文学术语1
中文文学术语

中文文学术语
1.叙事-指文本中叙述故事的方式和手法,包括时间序列、情感表达、人物塑造等方面。
2. 描写 - 指文本中对人物、物品、场景等进行具体生动的描述,展现出视觉、听觉、嗅觉、味觉等方面的细节。
3. 意象 - 指文本中使用形象的语言表达出来的抽象概念,如比喻、拟人等手法。
4. 比喻 - 指通过对两个事物的相似点进行比较,以达到给读者新的感受或理解的修辞手法。
5. 拟人 - 指将无生命的事物赋予人类的特征和行为,来表达作者的情感或增强作品的艺术效果。
6. 反讽 - 指通过说出与实际相反的话,以表达出作者的反感、批评或嘲讽。
7. 对比 - 指通过对两个相似或不同的事物进行对照,来突出文本中的主题、情感等。
8. 押韵 - 指文本中出现两个或多个音节相同的词汇,以增强诗歌、歌曲等的韵律美感。
9. 音律 - 指文本中音节的节奏、语调、音量等方面的组合,以产生艺术效果。
10. 主旨 - 指文本中的核心思想和主题,是作者所要表达的意义和观点。
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文学术语

文学术语Terms in English Literature1.Allegory (寓言)A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities.寓言,讽喻:一种文学、戏剧或绘画的艺术手法,其中人物和事件代表抽象的观点、原则或支配力。
2.Alliteration (头韵)Alliteration is the repetition of the same initial consonant sound within a line or a group of words.头韵:在一组词的开头或重读音节中对相同辅音或不同元音的重复。
3.Allusion (典故)A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize and respond to.典故:作者对某些读者熟悉并能够做出反映的特定人物,地点,事件,文学作品的引用。
4.Analogy (类比)A comparison made between two things to show the similarities between them.类比:为了在两个事物之间找出差别而进行的比较。
5. Antagonist (反面主角)The principal character in opposition to the protagonist or hero or heroineof a narrative or drama.反面主角:叙事文学或戏剧中与男女主人公或英雄相对立的主要人物。
6. Antithesis (对仗)The balancing of two contrasting ideas, words, or sentences.对仗:两组相对的思想,言辞,词句的平衡。
文学术语

01. Humanism(人文主义)Humanism is the essence of the Renaissance.2> it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)The word “Renaissance”means “rebirth”, it meant the reintroduction into westerm Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the english Renaissance is the Elizabethan drama with william shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn from actual life.04. Classcism(古典主义)Classcism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)Enlightenment movement was a progressive philosophical and artistic movement which flourished in france and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in england were those great writers like Alexander pope. Jonathan swift.etc.06.Neoclassicism(新古典主义)In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present, with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4> The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth, Byron and Shelley.09. Byronic Hero(拜伦式英雄)Byronic hero refers to a proud, mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3> Byron’s chief contr ibution to English literature is his creation of the “Byronic Hero”10. Critical Realism(批判现实主义)Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Aestheticism(美学主义)The basic theory of the Aesthetic movement--- “art for art’s sake” was set forth by a French poet, Theophile Gautier, the first Englishman who wrote about the theory of aestheticism was Walter Pater.2> aestheticism places art above life, and holds that life should imitate art, not art imitate life.3> According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake, can it be immortal. They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style.4> This is one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.美学运动的基本原则”为艺术而艺术”最初由法国诗人西奥费尔.高缔尔提出,英国运用该美学理论的第一人是沃尔特.佩特.美学主义崇尚艺术高于生活,认为生活应模仿艺术,而不是艺术模仿生活.在美学主义看来,所有的艺术创作都是绝对主观而非客观的产物.艺术不应受任何功利的影响,只有当艺术为艺术而创作时,艺术才能成为不朽之作.他们还认为艺术不应只关注一些热点话题如政治和道德问题,艺术应着力于以华丽的风格张扬美.