Modern architecture Introduction
建筑英文介绍带翻译
建筑英文介绍带翻译Introduction to Architecture 建筑英文介绍。
Architecture is the art and science of designing and constructing buildings and other physical structures. It involves the use of materials, technology, and design principles to create functional and aesthetically pleasing spaces that meet the needs of people.建筑是设计和建造建筑物和其他物理结构的艺术和科学。
它涉及使用材料、技术和设计原则来创建功能和美观的空间，满足人们的需求。
The history of architecture can be traced back to ancient civilizations such as Egypt, Greece, and Rome, where impressive structures such as the Pyramids, the Parthenon, and the Colosseum were built. These structures were not only functional but also served as symbols of power and wealth.建筑的历史可以追溯到古代文明，如埃及、希腊和罗马，那里建造了令人印象深刻的建筑物，如金字塔、巴特农神庙和斗兽场。
这些建筑不仅具有功能性，还作为权力和财富的象征。
As time passed, architecture evolved and new styles emerged. In the Middle Ages, Gothic architecture emerged with its pointed arches, ribbed vaults, and flying buttresses. During the Renaissance, architects such as Michelangelo, Leonardo da Vinci, and Bramante created masterpieces that combined classical elements with new techniques and materials.随着时间的推移，建筑发展并出现了新的风格。
作品推介_Project_Introduction
112WORLD ARCHITECTURE REVIEW 作品推介 PROJECT INTRODUCTION传递不同空间特征的平台，也是一个单独的接待区域。
从A区穿过所有楼层的电梯和垂直序列通过安装在地下二层的空中走廊通往中转观景台。
中转观景台与公共桥梁融为一体，是帮助客人出行的场景设计，并且在此可以欣赏濑久寺村的美丽景色。
B区——专用住宿区B区采用倾斜地形。
每栋建筑之间的空间是与每个单元相邻的社区空间。
该空间的主要目的是通过为每个单元顺利提供采光和通风，创造与地面条件相似的内部环境。
每栋建筑之间的室外空间是欢迎客人的建筑装置。
宽阔的露台是一个外部休闲空间，在这里你可以感受到风的静动、森林的静谧和远海的辽阔。
该单元安装了前窗和露台，通过利用不受周围目光或噪音干扰的周边环境，加强水疗和烧烤等户外活动。
在室内，设计了一个跳跃的横截面，以便根据房间的功能将露台和内部程序联系起来。
在厨房和餐厅中，户外用餐的同时还能眺望森林、城市和水疗中心，这与客厅相连，带来了全新的空间体验。
在卧室内，我们采用了韩国传统的“toenmaru”空间，以保持通风、日照和景观方面的有利环境。
and vertical sequence that pass through all floors from the A zone lead to the transitobservatory through an aerial walkway installed at the level of the second basementfloor. A transit observatory, integrated with the public bridge, is a scenography thathelps guests travel and is designed to enjoy a beautiful view of Seguji Village.B zone - The exclusive accommodation type B zone uses inclined terrain. The spacesbetween each building is a community space adjacent to each unit. The main purposeof this space is to create an internal environment similar to ground conditions bysmoothly supplying light and ventilation to each unit. The outdoor space between eachbuilding is an architectural device to welcome guests. The wide deck is an externalrecreational space where you can experience the calm movement of the wind, forest,and the vastness of the distant sea.The unit installed front windows and terraces to strengthen outdoor activities such asspas and BBQs by utilizing surrounding conditions that are not disturbed by surroundinggaze or noise. Inside, a skipped cross-section was designed so that the terrace andthe internal program could be linked according to the rooms' function. In the kitchenand dining room, outdoor dining while looking at the forest, city, and spa are linked tothe living room to induce a new spatial experience. In the interior bedroom, we useda traditional Korean ‘toenmaru’ space to maintain an advantageous environment inventilation, sunlight, and view.。
建筑艺术英语介绍作文
建筑艺术英语介绍作文Architecture, as an art form, is a manifestation of human creativity and ingenuity, blending functionality with aesthetic expression to shape our built environment. From ancient civilizations to modern metropolises, architecture has evolved as a reflection of culture, technology, and societal values. In this essay, we will explore the essence of architecture as an art form, its historical significance, and its role in contemporary society.First and foremost, architecture serves as a testamentto human achievement and innovation. Throughout history, iconic structures such as the Pyramids of Giza, the Parthenon, and the Taj Mahal have captivated theimagination and stood as enduring symbols of architectural excellence. These monuments not only showcase the technical prowess of their creators but also embody the cultural and spiritual aspirations of their respective societies.Moreover, architecture plays a pivotal role in shapingthe way we experience and interact with our surroundings. Whether it's the soaring skyscrapers of a modern cityscape or the intimate courtyards of a traditional village, architectural design influences our sense of space, scale, and connectivity. Through