1. Introduction 3 Moving Cast Shadow Detection
皮影戏介绍英文作文初中

皮影戏介绍英文作文初中全文共3篇示例,供读者参考篇1Chinese shadow play, also known as shadow puppetry, is a traditional form of storytelling and entertainment that originated in ancient China. It has a history of over 2000 years and is considered one of the earliest forms of puppetry in the world. The art of shadow play involves using puppets made of animal skin or paper to create shadow images on a screen, accompanied by music and narration.The puppets used in Chinese shadow play are typically made from thin, translucent materials such as leather or paper. They are intricately cut and decorated with colorful designs to represent various characters and objects. These puppets are manipulated by puppeteers who stand behind a white screen, using rods and strings to create movements and gestures that are cast as shadows onto the screen.The performances of Chinese shadow play usually revolve around traditional folk tales, legends, and myths. The stories are often accompanied by music played on traditional instrumentssuch as drums, gongs, and flutes. The puppeteers also provide voiceovers and sound effects to enhance the storytelling experience.One of the most famous shadow play performances in China is the "Legend of the White Snake," which tells the tale of a powerful and malevolent snake demon who falls in love with a human man. The story is full of drama, romance, and supernatural elements, making it a favorite among audiences of all ages.Chinese shadow play has been recognized by UNESCO as an Intangible Cultural Heritage of Humanity, preserving and promoting this ancient art form for future generations to enjoy. It continues to be performed in traditional theaters, cultural events, and festivals across China and around the world.In conclusion, Chinese shadow play is a unique and captivating art form that has been passed down through generations. It combines storytelling, puppetry, music, and visual effects to create a magical and immersive experience for audiences. Through its rich history and cultural significance, Chinese shadow play remains a cherished part of China's cultural heritage.篇2Introduction to Shadow PlayShadow play, also known as shadow puppetry, is a traditional form of puppetry that has been performed in various cultures around the world for centuries. It is believed to have originated in China during the Han Dynasty more than 2,000 years ago. The art form involves manipulating flat, opaque figures made of leather or paper against a translucent screen to create shadows that tell a story.In China, shadow play is called "pi ying xi" (皮影戏), with "pi" meaning leather and "ying" meaning shadow. The figures used in Chinese shadow play are often made from animal hides, which are intricately cut and painted with vibrant colors. These figures are then mounted on bamboo sticks and manipulated by puppeteers behind a backlit screen.The stories told in Chinese shadow play are usually based on traditional folklore, myths, and legends. The most popular tales include the legend of the Monkey King, the story of the cowherd and the weaver girl, and the adventures of the Eight Immortals. The performances are accompanied by traditional music, singing, and narration to enhance the audience's immersion in the story.Shadow play has spread to other parts of Asia, including Indonesia, India, Malaysia, and Thailand, where it has evolved to incorporate local customs and traditions. Each culture has its own unique style of shadow play, with distinct techniques, figures, and storytelling conventions.In recent years, shadow play has seen a resurgence in popularity as a form of cultural heritage preservation and artistic expression. Many contemporary artists and performers are experimenting with new technologies and storytelling techniques to bring this ancient art form to a modern audience.In conclusion, shadow play is a captivating and enchanting form of puppetry that continues to fascinate audiences around the world. Its rich cultural history, intricate craftsmanship, and timeless stories make it a cherished art form that will continue to endure for generations to come.篇3The Introduction of Shadow PlayShadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment that dates back to over 2,000 years ago in China. It involves manipulating translucentpuppets made of leather or other materials behind a backlit screen to create dynamic and engaging visual narratives.The puppets used in shadow play are typically intricately designed and crafted, with joints that allow for articulation and movement. These puppets are placed between a source of light and a screen, which can be made of paper, fabric, or other materials that allow light to pass through but are opaque enough to create shadows.The puppeteers, who are skilled in the art of shadow play, stand behind the screen and manipulate the puppets using rods and strings to create a variety of movements and gestures. By moving the puppets closer to or further away from the light source, the puppeteers can control the size of the shadows and create a sense of depth and perspective in the performance.Shadow play performances are often accompanied by music, singing, and narration to enhance the storytelling experience. The stories depicted in shadow play performances can range from traditional folk tales and legends to contemporary adaptations of popular stories and myths.One of the most famous examples of shadow play is the Chinese tradition of shadow puppetry, which has been passed down through generations and continues to be a beloved formof entertainment in many parts of China and other countries in Asia. In addition to its cultural significance, shadow play also serves as a valuable educational tool for teaching history, morality, and cultural values to audiences of all ages.In recent years, shadow play has experienced a resurgence in popularity as a form of visual arts and entertainment. Many artists and performers around the world are innovating new ways to incorporate shadow play techniques into modern theatrical productions, films, and multimedia installations.Overall, shadow play is a timeless and captivating art form that continues to inspire and delight audiences with its creative storytelling and dazzling visual effects. Whether experienced in a traditional village setting or a contemporary theater, shadow play is sure to leave a lasting impression on all who witness its magic.。
