and Acoustic Research

合集下载

复合材料声衬声阻抗性能测试试验研究

复合材料声衬声阻抗性能测试试验研究

Vol.60No.2工程与试验ENGINEERING&TEST Jun.2020复合材料声衬声阻抗性能测试试验研究黄太誉,高翔(中国飞机强度研究所第三十二研究室,陕西西安710065)摘要:声衬是降低发动机噪声的重要组件。

为探索复合材料在声衬上的应用,本文基于Helmholtz原理,采用树脂基复合材料,针对某特定工况设计制备了微穿孔板蜂窝夹层结构声衬,并开展了相应的试验研究。

研究结果表明,按照当前树脂基复合材料良好的加工性能和制备工艺,该声衬能够较好地满足结构参数和声学性能的设计要求。

关键词:树脂基复合材料;声衬;声阻抗中图分类号:V216.5+4文献标识码:A doi:10.3969/j.issn.1674-3407.2020.02.012Experimental Study on Acoustic Impedance of Composite Acoustic LinerHuang Taiyu,Gao Xiang(The32nd Research of China Aircraft Strength Research Institute,Xi an710065,Shaanxi,China)Abstract:Acoustic liner an important component to reduce engine noise.In order to explore the application of composite materials to the acoustic liner,based on the Helmholtz principle,the acoustic liner of micro perforated plate honeycomb sandwich structure is designed and prepared,and the corresponding test research is carried out.The results show that according to the good processing performance and preparation process of resin matrix composite,it can meet the design requirements of structural parameters and acoustic properties.Keywords:resin matrix composite;acoustic liner;acoustic impedance1引言喷气式发动机问世伊始,在噪声传递路径中铺设声衬一直是最主要的噪声控制手段口⑵。

直升机气动噪声研究进展

直升机气动噪声研究进展

直升机气动噪声研究进展陈平剑;仲唯贵;段广战【摘要】The status and progress in helicopter aero-acoustic technology is presented,inclu-ding test technology,analysis method and rotor noise control technology.The advanced test technologies such as unsteady pressure measurement,flow field visualization and noise source lo-calization,have been implemented in the acoustic wind tunnel test of rotor noise,which is the es-sential instrument for helicopter aero-acoustic research.Flight test of helicopter aero-acoustic measurements has become a necessary technique in the programs of helicopter noise certification and helicopter noise reduction investigation.With the development of helicopter aero-acoustic noise analysis method,many software tools for rotor noise prediction have been developed and applied in the helicopter design and noise reduction research,based on the solutions of the FW-H equation and Kirchhoff equation.Low noise blade tip is the primary and effective method for heli-copter noise control,and is used widely in helicopter design.Moreover,new technologies such as noise abatement operation and active rotor noise control have been validated by flight test,but have not been used in helicopter design get.Initiated by the demands to design environmentally compatible helicopter,both societies of industry and academia will devote more effort in helicop-ter aero-acoustic technology research.%对直升机气动噪声的研究进展进行了综述,内容包括试验技术、理论分析方法和噪声抑制技术。

Bellhop模型在水声网络仿真中的实现和应用

Bellhop模型在水声网络仿真中的实现和应用

Bellhop 模型在水声网络仿真中的实现和应用刘奇佩 1, 刘 琨 2, 罗逸豪 1, 吴鑫莹 3*, 周河宇1(1. 中国船舶集团有限公司 第710研究所, 湖北 宜昌, 443003; 2. 国家计算机网络应急技术处理协调中心 黑龙江分中心, 黑龙江 哈尔滨, 150001; 3. 华东理工大学 艺术设计与传媒学院, 上海, 200030)摘 要: 随着水声技术的发展, 水声网络(UANs)因其在海洋监视、灾害预警和海洋安全等领域的表现而备受关注。

水声信道是影响UANs 性能的重要因素之一, 其复杂特性直接影响着UANs 相关协议的前期设计和评估, 对于协议走向实际应用至关重要。

有别于传统理论模型, Bellhop 水声信道模型通过跟踪射线计算海洋声场, 提供了一种更准确的获得不同海洋环境下信道特性的方法, 但该方法不能直接用于网络仿真。

针对此,文中在目前主流的网络仿真平台NS3上构建了基于Bellhop 的水声信道模型, 将高斯射线模型用于水声网络仿真。

对比结果表明, 该模型能够有效仿真声信号在水下的传播特性, 可为实际UANs 协议开发提供参考。

关键词: 水声网络; 信道模型; Bellhop; NS3中图分类号: TJ630.34; U674.76 文献标识码: A 文章编号: 2096-3920(2024)01-0124-06DOI: 10.11993/j.issn.2096-3920.2023-0015Implementation and Application of Bellhop Model in Underwater AcousticNetwork SimulationLIU Qipei 1, LIU Kun 2, LUO Yihao 1, WU Xinying 3*, ZHOU Heyu1(1. The 710 Research Institute, China State Shipbuilding Corporation Limited, Yichang 443003, China; 2. Heilongjiang Branch of National Computer Network Emergency Technology Processing and Coordination Center, Harbin 1500011, China; 3. School of Art Design and Media, East China University of Science and Technology, Shanghai 200030, China)Abstract: With the development of underwater acoustic technology, underwater acoustic networks(UANs) have attracted much attention due to their performance in marine surveillance, disaster warning, and ocean security. The underwater acoustic channel is a crucial factor affecting the performance of UANs, and its complexity directly affects the pre-design and evaluation of UAN-related protocols, which is crucial to the practical application of protocols. Unlike traditional theoretical models, the Bellhop underwater acoustic channel model provides a more accurate method to obtain channel characteristics under different oceanic environments by calculating their acoustic fields via ray tracing. However, it cannot be directly applied to network simulation. This paper implemented a Bellhop underwater acoustic channel model based on NS3, the current most popular network simulation platform, and applied the Gaussian ray model to UAN simulation. The comparison results show that the model can effectively simulate the underwater propagation characteristics of acoustic signals and provide a reference for practical UAN-related protocol development.Keywords: underwater acoustic networks; channel model; Bellhop; NS3收稿日期: 2023-02-20; 修回日期: 2023-05-10.作者简介: 刘奇佩(1988-), 男, 博士, 工程师, 主要研究方向为水声网络技术及水声信号处理.* 通信作者简介: 吴鑫莹(1989-), 女, 博士, 讲师, 主要研究方向为计算美学和智能算法.第 32 卷第 1 期水下无人系统学报Vol.32 N o.12024 年 2 月JOURNAL OF UNMANNED UNDERSEA SYSTEMS Feb. 2024[引用格式] 刘奇佩, 刘琨, 罗逸豪, 等. Bellhop 模型在水声网络仿真中的实现和应用[J]. 水下无人系统学报, 2024, 32(1): 124-129.0 引言水声网络(underwater acoustic networks, UANs)可以用于海洋资源探索、辅助导航、自然灾害预警以及海域监控等多个领域[1-5], 在军事和民用方面表现出巨大潜力, 近年来受到各国研究人员的广泛关注。

