果宝特攻主题曲
肥肥胖胖是太阳
鼓鼓囊囊是山岗
风风光光小路上
三个吊儿郎当
一个志向要做栋梁
一个挖空心思经商
一个福气好得实在
有点儿太夸张
嘿哦嘿哈
功夫练得响当当
嘿哦嘿哈
牛皮吹得会发光
嘿哦嘿哈
我们最爱疯狂幻想
嘿哦嘿哈
果宝机甲——归位
乒乒乓乓和敌人较量
锅碗瓢盆都失去方向
刷牙洗脸和汽水都打胜仗
行侠仗义是我的主张
果宝特攻你不可想象
手握神剑让希望完美绽放
健健康康是饭堂
吵吵嚷嚷是课堂
紧紧张张是师长
教学泡了汤
一个铁头乒乒乓乓
一个大老粗娘娘腔
一个飘来飘去让人
有点儿心慌慌
嘿哦嘿哈
功夫练得响当当
嘿哦嘿哈
牛皮吹得会发光
嘿哦嘿哈
我们最爱疯狂幻想
嘿哦嘿哈
果宝机甲——归位！
乒乒乓乓和敌人较量
锅碗瓢盆都失去方向
刷牙洗脸和汽水都打胜仗
行侠仗义是我的主张果宝特攻你不可想象
手握神剑让希望完美绽放乒乒乓乓和敌人较量锅碗瓢盆都失去方向刷牙洗脸和汽水都打胜仗行侠仗义是我的主张果宝特工你不可想象手握神剑让希望完美绽放。
猪猪侠主题曲歌词
猪猪侠主题曲歌词之欧侯瑞魂创作
噜啦噜啦咧, 噜啦噜啦咧,
噜啦噜啦咧, 噜啦噜啦咧,
勇敢向前进,前进有奖品,
我要跑第一要开飞机,要电视机,要CD机,要mp3,要冰淇淋,要人民币,不要太贪心
聪明勇敢有力气，我真的羡慕我自己,
呼啦圈也没问题，后空翻两周再敬个礼，
天南地北不放弃，去寻找减肥的朱古力，
圆头圆脑圆肚皮，里面是生命的真谛，
让我们呼啦啦啦啦啦高歌一曲(我来弹琴啊，你来吹牛皮)。
我要开飞机，我要当经理，
我要拿高薪，还有冰激淋，
我要得第一，不克不及太费力。
(我们和你，心有灵犀)
西医说我要拉皮，中医说我要注意体形。
千难万险不怕崎岖，最后才发现无药可医。
我也曾跑第一，是因为第一才有雪批。
我也思考人生意义，才发现自己真了不起。
忍不住呼啦啦啦啦啦高歌一曲(我来弹琴啊，你来吹牛皮)。
我要开飞机，我要当经理，
我要拿高薪，还有冰激淋，
我要得第一，不克不及太费力。
(我们和你，心有灵犀)
噜啦噜啦咧,啦噜啦噜啦咧,
噜啦噜啦噜啦咧, 啦噜啦噜啦咧,
不要太得意，除非有我关照你。
天天吃饭不容易，还要坚持GoodFit.
要开飞机,要电视机,要CD机,要mp3,要冰淇淋,要人民币,不要太贪心
我要去减肥，除非冰淇淋，
不再那么贵，三块二毛一，
我也要人陪，除非我有米，
去换红玫瑰，然后送给你，
I’m just lovin’you，(天天好开心)
I’m just lovin’you,(不要再犹豫)
I’m just lovin’you,(不怕卷铺盖)
I’m just lovin’you。
我们的故事 《我叫MT之山口山战记》电影主题曲文本歌词
我们的故事(《我叫MT之山口山战记》电影主题曲) -柳岩
词：李进
曲：李进
依偎在你身旁
细数我们的过往
夜空的繁星静静看着我
把回忆都点亮
陪伴你的时光
是我珍贵的宝藏
失落的时候我会告诉你
别把勇气遗忘
好想能够有一天
你飞翔在遥远蓝天
和你共度的岁月
却是我最深的依恋
我们的故事唱了好多遍
每一句都让我思恋万千
直到世界尽头也不能忘却
拥抱你的瞬间
我们的故事唱了好多遍
每一句都让我思恋万千
直到世界尽头也不能忘却
拥抱你的瞬间
我们的故事唱了好多遍每一句都让我思恋万千直到世界尽头也不能忘却拥抱你的瞬间
拥抱你的瞬间。
猪猪侠主题曲歌词【范本模板】
猪猪侠主题曲歌词
噜啦噜啦咧, 噜啦噜啦咧,ﻫ噜啦噜啦咧，噜啦噜啦咧,ﻫ勇敢向前进,前进有奖品，ﻫ我要跑第一要开飞机,要电视机,要CD机，要mp３,要冰淇淋,要人民币,不要太贪心
聪明勇敢有力气,我真的羡慕我自己，ﻫ呼啦圈也没问题,后空翻两周再敬个礼，
天南地北不放弃，去寻找减肥的朱古力,
圆头圆脑圆肚皮,里面是生命的真谛，ﻫ让我们呼啦啦啦啦啦高歌一曲（我来弹琴啊,你来吹牛皮).ﻫ我要开飞机，我要当经理,ﻫ我要拿高薪,还有冰激淋，ﻫ我要得第一,不能太费力。
（我们和你，心有灵犀）
西医说我要拉皮，中医说我要注意体形。
千难万险不怕崎岖,最后才发现无药可医。
我也曾经跑第一,是因为第一才有雪批。
ﻫ我也思考人生意义，才发现自己真了不起。
ﻫ忍不住呼啦啦啦啦啦高歌一曲（我来弹琴啊,你来吹牛皮)。
我要开飞机,我要当经理，
我要拿高薪，还有冰激淋,ﻫ我要得第一,不能太费力。
（我们和你，心有灵犀)
噜啦噜啦咧,啦噜啦噜啦咧,ﻫ噜啦噜啦噜啦咧, 啦噜啦噜啦咧,
不要太得意，除非有我关照你。
天天吃饭不容易,还要保持ＧｏodFit。
要开飞机,要电视机，要CD机,要mｐ3，要冰淇淋,要人民币，不要
太贪心
我要去减肥,除非冰淇淋，
不再那么贵，三块二毛一,
我也要人陪,除非我有米，
去换红玫瑰,然后送给你,
I’m ｊust loｖｉｎ’yｏu，（天天好开心)ﻫＩ’m just lovin’yoｕ，（不要再犹豫）ﻫI’m jusｔlｏvin’yｏu,(不怕炒鱿鱼）
I'm just loviｎ’yoｕ。
果宝特工
水果世界出现了一间水果加工厂，老板是令整个水果世界闻风丧胆的大魔头，他每隔一段时间就会派四大恶贼等将大批水果村民抓到加工厂里搅拌成果酱和果汁，惨不忍睹。果冻学院无极和英雄两位师父伸张正义，出手阻止大魔头的暴行。哪知他们低估了拥有座架机器人的四大恶贼，反被大魔头生擒。三剑客橙留香、菠萝吹雪和陆小果发誓一定要打败大魔头，三人克服重重困难，朝着水果加工厂进发！最后三剑客终于战胜了大魔头，并摧毁了水果工厂。 果宝特攻故事简介 水果世界中有座奇异的七层花果山，山上生长着一株七彩莲花，而莲花则有种神奇的力量，它能散发出利益果因子，让民众感到舒心快乐。可是某一天，莲花消失了。是枯萎了还是被人盗走了?无从得知。 后来传闻大魔王东方求败带领着四大恶贼，霸占了七层花果山，将其改造成水果加工场，从而实现自己千秋万代、一统江湖的霸业。就这样，美丽的花果山成了恐怖的地狱，水果界的人民迎来前所未有的大灾难! 看到无辜平民的命运如此悲惨，果冻学院的果宝特攻勇敢地挺身而出，驾驶着威力十足的果宝机甲，与强大的敌人连场大战。果宝特攻们越来越接近征途的终点，真相也逐渐展现出来。东方求败与四大恶贼其实并不是大坏蛋，他们只是以自己的独特方式去守护着花果山。原来七彩莲花消失后，山上的村民心灵受到气候污染，变得阴险邪恶。东方求败的目的，其实是为了压制暴动的村民，寻找让莲花重新绽放光华的方法。 而幕后黑手正是最容易被人忽视的一个跑龙套的小果叮，他为了当上主角，给七色彩莲下了三大剧毒：孔雀石绿，苏丹红，三聚氰胺。让其他跑龙套散布谣言：水果加工厂是水果地狱。让橙留香他们与东方求败互相残杀，他好渔人得利。最后，他抓住了果冻学院的几位老师（英雄，无极，夜燕），方丈（疯清扬）和天山果姥，并且控制了椰子尊，山竹尊，西瓜尊，青梅尊，香蕉尊，还合体为果元天尊，和果宝战神打了起来，魔霸天王一直在底下顶住第七层，为果宝战神拯救七色彩莲争取时间，一直到用尽能源倒下。最终，小果叮因为没有做过好人的主角，为此才拿出从天山果佬抢来的唯一一颗牛黄解毒药丸，救活了七色彩莲。成功做上一次好主角……
经典中文动漫歌曲歌词
美丽梦中人，歌中的女神 我用温柔歌声，深爱着你 世事浮华，已烟消云散 美丽梦中人，快为我醒来
10.请你唱个歌吧
啦啦啦啦……
啦啦啦啦…… 小杜鹃，小杜鹃 我们请你唱个歌 快来呀，大家来呀 我们倾听你的歌 咕咕，咕咕 歌声使我们快乐 咕咕，咕咕 歌声使我们快乐
《麦兜当当伴我心》
1.来日之歌
原曲：TooihinoUta
人在风里，风要去哪里 谜一样的浮世，每一步都未知 忐忑的心，遥远的天空里 呼唤着那首，未知的歌曲
人在风里，风要去哪里 一路在祈祷，一路继续前进 眼前的道路，你通向哪里 失散的我们，会不会再相聚
事到如今，我还在风里 燃烧的岁月，依然挥之不去 ……
摇摇你的头 扭扭你的腰 拍拍你肥嘟嘟面颊 肥嘟嘟的手 在这稀薄宇宙找到温厚的感受
呱呱呱呱……
《天眼》 主题歌 一个小少年
一个小少年，额上三只眼 背后插双翅，头顶两根毛尖尖 好怪… 他向宇宙看，看到一亮点 那就是中国，离外星很远 好看… 天眼少年他会变，只身他能变成万 又和香玲甄美丽，同玩共耍荡秋千 好玩…
14.切记剪指甲
原曲：肯肯舞 can-can
催我要多剪指甲 还未开饭剪指甲 噼啪噼啪 噼啪噼啪 我要吃烤鸭！
朋友远足剪指甲 同学烧烤剪指甲 噼啪噼啪 噼啪噼啪 吖！我要吃口水蛙！
15.吃香蕉的好孩子
原曲：Little Bunny Foo Foo
我和妈妈走进超级市场 我要买包香肠，她给我根香蕉 你吃香蕉好过吃香肠
片尾曲 寻找
演唱:韩雪
鱼儿在寻找大海 花儿在寻找春天 我们穿过时空隧道
寻找幸福的法宝 成功的法宝是勇于探险 快乐的法宝是和平友好 美丽的法宝是诚实善良 金牌的法宝是意志不倒
猪猪侠主题曲歌词
猪猪侠主题曲歌词公司内部档案编码：[OPPTR-OPPT28-OPPTL98-OPPNN08]猪猪侠主题曲歌词噜啦噜啦咧, 噜啦噜啦咧,噜啦噜啦咧, 噜啦噜啦咧,勇敢向前进,前进有奖品,我要跑第一要开飞机,要电视机,要CD机,要mp3,要冰淇淋,要人民币,不要太贪心聪明勇敢有力气，我真的羡慕我自己,呼啦圈也没问题，后空翻两周再敬个礼，天南地北不放弃，去寻找减肥的朱古力，圆头圆脑圆肚皮，里面是生命的真谛，让我们呼啦啦啦啦啦高歌一曲(我来弹琴啊，你来吹牛皮)。