艺术设计英语(第二版) 课后答案

English for Art DesignUnit 1 IntroductionLesson 1 Art in ChinaLook and Learn(横向从左至右)1. figure2. new year painting3. landscape4. bird-and-flower painting5. calligraphy6. muralDialogueA. 1. “Haven’t seen you for a long time.”2. the Art Museum to visit a Chinese brush painting and calligraphy exhibitionB. calligraphy / museum / exhibition / favorite / enjoyableReading (横向从左至右)A.Xuan paper 毛笔brush 帛silk 宣纸B.c a b dLesson 2 Art in the Western WorldLook and Learn (横向从左至右)1. Picasso2. Van Gogh3. Dali4. Seurat5. Monet6. Henri RousseauDialogueA. 1. No2. Yes3. No4. YesB. Florence Baroque ImpressionismA. 1. c 2. a 3. cB. 1. The Last Supper 2. Mona Lisa 3. Self-portraitUnit 2 PaintingLesson 1 Common Building Materials Look and Learn (横向从左至右)1. highlight2. core shadow3. mid-tone4. cast shadow5. reflected lightDialogueA. 1. Yes2. Yes3. No4. YesB. 1. c 2. d 3. b 4. AReadingA. 1. cone 2. sphere 3. cylinder 4. cubeB. 1. d2. b3. cLesson 2 ConcreteLook and Learn (横向从左至右)1. rectangle2. line3. oval4. triangle5. circle6. squareDialogueA. 1. Ann is going to the Sun Park.2. Ann would like to have a sketch there.3. She can get there by bus.B. Practice in pairs.A. graphite pencils 写生本charcoals 铅笔sketchbook 炭笔B.freehand / sketchbook / experience / essential / proportion / perspectiveLesson 3 ColorLook and Learn1. color wheel2. complementary colors3. analogous colors4. primary colors5. secondary colors6. tertiary colorsDialogueA. 1. Yes2. No3. No4. YesReadingA. tint / shade / toneB. 1. hue / value / saturation2. gray scale3. purity4. Light / brightLesson 4 Pattern and Formation Look and Learn1. repetition2. anomaly3. concentration4. radiation5. similarity6. graduation7. texture8. contrastA. 1. He is thinking of using it to decorate as cushions.2. No, it doesn’t.B.cushion 座垫floor cushions 茶几垫tea table mat 垫子ReadingA. balance / unity / emphasis / harmony / relationship / proportion / rhythmB.1. balance gives us the feeling that all parts of the works are in harmony2. rhythm makes the artwork seem active3. emphasis catches our attention at first4. unity fits every element in the artwork together5. proportion adds emphasis and balance among the elements as a wholeUnit 3 DesignLesson 1 Graphic DesignLook and Learn(横向从左至右)1. logo2. website3. business card4. advertisement5. poster6. product packagingDialogueA. 1. Yes2. No3. No4. YesB. 1. the first poster2. the second posterReadingA. 1. talk to your clients to gather as much information as you can.2. softwares3. fonts, size, arrangementB. 1. talk to your clients to gather as much as information as you can2. a harmonious looking centered on the theme is more beautiful3. you can modify the images depending on softwares4. the choice of fonts, size and arrangement should be considered carefullyLesson 2 Interior DesignLook and Learn(横向从左至右)1. living room2. dining room3. bedroom4. study room5. bathroom6. KitchenDialogueA. 4 3 5 1 2 6B.1.frame the headboard with a canopy to draw the eye up and create the illusion of a high ceiling2.try to hang the curtains above the top of the window frame.3.pick an oversize mirror to make the room appears larger.4.choose the vertical stripe wall papere the dark color wall paper for one single wall.ReadingA.B. considerinteriordecorativemoodcategoryLesson 3 Industrial Product DesignLook and Learn(横向从左至右)1. household Appliance2. furniture3. electronic appliance4. transportationDialogueA. 1. Yes2. No3. No4. YesB.inconvenientwirelesspersonalizeportableefficiencyReadingA.1.艺术的基本概念2.尽管这个计划构思很好,但是因资金不足而流产3.可用性测试B.Usability 应力分析stress analysis 材料工程materials engineering 可用性Lesson 4 Fashion Design Look and Learn(横向从左至右)1. bloomers2. rompers3. harem pants4. bell-bottomed pants5. pencil pants6. straight trousersDialogueA. 1. No2. Yes3. Yes4. NoB. 1. princess dress2. shirt dress3. empire dressReadingA. 1. b 2. c 3. cB. 1. Jeannet suit2. The Camellia flower accessory3. The double C logoLesson 5 AnimationLook and Learn(横向从左至右)1.extra long shot2. long shot3. medium long shot4. medium shot5. close-up6. extreme close-upDialogueA. 1. She saw a film with one of her friends.2. Kung Fu Panda.B.awesomeattentionattractiveanimationReadingA. 1. computer animation 2. stop motion 3. traditional animationB. 1. takes much time and requires a team of animators2. requires patience3. make the process easier and fasterUnit 4 Software for DesigningLesson 1 Software for Graphic Design: Photoshop & CorelDRAW Look and Learn(横向从左至右)1. blur tool2. brush tool3. eraser tool4. magic wand tool5. marquee tool6. move toolDialogueA. 1. No2. No3. No4. YesB. a c bReadingA. vector graphics editor 平面设计image processing software 矢量绘图软件graphic design 图形图像处理软件Lesson 2 Software for 3D-Design: 3DS Max Look and Learn(横向从左至右)box cone toruscylinder sphere tubegeosphere teapot pyramidDialogueA. 1. Yes2. No3. No4. YesB. 1.bookcase 2. sofa 3. study tableReadingA.1.Create panel2.Modify panel3.Hierarchy panel4.Motion panel5.Display panel6.Utilities panelB. renderingmodelingcommandmodifyhierarchyutility。
人教版高中英语选择性必修第二册精品课件 Unit 1 Section C

基础落实•必备知识全过关
重点单词 必记写作词汇
1. cast 2. shadow 3. rainbow 4. pour 5. concrete
6. outstanding
vt.投射;向……投以(视线、笑容等);投掷 n.阴影;影子;背光处 n.彩虹 vt.倒出;倾泻;斟(饮料) n.混凝土 adj.混凝土制的;确实的;具体的 adj.优秀的;杰出的;明显的
原因状语从句 宾语从句 China needed its own powerful air force to protect anddefend the country.
