Introduction of Four Most Famous Books
造纸术、火药、印刷术、指南针英语单词

造纸术、火药、印刷术、指南针英语单词全文共3篇示例,供读者参考篇1The Four Great Inventions of Ancient ChinaChina has a long and storied history of innovation and invention. Among the many contributions that China has made to the world, there are four inventions that stand out as particularly transformative: papermaking, gunpowder, printing, and the compass. These four inventions, known as the Four Great Inventions of Ancient China, have had a profound impact on the course of human history and continue to shape our world today.PapermakingOne of the most famous and important inventions of ancient China is papermaking. The process of making paper from wood pulp or plant fibers was first developed by the Chinese around the 2nd century BCE. Prior to the invention of paper, writing and record-keeping were done on materials such as bamboo strips, silk cloth, or animal skins. Paper revolutionized the way information was recorded and transmitted, making it easier and more convenient to write, read, and share knowledge.GunpowderAnother significant invention from ancient China is gunpowder. Gunpowder, a mixture of saltpeter, charcoal, and sulfur, was first used as an explosive in fireworks and later as a weapon in warfare. The invention of gunpowder revolutionized military technology and had a profound impact on the way wars were fought. It also played a key role in the development of firearms and artillery, changing the course of history and shaping the world as we know it today.PrintingThe invention of printing is another major contribution of ancient China. The Chinese invented woodblock printing around the 9th century CE, which involved carving characters or images into a block of wood, applying ink to the block, and then pressing it onto paper to create a printed page. This method of printing was later refined and improved upon, leading to the development of movable type printing by the Chinese polymath Bi Sheng in the 11th century. Movable type printing allowed for the mass production of books, pamphlets, and other printed materials, making information more accessible to a wider audience.CompassLastly, the invention of the compass is another important contribution of ancient China. The compass, a device that points to the magnetic North Pole, was first invented by the Chinese around the 2nd century BCE. Originally used for divination and navigation at sea, the compass revolutionized the way people traveled and explored the world. It made long-distance sea voyages safer and more reliable, leading to the exploration and colonization of new lands and the establishment of trade routes that connected distant civilizations.In conclusion, the Four Great Inventions of Ancient China –papermaking, gunpowder, printing, and the compass – have had a lasting impact on human civilization and continue to shape the world we live in today. These inventions represent the ingenuity, creativity, and technological prowess of ancient China, and serve as a reminder of the rich cultural heritage and intellectual legacy of this great civilization.篇2The Four Great Inventions of Ancient China have had a profound impact on the development of human civilization. These inventions include papermaking, gunpowder, printing, and the compass. Each of these innovations has played a pivotal role in shaping the world as we know it today.Papermaking, first invented by Cai Lun in the Eastern Han Dynasty, revolutionized the way information was recorded and distributed. Before the invention of paper, people used materials such as papyrus or silk to write on. However, these materials were expensive and not easily accessible. With the introduction of paper, writing became more affordable and widespread, leading to the dissemination of knowledge and culture on a much larger scale.Gunpowder, credited to the alchemist and Taoist monk Wei Boyang, was discovered during the Tang Dynasty. Originally used in fireworks and later in military applications, gunpowder changed the nature of warfare and had a significant impact on world history. The invention of gunpowder led to the development of firearms, cannons, and eventually, the modern artillery that we see today.The invention of printing, attributed to Bi Sheng in the Song Dynasty, also had a transformative effect on society. Before the advent of printing, books were copied by hand, making them rare and expensive. The invention of moveable type printing revolutionized the production of books and other written materials, making them more accessible to the general public.This led to an increase in literacy rates and the spread of knowledge across different parts of the world.The compass, an invention that dates back to the Han Dynasty, was a crucial tool for navigation. By using the Earth's magnetic field, the compass allowed sailors to determine their direction at sea, making long-distance voyages safer and more efficient. The compass played a key role in the Age of Exploration, enabling explorers to discover new lands and establish trade routes that extended across the globe.Overall, the Four Great Inventions of Ancient China have had a lasting impact on human civilization. These innovations have shaped the way we communicate, fight wars, disseminate knowledge, and navigate the world. The legacy of these inventions lives on in the technologies and systems that we use today, highlighting the enduring influence of ancient Chinese ingenuity and creativity.篇3The Four Great Inventions of Ancient ChinaChina is known for its rich history and culture, and one of the most fascinating aspects of its civilization is the many inventions that have come from this ancient land. Among the mostimportant inventions in Chinese history are the Four Great Inventions: papermaking, gunpowder, printing, and the compass.PapermakingOne of the most important inventions in human history is papermaking, and it was first invented in China around 105 AD during the Han Dynasty. Before the invention of paper, people used materials such as bamboo strips, silk, and wood for writing. However, these materials were expensive and not very practical.The Chinese scholar Cai Lun is credited with inventing paper as we know it today. He used a mixture of mulberry bark, hemp, and rags to create a pulp that was then dried into thin sheets. This new writing material revolutionized communication and helped spread knowledge and information throughout the world.GunpowderAnother groundbreaking invention from ancient China is gunpowder, which was first developed during the Tang Dynasty in the 9th century. The Chinese alchemists were looking for the elixir of immortality when they accidentally discovered the explosive properties of gunpowder.The original gunpowder recipe consisted of sulfur, charcoal, and saltpeter, which created a powerful explosive that was used in fireworks, weapons, and eventually firearms. Gunpowder changed the course of warfare and had a profound impact on global history.PrintingThe invention of printing is another significant achievement in Chinese history. The Chinese invented the woodblock printing technique during the Tang Dynasty in the 7th century, which involved carving images or characters onto wooden blocks and then printing them onto paper.This method was later improved upon with the invention of movable type by Chinese artisan Bi Sheng in the 11th century. Movable type allowed for faster and more efficient printing, making it easier to produce books, newspapers, and other printed materials.The CompassFinally, one of the most important inventions in navigation is the compass, which was first invented in ancient China during the Han Dynasty in the 2nd century BC. The compass wasoriginally used for fortune-telling, but it was later adapted for navigation by aligning with the Earth's magnetic field.The compass revolutionized sea travel and exploration, allowing sailors to navigate accurately and safely across the oceans. It played a crucial role in the Age of Discovery and the exploration of the New World.In conclusion, the Four Great Inventions of ancient China have had a lasting impact on human civilization and have shaped the world we live in today. The inventions of papermaking, gunpowder, printing, and the compass have revolutionized communication, warfare, information dissemination, and navigation. These groundbreaking inventions are a testament to the ingenuity and creativity of the Chinese people and their contributions to human progress.。
英语本科论文 论道连格雷的画像中的唯美主义

An Analysis of Aestheticism in Oscar Wilde’sThe Picture of Dorian GrayBy。
A thesis presented to the Foreign Languages Department of。
Universityin partial fulfillment of the requirementsfor the degree ofBachelor of ArtsJune 4, 2013Class:Advisor:浅析《道林·格雷的画像》中王尔德的唯美主义摘要:奥斯卡·王尔德作为西方唯美主义的代表人物,他的的很多作品都体现了其唯美主义的主张。
王尔德于1890年创作的《道林·格雷的画像》是他短暂一生中唯一一部发表的小说,也是其唯美主义主张最好的诠释。
该小说不仅呈现了十九世纪九十年代唯美主义运动的精神,而且体现了唯美主义的追求及其唯美主义这一思潮的内在特征。
虽然这本书自出版以来就成为当时社会的众矢之的,但不可否认,王尔德的唯美主义始终贯穿于这部小说的始终。
通过唯美主义视角分析《道林·格雷的画像》,其唯美主义主要体现在“艺术与美超越一切”,“生活模仿艺术却远不及艺术之美”,“艺术是非功利的”,以及“艺术超越道德”等四个方面。
来具体阐述唯美主义在小说中的体现。
通过对小说的研究与分析,读者可以更好地了解小说中的唯美主义艺术,欣赏小说的文学特征。