鸟声在生态学研究中的应用

鸟声在生态学研究中的应用

and so on…
声音分析 - 分析方法
语图:结构+频率和时间参数
回放实验
声音分析 - 分析方法 - 语图结构
Element(音素)
Element group(音节): Fixed group of two or more different element types.
Verse(句子): Separated by pauses
NATURE|29 January 2009 The first evidence of within-species dialects among neotropical primates has beห้องสมุดไป่ตู้n revealed. recorded the vocal patterns of adult pygmy marmosets (Callithrix pygmaea) from 14 groups found in five geographically distinct regions researchers discovered consistent structural differences in calls between regions.
Potter, Science, 1945, 102, 463-470.
Introduction
Bird song research are focus on
Development of Song in the Individual The Syrinx: Organ of Vocal Production Brain Mechanisms and the Vocal Control System Bird Song as a Communication System Evolution of Song and of Vocal Learning Systemic Taxon Individual Identification

访问学者专家推荐信模板

访问学者专家推荐信模板

竭诚为您提供优质文档/双击可除访问学者专家推荐信模板篇一:访问学者推荐信范文英文模版访问学者推荐信范文英文模版厚谱教育:访问学者申请领跑者nov.30,19xxprattInstituteofficeofgraduateAdmissions200willoughbyAvenuebrooklyn,nY11205Towhomitmayconcern:Iampleasedtorecommendmr.x,anexcellentgraduatefromou rdepartment,intoyourgroup.Ihaveknownhimsince1996andhehasworkedinourLabofxxxatxxxuniversityfor3years.mr.xisoneofthebeststudentsin ourdepartment,heisbothdiligentandindependent,intell igentandfast-learning.whatimpressedmemost,ishiswork ingattitudeandability.Duringtheyearsinourlab,hewasmainlyresponsibleforthe interiordesignandacousticmodeltestofxxxTheater.Asas tudentmajoredinarchitecture,helackedtheskillsofsuch physicalexperimentatfirst.butIfoundthatassoonashewa sassignedthistask,hebegantostudyassiduouslyforrelev antknowledgeandreadmanyreferences.Thushemasteredthe skilloftheexperimentinashorttimeandcaneveninstallan ddebugthewholesetofequipmenthimself.Theseequipmenti ncludedsomesophisticatedacousticinstrumentsanddatap rocessingprograms.Inthespringof1998,hisinstructor,alsohisexperimentdi rector,hadtogotoJapanforacademicevent.Inthenexthalf year,hefinishedthewholeexperimentindependently,incl udingthereverberationtimemeasurementandthepulseresponsemeasurement.Theresultwassoonusedtodirecttheinteriord esignofthetheater.Alsoshouldbementionedisthatfromth ebeginningoftheexperiment,hetookpartinitenthusiasti callyandpositively.hehelpedthelayoutofthemodelandma demorethan400exquisitemodelchairsbyhand.Allthesecle arlydemonstratethathehastheabilityofsolvingproblems effectively,workingindependentlyandhasorganizedmann erinapproachingproblems.mr.xisastudenteagertolearn.Inordertoacquiremoreknow ledge,hebegantostudyJapanese,formanyarchitectureboo ksandjournalsarepublishedinJapan.Inoneyear,hepassed thelevel3oftheJapaneseLanguageproficiencyTestwithah ighscore.RecentlyIheardthathehasalsogotexcellentrec ordingRetest.Ibelievethathewouldhavenotroubleinstud yingabroad.whenhetoldmehewasplanningforfurtherresearchinu.s.A, Iencouragedhim.histalentandabilitywouldensurehimtod ooutstandingworks.Icanstateunequivocallythathewillb ewellqualifiedforgraduatestudiesinyourgroup.Iwouldappreciateitifyoucouldgivehimyourfavorableconsideration.sincerely篇二:访问学者推荐信访问学者推荐信范文英文模版厚谱教育:访问学者申请领跑者nov.30,19xxprattinstituteofficeofgraduateadmissions 200willoughbyavenuebrooklyn,ny11205towhomitmayconce rn:ihaveknownhimsince1996andhehasworkedinourlabofxx xatxxxuniversityfor3years.mr.xisoneofthebeststudentsinourdepartment ,heisbothdiligentandindependent,intelligentandfast-learning.whatimpr essedmemost,ishisworkingattitudeandability.duringtheyearsinourlab,h ewasmainlyresponsiblefortheinteriordesignandacousticmodeltestofxxxtheater.asastudentmajoredi narchitecture,helackedtheskillsofsuchphysicalexperimentatfirst.butifoundt hatassoonashewasassignedthistask,hebegantostudyassiduouslyforreleva ntknowledgeandreadmanyreferences.thushemasteredtheskilloftheexperimen tinashorttimeandcaneveninstallanddebugthewholesetofequipmenthimself .theseequipmentincludedsomesophisticatedacousticinstrumentsanddata processingprograms.inthespringof1998,hisinstructor ,alsohisexperimentdirector,hadtogotojapanforacademicevent.inthenexthalfyear,hefinishe dthewholeexperimentindependently,includingthereverberationtimemeasurem entandthepulseresponsemeasurement.theresultwassoonusedtodirecttheinteriordesignofthetheater.al soshouldbementionedisthatfromthebeginningoftheexperiment,hetookpartini tenthusiasticallyandpositively.hehelpedthelayoutofthemodelandmademor ethan400exquisitemodelchairsbyhand.alltheseclearlydemonstratethatheh astheabilityofsolvingproblemseffectively,workingindependentlyandhasorgan izedmannerinapproachingproblems.mr.xisastudenteagertolearn.inordertoacqui remoreknowledge,hebegantostudyjapanese,formanyarchitecturebooksandjournals arepublishedinjapan.inoneyear,hepassedthelevel3ofthejapaneselanguageproficiencytestwithahighscore.recentlyiheardthathehasalsogotexcellentr ecordingretest.ibelievethathewouldhavenotroubleinstudyingabroad.w henhetoldmehewasplanningforfurtherresearchinu.s.a,i encouragedhim.histalentandabilitywouldensurehimtodooutstandingwor ks.icanstateunequivocallythathewillbewellqualifiedforgraduatest udiesinyourgroup.iwouldappreciateitifyoucouldgivehimyourfavorablecons ideration.sincerely篇二:出国留学推荐信范例(巨经典!)推荐信范例大多数学校都要求申请人提供二至三封推荐信。