这是对维多利亚工业发展时期物质崇拜的一种回应,也是向艺术为道德或为金钱而服务的维多利亚传统的挑战.12.The Victorian period(维多利亚时期)In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. While sticking to the principle of faithful representation of the 18th century realist novel, novelists in this period carried their duty forward to criticism of the society and the defense of the mass.2> although writing from different points of view and with different techniques, they shared one thing in common, that is, they were all concerned about the fate of the common people. They were angry with the inhuman social institutions, the decaying social morality as represented by the money-worship and Utilitarianism, and the widespread misery, poverty and injustice.3>their truthful picture of people’s life and bitter and strong criticism of the society had done much in awakening the public consciousness to the social problems and in the actual improvement of the society.4> Charles Dickens is the leading figure of the Victorian period.13. Modernism(现代主义)Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory ofpsycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4> in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions, the fresh ways of lo oking at man’s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.14. Stream of consciousness(意识流)(or interior monologue)In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, hhhyis attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’s fragmentary thoughts and sensory feelings. Famous writers to employ this technique in the English language include James Joyce and William Faulkner.学术界认为意识流是一种通过直接描述人物思维过程来寻求个人视角的文学写作技巧。
文学术语汇编

文学术语汇编(考研用)1Literature of the absurd: (荒诞派文学) The term is applied to a number of works in drama and prose fiction which have in common the sense that the human condition is essentially absurd, and that this condition can be adequately represented only in works of literature that are themselves absurd. The current movement emerged in France after the Second World War, as a rebellion against essential beliefs and values of traditional culture and traditional literature. They hold the belief that a human being is an isolated existent who is cast into an alien universe and the human life in its fruitless search for purpose and meaning is both anguish and absurd.Theater of the absurd: (荒诞派戏剧) belongs to literature of the absurd. Two representatives of this school are Eugene Ionesco, French author of The Bald Soprano (1949) (此作品中文译名<秃头歌女>), and Samuel Beckett, Irish author of Waiting for Godot (1954) (此作品是荒诞派戏剧代表作<等待戈多>). They project the irrationalism, helplessness and absurdity of life in dramatic forms that reject realistic settings, logical reasoning, or a coherently evolving plot.Black comedy or black humor: (黑色幽默) it mostly employed to describe baleful, naïve, or inept characters in a fantastic or nightmarish modern world playing out their roles in what Ionesco called a “tragic farce”, in which the events are often simultaneously comic, horrifying,and absurd. Joseph Heller’s Catch-22 (美国著名作家约瑟夫海勒<二十二条军规>) can be taken as an example of the employment of this technique.文学术语汇编24. Aestheticism or the Aesthetic Movement(唯美主义): it began to prevail in Europe at the middle of the 19th century. The theory of “art for art’s sake”was first put forward by some French artists. They declared that art should serve no religious, moral or social purpose. The two most important representatives of aestheticists in English literature are Walt Pater and Oscar Wilde.5. Allegory(寓言): a tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities, such as John Bunyan’s The Pilgrim’s Progress. An allegory is a story with two meanings, a literal meaning and a symbolic meaning.6. Fable(寓言): is a short narrative, in