关键词:唯美主义;艺术;道德;功利An Analysis of Aestheticism in Oscar Wilde’sThe Picture of Dorian GrayAbstract: As a representative of aestheticism in the west, Oscar Wilde, makes many of his works reflect aestheticism. The Picture of Dorian Gray completed by Oscar Wilde in 1890 is the only published novel in his short life, which is the best interpretation to his aestheticism. The novel not only presents the spirit of the aestheticism movement in the 1890 s, but also embodies the pursuit of aestheticism and the ideological trend of the inherent characteristics of the aestheticism. Although this book became a lightning rod for criticism of society at the time there is no denying the fact that Oscar Wilde's aestheticism runs through the novel.The Picture of Dorian Gray can be analysed from the following four parts to illustrate the reflection of aestheticism in the novel: “Art and beauty above all else”; “Life imitates art, but not as good as art”; “Art is no utilitarian”; and “Art beyond morals”. Through analysis of the novel, the reader can better understand the aestheticism of art of the novel, and appreciate it‟s literary characteristics.Key words:aestheticism; art; morality; utilitarianTable of Contents1. Introduction (1)2. Aestheticism and Oscar Wilde‟ The Picture of Dorian Gray (2)2.1 The Definition of Aestheticism (2)2.2 The Connection between Aestheticism and The Picture of Dorian Gray (3)3 The Aestheticism Presented in The Picture of Dorian Gray (4)3.1 Art and Beauty Above All Else (4)3.2 Life Imitates Art, But Not as Good as the Beauty of Art (5)3.3 Art is No Utilitarian (7)3.4 Art beyond Moral (9)4. Conclusion (10)Works Cited (12)1. IntroductionOscar Wilde, a greatly disputed person, is one of the most popular writers in the England modern literary history. He is not only a good playwright, but also a great poet and critic. He has been famous for his advocating the slogan of “art for art‟s sake”. Even though in his whole life he has got more scolding than praise, he is remembered for his literary works. And he is signed with sadness at his imprisonment, and his early death.In the 19th century, the European aestheticism and the dispirited principle idea have had the widespread influence in the literature domain. As the main spokesmen for the western aestheticism, Oscar Wilde tried his hand at various literary activities. He developed and practiced his idea of aestheticism in his whole life. As the readers can say, most of his literary works are the best annotation of his aestheticism.Among his countless works, The Picture of Dorian Gray, the only published novel in his short lifetime, is a classic of his aestheticism. Even though this book has got a lot of criticism in that society, Oscar Wilde‟ aestheticism still runs through the story. Through this book, Oscar Wilde presents his excellent personality and aestheticism perfectly and indirectly.Oscar Wilde made a great contribution to the world literature by inheriting and developing aesthetic views in his literary creation. His aesthetic views involve not only the literary theory but also the literary creation. In practice, Oscar Wilde never ceases to work for the beauty of his literary art. He advocates the massive use of symbols and the correspondence among words, colors and music. In theory, Oscar Wilde reconsider s the relation between art and life. Inheriting Gautier‟s‟ view “art for art‟s sake”, he advocates that life is the imitation of art, which can be seen in the preface of his book The Picture of Dorian Gray a s “All art is quite useless”.The Picture of Dorian Gray, where Oscar Wilde‟s aestheticism has got a stage to act out. If people want to understand Wilde‟ aestheticism, they should read the novel The Picture of Dorian Gray first.2. Aestheticism and Oscar Wilde’ The Picture of Dorian Gray2.1 The Definition of AestheticismAestheticism (or the Aesthetic Movement) is an art movement supporting the emphasis of aesthetic values more than socio-political themes for literature, fine art, music and other arts.It appeared in England in the late 19th century and it roughly develops from 1868 to 1901. Aestheticism claims that art should be independent of all philosophy, and art can only be judged by its own standard (Wikipedia 8). It was put forward in the eighteenth century by Immanuel Kant, who spoke for the independence of art: “Art exists for its own sake, for it s own essence or beauty.”(Song 2). Some writers and artists who are keen on aestheticism movement put up the idea“The mission of art is to provide humans with sensory pleasure, rather than passing some kind of moral or emotional information”. Esthetic thou ght that art should not have any preaching factors, but the pursuit of pure beauty. They were fascinated to pursue of the art of "beauty", and they think "beauty" is the essence of art. They also argue that life should imitate art.Aesthetics is a branch of philosophy that studies the principles of beauty especially in art. Aestheticism is the collection of all the fruits of aesthetics. “The word …aesthetic‟ was first found in Aesthetica, appearing as a Latin word, which is the name of two books written by Alexander Baumgartner, 1714---1762.”(Williams 31). Baumgartner believes beauty can be defined as aesthetic, but when it is related to art, the most important part of Baumgartner‟s translation of beauty is that beauty is not abstract but can be felt by people through their senses. This translation is the same as the Greek word “aesthesis”, the original meaning of which is the power of uniting mentally the impressions conveyed by the five physical senses.Aestheticism emphasizes the independence of art: Art exists for its own sake, for its own essence or beauty. Oscar Wilde was a dramatic leader in promoting the movement of aestheticism. He advocates freedom from moral restraint and the limitations of society. He develops and practices the aestheticism in his whole life.2.2 The Connection between Aestheticism and The Picture of Dorian GrayDorian Gray is a literary image created by Wilde in The Picture of Dorian Gray, he is a young man in London's aristocratic. He looks very beautiful and virtuous.As the description in the book: “Yes, he was certainly wonderfully handsome, with his finely curved scarlet lips, his frank blue eyes, and his crisp gold hair. There was something in his face that made one trust him at once. All the candour of youth was there, as well as all youth's passionate purity. One felt that he had kept himself unspotted from the world”(Wilde, 11). Basil Hallward paints a fantastic portrait for Dorian. Influenced by the painter‟s friend Lord Henry Wotton, Dorian Gray makes a frivolous wish that he will be forever young but the portrait will grow aged and bear all the misery and evil.When it comes ture,Dorian Gray‟s picture grows aged and corrupt while he continues to appear young and innocent. After Dorian drives a young actress named Sibyl Vane, the one who he loved,to suicide, he is surprised to find nothing falls on his head but the picture become ugly. Being seduced by Lord Henry, the incarnation of evil, Dorian Gray can‟t resist the temptation and makes his life worse. He does a series of evil things. He kills Bail for keeping his secret. Alan Campbell commits suicides because of his commitment of disposing Basil‟s body. To decrease his sense of guilt, Dorian Gray begins to collect things to anaesthetize him in the pleasure of sense. His eternal beauty is realized at the cost of sacrificing of the beauty of the picture. The decades of sinful life leaves remarks on the picture and ruins the beauty of it. He feels guilty when Sybil‟s brother finds him and swears to kill him. His forever young looking keeps him from being killed by Sybil‟s brother James Vane, but at the end of the story, he can no longer endure his sinful memory. He slays the decaying portrait, the record of his guilt, to erase his sins, but at his slaying, he kills himself and the picture returns to its original beauty. He is dead as a withered old man lying on the floor in front of the shiny picture.At the beginning of the book, we can see Dorian Gray is a pure and charming young man. He is the beauty in reality. The portrait Basil paints for Dorian is fantastic. It represents the eternal art. After Dorian changes soul with the portrait. When he dose evil things, he keeps handsome, but the portrait decays. The beauty still exists. At the end of the story, Dorian throws the knife to the portrait, and then he becomes old andugly at one moment. The portrait reappears beautiful. The aestheticism runs through the story. It is the striking literary characteristic of The Picture of Dorian Gray.3 The Aestheticism Presented in The Picture of Dorian GrayThere are some protagonists related to Wild e‟s aestheticism in the book. Lord Henry, worldly and utilitarian, with a high social status, is a representative of the ugly forces in the capitalist society; Hallward, a just and tendery painter, looking art as his life, represents the intellectuals "art for art's sake"; Dorian Gray, is pure kind at first,but later he can't withstand the temptation of Lord Henry's hedonism philosophy and towards the path of sin. Sibyl, a beautiful girl, who is a symbol of art in the book. Portrait represents people's spirit and soul, and Dorian Gray is a symbol reprents that beauty and evil exist side by side, is also the symbol of aestheticism. The aestheticism which Oscar Wilde devotes a large space in the book can be summarized from four aspects.3.1 Art and Beauty Above All ElseIn The Picture of Dorian Gray, Sibyl is the figure who can reflect Wilde‟s aestheticism views. She is a pretty actress with beautiful voice. She has played many roles. And in each role play, she fully displays her artistic charming. Sible is the embodiment of art. What Dorian worships and loves is the beauty of art, rather than Sible herself. When she fall in love with Dorian in real life, her artistic charm become pale and turn out to be illusory. Finally, Dorian disappointed, and he lambasted Sibyl for destroying the beauty in his heart. When life conflict with art, it