Research Research and Teaching Statement

Research Research and Teaching Statement

Research and Teaching StatementLewis D.GirodDecember,2005ResearchMy research interests are focused on embedded sensor and actuator networks.These sys-tems have much in common with previous work in networking and distributed systems,but their applications motivate different design choices.Whereas traditional distributed sys-tems applications tend to be virtual and tend to emphasize network transparency,embedded sensor systems are tied to the physical world,both by their embedded nature and by their application.Coupling the system and the application to the physical world opens up a rich new application space in which results from manyfields may be applied,including distributed systems,signal processing,control systems,and robotics.In my initial exploration of this space,I have found that physical coupling has a broad impact on the way these results are applied and adapted:for example,a physically coupled system is concerned about spatial neighbors in addition to network neighbors.Through the development and study of new applications,I will characterize and abstract the new principles and primitives that enable robust embedded sensor systems to scale andflourish.In my vision these systems engender a future world in which active man–made systems form a ubiquitous part of the environment, tantamount to a new robotic ecology[1].In my research I propose a specific approach and a guiding principle:to approach this goal from a systems perspective,synthesizing results from signal processing,robotics,networks and distributed systems,with the guiding principle never to stray far from experiments grounded in reality.Retaining a grounding in experimentation ensures a focus on solving real problems.A systems approach to this vision explicitly acknowledges that the complexity of our target system implies that environmental changes and hardware or software component failures will be the common case.I hope to realize this vision by applying robotics and signal processing results within a resilient system design informed by networking and distributed systems design principles.Ultimately I believe that while simple solutions make good demos, properties of resilience are pre–requisite to our vision of ubiquity,in order to survive exposure to a broad array of environmental conditions and states of system health.In the culmination of my Ph.D.research,I developed an initial instantiation of this vision in Acoustic ENSBox1,a self–calibrating distributed acoustic array system.In this system, 1ENSBox stands for Embedded Networked Sensing Box,a generic platform for ENS applications.the sensor nodes autonomously coordinate to calibrate their relative positions and orien-tations by emitting calibration signals into the environment and detecting those signals at neighboring nodes.These nodes implement a distributed feedback system based on a dis-tributed systems approach,adapting to broadly varying environmental conditions,changing system membership,and failures of nodes,components,communications links,and software.Acoustic ENSBox has many of the properties of the systems I wish to study:each node implements considerable signal processing locally and shares only summary information with neighbors,and the system collectively computes a consistent system map,via a multi–hop ad–hoc wireless network.However,with Acoustic ENSBox as a platform I can continue to push farther toward this vision,developing applications that perform complex tasks grounded in the physical world.For example,an autonomous,rapidly deployable perimeter security ap-plication might combine coordinated acoustic sensors,cameras,PIR sensors,limited–motion actuators and fully autonomous robots,all integrated into a distributed system performing a specific task.Such a system has immediate commercial application,for example as an inexpensive way to provide24–hour security to construction sites or event sites,as well as military and police applications.I plan to investigate several key problems in this area.First,I plan to continue to seek out the common communications abstractions and models that best support these applications: to do for embedded sensing applications what sockets,TCP and the client–server model did for networking applications.My Ph.D.work explored the application of reliable multicast mechanisms to a specific application.After a few more applications exist,factoring out the right interface will be an interesting intellectual challenge.Second,I plan to consider the impact of disconnected operation and duty cycling on these communications primitives and on the systems themselves.As a rule,duty cycling is difficult to integrate into systems that are general–purpose.Most of the successful low–energy systems in use today are specialized,with a very simple scheme for duty cycling. By considering several distinct applications,I intend to learn more about how to implement duty cycling while retaining sufficient generality for a broad range of applications.Third,I plan to consider some problems of security,reliability,and assurance that arise in these types of system.Without some answer to these issues,it will be difficult for such systems to gain commercial acceptance.For example,users of these systems might want the system developer to offer quantified assurances about the system’s performance that define success and specify a probability of failure.However,because of the impact of a complex and dynamic environment,it is not yet clear how those assurances might be assessed.In summary,I have pursued this vision since beginning my Ph.D.in1998,focusing my primary efforts on developing collaborative localization systems with minimal deployment requirements,while keeping in mind this larger vision.Three years in industry from2000 to2003allowed me to better understand the commercial implications of this research,and have inspired me enhance the impact of my work by choosing interesting problems with clear applications.Along the way,I have invested a great deal of thought and effort in the underpinnings of embedded sensor systems,in order to build systems that could be tested in realistic conditions.Despite the effort involved in building a complete vertical application, the reward has been a deeper insight into the true requirements,and an invaluable under-standing of what problems most need to be solved.I plan to continue this strategy in my ongoing research.TeachingOne of the most rewarding aspects of an academic position is the opportunity to teach and interact with students.Whether or not they realize it,students have the freedom to explore and to think about problems in new ways.As teachers,we have the opportunity to guide students’discoveries,and learn a great deal in the process.I would be most interested in teaching classes in the area of systems such as networking,operating systems,and embedded systems,especially those classes with a strong lab component.Unquestionably my favorite aspect of teaching is in working with students individually as an advisor.In my tenure at UCLA I have been very active in giving advice and help to more junior graduate students,offering technical suggestions and ideas as well as helping them to refine and explain their projects.In many cases,I have been able to encourage students tofit their projects together to avoid overlap and increase the utility and power of their work.As a faculty member,I expect working with students to be one of the most rewarding aspects,both because it represents an opportunity to push forward research that I may not have time to explore,and because of the fresh ideas that the students will bring.A second aspect of teaching that I enjoy is the development of a well–designed course and associated materials.In my experience,I have learned a great deal about a subject in the process of organizing it for presentation.I also enjoy planning out homeworks,quizzes, and projects with care to eliminate busywork,errors and unnecessary confusion,allowing students to get right to the heart of the problems.This can be a time–consuming process and may require additional resources,but I believe that it vastly improves the student experience.A third aspect of teaching that interests me is an idea that I would like to explore on a much longer–term basis.In my experience in school and in industry,I have found that computer science curricula do not always teach the skills required to be a good programmer or development engineer.In my case,I found myself learning these skills not from coursework but by watching others and following their example,and from a hodgepodge of online opinion.I believe that CS curricula as currently designed do a good job of presenting the theory, models,and abstractions that underlie thefield,but fall short at teaching the practice of programming and development.One possible solution would be afifth–year practicum in which students work as an in-tern or apprentice,while taking coursework that is very focused on practical techniques.The development of the coursework itself would be a valuable contribution to the software and IT industries,because it would provide a focus for standardization of this practical knowledge. Today,this information is scattered among innumerable in–house and for–pay training semi-nars and certification programs,and often suffers from inconsistencies and religious disputes.Such a plan is not achievable quickly,but I believe that it would have a beneficial effect, both in the effectiveness and reliability of industrial work,and in the overall satisfaction of computer science students.References[1]Gregory Pottie and Rodney Brooks.Towards a robotic ecology.DARPA ISAT Study,1999.。

