model

合集下载

思考生命的独特性与丰富性作文

思考生命的独特性与丰富性作文

思考生命的独特性与丰富性作文英文回答:The uniqueness and richness of life is a fascinating topic to contemplate. Life, in all its forms, is incredibly diverse and complex, making it a subject of endless exploration and discovery. From the tiniest microorganisms to the largest mammals, every living being possesses its own distinct characteristics and contributes to the overall tapestry of life on Earth.One aspect that sets life apart is its ability to adapt and evolve. Through the process of natural selection, species have developed unique traits and abilities that allow them to survive and thrive in their respective environments. Take the chameleon, for example. This remarkable reptile has the ability to change its skin color to blend in with its surroundings, providing it with camouflage and protection from predators. This adaptation is not only a survival mechanism but also a testament tothe incredible diversity and ingenuity of life.Another aspect that makes life so special is its capacity for growth and development. From a single cell, complex organisms can emerge and undergo a series of transformations to reach their full potential. Consider the journey of a butterfly. It starts as a humble caterpillar, but through a process of metamorphosis, it transforms intoa beautiful butterfly capable of flight. Thistransformation symbolizes the endless possibilities and potential for growth that life holds.Furthermore, life is characterized by its ability to experience a wide range of emotions and sensations. Humans, in particular, possess a rich inner world of thoughts, feelings, and desires. We can experience joy, love, sadness, and everything in between. Our ability to connect with others, form meaningful relationships, and experience the world around us is what gives life its depth and meaning.It is through these experiences that we truly come aliveand find purpose.中文回答:思考生命的独特性与丰富性是一个令人着迷的话题。

魔发奇缘英语观后感

魔发奇缘英语观后感

魔发奇缘英语观后感Reflections on "Tangled""Tangled," a Disney animated feature, tells the story of Rapunzel, a princess with long, enchanted hair and an adventurous spirit. Raised in a tower her entire life, she yearns for a life beyond the walls that enclose her. Her dreams are finally realized when a handsome thief named Flynn Rider comes along and offers her a chance to see the world outside. What follows is a journey of self-discovery, adventure, and the realization of true love.The film captivated me from the very first scene. The vibrant colors, the intricate details in the animation, and the catchy music all contribute to creating a magical world that is both enchanting and believable. The characters are well-developed and their emotions are expressed with such sincerity that it's easy to empathize with them.Rapunzel's character is particularly interesting. Sheis strong-willed, intelligent, and full of curiosity. Her longing to explore the world beyond her tower is a powerful reminder of the importance of curiosity and the desire to learn. She is not content with the limited life that has been imposed on her, and her determination to seek out new experiences and knowledge is admirable.Flynn Rider, on the other hand, is a charming roguewith a heart of gold. His initial motives for helping Rapunzel are not entirely pure, but as the story progresses, we see a transformation in him as he grows to care for her and risks his life to protect her. His character arc isjust as engaging as Rapunzel's, and their dynamic togetheris both funny and heartfelt.The supporting characters, including the comic relief provided by Pascal, Rapunzel's loyal chameleon, and the villainous Mother Gothel, add depth and complexity to the story. Mother Gothel's motivations are particularly intriguing. Her obsession with youth and her twistedversion of love for Rapunzel provide an interestingcontrast to the pure and unconditional love that Rapunzeland Flynn share.The animation in "Tangled" is breathtaking. The details in the backgrounds, the expressions on the characters' faces, and the movement of their hair and clothing are all so lifelike that it's easy to forget that you're watching a cartoon. The music, composed by Alan Menken and Glenn Slater, is equally impressive. The songs are catchy and the score complements the action and emotion of the story perfectly.The message of the film is also noteworthy. It sends a strong message about the importance of following your dreams, embracing your uniqueness, and finding true love. The film encourages us to be brave and to take risks, even when it's scary or uncomfortable. It also reminds us that true love is not about appearances or material possessions, but about the connection and understanding that we share with another person.In conclusion, "Tangled" is a beautiful and heartfelt film that is sure to delight audiences of all ages. It's astory about dreams, adventure, and true love that will stay with you long after the credits roll. The animation, music, and characters are all top-notch, and the message of the film is both timeless and relevant. I highly recommend "Tangled" to anyone looking for a fun and uplifting movie experience.。

因为他是谁的作文英文

因为他是谁的作文英文

因为他是谁的作文英文Title: The Uniqueness of "Who He Is"1. In the realm of identity, "Who He Is" is more than a name; it's a story, a tapestry woven with threads of experiences and moments. It's not a label, but a reflection of the intricate dance of life.2. Imagine him, a chameleon, his identity a canvas where every encounter paints a hue. His identity, like a city, is a blend of old and new, where the streets are not marked by milestones, but by the choices he makes each day.3. He's not a product of a blueprint, but a result of a thousand decisions, each one a puzzle piece that fits into the grand puzzle of his being. His identity, a symphony of diverse elements, not a single melody.4. He's not just a name, but a spirit that defies definition. His identity is a whisper in the wind, awhisper that grows into a whispering gallery, echoing with the echoes of his passions and dreams.5. He's not a fixed entity, but a dynamic force, constantly evolving with the seasons of life. His identity, a river that flows, never the same twice, always adapting to the currents of change.6. In the realm of "Who He Is," he's not a question, but a journey. It's the journey of self-discovery, a quest for understanding, a quest that leads to a more profound understanding of oneself.7. So, when you ask, "Who is he?" remember, hisidentity is not a destination, but a path, a journey that's ongoing, a story that's still being written, every day, by the very person he is.In conclusion, "Who He Is" is a complex, multifaceted entity, a reflection of his choices, his passions, and his resilience. It's a testament to the ever-evolving nature ofhuman existence, a reminder that we are all unique, like the very name we bear.。