is only to fail. Sibyl‟s death represents the failure and the end of life.Sibyl meet Dorian is a turning point. She is a stage actress. When Dorian saw her performance, he falls in love with her. But, in fact, he only loves the figure in Shakespeare‟s masterpiece who Sibyl has played. He falls in love with her and he describes her beauty to Henry with passion. He tries his best to praise for herperformances, which are consistent with his aesthetic dimensions of the ideal pursuit of perfect art. Sibyl also happens to be his pursuit of "beauty" reflects in the reality. Dorian appreciates Sibyl‟s beauty on the stage. When Sibyl returns to reality, her beauty immediately began to fade. Dorian also immediately perceive its fall to changing attitudes and preferences. Her acting becomes "artificial"and"clumsy", Dorian even ruthlessly abandoned her. Sybyl‟s death is the result of her returning from art to reality. As Oscar Wilde believes that: all bad art is regression of life and nature, and they are the result of the will for ideal life and the natural rise. Sibyl, as the embodiment of art, although she is aware of the reality of life, she dose not realize the selfishnesss and ruthless under Dorian‟s attractive appearance. So she deviated from the art, and she will live up to the ideal which let her love burst into the bubble in the real life. When she doesn't have the feature of art, she will disappear naturally from Dorian‟s life. This is Oscar Wilde‟s view: “art is above all else”. Dorian loves Sibyl just for she is a symbol of art and drama, and because her charm on the stage is the beauty of art. Dorian worships and falls in love with Sibyl for artistic beauty, rather than herself. As she says, before she meets Dorian, acting in her life is the only real thing. After know Dorian, she realized that the stage is artificial and tacky. She rebells against art, and regards the art as worthless things. She abandons her artistic embodiment of beauty, and then come to the real life. She never think that she has killed Dorian‟s love to her by herself. Sibyl‟s death is the resaut of boosting life above art and the returning from art to reality. In Wilde‟s aestheticiem, art and beauty is above all else. When life confront art, life can only make room for art.3.2 Life Imitates Art, But Not as Good as the Beauty of ArtDorian gray is a pure and beautiful noble youth. After seeing the portrait which Basil Hallward painted for him, Dorian is attracted by his own youth and beauty. And under the influence of Lord Henry, he wishes to the portrait: ". . . If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that--for that--I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!"(Wilde 17 ). Dorian obtained the eternal beauty like an art. The portrait will take all of his age and evil, and it willrecord the ugly and ferocious aspects of the real life. The portrait is to Dorian is what art is to reslity. In the end of the novel, Dorian daggers to the portrait. The picture of Dorian hang on the wall looks so young and handsome as it was finished at the first time. It means that all the ugly and evil things will disappear while the beautiful and elegant things will be left in the life. He illustrates that art is over life, and the real beauty of life is the moment when art is eternal.Dorian, the role Wilde wanted to be, is the most important one to annotate Wilde‟s aestheticism. It includs the relationship between art and life, art and morality, art and time. It aspires to beauty. It is mainly showed in the relationship between Dorian and the portrait. Hallward reappears of Dorian‟s youth and beauty in the portrait which is filled with his noble feeling about art and beauty. However,after Dorian is aware of his beauty and under the guidance of Lord Herry,he becomes evil. With the growing of his evil and desires,the portrait becomes more and more old and ugly. The portrait is a reflection of Dorian which implied that art is a reflection of life. When the portrait changes with Dorian‟s change,it illustrates the damage an d distortion which life made to art. Just as the portrait is more and more ugly because of Dorian‟s misdeeds, the change of the portrait is a symbol of Wilde‟s ideal burst. It reflects art is irreconcilable with morality. Because Dorian sells his soul for the eternal beauty. The picture is just the symbol of conscience. At last Dorian want kill the conscious, on the country, he killed himself. This is another contradiction or the author‟s thought about moral and beauty.Dorian Gray, as a typical character of the aesthetic works, is attractive but dangerous. He is a half devil and half angel. In fact, he is a symbol of the combination of art and life. At the beginning of the story, he is an innocent and beautiful young man, knowing nothing about the evil life. He loves beauty and pursues beauty. He wants to stay young and loves a girl who is the symbol of art. During this stage, he symbolizes art, whose nature is beauty. “I turned half-way round and saw Dorian Gray for the first time. When our eyes met, I felt that I was growing pale. A curious sensation of terror came over me. I knew that I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself. I did not want any external influence in my life”. (Oscar Wilde 4). It is Basil‟s impression when he comes across with Dorian firstly. Dorian is born as an art, his beauty and purity attracts the painterto get close to him. When the beautiful creation of art is reduced to ugliness, he represents the evil life dominated by irresponsible morality. He imitates the evil life, which ruins his original beauty of art. He is no longer a symbol of art, which is beautiful and unstained, but a symbol of life, which is ugly and evil. “When they entered, they found hanging upon the wall a splendid portrait of their master as they had last seen him, in all the wonder of his exquisite youth and beauty. Lying on the floor was a dead man, in evening dress, with a knife in his heart. He was withered, wrinkled, and loathsome of visage. It was not till they had examined the rings that they recognized who it was”. (Oscar Wilde 134). Dorian kills himself when he slays the ugly picture of him. After his death, the picture resumes its beauty. When art imitates life, it is doomed to death for the decaying life ruins the beauty of art. The image of Dorian Gray shows that if art imitates life, it will ruin its beauty and end up in death, which proves the validity of Oscar W ilde‟s aestheticism that life should imitate art. Obviously, the fact that Oscar Wilde finally will be upside down turn back to express his aestheticism view: “life imitates the art, far and art imitates life.”(Wilde 122).3.3 Art is No UtilitarianOscar Wilde is firmly opposed to any utilitarian purpose of artistic creation. He emphasizes the independence of art. He said: “The tenet of art is art itself.”[Wilde, 28] The artist is the creator of beautiful works. And he put forward that art is pure and it is amoral in the relation between art and morality. Beauty is amoral. And art has its own pursuit, that is beauty. So art is amoral, and it has nothing to do with morality. In The Picture of Dorian Gray, the painter is a typical aesthetes. He enjoys all beautiful things. When he first see Dorian, he is shocked by the beauty of Dorian. He feel that the entire soul and the art itself will be he devoured by Dotian‟s beauty. He thr ows himself into the creation and records the beauty in his works. This is the refraction of Wilde‟s aestheticism. Oscar Wilde believes that art is a utilitarian. It dose not mean that art does not make sense, with no value. But it means that art should not be used. So Hallward does‟t want the picture to be displayed, and he does not want to exchange it for fame and wealth. He gives it to Dorian as a gift. He pays attention tothe form of beauty, and devoid of moral relation. The portrait is a reappearance of Dorian‟s beauty. Dorian sell s his soul in pursuit of the eternal beauty, which means that beauty opposites morality. Hallward is the only a positive figure in the story, he always maintain the ethical and moral values. He is the embodiment of moral. Due to the excessive pursuit of beauty, and he can't resist the temptation of beauty, although he knows the depravity of Dorian, he still lives in a world of fantasy where the moral strength can save Dorian. He was eventually killed by Dorian, and becomes the victim of beauty. He cann't finish moralizing, and saves Dorian 's soul. His death suggests that moral was defeated by the beauty. The portrait always remind Dorian erosion life of soul. Eventually Dorian can‟t endure the ugly picture,so he take s a sword and stab to the portrait.Oscar Wilde advocated that aesthetic is no relate to gains and losses. So he puted forward the beauty is not related to the beauty. Beauty is amoral, beyond utilitarian. It refers to another point of view of Wilde's aestheticism, it is the relationship between artistic and moral: art is not moral. He once said that the artists are the creator of beautiful things, they only seek the beauty. If a book written well, and it can arouse the aesthetic feeling of people, that's a good book. What he means is that the art does not depend on moral, and it not only for the moral service. It has its own aspire of art, that is beauty.Hallward, as the god of art or the creator of art, is the Trinity. He can also be considered as Jesus Christ who is a teacher and prophet aiming to save the world of art at the cost of sacrificing his life or a martyr who chooses to suffer death rather than renounce the principle of art creation. He paints the portrait of Dorian Gray, the perfect painting in his life, but he gives it to Dorian Gray for free and refuses to sell it for a fortune. It is a symbol of his insistence that utility should be banned the world of art. His whole life is devoted to the art --painting. His efforts to pursue the purity of art at the cost of sacrificing his life show the determination of Oscar Wilde to enhance aestheticism, which elevates the whole novel.Hallward does not want to put the portrait on display because he think that art is utilitarian. He doesn't want to use art in return for money and fame, and give it to Dorian as a gift. So Hallward only pays attention to the "form" or moments of beauty, and it has nothing to do with utility.3.4 Art beyond Moral19th century in Britain society is the transition to capitalism. The Victorian filled with moral hypocrisy, pan, and utilitarianism. Wilde stands in line on all this critical position,and practice the aestheticism. He thought that "in this era of turmoil and chaos, in this dispute and terrible moments of despair, only worry-free paradise and beauty can make people forget, and make people happy. Why don't we go to the beautiful paradise?"