thoughtful planning and design, architects have the power to enhance the quality of lifefor individuals and communities alike, fostering a sense of place and belonging.In addition to its aesthetic and functional dimensions, architecture is deeply intertwined with the social and environmental fabric of our world. Sustainable design principles, such as energy efficiency, resource conservation, and green building practices, have become increasingly important in response to the pressing challenges of climate change and urbanization. Architects are at the forefront of this movement, pioneering innovative solutions that minimize environmental impact while maximizing human well-being.Furthermore, architecture serves as a medium for cultural expression and identity. From the toweringskyscrapers of New York City to the intricate temples of Kyoto, each architectural style reflects the unique heritage and values of its creators. By preserving and celebrating diverse architectural traditions, we honor the richness of human culture and promote cross-cultural understanding and appreciation.In conclusion, architecture is much more than just the construction of buildings; it is a form of artistic expression that shapes the way we live, work, and interact with the world around us. From ancient monuments to contemporary masterpieces, architecture reflects the collective aspirations and achievements of humanity. As we continue to confront the challenges of the 21st century, architecture will play a vital role in shaping a more sustainable, equitable, and beautiful future for generations to come.。
现代建筑的英文作文
现代建筑的英文作文Title: The Evolution of Modern Architecture。
Introduction:Modern architecture is a testament to human creativity and ingenuity, reflecting the evolving needs, technologies, and aspirations of society. From towering skyscrapers to innovative sustainable designs, modern architecture encompasses a wide array of styles and approaches thatshape our urban landscapes and define our built environment. Historical Background:The roots of modern architecture can be traced back to the late 19th and early 20th centuries, marked by a departure from the ornate styles of the past, such asGothic and Baroque, towards a more functional andminimalist aesthetic. Architects like Frank Lloyd Wright,Le Corbusier, and Ludwig Mies van der Rohe pioneered newdesign principles that emphasized simplicity, functionality, and the use of modern materials such as steel and glass.Key Characteristics:One of the defining characteristics of modern architecture is its emphasis on clean lines, geometric forms, and open spaces. Buildings are often characterizedby their simplicity and lack of ornamentation, with an emphasis on functionality and efficiency. This can be seenin iconic structures such as the Seagram Building in New York City, designed by Mies van der Rohe, which features a sleek glass and steel façade devoid of any unnecessary embellishments.Another important aspect of modern architecture is its focus on innovation and experimentation. Architects are constantly pushing the boundaries of design, exploring new materials, construction techniques, and sustainable practices. This has led to the development of groundbreaking structures such as the Burj Khalifa in Dubai, the tallest building in the world, which showcases thelatest advancements in engineering and technology.Sustainability:In recent years, there has been a growing emphasis on sustainability in modern architecture, driven by concerns about climate change and resource depletion. Architects are increasingly incorporating eco-friendly design principles into their projects, such as passive solar heating, green roofs, and recycled materials. This can be seen inbuildings like the One Central Park in Sydney, which features vertical gardens that help reduce energy consumption and improve air quality.Cultural Influence:Modern architecture is also influenced by cultural factors, reflecting the values, traditions, and aspirations of different societies around the world. In cities like Tokyo and Shanghai, futuristic skyscrapers dominate the skyline, symbolizing economic prosperity and technological advancement. Meanwhile, in cities like Barcelona andCopenhagen, contemporary designs blend seamlessly with historic architecture, creating a sense of continuity and identity.Challenges and Future Trends:Despite its many achievements, modern architecture also faces challenges and criticisms. Some argue that it prioritizes aesthetics over functionality, leading to buildings that lack human scale and fail to integrate with their surroundings. Others raise concerns about the social and environmental impact of large-scale development projects, which can contribute to urban sprawl and exacerbate inequality.Looking to the future, modern architecture is likely to continue evolving in response to changing needs and technologies. Advances in digital design tools, robotics, and 3D printing are opening up new possibilities for architects to create innovative and sustainable structures. At the same time, there is a growing recognition of the importance of community engagement and inclusive designprinciples, ensuring that architecture serves the needs of all people, regardless of background or ability.Conclusion:In conclusion, modern architecture is a dynamic and multifaceted field that reflects the complexities of the modern world. From its origins in the early 20th century to the present day, it has continually evolved in response to cultural, technological, and environmental changes. While facing challenges and criticisms, modern architecture remains a powerful expression of human creativity and a testament to our ongoing quest to shape the world around us.。
现代化建筑英文作文
现代化建筑英文作文英文：As a modern city dweller, I have witnessed the incredible development of modern architecture. From towering skyscrapers to sleek and minimalist designs, modern architecture has transformed the urban landscape in ways that were once unimaginable.One of the most impressive aspects of modern architecture is its ability to blend functionality with aesthetics. Many modern buildings are not only visually stunning, but also serve practical purposes such as energy efficiency and sustainability. For example, the Burj Khalifa in Dubai is not only the tallest building in the world, but also features a unique design that allows it to withstand high winds and extreme temperatures.Another notable feature of modern architecture is its emphasis on open spaces and natural light. Many modernbuildings are designed to maximize natural light and provide open, airy spaces that promote productivity and well-being. The Apple Park campus in California, for example, features a massive central courtyard and floor-to-ceiling windows that flood the interior with natural light.Of course, modern architecture is not without its critics. Some argue that it is too cold and impersonal, lacking the warmth and character of older buildings. Others worry about the environmental impact of large-scale construction projects. However, I believe that modern architecture has the potential to create truly inspiring and innovative spaces that enhance our lives and our communities.中文：作为现代城市居民，我见证了现代建筑的惊人发展。
建筑学Modern-Architecture现代建筑大学毕业论文外文文献翻译及原文
建筑学Modern-Architecture现代建筑⼤学毕业论⽂外⽂⽂献翻译及原⽂毕业设计（论⽂）外⽂⽂献翻译⽂献、资料中⽂题⽬：现代建筑⽂献、资料英⽂题⽬：Modern Architecture⽂献、资料来源：⽂献、资料发表（出版）⽇期：院（部）：专业：班级：姓名：学号：指导教师：翻译⽇期： 2017.02.14建筑学毕业设计的外⽂⽂献及译⽂⽂献、资料题⽬：《Advanced Encryption Standard》⽂献、资料发表（出版）⽇期：2004.10.25外⽂⽂献：Modern ArchitectureModern architecture, not to be confused with 'contemporary architecture', is a term given to a number of building styles with similar characteristics, primarily the simplification of form and the elimination of ornament. While the style was conceived early in the 20th century and heavily promoted by a few architects, architectural educators and exhibits, very few Modern buildings were built in the first half of the century. For three decades after the Second World War, however, it became the dominant architectural style for institutional and corporate building.1. OriginsSome historians see the evolution of Modern architecture as a social matter, closely tied to the project of Modernity and hence to the Enlightenment, a result of social and political revolutions.Others see Modern architecture as primarily driven by technological and engineering developments, and it is true that the availability of new building materials such as iron, steel, concrete and glass drove the invention of new building techniques as part of the Industrial Revolution. In 1796, Shrewsbury mill owner Charles Bage first used his ‘fireproof’ design, which relied on cast iron and brick with flag stone floors. Such construction greatly strengthened the structure of mills, which enabled them to accommodate much bigger machines. Due to poor knowledge of iron's properties as a construction material, a number of early mills collapsed. It was not until the early 1830s that Eaton Hodgkinson introduced the section beam, leading to widespread use of iron construction, this kind of austere industrial architecture utterly transformed the landscape of northern Britain, leading to the description, "Dark satanic mills" of places like Manchester and parts of West Yorkshire. The Crystal Palace by Joseph Paxton at the Great Exhibition of 1851 was an early example of iron and glass construction; possibly the best example is the development of the tall steel skyscraper in Chicago around 1890 by William Le Baron Jenney and Louis Sullivan. Early structures to employ concrete as the chief means of architectural expression (rather than for purely utilitarian structure) include Frank Lloyd Wright's Unity Temple, built in 1906 near Chicago, and Rudolf Steiner's Second Goetheanum, built from1926 near Basel, Switzerland.Other historians regard Modernism as a matter of taste, a reaction against eclecticism and the lavish stylistic excesses of Victorian Era and Edwardian Art Nouveau.Whatever the cause, around 1900 a number of architects around the world began developing new architectural solutions to integrate traditional precedents (Gothic, for instance) with new technological possibilities. The work of Louis Sullivan and Frank Lloyd Wright in Chicago, Victor Horta in Brussels, Antoni Gaudi in Barcelona, Otto Wagner in Vienna and Charles Rennie Mackintosh in Glasgow, among many others, can be seen as a common struggle between old and new.2. Modernism as Dominant StyleBy the 1920s the most important figures in Modern architecture had established their reputations. The big three are commonly recognized as Le Corbusier in France, and Ludwig Mies van der Rohe and Walter Gropius in Germany. Mies van der Rohe and Gropius were both directors of the Bauhaus, one of a number of European schools and associations concerned with reconciling craft tradition and industrial technology.Frank Lloyd Wright's career parallels and influences the work of the European modernists, particularly via the Wasmuth Portfolio, but he refused to be categorized with them. Wright was a major influence on both Gropius and van der Rohe, however, as well as on the whole of organic architecture.In 1932 came the important MOMA exhibition, the International Exhibition of Modern Architecture, curated by Philip Johnson. Johnson and collaborator Henry-Russell Hitchcock drew together many distinct threads and trends, identified them as stylistically similar and having a common purpose, and consolidated them into the International Style.This was an important turning point. With World War II the important figures of the Bauhaus fled to the United States, to Chicago, to the Harvard Graduate School of Design, and to Black Mountain College. While Modern architectural design never became a dominant style in single-dwelling residential buildings, in institutional and commercial architecture Modernism became the pre-eminent, and in the schools (for leaders of the profession) the only acceptable, design solution from about 1932 to about 1984.Architects who worked in the international style wanted to break with architectural tradition and design simple, unornamented buildings. The most commonly used materials are glass for the facade, steel for exterior support, and concrete for the floors and interior supports; floor plans were functional and logical. The style became most evident in the design of skyscrapers. Perhaps its most famous manifestations include the United Nations headquarters (Le Corbusier, Oscar Niemeyer, Sir Howard Robertson), the Seagram Building (Ludwig Mies van der Rohe), and Lever House (Skidmore, Owings, and Merrill), all in New York. A prominent residential example is the Lovell House (Richard Neutra) in Los Angeles.Detractors of the international style claim that its stark, uncompromisingly rectangular geometry is dehumanising. Le Corbusier once described buildings as "machines for living", but people are not machines and it was suggested that they do not want to live in machines. Even Philip Johnson admitted he was "bored with the box." Since the early 1980s many architects have deliberately sought to move away from rectilinear designs, towards more eclectic styles. During the middle of the century, some architects began experimenting in organic forms that they felt were more human and accessible. Mid-century modernism, or organic modernism, was very popular, due to its democratic and playful nature. Alvar Aalto and Eero Saarinen were two of the most prolific architects and designers in this movement, which has influenced contemporary modernism.Although there is debate as to when and why the decline of the modern movement occurred, criticism of Modern architecture began in the 1960s on the grounds that it was universal, sterile, elitist and lacked meaning. Its approach had become ossified in a "style" that threatened to degenerate into a set of mannerisms. Siegfried Giedion in the 1961 introduction to his evolving text, Space, Time and Architecture (first written in 1941), could begin "At the moment a certain confusion exists in contemporary architecture, as in painting; a kind of pause, even a kind of exhaustion." At the Metropolitan Museum of Art, a 1961 symposium discussed the question "Modern Architecture: Death or Metamorphosis?" In New York, the coup d'état appeared to materialize in controversy around the Pan Am Building that loomed over Grand Central Station, taking advantage of the modernist real estate concept of "air rights",[1] In criticism by Ada Louise Huxtable and Douglas Haskell it was seen to "sever" the Park Avenue streetscape and "tarnish" the reputations of its consortium of architects: Walter Gropius, Pietro Belluschi and thebuilders Emery Roth & Sons. The rise of postmodernism was attributed to disenchantment with Modern architecture. By the 1980s, postmodern architecture appeared triumphant over modernism, including the temple of the Light of the World, a futuristic design for its time Guadalajara Jalisco La Luz del Mundo Sede International; however, postmodern aesthetics lacked traction and by the mid-1990s, a neo-modern (or hypermodern) architecture had once again established international pre-eminence. As part of this revival, much of the criticism of the modernists has been revisited, refuted, and re-evaluated; and a modernistic idiom once again dominates in institutional and commercial contemporary practice, but must now compete with the revival of traditional architectural design in commercial and institutional architecture; residential design continues to be dominated by a traditional aesthetic.中⽂译⽂：现代建筑现代建筑,不被混淆与'当代建筑' , 是⼀个词给了⼀些建筑风格有类似的特点, 主要的简化形式,消除装饰等. 虽然风格的设想早在20世纪,并⼤量造就了⼀些建筑师、建筑教育家和展品,很少有现代的建筑物,建于20世纪上半叶. 第⼆次⼤战后的三⼗年, 但最终却成为主导建筑风格的机构和公司建设.1起源⼀些历史学家认为进化的现代建筑作为⼀个社会问题, 息息相关的⼯程中的现代性,从⽽影响了启蒙运动,导致社会和政治⾰命.另⼀些⼈认为现代建筑主要是靠技术和⼯程学的发展, 那就是获得新的建筑材料,如钢铁, 混凝⼟和玻璃驱车发明新的建筑技术,它作为⼯业⾰命的⼀部分. 1796年, shrewsbury查尔斯bage⾸先⽤他的'⽕'的设计, 后者则依靠铸铁及砖与⽯材地板. 这些建设⼤⼤加强了结构,使它们能够容纳更⼤的机器. 由于作为建筑材料特性知识缺乏,⼀些早期建筑失败. 直到1830年初,伊顿Hodgkinson预计推出了型钢梁, 导致⼴泛使⽤钢架建设，⼯业结构完全改变了这种窘迫的⾯貌,英国北部领导的描述, "⿊暗魔⿁作坊"的地⽅如曼彻斯特和西约克郡. ⽔晶宫由约瑟夫paxton的重⼤展览, 1851年,是⼀个早期的例⼦,钢铁及玻璃施⼯; 可能是⼀个最好的例⼦,就是1890年由William乐男爵延长和路易沙利⽂在芝加哥附近发展的⾼层钢结构摩天楼. 早期结构采⽤混凝⼟作为⾏政⼿段的建筑表达(⽽⾮纯粹功利结构) ,包括建于1906年在芝加哥附近,劳埃德赖特的统⼀宫, 建于1926年瑞⼠巴塞尔附近的鲁道夫斯坦纳的第⼆哥特堂,.但⽆论原因为何, 约有1900多位建筑师,在世界各地开始制定新的建筑⽅法,将传统的先例(⽐如哥特式)与新的技术相结合的可能性.路易沙利⽂和赖特在芝加哥⼯作,维克多奥尔塔在布鲁塞尔,安东尼⾼迪在巴塞罗那, 奥托⽡格纳和查尔斯景mackintosh格拉斯哥在维也纳,其中之⼀可以看作是⼀个新与旧的共同⽃争.2现代主义风格由1920年代的最重要⼈物,在现代建筑⾥确⽴了⾃⼰的名声. 三个是公认的柯布西耶在法国, 密斯范德尔德罗和⽡尔特格罗⽪乌斯在德国. 密斯范德尔德罗和格罗⽪乌斯为董事的包豪斯, 其中欧洲有不少学校和有关团体学习调和⼯艺和传统⼯业技术.赖特的建筑⽣涯中,也影响了欧洲建筑的现代艺术,特别是通过⽡斯穆特组合但他拒绝被归类与他们. 赖特与格罗⽪乌斯和Van der德罗对整个有机体系有重⼤的影响.在1932年来到的重要moma展览,是现代建筑艺术的国际展览,艺术家菲利普约翰逊. 约翰逊和合作者亨利-罗素阁纠集许多鲜明的线索和趋势, 内容相似,有⼀个共同的⽬的,巩固了他们融⼊国际化风格这是⼀个重要的转折点. 在⼆战的时间包豪斯的代表⼈物逃到美国,芝加哥，到哈佛⼤学设计⿊⼭书院. 当现代建筑设计从未成为主导风格单⼀的住宅楼，在成为现代卓越的体制和商业建筑, 是学校(专业领导)的唯⼀可接受的, 设计解决⽅案,从约1932年⾄约1984年.那些从事国际风格的建筑师想要打破传统建筑和简单的没有装饰的建筑物。
解构主义
解构主义建筑代表--曼彻斯特帝国战争博物馆解构主义建筑是在80年代晚期开始的后现代建筑的发展。
它的特别之处为破碎的想法，非线性设计的过程, 有兴趣在结构的表面或和明显非欧几里得几何上花点功夫,形成在建筑学设计原则的变形与移位,譬如一些结构与大厦封套.大厦的完成视觉外观利用不可预料和受控纷乱描绘的刺激出现了无数的解构主义的"样式"。
目录编辑本段基本简介一些解构主义的建筑师受到法国哲学家德里达(Jacques Derrida)的文字和他解构的想法的影响。
虽然这个影响的程度仍然对受到怀疑; 而其他人则被重申的俄国人构成主义运动中的几何学不平衡想法所影响。
在解构主义,也有对其它二十世纪运动作另外的参考: 现代主义/后现代主义互相作用，表现主义, 立体派, 简约主义及当代艺术。
解构主义的全面尝试，就是让建筑学远离那些实习者所看见的现代主义的束紧规范，譬如“形式跟随功能”,“形式的纯度”,“材料的真我”和“结构的表达”。
在解构主义运动的历史上的重要事件包括了1982年拉维列特公园(Parc de la Villette) 的建筑设计竞争(特别德里达和彼得·艾森曼的作品并且柏纳德·楚米的得奖作品), 1988年现代艺术博物馆在纽约的解构主义建筑展览, 由菲利普·约翰逊和马克·威格利组织, 还有1989年初位于俄亥俄州哥伦布市由彼得·艾森曼设计的卫克斯那艺术中心(Wexner Center for the Arts)。
编辑本段现代主义与后现代主义荷兰大都会建筑事务所与雷姆·库哈斯的西雅图中央图书馆当代建筑学中的解构主义是与现代主义的合理性刚好对立。
它与后现代主义的关系是断然并且是相反。
虽然后现代主义者和未成熟的解构主义建筑师沿著双方在《对立期刊》(1973–84出版)中出版了一些理论, 那本期刊的内容却标记著两个运动之间一个决裂的开始。
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简单介绍等。
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结 构 分 structural
析
analysis
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History of Modern Architecture 1. Introduction
1. why history 2. modern
近现代？
A concept of Chinese History
No correspondent concept in English
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History of Modern Architecture 1. Introduction
1. why history
Why study architectural history？
1. required 2. to be professional 3. stories 4. to know the origin 5. design skills 6. essential understanding 7. to identify yourself ‘Only something that has no history can be defined.’ --Friedrich Nietzsche
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
2
History of Modern Architecture 1. Introduction
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
16
History of Modern Architecture 1. Introduction
School of Architecture Institute of Architectural History and Historical Conservation
Hagia Sophia, Constantinople (Istanbul). C.532-537 Dr, QING Feng
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
12
History of Modern Architecture 1. Introduction
1. why history 2. modern 3. why modern
6
History of Modern Architecture 1. Introduction
1. why history
Why study architectural history？
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
History of Modern Architecture 1. Introduction
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
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History of Modern Architecture 1. Introduction
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History of Modern Architecture 1. Introduction
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
Chartres Cathedral, Chartres, France, 1194-1220
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History of Modern Architecture 1. Introduction
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
Pantheon, Rome, 118-128
Origin of Caryatid in Ten Books on Architecture A punishment for the Caryates city’s betray Actually, Caryatid represents a celebration scenary
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
20
History of Modern Architecture 1. Introduction
1. why history 2. modern 3. why modern
Donato Bramante, Tempietto, Rome, 1502
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
3
History of Modern Architecture 1. Introduction
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
4
University universitas College collegae
Difference between modern and contemporary
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
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History of Modern Architecture 1. Introduction
Ph.D. (architectural history and theory, Edinburgh University) Lecturer Institute of Architectural History and Historical Conservation Modern Architectural History Contemporary Architectural Theory Architectural Criticism 13401072976 qingfeng@ 305A
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School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
Origin of Corinthian Order in Ten Books on Architecture
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History of Modern Architecture 1. Introduction
1. why history 2. modern 3. why modern
Trabeated structure system
Temple of Amun, Karnak,c.1290 B.C.
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
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History of Modern Architecture 1. Introduction
School of Architecture Institute of Architectural History and Historical Conservation
Basilica di Santa Maria del Fiore, Florence, 1296-1436 Dr, QING Feng
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
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History of Modern Architecture 1. Introduction
QING Feng （青锋）
History of Modern Architecture 1. Introduction
Brasenose college, Oxford Univeristy
School of Architecture Institute of Architectural History and Historical Conservation Dr, QING Feng
History of Modern Architecture 1. Introduction
English course for the first time English couserware English references English lecture English discussions, works, and exam
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History of Modern Architecture 1. Introduction