我的朋友性格特征作文英语

我的朋友性格特征作文英语

我的朋友性格特征作文英语英文回答:In the tapestry of life, friends are vibrant threads that weave intricate patterns, enriching the fabric of our existence. Among my closest confidantes, one individual stands out as a beacon of exceptional character, embodying a harmonious symphony of admirable traits.Kindness:Their heart is a radiant beacon of warmth and compassion, illuminating the darkest corners of others' lives. Like a gentle breeze, their words have the power to soothe troubled souls and lift heavy burdens.Integrity:Unwavering in principles and values, they are a pillar of moral fortitude. Their words align seamlessly with theiractions, ensuring the highest standards of honesty and trustworthiness.Loyalty:Through thick and thin, they remain a steadfast pillar of support, offering unwavering loyalty in the face of adversity. Their unwavering presence provides a sense of security and solace in turbulent times.Intelligence:Their mind is a fertile ground for intellectual curiosity and insightful perspectives. With remarkable eloquence and clarity, they unravel complex ideas and inspire critical thinking in others.Adaptability:Like a chameleon, they possess the remarkable ability to seamlessly navigate diverse social and cultural landscapes. Their open-mindedness and willingness toembrace new experiences foster a rich tapestry of connections.Enthusiasm:Their infectious enthusiasm sparks a contagious flame within those around them. Their zest for life is a captivating force, inspiring others to pursue their passions and embrace the boundless possibilities of the unknown.Responsibility:With maturity and diligence, they肩负 their responsibilities with unwavering commitment. Their actions are guided by a deep sense of duty and a profound respect for others.Authenticity:Their authentic self shines through in every interaction. They embrace their uniqueness and exude agenuine warmth that fosters a profound sense of connection and trust.Conclusion:The mosaic of my friend's character is a testament to the enduring power of human goodness. Their kindness, integrity, loyalty, intelligence, adaptability, enthusiasm, responsibility, and authenticity create a symphony ofvirtues that inspire me to be a better person. Their presence in my life is a precious gift, illuminating mypath and enriching my soul.中文回答:性格特点:我的这位朋友是一位性格非常好的朋友。

会变身的毛毛虫作文

会变身的毛毛虫作文

会变身的毛毛虫作文Once upon a time, there was a little caterpillar named Momo. Momo was unlike any other caterpillar because he hada special ability he could transform into different animals. Let's find out more about Momo's extraordinary adventures.One sunny day, Momo woke up feeling a bit different. He noticed that his body had changed colors and he now had wings. Excitedly, he realized that he had transformed intoa beautiful butterfly. Momo fluttered his wings and flew around, enjoying the freedom of the sky.English Answer: Momo was amazed by his newfound ability to transform into a butterfly. He loved the feeling offlying and the vibrant colors of his wings.中文回答,毛毛虫名叫莫莫,有一天,他突然发现自己的身体变成了五颜六色的翅膀,原来他变成了一只美丽的蝴蝶。

莫莫非常兴奋,他扇动着翅膀,在空中自由自在地飞翔。

As the days went by, Momo continued to explore his ability to transform. One day, he decided to become a chameleon. With a quick change of colors, Momo blended perfectly into his surroundings. He could now hide from predators and surprise his friends with his disappearing act.English Answer: Momo loved the thrill of becoming a chameleon. He could change his colors to match his environment, making him almost invisible. It was like having a superpower!中文回答,日子一天天过去,莫莫不断探索自己的变身能力。

百变马丁英语作文

百变马丁英语作文

百变马丁英语作文Title: The Adventures of Martin the Chameleon.Martin was not your ordinary chameleon. Unlike his fellow chameleons who preferred to blend in with their surroundings, Martin loved standing out. He had a knack for changing colors and patterns in the most unexpected ways, earning him the nickname "The Master of Disguise."One day, Martin decided to embark on an adventure to explore the world beyond his familiar tree. With his ability to change colors at will, he journeyed through forests, deserts, and even bustling cities, mesmerizing everyone he met with his incredible transformations.In the forest, Martin turned a vibrant shade of green to blend in with the lush foliage, then transformed into a fiery red to ward off predators. In the desert, he shimmered like the golden sands under the scorching sun, then camouflaged himself in the rocks to escape the intense heat.As he reached the city, Martin dazzled passersby with his kaleidoscopic displays, changing colors witheach passing moment. Children laughed and clapped in delight, while adults marveled at the beauty and grace of this extraordinary chameleon.Throughout his adventures, Martin learned that his ability to adapt and change was his greatest strength. By embracing his uniqueness and embracing change, he was able to navigate through any situation with confidence and grace.In the end, Martin returned to his tree, a little wiser and a lot more colorful than before. He knew that no matter where his adventures took him, he would always be the one and only, the incomparable Martin the Chameleon.标题:变色马丁的冒险。

描写时尚的句子唯美英文(精选合集两篇)

描写时尚的句子唯美英文(精选合集两篇)