(Wilde,198) The temple of beauty and aestheticism is another ideal kingdom. He often wore a collar of loose, with black velvet doublet, and filament socks and velveteen knickerbockers. And in the society, he won the attention of the crowd by his wise and humorous language. We can see that Oscar Wilde is rebel against the society in his unusual way. Oscar Wilde is a real “Lord Henry”, and he is also against the bourgeois in the same way.Lord Herry is an important figure in the novel. Though the story we can get a general picture of Lord Herry. What he impress us mostly is his fancy language and the cynical attitude to life. In relationship between beautiful young Dorian and Herry, he plays a role of waking up"evil". His humorous paradox and counterarguments are imbued with a theme - the pleasure principle. When he first see the portrait, although he thinks it is beautiful, he hold the view that the portrait is just a beautiful creature without thinking. He thinks the portrait is not full of vigour, because it hasn‟t soul. That is to say, the portrait only reflects the shape and appearance of models, but do not reflect the essence. So Henry begin to guide Dorian. He said that the purpose of life is self-development and full performance of a person's nature. And it is the purpose that we living in this world. Herry also thinks that if everyone can live at ease, show their feelings, say anything they want to say, achieve any dream they have dreamed, the world will be full of vigour. He thinks the most important thing in life is to be happy, and the purpose of life is to fully meet their nature requires impulse and desire. Herry once said:" Nothing can treat the soul wounds,except senses; similarly, sensory hunger can only be relieve by the soul."(Wilde 202) So he showed an purely anti-traditional attitude in the society. And it makes a lot of traditional and conservative people feel fresh and unusual. The rationality in their minds is a result of the era‟s nobiditied p ursuit and false ideas.When he sees Dorian is so pure and without impurity, he spares no effort to get him as his new hedonism subjects. He tried his best to mobilize Dorian‟s instinctive desire, to inspire his emotional desires, and to make him into a maze, and finally become a victim of conflict between spirit and human body. Herry makes Dorian‟s body finally died and the spirit was also suffering in self-examination. Only the portrait on behalf of the art in the secular elutriation bully unchanged, and this is another manifestation on Oscar Wilde‟s aestheticism of art contend against times.Therefore, art has nothing to do with morality. Wilde also claims simplified to a famous saying: All art is immoral. "Immoral" here is a moral, specifically, that is not designed for moral service.Lord Henry, is Oscar Wilde in other people‟s eyes. Henry and Wilde were often used for comparison by people. There is no doubt that Lord Henry is an aesthete. At the end of the story, only the portrait does not change. It just confirms that Wilde's aestheticism view: Art is amoral4. ConclusionOscar Wilde, the representative of the aestheticism, does not lead the aestheticism to another way, which is as evil as the critics recognized. On the contrary, he keeps the road the former aesthetes advocates and improves it to a wild scope. Being misunderstood by so many people, Wilde tries so hard to practice his opinion of understanding of aestheticism. The picture of Dorian Gray, was not only a novel, but also a work of explaining personal nature. In fact, there is another Oscar Wilde in the novel that we can hardly see by our eyes but by our heart. The novel is a proof of his passion to his aestheticism, just as his preference to Gray. So we see, what in his aestheticism must be dangerous, but it is not harmful. His aestheticism is something his heart demands, just like Dorian Gray, who tried to gain it, for art‟s sake.To sum up, through analysis of the three major male characters and a female character, we can see the outline and the connotation of Wilde's aestheticism. He doesn't think art imitates life, and it can overcome the ugliness in life; Art is no connection with moral, it beyond morality; Art contend against era, and art does notmanifest age, but only manifest itself, and art is the opposite to the spirit of the time; Finally, art is in pursuit of "form" as its goal.We can see that the four characters are all with shadow of aestheticism. They are only different on the emphasis. Through the interwoven of relationship, it construct the theory of aestheticism.Works CitedBristow, Joseph. A Complex Multiform Creature: Wilde's Sexual Identities.Cambridge: CUP, 1997: 198.Denial, Margaret. "Wilde the Writer." Palgrave Advances in Oscar Wilde Studies //Frederick S. Roden. New York: Palgrave Macmillan, 2004.Denney, Colleen. At the Temple of Art: the Grosvenor Gallery, 1877-1890. Farleigh Dickinson University Press, 2000 .Ellmann, Richard. Oscar Wilde. New York: Alfred A. Knopf, Inc., 1988.Fargis, Paul. The New York Public Library Desk Reference .Macmillan General Reference: 261.Harris, Frank. Oscar Wilde: His Life and Confessions. New York: Covici Friede Inc., 1950: 105.Kaplan, Morris B. Sodom on the Thames: Sex, Love, and Scandal in Wilde Times.New York: Comell University Press, 2005: 228.Pearson, Hesketh. The Life of Oscar Wilde.New York: Penguin Books, 1985. Renier, G. J. Oscar Wilde. New York: D. Apple Century Inc., 1933: 95.Rosanna Elkland. The evil in Dorian Gray: a psychoanalytic study of the protagonist in the picture of Dorian Gray. 2007.Webster‟s third new international dictionary, 1993.Wilde, Oscar. The Picture of Dorian Gray. London: Penguin Books Ltd, 1994. Wikipedia. Aestheticism. /wiki/Aestheticism.Wikipedia. Oscar Wilde. /wiki/OscarWilde.Wikipedia.The_Picture_of_Dorian_Gray./wiki/The Picture of Dorian G-ray.刘茂生,“王尔德享乐主义道德与唯美主义艺术的契合--以小说《道连·葛雷的画像》为例” 《外国文学研究》,第6期,2005。
介绍4大名著的作文英语

介绍4大名著的作文英语English.The Four Great Classical Novels of Chinese Literature.China is a country with a long and rich literary history. Over the centuries, many great works of literature have been produced, but four novels stand out as the most important and influential:Romance of the Three Kingdoms (三国演义, Sanguo Yanyi) by Luo Guanzhong.Water Margin (水浒传, Shuihu Zhuan) by Shi Nai'an.Journey to the West (西游记, Xiyou Ji) by Wu Cheng'en.Dream of the Red Chamber (红楼梦, Honglou Meng) by Cao Xueqin.These four novels are collectively known as the "四大名著" (Four Great Classics) of Chinese literature. They are all long and complex works, but they are also incredibly rich and rewarding to read. They offer a glimpse into Chinese history, culture, and values, and they continue to be enjoyed by readers of all ages.Romance of the Three Kingdoms is a historical novel that tells the story of the Three Kingdoms period (220-280 AD), a time of great turmoil and upheaval in China. The novel follows the lives of the many different heroes and villains who fought for control of the country, and it is full of action, adventure, and political intrigue.Water Margin is a heroic novel that tells the story of 108 outlaws who band together to fight against the corrupt government of the Song dynasty (960-1279 AD). The novel is full of exciting battle scenes and larger-than-life characters, and it has been praised for its realistic portrayal of life in medieval China.Journey to the West is a fantastical novel that tellsthe story of the monk Xuanzang's journey to India to retrieve Buddhist scriptures. Along the way, he is accompanied by three disciples: the monkey Sun Wukong, the pig Zhu Bajie, and the water monster Sha Wujing. The novel is full of magic, adventure, and humor, and it has been adapted into numerous films and television shows.Dream of the Red Chamber is a social novel that tells the story of the Jia family, a wealthy and powerful family in the Qing dynasty (1644-1912 AD). The novel follows the lives of the family's many members, and it provides a detailed and nuanced portrait of Chinese society in the18th century.The Four Great Classics of Chinese literature are all masterpieces that have stood the test of time. They are essential reading for anyone who wants to understand Chinese culture and history.中文回答:中国四大名著。
世界四大博物馆英文介绍

Collection
Elgin Marbles is part of the ancient Greek Parthenon carvings and architectural pieces, so far more than 2,500 years of history.