我要开飞机，我要当经理，我要拿高薪，还有冰激淋，我要得第一，不能太费力。
(我们和你，心有灵犀)西医说我要拉皮，中医说我要注意体形。
千难万险不怕崎岖，最后才发现无药可医。
我也曾经跑第一，是因为第一才有雪批。
我也思考人生意义，才发现自己真了不起。
忍不住呼啦啦啦啦啦高歌一曲(我来弹琴啊，你来吹牛皮)。
我要开飞机，我要当经理，我要拿高薪，还有冰激淋，我要得第一，不能太费力。
(我们和你，心有灵犀)噜啦噜啦咧,啦噜啦噜啦咧,噜啦噜啦噜啦咧, 啦噜啦噜啦咧,不要太得意，除非有我关照你。
天天吃饭不容易，还要保持GoodFit.要开飞机,要电视机,要CD机,要mp3,要冰淇淋,要人民币,不要太贪心我要去减肥，除非冰淇淋，不再那么贵，三块二毛一，我也要人陪，除非我有米，去换红玫瑰，然后送给你，I’m just lovin’you，(天天好开心)I’m just lovin’you,(不要再犹豫)I’m just lovin’you,(不怕炒鱿鱼)I’m just lovin’you。
Native Instruments MASCHINE MIKRO MK3用户手册说明书
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MIKRO MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (23)1.1MASCHINE Documentation (24)1.2Document Conventions (25)1.3New Features in MASCHINE 2.8 (26)1.4New Features in MASCHINE 2.7.10 (28)1.5New Features in MASCHINE 2.7.8 (29)1.6New Features in MASCHINE 2.7.7 (29)1.7New Features in MASCHINE 2.7.4 (31)1.8New Features in MASCHINE 2.7.3 (33)2Quick Reference (35)2.1MASCHINE Project Overview (35)2.1.1Sound Content (35)2.1.2Arrangement (37)2.2MASCHINE Hardware Overview (40)2.2.1MASCHINE MIKRO Hardware Overview (40)2.2.1.1Browser Section (41)2.2.1.2Edit Section (42)2.2.1.3Performance Section (43)2.2.1.4Transport Section (45)2.2.1.5Pad Section (46)2.2.1.6Rear Panel (50)2.3MASCHINE Software Overview (51)2.3.1Header (52)2.3.2Browser (54)2.3.3Arranger (56)2.3.4Control Area (59)2.3.5Pattern Editor (60)3Basic Concepts (62)3.1Important Names and Concepts (62)3.2Adjusting the MASCHINE User Interface (65)3.2.1Adjusting the Size of the Interface (65)3.2.2Switching between Ideas View and Song View (66)3.2.3Showing/Hiding the Browser (67)3.2.4Showing/Hiding the Control Lane (67)3.3Common Operations (68)3.3.1Adjusting Volume, Swing, and Tempo (68)3.3.2Undo/Redo (71)3.3.3Focusing on a Group or a Sound (73)3.3.4Switching Between the Master, Group, and Sound Level (77)3.3.5Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.773.3.6Navigating the Software Using the Controller (82)3.3.7Using Two or More Hardware Controllers (82)3.3.8Loading a Recent Project from the Controller (84)3.4Native Kontrol Standard (85)3.5Stand-Alone and Plug-in Mode (86)3.5.1Differences between Stand-Alone and Plug-in Mode (86)3.5.2Switching Instances (88)3.6Preferences (88)3.6.1Preferences – General Page (89)3.6.2Preferences – Audio Page (93)3.6.3Preferences – MIDI Page (95)3.6.4Preferences – Default Page (97)3.6.5Preferences – Library Page (101)3.6.6Preferences – Plug-ins Page (109)3.6.7Preferences – Hardware Page (114)3.6.8Preferences – Colors Page (114)3.7Integrating MASCHINE into a MIDI Setup (117)3.7.1Connecting External MIDI Equipment (117)3.7.2Sync to External MIDI Clock (117)3.7.3Send MIDI Clock (118)3.7.4Using MIDI Mode (119)3.8Syncing MASCHINE using Ableton Link (120)3.8.1Connecting to a Network (121)3.8.2Joining and Leaving a Link Session (121)4Browser (123)4.1Browser Basics (123)4.1.1The MASCHINE Library (123)4.1.2Browsing the Library vs. Browsing Your Hard Disks (124)4.2Searching and Loading Files from the Library (125)4.2.1Overview of the Library Pane (125)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (128)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (133)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (137)4.2.4Selecting a File Type (137)4.2.5Choosing Between Factory and User Content (138)4.2.6Selecting Type and Character Tags (138)4.2.7Performing a Text Search (142)4.2.8Loading a File from the Result List (143)4.3Additional Browsing Tools (148)4.3.1Loading the Selected Files Automatically (148)4.3.2Auditioning Instrument Presets (149)4.3.3Auditioning Samples (150)4.3.4Loading Groups with Patterns (150)4.3.5Loading Groups with Routing (151)4.3.6Displaying File Information (151)4.4Using Favorites in the Browser (152)4.5Editing the Files’ Tags and Properties (155)4.5.1Attribute Editor Basics (155)4.5.2The Bank Page (157)4.5.3The Types