描写时尚的句子唯美英文(第一篇) Title: Exquisite English Sentences Depicting Fashion (No Less than 50 Sentences)Introduction:Fashion, a realm of art and self-expression, enchants us with its ability to transform and captivate. The following collection of exquisitely crafted English sentences XXms to captivate readers with their aesthetic charm and descriptive power. Let us embark on a journey into the world of fashion through these poetic linguistic expressions.1. Adorned in a flowing gown, she emanated elegance and grace.2. His impeccable sense of style turned heads wherever he went.3. The sequins on her dress shimmered in the moonlight, reflecting her vibrant spirit.4. A delicate lace veil draped over her face, adding an XXr of mystery.5. The runway was a living tapestry of colors, textures, and designs.6. As she walked, her stiletto heels clicked rhythmically, leaving a trXXl of confidence in her wake.7. Dressed in a tXXlored suit, he exuded sophistication and refinement.8. The fabric of her dress felt like a second skin, embracing her with comfort and luxury.9. The fashion show was a symphony of creativity, blending art and innovation.10. He accessorized his outfit with a statement necklace, a testament to his bold personality.Body:11. The fashion industry is a kaleidoscope of trends, constantly evolving and reinventing itself.12. Silk flowed like liquid gold, enveloping her in a sensuous embrace.13. The ornate embroidery on her jacket told a story of skilled craftsmanship and attention to detXXl.14. Her ensemble was a harmonious fusion of vintage chic and modern flXXr.15. The vibrant palette of colors on the catwalk pXXnted a vivid picture of seasonal trends.16. Fabrics adorned with delicate pleats added depth and dimension to her ensemble.17. Fashion is a language that speaks volumes about one's identity, aspirations, and mood.18. The timeless elegance of a little black dress never fXXls to capture the essence of sophistication.19. Accessories are the punctuation marks that complete the fashion narrative.20. A flowing cape trXXled behind her, giving her an ethereal presence.21. The fashionista's wardrobe was a treasure trove of unique pieces, each with its own story to tell.22. The models' graceful movements breathed life into the garments, showcasing their true potential.23. Fashion designers are akin to sculptors, molding fabric into wearable works of art.24. The runway was a canvas on which designers pXXnted their visions with precise brushstrokes.25. The tXXlored tuxedo exuded an XXr of masculine suave, accentuated by a perfectly knotted bow tie.26. As the first rays of sunlight touched the clothing rack, fashion awakened to embrace a new day.27. A cascade of ruffles cascaded down her dress, creating an enchanting waterfall effect.28. Fashion empowers individuals to express their uniqueness, breaking the boundaries of conformity.29. Her outfit whispered a story of adventure and wanderlust, with its bohemian prints and flowing silhouettes.30. The glimmer of rhinestones and pearls on her tiara added a touch of royalty to her ensemble.31. Each stitch on her gown was carefully placed, a testament to the skill and dedication of the seamstress.32. Fashion is an ever-changing tapestry, weaving together cultures and traditions from around the world.33. The tXXlored blazer hugged his frame, accentuating his well-defined physique.34. The delicate aroma of freshly cut fabric filled the atelier, a sweet symphony to the senses.35. The fashion icons of the past continue to inspire generations with their timeless style.36. A sleek pencil skirt exudes professionalism, while a flowing maxi dress encapsulates summer romance.37. The runway show was a ballet of grace, as models twirled and glided with effortless poise.38. The intricate beading on her gown caught the light, like a constellation of stars in the night sky.39. He donned a fedora, instantly exuding an XXr of old-world charm and sophistication.40. Fashion enthusiasts eagerly anticipate the unveiling of each season's collections, like children awXXting the arrival of Santa Claus.41. The asymmetrical hemline of her dress added an unexpected twist to the classic silhouette.42. The sound of heels clicking on a marble floor can evoke an XXr of elegance and authority.43. A tulle skirt billowed around her like a cloud of dreams, making her feel weightless.44. Fashion allows us to step outside our comfort zone, embracing new styles and embracing our inner chameleon.45. The precise tXXloring of her blazer accentuated her curves, empowering her with confidence.46. A well-fitted suit can transform an ordinary man into an extraordinary gentleman.47. The diamond necklace shimmered like a starry night, illuminating her neckline with a touch of luxury.48. The classic pXXring of a crisp white shirt and tXXlored trousers exudes timeless refinement.49. The fashion industry carries the power to influence societies, shaping perceptions of beauty and self-image.50. With a swish of her gown and a coy smile, she captured the essence of glamour and allure.Conclusion:Fashion is a realm where creativity, artistry, and self-expression intertwine. These fifty exquisitely crafted English sentences capture the essence of fashion's allure, showcasing its transformative power and poetic charm. From flowing gowns to tXXloredsuits, from sequins to rhinestones, each word pXXnts a vivid picture in the reader's mind. May these sentences evoke a sense of wonder and appreciation for the enchantment of fashion.描写时尚的句子唯美英文(第二篇) Captivating Sentences Depicting Fashion: At Least 70 Exquisite English Phrases1. A style icon, effortlessly donning the latest trends.2. Radiating confidence in an ensemble crafted with precision.3. The runway becomes a stage for art to collide with fashion.4. Embellishing grace with the perfect blend of colors and textures.5. A fashion aficionado, wearing individuality as their best accessory.6. Striding with purpose, exuding an XXr of effortless chicness.7. Clothing as a form of self-expression, speaking louder than words.8. Elegance woven into every stitch, defining refined fashion.9. A symphony of fabric and design, harmoniously arranged.10. Fashion as an ever-evolving language, speaking to our souls.11. Fashion-forward, creating a signature style that transcends mere trends.12. Confidence wrapped in a tXXlored suit, empowering and captivating.13. A fashionista, curating looks that ignite inspiration in others.14. Fashion's embrace of diversity, celebrating beauty in all its forms.15. The runway as a canvas for fashion's artistic prowess.16. Effortlessly chic, blending classic elements with contemporary twists.17. A fashion trXXlblazer, fearlessly pushing boundaries and defying norms.18. Adorned in elegance, exuding an XXr of timeless sophistication.19. A symphony of couture, where each element harmonizes flawlessly.20. Fashion as a reflection of our ever-evolving culture and society.21. A poised fashion maven, embracing flXXr with refined grace.22. A fashion revolution, breaking free from conventional norms and expectations.23. Strutting into the spotlight with audacious style and unwavering confidence.24. Coordinating colors and patterns, effortlessly combining art with fashion.25. Celebrating fashion as an art form, transcending mere clothing.26. Morphing into a walking masterpiece, draped in exquisite fabrics.27. Fashion's allure, a mesmerizing blend of aesthetics and ingenuity.28. Embracing minimalism, letting sophisticated simplicity speak volumes.29. Fashion as a vehicle for self-discovery and personal empowerment.30. The pivotal role of accessories, transforming outfits into statements.31. A fashion visionary, breathing life into dreams and fantasies.32. A harmonious symphony of silhouettes, accentuating one's unique beauty.33. Fashion, an ever-changing kaleidoscope of styles and influences.34. Confidence radiates from true fashionistas, consuming the world around them.35. A balance of elegance and rebelliousness, forging new fashion frontiers.36. The allure of high fashion, inviting us into a realm of enchantment.37. The runway's dance, showcasing the creative minds behind each masterpiece.38. Embracing fashion's transformative power, revealing our inner selves.39. Fabric draped with intention, creating fantasy and invoking desire.40. Style's unspoken language, connecting cultures and generations.41. Embodied in the flawless couture, a love letter to craftsmanship.42. Fashion as an expression of individuality, a celebration of unique stories.43. Adorning fashion's canvas, each piece a brushstroke of creativity.44. A symphony of textures, igniting our senses and captivating our minds.45. Fashion's tapestry, weaving stunning visuals with intricate emotions.46. Poised in confidence, fashion becomes a wearable work of art.47. A fashion enthusiast, forever seeking inspiration in the world around them.48. The dance of fabrics, expressing passion and evoking emotions.49. Transforming the mundane into extraordinary, fashion's intrinsic power.50. Fashion as an invitation to dream, encouraging us to be whimsical.51. The elegant play between light and shadow, defining fashion's allure.52. A fearless style pioneer, turning heads with every bold fashion choice.53. Fashion's choreography, orchestrating an awe-inspiring tapestry of design.54. A fashion masterpiece, crafted with meticulous attention to detXXl.55. A sartorial journey, showcasing the evolution of personal style.56. The symphony of fashion, an ensemble as harmonious as a well-played melody.57. Fashion's intoxicating embrace, captivating hearts with every thread.58. The transformative power of fashion, enabling us to step into different roles.59. An appreciation for luxury, embracing opulence with refined grace.60. The runway's ethereal magic, transporting us to a world of grandeur.61. A fashion chameleon, effortlessly donning different styles with poise.62. Fashion's alchemy, turning fabric and design into wearable art.63. Intricately tXXlored, fashion becomes an extension of one's identity.64. A dialogue between fashion and culture, hinting at society's evolution.65. Striding confidently, fashion becomes a statement of unwavering self-assurance.66. Fashion's ability to evoke nostalgia, weaving emotions into fabric.67. Adorning oneself with elegance, fashion becomes a personal manifesto.68. A fashion visionary, translating dreams into tangible, wearable realities.69. Fashion's gentle whispers, speaking truths about individuality and self-expression.70. An ode to fashion, a profound language that transcends time and trends.在文章中淡化了网址的重要性,侧重于以唯美的英文句子来描绘时尚的魅力。