Elgin Marbles(爱尔金大理石雕像
live without these "cat guards",
they have become legends and mascots of the museum.
Thank you
Metropolitan Museum of Art
Colloquial Name: The Met Established : April 13 ,1870 Location : 1000 Fifth Avenue, New York Occupied : 130000 square meters 3000000 works 17 curatorial departments
about
Main conten
At present the Louvre museum palace altogether has a collection of over 40 millions pieces from around the world, in six art treasures exhibition display in, namely Oriental art center, the ancient Greek and Roman art museum, the ancient Egyptian art museum, library ZhenBaoGuan, painting and sculpture gallery. One painting museum exhibits most, covers an area of the largest. The Louvre area has 198 exhibition halls, the largest department is 205 meters.
书五经英文版

四书 The Four Books《大学》 The Great Learning《中庸》 The Doctrine of the Mean 《论语》 The Confucian Analects 《孟子》 The Works of Mencius|《论语》The Confucian Analects 学而时习之,不亦说乎It is indeed a pleasure to acquire knowledge and, as you go on acquiring, to put into practice what you have acquired.有朋自远方来,不亦乐乎A greater pleasure still it is when friends of congenial minds come from afar to seek you because of your attainments.温故而知新,可以为师矣。
If a man will constantly go over what he has acquired and keep continually adding to it new acquirements, he may become a teacher of men.学而不思则罔,思而不学则殆。
Study without thinking is labor lost. Thinking without study is perilous.君子周而不比,小人比而不周。
A wise man is impartial, notneutral. A fool is neutral but not impartial.知之为知之,不知为不知,是知也。
To know what it is that you know, and to know what it is that you do not know, —that is understanding.辜鸿铭译|《孟子》The Works of Mencius故天将降大任于斯人也,必先苦其心志,劳其筋骨、饿其体肤,空乏其身,行拂乱其所为,所以动心忍性,曾益其所不能。
著名的四大音乐教学法(Fourfamousmusicteachingmethods)

著名的四大音乐教学法(Four famous music teaching methods)Four famous music teaching methodsFirst, the Roman law teaching method:Content overview:One of the four major music teaching methods in the world is teacher's music pedagogy, which is characterized by the improvisation of piano lessons, and the students' experience of music with body movements. Ross's teaching method is in Swiss musician, educator, composer and conductor, dancer and poet in a Emil. Jack's rswstone (Emile Jaques - Dalcroze, 1865-1950) on 1905 at the Geneva Academy of music and the successful experiment in Shidi teaching method. The teaching methods are as follows: 1. rhythm teaching, 2. listening training, 3. improvisation.1. rhythm teaching: This is the body's most natural rhythm for the body, to express the response to the rhythm of the music. This teaching mode is used in our kindergarten, elementary school, the rhythm of music.... It is often with body movements such as walking, running, stoop: action to represent the beat; or by clapping, foot to distinguish different notes; or by game rhythm to stimulate students' ability to respond to the rhythm... This ability to play the basic ability of learning music with the sense of rhythm of the limbs can be regarded as one of the most comprehensive, cognitive and reflective music teaching.2. listening training: Mike Roche as movable do training taught to sing songs, listening to music or memory is helpful to ability, especially the interval between cognition,simple songs like singing, must be with the rhythm of the body in order to achieve the "inner hearing ability" music education.3. improvisation, by any instrument playing, students can freely play creative dance movements to speculate on the motives and artistic conception of music. On the other hand. Ross also encourages the creation and try on the melody and harmony, he believes that with the rhythm is not negligent.The teaching characteristics of Roche pedagogy:1., pay attention to the rhythm of children's rhythm and music teaching.2. dance and rhythm are the main activities of music teaching.3., the teaching materials should be taken from the rhythm of the material in nature, which is the most natural feeling for children's music learning.4. attaches great importance to children's "visual" and "auditory" feel ability training.5., improvisational dance performance can promote children's ability to express themselves.6., music teaching should be based on rhythm teaching.Two, Gao Dayi teaching method:Content overview:According to Gao's view, he believes that human voice is the best teaching tool. Singing must be unaccompanied, just like traditional folk songs. From this point of view, the implementation of music teaching, with well-trained teachers and complete teaching materials, both in the urban villages, even the most remote areas, can be implemented; and its teaching object by two year old children and adults, can sing through the way of learning music, it is the national music education ideal.Gao Dayi's teaching method can use the singing teaching method as its teaching aim. It advocates all music activities include: 1. singing teaching, 2. rhythm coordination teaching, 3. Solfeggio and song practice, and 4. sign language teaching.1. singing teachingChildhood singing to listen and sing sing has been read "imitation" songs, proverbs and folk rhymes of life as the theme, from the three degree interval began singing, and five tone scale range, select the appropriate teaching materials with the implementation of teaching, adopt progressive teaching methods from two sections to the four section, and then expanded to eight to twelve bar phrases, each class in 20 minutes for the principle.2. rhythm coordination Teaching(1) begin with a quick and slow rhythm of the feeling, listen to the rhythm of the teacher, and then imitate yourself by clapping or stepping.(2) rhythm teaching method is adopted to implement rhythm teaching.(3) use the songs to cooperate with the game, especially for children to have the opportunity to create designs to cope with the dance movements of singing.3. Solfeggio and song practiceThe song and Gao Dayi have a series of textbooks, most from the folk, as the level of the students and give appropriate teaching materials. The training in the sol FA sing songs to practice exercises spectrum; two part chorus, mostly ballads, with five tone scale mode, the rhythm is more difficult, for a higher degree of ability of Solfeggio and songs drills.4. sign language teachingApplication of the teaching method of John Gao Dayi S Curwen to assist the sign language, the main feature is the use of visual, with skill plus sign, to enhance children understand the scale of each kind of music, sound level interval distance between the relationship and the children can feel the children singing tune the expression of ups and downs.Gao Dayi, teaching method, teaching characteristics:1. teaching methods based on singing.2. take traditional folk songs and nursery rhymes as the mainteaching materials.3. the use of movable do and mobile Do singing, implementation of visual spectrum education.4. as the basis of the five tone scale.FiveThe British John S Curwen gesture teaching method is used to assist Solfeggio Teaching and to recognize the concept of pronunciation and sound.6. use rhythm syllable method to help rhythm cognition and so on.7. expose children to famous works in the world.8. lines of single spectrum import staff training.9., pay attention to listening attentively to the music of silent listening practice.Three, Orford teaching methodContent overviewOrford's basic idea of children's music teaching method is better than understanding. In the process of growth of young children, they in the natural environment, through instinct activities such as: imitation, touch, taste, physical activity,after slowly growth, make some subconscious experience to be a specific action, the expression of language become mature and to learn basic music ability. That is, from sense to concrete concept to language expression to reading writing stage to creation stage.(1) rhythmic teachingOrford as the key to the rhythm of music teaching learning activities, from simple, a foot, knee, tongue shot sound or hands beat action, to beat a single shot from the beginning, the natural rhythm of the speed, and then gradually to fast rhythm, and import to the pace of learning mode.