and Characters Pages (157)4.5.4The Properties Page (160)4.6Loading and Importing Files from Your File System (161)4.6.1Overview of the FILES Pane (161)4.6.2Using Favorites (163)4.6.3Using the Location Bar (164)4.6.4Navigating to Recent Locations (165)4.6.5Using the Result List (166)4.6.6Importing Files to the MASCHINE Library (169)4.7Locating Missing Samples (171)4.8Using Quick Browse (173)5Managing Sounds, Groups, and Your Project (175)5.1Overview of the Sounds, Groups, and Master (175)5.1.1The Sound, Group, and Master Channels (176)5.1.2Similarities and Differences in Handling Sounds and Groups (177)5.1.3Selecting Multiple Sounds or Groups (178)5.2Managing Sounds (181)5.2.1Loading Sounds (183)5.2.2Pre-listening to Sounds (184)5.2.3Renaming Sound Slots (185)5.2.4Changing the Sound’s Color (186)5.2.5Saving Sounds (187)5.2.6Copying and Pasting Sounds (189)5.2.7Moving Sounds (192)5.2.8Resetting Sound Slots (193)5.3Managing Groups (194)5.3.1Creating Groups (196)5.3.2Loading Groups (197)5.3.3Renaming Groups (198)5.3.4Changing the Group’s Color (199)5.3.5Saving Groups (200)5.3.6Copying and Pasting Groups (202)5.3.7Reordering Groups (206)5.3.8Deleting Groups (207)5.4Exporting MASCHINE Objects and Audio (208)5.4.1Saving a Group with its Samples (208)5.4.2Saving a Project with its Samples (210)5.4.3Exporting Audio (212)5.5Importing Third-Party File Formats (218)5.5.1Loading REX Files into Sound Slots (218)5.5.2Importing MPC Programs to Groups (219)6Playing on the Controller (223)6.1Adjusting the Pads (223)6.1.1The Pad View in the Software (223)6.1.2Choosing a Pad Input Mode (225)6.1.3Adjusting the Base Key (226)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (227)6.3Playing Tools (229)6.3.1Mute and Solo (229)6.3.2Choke All Notes (233)6.3.3Groove (233)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (235)6.3.5Tap Tempo (235)6.4Performance Features (236)6.4.1Overview of the Perform Features (236)6.4.2Selecting a Scale and Creating Chords (239)6.4.3Scale and Chord Parameters (240)6.4.4Creating Arpeggios and Repeated Notes (253)6.4.5Swing on Note Repeat / Arp Output (257)6.5Using Lock Snapshots (257)6.5.1Creating a Lock Snapshot (257)7Working with Plug-ins (259)7.1Plug-in Overview (259)7.1.1Plug-in Basics (259)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (263)7.1.3Loading, Removing, and Replacing a Plug-in (264)7.1.4Adjusting the Plug-in Parameters (270)7.1.5Bypassing Plug-in Slots (270)7.1.6Using Side-Chain (272)7.1.7Moving Plug-ins (272)7.1.8Alternative: the Plug-in Strip (273)7.1.9Saving and Recalling Plug-in Presets (273)7.1.9.1Saving Plug-in Presets (274)7.1.9.2Recalling Plug-in Presets (275)7.1.9.3Removing a Default Plug-in Preset (276)7.2The Sampler Plug-in (277)7.2.1Page 1: Voice Settings / Engine (279)7.2.2Page 2: Pitch / Envelope (281)7.2.3Page 3: FX / Filter (283)7.2.4Page 4: Modulation (285)7.2.5Page 5: LFO (286)7.2.6Page 6: Velocity / Modwheel (288)7.3Using Native Instruments and External Plug-ins (289)7.3.1Opening/Closing Plug-in Windows (289)7.3.2Using the VST/AU Plug-in Parameters (292)7.3.3Setting Up Your Own Parameter Pages (293)7.3.4Using VST/AU Plug-in Presets (298)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (300)8Using the Audio Plug-in (302)8.1Loading a Loop into the Audio Plug-in (306)8.2Editing Audio in the Audio Plug-in (307)8.3Using Loop Mode (308)8.4Using Gate Mode (310)9Using the Drumsynths (312)9.1Drumsynths – General Handling (313)9.1.1Engines: Many Different Drums per Drumsynth (313)9.1.2Common Parameter Organization (313)9.1.3Shared Parameters (316)9.1.4Various Velocity Responses (316)9.1.5Pitch Range, Tuning, and MIDI Notes (316)9.2The Kicks (317)9.2.1Kick – Sub (319)9.2.2Kick – Tronic (321)9.2.3Kick – Dusty (324)9.2.4Kick – Grit (325)9.2.5Kick – Rasper (328)9.2.6Kick – Snappy (329)9.2.7Kick – Bold (331)9.2.8Kick – Maple (333)9.2.9Kick – Push (334)9.3The