[尝试翻译] 然而,在1932年淞沪会战爆发后,钱学森做出了把他的专业改为航空专业的 决定,因为他意识到中国需要自己强大的空军来保护和保卫国家。
Activity 5 诵读佳句 学练写作 1.Read the texts carefully and find the sentence(s) to describe Qian Xuesen’s determination. Nevertheless,Qian did not let that discourage him from taking on the challenge. 2.Read the texts carefully and find the sentence(s) to describe ng’s courage. He was willing to say what others were afraid to say,and to dream of what others were afraid to dream about.
music and drawing,which gave him 10. inspiration
人教版新教材高中英语选择性必修二词汇默写(英译汉)

76. vivid 77. the big bang theory 选择性必修二 Unit 2 1. complex 2. recall 3. qualification 4. qualify 5. ambition 6. ambitious 7. adaptation 8. comfort 9. tutor 10. cite 11. participate 12. participate in 13. presentation 14. speak up 15. feel at home 16. engage 17. engage in 18. involve 19. get involved in 20. messenger 21. edition 22. culture shock 23. zone 24. comfort zone 25. overwhelming 26. homesickness 27. motivated 28. motivation 29. advisor 30. reasonable 31. expectation 32. applicant 33. firm 34. exposure 35. expose 36. insight 37. departure
默写:英译汉
36. finding 37. initial 38. vaccine 39. framework 40. theoretical framework 41. solid 42. cast 43. shadow 44. rainbow 45. pour 46. concrete 47. plasma 48. aerospace 49. patriotic 50. mechanical 51. mechanic 52. break out 53. aviation 54. defend 55. jet 56. assistant 57. in charge of 58. missile 59. leadership 60. trace 61. outstanding 62. gifted 63. come down 64. abstract 65. steady 66. concept 67. astronomer 68. astronomy 69. telescope 70. besides 71. brilliant 72. furthermore 73. above all 74. fault 75. shift
Detection and tracking of moving cast shadows

I Introduction
II Detection of Changes Caused by Shadows
In 13], image signal changes caused by moving cast shadows are detected based on four assumptions: (1) Shadow causing light source is strong with respect to other light. This implies that the frame di erence is large in regions changed by cast shadows 12]. Thus, a change detection is applied to a current and to a preceding image from the image sequence 11]. In this paper, camera and background are assumed to be static. Thus, the change detection mask contains only image regions changed by moving objects or moving cast shadows. If camera or background are moving, a global motion compensation may be performed as described in 9]. Three more assumptions are used to retain only those changes that are caused my moving cast shadows. (2) Shadows are on a dominant background. Then, image regions changed by moving cast shadows should have the same motion as the background. If camera and background are static, this means zero motion. Changed image regions with zero motion are detected by two steps. First, in the current and in the preceding image edges are detected. Second, the edges are classi ed into moving edges, if the corresponding frame di erence has high frequencies. Other edges are classi ed as static edges. Changed image regions with zero motion are de ned to be regions with no edges or regions with static edges. 10] 11]. (3) The background has a smooth shape. This implies that the illumination incident on the background is spatially smooth 12]. Then, image regions changed by moving cast shadows should have a smooth frame ratio between the current and the preceding image. The frame ratio is tested for smoothness by evaluating its variance that is calculated for each pel in a local neighborhood. (4) The cast shadows have a penumbra. At certain scene geometries, a cast shadow has thick contours, called penumbra, with a soft illumination transition 6] 15]. Thus, image regions changed by moving cast shadows should preferably have thick contours. 2
2020职称英语词汇C开头:cast a shadow over是什么意思及反义词

2020职称英语词汇C开头:cast a shadow over是什么意思及反义词英语句子The tragedy cast a shadow over their lives.这个悲剧在他们的生命中投下了一片阴影。
The sad news cast a shadow over her face.这个不幸的消息使她脸色阴沉。
As long as it remained unsolved, it cast a shadow over the relations between us.这个问题不解决,在我们两国和两国人民之间总是存有着阴影。
The tragedy cast a shadow on/over their lives,ie made them gloomy and depressed.这个悲剧在他们的生命中投下了一片阴影(使他们愁闷、沮丧).The office block to the west casts its shadow over our balcony朝西的那幢办公大楼遮住了我们阳台的光线。
相似短语cast a shadow over vt.投下阴影,遮光cast a shadow 投影蒙上阴影cast shadow 投影shadow cast 投影cast over 绕针相似单词cast v. [T] 1. 投,掷,抛,扔,撒 2. 投射(光、影、视线等)(+at/on) 3. 脱落;蜕(皮);丢弃 4.(动物)早产 5. 投(票);抽(签);掷(骰子) 6. 选派...扮演角色,为(戏剧、角色)选派演员(+as/in) 7. 浇铸 8. 计算;把...加起来 9. 解雇,辞退;剔除(牲畜) 10. 制定;编排;分类整理 v.[I] 1. 投;抛垂钓鱼钩(cast-iron a. 铸铁的,坚固的,严格的cast-off adj. 脱圈castability 铸造性; 铸造质量; 可铸性castalia n. 诗之泉;灵感的源泉。
tiktok 书籍 英文版的影子日记
tiktok 书籍英文版的影子日记Title: The Shadow Diary: An English Edition Inspired by TikTokIntroduction:In the digital age, TikTok has become a platform where stories are born, shared, and multiplied."The Shadow Diary" is a captivating book that embraces the essence of this era, translating the brief snippets of life on TikTok into a compelling narrative.This English edition aims to provide readers with an immersive experience, exploring themes of identity, self-reflection, and the shadows that follow us in our daily lives.Chapter 1: The Birth of ShadowsThe diary opens with the protagonist, a young content creator, pondering the concept of shadows.In today"s world of social media, our online personas are like shadows, sometimes following our true selves closely, other times drifting away into uncharted territories.This chapter delves into the inception of the shadow diary, a project aimed at documenting the contrasts between our public faces and private thoughts.Chapter 2: The Dancer in the SpotlightWe meet a TikTok sensation, a dancer who seems to be living the dream.However, behind the perfectly synchronized dances and the adoring comments lies a story of struggle and self-doubt.The shadowdiary exposes the dancer"s innermost fears, revealing that even the brightest lights cast shadows.Chapter 3: The Comedian"s TragedyIn this chapter, we encounter a comedian who has gained fame for making millions laugh.The shadow diary takes us on a journey through the comedian"s personal life, where humor serves as a mask for pain and heartache.It"s a stark reminder that behind every joke lies a story untold.Chapter 4: The Influencer"s SecretHere, we follow an influencer who seems to have it