变色龙先生读后感50字

变色龙先生读后感50字

变色龙先生读后感50字英文回答:Mr. Chameleon is a fascinating and thought-provoking picture book that explores themes of transformation, identity, and the beauty of diversity. Through the journey of a chameleon named Fred, the story teaches children about the importance of embracing their uniqueness and accepting others for who they are.The author, Eric Carle, uses vibrant illustrations and simple language to create a captivating tale that resonates with readers of all ages. The story's message ofinclusivity and acceptance is particularly relevant in today's world, where diversity is often celebrated but not always fully understood.Mr. Chameleon is a delightful and educational book that can help children develop empathy, tolerance, and a deeper appreciation for the world around them. It is a valuableaddition to any classroom or library and is sure to becomea beloved favorite for many years to come.中文回答:《变色龙先生》是一本引人入胜且发人深省的图画书,探讨了变身、身份以及多样性之美的主题。

  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

a rXiv:076.1813v1[qua nt-ph]13J un27Uniqueness of the EPR–chemeleon model Luigi Accardi ∗Centro Vito Volterra,Universit`a degli Studi di Roma “Tor Vergata”,Via Columbia,Rome 00133,Italy Satoshi Uchiyama †Department of Life and Creative Sciences Hokusei Gakuen University Junior College Atsubetsu-ku,Sapporo 004-8631,Japan February 1,2008Abstract A classical deterministic,reversible dynamical systems,reproduc-ing the Einstein–Podolsky–Rosen (EPR)correlations in full respect of causality and locality and without the introduction of any ad hoc selection procedure,was constructed in the paper [3].In the present paper we prove that the above mentioned model is unique (see Theorem (2))in the sense that any local causal probability measure which reproduces the EPR correlations must coincide,under natural and generic assumptions,with the one constructed in [3].1IntroductionIt is now understood:(i)that the the common mathematical root of the apparent paradoxesarising in connection with2–slit type or EPR type experiments is that certain statistical data(conditional probabilities,correlations,...)can-not be reproduced by a single Kolmogorovian probability space[1] (ii)that there exist classical deterministic,reversible dynamical systems, reproducing the singlet correlations of spins pairs(or of polarizations ofa pair of entangled photons),called EPR correlations in the following,[3,4].The construction of such dynamical systems was made possible by a new physical idea(the chameleon effect)and a new mathematical tool(the notion of notrivial local causal measure).The chameleon effect consists in the statement that the local dynamics of some systems(adaptive systems)may depend on the observable that one measures.The purpose of the EPR-chameleon model is a simple realization of this general idea.The striking feature of the EPR-chameleon model is that the dynamics of each spin as well as the structure of the state(i.e.the probability measure defining the statisitics)is local and causal i.e.,there is no action at distance between the spins in the pair or between the two measurement apparata and no previous knowledge of the future measurements.Everything is completely pre–determined at the source through an if–then scheme which is typical of adaptive systems and which justifies the chameleon metaphora(if I meet a leaf I will become green,if I meet a piece of wood I will become brown).In the mathematical model the if–then scheme is entirely coded in an intrinsic dy-namics and an initial state and no artificial selection or rejection procedures are introduced by hands.Even if the models described in the present paper are inspired to the EPR–Bohm type experiments[7,8],we emphasize that all our constructions will be entirely within the classical theory of dynamical systems.The organization of the paper is as follows:Section2introduces the notion of triviality of a LC measure and shows that such measures cannot violate Bell’s inequality.Thus if we want to reproduce the EPR–type correlations,then we must investigate nontrivial LC measures.The main result of Section2is the proof of the fact that the class of trivial LC measures and the class of nontrivial LC measures cannot be connected by any local and reversible dynamics(Corollary1).2Section3contains the main result of the present paper i.e.the proof(see Theorem(2))of the fact that any LC probability measure which reproduces the EPR correlations must coincide,under natural and generic assumptions, with the one proposed in[3].Section4makes explicit the mathematical differences between passive and adaptive dynamical systems(see also([4])).Section5shows how the difference between standard and distant particles empirical correlations is reflected in the corresponding mathematical models.The generic assumptions used in the proof of our uniqueness theorem (Theorem(2))are the following:(i)The condition of statistical pre–determination(see Definition(6)) (ii)The rotation invariance of the densities describing the local apparata (see condition(19))(iii)The twice continuous differentiability of these densities(see Theorem(2))(iv)The absolute continuity of the source measure with respect to the Lebesgue measure(see Proposition(2)).While conditions(i)and(ii)have a natural physical interpretation,we don’t see ant natural physical justification for conditions(iii)and(iv).For example at the moment we have no reasons to exclude