e听说2020精选试题a套

e听说2020精选试题a套

e听说2020精选试题a套阅读下列短文,从每题所给的四个选项(A、B、C和D)中,选出最佳选项。

About National Geographic Kids National Geographic Kids magazine offers a fresh new look for today's kids!Each issue(期)is jam-packed with great stories about wildlife,adventures,other kids,animals,sports,science,technology,wonderful places in the world,popular culture,and more cool stuff-all designed to keep kids reading,thinking,learning and having fun!For ages 6-12.Every edition of National Geographic Kids contains a superb combination of photos,fun facts,and articles presented in a cheery style,making it perfect for keeping kids'attention.Your children can explore ancient civilizations on one page,come face-to-face with overseas wildlife on another,and turn the next page to do projects,which are often perfect for homework.There are always plenty ofgross/interesting facts about animals that your children are certain to share with you,or they can turn to the page that gives them thelow-down on their favorite star.A gift subscription to National Geographic Kids is perfect for young readers,who are interested in the world around them.21.How will the MagazineLine staff deal with dissatisfied purchasers?A.Give a 100%cash refund firstB.Offer a 50%discount to them.C.Do everything to satisfy them.D.Allow them to cancel subscription.22.Which description is true about National Geographic Kids?A.It is a perfect gift for readers.B.It adds to kids'homework.C.It is cheaper to be bought on the newsstand.D.It refers to many fields.23.Who is the article mainly intended for?A.Children.B.Parents.C.Teachers.D.Managers.BLaura Sides was a psychology major at the University of Nottingham in 2004.She first noticed signs of her dad's developing dementia(痴呆)when she moved to Nottingham.She said,"Dad was a doctor,so he knew exactly what had happened to him,but people try to hide it when they are ill.Then,I came home for my 21st birthday and arranged to meet him,but he never showed up as he'd forgotten.That's when I knew something serious had happened."So,aged 21,she decided to leave university and look after him herself.She lived close by,popping in every day to make sure he was eating,and that the house was tidy,before heading off to her work.Besides challenging moments,there was a time when looking after her dad was a pure joy."We'd wake up,Ir d ask what he wanted to do that day,and however ridiculous the adventure is,off we'd go."Sadly,in 2009,5 years later,Laura lost her father.Before he died,Laura went to a hospital appointment with him,where doctors mentioned that his form of Alzheimer's disease was genetic meaning there was a fifty-fifty chance that she had inherited it.For several years Laura agonised over whether to be tested,finally finding out in August 2017 that she has the APP gene,meaning that,like him,she will develop the condition within a decade.At first,she struggled,feeling as if her life lacked purpose.Then,during a sleepless night in the summer of 2018,she decided at around 2 a.m.to enter the 2019 London Marathon sponsored by the charities Alzheimer's Society and Alzheimer's Research U.She hoped to start the conversation around early-onset Alzheimer's disease and to encourage people to talk about it more openly."I remember when Dad was ill,people wouldn't know how to react,but I want to be honest and open,"she added."The more information we can get,the less of a taboo(忌讳)we will feel.That said,the support I've received so far after going public has been amazing-that's what is carrying me through."ura noticed her father's dementia when.A.her father told her his condition in personB.people nearby informed her of his father's conditionC.her father forgot his own birthday partyD.her father forgot to attend her 21-year-old birthday party25.The underlined word"agonised"in Paragraph 4 probably means.A.excitedB.struggledC.shockedD.delightedura started the open talk in the hope of.A.getting people to talk about Alzheimer's disease openlyB.earning some money to help treat her Alzheimer's diseaseC.making herself stronger to fight against Alzheimer's diseaseD.raising funds for charities Alzheimer's Society and Alzheimer's disease Research UK27.Which words can best describe Laura?A.Caring and positive.B.Careful and honest.C.Patient and cautious.D.Devoted and modest.According to the International Union for Conservation of Nature,33 percent of coral reefs(册瑚礁)are in danger.One of the victims is the Great Barier Reef in Australia,the world's largest coral reef system.A team of British and Australian scientists banded and came up with a solution to revive one of the world's seven natural wonders.They used underwater loudspeakers to attract fishes to the dead coral reefs to help them restore.The groundbreaking process is known as"acoustic(声音的)enrichment".Loudspeakers are placed on patches of dead corals in the Great Barrier Reef.After careful observation,researchers discovered a favorable result-nearly twice as many fish arrived-and stayed,as compared to parts where there was no sound from speakers."Healthy coral reefs are remarkably noisy places-the crackle of snapping shrimp and the whoop of fish combine to form a biological soundscape.Young fish home in on these sounds when they re looking for a place to settle."said Professor Steve Simpson at the University of Exeter.Reefs become quiet when they are decarded(退化),as the shrimps and fish disappear."By using loudspeakers to restore this lost soundscape,we can attract young fish back again."Simpson added."Fish are crucial for coral reefs to function as healthy ecosystems..Boosting fish populations in this way could help kick-start natural recovery processes,counteracting(抵消)the damage we're seeing on many coral reefs around the world."he said.Despite this groundbreaking discovery,we still have our work cut out for the preservation of coral reefs.The average water temperatures are rising,and problems such as overfishing and pollution are still among the pressing issues at hand.Also,further research is still needed to understand how loudspeakers influence the behavior of aquatic(水中)creatures fully.Nevertheless,hope is still visible for the degraded coral reefs.The authors of the acoustic enrichment study remain to be optimistic in the power of music and sound to restore the reef's abundant marine population.28. How does "acoustic enrichment"function according to the text?A. By scaring the enemy of fishes.B. By making degraded reefs noisier.C. By appealing to young fishes.D. By making fishes multiply faster.29. What does Prof Simpson think of bringing fish back?A. It can help rebuild the coral reefs' ecosystem.B. It can benefit the other lives in the ocean.C. It can make the ocean noisier and cleaner.D. It can improve the food chains of the ocean.30. What can we infer from the last two paragraphs?A. The research has achieved a complete success.B. It is tough to restore the damaged coral reefs.C. Global winning is the biggest reason for reef victims.D. Music and sound benefit endangered animals.31. What is the text mainly about?A. The threats coral reefs face nowadaysB. The world's biggest coral reef systemC. Various reasons why corals are threatenedD.A novel approach to degraded coral reefsDClaude Monet,Pablo Picasso and Leonardo da Vinci..the art world has never lacked talent.And now,a new painter is ready to join the list,although this one isn't even human.Next month,auction house(拍卖行)Christie's Prints and Multiples will make history by offering the first piece of art created by artificial intelligence for sale.The painting is a portrait of a man called Edmond De Belamy.and is expected to be sold for up to $10,000(69,000 yuan).The work,which features a man with a mysterious look on his face,was created by software developed by the French art group ugero-Lasserre,an art colector from France,called the work"ridiculous and amazing at the same time".This isn'tthe first example of Al-produced artwork,as AI has already been used to write poems and compose songs.However,many people doubt whether it should be called art at all.According to Russian writer Leo T olstoy,art is about creating emotion.It's"a means of..卝oining people together in the same feelings",he once said.So,if the emotion behind art is what makes the art,the ability tocreate and use tools is what makes human beings different from other species.And as a tool itself,the AI technology used to create the portrait is the result of a lot of effort made by several designers.Together,they"fed"the AI a huge collection of paintings from the14th to the 18th centuries,until it was able to work out how to make similar paintings of its own.The introduction of AI art could be the beginning of a new artistic movement.However,not everyone is ready to welcome these high-tech artists just yet.32.Why are Monet,Picasso and da Vinci mentioned at the beginning of the passage?A.To list world famous talented artists.B.To introduce a new painter as great as them.C.To show the prosperity of the art world.D.To highlight the inhuman painter by contrast.33.Why does the painting mentioned in Paragraph 2 gain special concern?A.It's the first Al-produced artwork for sale.B.It'll be auctioned in a famous auction house.C.It's the portrait of a man with mysterious look.D.Its auction price is expected to be the highest.34.Which of the following statement may Leo Tolstoy agree with?A.AI technology is a tool for artistic creation.B.AI is taught to express human emotions in art.C.AI copied paintings of the14th-18th centuries.D.AI art joins people together in the same feelings.35.What might be the future of the new artistic movement?A.Popular.B.Unclear.C.Predictable.D.Unacceptable.。