all: the perfect body, a luxurious lifestyle, and a massive following.The shadow diary exposes the dark side of this seemingly perfect life, uncovering the influencer"s battle with self-image and the relentless pursuit of perfection.Chapter 5: The Shadow WithinThis chapter focuses on the readers themselves, encouraging them to reflect on their own shadows.Through thought-provoking questions and introspective exercises, the shadow diary becomes a tool for self-discovery, asking readers to confront and embrace their own inner darkness.Chapter 6: Embracing the ShadowsThe final chapter emphasizes the importance of accepting ourshadows as an integral part of who we are.It encourages readers to find balance between their public personas and private selves, acknowledging that our shadows can be a source of strength and creativity if we learn to understand and embrace them.Conclusion:"The Shadow Diary" concludes by reminding us that social media platforms like TikTok are mirrors reflecting our society"s collective consciousness.By exploring the shadows cast by these digital lives, we can gain a deeper understanding of ourselves and others, ultimately leading to a more compassionate and connected world.ote: The above content is a creative interpretation of the task title and does not claim to represent any existing book or publication.。
大学英语作文闪光句型
大学英语作文闪光句型Certainly! Here are some shining sentence patterns you can incorporate into your college English composition:1. Introduction:In today's society, it is undeniable that...With the rapid development of technology, the issue of... has become increasingly prominent.It goes without saying that...2. Presenting Arguments:Firstly, it is important to consider...Moreover, it should be noted that...Furthermore, there is compelling evidence to suggestthat...Additionally, one cannot overlook the fact that...Equally important is the idea that...3. Providing Examples:For instance, in the field of [subject], recent studies have shown that...A case in point is...To illustrate this point, let us consider the example of...Consider, for example, the case of...4. Contrasting Ideas:On the contrary, some argue that...However, it must be acknowledged that...Nevertheless, it is important to recognize that...Conversely, others contend that...5. Concluding Thoughts:In conclusion, it is evident that...To sum up, the importance of [subject] cannot be overstated.Ultimately, it is imperative that we...All things considered, it is clear that...6. Making Recommendations:Moving forward, it is essential that steps be taken to address...In light of these findings, it is recommended that...To mitigate this issue, it is advisable to...7. Emphasizing Importance:It is imperative that we recognize the significance of...The importance of [subject] cannot be overstated.It is crucial that immediate action be taken to address...8. Expressing Certainty:There is no doubt that...It is undeniable that...Without a shadow of a doubt...9. Expressing Uncertainty:While it may seem clear-cut, there are nuances to consider...It is worth noting that there is still much debate surrounding...The issue is complex and cannot be easily simplified to...10. Offering Solutions:To address this issue, one possible solution is to...A potential course of action could be to...Implementing [solution] could lead to significant improvements in...Remember, the effective use of these sentence patternscan greatly enhance the coherence and persuasiveness of your writing. Happy composing!。
英语作文能用到的好词好句初一下册
英语作文能用到的好词好句初一下册全文共3篇示例,供读者参考篇1Good words and phrases are essential for writing a compelling English composition. In this document, I will introduce some good words and phrases that can be useful for writing essays in the first semester of the first grade.1. Introduction- It goes without saying that...- In this day and age...- With the rapid development of...- Nowadays, people are becoming more aware of...2. Body- On the one hand...- On the other hand...- Furthermore...- Additionally...- Moreover...- In addition to...- Not only... but also... - Similarly...- Likewise...- In contrast...- However...- Nevertheless...- Despite...- Although...- In conclusion...3. Conclusion- To sum up...- All in all...- In a nutshell...- In conclusion...- To conclude...4. Expressing opinions- Personally, I believe...- From my perspective...- In my opinion...- I strongly feel that...- I am convinced that...- It is my firm belief that... 5. Giving examples- For example...- Such as...- Like...- Including...- In particular...- To illustrate...6. Expressing cause and effect - As a result...- Consequently...- Therefore...- Thus...- Due to...- Consequently...- Because of...7. Expressing agreement- I agree with...- I share the same opinion...- I concur with...- I couldn't agree more...8. Expressing disagreement- I disagree with...- I don't share the same opinion...- I have a different perspective...These are just a few examples of good words and phrases that can be helpful when writing English compositions. By incorporating these expressions into your writing, you can make your essays more engaging and persuasive. So, next time you sitdown to write an essay, remember to use these good words and phrases to enhance your writing.篇2English Writing: Good Words and Phrases for Grade 7 First SemesterAs students embark on their journey into the world of English writing in the first semester of Grade 7, it is important to equip them with a range of good words and phrases to enhance their compositions. Below, we have compiled a list of key vocabulary and expressions that can be incorporated into various types of writing assignments, such as narratives, descriptions, and persuasive essays.Narrative Writing:1. Once upon a time...2. Suddenly, out of the blue...3. As the clock struck midnight...4. With bated breath...5. The suspense was palpable...6. In the blink of an eye...7. All of a sudden...8. Time seemed to stand still...Descriptive Writing:1. The sun cast a warm, golden glow over the landscape...2. The scent of fresh flowers wafted through the air...3. The bustling city streets teemed with activity...4. The tranquil waters glistened in the sunlight...5. A sense of serenity washed over me...Persuasive Writing:1. It is imperative that we take action now...2. It is clear beyond a shadow of a doubt that...3. We cannot afford to turn a blind eye to...4. It is incumbent upon us to address this issue immediately...5. We must stand united in our resolve to...In conclusion, by incorporating these good words and phrases into their writing, Grade 7 students can elevate the quality of their compositions and effectively convey their ideasand emotions to their readers. With practice and perseverance, they can become proficient writers and communicators in the English language.