the possibility of reproducing the EPR correlations with a source measure having a fractal support.Therefore it would be interesting to know if,by dropping some of these assumptions,the uniqueness result continues to be true.This problem will be the object of further investigations.2Trivial LC measuresWe consider a composite system made up of two subsystems,often called “particles”and denoted with the symbos1and2respectively.Their“config-uration”(or“phase”)spaces will be denoted by S1and S2respectively.The two systems are spatially separated so that the mutual interactions between them can be neglected.Each system interacts locally with a measurement apparatus,i.e.system1with apparatus m1and system2with apparatus m2.3The configuration spaces of the measurement apparata will be denoted by M1and M2respectively.We use the indices a,b,...∈I to represent settings of the measurement apparata.In the second part of the paper from section (3)on we specialize the set of indices I to be the interval[0,2π].The notion of“local and causal probability measure”is crucial for EPR-chameleon models.Definition1([4],Definition6.)A probability measure P a,b onS1×S2×M1×M2is called local and causal(LC,shortly)if it has the form dP a,b(s1,s2,λ1,λ2)=dP S(s1,s2)P1,a(dλ1;s1)P2,b(dλ2;s2),(1) where P S is a probability measure on S1×S2;for all s1∈S1,P1,a(·;s1)is a positive measure on M1;for all s2∈S2,P2,b(·;s2)is a positive measure on M2.Notice that the requirement that P S is a probability measure on S1×S2 is not essential:if P S is anyfinite measure,by multiplying P S,P1,a(·;s1) and P2,b(·;s2)by positive constants whose product is equal to1,one can always reduce oneself to the case that P S is a probability measure.This multiplication and division by the same constant is trivial from the mathematical point of view,but it may be essential for the purpose of a local simulation of a LC measure(see the discussion in section(5)below).This is precisely the case for the measure constructed in[4].Let us assume that all the followings are compact Hausdorffspaces:–the configuration space S1of the subsystem1,–the configuration space S2of the subsystem2,–the configuration space M1of the measurement apparatus for the sub-system1,–the configuration space M2of the measurement apparatus for the sub-system2.In terms of these we define the configuration spaces for the composite sys-tems:S:=S1×S2;M:=M1×M2;Ω1:=S1×M1;Ω2:=S2×M24Ω:=Ω1×Ω2=S1×M1×S2×M2=S1×S2×M1×M2.(2) Let Meas(Ω)denote the set of all regular,signed,finite Borel measures on (Ω,B). Meas(Ω),C(Ω) denotes the duality Meas(Ω)=C(Ω)∗.Meas+(Ω) and Prob(Ω)denote the set of all positive measures and the set of all prob-ability measures in Meas(Ω)respectively.Then,since P S is a probability measure on S1×S2,P a,b,given by(1),is a LC measure on S1×S2×M1×M2which can be written in the following functional form:P a,b:=P S◦(P2,b)∈(C(Ω1)⊗C(Ω2))∗=C(Ω1×Ω2)∗,(3) where,for j=1,2and x=a,b,the linear mapsP j,x(f)(s j):= M j f(s j,λj)dP j,x(λj;s j)(4) for each f∈C(S j×M j).Definition2([4],Definition7.)A LC probability measure on the space S1×S2×M1×M2dP a,b(s1,s2,λ1,λ2)=dP S(s1,s2)dP1,a(λ1;s1)dP2,b(λ2;s2)is called trivial if,in the notation(4),∀a,b∈I the mapP2,b:C(Ω1×Ω2)→C(S1×S2)is a P S–conditional expectation i.e.P2,b(12)(s2)≡1,P S-a.e.(5) Denotingp1,a(s1):=P2,b(12)(s2)= M2dP2,b(λ2;s2)(7)5condition(5)becomes equivalent to:p1,a(s1)p2,b(s2)=1,P S-a.e.(8) Remark.If a LC measure is trivial,then fromp1,a(s1)=1c,P S-a.e.By redefining P′1,a:=(1/c)P1,a,P′2,b:=cP2,b,we can assume without loss of generality thatp1,a(s1)=1,p2,b(s2)=1,P S-a.e.The following result shows why contextuality alone is not sufficient to account for the violation of Bell’s inequality.Proposition1([3])Let I be any index set and let P a,b(a,b∈I)be a family of trivial LC probability measures on the spaceΩdefined by(2).Then thepair correlations of any family of random variables S(1)a,S(2)b :Ω→[−1,1](a,b∈I)satisfying the locality conditionS(1)a(ω1,ω2)=S(1)a(ω1);S(2)b (ω1,ω2)=S(2)b(ω2);(ω1,ω2)∈Ω=Ω1×Ω2cannot violate Bell’s inequality.Proof.The pair correlations of the random variables S(1)a,S(2)b are definedbyC(a,b):= P a,b,S(1)a⊗S(2)b = P S,P2,b(S(2)b)S1×S2.Using the functional form(3)of the trivial measures P a,b onefinds |C(a,b)−C(a,b′)|+|C(a′,b)+C(a′,b′)|≤ P S,|P2,b(S(2)b)−P1,a′(S(1)a′)⊗[P2,b′(S(2)b′)]| S1×S2≤ P S,|P2,b′(S(2)b′)|+|P2,b′(S(2)b′)| S1×S2≤26where in the last inequality we have used the fact that Bell’s inequality(in CHSH form)is satisfied by any quadruple of random variables,on a single probability space,with values in the interval[−1,1](for a proof of this state-ment see[2,9]Remark.To be a trivial LC measure is a sufficient,but not necessary con-tition to satisfy Bell’s inequality.There are nontrivial LC measures which are essentially trivial and do not violate Bell’s inequality.For example let P a,b=P S◦(P2,b)be a trivial LC measure.Let q1and q2be non-zero measurable functions on S1and S2respectively such thatdP S(s1,s2)q1(s1)q2(s2)=1.S1×S2Define Q∈Prob(S1×S2)by dQ(s1,s2):=q1(s1)q2(s2)dP S(s1,s2).SinceP a,b=Q◦ (1/q1)P2,b ,if q1⊗q2is not constant on supp Q,then P a,b becomes nontrivial.Recall that,for any pair of compact topological spacesΩ,S,a linear mapT∗:C(Ω)→C(S)is called a Markov operator if it is positivity preserving(f≥0⇒T∗(f)≥0, f∈C(Ω))andT∗(1Ω)=1SIf on S there is a probability measure P S and T∗satisfies the weaker condi-tionsf≥0⇒T∗(f)≥0;P S-a.e.f∈C(Ω)T∗(1Ω)=1S,P S-a.e.we call it a P S–Markov operator.Now letΩ=Ω1×Ω2;S=S1×S2.The identifications:s1≡s1×S2;s2≡S1×s2;s1∈S1,s2∈S2allows us to consider both S1and S2as subsets of S1×S2.7Lemma1For j=1,2,let T∗j :C(Ωj)→C(Ωj)be a positivity preservinglinear operator.The following conditions are equivalent:P1,b(T∗2(1))=1;P S−a.e.