prose or verse, that exemplifies an abstract moral thesis or principle of human behavior. Most common is the beast fable, in which animals talk and act like the human types they represent. The fables in Western cultures derive mainly from the stories attributed to Aesop, a Greek slave of the sixth century B. C.7. Parable(寓言): is a very short narrative about human beings presented so as to stress analogy with a general lesson that the narrator is trying tobring home to his audience. For example, the Bible contains lots of parables employed by Jesus Christ to make his flock understand his preach.(注意以上三个词在汉语中都翻译成语言,但是内涵并不相同,不要搞混)8. Alliteration(头韵): the repetition of the initial consonant sounds. In Old English alliterative meter, alliteration is the principal organizing device of the verse line, such as in Beowulf.9. Consonance is the repetition of a sequence of two or more consonants but with a change in the intervening vowel, such as “live and love”.10. Assonance is the repetition of identical or similar vowel, especially in stressed syllables, in a sequence of nea rby words, such as “child of silence”.11. Allusion (典故)is a reference without explicit identification, to a literary or historical person, place, or event, or to another literary work or passage. Most literary allusions are intended to be recognized by the generally educated readers of the aut hor’s time, b ut some are aimed at a special group.12. Ambiguity(复义性): Since William Empson(燕卜荪)published Seven Types of Ambiguity(《复义七型》), the term has been widely used in criticism to identify a deliberate poetic device: the use of a single word or expression to signify two or more distinct references, or to express twoor more diverse attitudes or feeling.文学术语汇编313. Antihero(反英雄):the chief character in a modern novel or play whose character is totally different from the traditional heroes. Instead of manifesting largeness, dignity, power, or heroism, the antihero is petty, passive, ineffectual or dishonest. For ex ample, the heroine of Defoe’s Moll Flanders is a thief and a prostitute.14. Antithesis(对照):(a figure of speech) An antithesis is often expressed in a balanced sentence, that is, a sentence in which identical or similar syntactic structure is used to express contrasting ideas. For example, “Marriage has many pains, but celibacy(独身生活)has no pleasures.”by Samuel Johnson obviously employs antithesis.15. Archaism(拟古):the literary use of words and expressions that have become obsolete in the common speech of an era. For example, the translators of the King James V ersion of Bible gave weight and dignity to their prose by employing archaism.16. Atmosphere(氛围): the prevailing mood or feeling of a literary work. Atmosphere is often developed, at least in part, through descriptions of setting. Such descriptions help to create an emotional climate to establish the reader’s expectations and attitudes.文学术语汇编417. Ballad(民谣):it is a song, transmitted orally, which tells a story. It originated and was communicated orally among illiterate or only partly literate people. It exists in many variant forms. The most common stanza form, called ballad stanza is a quatrain in alternate four- and three-stress lines; usually only the second and fourth lines rhyme. Although many traditional ballads probably originated in the late Middle Age, they were not collected and printed until the eighteenth century.18. Climax:as a rhetorical device it means an ascending sequence of importance. As a literary term, it