一部Friends 道尽人间事
盘点日剧经典校园剧
盘点日剧经典校园剧盘点日剧经典校园剧校园剧在日剧中占相当大的部分，几乎每季都有1-2部不同类型的校园剧，而校园剧也刚好是推新人的好机会，于是乎，我们可以看到，如今活跃在日剧一二线的当红若手几乎都演过校园剧。
早期的GTO、魔女的条件、野岛三部曲就不总结了实在太多了，下面就简单总结下近几年的经典校园剧：1、《极道鲜师》系列主题：成长国民热血教师山口久美子老师，不仅拥有黑道继承人的背景，还有着脱线、花痴的可爱一面。
总是在关键时刻以暴制暴，用她近乎完美的格斗术，解救学生。
这个系列，不仅成就了收视女王仲间，同时也捧红了一大批年轻偶像，连剧中的人肉背景如今都开始担当主演。
如果第一部是经典在于剧情，第二部则是经典在于偶像外貌，第三部的经典之处就在于还有小美了。
2、龙樱主题：学习阿部宽大叔的暴走族老师形象深入人心，学生五人组，如今几乎各各都是挑大梁的当红若手。
此剧最大的贡献在于，经典台词。
很多经典台词，哪怕是已经离开校园的人听了，仍会觉得热血沸腾。
诸如此类的剧集，近几年其实还是非常多的，比如内山理名主演的《生徒诸君》，织田大叔的《太阳与海的教室》等等，然而可能是编剧功力不够的原因，始终无法带来曾经的惊喜。
3、女王的教室主题：战斗这绝对是一部另类的片子，描述像女王一般的支配著整个班级的女教师阿久津真矢与半崎小学6年3班的学生1年间的战斗的故事。
天海女王的强大气场在该剧中表现的淋漓尽致，与一种小演员的精彩演出，相得益彰。
4、My boss My hero 主题：青春东京小子的长濑智也28时，出演的校园剧。
剧情十分搞笑，讲述一个28岁的黑帮继承人为了继承黑社会的地位，而进入高中重新学习的故事。
该片有很多夸张搞怪的情节设计，比如抢布丁情节，让人忍俊不禁。
同时，偶尔流露出的小温情又让人感动。
另外新垣mm和香椎mm年龄相近，却分别扮演学生和老师，让人印象深刻。
5、野猪大改造主题：友情堀北mm至今仍被大家称为野猪mm，可见野猪大改造的成功。
Unit5THEMONSTER课文翻译大学英语六
Unit 5 THE MONSTERHe was an undersized little man, with a head too big for his body -- a sickly little man.His nerves were had. He had skin trouble. It was agony for him to wear anything next tohis skin coarser than silk. And he had seclusions of grandeur.He was a monster of conceit.Never for one minute did he look at the world or at people, except in relation to himself. He was not only the most important person in theworld,to himself;in his own eyes he was the only person who existed. He believed himself to be one of the greatest dramatists in the world, one of the greatest thinkers, andone of the greatest composers. To hear him talk, he was Shakespeare, and Beethoven, and Plato, rolled into one. And you would have had no difficulty in hearing him talk. He wasone of the most exhausting conversationalists that ever lived. An evening with him was anevening spent in listening to a monologue. Sometimes he was brilliant; sometimes he was maddeningly tiresome. But whether he was being brilliant or dull, he had one sole topicof conversation: himself. What he thought and what he did.He had a mania for being in the right.The slightest hint of disagreement,from anyone, on the most trivial point, was enough to set him off on a harangue that might lastfor house, in which he proved himself right in so many ways, and with such exhaustingvolubility, that in the end his hearer, stunned and deafened, would agree with him, for thesake of peace.It never occurred to him that he and his doing were not of the most intense and fascinating interest to anyone with whom he came in contact.He had theories about almost any subject under the sun, including vegetarianism, the drama, politics, and music;and in support of these theories he wrote pamphlets,le tters, books⋯ thousands upon thousands of words, hundreds and hundreds of pages. He not only wrote these things, and published them -- usually at somebody else's expense-- but he would sit and read them aloud, for hours, to his friends and his family.He wrote operas,and no sooner did he have the synopsis of a story, but he would invite -- or rather summon -- a crowed of his friends to his house, and read it aloud tothem. Not for criticism. For applause. When the complete poem was written, the friendshad to come again,and hear that read aloud.Then he would publish the poem, sometimes years before the music that went with it was written. He played the piano like a composer, in the worst sense of what that implies, and he would sit down at the pianobefore parties that included some of the finest pianists of his time, and play for them, bythe hour, his own music, needless to say. He had a composer's voice. And he wouldinvite eminent vocalists to his house and sing them his operas, taking all the parts.He had the emotional