(9) there exists a constant c>0such thatP1,b(T∗2(1)/c)=1;P S-a.e.(10) Proof.It is clear that(10)⇒(9).Let us prove the converse implication.If (9)holds,thenP S◦([P2,b◦T∗2])is a trivial measure.Therefore,by the remark after Definition(2)there exists a constant c>0such thatccP1,a⊗Proof.The functional form of(T1,a⊗T2,b)(P a,b)is:(T1,a⊗T2,b)(P a,b)=P S◦(P2,b◦T∗2,b).(11) Condition(10)(with c=1)is equivalent toP2,b(T∗2(1))=1;P S-a.e.which is equivalent to the triviality of(T1,a⊗T2,b)(P a,b).Corollary1Any local reversible dynamics induces a mapping which maps a nontrivial(resp.trivial)LC measure into a nontrivial(resp.trivial)LC measure.Proof.The statement about trivial LC measures follows from Theorem(1).Letµbe a nontrivial LC measure and T be a reversible measurable trans-formation of S1×M1×S2×M2into itself.Suppose by contradiction that ν:=µ◦T is trivial.The linear mapping T induced by T is a Markov operator satisfying µ=T(ν):=ν◦T−1.Its inverse is also a Markov operator satisfyingν= T−1(µ):=µ◦T.But if T is local i.e.of the form T=T1×T2for some T1:S1×M1→S1×M1and T2:S2×M2→S2×M2,then T=T1⊗T2where T1and T2 are Markov operators.By the remark after Definition(3)this contradicts Theorem1.3AIR modelsIn the EPR-chameleon model constructed in[3,4](hereinafter AIR model), which reproduces the EPR–Bohm correlations,the configuration space of the single particle is chosen to be the unit circle,i.e.S1=S2=S1:={(x,y)∈R2:x2+y2=1}and the observables to be functions f:S1→R.It is convenient,in order to calculate easily the integrals expressing the correlations,to identify S1 with the quotient space R/(2πZ)≡[0,2π),i.e.the real numbers defined modulo2πand the observables with periodic functions f:R→R with9period2π.We will freely use this identification in the following.S1×S2is a two-dimensional torus T2:=S1×S1.DefineI a:= −π2 ,J a:= a+π2Under our convenction of identifying numbers modulo2π,one hasI a+π=J a,J a+π=I aThe random variables S(1)a and S(2)b ,representing outcomes of measure-ments of spins,are parametrized by a,b∈[0,2π)and are defined byS(1)a(s1):=χIa (s1)−χJa(s1),s1∈S1(12)S(2) b (s2):=−χIb(s2)+χJb(s2),s2∈S2(13)thus they depend only on thefinal configurations of the particles,s1∈S1 and s2∈S2respectively and are independent of the(final)configurations of the measurement apparata(the reason why we interpret these points asfinal rather than as initial configurations is discussed in sections(4)and(5)).In the present section we study the most general family of local causal probability measures on T2which reproduce the EPR–Bohm correlations and we prove that,under natural generic conditions,they must have the form used in the AIR model.If P a,b is a local causal probability measure on S1×S2×M1×M2of the form(1),we denote R a,b its marginal probability on T2=S1×ing the notations(6),(7),we can write R a,b in the following form:dR a,b(s1,s2)=dP S(s1,s2)p1,a(s1)p2,b(s2),(14) where s1,s2∈[0,2π)arefixed parameterizations of S1=S1and S2=S1 respectively,P S is a probability measure on T2and p1,a(s1),p2,b(s2)≥0.We say that the family of probability measures(14)reproduces the statis-tics of the EPR–Bohm experiment if,for any a,b∈[0,2π)one has:R a,b(I a×I b)=12 =:P+−a,b(15) 10R a,b(J a×J b)=12 =:P−+a,bR a,b(I a×J b)=12 =:P++a,bR a,b(J a×I b)=12 =:P−−a,b.Remark.Let usfix(arbitrarily)a single oriented reference framework for the whole experiment,determined by3orthogonal axes x,y,z.We assume that the trajectories of all particles entirely lay in the(x,y)–plane and that the parameters a and b represent the angles of the orientation of the spin analyzers with the x–axis.The identities(15)show that the experimental probabilities do not de-pend on the arbitrarily chosen global reference frame but,as one would expect intuitively,only on the relative orientation of the spin analyzers. Given our assumptions,this invariance of(15)expresses the invariance of the experimental probabilities under rotations around the z-axis,i.e.under transformations of the form a→a+c and b→b+c for any real num-ber c:P++a,b =P++a+c,b+c,etc.Choosing c=−a or−b,this implies thatP++ a,b =P++a−b,0=P++0,b−a,etc.This suggests the following:Definition4Two probability measures R a,b,R a′,b′,of the family(16),are called empirically equivalent if thy reproduce exactly the same empirical data, i.e.if:R a,b(I a×I b)=R a′,b′(I a′×I b′)R a,b(J a×I b)=R a′,b′(J a′×I b′)R a,b(I a×J b)=R a′,b′(I a′×J b′)R a,b(J a×J b)=R a′,b′(J a′×J b′)Denoting∼the relation of empirical equivalence among probability mea-sures and using the terminology of Definition(4),the rotation invariance property of the family of probability measures(14),can be reformulated as follows:R a,b∼R a−b,0∼R0,b−a;∀a,b∈[0,2π).(16) Notice however that the rotation invariance of the experimentally measured probabilities is a weaker condition than the rotation invariance of the full probability measures.113.1The support of R a,bLet us consider a measurable space(Ω,B)consisting of a compact HausdorffspaceΩand its Borelσ-algebra B generated by the open sets ofΩ.Definition5For P∈Prob(Ω)(the set of all probability measures onΩ), put F:={A∈B:A is open and P(A)=0}and define supp P:= A∈F A c.We call supp P the support of P.Define the diagonal subset∆of T2by∆:= (s1,s2)∈T2:s1=s2(mod2π) .