(two) music teaching activitiesRhythm language is one of the basic teaching activities to enter the melody. Children are familiar with the spoken, nursery rhymes, games and chants in their lives... As the singing of the textbook, from words to words and even sentences, by imitation, repeated practice let the students experience the feeling of music, and to understand the basic elements of music, including regular rhythm, rhythm, sound level changes into ideas and practice in mode, by the instrument and the preliminary concept of chord.The song sing the rhythm of language teaching in vocabulary along driven, rhythm, extended to phrase exercises, plus body rhythm, the creation of dance movements, and cultivate the full expression of the feeling of the music.(three) the teaching of rhythmic instrumentsIn order to improve children's interest in learning, the designer must design a set of rhythm instruments for students to practice. The content of the textbooks should be taken from the folk ballad of this country.Rhythm is to practice, ostinato accompaniment, form a five degree sound accompaniment is a melody and accompaniment to the tonic dominant mode, and according to the different tonal, commonly used instruments are xylophone, vibraphone, guitar, recorder, etc..... Is one of the focus of teaching and improvisation, started playing bass teaching stubborn students are free, with the creation of the contract by the simple tune tonality, melody, the canon canonic way. Coupled with percussion accompaniment, so that students learn to be happy and have a sense of accomplishment.Orff, music teaching method, teaching method, characteristic1. use folk music as a teaching material.2., "rhythm" and "improvisation" as the teaching basis.3., in order to say the language, rhythm, familiar nursery rhymes, folk songs and games, it is a comprehensive teaching mode designed by rhythm instruments.By 4., Canon and pedale ostinato chorus makes a preliminary introduction and practice.5., pay attention to imitate singing and imitate the performance of teaching mode.6. use the function of clapping as the basic exercise of rhythm.In the 7. phrase as a unit as a rhythmic improvisation.Four 、 SUZUKI town teaching methodContent overviewSUZUKI pedagogy is a mother tongue teaching method, which emphasizes the development of children's potential from childhood.When children are born down at the age of two or three, the house began to shape the music scene, often put some elegant songs, stimulate the children feel the music ability. At that time, mother played an important role, often singing with children, or making simple clapping or body swinging with musical rhythm. At the age of three, children are allowed to watch and integrate into the game of music, while mothers teach their children, arrange regular exercises for their children, and set up a good practice environment. When he was four years old, he was in touch with musical instruments. SUZUKI taught violin as a teaching instrument. The main purpose was to train children's concentration and keen listening training. Each stage of the exercise is to continuously and repeatedly memorizing music. Fixed a week in addition to individual extracurricular, every week or two but also the first ensemble class, each other to learn from each other, learn from each other. Mainly to givechildren a sense of accomplishment, and increase children's confidence and ambition, and parents should continue to encourage and appreciate the children's practice, and establish a good family atmosphere.This persistent practice, observation, performances to teenagers and adults, although not a set everyone is a musician, but everyone can play to their potential and high professional standards.Suzuki Jinchi, teaching method, teaching characteristics1. create an environment for learning music and develop a good sense of music from it2. stresses the importance of imitation and repetition3. pay attention to the interaction between parents and children4., pay attention to the quality of timbre5. request the correctness of playing6. pay attention to acting or actingSevenSelf study ability of self-evaluation and peer observation8. encourage play on the back9. master the class time10. pay attention to group and individual classesThe above four teaching methods are often used nowadays. It is not difficult to find the "children centered" potential teaching method to stimulate children's imagination, creativity and concentration.。
文房四宝英文介绍(原创)

A Study of “Four Treasures of ChineseStudy”1. IntroductionTraditional tools and materials of Chinese calligraphy arebasically evolved from writing brushes, ink sticks, paper and inkstones, which are usually called as “Scholars’ Four Jewels”or the fou r treasures of Chinese study (See Pic.1). As most ancient Chinese scholars could write or draw, or manage both of the skills, they could not live without these four treasures. The name of “Chinese study” could be traced back to the Southern and Northern Dynasties (420-589) in Chinese history and especially means scholars’ studies. (Zhang et al, 2008) Writing brushes, ink sticks, paper and inkstones are used in study, therefore people praise the four objects as the four treasures of Chinese study. Except for the four treasures of Chinese study, study tools also include ink cartridges, ink and pen holders, pen rack beds, arm rests, writing brush washers, book towns, water scoops, inkstones, seal boxes, cutting knives, stamps,etc. (Zhang et al, 2008)Pic.1 Four treasures of Chinese study.Source: )Till the Song Dynasty (960-1127), writing brushes, ink sticks, paper and inkstones have become the important writing and painting tools in the study, archaeology can also prove it. For instance, in the tomb of Xu Jun of the Southern Song Dynasty in Fouzhou city, Fujian Province, researchers found the whole set of the four treasures of Chinese study as burial objects. (Zhang, 2004) Another example is that on the wall painting Zhang Wenzao’s family tomb in the Liao Dynasty in Zhangjiakou, Hebei Province, there are several images about the writing brushes, ink sticks, paper and inkstones. These facts present that the four treasures have gradually formed a broad social practical basis in such a long history and finally became a special word in the Song Dynasty. (Zhang et al, 2008)In order to know and resume the relations between ancient writing and painting tools with the study and the scholars’ behavior, people should fully understand the main line of the development of calligraphy tools. This paper will make an in-depth historical research on the four treasures of Chinese study, analyze the historical development and characteristics of the four tools, besides, the author will also conduct a series of case studies of the most famous representatives in China and their advantages.2.Writing brushPic.2 Writting BrushesSource:Writing brush ranks the first of the four treasures of the study.It is said that it was invested by famous general Meng Tian of Qin Dynasty. Traditional writing brushes are not only the necessary stationary of ancient Chinese people, but also have extraordinary charm in expressing Chinese calligraphy and painting. (Zhang, 2004)However, as writing brushes are easy to be damaged, there is few ancient writing brushes conserved till now.There are many kinds of writing brushes. In terms of the materials, many animals’hair are used such as rabbits, goats, deer, mice, tigers, gorillas, ducks, geese, chicken, pigs even humans.From theperforma nce’s perspective, writing brushes can be classified into rigidity brush, flexible brush and doubled both brush. As for thematerial of barrel, different varieties of bamboos and wood, even crystal, horn, jade, gold, silver are used. (Zhang, 2004)The most famous writing brush producing area in China is Huzhou City, Zhejiang Province. Writing brushes made in Huzhou is called Hu writing brush. Hu writing brushes are made of high quality materialswith exquisite techniques. (He, 2008) The four major characteristics are "pointed tip, uniform hair, perfect roundness and resilient to the touch. Hu writing brush has four types: goat hair, wolf hair, mixed hair and rabbit hair. According to the size, there are huge, big, middle and small. (Chen,2004)Shen Zhaomin is a contemporary calligrapher from Huzhou, he iswell-known her using a huge Hu writing brush to write calligraphy.He has devoted numerous effort practicing calligraphy for decades and does excellent in all kinds of calligraphies. In 2001, he used a special Hu writhing brush which was as heavy as 81.5kg, to write down the word “Hu writing brush”which had an area of around 600㎡,and got the Guinness World RecordsCertificate of Calligraphy with Huge Brush. On the closing ceremony of Doha Asian Games, he used a 25kg Hu writing brush to write down “Harmonious Asia”on four big yellow satin cloths. (See Pic.3) Although the performance only lasted six minutes, every second was astonishing. Master Shen represented the magic Chinese calligraphy tothe whole world, which was a never forgettable scene of all audience. (He,2008)Pic. 3 Shen Zhaomin is writing “harmonious Asian”in Chinese calligraphy using a 25kg Hu writing Brush, Doha Asian Olympic Games, 2005Source:3. Ink stickInk brings people a relatively monotonous impression, however without this kind of unique material, the fantastic artistic conception of traditional Chinese calligraphy cannot be realized. Actually the world of ink has quite abundant connotation. Before the invention of artificial ink, people generally used natural ink as writingmaterial.