篇3As a first-year junior high school student, learning English is essential for me to improve my language skills and communicate effectively with others. In the first semester of junior high school, I have come across many good words and sentences that can greatly enhance the quality of my English compositions. Here are some of the phrases and expressions that I have learned and used in my writing:- In my opinion, I believe that...- It goes without saying that...- As far as I'm concerned...- It is widely acknowledged that...- It is worth noting that...- Furthermore, ...- Moreover, ...- Additionally, ...- On the contrary, ...- In contrast, ...- However, ...- Nevertheless, ...- Therefore, ...- Consequently, ...- In conclusion, ...These phrases not only make my writing more coherent and logical, but also help me express my ideas and opinions more effectively. In addition, I have also learned how to use descriptive language to create vivid images in my compositions. For example:- The majestic mountains towered over the landscape.- The serene lake reflected the clear blue sky.- The old castle stood in ruins, its walls crumbling with age.By incorporating these descriptive words and phrases into my writing, I am able to paint a picture in the reader's mind and make my compositions more engaging and interesting. Furthermore, I have also improved my ability to use varioussentence structures and grammar rules to create more sophisticated and refined sentences. For example:- Not only did she win the race, but she also broke the record.- Despite the rain, they continued with their outdoor picnic.- Having finished her homework, she went out to play with her friends.By practicing and mastering these sentence structures, I am able to produce more complex and coherent sentences that showcase my language proficiency. In conclusion, the English words and phrases that I have learned in the first semester of junior high school have greatly enriched my writing skills and enabled me to express myself more effectively. I look forward to learning more in the following semesters and continuing to improve my English composition abilities.。
findmyshadow英文歌曲
findmyshadow英文歌曲标题:Exploring the Meaning of the English Song "Find My Shadow"引言概述:"Find My Shadow" is a captivating English song that has gained popularity among music enthusiasts. This article aims to delve into the meaning behind the lyrics of the song, exploring its themes and messages. The article will be structured as follows: an introduction to the song, five main points elaborating on the song's content, and a conclusion summarizing the key takeaways.正文内容:1. The Journey of Self-Discovery1.1 The search for identity: "Find My Shadow" reflects the protagonist's quest to understand their true self and find their place in the world.1.2 Embracing individuality: The song encourages listeners to embrace their unique qualities and not be afraid to stand out from the crowd.1.3 Overcoming obstacles: The lyrics depict the challenges faced during the journey of self-discovery, highlighting the importance of perseverance and resilience.2. Emotions and Relationships2.1 Love and heartbreak: "Find My Shadow" explores the complexities of romantic relationships, delving into themes of love, loss, and the pain of separation.2.2 Self-reflection and growth: The song emphasizes the significance of introspection and personal growth in navigating relationships and overcoming emotional hardships.2.3 Connection and understanding: Through its lyrics, the song encourages listeners to seek genuine connections with others, fostering empathy and understanding.3. Empowerment and Resilience3.1 Inner strength: "Find My Shadow" inspires individuals to tap into their inner strength and believe in their abilities to overcome challenges.3.2 Self-empowerment: The song promotes self-empowerment, encouraging listeners to take control of their lives and make choices that align with their values and aspirations.3.3 Building resilience: The lyrics highlight the importance of resilience in the face of adversity, urging listeners to bounce back from setbacks and continue pursuing their dreams.4. Freedom and Liberation4.1 Breaking free from constraints: "Find My Shadow" encourages listeners to break free from societal norms and expectations, embracing their true selves without fear of judgment.4.2 Embracing change: The song emphasizes the transformative power of embracing change and stepping out of one's comfort zone.4.3 Liberation through self-expression: The lyrics promote the idea that self-expression is liberating, encouraging listeners to find their voice and express their thoughts and emotions freely.5. Hope and Inspiration5.1 Pursuit of dreams: "Find My Shadow" inspires listeners to pursue their dreams relentlessly, reminding them that anything is possible with determination and perseverance.5.2 Overcoming adversity: The song instills hope by showcasing stories of individuals who have triumphed over adversity, serving as a reminder that challenges can be overcome.5.3 Spreading positivity: Through its uplifting lyrics, the song aims to spread positivity and inspire listeners to make a positive impact in their own lives and the lives of others.总结:In conclusion, "Find My Shadow" is a powerful English song that explores various themes, including self-discovery, emotions and relationships, empowerment and resilience, freedom and liberation, and hope and inspiration. The song's thought-provoking lyrics encourage listeners to embrace their true selves, overcome obstacles, and pursue their dreams with unwavering determination. By resonating with its audience on a deep emotional level, "Find My Shadow" has undoubtedly left a lasting impact on listeners worldwide.。