BELLHOP模型

BELLHOP模型

BELLHOP模型The BELLHOP Manual and User’s Guide: PRELIMINARY DRAFTMichael B.PorterHeat,Light,and Sound Research,Inc.La Jolla,CA,USAJanuary31,2011AbstractBELLHOP is a beam tracing model for predicting acoustic pres-sure?elds in ocean environments.The beam tracing structure leads to a particularly simple algorithm.Several types of beams are imple-mented including Gaussian and hat-shaped beams,with both geomet-ric and physics-based spreading laws.BELLHOP can produce a vari-ety of useful outputs including transmission loss,eigenrays,arrivals, and received time-series.It allows for range-dependence in the top and bottom boundaries(altimetry and bathymetry),as well as in the sound speed pro?le.Additional input?les allow the speci?cation of directional sources as well as geoacoustic properties for the bounding media.Top and bottom re?ection coe?cients may also be provided. BELLHOP is implemented in Fortran,Matlab,and Python and used on multiple platforms(Mac,Windows,and Linux).This report describes the code and illustrates its use.12Contents1Map of the BELLHOP program51.1Input (5)1.2Output (5)2Sound speed pro?le and ray trace9 3Eigenray plots17 4Transmission Loss214.1Coherent,Semicoherent,and Incoherent TL (25)5Directional Sources27 6Range-dependent Boundaries316.1Piecewise-Linear Boundaries:Dickins seamount (31)6.2Plotting a single beam (34)6.3Curvilinear Boundaries:Parabolic Bottom (35)7Tabulated Re?ection Coe?cients39 8Range-dependent Sound Speed Pro?les41 9Arrivals calculations and broadband results459.1Coherent and Incoherent TL (45)9.2Plotting the impulse response (51)9.3Generating a receiver timeseries (53)10Acknowledgments57341Map of the BELLHOP program1.1InputThe overall structure of BELLHOP is shown in Fig.(1).Various?les must be provided to describe the environment and thegeometry of sources and receivers.In the simplest case,which is also typical,there is only one such ?le.It is referred to as an environmental?le and includes the sound speed pro?le,as well as information about the ocean bottom.However,if there is a range-dependent bottom,then one must add a bathymetry?le with range-depth pairs de?ning the water depth.Similarly,if there is a range-dependent ocean sound speed,the one must an an SSP?le with the sound speed tabulated on a regular grid.Further,if one wants to specify an ar-bitrary bottom re?ection coe?cient to characterize the bottom,then one must provide a bottom re?ection coe?cient?le with angle-re?ection coe?-cient pairs de?ning the re?ectivity.Similar capabilities are implemented for the surface.Thus there is the option of providing a top re?ection coe?cient and a top shape(called an altimetry?le).Usually one assumes the acoustic source is omni-directional;however,if there is a source beampattern,then one must provide a source beam pattern ?le with angle-amplitude pairs de?ning it.BELLHOP reads these?les depending on options selected within the main environmental?le.Plot programs(plotssp,plotbty,plotbrc,etc.)are provided to display each of the input?les.1.2OutputBELLHOP produces di?erent output?les depending on the options selected within the main environmental?le.Usually one starts with a ray tracing option,which produces a?le con-taining a fan of rays emanating from the source.If the eigenray option is selected,then the fan is winnowed to include only the rays that bracket a speci?ed receiver location.The?le format is identical to that used in the standard ray-tracing option.Ray?les are usually used to get a sense of how energy is propagating in the channel.The program plotray is used to display these?les.Usually one is interested in calculating the transmission loss for a tonal source(or for a single tone of interest in a broadband waveform).The transmission loss is essentially the sound intensity due to a source of unit strength.The transmission loss information is written to a shade?le which5plotrayplotshdplottlrplotarrsource timeseries generatorplotts plotsspplotbtyplotbrcplotssp2DFigure1:BELLHOP structure.6can be displayed as a2D surface using plotshd,or in range and depth slices, using plottlr and plottld respectively.If one wants to get not just the intensity due to a tonal source,but the entire timeseries then one selects an arrivals calculation.The resulting arrivals?le contains amplitude-delay pairs de?ning the loudness and delay for every echo in the channel.This information can be plotted using plotarr to show the echo pattern.Alternatively it can be passed to a convolver, which sums up the echoes of a particular source timeseries to produce a receiver timeseries.The program plotts can be used to plot either the source or receiver timeseries.782Sound speed pro?le and ray traceAs a?rst example,we consider a deep water case with the Munk sound speed pro?/doc/91863823bcd126fff7050b0f.html ually one should start by plotting the sound speed pro?le and doing a ray trace.The input?le(also called an environmental?le)isa simple text?le created using any standard text editor and must have a’.env’extension.It is usually easiest to start from one of the example?les.Here we consider at/tests/Munk/MunkB ray.env:MunkB ray.env1’Munk profile’!TITLE250.0!FREQ(Hz)31!NMEDIA4’SVF’!SSPOPT(Analytic or C-linear interpolation) 5510.05000.0!DEPTH of bottom(m)60.01548.52/7200.01530.29/8250.01526.69/9400.01517.78/10600.01509.49/11800.01504.30/121000.01501.38/131200.01500.14/141400.01500.12/151600.01501.02/161800.01502.57/172000.01504.62/182200.01507.02/192400.01509.69/202600.01512.55/212800.01515.56/223000.01518.67/233200.01521.85/243400.01525.10/253600.01528.38/263800.01531.70/274000.01535.04/284200.01538.39/294400.01541.76/304600.01545.14/314800.01548.52/325000.01551.91/33’A’0.0345000.01600.000.01.0/351!NSD361000.0/!SD(1:NSD)(m)3751!NRD380.05000.0/!RD(1:NRD)(m)9391001!NR400.0100.0/!R(1:NR)(km)41’R’!’R/C/I/S’4241!NBeams43-20.020.0/!ALPHA1,2(degrees)440.05500.0101.0!STEP(m),ZBOX(m),RBOX(km) The input?le is read using list-directed i/o,so the data does not need to be precisely positioned on each line.As a convenience we also append comments,preceded by’!’