Snares (336)9.3.1Snare – Volt (338)9.3.2Snare – Bit (340)9.3.3Snare – Pow (342)9.3.4Snare – Sharp (343)9.3.5Snare – Airy (345)9.3.6Snare – Vintage (347)9.3.7Snare – Chrome (349)9.3.8Snare – Iron (351)9.3.9Snare – Clap (353)9.3.10Snare – Breaker (355)9.4The Hi-hats (357)9.4.1Hi-hat – Silver (358)9.4.2Hi-hat – Circuit (360)9.4.3Hi-hat – Memory (362)9.4.4Hi-hat – Hybrid (364)9.4.5Creating a Pattern with Closed and Open Hi-hats (366)9.5The Toms (367)9.5.1Tom – Tronic (369)9.5.2Tom – Fractal (371)9.5.3Tom – Floor (375)9.5.4Tom – High (377)9.6The Percussions (378)9.6.1Percussion – Fractal (380)9.6.2Percussion – Kettle (383)9.6.3Percussion – Shaker (385)9.7The Cymbals (389)9.7.1Cymbal – Crash (391)9.7.2Cymbal – Ride (393)10Using the Bass Synth (396)10.1Bass Synth – General Handling (397)10.1.1Parameter Organization (397)10.1.2Bass Synth Parameters (399)11Working with Patterns (401)11.1Pattern Basics (401)11.1.1Pattern Editor Overview (402)11.1.2Navigating the Event Area (404)11.1.3Following the Playback Position in the Pattern (406)11.1.4Jumping to Another Playback Position in the Pattern (407)11.1.5Group View and Keyboard View (408)11.1.6Adjusting the Arrange Grid and the Pattern Length (410)11.1.7Adjusting the Step Grid and the Nudge Grid (413)11.2Recording Patterns in Real Time (416)11.2.1Recording Your Patterns Live (417)11.2.2Using the Metronome (419)11.2.3Recording with Count-in (420)11.3Recording Patterns with the Step Sequencer (422)11.3.1Step Mode Basics (422)11.3.2Editing Events in Step Mode (424)11.4Editing Events (425)11.4.1Editing Events with the Mouse: an Overview (425)11.4.2Creating Events/Notes (428)11.4.3Selecting Events/Notes (429)11.4.4Editing Selected Events/Notes (431)11.4.5Deleting Events/Notes (434)11.4.6Cut, Copy, and Paste Events/Notes (436)11.4.7Quantizing Events/Notes (439)11.4.8Quantization While Playing (441)11.4.9Doubling a Pattern (442)11.4.10Adding Variation to Patterns (442)11.5Recording and Editing Modulation (443)11.5.1Which Parameters Are Modulatable? (444)11.5.2Recording Modulation (446)11.5.3Creating and Editing Modulation in the Control Lane (447)11.6Creating MIDI Tracks from Scratch in MASCHINE (452)11.7Managing Patterns (454)11.7.1The Pattern Manager and Pattern Mode (455)11.7.2Selecting Patterns and Pattern Banks (456)11.7.3Creating Patterns (459)11.7.4Deleting Patterns (460)11.7.5Creating and Deleting Pattern Banks (461)11.7.6Naming Patterns (463)11.7.7Changing the Pattern’s Color (465)11.7.8Duplicating, Copying, and Pasting Patterns (466)11.7.9Moving Patterns (469)11.8Importing/Exporting Audio and MIDI to/from Patterns (470)11.8.1Exporting Audio from Patterns (470)11.8.2Exporting MIDI from Patterns (472)11.8.3Importing MIDI to Patterns (474)12Audio Routing, Remote Control, and Macro Controls (483)12.1Audio Routing in MASCHINE (484)12.1.1Sending External Audio to Sounds (485)12.1.2Configuring the Main Output of Sounds and Groups (489)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (494)12.1.4Configuring the Master and Cue Outputs of MASCHINE (497)12.1.5Mono Audio Inputs (502)12.1.5.1Configuring External Inputs for Sounds in Mix View (503)12.2Using MIDI Control and Host Automation (506)12.2.1Triggering Sounds via MIDI Notes (507)12.2.2Triggering Scenes via MIDI (513)12.2.3Controlling Parameters via MIDI and Host Automation (514)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (522)12.2.5Sending MIDI from Sounds (523)12.3Creating Custom Sets of Parameters with the Macro Controls (527)12.3.1Macro Control Overview (527)12.3.2Assigning Macro Controls Using the Software (528)13Controlling Your Mix (535)13.1Mix View Basics (535)13.1.1Switching between Arrange View and Mix View (535)13.1.2Mix View Elements (536)13.2The Mixer (537)13.2.1Displaying Groups vs. Displaying Sounds (539)13.2.2Adjusting the Mixer Layout (541)13.2.3Selecting Channel Strips (542)13.2.4Managing