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3Moving Cast Shadow DetectionWei Zhang 1, Q.M. Jonathan Wu 1 and Xiangzhong Fang 2University of Windsor 1, Shanghai Jiao Tong University 2Canada 1, China 21. IntroductionMoving shadow detection is an important topic in computer vision applications, includingvideo conference, vehicle tracking, and three-dimensional (3-D) object identification, andhas been actively investigated in recent years. Because, in real world scenes, moving castshadows may be detected as foreground object and plauge the moving objectssegmentation. For example, in traffic surveillance situation, shadows cast by movingvehicles may be segmented as part of vehicles, which not only interfere with the size andshape information but also generate occlusions (as Fig. 1 illustrates). At the same time,moving cast shadow detection can provide reference information to the understanting of theillumination in the scenes. Therefore, an effective shadow detection algorithm can greatlybenefit the practical image analysis system.Fig. 1. Examples of moving cast shadows. Source:Vision Systems:Segmentation and Pattern Recognition,ISBN 987-3-902613-05-9,Edited by:Goro Obinata and Ashish Dutta,pp.546,I-Tech,Vienna,Austria,June 2007O p e n A c c e s s D a t a b a s e w w w .i -t e c h o n l i n e .c o mVision Systems - Segmentation and Pattern Recognition48Fig. 2. Illumination model of moving cast shadows: the umbra, penumbra, and geometricrelationship.Essentially, shadow is formed by the change of illumination conditions and shadowdetection comes down to a problem of finding the illumination invariant features. From theviewpoint of geometric relationship, shadow can be divided into umbra and penumbra(Stander et al., 1999). The umbra corresponds to the background area where the direct lightis almost totally blocked by the foreground object, whereas in the penumbra area, the light ispartially blocked (as Fig. 2 illustrates). From the viewpoint of motion property, shadow canbe divided into static shadow and dynamic shadow. Static shadow is cast by static objectwhile dynamic shadow is cast by moving object. In video surveilance application, staticshadows have little effect on the moving objects segmentation. Therefore, we concentrate onthe detection of dynamic/moving cast shadows in the image sequence captured by staticcamera in this chapter.2. Illumination property of cast shadowFor an image acquired by camera, the intensity of pixel f(x,y)can be given as:f(x,y)= i(x,y)×r(x,y) (1) where i(x,y) represents the illumination component and r(x,y) represents the reflectancecomponent of object surface. i(x,y) is computed as the amount of light power per receivingobject surface area and can further be expressed as follows (Stander et al., 1999).⋅ °⋅⋅®° ¯a p a p a +c cos(j) ;+t(x,y)c cos(j) c illuminated area i(x,y)=c penumbra areac umbra area(2)where-c p intensity of the light source;-Ǘangle enclosed by light source direction and surface normal;-c a intensity of ambient light;-t transition inside the penumbra which depends on the light source and scene geometry,and 0 t(x,y) 1.Many works have been put forward in the literature for moving shadow detection. FromMoving Cast Shadow Detection 49 the viewpoint of the information and model utilized, these methods can be classified into three categories: color model, textural model, and geometric model. Additionally, statistical model is used to tackle the problem. Most of the state-of-the-art are based on the reference image and we consider it has been acquired beforehand. Let the reference image and shaded image be B and F, respevtively. In the following part of this chapter, we introduce each categories of methods for moving cast shadow detection.Fig. 3. The distribution of the background difference and background ratio in HSV color space: shadow pixels and foreground pixels.3. Colour/Spectrum-based shadow detectionThe color/spectrum model attempts to describe the color change of shaded pixel and find the color feature that is illumination invariant. Cucchiara et al. (Cucchiara et al., 2001; Cucchiara et al., 2003) investigated the Hue-Saturation-Value (HSV) color property of castVision Systems - Segmentation and Pattern Recognition 50shadows, and it is found that shadows change the hue component slightly and decrease the saturation component significantly. The distribution of F V (x, y)/B V (x, y), F S (x, y)-B S (x, y), and |F H (x, y)-B H (x, y)| are given in Fig. 3 for shadows pixels and foreground pixels, respectively. It can be found that shadow pixels cluster in a small region and have distinct distribution compared with foreground pixels. The shadows are then discriminated from foreground objects by using empirical thresholds on HSV color space as follows.V S S H H S H V F (x,y))F (x,y)-B (x,y)))F (x,y)-B (x,y))B (x,y)(α≤ ≤β ((≤τ (≤τAND AND (3) By using above method, the shadow pixels can be discriminated from foreground pixels effectively. This method has been included in the Sakbot system (Statistical and Knowledge-Based Object Tracker).Salvador et al. (Salvador et al. 2004) proposed a normalized RG B color space, C 1C 2C 3, to segment the shadows in still images and video sequences. The C 1C 2C 3 is defined as follows.123R(x,y)C (x,y)=arctan;max(G(x,y),B(x,y))G(x,y)C (x,y)=arctan ;max(R(x,y),B(x,y))B(x,y)C (x,y)=arctan ;max(R(x,y),G(x,y)) (4) After integrating the intensity of neighbouring region, the shadow is detected as the pixels change greatly in C 1C 2C 3 colour space. Considering the shadow decrease the intensity of RGB component in a same scale, it can be found that C 1C 2C 3is illumination invariant.Fig. 4. A scatter plot in the color ratios space of a shaded pixels set. The line corresponds to the equal ratio in RGB components.Moving Cast Shadow Detection 51 Siala et al. (Siala et al., 2004) consider the pixel’s intensity change equally in RG B colour components and a diagonal model is proposed to describe the color distortion of shadow in RG B space. The color distortion is defined as (d R=F R/B R, d G=F G/B G, d B=F B/B B), and the color distortion of shaded pixel is distributed near the line d R=d G=d B (as show in Fig. 4), which does not hold for foreground objects. Therefore, the shadow pixels are discriminated from foreground objects according to the distance between pixel’s color distortion and the line d R=d G=d B.Horprasert et al. (Horprasert et al., 1999) proposed a computational color model which separates brightness from the chromaticity component using brightness distortions (BD) and chromaticity distortions (CD), which are defined as follows.