(17) Definition6The family(14)of probability measures satisfies the condition of statistical pre–determination if∀(s1,s2)∈T2\∆there exists a∈S1 and a neighborhood G of(s1,s2),contained in(I a×J a)∪(J a×I a)such that p1,a(s′1)p2,a(s′2)>0;∀(s′1,s′2)∈G.Remark.If S1=S2were a discrete space,the condition R a,a(s1,s2)=0 would define the forbidden configurations for the pair of observables S(1)a(s1), S(2)a(s2),i.e.those configurations which give zero contribution to the corre-lation of these observables.Statistical predetermination means that,the fact that a configuration is statistically forbidden for such all measurements that the outcomes are precisely(anti-)correlated cannot depend on the local measurements,but it is defined at the source.Since our configuration space is not discrete,we introduce the neighbor-hood G,of(s1,s2),to express this idea.Proposition2Suppose that the family of probability measures(14)satisfies (15)(agreement with the empirical data)and the condition of statistical pre–determination.ThensuppP S⊆∆In particular,if the restriction of P S to∆is absolutely continuous with respect to the Lebesgue measure on∆,then there exists a nonnegative functionρ(s1) on∆≡S1such that:dP S(s1,s2)=ρ(s1)δ(s1−s2)ds1ds2(18)12Proof.By assumption,for each(s1,s2)∈T2\∆,there exist a∈[0,2π)and a neighborhood G of(s1,s2)contained in(I a×J a)∪(J a×I a)such thatS1×S2dP S p1,a⊗p2,a·χG=R a,a(G)≤R a,a((I a×J a)∪(J a×I a))=P++a,a +P−−a,a=0.Since p1,a⊗p2,a>0on G,it follows that P S(G)=0,i.e.G⊆(supp P S)c. Thus any point in T2\∆has a neighborhood contained in(supp P S)c.This means that T2\∆⊆(supp P S)c or equivalently that supp P S⊆∆.In view of this property,the existence ofρis equivalent to the absolute continuity of the restriction of P S on∆.Theorem2Under the assumptions of Proposition(2),if p1,a and p2,b are rotation invariant,i.e.p1,a+δ(s1+δ)=p1,a(s1);p2,b+δ(s2+δ)=p2,b(s2);∀δ∈R(19) and twice continuously differentiable,then the probability measure dR a,b(s1,s2), defined by(14),must have either the formdR a,b(s1,s2)=δ(s1−s2)ds1ds214|cos(s2−b)|.(21) Proof.Because of rotation invariancep1,a(s1)=p1,0(s1−a)=:p1(s1−a)p2,b(s2)=p2,0(s2−b)=:p2(s2−b).Using the result of Proposition(2),we havedR a,b(s1,s2)=ρ(s1)p1(s1−a)p2(s2−b)δ(s1−s2)ds1ds2.For a and b satisfying0≤b−a≤π,I a∩I b=[−π/2+b,a+π/2),and thereforeR a,b(I a×I b)= a+π/2−π/2+b ds1ρ(s1)p1(s1−a)p2(s1−b).13By(15),1sin(b−a)=−ρ(b−π/2)p1(b−a−π/2)p2(−π/2)4+ a+π/2b−π/2ds1ρ(s1)p1(s1−a)p′2(s1−b).(22) Putting b=a+π,we obtain0=ρ(a+π/2)p1(π/2)p2(−π/2).Since a is arbitrary andρis a probability density,ρ(a+π/2)cannot vanish. Hencep1(π/2)=0or p2(−π/2)=0.Let us assume that p1(π/2)=0.Differentiating(22)with respect to b and putting b=a+π,we obtain1(1−cos(b−a))=R a,b(I a×J b)=c −π/2+a−π/2+b ds1p1(s1−a)p2(s1−b).4Differentiating this with respect to b,we have1Putting b=a,we obtain0=−cp1(−π/2)p2(−π/2).Since p2(−π/2)=0,p1(−π/2)=0.Since(I a∩J b)∪(I a∩I b)=[−π/2+a,a+π/2),by(15)we have 1=c π/2−π/2dsp1(s)p2(s−b+a).2In the same way,forπ≤b−a≤2π,I a∩I b=[−π/2+a,−3π/2+b)and I a∩J b=[−3π/2+b,a+π/2),we have1sin(b−a)=− p1(−π/2+b−a).4By putting s=b−π/2, p1(s−a)=1|cos(s−a)|,−π/2≤s−a≤π/2.415Since J a∩I b=[a+π/2,b+π/2),14sin(b−a)= p1(b+π/2−a).By putting s=b+π/2, p1(s−a)=14cos(s−a)forπ/2≤s−a≤3π/2.Thereforep1(s−a)=14|cos(s1−a)|.If we assume that p2(−π/2)=0instead of p1(π/2)=0,then in the same way we obtaindR a,b(s1,s2)=δ(s1−s2)ds1ds21It is clear that the two experimental situations must correspond to dif-ferent mathematical models.In the present section we try to make these differences explicit.Standard determinism can be summed up in the statement:the state at any time t=t0uniquely determines the states at any later time(t>t0). For reversible determinism also the converse is true:the state at any time T uniquely determines the state at any time t0<T.In exact determinis-tic theories states are characterized by the values of some observables,like position and momentum in classical mechanics.We call“configuration(or phase)space”the state space of an exact de-terministic theory.In statistical deterministic theories,one postulates the existence of an underlying exact theory and the states are probability measures on the con-figuration space of this theory.The prototype example is classical statistical mechanics and the models considered in the present paper fall into this cat-egory,i.e.a statistical,reversible deterministic theory.The mathematical model of such a theory is defined by–a configuration spaceΩ–a deterministic,reversible dynamics T t:Ω→Ω–a probability measure P onΩ.The interpretation of P depends on the experimental setting.We distinguish two cases:(i)P condensates the experimental information available at an initial timet0(ii)P condensates the experimental information available at afinal time t f,i.e.the time when the experiment is actually performed.According to von Neumann measurement theory a mathematical descrip-tion of a measurement process must take into account the interaction of the measured system with the measurement apparatus.This means that,for adaptive systems(like chameleons)the meaning of the probability measure P must be understood in the sense of(ii)above.More precisely,von Neumann measurement scheme requires the specifi-cation of:17–a configuration space M of the apparatus–a joint dynamicsT t S,M:S×M→S×Mdescribing the evolution of