stability of a six-year-old child. When he felt out of sorts, hewould rave and stamp, or sink into suicidal gloom and talk darkly of going to the East toend his days as a Buddhist wonk.Ten minutes later,when something pleased him,he would rush out of doors and run around the garden, or jump up and down on the sofa, orstand on his head. He could be grief-stricken over the death of a pet dog, and he could becallous and heartless to a degree that would have made a Roman emperor shudder.He was almost innocent of any sense of responsibility.Not only did he seem incapable of supporting himself,but it never occurred to him that he was under ay obligation to do so. He was convinced that the world owed him a living. In support of thisbelief,he borrowed money from everybody who was good for a loan--men,women, friends, or strangers. He wrote begging letters by the score, sometimes groveling withoutshame, at other loftily offering his intended benefactor the privilege of contributing to hissupport, and being mortally offended if the recipient declined the honor. I have found norecord of his ever paying or repaying money to anyone who did not have a legal claim upon it.What money he could lay his hands on he spent like an Indian rajah.The mere prospect of a performance of one of his operas was enough to set him to running up bills amounting to ten times the amount of his prospective royalties. No one will ever know --certainly he never knew -- how much money he owed.We do know that his greatest benefactor gave him $6,000 to pay the most pressing of his debts in one city, and a yearlater had to give him $16,000 to enable him to live in another city without being throwninto jail for debt.He was equally unscrupulous in other ways. An endless procession of women marched through his life. His first wife spent twenty years enduring and forgiving his infidelities. His second wife had been the wife of his most devoted friend and admirer, from whom he stole her. And even while he was trying to persuade her to leave her firsthusband he was writing to a friend to inquire whether he could suggest some wealthy woman -- any wealthy woman -- whom he could marry for her money.He was completely selfish in his other personal relationships.His liking for his friends was measured solely by the completeness of their devotion to him,or by their usefulness to him, whether financial or artistic. The minute they failed him -- even by somuch as refusing dinner invitation -- or began to lessen in usefulness, he cast them offwithout a second thought. At the end of his life he had exactly one friend left whom hehad known even in middle age.The name of this monster was Richard Wagner.Everything that I have said abouthim you can find on record -- in newspapers, in police reports, in the testimony of peoplewho knew him, in his own letters, between the lines of his autobiography. And the curiousthing about this record is that it doesn't matter in the least.Because this undersized, sickly, disagreeable, fascinating little man was right all thetime. The joke was on us. He was one of the world's greatest dramatists; he was a greatthinker; he was one of the most stupendous musical geniuses that, up to now, the worldhas ever seen. The world did owe him a living.When you consider what he wrote--thirteen operas and music dramas,eleven of them still holding the stage,eight of them unquestionably worth ranking among the world's great musico-dramatic masterpieces--when you listen to what he wrote,the debts and heartaches that people had to endure from him don't seem much of a price. Think of the luxury with which for a time, at least, fate rewarded Napoleon, the