(Zeng,1993) On some prehistoric pottery, bamboo and wooden slips, there are signs of primitive ink.Till the Han Dynasty, artificialink appeared. The raw materials came from turpentine soot and squeezedby hands or molded. Till the Wei, Jin, the Southern and Northern Dynasties, the quality of ink constantly improved. (Zhang, 2004)Ink is divided into two types: pine-soot ink and oil-soot ink.Pint-soot ink is made of pine wood’s ash. The characteristics of it are black, low glossiness, light colloid, so it is only suitable for writing. While the oil-soot ink is made from animal or plant oil. It usually has bright color and is perfect for traditional Chinese painting. The ink of Chinese painting is generally in the form of ink sticks. According tothe uses of ink sticks there are common ink, tribute ink, royal ink, home-made ink, gift ink etc. (Zeng,1993)Pic 4. The Hui Ink StickSource:The Hui Ink Stick is the most famous ink stick product in China.Its was named after its production area ancient Huizhou. Today, Tunxi District and Xi County in Huangshan city, Anhui Province are the two manufacturing centers of Hui Ink Sticks.There are various types of Hui Ink Stick, such as paint-soot, oil-soot,net-soot, minus-glue, added-spice etc. The high class paint soot ink sticks are made from ten kinds of precious materials including Tung oil-soot, musk, borneol, gold foil and pearl powder. Hui Ink Sticks have the advantages of light weight, pleasant odor, hard quality, long-lasting effect etc, therefore, it has become calligraphers and painters’ necessary goods for hundreds of years. (See Pic 4)Pic 5. Workers are making Hui Ink SticksSource:The production of Hui Ink Stick has a history of one thousand years. The ink sticks are the combination of drawing, calligraphy, carving, shaping etc, thus become a kind of comprehensive artistic treasure. In contemporary times, Hui Ink Stick is developed and updated on the basis of traditional craftsmanship. (See Pic 5) However, due to the lack ofraw materials and the inheritors, the future of Hui Ink Stick is worrying. (Chen,2004)4. PaperPaper is one of the four great inventions in ancient China. It is said that Cai Lun of the East Han Dynasty updated the technology of making paper, thus improved the quality of paper, made paper easier to write on. Till Wei and Jin Dynasties, paper fully replaced other materials and became the main writing material. Since then,the position of paper has never been threated. (Zhang, 2004) From this point, paper has the largest vitality among the four treasures of Chinese study. For ancient Chinese people, paper is a tool to be relaxed and pleased, a carrier to point out problems and the bailment of emotions. For most Chinese, paper is a concentration of Chinese culture and history.People believe that the Xuan Paper is the best paper to write and draw. Xuan Paper is produced in Jin County, Anhui Province, which is a kind of high class artistic paper used for traditional Chinese brush calligraphy, painting, mounting, rubbing, watermarking etc. Till now, Xuan Paper has a history of over one thousand years. (Zeng,1993) Xuan Paper has excellent ink embellishment, durability, non-deformation and insect resistance, thus it has become the paper which could best present the artistic style of traditional Chinese painting and calligraphy. (Chen, 2004) It is said that ink can be divided into five colors, which means one stroke contains deep and light colors, the layers and patterns are quite clear. This trick is created by artists using the ink embellishment feature of Xuan Paper to control the proportion of water and ink. A large amount of ancient artistic works and literature spread up to now are preserved by Xuan Paper perfectly.Pic 6. Xuan Paper in manufacturing)In terms of the manufacturing methods, Xuan Paper is classifiedinto untreated Xuan Paper, treated Xuan Paper and semi-treated Xuan Paper. (See Pic6) Untreated Xuan Paper includes Jiagong, Yuban, Jingpi, Danxuan, Mianlian etc. (Zhang, 2004) Untreated paper refers to the paper without manufacturing, it has strong water-absorbing quality and water permeability,so it is easy to produce abundant ink changes and achieve fantastic artistic effect. When people draw enjoyable scenery, they will use this kind of Xuan Paper. Treated Xuan Paper is the deep manufacturing product of untreated Xuan Paper. It is made of the combination of untreated paper and a special glue. The manufacturing process of treated Xuan Paper is easy and convenient o manage. However the proportion of glue and alum has no certain standard, it should be determined according to requirement of painting and calligraphy, and the quality of paper. Different proportion will directly influence the final effects of manufacturing. (Zhang, 2004)5. InkstoneInkstones are the containers of ink. Most of inkstones are made of stones, some of inkstones are made of earthenware clay. Inkstone have various shapes including rectangular, square, circle, oval and bionic shapes such as animals and plants. Sometimes craftsmen carve all kindsof decorations on the bodies of inkstones. High class inkstones have the characteristics of exquisite smooth and quality, grinded ink is fine and well-distributed. Famous inkstones are divided into Duan and Xi. (Zhang,2004) Except for practical use, inkstones are also very valuable art crafts and valued by collectors and scholars.Overall, the development of inkstones is a process from pursuingthe practical functions to pursuing aesthetic joy. Before the Tang Dynasty, people mainly developed the practical functions of inkstones, the shapes were mostly simple and rustic without any decorations. (Yen, 2013) At first, people could not be certain that which material is most suitable for inkstone making, so they tried all possible materials including stone, pot clay, paint, jade, china etc. Till the Tang Dynasty, people finally determined the main body position of stone inkstones, and gradually developed four important series of inkstone products which were Duan, Xi, Hongsi and Chengni, and basically perfected the practicability of inkstones. Since the Song Dynasty, the development of inkstones gradually became the pursuit of aesthetic joy. At that stage, many professional literature were released including the quality, style, carving technique of inkstones, such as the History of Inkstones written by Mi Fu, Record of Inkstones written by Su Yijian, thus have laid a foundation for the future development of inkstones. (Dong et al, 2008)Pic 7 Duan InkstoneSource: )The Duan Inkstone has the highest reputation among all kinds of inkstones. (See Pic 7) Duan Inkstone is produced in ancient Duanzhou in Guangdong Province. It became nationally renowned as early as the Tang Dynasty, The quality of Duan Inkstone is very lubricating and exquisite. (Xiang, 2008) Most of Duan Inkstones have the color of purple and some yellow, red or green circle patterns, which are called eyes. Duan Inkstone has been produced since the beginning of the Tang Dynasty. Since the middle of the Tang Dynasty, people began to pay attention to the pattern carving, thus Duan Inkstone has transformed form stationary into art craft. Till the Song Dynasty, the emperor listed Duan Inkstone as one of the tributes. (Xiang,2008) Nowadays, due to the lack of scientific management, the stone pits around Zhaoqing have been severely damaged, therefore Duan Inkstone has become more precious than ever.6. ConclusionAll in all, this paper has made an in-depth analysis of the four treasures of Chinese study respectively which are writing brushes, ink sticks, paper and inkstones. Not only has the author discussed the historical development and characteristics of the four