Your Channels in the Mixer (543)13.2.5Adjusting Settings in the Channel Strips (545)13.2.6Using the Cue Bus (549)13.3The Plug-in Chain (551)13.4The Plug-in Strip (552)13.4.1The Plug-in Header (554)13.4.2Panels for Drumsynths and Internal Effects (556)13.4.3Panel for the Sampler (557)13.4.4Custom Panels for Native Instruments Plug-ins (560)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (564)14Using Effects (567)14.1Applying Effects to a Sound, a Group or the Master (567)14.1.1Adding an Effect (567)14.1.2Other Operations on Effects (574)14.1.3Using the Side-Chain Input (575)14.2Applying Effects to External Audio (578)14.2.1Step 1: Configure MASCHINE Audio Inputs (578)14.2.2Step 2: Set up a Sound to Receive the External Input (579)14.2.3Step 3: Load an Effect to Process an Input (579)14.3Creating a Send Effect (580)14.3.1Step 1: Set Up a Sound or Group as Send Effect (581)14.3.2Step 2: Route Audio to the Send Effect (583)14.3.3 A Few Notes on Send Effects (583)14.4Creating Multi-Effects (584)15Effect Reference (587)15.1Dynamics (588)15.1.1Compressor (588)15.1.2Gate (591)15.1.3Transient Master (594)15.1.4Limiter (596)15.1.5Maximizer (600)15.2Filtering Effects (603)15.2.1EQ (603)15.2.2Filter (605)15.2.3Cabinet (609)15.3Modulation Effects (611)15.3.1Chorus (611)15.3.2Flanger (612)15.3.3FM (613)15.3.4Freq Shifter (615)15.3.5Phaser (616)15.4Spatial and Reverb Effects (617)15.4.1Ice (617)15.4.2Metaverb (619)15.4.3Reflex (620)15.4.4Reverb (Legacy) (621)15.4.5Reverb (623)15.4.5.1Reverb Room (623)15.4.5.2Reverb Hall (626)15.4.5.3Plate Reverb (629)15.5Delays (630)15.5.1Beat Delay (630)15.5.2Grain Delay (632)15.5.3Grain Stretch (634)15.5.4Resochord (636)15.6Distortion Effects (638)15.6.1Distortion (638)15.6.2Lofi (640)15.6.3Saturator (641)15.7Perform FX (645)15.7.1Filter (646)15.7.2Flanger (648)15.7.3Burst Echo (650)15.7.4Reso Echo (653)15.7.5Ring (656)15.7.6Stutter (658)15.7.7Tremolo (661)15.7.8Scratcher (664)16Working with the Arranger (667)16.1Arranger Basics (667)16.1.1Navigating Song View (670)16.1.2Following the Playback Position in Your Project (672)16.1.3Performing with Scenes and Sections using the Pads (673)16.2Using Ideas View (677)16.2.1Scene Overview (677)16.2.2Creating Scenes (679)16.2.3Assigning and Removing Patterns (679)16.2.4Selecting Scenes (682)16.2.5Deleting Scenes (684)16.2.6Creating and Deleting Scene Banks (685)16.2.7Clearing Scenes (685)16.2.8Duplicating Scenes (685)16.2.9Reordering Scenes (687)16.2.10Making Scenes Unique (688)16.2.11Appending Scenes to Arrangement (689)16.2.12Naming Scenes (689)16.2.13Changing the Color of a Scene (690)16.3Using Song View (692)16.3.1Section Management Overview (692)16.3.2Creating Sections (694)16.3.3Assigning a Scene to a Section (695)16.3.4Selecting Sections and Section Banks (696)16.3.5Reorganizing Sections (700)16.3.6Adjusting the Length of a Section (702)16.3.6.1Adjusting the Length of a Section Using the Software (703)16.3.6.2Adjusting the Length of a Section Using the Controller (705)16.3.7Clearing a Pattern in Song View (705)16.3.8Duplicating Sections (705)16.3.8.1Making Sections Unique (707)16.3.9Removing Sections (707)16.3.10Renaming Scenes (708)16.3.11Clearing Sections (710)16.3.12Creating and Deleting Section Banks (710)16.3.13Working with Patterns in Song view (710)16.3.13.1Creating a Pattern in Song View (711)16.3.13.2Selecting a Pattern in Song View (711)16.3.13.3Clearing a Pattern in Song View (711)16.3.13.4Renaming a Pattern in Song View (711)16.3.13.5Coloring a Pattern in Song View (712)16.3.13.6Removing a Pattern in Song View (712)16.3.13.7Duplicating a Pattern in Song View (712)16.3.14Enabling Auto Length (713)16.3.15Looping (714)16.3.15.1Setting the Loop Range in the Software (714)16.3.15.2Activating or Deactivating a Loop Using the Controller (715)16.4Playing with Sections (715)16.4.1Jumping to another Playback Position