can also refer to the point of greatest intensity, interest, or suspense in a story’s turning point. The action leading to the climax and the simultaneous increase of tension in the plot are known as the rising action. All action after the climax is referred to as the falling action, or resolution. The term crisis is sometimes used interchangeably with climax.19. Anticlimax(突降):it denotes a writer’s deliberate drop from the serious and elevated to the trivial and lowly, in order to achieve a comic or satiric effect. It is a rhetorical device in English.20. Beat Generation(垮掉一代):it refers to a loose-knit group of poets and novelists, writing in the second half of the 1950s and early 1960s, who shared a set of social attitudes –antiestablishment, antipolitical, anti-intellectual, opposed to the prevailing cultural, literary, and moral values, and in favor of unfettered self-realization and self-expression.Representatives of the group include Allen Ginsberg, Jack Kerouac and William Burroughs. And most famous literary creations produced by this group should be Allen Ginsberg’s long poem Howl and Jack Kerouac’s On the Road.文学术语汇编521. Biography(传记):a detailed account of a person’s life written by another person, such as Samuel Johnson’s Lives of the English Poets and James Boswell’s Life of Samuel Johnson.22. Autobiography(自传):a person’s account of his or her own life, such as Benjamin Franklin’s autobiography.24. A parody(模仿)imitates the serious manner and characteristic features of a particular literary work, or the distinctive style of a particular author, or the typical stylistic and other features of a serious literary genre, and deflates the original by applying the imitation to a lowly or comically inappropriate subject.第23个应该是blank verse但系统总说含有不允许的关键字,所以一直发不上来,很郁闷,我把目前编好的一起发到公开邮箱去,大家到那里下载。
文学术语

1. Allegory (寓言)寓言,讽喻:一种文学、戏剧或绘画的艺术手法,其中人物和事件代表抽象的观点、原则或支配力。
2.Alliteration (头韵) 头韵:在一组词的开头或重读音节中对相同辅音或不同元音的重复。
3.Allusion (典故) 典故:作者对某些读者熟悉并能够作出反映的特定人物,地点,事件,文学作品的引用。
4.Analogy (类比) 类比:为了在两个事物之间找出差别而进行的比较。
5.Antagonist (反面主角)反面主角:叙事文学或戏剧中与男女主人公或英雄相对立的主要人物。
6.Antithesis (对仗) 对仗:两组相对的思想,言辞,词句的平衡。
7. Aphorism (警句)警句:蕴含关于人生真理的明智的看法的精练的语句。
8.Aside (旁白) 旁白:只说给观众而认为不会让台上其他演员听到的一段对话。
9.Apostrophe (呼语)呼语:直接称呼不在场或虚构的人物或称呼拟人的事物,尤指作为演讲或作文过程中的离题话。
10.Assonance (类韵)类音,类韵:相同或相似元音的重复,尤其指在诗歌中的重复。
11.Atmosphere (氛围)12.Autobiography (自传)13.Ballad (民谣)14.Ballad Stanza (民谣诗节)15.Biography (传记)传记:由他人篆写的关于某人生平的详细记录。
16.Blank Verse (无韵体诗)17.Caesura (休止)18.Canto (章) 诗章:一首长诗的主要部分之一。
19.Caricature (夸张讽刺) 夸张讽刺:为了使文中的人物显得可笑而使用的夸张或扭曲人物形象的手法。
20.Characterization (人物刻画) 人物刻画:作者表现作品中人物性格的方法。
21.Classicism (古典主义) 古典主义:一种在文学,艺术,音乐领域体现古代希腊,罗马风格的运动。
22.Climax (高潮)edy (喜剧)喜剧:轻松的和常有幽默感的或在调子上是讽刺的戏剧作品,常包括主题冲突的愉快解决24.Conceit (奇想)奇想:一种在截然不同的事物之间建立起的比喻。
外国文学名词解释

外国文学名词解释
以下是一些常见的外国文学名词解释:
1. 小说(Novel):一种长篇故事性的文学形式,通常以虚构的情节和人物为基础。
2. 诗歌(Poetry):一种以韵律、节奏和表达深层意义为特点的文学形式。
3. 戏剧(Drama):一种以对话和行动为主要表现手段的文学形式,通常在舞台上演出。
4. 散文(Prose):一种不受特定韵律和节奏限制的文学形式,通常以故事、评论或描述为主。
5. 自传(Autobiography):一种以作者自己的生活经历为基础的文学作品。
6. 传记(Biography):一种以某个人的生平事迹为基础的文学作品。
7. 文学批评(Literary Criticism):对文学作品进行分析和评价的学术研究领域。
8. 现实主义(Realism):一种文学流派,强调对现实生活的客观描写和真实性。
9. 浪漫主义(Romanticism):一种文学流派,强调个人情感、幻想和想象力。
10. 象征主义(Symbolism):一种文学流派,强调使用象征和隐喻来传达深层意义。
文学术语