.These are optional and are not read by the program.The source frequency(line2)is not terribly important for the basic ray trace.The rays are frequency independent;however,the frequency can have an impact on the ray step size,since the code assumes more accurate ray trajectories will be needed at higher frequencies.NMedia(line3)is always set to one in BELLHOP.This parameter is included for compatibility with other models in the Acoustics Toolbox,which are capable of handling multi-layered problems.The top option(line4)is next specifed as‘SVF’indicating that a spline ?t should be used to interpolate the sound speed pro? le;that the ocean sur-face is modeled as a vacuum;and that all attenuation values are speci?ed in dB/mkHz.We chose the spline?t here knowing that the pro?le is smoothly varying.In such cases,the spline?t produces smoother looking ray trace plots.The only important parameter in the next line(5)is the bottom depth (5000m),which indicates the last line that needs to be read in the sound speed pro?le.The?rst two parameters are not used by BELLHOP.Next we see a sequence of depth-soundspeed pairs de?ning the ocean soundspeed pro?le.The last value in the soundspeed pro?le must start with the previously speci?ed value for the bottom depth.To ensure compatibility with the other models in the Acoustics Toolbox,we normally terminate each line with a’/’.The other models are expecting attenuations,shear speeds, and a density as additional parameters and the’/’tells them to stop reading the line and use default values.Next we have two lines specifying the bottom boundary.The option letter‘A’indicates that the bottom is to be modeled as an Acousto-Elastic halfspace.The lines following specify that halfspace as having a sound speed of1500m/s and unitdensity(which is not very realistic).The next6lines specify the source depths,receiver depths,and receiver ranges.Depths are always speci?ed in meters and ranges in kilometers.10For our?rst run,we are producing a ray trace so the receiver locations are irrelevant;however,they do need to be provided.Note also that51 receiver depths have been speci?ed.Often the user simply wants a uniform distribution of receiver depths to display the acoustic?eld.To avoid forcing the user to type in all those numbers one has the option of simply putting in the?rst and last values and terminating the line with a’/’.The code detects the premature termination and then produces a full set of receivers by interpolation.The sources and receivers must lie within the interior of the waveguide.The choice of units is motivated by typical ocean acoustic scenarios. However,fundamentally the code is simply solving the wave equation so any self-consistent set of units could be used.Next is the RunType(line41).For a raytrace run,we select option‘R’. The following lines then specify the fan that will be used,given as a number of rays,together with the angular limits in degrees.We follow a convention that the angles are speci? ed in declination,i.e.zero degrees is a horizontally launched ray,and a positive angle is a ray launched towards the bottom. For a ray trace run,the plot usually becomes too cluttered if we use more than about50rays.This is a matter oftaste.Likewise,the angular limits are determined by what part of the?eld the user is interested in seeing.The last line(44)speci?es the step size in meters used to trace a ray, along with the depth and range of a box beyond which no rays are traced. Usually,a step size of0should be selected and then BELLHOP will make an automatic selection of about a tenth of the water depth.Regardless of what step size is selected,BELLHOP dynamically adjusts the step size as the ray is traced,to ensure that each ray lands precisely on all depths where a sound speed is given.Thus,the sound speed pro?le itself usually controls the ray step size.If you provide more sound speed points than are necessary, BELLHOP will similarly run slower.On the other hand,for a given sampling of the sound speed pro?le,you may be able to obtain a more accurate ray trace by specifying a step size that is smaller than the default value.Now that the input?le has been created,we can start by plotting the soundspeed pro?le,using the Matlab routineplotssp.m.The syntax of the Matlab command to run this is:plotssp’MunkB ray’where’MunkB ray.env’is the name of the BELLHOP input?le.This pro-duces the plot in Fig.(2).1115001510152015301540155015600500100015002000250030003500400045005000Sound Speed (m/s)D e p t h (m )Figure 2:The Munk sound speed pro?le.We started ?rst with the sound speed pro?le plot,to introduce the sce-nario in a logical fashion.However,in practice it is recommended to do a trial BELLHOP run on the input ?le ?rst.BELLHOP will produce a print ?le as show below,which echoes the input data in a clear format.In addition,it will stop at the ?rst place it encounters something unintelligible.Thus,by examining the print ?le one can usually see clearly any formatting errors.MunkB ray.prt1BELLHOP-Munkprofile 2frequency =50.00Hz34Dummy parameter NMedia =156SPLINE approximation to SSP7Attenuation units:dB/mkHz 8VACUUM 910Depth = 5000.0000000000000m1112Spline SSP option 1314Sound speed profile: 150.001548.5216200.001530.2917250.001526.6918 400.001517.781219600.001509.4920800.001504.30211000.001501.38221200.001500.14231400.001500.12241600.001501.02251800.001502.57262000.001504.62272200.001507.02282400.001509.69292600.001512.55302800.001515.56313000.001518.67323200.001521.85333400.001525.10343600.001528.38353800.001531.70364000.001535.04374200.001538.39384400.001541.76394600.001545.14404800.001548.52415000.001551.914243(RMS