in Your Project (716)16.5Triggering Sections or Scenes via MIDI (717)16.6The Arrange Grid (719)16.7Quick Grid (720)17Sampling and Sample Mapping (722)17.1Opening the Sample Editor (722)17.2Recording Audio (724)17.2.1Opening the Record Page (724)17.2.2Selecting the Source and the Recording Mode (725)17.2.3Arming, Starting, and Stopping the Recording (729)17.2.5Checking Your Recordings (731)17.2.6Location and Name of Your Recorded Samples (734)17.3Editing a Sample (735)17.3.1Using the Edit Page (735)17.3.2Audio Editing Functions (739)17.4Slicing a Sample (743)17.4.1Opening the Slice Page (743)17.4.2Adjusting the Slicing Settings (744)17.4.3Manually Adjusting Your Slices (746)17.4.4Applying the Slicing (750)17.5Mapping Samples to Zones (754)17.5.1Opening the Zone Page (754)17.5.2Zone Page Overview (755)17.5.3Selecting and Managing Zones in the Zone List (756)17.5.4Selecting and Editing Zones in the Map View (761)17.5.5Editing Zones in the Sample View (765)17.5.6Adjusting the Zone Settings (767)17.5.7Adding Samples to the Sample Map (770)18Appendix: Tips for Playing Live (772)18.1Preparations (772)18.1.1Focus on the Hardware (772)18.1.2Customize the Pads of the Hardware (772)18.1.3Check Your CPU Power Before Playing (772)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (773)18.1.5Consider Using a Limiter on Your Master (773)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (773)18.1.7Improvise (773)18.2Basic Techniques (773)18.2.1Use Mute and Solo (773)18.2.2Create Variations of Your Drum Patterns in the Step Sequencer (774)18.2.3Use Note Repeat (774)18.2.4Set Up Your Own Multi-effect Groups and Automate Them (774)18.3Special Tricks (774)18.3.1Changing Pattern Length for Variation (774)18.3.2Using Loops to Cycle Through Samples (775)18.3.3Load Long Audio Files and Play with the Start Point (775)19Troubleshooting (776)19.1Knowledge Base (776)19.2Technical Support (776)19.3Registration Support (777)19.4User Forum (777)20Glossary (778)Index (786)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE MIKRO Quick Start Guide: This animated online guide provides a practical ap-proach to help you learn the basic of MASCHINE MIKRO. The guide is available from theNative Instruments website: https:///maschine-mikro-quick-start/2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:►Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.Document Conventions1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues.The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information canbe expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software andpaths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in thesoftware is printed in blue. Whenever you see this formatting applied, you will find thesame text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you seethis formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you seethis formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.1.3New Features in MASCHINE2.8The following new features have been added to MASCHINE: Integration▪Browse on , create your own collections of loops and one-shots and send them directly to the MASCHINE browser.Improvements to the Browser▪Samples are now cataloged in separate Loops and One-shots tabs in the Browser.▪Previews of loops selected in the Browser will be played in sync with the current project.When a loop is selected with Prehear turned on, it will begin playing immediately in-sync with the project if transport is running. If a loop preview starts part-way through the loop, the loop will play once more for its full length to ensure you get to hear the entire loop once in context with your project.▪Filters and product selections will be remembered when switching between content types and Factory/User Libraries in the Browser.