1.poetry(un), poem/verse韵文/诗,poet诗人,poetess/woman poet女诗人,poetic有诗意的1.1.epic 史诗, epic writer史诗作者1.2.narrative poem叙事诗1.3.lyric poem抒情诗, lyrical有抒情意味的1.3.1. ode颂,sonnet十四行诗, ballad民谣, folk song民歌 etc.1.4. canto诗章, stanza诗段, line诗行, couplet二行诗段, quatrain四行诗段,etc., rhyme scheme/pattern韵脚, meter/foot音步1.5.iambic抑扬格的,trochaic扬抑格,anapestic抑抑扬格的,etc.2.prose(un)散文, prose writer散文作者, prosaic枯燥乏味的2.1.fiction(un)小说, fictional 虚构的2.1.1. novel长篇小说, novelist小说家2.1.2. novelette/novella中篇小说2.1.3. short story短篇小说2.1.4.viewpoint叙事角,the first-person narrator第一人称叙事角, the third-person narrator第三人称叙事角, the omniscient narrator全知叙事角, character人物protagonist=hero or heroine主角(女主角),antagonist 反面人物, setting背景(包括地点和时间)2.2.mythology(un)神话, myth神话故事2.3.folk lore(un)民间文学,legend民间传说,folk tale民间故事,fairy tale童话,fable(短篇)寓言故事etc.2.4.essay杂文/散文, essayist杂文作家2.5.literary criticism文学批评, critic评论家2.6.biography传记, biographer传记作家,autobiography自传2.7.prose narrative叙事散文3.drama(un), play戏剧, dramatist/playwright剧作家, dramatic激动人心的3.1.verse drama诗体戏剧, prose drama散文体戏剧3.2. tragedy悲剧, tragedian悲剧作家, tragic 悲惨的3.3. comedy喜剧, comedian戏剧作家, comic/ comical 滑稽好笑的3.4. tragic-comedy悲喜剧3.4.1.act幕, scene场/故事发生地点, dramatis persona(e)戏剧人物, prologue序幕,epilogue尾声,soliloquy(monologue)独白,aside(旁白),stage direction舞台提示,conflict戏剧冲突,climax戏剧高潮,denouement结尾, enter(人物上场), exit (pl. exeunt)人物退场,clown丑角4. miscellany混合类4.1. literature (n.),文学 literary(a.)文学的,man of letters文学家,romance传奇,allegory有道德教化意义的寓言式作品,satire讽刺作品etc.。
中国文学术语集

中国文学术语集
以下是一些中国文学术语的集合:
1. 诗歌体裁:
- 诗:表达情感、描绘景物和抒发思想的文学形式。
- 词:以短小精悍的形式表达情感的文学形式。
- 曲:以歌唱为主的文学形式。
- 赋:以描写或抒发感情为主的文学形式。
2. 修辞手法:
- 比喻:用一种事物来比喻另一种事物,以增强表达的艺术性和形象性。
- 拟人:赋予非人物以人的特征和行为,增加情感共鸣。
- 夸张:夸大事物的特征或程度,以增强表达的效果。
- 排比:通过列举相同结构的词语或短语来加强表达的力度。
3. 修辞格:
- 对偶:用相同或相似的词语、短语或句子结构来表达对立或相反的意思。
- 反问:用疑问句的形式来表达肯定或否定的意思。
- 押韵:在诗歌中使用相同或相似的音韵来增加韵律感。
4. 现象:
- 平仄:指汉字的声调高低变化。
- 押韵:在诗歌中使用相同或相似的音韵来增加韵律感。
- 韵律:诗歌中的节奏和音乐感。
5. 文学流派:
- 唐诗:盛行于唐朝的诗歌形式,以七言绝句为主要形式。
- 宋词:盛行于宋朝的短小精悍的诗歌形式。
- 元曲:盛行于元朝的戏剧形式,以曲子和对白相结合的形式。
这只是一些中国文学术语的集合,还有许多其他的术语和概念,用于描述和分析中国文学作品和文学创作的特点和风格。
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文学术语1、Romance: It is a narrative verse of prose singing knightly adventures or other heroic deeds. Romances are popular in the medieval period.2Ballad: :A story told in song, usually in four line stanzas, with the 2nd and the 4th lines rhymed.3、Renaissance--a thristing curiosity for classical literature;--a keen interest in life and human activities.4、Humanism--individualism; the joy of the present life; reason; the affirmation of self-worth--Humanism emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.5、Sonnet: : It is a poem of 14 lines that follows a strict rhyme scheme and specific structure; it expresses a single idea or theme. (Thomas Wyatt first introduced it to England)6、Shakespearean sonnet: : A Shakespearean sonnet consists of three four-line stanzas (called quatrains) and a final couplet composed in iambic pentameter with the rhyme scheme abab cdcd efef gg.7、iambic pentameter:is a form of rhythm that appears in poetry, songs, and some prose compositions. It is most closely associated with poetry, especially English poetry, which lends itself very well to this particular form of rhythm8、Blank verse: having a regular meter, but no rhyme. (Henry Howard, Earl of Surrey)9、Spenserian stanza斯宾塞诗体: : Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'Alexandrine' line in iambic hexameter. The rhyme scheme of these lines is "ababbcbcc."10、--Sonnet 18 by Shakespeare (“Shall I Compare Thee to a Summer’s Day”): time, mortality, immortality11、Cavalier poets骑士诗人: --Reflected the royalist values;--Themes: beauty, love, loyalty, morality;--Style: Direct, short, frankly erotic--Motto: “Carpe Diem”“Seize the Day”12、Metaphysical school:玄学派--the founder of the Metaphysical