roughness=0.00)44ACOUSTO-ELASTIC half-space455000.001600.000.00 1.000.00000.0000 4647Number of sources=148Source depths(m)491000.005051Number of receivers=5152Receiver depths(m)530.00000100.000200.000300.000400.000 54500.000600.000700.000800.000900.000 551000.001100.001200.001300.001400.00 561500.001600.001700.001800.001900.00 572000.002100.002200.002300.002400.00 582500.002600.002700.002800.002900.00 593000.003100.003200.003300.003400.00 603500.003600.003700.003800.003900.00 614000.004100.004200.004300.004400.00 624500.004600.004700.004800.004900.00 635000.00 6465Number of ranges=100166Receiver ranges(km)670.000000.1000000.2000000.3000000.40000013680.5000000.6000000.7000000.8000000.90000069 1.00000 1.10000 1.20000 1.30000 1.4000070 1.50000 1.60000 1.70000 1.80000 1.9000071 2.00000 2.10000 2.20000 2.30000 2.4000072 2.50000 2.60000 2.70000 2.80000 2.9000073 3.00000 3.10000 3.20000 3.30000 3.4000074 3.50000 3.60000 3.70000 3.80000 3.9000075 4.00000 4.10000 4.20000 4.30000 4.4000076 4.50000 4.60000 4.70000 4.80000 4.9000077 5.0000078...100.0000007980Ray trace run81Geometric beams82Point source(cylindrical coordinates)83Rectilinear receiver grid:Receivers at rr(:)x rd(:)8485Number of beams=4186Beam take-off angles(degrees)87-20.0000-19.0000-18.0000-17.0000-16.000088-15.0000-14.0000-13.0000-12.0000-11.000089-10.0000-9.00000-8.00000-7.00000-6.0000090-5.00000-4.00000-3.00000-2.00000-1.00000910.00000 1.00000 2.00000 3.00000 4.0000092 5.00000 6.000007.000008.000009.000009310.000011.000012.000013.000014.00009415.000016.000017.000018.000019.00009520.00009697Step length,deltas=500.00000000000000m9899Maximum ray Depth,zBox=5500.0000000000000m100Maximum ray range,rBox=101000.00000000000m101No beam shift in effect102103104105CPU Time=0.781E-01sThe Matlab command to run BELLHOP is:bellhop’MunkB ray’where’MunkB ray.env’is the name of the input?le.Assuming a successful completion,BELLHOP produces a print-?le called’MunkB ray.prt’and a ray?le called’MunkB ray.ray’.One should carefully examine the print?le to verify that the problem was set up as intended and that BELLHOP ran to14012345678910x 1040500100015002000250030003500400045005000Range (m)D e p t h (m )BELLHOP? Munk profileFigure 3:Ray trace for the Munk sound speed pro?le.completion.The latter can be veri?ed by checking that there are no error messages in the print ?le,and that the last line of the print ?le shows the CPU time used.The next step is to plot the rays using the Matlab command:plotray ’MunkB ray’This produces the plot in Fig.(3).Notice that the range axis is in me-ters.If kilometers are preferred,then one simply sets the global Matlab variable:units =’km’The rays have are plotted using di?erent colors depending on whether the ray hits one or both boundaries.The number of surface and bottom bounces are written to the ray ?le so it is simple to modify plotray to color code the rays in whatever way best illustrates the propagation physics.15163Eigenray plotsBELLHOP can also produce eigenray plots showing just the rays that con-nect the source to a receiver.To do this,one simply changes the RunType to‘E’.However,to run this reliably one should understand the way this is implemented.The code does exactly the same computation as is done for a regular ray trace;however,it only saves the rays to the ray?le,whose as-sociated beams makes a contribution to the speci?ed receiver points.There are many implications in this statement.First,one should be aware of which beam type is used.For a true eigenray calculation one should use the default beam,which has a beamwidth de?ned by the ray tube formed by adjacent rays.We call that a geometric beam.The default beam also has a hat-shape in the traditional?nite element style,so that it vanishes outside the neighboring rays of the central ray of thebeam.Other beam types,such as the Cerveny,Popov,Psencik beams are generally much broader beams,and so one would get lots of additional rays that pass at greater distances from the receiver.When we use the default beam type,the rays that are written will be only the bracketing rays for the receiver location.Second,one typically needs to use a much?ner fan.For instance,if one used41rays as we did in the previous example,then the rays are quite spread out at long ranges.Then when we save the bracketing rays,they may still miss the receiver location by a wide margin.For this example,we therefore increase the number of rays to5001.The more rays used,the more precise the eigenray calculation will be.However,the run time will increase accordingly.Finally,one should generally do an eigenray calculation with just a single source and receiver.Otherwise,the resulting ray plot would be too cluttered.The input?le MunkB eigenray.env with these changes is shown below.The eigenrays are plotted using the usual plotray command,yielding the plot in Fig.(4).MunkB eigenray.env1’Munk profile’!TITLE250.0!FREQ(Hz)31!NMEDIA4’CVF’!SSPOPT(Analytic or C-linear interpolation) 5510.05000.0!DEPTH of bottom(m)60.01548.52/7200.01530.29/8250.01526.69/9400.01517.78/10600.01509.49/11800.01504.30/17121000.01501.38/131200.01500.14/141400.01500.12/151600.01501.02/161800.01502.57/172000.01504.62/182200.01507.02/192400.01509.69/202600.01512.55/212800.01515.56/223000.01518.67/233200.01521.85/243400.01525.10/253600.01528.38/263800.01531.70/274000.01535.04/284200.01538.39/294400.01541.76/304600.01545.14/314800.01548.52/325000.01551.91/33’A’0.0345000.01600.000.01.0/351!NSD361000.0/!SD(1:NSD)(m)371!NRD38800.0/!RD(1:NRD)(m)391!NR40100.0/!R(1:NR)(km)41’E’!’R/C/I/S’425001!NBeams43-25.025.0/!ALPHA1,2(degrees)440.05500.0101.0!STEP(m),ZBOX(m),RBOX(km) 18012345678910x 104 0500100015002000250030003500400045005000 Range (m)D e p t h (m )BELLHOP? Munk profileFigure 4:Eigenrays for the Munk sound speed pro?le with the source at 1000m and the receiver at 800m. 19。