man whoruined France and looted Europe; and then perhaps you will agree that a few thousanddollars' worth of debts were not too heavy a price to pay for the Ring trilogy.What if he was faithless to his friends and to his wives? He had one mistress to whomhe was faithful to the day of his death:Music.Not for a single moment did he ever compromise with what he believed, with what be dreamed.There is not a line of his music that could have been conceived by a little mind. Even when he is dull, or downrightbad,he is dull in the grand manner.There is greatness about his worst mistakes. Listening to his music, one does not forgive him for what he may or may not have been. Itis not a matter of forgiveness.It is a matter of being dumb with wonder that his poor brain and body didn't burst under the torment of the demon of creative energy that livedinside him,struggling,clawing, scratching to be released;tearing,shrieking at him to write the music that was in him.The miracle is that what he did in the little space of seventy years could have been done at all, even by a great genius. Is it any wonder that hehad no time to be a man?怪才他身材矮小，同他的身体相比，头却很大——他是一个常生病的小个子。
英国电视剧集锦
●《唐顿庄园》（Downton Abbey）是由英国ITV电视台出品的时代剧，创作人及主笔为演员兼作家朱利安·费罗斯（Julian Fellowes）。
背景设定在1910年代英王乔治五世在位时约克郡一个虚构的庄园——“唐顿庄园”，故事开始于Grantham伯爵一家由家产继承问题而引发的种种纠葛，呈现了英国上层贵族与其仆人们在森严的等级制度下的人间百态。
该剧播出后获得了强烈的反响，收视率极高且获得多个奖项，更荣膺吉尼斯世界纪录大全的2010年“全球最受好评电视剧”，是首部获此殊荣的英国电视剧。
本剧第一季于2010年9月26日首播，共7集；第二季于2011年9月18日首播，共8集；第三季于2012年9月16日首播，共8集，第四季将于2013年9月22日首播，共8集。
●飞天大盗（Hustle），英国电视剧，导演Tony Jordan，2004年上映，至2012年一共播出八季，BBC播放，第八季已经完结。
一部曲折离奇悬念迭出的偷盗戏码，讲五人诈骗团伙的行骗故事，每集一个案子，他们只诈骗贪婪的人，奢望不劳而获的人，拥有不义之财的人。
《Hustle》对于团伙来说，Mickey是领导者，才智过人，作案计划都出自于他手。
Albert是一个经验丰富的老千，晚年扮演起“设套者”的角色，找寻合适的受害人，然后带着受害人走入“军团”的圈套。
Ash则设计最合情合理的情境和用起来最顺手的作案工具。
Stacie随时准备用她女性的魅力去协助小团伙作案成功，一个名叫Danny的年轻骗子被Mickey收归羽翼之后这个团队才趋于完美。
5个骗子, 用尽各种精妙的骗局骗取钱财. 每一集都拍得像部小电影, 紧凑的故事情节, 高超的叙事手法, 让人回味无穷。
●在纪念"泰坦尼克号"沉没100周年之际，“英国独立电视台”（ITV）推出了四集迷你剧《泰坦尼克号》。
该剧由英国金牌编剧朱利安·费罗斯倾力打造，每集1小时，共240分钟。
新版自考英语（二）课文及翻译atributetothedog
Unit 3 Text BA Tribute to the Dog狗的赞歌The best friend a man has in this world may turn against him and become his enemy. His son or daughter whom he has reared with loving care may prove ungrateful. Those who are nearest and dearest to us, those whom we trust with our happiness and our good name, may become traitors to their faith.一个人在世上最好的朋友可能背叛他，变成他的敌人。
他精心养育的儿女可能会忘恩负义。
那些和我们最亲近的人，那些我们信任，将自己的幸福和名誉托付给他们的人也许会背信弃义。
The money that a man has he may lose. It flies away from him, perhaps when he needs it most. A man's reputation may be sacrificed in a moment of ill-considered action. The people who are prone to fall on their knees to do us honor when success is with us may be the first to throw the stone of malice when failure settles its cloud upon our head s. The one absolutely, unselfish friend a man may have in this selfish world, the one that never deserts him, the one that never proves ungrateful or treacherous, is his dog.一个人拥有的钱财可能会失去。
Forest Gump
Gump's mother
阿甘妈妈临终前对阿甘的嘱 托，也是对人生的个中滋味的总 结。只有阿甘这样认真、简单、 纯真，才会问妈妈人生为什么必 须要经历生离死别。因为有坚定 的宗教信仰，阿甘妈妈相信死亡 是生命中不可分割的重要组成， 会坦然地面对死神的光临，因此 可以从容地告诉儿子，必须要接 受命运的安排。 多少世代，人类与生俱来的 恐惧死亡，这一句“死亡本是生 命的一部分”将生命的轮回轻轻 的道破，那份蹉跎岁月铸成的超 脱于微笑之间捍人心魄。
"you have to figure
that out yourself"
Jenny was born with angel’s voice.
• In Forrest Gump, Robin Wright plays an extremely confused character in Jenny Curran. • She spends the entire movie trying to find herself, while successful Forrest, makes countless, unsuccessful attempts to help her through her journeys. • Rather than join Forrest in his glory, Jenny runs away from him. She has thoughts of suicide and often mixes herself in with the wrong crowd.