(5) CD(x,y)Vision Systems - Segmentation and Pattern Recognition 52In which (μR , μG , μB ) and (ǔR ,ǔG ,ǔB ) are the arithmetic means and variance of the pixel's red, green, and blue values computed over N background frames. By imposing thresholds on the normalized color distortion (NCD) and normalized brightness distortion (NBD), the pixels are classified into original background, shaded background, highlight background, and moving foreground objects as follows.CD alo a1a2Foreground : ƯCD >Ǖ OR ƯBD <Ǖ, else Background :ƯBD <ǕƣƯD ƯBD <Ǖ, else Shadow :ƯBD <0, else Highlight :otherwise°°® °°¯ (6) The strategy used in Eq. (6) is depicted in Fig. 5.Nadimi, S. & Bhanu, B (Nadimi, S. & Bhanu, B., 2004) employed a physical approach for moving shadow detection in outdoor scenes. A dichromatic reflection model and a spatio-temporal albedo normalization test are used for learning the background color and separating shadow from foreground in outdoor image sequences. According to the dichromatic reflection model, pixel value F(x,y) in the outdoor scene can be represented as follows.12(x,y),1(x,y),1(x,y),2(x,y),1ƦnjƦnjF(x,y)=K L (nj)f(l,e,s)d nj+K L (nj)d nj;³³ (7)in which the first and second items correspond to the intensiy caused by the sun and sky; K (x,y), 1 and K (x,y), 2 are the coefficient of reflectances due to sun and sky; L (x,y), 1 and L (x,y), 2 are intensity of the illumination sources of sun and sky; f(l,e,s) is geometric term; l is the incident angle of illumination; e is the angle for viewing direction; s is the angle for specular reflection. The spatio-temporal albedo H between pixel F(x,y) and its neighboring pixel (take F(x+1,y) as example) is defined as follows.1212t+1t t+1t 12t+1t t+1t R -R Ʃ(F(x,y),F(x +1,y)) =;R +R F (x,y)-F (x,y)F (x +1,y)-F (x +1,y)R =;R =;F (x,y)+F (x,y)F (x +1,y)+F (x +1,y) (8) Pixel F(x,y) and F(x+1,y) is assumed to have the same reflectance if the following condition is satisfied:1 if Ʃ(F(x,y),F(x +1,y))<T C[F(x,y),F(x +1,y)]=;0 Ʊtherwise ®¯ (9) Cavallaro et al. (Cavallaro et al., 2005) detected shadow by exploiting color information in a selective way. In each image the relevant areas to analyze are identified and the color components that carry most of discriminating information are selected for shadow detection.Color model has shown its powerfulness in shadow detection. Nevertheless, the foreground objects may have similar color with the moving shadows, and it becomes not reliable to detect moving shadows by using only the color information of the isolated points.Moving Cast Shadow Detection 53 4. Texture-based shadow detectionThe principle behind the textural model is that the texture of foreground objects is different with that of the background, while the texture of shaded area remains the same as that of the background.In (Xu et al., 2005), several techniques have been developed to detect moving cast shadows in a normal indoor environment. These techniques include the generation of initial change detection masks and canny edge maps, the detection of shadow region by multi-frame integration, edge matching, conditional dilation, and post-processing (as Fig.6 illustrates).Fig. 6. Moving cast shadow detection by using the edge information.McKenna et al. (McKenna et al., 2000) assumed cast shadow results in significant change in intensity without much change in chromaticity. Each pixel’s chromaticity is modeled using its means and variances, and each background pixel’s first-order gradient is modeled by using gradient means and magnitude variances. The moving shadows are then classified as background if the chromaticity or gradient information supports their classification. Leone et al. (Leone et al., 2006) represented textural information in terms of redundant systems ofVision Systems - Segmentation and Pattern Recognition54functions, and the shadows are discriminated from foreground objects based on a pursuitscheme by using an over-complete dictionary. Matching Pursuit algorithm (MP) is used torepresent texture as linear combination of elements of a big set of functions, and MP selectsthe best little set of atoms of 2D Gabor dictionary for features selection. Zhang et al. (Zhanget al., 2006) used the normalized coefficients of the orthogonal transformation for movingcast shadow detection. Five kind of orthogonal transforms (DCT, DFT, Haar Transform,SVD, and Hadamard Transform) are analyzed, and their normalized coefficients are provedto be illumination invariant in a small image block. The cast shadows are then detected byusing a simple threshold on the normalized coefficients (as Fig.7 illustrates).Zhang et al. (Zhang et al., 2006) use the ratio edge for shadow detection, which are definedas follows.Fig. 7. Moving cast shadow detection based on the normalized coefficients of orthogonaltransformation.ƪ(x,y)={F(x+i,y+j)| 0<i2+j2 r2} (10)(i,j) : F(i,j)ƪ(x,y); F(i,j) F(x,y)R(x,y)=∈¦ (11) According to the illumination model in Eq. (2), the ratio edge is proved to be illuminationMoving Cast Shadow Detection 55invariant. The shadow are then detected by imposeing a threshold on the ratio edge difference R D (x,y) defined as follows.B S 2D B(i,j)ƪ(x,y)(i,j) : F(i,j)ƪ(x,y)-;B(i,j)F(i,j)B(x,y)F(x,y)R (x,y)=∈∈§·¨¸©¹¦(12)Fig. 8. The textural property of ratio edge.in which ƪB (x,y) and ƪS (x,y) are the neighoring region of B(x,y) and F(x,y), respectively. The ratio edge of Eq. (12) is given in Fig.8, it can be seen that ratio edge can represent the quanlity of the texture in the neighboring region.Fung et al. (Fung et al., 2002) analyzed the characteristics of cast shadows in the luminance, chrominance, gradient density, and geometry domains, and a combined probability map isobtained which is called as shadow confidence score (SCS), as shown in Fig. 9.Fig. 9. Moving cast shadow detection based on shadow confidence score.From the edge map of the input image, each edge pixel is examined to determine whether