  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

By Way of Introduction Cells in AI are well characterized their spectrotemporal response field (STRF)...
X
...or equivalently, in the Fourier domain, by the ripple transfer function (TF).
Additional Examples
Raw Estimate
8
1st Quadrant-Separable Component
Independent Meaurement using Single Ripples
.25 0 4
f (kHz)
250
0
25 0
0
250
.125 0 8
250
0
250
0
5 octaves
250 ms 100
R(t)
(spikes/ sec) 0 -Байду номын сангаас00 250 ms

0.6
The stimuli shown here contain ripples which cover the same range of ripple velocities, but at different ripple frequencies.
Institute for Systems Research Department of Electrical Engineering University of Maryland
1
Supported in part by a MURI grant from the Office of Naval Research, a grant from the National Institute on Deafness and Other Communication Disorders and a grant from the National Science Foundation
Singular Value Decomposition (SVD) for Evaluation of Separability and for Noise Reduction
• If a quadrant of the transfer function is separable, every row is a scaled version of every other row. Such a matrix is said to have a rank of one. • Singular Value Decomposition (SVD) can be used to estimate the rank of a matrix corrupted by noise. It decomposes the matrix into a sum of rank one (separable) matrices, ordered by their overall magnitudes. The first k components sum to a matrix of rank k which minimizes the power of the remaining components. • We apply SVD to each quadrant of the transfer function.
Raw Estimate
x
1st Quadrant-separable Component
2nd
3rd
t Ω
=
+
+
+ ...
w
Without prior assumptions, SVD indicates that a large majority of STRFs in AI are quadrant separable. This finding is further supported by the similarity between the first separable component and the STRF measured with a single-ripple method, for which quadrant separability had been assumed.
w
Center for Auditory and Acoustic Research
-25 0
25
w
Institute for Systems Research University of Maryland
Fully Separable STRF
x = log f/fo Q2
|TF(w,Ω)|

Q1
Center for Auditory and Acoustic Research
Institute for Systems Research University of Maryland
Below, STRFs corresponding to the three most significant quadrantseparable components, derived from SVD, are shown.
The response to an arbitrary sound is predicted by the convolution of the STRF with the stimulus’ spectro-temporal envelope, plus a constant. 1 ^ R(t) = X S(t, x)
x (octaves)
0 5
t (ms)
250
Ω (cycles/octave) Ω (cycles/octave)
0.6
0.5
0
-10
10
0.2
-0.5
w (Hz)
-12
-4
4
w (Hz)
12
Temporally Orthogonal Ripple Combinations (TORCs)
TORCs are composed only of ripples with different modulation rates. This allows us to obtain clean STRF estimates with relatively brief stimulation. S(t,x)
Linear and Non-Linear Responses to Dynamic Broad-Band Spectra in Primary Auditory Cortex
D. J. Klein 1,2 S. A. Shamma J. Z. Simon1 1 D. A. Depireux
2
1,2
Singular Value Number
• SVD naturally separates the signal and noise components of a matrix. Typically, large jumps in the singular values indicate where the separation occurs. Noise is removed by discarding the lowermagnitude components.
x Raw STRF estimate
Q2

Q1
t
1 1
w
Fraction of total power
0.75
Q2
0.75
Q1
Independent “bootstrap” estimate of noise power
0.5
0.5
0.25
0.25
0
1
2
3
4
5
6
7
8
9 10
0
1
2
3
4
5
6
7
8
9 10
250
.25 0 4
250
0
250
0
250
.125 0
250
0
250
0
250
Center for Auditory and Acoustic Research
Institute for Systems Research University of Maryland
Predicting Responses from STRF
Center for Auditory and Acoustic Research
Institute for Systems Research University of Maryland
Moving Ripples
Moving ripples form our basis for the Fourier-domain description of dynamic spectra. At any time t and any frequency x, their amplitude S(t,x) is given by: S(t,x)= sin[2πwt + 2πΩx + φ] w = ripple velocity, modulation rate Ω = ripple frequency, spectral-peak density x = log2[f / f0]
4k Hz
RF(x)
125 Hz 0
Q1 Q2
w
IR(t)
250 ms
t
The STRF and TF are a product of a single spectral response function with a single temporal response function.
相关文档
最新文档