• 影片的表层是阿甘的自传，由他慢慢讲述。 阿甘的所见所闻所言所行不仅具有高度的代 表性，而且是对历史的直接图解。这种视觉 化的比喻在影片的第一个镜头中得到生动的 暗示：一根羽毛飘飘荡荡，吹过民居和马路， 最后落到阿甘的脚下，优雅却平淡无奇，随 意而又有必然性。汤姆· 汉克斯把阿甘从历史 的投影变为实实在在、有血有肉的人。阿甘 是一个占据着成年人躯体的幼童、一个圣贤 级的傻子、一个超越真实的普通人、一个代 表着民族个性的小人物。
Unit3课文翻译
Unit3 课文翻译课文 AAudrey Hepburn- A true angel in this world奥黛丽·赫本——人间天使1.奥黛丽·赫本在《蒂凡尼的早餐》、《龙凤配》、《罗马假日》、《窈窕淑女》、《战争与和平》和《直到永远》等出色电影中主演的许多角色让观众为之陶醉。
2.尽管在电影界获得成功，但她最愿意塑造的角色却并不在影片中，而是做两个儿子的模范母亲和联合国儿童基金会亲善大使，为饱受战争蹂躏的人们服务。
3.作为一名在纳粹占领下的祖国荷兰生活的小女孩，奥黛丽·赫本清楚战争所带来的野蛮、死亡和破坏。
由于受到侵略，家庭破产，奥黛丽经常食不果腹，营养不良。
她的父亲拋弃了家庭，两个舅舅也被俘，并且惨遭杀害。
奥黛丽被纳粹分子从大街上抓走，与准备被押往劳役营的人放在一起。
趁卫兵不注意，她飞快地跑开，惊险逃脱了，蜷缩着躲在一个满是耗子、又冷又脏的地下室里。
4. 这个日后将成为世界上最具魅力女星的小女孩刚开始只是一个无名难民，直面生命中的恐惧和脆弱。
不过她并没有让自己的精神受到幼年生活中残酷现实的影响。
相反，她克服了种种挑战，而又从没忘记那种受苦挨饿、孤立无助的感觉。
5.战后，奥黛丽和母亲离开荷兰，到达伦敦，成了贫穷的移民。
奥黛丽梦想成为一名一流的舞蹈家，这驱使她去了一所著名的芭蕾舞学校，接受严苛的训练安排。
后来，她被一位制片人发现，并最终得到机会，在好莱坞顶级男演员格列高利·派克主演的电影《罗马假日》中饰演一角。
6.很快，奥黛丽就从营养不良的移民变成了国际知名的影星。
导演比利·怀尔德称赞她说：“奥黛丽行姿优美，言谈优雅。
”尽管她数度获得奥斯卡金像奖和其他演艺荣誉，奥黛丽觉得自己最重要的工作还是为那些需要帮助的人开展人道主义服务，以及当好两个儿子的母亲。
她经历了两次离婚，并忍受着战争记忆带给她的悲伤，然而，奥黛丽从不让这些悲伤支配自己，或者影响自己对美好未来的向往。
大学英语课文翻译答案(新世纪综合教程3)
大学英语课文翻译答案(新世纪综合教程3)BOOK 3Unit 1What is Friendship?Michele E. Doyle&Mark K. Smith The text is excerpted and adapted from "Friendship: Theory and Experience" written by Michele E. Doyle & Mark K. Smith. It appears in The Encyclopaedia of Informal Education (2002).When we approach the notion of friendship, our first problem is that there is a lack of socially acknowledged criteria for what makes a person a friend. In one setting, we may describe someone as a friend; in another, the label may seem less appropriate. Therefore, people tend to have a very thin understanding of what friendship really means. To help us understand what friendship really means, we need to review some classical views of friendship.友谊的真谛米歇尔·E·多伊尔马克·K·史密斯我们探讨友谊这个概念时，遇到的第一个问题是，没有社会公认的择友标准。
在某一情境下，我们会把某个人称为朋友；然而，情境一旦变迁，朋友这个称呼就显得没那么贴切了。
老友记Friends S01E13【声音字幕同步PPT】
Oh,man! Please tell me one of them is Ma. 拜托你告诉我其中一个是妈
Of course one of them's Ma. What's the matter with you? 当然其中一个是你妈,你是怎
...your dad leads this double life. 你爸是个双 面人
那是没有
-You're burning tomatoes. -You're one to talk. -你的蕃茄烧焦了 -别想转移话题
Your dad's in love. The worst part is, it's with two different women. 乔,你老爸爱得无法自拔
Now go away so we can talk about you. 快 走开我们才能谈你
Okay. I'll miss you. 好吧,我会想念你的
-lsn't he great? -He's cute. He likes you so much. -他很不错吧 -他好帅,也好像很喜欢你
I know. He's so sweet. And so complicated,you know? 我知道,他人很好,而
且很复杂
And for a shrink, he's not too shrinky. 有点神 经质,但是有又不是太神经质
Think you'll do it on his couch? 他会在沙发上 做吗?