it belongs to the vehicle region based on its neighboring SCSs. The cast shadows are identified as those regions with high SCSs, which are outside the convex hull of the selected vehicle’s edge pixels.Textural model may be the most promising technique for shadow detection, whereas the state-of-the-art of textural model are intricate in implementation. Moreover, in the56Vision Systems - Segmentation and Pattern Recognition homogeneous regions of the images, the textural information of the scenes may be very faint and cannot be captured by traditional methods.5. Geometry-based shadow detectionG eometric model makes use of the camera location, the ground surface, and the object geometry, etc., to detect the moving cast shadows.Fig. 10. The G aussian geometric shadow model used for the detection of pedestrian’s shadow.In (Hsieh et al., 2003), G aussian shadow model was proposed to detect the shadows of pedestrian. The model is parameterized with several features including the orientation, mean intensity, and center position of a shadow region (as Fig.10 illustrates), with the orientation and centroid position being estimated from the properties of object moments. Hsieh et al. (Hsieh et al., 2004; Hsieh et al., 2006) proposed a histogram-based method to detect different lane dividing lines from traffic video sequence. According to these lines, a line-based shadow modeling process is applied to eliminate the shadows of vehicles. Two kinds of lines are used, including the ones parallel and vertical to lane directions, which can be used to eliminate shadows in the different positions of vehicles. Yoneyama et al. (Yoneyama et al., 2003; Yoneyama et al., 2005) proposed joint 2D vehicle/shadow models to suppress the moving shadows of vehicles. The proposed 2D vehicle/shadow models are classified into six types (as Fig.11 illustrates) and the parameters of these models can be estimated by fitting the segmented vehicles with these models.Moving Cast Shadow Detection57Fig. 11. Six vehicle model types with the corresponding cast shadow.All these methods of geometric model strongly depend on the geometric relationships of the objects in the scenes, and when these geometric relationships change , these methods become ineffective.6. Statistical inference for shadow modelAnother useful tool for shadow detection is statistical model, which can further improve the performance of different shadow model. Most of these methods are based on the noise shadow model:B 2a p a p F(x,y)=Ʒ(x,y)(x,y)+dž(x,y); dž(x,y)~N(0,ǔ);c +t(x,y)c cos(j)Ʒ(x,y)=; 0Ʒ(x,y)1;c +c cos(j)⋅⋅⋅≤≤⋅ (13)in which t(x,y), c p , and c a are ones defined in Eq. (2).Toth et al. (Toth et al., 2004) use the quantity given in Eq. (14) for shadow detection, which is normally distributed with variance (1+1/Ʒ2)ǔ2.B BB 11(x,y)-F(x,y)=dž(x,y)-dž(x,y);Ʒ(x,y)Ʒ(x,y)(x,y)=(x,y)+dž(x,y);⋅⋅ (14)Each moving pixel is then classified into foreground object or shadow by performing a significance test. Wang et al. (Wang et al., 2003) modeled the background, shadow, and edge information as Gaussian distributions which are updated adaptively. A Bayesian frameworkVision Systems - Segmentation and Pattern Recognition 58is then utilized to describe the relationships among the segmentation label, background intensity, and edge information. Markov random field (MRF) is used to improve the spatial connectivity of the segmented regions. Nicolas et al. (Martel-Brisson, N. & Zaccarin, A., 2005) introduce Gaussian mixture model (GMM) for the detection of moving cast shadows. The proposed algorithm consists of identification the distributions that could represent shadows, modification the learning rates of the distributions to allow them to converge within the G MM, and build of a G MM for moving shadows by using identified distributions. Mikic et al. (Mikic et al., 2000) model the shadow pixel as a G aussian distribution with (μS,R , μS,G , μS,B ,ǔS,R ,ǔS,G ,ǔS,B ) being the mean and variance, while the illuminated pixel is also model as a Gaussian distribution with (μL,R , μL,G , μL,B ,ǔL,R ,ǔL,G ,ǔL,B )being the mean and variance. Let D=diag(d R ,d G ,d B ) being the camera response for the same point when it is shadowed. Therefore, we have the following relationships.S,R R L,R S,G G L,G S,B B L,B S,R R L,R S,G G L,G S,B B L,B μ=d μ,μ=d μ,μ=d μ;ǔ=d ǔ,ǔ=d ǔ,ǔ=d ǔ;(15)Fig. 12. Histogram of the normalized ratio edge difference for moving cast shadows and foreground, and comparison with Chi-square distribution.The distribution of foreground objects is assumed to be uniform distribution. A maximum posteriori probability (MAP) is then used to classify the pixel into background(C 1),shadow(C 2), and foreground(C 3) according to its color vector ǎ:i i i j jj=1,2,3p(ǎ|C )p(C )p(C |ǎ)=;p(ǎ|C )p(C )⋅⋅¦ (16) In (Zhang et al., 2006), the distribution of the normalized background difference of ratio edge in shaded background area is also analyzed and is approximated to be a chi-square distribution. Therefore, a significance test can be used for automatic shadow detection. The distribution of R D (x,y) in Eq.(12) is depicted for moving shadows and foreground objects in Fig. 12. It can be found that ratio edge difference of moving shadows has much different distribution compared with that of foreground objects. The distribution of R D (x,y) of movingMoving Cast Shadow Detection 59 shadows is also compared with Chi-square distribution in Fig. 12 and we can see that a good fitting can be reached.7. ConclusionIn this chapter, we have provided a brief overview of the works about moving cast shadow detection. The state-of-the-art methods have been categories into color model, textural model, and geometric model according to the information and model utilized, which have been disscussed systemically. Furthermore, all kinds of statistical models have been employed to tackle the problem, which are also analyzed in detail. From the results, we can see that different method is fit for different situation and it is very hard to get a method in common use. Therefore, the future work may be the fusion of different information by statistical model to realize robust shadow detection.8. ReferencesChien, S-Y., Ma, S-Y. & Chen L-G. (2002). 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