▪Browser content synchronization between multiple running instances. When running multi-ple instances of MASCHINE, either as Standalone and/or as a plug-in, updates to the Li-brary will be synced across the instances. For example, if you delete a sample from your User Library in one instance, the sample will no longer be present in the other instances.Similarly, if you save a preset in one instance, that preset will then be available in the oth-er instances, too.▪Edits made to samples in the Factory Libraries will be saved to the Standard User Directo-ry.For more information on these new features, refer to the following chapter ↑4, Browser. Improvements to the MASCHINE MIKRO MK3 Controller▪You can now set sample Start and End points using the controller. For more information refer to ↑17.3.1, Using the Edit Page.Improved Support for A-Series Keyboards▪When Browsing with A-Series keyboards, you can now jump quickly to the results list by holding SHIFT and pushing right on the 4D Encoder.▪When Browsing with A-Series keyboards, you can fast scroll through the Browser results list by holding SHIFT and twisting the 4D Encoder.▪Mute and Solo Sounds and Groups from A-Series keyboards. Sounds are muted in TRACK mode while Groups are muted in IDEAS.。
周深《卡布叻船长》歌词(专辑：龙之谷2 游戏原声带)
卡布叻船长《龙之谷2》手游主题曲洛天依：欢迎来到阿尔特里亚大陆周深/旁白：森林之中某个角落有个小队点起了篝火他们都有同样的梦拿到宝物闪不隆咚战士总是分不清楚自己的队友法师牧师经验不太够还有一个不知所踪路痴弓箭手船长他有点迷惑周深/冒险小队：请问队长我们究竟还要在这地方停留多久Niko Niko 周深/卡布叻船长：船长我在这里不要认错还有以后禁止卖萌Niko Niko周深/巨龙：他们噼里啪啦叽里哇啦稀里哗啦说了好久Niko Niko只为打败巨龙哈哈哈哈却都被我偷偷听走Niko Niko洛天依：来啊不要再拖拉来啊战斗的火花来啊多英姿勃发来啊一起造作吧来啊不要再拖拉来啊战斗的火花来啊多英姿勃发来啊一起造作吧周深/旁白：他们一路斩妖除魔蜘蛛牛头和不同怪兽穿过城镇越过荒漠终于看到那条巨龙战士看着巨龙名字陷入了沉默你是不是叫火火火火巨龙它说它的名字是容易认错拆开念真没见过周深/冒险小队：我们撸起袖子放下烤肉二话不说马上动手Niko Niko 周深/卡布叻船长/冒险小队：瞬间挑衅追踪霸体浮空火球冰冻箭雨台风Niko Niko周深/巨龙：可是噼里啪啦叽里哇啦稀里哗啦平分秋色Niko Niko观众赞不绝口哈哈哈哈不愧是我啦啦啦啦Niko NikoAH周深/卡布叻船长：巨龙突然觉得有点迷惑这个情节好像见过Niko Niko周深/巨龙：怎么到了最后我又变成可爱迷人反派角色Niko Niko周深/冒险小队：好像这个世界大不相同谁说英雄必须屠龙Niko Niko不如加个好友共同战斗还能一起炸鸡啤酒Niko Niko周深/卡布叻船长/冒险小队/巨龙：我们一拍即合光芒闪过金色传说就此复活Niko Niko从此英雄巨龙一起过上充满惊喜冒险生活Niko Niko。
Bose 产品使用指南.pdf_1705905620.9668128说明书
Italiano - 3S ommarioCompilare e conservare le seguenti informazioni:I numeri di serie e di modello si trovano sulla confezione originale e sulla scheda della garanzia.Numero di serie ______________________________________________________________________Numero di modello ___________________________________________________________________Data d’acquisto ______________________________________________________________________È consigliabile conservare la ricevuta insieme a questo manuale di istruzioni.Informazioni sulle cuffie in-ear Bose ® SoundTrue ® Ultra (4)Caratteristiche .............................................................................................................. 4Disimballaggio ...................................................................................................................... 5Collegamento del dispositivo ............................................................................................ 6Uso delle cuffie con il dispositivo . (6)Controlli delle cuffie .................................................................................................... 6Funzioni di base ............................................................................................................ 7Funzioni di riproduzione multimediale .................................................................... 7Importanza del comfort (8)Inserimento delle cuffie nelle orecchie .................................................................... 8Sostituzione dei puntali .............................................................................................. 9Rimozione delle cuffie ................................................................................................. 9Ulteriori regolazioni per garantire comfort e stabilità .. (10)Uso della clip per abiti ................................................................................................. 10Uso di un auricolare singolo ....................................................................................... 10Risoluzione dei problemi .. (11)iPad, iPhone e iPod sono marchi commerciali di Apple Inc., registrati negli Stati Uniti e in altri Paesi. Il marchio “iPhone” è utilizzato su licenza di Aiphone K.K.“Made for iPod”, “Made for iPhone” e “Made for iPad” significa che un accessorio elettronico è stato progettato per essere collegato specificamente a un iPod, iPhone o iPad rispettivamente ed è coperto dalla certificazione dello sviluppatore che assicura la conformità agli standard prestazionali di Apple. Apple non è responsabile del funzionamento di questo dispositivo o della conformità dello stesso agli standard di sicurezza e normativi. L’uso di questo accessorio con un iPod, iPhone o iPad può influire sulle prestazioni wireless.Utilizzo delle cuffie4 - ItalianoInformazioni sulle cuffie in-ear Bose ® SoundTrue ® UltraLe cuffie in-ear Bose ® SoundTrue ® Ultra uniscono prestazioni audio realistiche a un design confortevole, caratteristiche difficili da trovare nella maggior parte delle cuffie tradizionali.Caratteristiche• Goditi la musica e lasciati assorbire completamente da un suono ricco e pulito.• Esclusiva tecnologia TriPort ® per bassi dal timbro naturale, anche a volumi elevati.• Il microfono e telecomando in linea consentono di passare con facilità dalle chiamate alla musica e viceversa su specifici modelli di iPod, iPhone e iPad.• I puntali StayHear ® mantengono in posizione le cuffie in modo confortevole.• Progettate e testate per la massima qualità e durevolezza.• La custodia consente di conservare e proteggere le cuffie.• Disponibili in un’ampia gamma di colori tra cui scegliere quello più adatto al proprio stile.Utilizzo delle cuffieItaliano - 7Funzioni di baseAumentare il volume Premere e rilasciare il pulsante +.Ridurre il volumePremere e rilasciare il pulsante –.Rispondere a una chiamataQuando si riceve una chiamata, premere e rilasciare il tasto Rispondi/Fine per rispondere.Chiudere una chiamata Premere e rilasciare il pulsante Rispondi/Fine.Rifiutare una chiamata in arrivoPremere e tenere premuto il pulsanteRispondi/Fine per circa due secondi, quindi rilasciarlo.Passare a una chiamata in attesa mettendo in attesa quella correnteDurante una conversazione, premere e rilasciare il pulsante Rispondi/Fine una volta. Premerlo e rilasciarlo di nuovo per tornare alla prima chiamata.Passare a una chiamata in arrivo o in attesa chiudendo quella corrente Durante una conversazione, premere e tenere premuto il pulsante Rispondi/Fine per circa due secondi, quindi o del controllo vocalePremere e tenere premuto il pulsante Rispondi/Fine.Per ulteriori informazioni sul controllo vocale, consultare il manuale di istruzioni del dispositivo.Funzioni di riproduzione multimedialeRiprodurre o mettere in pausa un brano musicale o un video Premere e rilasciare il pulsante Rispondi/Fine.Salto in avanti Premere e rilasciare il pulsante Rispondi/Fine due volte in rapida successione.Avanti rapidoPremere e rilasciare il pulsante Rispondi/Fine due volte in rapida successione, tenendo premuto dopo la seconda pressione.Salto all’indietro Premere e rilasciare il pulsante Rispondi/Fine tre volte in rapida successione.RiavvolgimentoPremere e rilasciare il pulsante Rispondi/Fine tre volte in rapida successione,tenendo premuto dopo la terza pressione.。
DES 1228 1228P 1252用户手册
VCCI Warning
Deceቤተ መጻሕፍቲ ባይዱber 2007 P/N
目录
D-Link Web Smart 交换机用户手册
目录
目录............................................................................................................................................. i 关于该向导............................................................................................................................................. 1
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