the composite system(system,apparatus). In the case of adaptive systems,at the initial time t0one has a whole family of possible measurements and the one which will be performed will be known only at thefinal time t f.Therefore a von Neumann type description of an adaptive system should consist of a multiplicity of triples(S×M,T t S,M,P S,M)i.e.on triple for each of the possible measurements.Moreover,since the choice of the measurement,and therefore all the available experimental data,occur at afinal time t f,the identityP t0=T−(t f−t0)S,MP S,Mwhich expresses the unknown initial distribution(P t)in terms of the exper-imentally found distribution(P S,M),shows that the initial distribution de-pends on the measurement.This circumstance does not violate the causality principle because such an initial distribution should be interpreted as the conditional distribution at time t0of the composite system(S,M)given the knowledge of the results of the experiment M,performed at time t f>t0.The local causal measures discussed in the present paper correspond to thefinal measures P S,M described here.5Empirical correlations of systems of distant particlesIn the present section we argue that the same term“pair correlation”is used to describe two completely different experimental procedures and that a good mathematical model should take into account these experimental differences.If S is the configuration space of a classical system,then by definition a trajectory of this system is a mapσ:t∈[tσ,+∞)→σt∈S.18For each t∈[tσ,+∞),σt is interpreted as the configuration of the system at time t.In the following wefix the interval[tσ,+∞)and we often will not mention it.If(1,2)denotes a composite system made of two particles,a trajectory of the pair is by definition a pair(σ1,σ2),whereσ1is a trajectory of particle 1andσ2is a trajectory of particle2.We suppose that all the particles1j(resp.2j),j∈{1,...,N},N∈N, have the same configuration space S1(resp.S2)so that all theσ1,j(resp.σ2,j)are functionsσ1,j:[tσ1,+∞)→S1(resp.σ2,j:[tσ2,+∞)→S2).Let(f1,f2)be an observable of the pairs(1j,2j).The term empirical correlation between f1and f2has a multiplicity of meanings depending on the experimental procedure employed to measure this quantity.In the following we shall describe these possibilities which are frequently met.By definition of classical system,if a configuration space of a system is S,an observable of the system is a real valued function f defined on S,i.e., f:S→R.An observable of a pair of systems(1,2)is a pair(f1,f2),where f1is an observable of system1and f2is an observable of system2.If it is given an ensemble of pairs(1j,2j),j∈{1,...,N},(23) (σ1,j,σ2,j)denotes the trajectory of the j th pair(j=1,...,N).If this ensemble of pairs is obtained by repeating measurements with the same measurement apparata on successively emitted particles from a source,thentσ1,1<···<tσ1,N,tσ2,1<···<tσ2,N.Tofix the ideas,from now on we shall think of a source which emits pairs of particles and particles of a pair are emitted simultaneously,i.e.,tσ1,j =tσ2,j=t jfor each trajectory(σ1j,σ2j)in concrete experimental situations.5.1Standard correlationsThe term standard correlation is used when the following physical conditions are verified:191)The total number N of pairs is exactly known.2)The trajectory of each pair can be followed without disturbance sothat,at each time t,the experimenters know exactly to which of the pairs(23)their measurement is referred.This property will be called distinguishability.3)The observable(f1,f2)is measured on each pair of the ensemble.Theresult of the measurement of(f1,f2)on the j th pair will be denoted by(f1,j,f2,j);the measurement itself will be denoted by M j.Under these conditions the following definition makes sense.Definition7The empirical correlation between the pair of observables(f1,f2), relative to the sequence of measurements M=(M j)on the ensemble{(1j,2j): j=1,...,N}is1f1·f2 M:=5.2Correlations of distant pairsSuppose that the measurement protocol is the following.(DP1)It is known that each pair is emitted simultaneously,but the experi-menters do not know precisely when,i.e.,tσ,j is not known.(DP2)The experimenters cannot follow the trajectory of each particle,but only register the result of a measurement at time t(indistinguishability).(DP3)The experimenters have synchronized clocks,so the time t is the same for both.(DP4)The experimenters do not know the total number of emitted particles.(DP5)The experimenters cannot postulate that,if a particle of a pair reaches one of them,then the other particle reaches the other experimenters.Conditions(4)and(5)of the previous section are still meaningful because they are referred to single particles.However condition(3)is meaningless because of indistinguishability.Moreover the N,in formula(24)is unknown.In a situation described by the above conditions we speak of correlations of distant particles.In conclusion:under the above described physical conditions,the defini-tion of standard correlations is meaningless and a new one is needed.Definition8The protocol to define correlations of distant particles is the following:(CDP1)The experimenter X,X∈{1,2}performs measurements on M X par-ticles and records–the time t′X,j of the j th measurement–the value f X,j of the measured observable f Xfor∀j∈{1,...,M X}.(CDP2)The two experimenters exchange the sequences(t′1,j,f1,j):j=1,...,M1 and (t′2,j,f2,j):j=1,...,M2 .21。

相关文档
最新文档