It's vinyl. 聚乙稀做的 Okay,you guys want anything else? 大家还
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一部Friends 道尽人间事1、Ross: go on! It's Paul the Wine Guy!“不用管我，去你的吧，这是你梦寐以求的保罗呀！”罗斯由于离婚心情十分沮丧，但听到妹妹莫尼卡终于和喜欢的人约会，还是从心里由衷地为她高兴，甚至有兴致开起了玩笑。
爱一个人，所以能暂时忘却自己的烦恼，分享他（她）的喜悦。
“If you ever need holding,call my name ,I'll be there.”“当你想找一个肩膀依靠，告诉我，我马上到！”的背景音乐选得极好，很平常的歌，选出一句，放在一个情景里，都十分煽情。
这时的罗斯和瑞秋分别望着窗外，这样孤独的凝望，揭开了罗斯十年的单恋和两人又一个十年的情感纠缠。
Monica: Welcome to the real world! It sucks. You're gonna love it!“欢迎来到现实世界，它糟糕的要命，但你会爱上它的。
”朋友们强迫瑞秋剪掉了老爸给的信用卡，帮她与千金小姐的生活彻底决裂。
以后的日子她体会到很多民间疾苦，但收获了更多的幸福。
2、Rachel: word of advice: Bring back the comedian. Otherwise next time you're go nna find yourself sitting at home, listening to that album alone.“我给你的建议是：一定要让那个垫场的再表演一下，不然下次你就只能一个人憋在家里听CD了。
”朋友们来讨论吻对女孩子的重要性。
作为男生的我们，即使不能理解，也要记在心头。
最美的爱情场景，是白发苍苍的靠在一起。
Ross: You are, you're welling up.“就是，你哭了。
”罗斯为给未出生的孩子取名一事跟前妻和苏珊争执，继而掉头离去。
但听到显示屏里孩子蠕动的声音，立刻停下脚步，呆在了当场。
而孩子的姑姑莫尼卡在见到录像里土豆一样的“侄子”时，激动得泪流满面。
3、Phoebe: It's not mine, I didn't earn it, if I kept it, it would be like stealing. “这不是我自己挣的，如果我留着这些钱，和偷又有什么两样呢？”Phoebe: Okay, alright, you buy me a soda, and then we're even. Okay?“这样吧，你请我喝瓶汽水，我们就扯平了，好吗？”菲比的诚实、善良基本上达到了“变态”的程度。
难以置信一个在街头成长，从苦难中成熟的女孩怎么还能这么清澈、一尘不染。
她的银行账户被错误的多打了几百块钱，这个经济窘迫的姑娘竟觉得这是倒霉的事儿。
最终她把这些钱送给了街边的乞丐大婶，并欣然接受了乞丐请她喝的苏打水。
我们可以做到给一个乞丐施舍，又有几个人能欣然接受乞丐的回赠呢，这是种源于爱的尊重。
4、Ross: Oh, by the way, great service tonight.“谢谢你这么好的服务。
”Rachel: (on phone) I've got magic beans.“我得到了杰克的魔豆。
”在咖啡馆做女招待的瑞秋很兴奋地领到人生第一份薪水，却发现少得可怜，朋友们安慰她说这是个好的开始，并给了她很多小费。
菲比对她说这就像童话里的杰克，用牛换来了魔豆，最终可能得到下金蛋的鹅。
最终，瑞秋不再后悔自己的独立，因为虽然没有能一辈子依赖老爸，也没嫁给那个有钱却不爱的丈夫，她却真正的掌握了自己的生活。
（by the way：嫁个不爱的有钱人，very bad；嫁个爱的有钱人，very very good）5、Phoebe: You've gotta just keep thinking about the day that some kid is gonna r un up to his friends and go 'I got the part! I got the part! I'm gonna be Joey Trib biani's ass!'乔伊演别人的身体中后偏下部替身被炒，非常沮丧。
菲比安慰他说：“还有机会的，总有一天会有小孩会因为能演你的身体中后偏下部替身而兴奋不已。
”6、Chandler: I'm trppd... in an ATM vstbl... wth Jll Gdcr!钱德勒这样说话谁能听得懂？全世界只有乔伊。
7、Ross: Oh! ...Yeah, they were gross. Oh, you know what I loved? Her Sweet 'n' L os. How she was always stealing them from- from restaurants.Mr. Geller: Not just restaurants, from our house.（108）Nana去世，家人们回忆她生前喜欢在饭店或别人家里偷调料包。