school: John Donne--conceit: an extended metahpor involving dramatic contrasts or far-fetched comparisons;13、Enlightenment启蒙运动--an intellectual movement in Europe in the 18th century;--Reason as the guiding principle for thinking and action;--the belief in eternal truth, eternal justice, natural equality ;--a continuation of Renaissance; (Belief in the possibility of human perfection through education).14、Neo-classicism:新古典主义--A revival of classical standards of order, harmony, balance, simplicity and restrained emotion in literature in the 18th century.15、Sentimentalism--the middle and later decades of the 18th c.;--definition: passionover reason, personal instincts over social duties; the return of the patriarchal times; lamenting over the destructive effects of industrialization16、The Graveyard School---refers to a group of primarily 18th Century poets and writers, mostly male.whose frequently touched on themes of death, mortality, religion, and melancholy. Often elegiac in tone (and title) — an elegy is, by the 18th Century, simply a poem in lament of a death — these poems make frequent use of funereal or gloomy imagery, though their purpose was rarely sensationalist. . 17、Romanticism:--Features: individual as the center of all life and experience; from the outer world to the inner world; Passion; imagination ; Nature; pastoral; past ; Individual freedom; simple and spontaneous expression; symbolic presentations; fantastic elements;18、--Byronic Hero: an idealised but flawed anti-hero created by Byron; love of freedom, hatred of tyranny, passionate, rebellious, chivalrous, arrogant, cynical, individualistic, isolated, single-handedly, melancholy19、Female Gothic refers to the tradition of Gothic writing by women . . . that represents the female experience within domesticity as one of imprisonment, claustrophobia and terror.20、Naturalism: Heredity and social environment as the shaping forces of one’s character; to determine "scientifically" the underlying forces influencing the actions of the characters. pessimism; fatalism; detached perspective;21、Modernism:--1/theorytical basis---irrational philosophy,theory of psychoanalysis.2/innovative forms--- the rejection of tradition,critique of modern culture 3/thematic concerns---concerns for inner world,the subjective and the private(the nature of human existence,loneliness,anger,sense of loss,ill relationships,spiritual crisis)22、Steam of consciousness novel:the style of writing that attempts to imitate the natural flow of a character’s thoughts, feelin gs, reflections, memories, and mental images as the character experiences them.23、Existentialism--“Existence precedes essence”--Theme;24、Symbolism:--the use of one object to represent another25、Metafiction: also known as Romantic irony in the context of Romantic works of literature, uses literary techniques to draw attention to itself as a work of art, while exposing the "truth" of a story. "Metafiction" is the literary term describing fictional writing that self-consciously and systematically draws attention to its status as an artifact in posing questions about the relationship between fiction and reality, usually using irony and self-reflection.26、Theatre of the Absurd;is a designation for particular plays of absurdistfiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work expressed the belief that human existence has no meaning or purpose and therefore all communication breaks down. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence。