E6_Manual_1.0EN
德力西电气 NB user manual-EN 英文使用说明书

NB Sine Wave Inverter User Manual Standard: GB/T 20321.1□Please carefully read this User Manual before installing and operating the product, and keep this manual properly for future referenceTable of ContentsTable of Contents (I)1. Safety Precautions (1)2. Product Introduction (2)3. Installation (3)4. Operation (7)5. Maintenance (10)6. Troubleshooting (10)7. Machine Accessories (12)8. Description on Common Symbols (13)Note: The product instructions may change without notice.1. Safety Precautions■ Please carefully read this manual and keep it properly.■ Please follow all warning signs on the machine, and do not tear or damage those warning labels.■ Do not allow the inverter work under the l oad that exceeds the rated load.■ Prevent the short circuit between the positive and negative poles of battery, otherwise this may cause a fire or electric shock.■ Do not block all vents, and follow the instructions provided by the manufacturer for insta llation.■ Do not store or operate this product in the following environment;■ In the places with flammable gases, corrosive substances, or large amounts of dust.■ In the places where the temperature is abnormally high or low (above 40°C or below -10°C), or the humidity is high (90% and above).■ In the places with direct sunlight or close to heating device.■ In the places with severe vibrations.■ In the event of a fire around, please extinguish a fire with a dry powder fire extinguisher, because the use of a liquid fire extinguisher will cause a risk of electric shock.Caution:There is high voltage in the inverter. In order to avoid injury to personal safety, if you have any questions, please consult the dealer’s professional or maintenance center, and it is forbidden to open or repair it without permission.2. Product IntroductionWith advanced SPWM sine wave control technology used, the NB series sine wave inverter adopts perfect protection and battery management functions. Thanks to its high power supply quality, this product is suitable for various loads, and can be widely used in household appliances such as TVs, refrigerators, induction cookers, electric fans, microwave ovens, and air conditioners.2.1 Model Naming DescriptionInput rated DC voltage (V)Output rated capacity (VA)Sine wave inverter2.2 Product Features◆Pure sine wave output, suitable for household appliances such as TVs, refrigerators, induction cookers, electric fans, microwave ovens, and air conditioners◆ Microcomputer (CPU) control technology used, with superior performance◆ Ultra-wide input voltage range, high-precision output, fully automatic voltage regulation◆Built-in overload, short circuit, overvoltage, undervoltage, and overtemperature protection functions, with high reliability◆The simple and clear LED display can be upgraded to a comprehensive digital LCD display for easy observation of machine status◆The battery can be configured according to different requirements for the power supply time◆Valve-regulated maintenance-free lead-acid battery is used; with the intelligent battery management, and overcharge and over-discharge protection, prolong the battery life.2.3 Main technical indicatorsMain technical indicatorsModel NB-500/12 NB-1000/24 NB-1500/48 NB-2000/48 NB-3000/48Input Volage range 150~270VAC Freq. 50Hz±10%Output Rated capacity 500VA 1000VA 1500VA 2000VA 3000VA Waveform Sine waveFreq. Mains supply: Synchronize with the mains supply Inverter: 50Hz±0.5 Volage accuracy Mains supply: 220V±10% Inverter: 220V±5% Overload capacityWhen the load exceeds 150%±5%, the inverter protectionwill workafter10s to stop the machine; when the load resumes to the rated load, theinverter will automatically work.Protection Overload, overtemperature, and battery over-voltage protectionBattery DC voltage 12VDC 24VDC 48VDCNumber of batteries (12V) 1 2 4Battery protectionOver-discharge protection, overcharge protection, and intelligentmanagementCharging current Max. 15A2.4 Working environmentItem Content Ambient temperature -10o C~+40o CRelative humidity <85% (non-condensing)Altitude Less than 1000 meters. When greater than 1000 meters, the rating is reduced by 1%for every 100 meters of an increaseStorage temperature -15o C~45o C2.5 System block diagramMains input DisplaycontrollerTestingFuse DC/AC Loadconverter/ (User equipment) AC output Battery charger3. Installation3.1 Unpacking inspection1) Unpack the product, and check the product appearance for poor appearance quality or damage caused during transportation.2) Check the list of accessories to confirm whether the machine accessories are complete.3) Confirm whether the machine is the model you want to purchase according to the nameplate pasted on the sideof the product.4) If you have the above problems, please contact the dealer or company in time!3.2 Installation precautions■Please put the inverter in a well-ventilated place far away from the dangerous objects such as water, flammable gases, or corrosives. The specific installation environment should meet the product specification requirements.■Side installation is not allowed; keep the air inlet on the front panel and side plate and the air outlet on the rear cover unblocked.■If the machine is working at low temperatures, water droplet condensation may occur; therefore, please wait until the inside and outside of the machine are completely dry before installation, otherwise there is a risk of electric shock.■Protect the inverter to ensure good contact.3.3 Battery selection and power supply timeTable 1 Battery power supply time selectionModel Numberof cellsper packCapacity / power supply time of single pack of battery (minute) 20AH 40A 55AH 65AH 75AH 100AH 120AH 150AHNB-500 1 cell 10 35 45 50 65 90 110 160 NB-1000 2 cells 10 35 45 50 65 90 110 160 NB-1500 4 cells 17 50 65 70 95 130 150 200 NB-2000 4 cells 12 35 40 45 70 85 115 150 NB-3000 4 cells 5 20 25 30 40 50 65 90 Note: The above table is for reference only (calculated under full battery charge and full load conditions), the actual power supply time depends on the size of the load and the battery level.3.4 WiringThere is no a mains on-off switch and a battery on-off switch in the main circuit of this product, and it is recommended that a 25A or above switch (or connected to the mains socket) is installed in the front of the AC input of this product by users, and a 63A or above switch is installed in the front of the battery input end.3.4.1 Battery wiringIt is important to follow the correct procedure to connect the battery, otherwise there may be a risk of electric shock. Please strictly follow the steps below:1) First connect the battery pack in series to ensure the appropriate battery voltage, with 12VDC for NB-500, 24VDC for NB-1000, and 48VDC for NB-1500, NB-2000, and NB-3000.2) One end of the battery connecting cable of NB-500 and NB-1000 has been fixed on the device, and the other end is connected to the battery pack through two open wires, as shown in Figure 3-1.3) The battery inputs of NB-1500, NB-2000 and NB-3000 adopt the terminal block form, and the battery connecting wire is first connected to the battery end (do not connect it to the inverter end first, otherwise there may be a risk of electric shock); the red line is connected to the positive pole "+"of the battery, and the black line is connected to the negative pole "-"of the battery, as shown in Fig. 3-2.4) The red line is connected to the positive pole "+"of the battery, and the black line is connected to the negative pole "-"of the batteryRed line Black line Red line Black lineBattery Battery 1 Battery 2Fig. 3-1 NB-500 and NB-1000 battery wiringOutput live lineOutput zero lineInput/output ground wireInput live lineInput zero lineRed line Black lineBattery 1 Battery 2 Battery 3 Battery 4Fig. 3-2 NB-1500, NB-2000, and NB-3000 battery wiring3.4.2 AC input and output wiringThe socket with an overcurrent protection device is used for NB-500, NB-1000 input power line connection. One end of the minas input line has been fixed with the inverter, and the other end can be connected to the mains socket. There are two output sockets on this machine, and the specific connection method is shown in Fig. 3-3:Output 220VACConnected to the loadMainsFig. 3-3 NB-500, NB-1000 AC input and output wiring methodsThe terminal block is used for the connection of NB-1500, NB-2000, NB-3000 input and output power line (two terminal block and socket methods are used for output). To identify the terminal, first remove the rear cover plate. For specific connection method, see Fig. 3-4:Negative pole of battery (black)Positive pole of battery (red)Output live lineOutput zero lineInput/output ground wireInput live lineInput zero lineFig. 3-4NB-1500, NB-2000, NB-3000 input and output wiring methodNote: The terminal block is used for 6A or above output.Note: The battery connecting cable is a standard cable, and it cannot be extended indefinitely, otherwise it will affect the normal operation of the inverter.4. Operation4.1 LCD display panelFig. 4 - 1 LCD Display PanelFig. 4-1 LCD display panelA: Mains power indicator B: Mains voltage valueC: Output indicator D: Output voltage valueE: Battery status indicator F: Battery capacity percentageG: Inverter status indicator H: Load size indicatorI: OFF –stop J: ON- start4.3 Operation ModeThe operating mode of the inverter can be divided into mains mode and battery mode.4.3.1 Mains modeWhen the inverter is running in mains mode, the LCD panel will display the main screen shown in Fig. 4-2.Fig. 4-2 LCD mains display screenNote: To connect the generator, please follow the steps below:Start the generator, connect the output power of the generator to the input of the inverter after the generator is running smoothly (at this time, confirm that the inverter is no-loaded), then press the Start button to start the inverter, and then connect the load one by one after the inverter starts. It is recommended to select the generator capacity that equals to the twice the capacity of the inverter.4.3.2 Battery Mode1) When the battery capacity reduces, the number of lights of the battery capacity indication part will decrease; when the battery voltage drops to the pre-warning level, the buzzer will beep every second to remind the user that the battery capacity is insufficient.The main screen of the LCD panel display is shown in Fig. 4-3Fig. 4-3 Battery mode4.3.3 Fault and alarm displayIn case of failure of inverter, the "FAULT" fault indicator light on the LED panel will be on, the smiling face on the LCD panel will change to a crying face, as shown in Fig. 4-4, and the inverter will always beep.Fig. 4-4 fault display4.4 Operation4.4.1 Switch operationStart operation modes: Mains start and battery start■Mains startConnect the battery, and then turn on the mains, and the inverter will automatically start.■DC startWhen there is no mains input, press the Start button once. The panel lights up after a few seconds, and the inverter is already running in battery mode.4.4.2 Stop operationWith the Stop button pressed, the system power is turned off and there is no display on the panel. If out of the service for a long time, please disconnect the mains and battery connection cables!5. Maintenance5.1 Battery maintenanceThe battery is an important part of the inverter system. The life of the battery depends on the ambient temperature and the number of discharges. Operation at high temperatures or deep discharge can shorten the life of the battery. ■The battery should work in the ambient temperature ranged 15℃ to 25℃as much as possible.■If the inverter is out of the service for a long time, it is recommended to charge it once every 3 months.■If the battery is discharged to stop the machine by the protective device, it shall be charged in time, and cannot be turned on again, otherwise the battery will be scrapped in advance■Under normal circumstances, the battery life is 1~3 years; if found harsh condition, replace it early. The battery must be replaced by professionals.Note:●Please turn off the inverter and disconnect the mains before replacing the battery;●Take off metal objects such as rings and watches;●Please use a screwdriver with an insulated handle, and do not put tools or other metal objects on the battery;●Do not short connect or reversely connect the positive and negative poles of the battery.6. Troubleshooting and ServiceIf found any abnormality of the inverter, please check the following items before contacting a customer service representative■Check whether the battery is connected normally, and whether the battery voltage is too low.■Check whether there is a mains input, and whether the mains voltage and frequency meet the requirements. ■Check whether the fuse located at the rear panel for damage or disconnection.When report a fault to the customer service, be sure to record and inform the following information:1)Inverter model, date of purchase2)Fault occurrence date3)Complete problem description (including panel display information, buzzer beeping situation, power situation, load capacity, and battery configuration).■Common faults and troubleshootingTable 1 Common troubleshootingFault Cause Alarm SolutionWith the ON/OFF key pressed, the machine cannot start The inverter output short circuitor overload or too short ON keypressing timeNoTurn off the inverter, remove all loads,confirm no fault or internal short circuit ofthe load; press the ON key for more than 1secondThe internal fuse is burnt,indicating there is an internalfaultNoDo not try to open or repair it, but contactyour dealerBattery discharge time is reduced The battery is not charged NoPower on the inverter with mains for morethan 3 hours to re-charge the batteryThe inverter output overladed NoCheck the load capacity, and remove thenon-critical equipmentThe battery itself is aged, andthe battery cannot be fullychargedNoReplace the battery, and contact the dealerto obtain the battery replacementcomponentsThe fault indicator ison or the display is failed to show a crying face, the buzzer always beeps The inverter is turned off due tointernal faultAlwaysbeepThe inverter needs to be repaired, andcontact your dealerThe display shows a crying face (the faultlight on the LED dispaly is lit); load indciation bars are full Overload prewarningBeeponceeveryonesecondDecrease the load, otherwise the outlet willbe powered offThe display shows a crying face (the faultlight on the LED dispaly is lit); load indciation bars are full Output short circuitAlwaysbeepDisconnect the load, and check the laod forshort circuitFault Cause Alarm Solution The battery voltageis normal, but there is no output voltage Internal fault of inverterAlwaysbeepStart the inverter after cooling down; if stillfailed to start the machine, please contactthe Customer Service Center.Inverter stops suddently Interter overheated; inverter isdaamgedNoStart the inverter after cooling down; if stillfailed to start the machine, please contactthe Customer Service Center.The display shows a crying face (the faultlight on the LED display is lit); the battery capacity shows 0%. Voltage undervoltage alarmBeeponceeveryonesecondThe output will be powered off; pleaseconnect the mains for charging, or replace itby the fully charged batteryUnder mains power, click sound is issued from the machine There is mains voltagefluctuations; the inverter is inthe voltage stabilizingregulationNoOnly when the output voltage is within the220±10% range, this belongs to the normalphenomenonThe mains input display shows that the mains voltage is0V (the mains indicator on the LED screen is not on) Fust is burnt NoReplaced by the fuse of the samespecification (500-1000VA); reset theovercurrent protector (1500-3000VA).7. Machine Accessories1. User Manual 1 copy;2. Certificate of Conformity 1 copy;3. Battery cable:12V power supply type (no connection configuration)24V power supply type 1 piece (battery cable)48V power supply type 5 pieces (battery cable)4. Fuse tube:NB-500VA, 1000VA2 pcs;No fuse tube provided for NB-1500VA and above type (self-reset protector used).8. Description of common symbolsThe following symbols are used in this manual, and may also occur during application. Therefore, users shall familiarize them, and know their meanings.Symbols and their meaningsSymbol MeaningCaution prompt Protective groundingHigh voltage hazard BatteryTurn on the host Repetitive cycleTurn off the host Do not leave with debrisAlternating current Direct currentProduct Warranty CardUser nameAddressTel. ZipModel & Spec. Date of productionSales unitDate of sales Invoice numberWarranty unit InspectorWarranty addressCompany CommitmentThe company will provide the "three guarantees" service for any poor manufacturing quality causing that the product cannot work normally under the normal storage, transport, maintenance, and operation conditions within the 24 months from the date of production. For any damage due to one of the following situations, a paid repair will be given even if within the warranty period:1) Improper operation, maintenance, or storage;2) Modified without permission or improper repair;3) Damage due to falling off or caused during installation after purchase;4) Force majeure such as earthquakes, fires, lightning strikes, abnormal voltages, and secondary disasters;If you have any question, please contact the dealer or our company’s customer service department.5) The model marked on the three-guarantee certificate is inconsistent with the model of the product to be repaired, the warranty card and purchase invoice are altered, the warranty period expires, and there is no warranty certificate provided.Within the warranty period, if the product is failed due to its poor quality problem, the user can send it to the sales company’s repair center for repair or replacement free of charge if the filled warranty card (user page) and purchase invoice shall be shown.The warranty card and purchase invoice are used as the warranty certificate of this machine, and shall be kept properly by the user, and they will not be provided again if lost.If you have any questions, please contact your dealer or our customer service department.Customer Service Hotline: 400-826-8008.Zhejiang Delixi Electrical Co., Ltd.Maintenance RecordsRepair date Warranty contents Repairer Address: No. 155, Zhandong Road, Liushi Town, Yueqing City, ZhejiangQualityServicePhone**************6279 1202Fax**************Zip: 325604Certificate DELIXI ELECTRIC LTD Name: Sine Wave InverterModel: NB SeriesThis product passes the inspection and is allowed to be shipped.Standard: GB/T 20321.1Inspector: Check 02Production date: See label on inner boxDELIXI ELECTRIC LTDAddress: Delixi High-Tech Industrial Park, Liushi Town, Leqing City, Zhejiang P/C: 325604 Tel: (86-577) 6177 8888Fax: (86-577) 6177 8000Customer Service hotline: 400-826-8008The first edition of this manual was issued on May 2021.。
E8_Manual_1.3EN

E8Manual (1.3 EN)Symbols on the equipmentPlease refer to the information in the operating manual.WARNING!Dangerous voltage!ContentsSafety precautions (3)Information regarding use of loudspeakers (3)E8 (4)Connections (5)Operation with D6 or D12 (5)Operation with E-PAC (6)Dispersion characteristics (7)Altering the HF horn dispersion (7)Technical specifications (8)Manufacturer's declarations (9)EU conformity of loudspeakers (CE symbol) (9)WEEE Declaration (Disposal) (9)General InformationE8 ManualVersion 1.3 EN, 7/2009, D2030.EN .01Copyright © 2009 by d&b audiotechnik GmbH; all rights reserved. Keep this manual with the product or in a safe place so that it is available for future reference.When reselling this product,hand over this manual to the new customer.If you supply d&b products,please draw the attention of your customers to this manual.Enclose the relevant manuals with the systems.If you require additional manuals for this purpose,you can order them from d&b.d&b audiotechnik GmbHEugen-Adolff-Strasse 134, D-71522 Backnang, GermanyTelephone +49-7191-9669-0, Fax +49-7191-95 00 00Safety precautionsInformation regarding use of loudspeakersWARNING!Never stand in the immediate vicinity of loudspeakers driven at a highlevel.Professional loudspeaker systems are capable of causing asound pressure level detrimental to human health.Seemingly non-critical sound levels(from approx.95 dB SPL)can cause hearingdamage if people are exposed to it over a long period.In order to prevent accidents when deploying loudspeakers on theground or when flown, please take note of the following:When setting up the loudspeakers or loudspeaker stands,make surethey are standing on a firm surface.If you place several systems ontop of one another, use straps to secure them against movement.Only use accessories which have been tested and approved by d&bfor assembly and mobile deployment.Pay attention to the correctapplication and maximum load capacity of the accessories as detailedin our specific“Mounting instructions”or in our"Flying system andRigging manuals".Ensure that all additional hardware,fixings and fasteners used forinstallation or mobile deployment are of an appropriate size and loadsafety factor.Pay attention to the manufacturers'instructions and tothe relevant safety guidelines.Regularly check the loudspeaker housings and accessories for visiblesigns of wear and tear, and replace them when necessary.Regularly check all load bearing bolts in the mounting devices.CAUTION!Loudspeakers produce a static magnetic field even if they are notconnected or are not in use.Therefore make sure when erecting andtransporting loudspeakers that they are nowhere near equipment andobjects which may be impaired or damaged by an external magneticfield.Generally speaking,a distance of0.5 m(1.5 ft)from magneticdata carriers(floppy disks,audio and video tapes,bank cards,etc.)issufficient;a distance of more than1 m(3 ft)may be necessary withcomputer and video monitors.E8Fig. 1: E8 loudspeaker Fig. 2: E8 stage monitor setup The E8is a high performance multipurpose loudspeaker employing anintegrated 8”/1”exit coaxial driver design with neodymium magnet andconstant directivity horn loading.The horn with its 90°x 50°(hor.xvert.)dispersion pattern can easily be rotated through 90°providing a50° x 90° pattern without the use of tools.The E8is a two way design with a built-in passive crossover network.Itsfrequency response extends from 62 Hz to above 18 kHz.The E8enclosure is constructed from polyurethane integral hard foamwith an impact and weather resistant black paint finish.The cabinetshape allows use either in a vertical or horizontal orientation as well asdeployment as a stage monitor.The front of the loudspeaker cabinet is protected by a rigid metal grill infront of an acoustically transparent foam.The grill can easily beremoved without tools to modify the horn orientation.The cabinet incorporates a handle,a pole mount socket and six M10threaded inserts to connect to different rigging accessories like Z5350E8Flying bracket,Z5354E8/E12Flying adapter,Z5020Flying adapter02,Z5025Flying adapter 03or Z5351E8Horizontal bracket.Anadditional M10thread in the rear panel can be used to connect asafety wire.The connector panel of the E8cabinet is recessed and tilted to allowdeployment as a stage monitor.With the panel on the right hand side,the cabinet is oriented correctly.NOTICE:Only operate E8loudspeakers with a correctly configured d&bamplifier,otherwise there is a risk of damaging the loudspeakercomponents.Fig. 3: E8 SC/WR versionstop and bottom viewE8 cabinet optionsThe special color (SC)version of the cabinet is available in all colors ofthe RAL color table.It comes without hi stand flange and handles.Therespective openings of the cabinet are covered by plates in cabinetcolor. The connector type is NL4.The weather resistant (WR)version is available in black only.It alsocomes without hi stand flange and handles.It is equipped with a fixedinput cable (5 m / 16.4 ft, type H-07-RN-F 2 x 2.5 mm 2/AWG 13).Fig. 4: Connector wiring The E8cabinet is fitted with a pair of EP5connectors.All five pins of both connectors are wired in parallel.The E8uses the pin assignments 1/2.Pins3/4and5are designated to active subwoofers,where pin5is used for SenseDrive(only available when using a D12amplifier and5-wire cabling).Using the male connector as the input,the female connector allows for direct connection to additional loudspeakers.The E8 can be supplied with NL4 connectors as an option.Pin equivalents of EP5and NL4connectors and the fixed cable option are listed in the table below.EP512345NL41+1–2+2–n.a.Fixed cable (PG)Brown (+)Blue (–)Operation with D6 or D12Select the controller setup E8.On the D12amplifier it is available in“Dual Channel”and“MixTOP/SUB”mode.For combinations with active subwoofers fed by asingle 4/5-wire cable "Mix TOP/SUB" mode must be selected.Up to a total of four E8loudspeakers can be driven by each channel ofthe D6 or D12 amplifiers.D6and D12provide the additional E8-X setup to be selected when E8cabinets are used in combination with passive E12X-SUB subwoofers onthe same channel.The E8-X setup provides a dedicated correction forthe combined frequency response of these systems.Selecting the E8-X setup enables a combination of up to three E8orE12X-SUB loudspeakers to be driven by the respective D12or D6channel.In applications with low continuous levels and low ambienttemperatures up to four cabinets can be connected to a D12 channel.Controller settingsFor acoustic adjustment the functions CUT,HFA and CPL can beselected.CUT circuitSet to CUT,the E8low frequency level is reduced.The E8is nowconfigured for use with E12X-SUB or E15X-SUB in active mode or otherd&b active subwoofers.HFA circuitFig. 5: Frequency response correction ofHFA circuitIn HFA mode(High Frequency Attenuation),the HF response of the E8system is rolled off.The HFA circuit provides a natural,balancedfrequency response when a unit is placed close to listeners in near fieldor delay use.High frequency attenuation begins gradually at1 kHz,dropping byapproximately 3 dB at10 kHz.This roll-off mimics the decline infrequency response experienced when listening to a system from adistance in a typically reverberant room or auditorium.Fig. 6: Frequency response correction of CPL circuit The CPL(Coupling)circuit compensates for coupling effects when building closely coupled arrays or when the cabinet is used as a stage monitor.CPL begins gradually at 1 kHz,with maximum attenuation below250 Hz,providing a balanced frequency response when E8 cabinets are used in arrays of two or more.The function of the CPL circuit is shown in the diagram opposite and can be set in dB attenuation values between–9and0,or a positive CPL value which creates an adjustable low frequency boost around 65 Hz (0 to +5 dB). Operation with E-PACSelecting E8mode enables the E-PAC to drive up to two E8 loudspeakers.LO IMP mode configures the E-PAC to drive a maximum of four E8loudspeakers with a6 dB reduction in input level to the loudspeakers.For acoustic adjustment the functions CUT and HFA can be selected.The characteristics of the CUT and HFA settings are explained in the previous section "Operation with D6 or D12 - Controller settings".Dispersion characteristicsThe graphs below show dispersion angle over frequency of a single E8cabinet plotted using lines of equal sound pressure (isobars)at –6 dB and –12 dB.Fig. 7: Isobar diagram E8 horizontal,standard setup Fig. 8: Isobar diagram E8 vertical,standard setupFig. 9: Isobar diagram E8 horizontal,horizontal setup with the horn rotated Fig. 10: Isobar diagram E8 vertical, horizontal setup with the horn rotatedAltering the HF horn dispersionThe HF horn can be rotated through 90°within the coaxial driverassembly.-Set the correct horn orientation before suspending thecabinet.-Do not remove the front grill while the cabinet is mounted orflown above the ground.Tools required: screw driver or an appropriate coin.