罗斯在给她挑寿衣时，储藏室里铺天盖地的落下粉丝的调料包。
罗斯幸福的笑，好像她并未远走。
8、Mrs. Geller: (reaches out to fiddle with Monica's hair again, and realises) Those e arrings look really lovely on you.盖勒太太总是对莫尼卡苛刻。
莫尼卡委婉的表达了自己的不满，意识到莫尼卡的想法后，盖勒太太第一次称赞女儿。
9、Monica: Rach, here's your mail.瑞秋没钱去跟家人滑雪，朋友们为她凑够了最后的100块。
10、Phoebe: It's nice that he has someone.由于感恩大餐全烧焦了，六人大吵。
但发现丑陋裸男在感恩节都有丑陋裸女的陪伴后，大家意识到彼此的重要，有人陪伴真好。
11、Phoebe: You're going to Minsk.菲比狠下心让科学家男友去俄罗斯搞研究，虽然她那么不舍。
12、Mrs. Bing: She's supposed to be with you.第一个预言罗斯和瑞秋注定在一起的人，是钱德勒的性感老妈，就是使罗斯成为mother-ki sser的美女作家。
13、Phoebe: Y'know what? We thought you were different. But I guess it was just t he coma.莫尼卡和菲比那么认真的照顾昏迷中的陌生男孩，他醒来后却只有一句“谢谢”。
如果只在昏迷中才会有好男人，那我希望我能一直昏迷下去。
14、Ross: Come here. (he hugs Rachel) Listen, you deserve so much better than hi m...you know, I mean, you should be with a guy who knows what he has when he has you.瑞秋赶走了意大利猪男友，罗斯跟她说：“你值得更好的男人来爱，那个更好的男人必须知道得到你是一件多么幸运的事。
”15、Ross: Hey, I married a lesbian to make you look good!据菲比的心理学家男友分析：罗斯潜意识里故意娶了一个同性恋女友导致婚姻失败，从而缓冲一下妹妹的挫败感。
这家伙分析别人都挺有道理的，如果这个分析也是对的，那罗斯就是全世界最伟大的哥哥了（伟哥？）。
16、Chandler: I'd like to believe that when the right woman comes along, you will have the courage and the guts to say "No thanks, I'm married."乔伊看到老爸出轨，考虑自己的性格，很担心自己未来也会如此。
钱德勒对他说当你找到真爱的人，我相信你一定会对他一心一意的。
"No thanks, I'm married."钱德勒最性感的一句话，而当以后他真得这么做的时候，就更性感了。
17、Mrs. Tribbiani: in an ideal world, there'd be no her, and your father would look like Sting.乔伊妈妈的奇怪理论：在理想的世界里，不会有第三者，而你爹会长的跟斯汀一样帅气。
言外之意，生活不能太较真，他虽然在外边有了别人，但他更开心了，而且更顾家，更爱我，每天都是情人节。
这种说法不值得推广，但值得深思。
18、Mrs. Tribbiani: That's sweet. Could I take her?Joey: With this ring? (Her engagement ring.) No contest.乔伊妈妈问她是否比那个女人好。
乔伊说你是明媒正娶的，她跟你根本没有可比性。
So，任何情人都不要傻到以为已婚男人爱你胜过爱他的老婆。
19、Ross: would it be too weird if I inv ited Carol over to join us? 'Cause she's, she' s alone now, and pregnant, and, and sad.罗斯12年来第一次约会，巧遇前妻。
为了照顾失落的前妻，气走了约会对象。
多么深情的男人呀！那女孩不该走掉的，一个对以往恋情毫无感觉的家伙不值得爱，因为你也可能成为前恋情呀。
泛滥的深情好过冷酷的专一。
20、Mr. Geller: I, I guess it musta been the day after you were born. You were thi s ugly little red thing, and all of a sudden you grabbed my finger with your whole fist. And you squeezed it, so tight. And that's when I knew.罗斯因为要做父亲感到很紧张，就问盖勒先生什么时候才感觉自己是父亲。