tools, but also conducted a series of case studies of the most famous representatives in China and their advantages including Hu Writing Brush, Hu Ink Stick, Xuan Paper and Duan Inkstone. The four treasures of Chinese study have created numerous value for ancient Chinese culture including calligraphy, painting, sealing, and the preservation of historical literature and materials. They are of important practicability as well as aesthetical value. It is people’s responsibility to pass the four treasures generation after generation, maintain, update them and promote them to the whole world.References:Dong, J., Xu, M., Zhang, X. J., Gao, Y. Q., & Pan, Y. H. 2008. The creation process of Chinese calligraphy and emulation of imagery thinking. Intelligent Systems, IEEE, 23(6), pp. 56-62.Xiang, H. E. 2008. A Perspective of Inkstone Culture underProtection of Non-Material Cultural Heritage——Take Zhaoqing'S Duan Ink Slab as an Example. Journal of South-Central University forNationalities (Humanities and Social Sciences), 3, pp.14-18.He, X. Q. 2008. Huzhou Writing Brush Culture and Its Tourism Development. Journal of Huzhou Teachers College, 1, 27.Yen, Y. 2013. Calligraphy and power in contemporary Chinese society. Routledge. pp. 10-37.Chen, Y.Q. 2004. Writing Brush, Ink Stick, Ink Slab and Paper" and the Chinese Traditional Culture. Journal of Huzhou Vocational and Technological College, 2, pp. 23-33.Zeng, Y. H. 1993. A history of Chinese calligraphy. Chinese University Press. pp. 4-45.Zhang, W. 2004. The four treasures: inside the scholar's studio. Long River Pr. pp. 15-109.Zhang, J., Tang, W., Shi, C., Liu, Z., & Wang, X. 2008. Chinese calligraphy and tourism: from cultural heritage to landscape symbol and media of the tourism industry. Current Issues in Tourism, 11(6), pp. 529-548.。
英语阅读教程参考资料(第四册)

Unit 1 天才与工匠许多人羡慕作家们的精彩小说,但却很少有人知道作家们是如何辛勤笔耕才使一篇小说问世的。
以下的短文将讨论小说的酝酿过程,以及作家是如何将这小说雕琢成一件精致完美的艺术品。
有一次,我在暮色中来到小树林边一棵鲜花盛开的小桃树前。
我久久站在那里凝视着,直到最后一道光线消逝。
我看不到那树原先的模样,看不见曾穿透果核,能崩碎你的牙齿的力量,也看不到那使它与橡树和绿草相区别的原则。
显现在我面前的,是一种深邃而神秘的魅力。
当读者读到一部杰出的小说时,他也会这样如痴如狂,欲将小说字字句句刻骨铭心,不提出任何问题。
但即使是个初学写作者也知道,除那将小说带到世上的文字之外,还有更多的构成小说生命的因素,小说的生命并不始于写作,而始于内心深处的构思。
要创作出有独创性的作品,并不要求懂得创造的功能。
多少世纪以来的艺术、哲学及科学创造都出自人们的头脑,而创造者也许从未想到去关注创造的内在过程。
然而,在我看来,对创造工作一定程度的了解,至少会使我们通过知道两个事实,增长我们处理正在出现的故事的智慧。
首先,天赋不是掌握了技艺的艺术家独有的特性,而是人脑的创造性功能。
不仅所有对技艺的掌握都含有天赋,而且每个人都具有天赋,无论他的天赋发展是何等不充分。
对技艺的掌握是天赋的显现,是经过培养的,发展了的和受过训练的天赋。
你的天赋在最原始的层面上起作用。
它的任务就是创造。
它是你的故事的创造者。
第二,将你的小说带进世界的文字是艺术家的工作,它就和一个泥瓦匠的工作一样,有意识、谨慎而实实在在。
天赋正如理解力、记忆力和想象力一样是我们的精神禀赋中的天然部分,而技艺却不是。
它必须通过实践才能学到,并要通过实践才能掌握。
如果要使在我们内心深处浮现的故事跃然纸上,光彩照人,那么,每个故事都须有感染力极强的优雅文笔。
只有健全的技艺才能使我们做到这一点。
一个故事是如何酝酿成的呢?据说,我们从一生中的前二十年,或许前五年起就开始写作。
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Introduction of Four Most Famous BooksKingdoms, Outlaws of the Marsh, Journey to the West. The most famous one is A dream of Red Mansions, which is the best one of the ancient novels. The language in the novel is very exact. All things in the book are credible, even the prescription by the doctors, by now, we can see they are in effect. So the novel is considered to be the zenith of the ancient novels of China.A Dream of Red Mansions was also named The Story of Stone, written in the latter half of the 18th century. It is not only a great Chinese novel but also a gem of world literature. The author is Cao Xueqin. A Dream of Red Mansions describes the life and declining fortunes of a large feudal family. At the heart of the novel is a tragic love story between Jia Baoyu, Lin Daiyu and Xue Baochai. The author, instead of telling the love story superficially, tries to tap the social origins of the tragedy through probing deeply into the characters' minds and the complicated relationship among them, hence exposing the hypocrisy and cruelty of feudalism and the decadence of the ruling class. The novel goes far beyond the tragic love story, to depict a broad swath of society through describing a series of complicated conflicts and struggles, and ultimately predicting the domed fate of feudal society as a whole. The novel criticizes feudalism, its corrupted politics, marriage system and ethical relationships and passionately denounces its cruelty and inhumanity. In The four most famous ancient novels in China are:A dream of Red Mansions, Three China, A Dream of Red Mansions is praised as an encyclopedia for analyzing feudal society.A Dream of Red Mansions made great artistic achievements. For instance, the novel provides a large number of detailed descriptions of everyday lives. Cao Xueqin attained flawlessness in language. A Dream of Red Mansions reflected high aesthetic quality in many aspects including poetry, drama, art, architecture, and gardens, and medicine. Outlaws of the Marsh(Chinese title Shui Hu Zhuan or The 108 bold heroes), is the second of the four classic Chinese novels. , Outlaws is basically a realistic novel with fantastic overtones. Its basic theme is a satirical look at Chinese government and society during the Song Dynasty. Many of the people mistreated by authority are branded as criminals when they are in fact no more guilty than their judges, often totally innocent. Gradually many of these people drift together and form an outlaw society centered around Liangshan Marsh. From there they exact vengeance on their evil tormenters as well as on any other authority figures deserving of punishment.The plot of the epic falls into two parts. The first half concerns the misadventures of people who, either through no fault of their own, or through their efforts to help other innocents, fall afoul of authority and join the outlaw society. The second half describes the efforts of local and national authorities to stem the growing power of the outlaws.Romance of Three Kingdoms is based closely on historical events (7 parts of facts and 3 parts of fiction); its author is Luo Guanzhong. This book is considered a mainstream history work, not a product of pure imagination or fabrication. Hence, it is extraordinary by itself, because history is the best storyteller.the strife for mastery over the empire in the Three Kingdoms period is the most outstanding struggle. Never before has the world seen so many talents appearing in one same era; a large number of them are important figures who have left permanent impressions in several fields such as military, politics, literature, morality, and pop culture; their names are mentioned in numerous records.the author of the book is one of the most talented novelists China has ever seen. Writing a novel with a main theme is much more difficult than writing the annals. In the annals, each topic is dealt with separately; but in Romance of Three Kingdoms, arranging a huge amount of details into a continuous epic, and the epic being consistent and captivating, is the author's greatest achievement.In Asia, children read the book like they do with fairy tales, whereas politicians embrace it for strategies, scholars’ wisdoms, parents’ guidelines, and everyday people entertainment. A Korean saying goes: "You can discuss life after reading Romance of Three Kingdoms." And the most famous Chinese commentator, Mao Zonggang, had chosen "Seven Beautiful Books", he ranked Romance of Three Kingdoms the first among them.Journey to the West is Originally published anonymously in the 1590s during the Ming Dynasty, and even though no direct evidence of its authorship survives, it is traditionally ascribed to the scholar Wu Chen’en. The work is also known as Monkey from the title of a popular.The novel is a fictionalized and mythologized account of the Buddhist monk Xuánzàng's pilgrimage to India during the Tang Dynasty in order to obtain Buddhist religious texts called Sutras. The Bodhisattva Guān Yīn, on instruction from the Buddha, gives this task to the monk and his three protectors in the form of disciples — namely Sun Wukong, Zhu Bajie and Sha Wujing — together with a dragon prince who acts as Xuanzang 's horse mount. These four characters have agreed to help Xuanzang as an atonement for past sins. The pilgrims undergo eighty-one calamities of all sorts before bringing the sutras back to the Chinese capital of Chang’an (pres ent-day Xi’an).Part of the novel's enduring popularity comes from the fact that it works on multiple levels: it is a first-rate adventure story, a dispenser of spiritual insight, and an extended allegory in which the group of pilgrims journeying toward India stands for the individual journeying toward enlightenment. It also has much comedy, poetry and word play.。