-Undo the quick locks at the top and bottom of the front grill andremove the grill-Pick the horn at its outer edges and turn it until it snaps into thedesired orientation.-Relocate and fix the front grill.CAUTION: Make sure both quick locks of the front grill are lockedcorrectly before using the loudspeaker.Technical specificationsFig. 11: E8 frequency response, standard and CUT settingsE8 system dataFrequency response (–5 dB standard).................................................62 Hz ... 18 kHz Frequency response (–5 dB CUT mode)...........................................120 Hz ... 18 kHz Max. sound pressure (1 m, free field) E8 with D12 .........................................129 dB Max. sound pressure (1 m, free field) E8 with D6 or E-PAC .........................126 dB (SPLmax peak, pink noise test signal with crest factor of 4)Input level (100 dB-SPL/1 m)...............................................................................–13 dBu E8 loudspeaker Nominal impedance...............................................................................................16 ohms Power handling capacity (RMS / peak 10 ms).........................................150/800 W Nominal dispersion angle (hor. x vert.)...........................................................90° x 50°Components..............................................................8“ driver with neodymium magnet ..............coaxial 1” exit compression driver with 1.75“ coil and rotatable CD horn ....................................................................................................Passive crossover network Connections................................................................................................................2 x EP5......................................................................................Optional and SC option: 2 x NL4.............WR option: Fixed cable 5 m (16.4 ft) (H-07-RN-F 2 x 2.5 mm 2/AWG 13)Pin assignments.......................................................................................................EP5: 1/2.............................................................................................................................NL4: 1+/1–.............................................................................................Fixed cable: Brown + / Blue –Weight..........................................................................................................7.3 kg (16.1 lb)Fig. 12: E8 cabinet dimensions in mm [inch]Manufacturer's declarationsEU conformity of loudspeakers (CE symbol)This declaration applies toE8 loudspeaker, Z0620manufactured by d&b audiotechnik GmbH.All production versions of this type are included,provided theycorrespond to the original technical version and have not been subjectto any later design or electromechanical modifications.We herewith declare that said products are in conformity with theprovisions of the respective EC directives including all applicableamendments.A detailed declaration is available on request and can be ordered fromd&b or downloaded from the d&b website at .WEEE Declaration (Disposal)Electrical and electronic equipment must be disposed of separately fromnormal waste at the end of its operational lifetime.Please dispose of this product according to the respective nationalregulations or contractual agreements.If there are any further questionsconcerning the disposal of this product please contact d&b audiotechnik.D 2030.E N .01, 7/2009 © d &b a u d i o t e c h n i k G m b H。
HP NonStop Enscribe 1.0 用户指南说明书

BriefAnnouncing the availability of HP NonStop Enscribe 1.0HP is pleased to announce the immediate availability ofHP NonStop Enscribe 1.0 on HP Integrity NonStop serverswith enhanced limits for Enscribe key-sequenced files.New enhancementsThe following enhancements have been made to key-sequenced files in this software release:• Maximum number of partitions increased to 128• Maximum block size ncreased to 32KB• Maximum record size increased to 27,648 bytes• Maximum size of primary keys increasd to 2048 bytes• Maximum size of unique alternate keys or normal keys with duplicates increased to 2046 bytes, and 2038 bytes for insertion-ordered keys with duplicates For more information HP NonStop Enscribe 1.0 documentation /go/nonstop-docsSpecific manuals of interest are:• Enscribe Programmer’s Guide• File Utility Programming (FUP) Reference Manual• Guardian Procedure Calls Reference Manual• HP COBOL Manual for TNS/E Programs• Guardian Procedure Errors and Messages Manual• Guardian Disk and Tape Utilities Manual• FastSort Manual• HP NonStop TMF Reference ManualLean more at/go/nonstopdatabaseProduct and ordering information Existing customers can easily upgrade to HP NonStop Enscribe 1.0. Customers require H06.28 or J06.17 as the minimum Release Version Update (RVU) prior to installing the HP Enscribe 1.0 software. Software can be downloaded from the HP NonStop eServices Portal using the IP Request Process and specifying “Please shipthe Enscribe 1.0 Bundle” in the commentssection.For new systems, please order HSN01(HP Integrity NonStop OS basic licensepackage) or QSN01(HP Integrity StandardNonStop OS basic license package forNonStop multi-core architecturesystems). Sign up for updates/go/getupdated Share with colleagues Rate this document© Copyright 2014 Hewlett-Packard Development Company, L.P. The information contained herein is subject to change without notice. The only warranties for HP products and services are set forth in the express warranty statements accompanying such products and services. Nothing herein should be construed as constituting an additional warranty. HP shall not be liable for technical or editorial errors or omissions contained herein.April 2014。
Native Instruments MASCHINE MK3 用户手册说明书

The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (25)1.1MASCHINE Documentation (26)1.2Document Conventions (27)1.3New Features in MASCHINE 2.8 (29)1.4New Features in MASCHINE 2.7.10 (31)1.5New Features in MASCHINE 2.7.8 (31)1.6New Features in MASCHINE 2.7.7 (32)1.7New Features in MASCHINE 2.7.4 (33)1.8New Features in MASCHINE 2.7.3 (36)2Quick Reference (38)2.1Using Your Controller (38)2.1.1Controller Modes and Mode Pinning (38)2.1.2Controlling the Software Views from Your Controller (40)2.2MASCHINE Project Overview (43)2.2.1Sound Content (44)2.2.2Arrangement (45)2.3MASCHINE Hardware Overview (48)2.3.1MASCHINE Hardware Overview (48)2.3.1.1Control Section (50)2.3.1.2Edit Section (53)2.3.1.3Performance Section (54)2.3.1.4Group Section (56)2.3.1.5Transport Section (56)2.3.1.6Pad Section (58)2.3.1.7Rear Panel (63)2.4MASCHINE Software Overview (65)2.4.1Header (66)2.4.2Browser (68)2.4.3Arranger (70)2.4.4Control Area (73)2.4.5Pattern Editor (74)3Basic Concepts (76)3.1Important Names and Concepts (76)3.2Adjusting the MASCHINE User Interface (79)3.2.1Adjusting the Size of the Interface (79)3.2.2Switching between Ideas View and Song View (80)3.2.3Showing/Hiding the Browser (81)3.2.4Showing/Hiding the Control Lane (81)3.3Common Operations (82)3.3.1Using the 4-Directional Push Encoder (82)3.3.2Pinning a Mode on the Controller (83)3.3.3Adjusting Volume, Swing, and Tempo (84)3.3.4Undo/Redo (87)3.3.5List Overlay for Selectors (89)3.3.6Zoom and Scroll Overlays (90)3.3.7Focusing on a Group or a Sound (91)3.3.8Switching Between the Master, Group, and Sound Level (96)3.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.973.3.9.1Extended Navigate Mode on Your Controller (102)3.3.10Navigating the Software Using the Controller (105)3.3.11Using Two or More Hardware Controllers (106)3.3.12Touch Auto-Write Option (108)3.4Native Kontrol Standard (110)3.5Stand-Alone and Plug-in Mode (111)3.5.1Differences between Stand-Alone and Plug-in Mode (112)3.5.2Switching Instances (113)3.5.3Controlling Various Instances with Different Controllers (114)3.6Host Integration (114)3.6.1Setting up Host Integration (115)3.6.1.1Setting up Ableton Live (macOS) (115)3.6.1.2Setting up Ableton Live (Windows) (116)3.6.1.3Setting up Apple Logic Pro X (116)3.6.2Integration with Ableton Live (117)3.6.3Integration with Apple Logic Pro X (119)3.7Preferences (120)3.7.1Preferences – General Page (121)3.7.2Preferences – Audio Page (126)3.7.3Preferences – MIDI Page (130)3.7.4Preferences – Default Page (133)3.7.5Preferences – Library Page (137)3.7.6Preferences – Plug-ins Page (145)3.7.7Preferences – Hardware Page (150)3.7.8Preferences – Colors Page (154)3.8Integrating MASCHINE into a MIDI Setup (156)3.8.1Connecting External MIDI Equipment (156)3.8.2Sync to External MIDI Clock (157)3.8.3Send MIDI Clock (158)3.9Syncing MASCHINE using Ableton Link (159)3.9.1Connecting to a Network (159)3.9.2Joining and Leaving a Link Session (159)3.10Using a Pedal with the MASCHINE Controller (160)3.11File Management on the MASCHINE Controller (161)4Browser (163)4.1Browser Basics (163)4.1.1The MASCHINE Library (163)4.1.2Browsing the Library vs. Browsing Your Hard Disks (164)4.2Searching and Loading Files from the Library (165)4.2.1Overview of the Library Pane (165)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (170)4.2.2.1[MK3] Browsing by Product Category Using the Controller (174)4.2.2.2[MK3] Browsing by Product Vendor Using the Controller (174)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (175)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (179)4.2.4Selecting a File Type (180)4.2.5Choosing Between Factory and User Content (181)4.2.6Selecting Type and Character Tags (182)4.2.7List and Tag Overlays in the Browser (186)4.2.8Performing a Text Search (188)4.2.9Loading a File from the Result List (188)4.3Additional Browsing Tools (193)4.3.1Loading the Selected Files Automatically (193)4.3.2Auditioning Instrument Presets (195)4.3.3Auditioning Samples (196)4.3.4Loading Groups with Patterns (197)4.3.5Loading Groups with Routing (198)4.3.6Displaying File Information (198)4.4Using Favorites in the Browser (199)4.5Editing the Files’ Tags and Properties (203)4.5.1Attribute Editor Basics (203)4.5.2The Bank Page (205)4.5.3The Types and Characters Pages (205)4.5.4The Properties Page (208)4.6Loading and Importing Files from Your File System (209)4.6.1Overview of the FILES Pane (209)4.6.2Using Favorites (211)4.6.3Using the Location Bar (212)4.6.4Navigating to Recent Locations (213)4.6.5Using the Result List (214)4.6.6Importing Files to the MASCHINE Library (217)4.7Locating Missing Samples (219)4.8Using Quick Browse (221)5Managing Sounds, Groups, and Your Project (225)5.1Overview of the Sounds, Groups, and Master (225)5.1.1The Sound, Group, and Master Channels (226)5.1.2Similarities and Differences in Handling Sounds and Groups (227)5.1.3Selecting Multiple Sounds or Groups (228)5.2Managing Sounds (233)5.2.1Loading Sounds (235)5.2.2Pre-listening to Sounds (236)5.2.3Renaming Sound Slots (237)5.2.4Changing the Sound’s Color (237)5.2.5Saving Sounds (239)5.2.6Copying and Pasting Sounds (241)5.2.7Moving Sounds (244)5.2.8Resetting Sound Slots (245)5.3Managing Groups (247)5.3.1Creating Groups (248)5.3.2Loading Groups (249)5.3.3Renaming Groups (251)5.3.4Changing the Group’s Color (251)5.3.5Saving Groups (253)5.3.6Copying and Pasting Groups (255)5.3.7Reordering Groups (258)5.3.8Deleting Groups (259)5.4Exporting MASCHINE Objects and Audio (260)5.4.1Saving a Group with its Samples (261)5.4.2Saving a Project with its Samples (262)5.4.3Exporting Audio (264)5.5Importing Third-Party File Formats (270)5.5.1Loading REX Files into Sound Slots (270)5.5.2Importing MPC Programs to Groups (271)6Playing on the Controller (275)6.1Adjusting the Pads (275)6.1.1The Pad View in the Software (275)6.1.2Choosing a Pad Input Mode (277)6.1.3Adjusting the Base Key (280)6.1.4Using Choke Groups (282)6.1.5Using Link Groups (284)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (286)6.3Playing Tools (287)6.3.1Mute and Solo (288)6.3.2Choke All Notes (292)6.3.3Groove (293)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (295)6.3.5Tap Tempo (299)6.4Performance Features (300)6.4.1Overview of the Perform Features (300)6.4.2Selecting a Scale and Creating Chords (303)6.4.3Scale and Chord Parameters (303)6.4.4Creating Arpeggios and Repeated Notes (316)6.4.5Swing on Note Repeat / Arp Output (321)6.5Using Lock Snapshots (322)6.5.1Creating a Lock Snapshot (322)6.5.2Using Extended Lock (323)6.5.3Updating a Lock Snapshot (323)6.5.4Recalling a Lock Snapshot (324)6.5.5Morphing Between Lock Snapshots (324)6.5.6Deleting a Lock Snapshot (325)6.5.7Triggering Lock Snapshots via MIDI (326)6.6Using the Smart Strip (327)6.6.1Pitch Mode (328)6.6.2Modulation Mode (328)6.6.3Perform Mode (328)6.6.4Notes Mode (329)7Working with Plug-ins (330)7.1Plug-in Overview (330)7.1.1Plug-in Basics (330)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (334)7.1.3Loading, Removing, and Replacing a Plug-in (335)7.1.3.1Browser Plug-in Slot Selection (341)7.1.4Adjusting the Plug-in Parameters (344)7.1.5Bypassing Plug-in Slots (344)7.1.6Using Side-Chain (346)7.1.7Moving Plug-ins (346)7.1.8Alternative: the Plug-in Strip (348)7.1.9Saving and Recalling Plug-in Presets (348)7.1.9.1Saving Plug-in Presets (349)7.1.9.2Recalling Plug-in Presets (350)7.1.9.3Removing a Default Plug-in Preset (351)7.2The Sampler Plug-in (352)7.2.1Page 1: Voice Settings / Engine (354)7.2.2Page 2: Pitch / Envelope (356)7.2.3Page 3: FX / Filter (359)7.2.4Page 4: Modulation (361)7.2.5Page 5: LFO (363)7.2.6Page 6: Velocity / Modwheel (365)7.3Using Native Instruments and External Plug-ins (367)7.3.1Opening/Closing Plug-in Windows (367)7.3.2Using the VST/AU Plug-in Parameters (370)7.3.3Setting Up Your Own Parameter Pages (371)7.3.4Using VST/AU Plug-in Presets (376)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (378)8Using the Audio Plug-in (380)8.1Loading a Loop into the Audio Plug-in (384)8.2Editing Audio in the Audio Plug-in (385)8.3Using Loop Mode (386)8.4Using Gate Mode (388)9Using the Drumsynths (390)9.1Drumsynths – General Handling (391)9.1.1Engines: Many Different Drums per Drumsynth (391)9.1.2Common Parameter Organization (391)9.1.3Shared Parameters (394)9.1.4Various Velocity Responses (394)9.1.5Pitch Range, Tuning, and MIDI Notes (394)9.2The Kicks (395)9.2.1Kick – Sub (397)9.2.2Kick – Tronic (399)9.2.3Kick – Dusty (402)9.2.4Kick – Grit (403)9.2.5Kick – Rasper (406)9.2.6Kick – Snappy (407)9.2.7Kick – Bold (409)9.2.8Kick – Maple (411)9.2.9Kick – Push (412)9.3The Snares (414)9.3.1Snare – Volt (416)9.3.2Snare – Bit (418)9.3.3Snare – Pow (420)9.3.4Snare – Sharp (421)9.3.5Snare – Airy (423)9.3.6Snare – Vintage (425)9.3.7Snare – Chrome (427)9.3.8Snare – Iron (429)9.3.9Snare – Clap (431)9.3.10Snare – Breaker (433)9.4The Hi-hats (435)9.4.1Hi-hat – Silver (436)9.4.2Hi-hat – Circuit (438)9.4.3Hi-hat – Memory (440)9.4.4Hi-hat – Hybrid (442)9.4.5Creating a Pattern with Closed and Open Hi-hats (444)9.5The Toms (445)9.5.1Tom – Tronic (447)9.5.2Tom – Fractal (449)9.5.3Tom – Floor (453)9.5.4Tom – High (455)9.6The Percussions (456)9.6.1Percussion – Fractal (458)9.6.2Percussion – Kettle (461)9.6.3Percussion – Shaker (463)9.7The Cymbals (467)9.7.1Cymbal – Crash (469)9.7.2Cymbal – Ride (471)10Using the Bass Synth (474)10.1Bass Synth – General Handling (475)10.1.1Parameter Organization (475)10.1.2Bass Synth Parameters (477)11Working with Patterns (479)11.1Pattern Basics (479)11.1.1Pattern Editor Overview (480)11.1.2Navigating the Event Area (486)11.1.3Following the Playback Position in the Pattern (488)11.1.4Jumping to Another Playback Position in the Pattern (489)11.1.5Group View and Keyboard View (491)11.1.6Adjusting the Arrange Grid and the Pattern Length (493)11.1.7Adjusting the Step Grid and the Nudge Grid (497)11.2Recording Patterns in Real Time (501)11.2.1Recording Your Patterns Live (501)11.2.2The Record Prepare Mode (504)11.2.3Using the Metronome (505)11.2.4Recording with Count-in (506)11.2.5Quantizing while Recording (508)11.3Recording Patterns with the Step Sequencer (508)11.3.1Step Mode Basics (508)11.3.2Editing Events in Step Mode (511)11.3.3Recording Modulation in Step Mode (513)11.4Editing Events (514)11.4.1Editing Events with the Mouse: an Overview (514)11.4.2Creating Events/Notes (517)11.4.3Selecting Events/Notes (518)11.4.4Editing Selected Events/Notes (526)11.4.5Deleting Events/Notes (532)11.4.6Cut, Copy, and Paste Events/Notes (535)11.4.7Quantizing Events/Notes (538)11.4.8Quantization While Playing (540)11.4.9Doubling a Pattern (541)11.4.10Adding Variation to Patterns (541)11.5Recording and Editing Modulation (546)11.5.1Which Parameters Are Modulatable? (547)11.5.2Recording Modulation (548)11.5.3Creating and Editing Modulation in the Control Lane (550)11.6Creating MIDI Tracks from Scratch in MASCHINE (555)11.7Managing Patterns (557)11.7.1The Pattern Manager and Pattern Mode (558)11.7.2Selecting Patterns and Pattern Banks (560)11.7.3Creating Patterns (563)11.7.4Deleting Patterns (565)11.7.5Creating and Deleting Pattern Banks (566)11.7.6Naming Patterns (568)11.7.7Changing the Pattern’s Color (570)11.7.8Duplicating, Copying, and Pasting Patterns (571)11.7.9Moving Patterns (574)11.7.10Adjusting Pattern Length in Fine Increments (575)11.8Importing/Exporting Audio and MIDI to/from Patterns (576)11.8.1Exporting Audio from Patterns (576)11.8.2Exporting MIDI from Patterns (577)11.8.3Importing MIDI to Patterns (580)12Audio Routing, Remote Control, and Macro Controls (589)12.1Audio Routing in MASCHINE (590)12.1.1Sending External Audio to Sounds (591)12.1.2Configuring the Main Output of Sounds and Groups (596)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (601)12.1.4Configuring the Master and Cue Outputs of MASCHINE (605)12.1.5Mono Audio Inputs (610)12.1.5.1Configuring External Inputs for Sounds in Mix View (611)12.2Using MIDI Control and Host Automation (614)12.2.1Triggering Sounds via MIDI Notes (615)12.2.2Triggering Scenes via MIDI (622)12.2.3Controlling Parameters via MIDI and Host Automation (623)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (631)12.2.5Sending MIDI from Sounds (632)12.3Creating Custom Sets of Parameters with the Macro Controls (636)12.3.1Macro Control Overview (637)12.3.2Assigning Macro Controls Using the Software (638)12.3.3Assigning Macro Controls Using the Controller (644)13Controlling Your Mix (646)13.1Mix View Basics (646)13.1.1Switching between Arrange View and Mix View (646)13.1.2Mix View Elements (647)13.2The Mixer (649)13.2.1Displaying Groups vs. Displaying Sounds (650)13.2.2Adjusting the Mixer Layout (652)13.2.3Selecting Channel Strips (653)13.2.4Managing Your Channels in the Mixer (654)13.2.5Adjusting Settings in the Channel Strips (656)13.2.6Using the Cue Bus (660)13.3The Plug-in Chain (662)13.4The Plug-in Strip (663)13.4.1The Plug-in Header (665)13.4.2Panels for Drumsynths and Internal Effects (667)13.4.3Panel for the Sampler (668)13.4.4Custom Panels for Native Instruments Plug-ins (671)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (675)13.5Controlling Your Mix from the Controller (677)13.5.1Navigating Your Channels in Mix Mode (678)13.5.2Adjusting the Level and Pan in Mix Mode (679)13.5.3Mute and Solo in Mix Mode (680)13.5.4Plug-in Icons in Mix Mode (680)14Using Effects (681)14.1Applying Effects to a Sound, a Group or the Master (681)14.1.1Adding an Effect (681)14.1.2Other Operations on Effects (690)14.1.3Using the Side-Chain Input (692)14.2Applying Effects to External Audio (695)14.2.1Step 1: Configure MASCHINE Audio Inputs (695)14.2.2Step 2: Set up a Sound to Receive the External Input (698)14.2.3Step 3: Load an Effect to Process an Input (700)14.3Creating a Send Effect (701)14.3.1Step 1: Set Up a Sound or Group as Send Effect (702)14.3.2Step 2: Route Audio to the Send Effect (706)14.3.3 A Few Notes on Send Effects (708)14.4Creating Multi-Effects (709)15Effect Reference (712)15.1Dynamics (713)15.1.1Compressor (713)15.1.2Gate (717)15.1.3Transient Master (721)15.1.4Limiter (723)15.1.5Maximizer (727)15.2Filtering Effects (730)15.2.1EQ (730)15.2.2Filter (733)15.2.3Cabinet (737)15.3Modulation Effects (738)15.3.1Chorus (738)15.3.2Flanger (740)15.3.3FM (742)15.3.4Freq Shifter (743)15.3.5Phaser (745)15.4Spatial and Reverb Effects (747)15.4.1Ice (747)15.4.2Metaverb (749)15.4.3Reflex (750)15.4.4Reverb (Legacy) (752)15.4.5Reverb (754)15.4.5.1Reverb Room (754)15.4.5.2Reverb Hall (757)15.4.5.3Plate Reverb (760)15.5Delays (762)15.5.1Beat Delay (762)15.5.2Grain Delay (765)15.5.3Grain Stretch (767)15.5.4Resochord (769)15.6Distortion Effects (771)15.6.1Distortion (771)15.6.2Lofi (774)15.6.3Saturator (775)15.7Perform FX (779)15.7.1Filter (780)15.7.2Flanger (782)15.7.3Burst Echo (785)15.7.4Reso Echo (787)15.7.5Ring (790)15.7.6Stutter (792)15.7.7Tremolo (795)15.7.8Scratcher (798)16Working with the Arranger (801)16.1Arranger Basics (801)16.1.1Navigating Song View (804)16.1.2Following the Playback Position in Your Project (806)16.1.3Performing with Scenes and Sections using the Pads (807)16.2Using Ideas View (811)16.2.1Scene Overview (811)16.2.2Creating Scenes (813)16.2.3Assigning and Removing Patterns (813)16.2.4Selecting Scenes (817)16.2.5Deleting Scenes (818)16.2.6Creating and Deleting Scene Banks (820)16.2.7Clearing Scenes (820)16.2.8Duplicating Scenes (821)16.2.9Reordering Scenes (822)16.2.10Making Scenes Unique (824)16.2.11Appending Scenes to Arrangement (825)16.2.12Naming Scenes (826)16.2.13Changing the Color of a Scene (827)16.3Using Song View (828)16.3.1Section Management Overview (828)16.3.2Creating Sections (833)16.3.3Assigning a Scene to a Section (834)16.3.4Selecting Sections and Section Banks (835)16.3.5Reorganizing Sections (839)16.3.6Adjusting the Length of a Section (840)16.3.6.1Adjusting the Length of a Section Using the Software (841)16.3.6.2Adjusting the Length of a Section Using the Controller (843)16.3.7Clearing a Pattern in Song View (843)16.3.8Duplicating Sections (844)16.3.8.1Making Sections Unique (845)16.3.9Removing Sections (846)16.3.10Renaming Scenes (848)16.3.11Clearing Sections (849)16.3.12Creating and Deleting Section Banks (850)16.3.13Working with Patterns in Song view (850)16.3.13.1Creating a Pattern in Song View (850)16.3.13.2Selecting a Pattern in Song View (850)16.3.13.3Clearing a Pattern in Song View (851)16.3.13.4Renaming a Pattern in Song View (851)16.3.13.5Coloring a Pattern in Song View (851)16.3.13.6Removing a Pattern in Song View (852)16.3.13.7Duplicating a Pattern in Song View (852)16.3.14Enabling Auto Length (852)16.3.15Looping (853)16.3.15.1Setting the Loop Range in the Software (854)16.4Playing with Sections (855)16.4.1Jumping to another Playback Position in Your Project (855)16.5Triggering Sections or Scenes via MIDI (856)16.6The Arrange Grid (858)16.7Quick Grid (860)17Sampling and Sample Mapping (862)17.1Opening the Sample Editor (862)17.2Recording Audio (863)17.2.1Opening the Record Page (863)17.2.2Selecting the Source and the Recording Mode (865)17.2.3Arming, Starting, and Stopping the Recording (868)17.2.5Using the Footswitch for Recording Audio (871)17.2.6Checking Your Recordings (872)17.2.7Location and Name of Your Recorded Samples (876)17.3Editing a Sample (876)17.3.1Using the Edit Page (877)17.3.2Audio Editing Functions (882)17.4Slicing a Sample (890)17.4.1Opening the Slice Page (891)17.4.2Adjusting the Slicing Settings (893)17.4.3Live Slicing (898)17.4.3.1Live Slicing Using the Controller (898)17.4.3.2Delete All Slices (899)17.4.4Manually Adjusting Your Slices (899)17.4.5Applying the Slicing (906)17.5Mapping Samples to Zones (912)17.5.1Opening the Zone Page (912)17.5.2Zone Page Overview (913)17.5.3Selecting and Managing Zones in the Zone List (915)17.5.4Selecting and Editing Zones in the Map View (920)17.5.5Editing Zones in the Sample View (924)17.5.6Adjusting the Zone Settings (927)17.5.7Adding Samples to the Sample Map (934)18Appendix: Tips for Playing Live (937)18.1Preparations (937)18.1.1Focus on the Hardware (937)18.1.2Customize the Pads of the Hardware (937)18.1.3Check Your CPU Power Before Playing (937)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (938)18.1.5Consider Using a Limiter on Your Master (938)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (938)18.1.7Improvise (938)18.2Basic Techniques (938)18.2.1Use Mute and Solo (938)18.2.2Use Scene Mode and Tweak the Loop Range (939)18.2.3Create Variations of Your Drum Patterns in the Step Sequencer (939)18.2.4Use Note Repeat (939)18.2.5Set Up Your Own Multi-effect Groups and Automate Them (939)18.3Special Tricks (940)18.3.1Changing Pattern Length for Variation (940)18.3.2Using Loops to Cycle Through Samples (940)18.3.3Using Loops to Cycle Through Samples (940)18.3.4Load Long Audio Files and Play with the Start Point (940)19Troubleshooting (941)19.1Knowledge Base (941)19.2Technical Support (941)19.3Registration Support (942)19.4User Forum (942)20Glossary (943)Index (951)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.。
EMAX银燕E6说明书

Introduction.........................................................................................................................01 Special features..................................................................................................................02 Lithium polymer balance charge program connection diagram .................................................04 Warning and safety notes.....................................................................................................05 Program flow chart...............................................................................................................10 Initial parameter setup (users set up)....................................................................................12 Charging of lithium battery....................................................................................................16 Balance charging of lithium battery........................................................................................17 Fast charging of lithium battery.............................................................................................18 Storage control of lithium battery...........................................................................................19 Discharging of lithium battery................................................................................................20 Charging of NiCd/NiMH battery .............................................................................................21 Discharge of NiCd/NiMH battery............................................................................................22 Charge/discharge and discharge/charge cycle of NiCd/NiMH battery........................................23 Charging of the Pb battery....................................................................................................24 Discharging of the Pb battery................................................................................................25 Storage data program..........................................................................................................26 Load data program...............................................................................................................27 Various information in the program........................................................................................28 Warning and error message..................................................................................................29 Recommended accessories.......................................................................................31 Conformity declaration........................................................................................................32 Maximum circuit power chart ................................................................................................33 Specifications......................................................................................................................34
IC-6 Manual(chinese)

Vacuum Technology Lab.
上下左右移动按钮
4
材料设定方法
Vacuum Technology Lab.
英文字
最大功率 H4 : 名字, 密度, Z-Ratio值 自己输入
热源1
热源2
Source 1 : 电子源 Source 2 : 热源1 Source 3 : 热源2
23
USB 保管方法 改名字后‘ENTER’按按钮
按F1按钮
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USB 保管方法
Vacuum Technology Lab.
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USB 保管方法
Vacuum Technology Lab.
USB里面文件生成
26
USB -> IC-6 保管方法
Vacuum Technology Lab.
按按钮
27
USB -> IC-6 保管方法 1.文件选择
Vacuum Technology Lab.
2.按F2按钮
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LOGIC 建立 方法
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LOGIC 建立 方法
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ABB Lite Panel 新一代数字所有者面板说明书

—FOLLE TOLite PanelNuevo panel digital todo en unoLite Panel de ABB es el nuevo panel táctil para monitorizar y controlar localmente dispositivos digitales en cuadros de distribución de energía, mediante plantillas predefinidas para cada uno de ellos que detectan y generan su gemelo digital de forma automáticaVentajas y beneficiosSeguridadReducción de los riesgos eléctricos o accidentes mediante la motorización continua de losdispositivos desde el frontal del cuadroFacilidad de instalaciónEl panel Plug&Play permite ahorrar hasta 4 veces más espacioque las soluciones tradicionalesPERFIL:OPERADOR, MANTENEDOREficiencia energéticaSupervisión del estado de los dispositivos,parámetros energéticos y de calidad de red desde un único panel que reduce un 70% los puntos de lectura en la sala eléctrica y permite tomar lasmejores decisiones para ahorrar costes operativosPERFIL:JEFE DE PLANTAPERFIL:CUADRISTA, INSTALADOR, OEMPERFIL:INTEGRADOR, CUADRISTA, OPERADORInterfaz óptimaHasta 28 gemelos digitales pre-configurados en el panel para usarlo de forma inmediata. Sin ingeniería ni desarrolloSegmentos y aplicacionesEdificios terciariosOficinas, hoteles, centros comerciales, centrosuniversitarios, hospitales, resorts...InfraestructurasAeropuertos, centros de datos, logística,ferrocarril...Plantas industrialesTratamiento de aguas, food&beverage, automoción,petroquímica, generación...NavalPuertos, astilleros, cruceros, embarcaciones...Datos técnicos• Productos integrados por defecto: Emax 2, Tmax XT, Ekip UP, TruONE ATS, M4M, EQ meters, CMS-700.• Puertos de comunicación: 1xRJ45, 2xRS-485• Reconocimiento automático dispositivos: hasta 20 dispositivos vía Ethernet Modbus TCP y 8 vía Modbus RTU simultáneamente.• Monitorización:-Medidas de corriente, tensión, potencias, energías, calidad de red, etc.-Datos de operación: numero de operaciones, disparos, desgaste contactos, numero de serie, etc.-Datos de mantenimiento: alarmas, disparos,eventos, etc.• Control:-Apertura, cierre.• 5 niveles de privilegios para cada perfil de usuario.• Características:-Instalación en panel --20°C -…60°C-10%...90% humedad relativa-Resistencia a vibraciones 10...25Hz • Alimentación 24 VDC • Certificaciones: CE, FCC•Dimensiones: 203x145x35mm (pantalla 7’’)Ver manual técnico—Nos reservamos el derecho de hacer cambios técnicos o modificar el contenido de este documento sin previo aviso. En lo que respecta a las órdenes de compra,p revalecerán los datos acordados. ABB no acepta n inguna responsabilidad por posibles errores o posible falta de información en este documento.Nos reservamos todos los derechos en este documento y para el tema y las ilustraciones contenidas en el mismo. Cualquier reproducción, divulgación a terceros outilización de su contenido –total o parcial– está prohibida sin el c onsentimiento previo por escrito de ABB. ©Copyright 2020 ABB. Todos los derechos reservados.—Asea Brown Boveri S.A. Calle San Romualdo, 1328037 - Madridwww.abb.es/bajatension1S D C 200080L 0201 R E V A 05.7.2019Código de pedido Descripción 1SDA114809R1Lite Panel。
Honeywell E6 V6 系列 小型封闭式开关 说明书

Honeywell/Commercial Switch-Sensor 霍尼韦尔开关与传感器
上海: Tel:021-62370237 北京: Tel:010-84583280 深圳: Tel:0755-5181226 广州: Tel:020-38791169
说 明 无密封罩, 现场可作水 平方向 360°调节以 45° 增量以及垂直方向 250°调节,单刀双掷 同上,但带有密封罩
电气 额定值 A
安装 侧装 法兰安装
目录号 BZE6-2RN28 BZV6-2RQ62
A
侧装 法兰安装
BZE6-2RN62 BZV6-2RN62
法兰安装 无密封罩
N=牛顿 特性: O.F.-动作力; P.T.-预行程; O.T.-超行程; D.T.-差动行程 2
3,17 .125 5,55 .140
1,53 .060 0,05 .002
A
侧装
BZE6-2RQ8
侧装,有密封罩
法兰安装 BZV6-2RQ8
N= 牛顿
特性 :O.F.- 动作力 ; P.T.- 预行程 ; O.T.- 超行程 ; D.T.- 差动行程 ; O.P.- 操作位置
Honeywell/Commercial Switch-Sensor 霍尼韦尔开关与传感器
特 点
侧装或法兰安装 瞬时或保持接触 接地螺钉 可提供 (22 A) 高容量 温 度 范 围 在 -25 ° F 到 +160 ° F (-32 ° C 至 +71 ° C) 铸锌外壳 NEMAI UL 认可,文件号为 E12252 CSA 认证,文件号为 LR41372 E6 NEMA1 V6 NEMA 1.3 环 氧 树 脂 填 充 , 符 合 NEMA 1,3,4,12,13 保持等级 有预置引线或连接器端接的选项 单刀 双掷
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E6Manual (1.0 EN)Symbols on the equipmentPlease refer to the information in the operating manual.WARNING!Dangerous voltage!ContentsSafety precautions (3)Information regarding use of loudspeakers (3)E6 (4)Connections (5)Operation with D6 or D12 (5)Operation with E-PAC (6)Dispersion characteristics (7)Altering the HF horn dispersion (7)Technical specifications (8)Manufacturer's declarations (9)EU conformity of loudspeakers (CE symbol) (9)WEEE Declaration (Disposal) (9)General InformationE6 ManualVersion 1.0 EN, 03/2010, D2606.EN .01Copyright © 2010 by d&b audiotechnik GmbH; all rights reserved. Keep this manual with the product or in a safe place so that it is available for future reference.When reselling this product,hand over this manual to the new customer.If you supply d&b products,please draw the attention of your customers to this manual.Enclose the relevant manuals with the systems.If you require additional manuals for this purpose,you can order them from d&b.d&b audiotechnik GmbHEugen-Adolff-Strasse 134, D-71522 Backnang, GermanyTelephone +49-7191-9669-0, Fax +49-7191-95 00 00Safety precautionsInformation regarding use of loudspeakersWARNING!Never stand in the immediate vicinity of loudspeakers driven at a highlevel.Professional loudspeaker systems are capable of causing asound pressure level detrimental to human health.Seemingly non-critical sound levels(from approx.95 dB SPL)can cause hearingdamage if people are exposed to it over a long period.In order to prevent accidents when deploying loudspeakers on theground or when flown, please take note of the following:When setting up the loudspeakers or loudspeaker stands,make surethey are standing on a firm surface.If you place several systems ontop of one another, use straps to secure them against movement.Only use accessories which have been tested and approved by d&bfor assembly and mobile deployment.Pay attention to the correctapplication and maximum load capacity of the accessories as detailedin our specific“Mounting instructions”or in our"Flying system andRigging manuals".Ensure that all additional hardware,fixings and fasteners used forinstallation or mobile deployment are of an appropriate size and loadsafety factor.Pay attention to the manufacturers'instructions and tothe relevant safety guidelines.Regularly check the loudspeaker housings and accessories for visiblesigns of wear and tear, and replace them when necessary.Regularly check all load bearing bolts in the mounting devices.CAUTION!Loudspeakers produce a static magnetic field even if they are notconnected or are not in use.Therefore make sure when erecting andtransporting loudspeakers that they are nowhere near equipment andobjects which may be impaired or damaged by an external magneticfield.Generally speaking,a distance of0.5 m(1.5 ft)from magneticdata carriers(floppy disks,audio and video tapes,bank cards,etc.)issufficient;a distance of more than1 m(3 ft)may be necessary withcomputer and video monitors.E6Fig. 1: E6 loudspeaker Fig. 2: E6 stage monitor setupThe E6is a high performance multipurpose loudspeaker employing anintegrated 6.5”/1”exit coaxial driver design with neodymium magnetand constant directivity horn loading.The horn with its 100°x 55°(hor.x vert.)dispersion pattern can easily be rotated through 90°providinga 55° x 100° pattern without the use of tools.The E6is a two-way design with a built-in passive crossover network.Itsfrequency response extends from 85 Hz to 20 kHz.The E6enclosure is injection-molded from polyamide with an impactand weather resistant black paint finish.The cabinet shape allows useeither in a vertical or horizontal orientation as well as deployment as astage monitor.The front of the loudspeaker cabinet is protected by a rigid metal grill infront of an acoustically transparent fabric.The grill can easily beremoved without tools to modify the horn orientation.The cabinet incorporates a handle and four M8threaded inserts toconnect to different rigging accessories like Z5377E6Flying bracket,Z5378 E6 Horizontal bracket or a safety wire.The connector panel of the E6cabinet is recessed and tilted to allowdeployment as a stage monitor.With the panel on the right hand side,the cabinet is oriented correctly.NOTICE:Only operate E6loudspeakers with a correctly configured d&bamplifier,otherwise there is a risk of damaging the loudspeakercomponents.Fig. 3: E6 SC/WR versionstop viewE6 cabinet optionsThe special color (SC)version of the cabinet is available in all colors ofthe RAL color table.It comes without the handle.The respective openingof the cabinet is covered by a plate in cabinet color.The connector typeis NL4.The weather resistant (WR)version is available in black only.It alsocomes without the handle.It is equipped with a fixed input cable (5 m /16.4 ft, type H-07-RN-F 2 x 2.5 mm 2/AWG 13).Fig. 4: Connector wiring The E6cabinet is fitted with a pair of EP5connectors.All five pins of both connectors are wired in parallel.The E6uses the pin assignments 1/2.Pins3/4and5are designated to active subwoofers,where pin5is used for SenseDrive(only available when using a D12amplifier and5-wire cabling).Using the male connector as the input,the female connector allows for direct connection to additional loudspeakers.The E6 can be supplied with NL4 connectors as an option.Pin equivalents of EP5and NL4connectors and the fixed cable option are listed in the table below.EP512345NL41+1–2+2–n.a.Fixed cable (PG)Brown (+)Blue (–)Operation with D6 or D12Select the controller setup E6.On the D12amplifier it is available in“Dual Channel”and“MixTOP/SUB”mode.For combinations with active subwoofers fed by asingle 4/5-wire cable "Mix TOP/SUB" mode must be selected.Up to a total of five E6loudspeakers can be driven by each channel ofthe D6 or D12 amplifiers.Controller settingsFor acoustic adjustment the functions CUT,HFA and CPL can beselected.CUT circuitSet to CUT,the E6low frequency level is reduced.The E6is nowconfigured for use with E12X-SUB or E15X-SUB in active mode or otherd&b active subwoofers.HFA circuitFig. 5: Frequency response correction ofHFA circuitIn HFA mode(High Frequency Attenuation),the HF response of the E6system is rolled off.The HFA circuit provides a natural,balancedfrequency response when a unit is placed close to listeners in near fieldor delay use.High frequency attenuation begins gradually at1 kHz,dropping byapproximately 3 dB at10 kHz.This roll-off mimics the decline infrequency response experienced when listening to a system from adistance in a typically reverberant room or auditorium.Fig. 6: Frequency response correction of CPL circuit The CPL(Coupling)circuit compensates for coupling effects when building closely coupled arrays or when the cabinet is used as a stage monitor.CPL begins gradually at 1 kHz,with maximum attenuation below250 Hz,providing a balanced frequency response when E6 cabinets are used in arrays of two or more.The function of the CPL circuit is shown in the diagram opposite and can be set in dB attenuation values between–9and0,or a positive CPL value which creates an adjustable low frequency boost around 65 Hz (0 to +5 dB). Operation with E-PACSelecting E6mode enables the E-PAC to drive up to three E6 loudspeakers.LO IMP mode configures the E-PAC to drive a maximum of five E6loudspeakers with a6 dB reduction in input level to the loudspeakers.For acoustic adjustment the functions CUT and HFA can be selected.The characteristics of the CUT and HFA settings are explained in the previous section "Operation with D6 or D12 - Controller settings".Dispersion characteristicsThe graphs below show dispersion angle over frequency of a single E6cabinet plotted using lines of equal sound pressure (isobars)at –6 dB and –12 dB.Fig. 7: Isobar diagram E6 horizontal,standard setup Fig. 8: Isobar diagram E6 vertical,standard setupFig. 9: Isobar diagram E6 horizontal,horizontal setup with the horn rotated Fig. 10: Isobar diagram E6 vertical, horizontal setup with the horn rotated Altering the HF horn dispersionThe HF horn can be rotated through 90°within the coaxial driverassembly.There are no tools required as the grill is attached to thebaffle by magnets. It is secured by an additional safety wire.The grill can be accessed through an opening in the top handle of thecabinet.-Remove the grill.-Take the horn at its outer edges and turn it until it snaps into thedesired direction.-Relocate and fix the front grill.Make sure the safety wire slips into the recess between baffle andcabinet body.Technical specificationsFig. 11: E6 frequency response, standard and CUT settingsE6 system dataFrequency response (–5 dB standard).................................................85 Hz ... 20 kHz Frequency response (–5 dB CUT mode)...........................................120 Hz ... 20 kHz Max. sound pressure (1 m, free field) E6 with D12 .........................................123 dB Max. sound pressure (1 m, free field) E6 with D6 or E-PAC .........................120 dB (SPLmax peak, pink noise test signal with crest factor of 4)Input level (100 dB-SPL/1 m)...............................................................................–11 dBu E6 loudspeaker Nominal impedance...............................................................................................20 ohms Power handling capacity (RMS / peak 10 ms).........................................150/800 W Nominal dispersion angle (hor. x vert.).........................................................100° x 55°Components..........................................................6.5“ driver with neodymium magnet ..............coaxial 1” exit compression driver with 1.75“ coil and rotatable CD horn ....................................................................................................Passive crossover network Connections................................................................................................................2 x EP5......................................................................................Optional and SC option: 2 x NL4.............WR option: Fixed cable 5 m (16.4 ft) (H-07-RN-F 2 x 2.5 mm 2/AWG 13)Pin assignments.......................................................................................................EP5: 1/2.............................................................................................................................NL4: 1+/1–.............................................................................................Fixed cable: Brown + / Blue –Weight..............................................................................................................5.0 kg (11 lb)Fig. 12: E6 cabinet dimensions in mm [inch]Manufacturer's declarationsEU conformity of loudspeakers (CE symbol)This declaration applies toE6 loudspeaker, Z0350manufactured by d&b audiotechnik GmbH.All production versions of this type are included,provided theycorrespond to the original technical version and have not been subjectto any later design or electromechanical modifications.We herewith declare that said products are in conformity with theprovisions of the respective EC directives including all applicableamendments.A detailed declaration is available on request and can be ordered fromd&b or downloaded from the d&b website at .WEEE Declaration (Disposal)Electrical and electronic equipment must be disposed of separately fromnormal waste at the end of its operational lifetime.Please dispose of this product according to the respective nationalregulations or contractual agreements.If there are any further questionsconcerning the disposal of this product please contact d&b audiotechnik.D 2606.E N .01, 03/2010 © d &b a u d i o t e c h n i k G m b H。