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英国文学史选读复习资料

英国文学史选读复习资料

英国文学史选读复习资料英国文学史选读复习资料英国文学史是世界文学史中的重要组成部分,涵盖了从中世纪到现代的众多文学作品和作家。

在这篇文章中,我们将回顾一些英国文学史上的重要时期和作品,以帮助大家更好地理解和复习这一领域。

1. 中世纪文学中世纪文学是英国文学史的起点,以骑士文学和宗教文学为主要形式。

《贝奥武夫》是中世纪英国文学中最重要的作品之一,讲述了贝奥武夫与怪物格伦德尔的战斗。

此外,中世纪还有许多神秘的抒情诗歌和教会文学,如《悲歌》和《坎特伯雷故事集》。

2. 文艺复兴时期文艺复兴时期是英国文学史上的黄金时代,代表作家包括莎士比亚、斯宾塞和培根。

莎士比亚的戏剧作品是世界文学的瑰宝,如《哈姆雷特》、《罗密欧与朱丽叶》和《麦克白》。

斯宾塞的史诗《仙后》也是这一时期的杰作,描绘了亚瑟王的传奇故事。

3. 17世纪文学17世纪是英国文学史上的变革时期,文学形式更加多样化。

约翰·米尔顿的史诗《失乐园》是这一时期的代表作之一,探讨了人类的堕落和救赎。

约翰·唐纳的戏剧作品《魔法师》则展示了他对权力和政治的深刻洞察力。

4. 18世纪文学18世纪是英国文学史上启蒙时代的兴起,代表作家包括亚历山大·蒲柏和塞缪尔·约翰逊。

蒲柏的诗歌作品《伊甸园》和《人类的悲剧》探讨了人类的自由意志和苦难。

约翰逊的《英语词典》对英语语言的规范化和发展起了重要作用。

5. 浪漫主义文学浪漫主义文学是19世纪英国文学的重要流派,代表作家包括威廉·华兹华斯和塞缪尔·泰勒·柯勒律治。

华兹华斯的诗歌作品《抒情诗集》和《普雷德斯》强调了自然和个人情感的重要性。

柯勒律治的《抒情诗集》则表达了对自然的热爱和对社会不公的关注。

6. 维多利亚时代文学维多利亚时代是英国文学史上的繁荣时期,代表作家包括查尔斯·狄更斯和艾米莉·勃朗特。

狄更斯的小说《雾都孤儿》和《双城记》揭示了当时社会的不公和贫困问题。

期末复习专用资料 英国文学史整理

期末复习专用资料 英国文学史整理

English LiteraturePart 1. The Anglo-Saxon PeriodBeowulf (the national epic of the English people) stricking feature: alliteration, metaphors and understatements. CaedmonParaphrase of the Bible/ (the first known religious poet of England) Cynewulf The Christ /( poet on religious subjects) Part 2. The Anglo-Norman Period Sir Gawain and the Green Knight/ a mixture of Anglo-Saxon poetry and French poetry. (alliterative verse with metrical verse), The poem reflects the ideal of feudal knighthood. A true knight should not only dedicate himself to the church, but also possess the virtues of great courage, of fidelity to his promise, and of physical chastity and purity. Part 3. Geoffrey Chaucer GeoffreyChaucer1340-1400 The House of Fame ; Troilus and Criseyde (long narrative poem);Legend of Good Women (first used heroic couplet); The Parliament of Fowls poetry :Canterbury Tales / Significance: It gives a comprehensive picture of Chaucer‟s time ; It has a dramatic structure; It reflects Chaucer‟s humor ; It shows Chaucer‟s contribution to the English language and poetry. his contribution to English poetry: introduced from france the rhymed couplet of 5 accents in iambic meter (the heroic couplet), is the first great poet who wrote in the English language. Who making the dialect of London the standard for the modern English speech. He is considered as the founder of English poetry.Part 4. The English renaissanceThomas More Utopia ( He is the outstanding humanist) Lyrical poems Thomas Wyatt(the first to introduce the sonnet into English literature); Henry Howard; Philip Sidney; Thomas Campion Epic poem Edmond Spenser The Faerie Queen Novels John Lyly(Eupheus gives rise to the term euphuism ); Thomas Lode (they dealing with court life and gallantry Thomas Deloney; Thomas Nashe(they are realistic authors devoted to the everyday life of craftsman, merchants and other representatives of the lower classes.) Francis Bacon1561-1626 The philosophical: Advancement of Learning ;Novum Organum 新工具;De Augmentis The literary: Essays(Of Truth, Of Death; Of Revenge, Of Friendship ) The professional: treatises entitled Maxims of the Law and Reading on the Statute of Uses The founder of English materialist philosophy Drama Christopher Marlowe( the greatest pioneer of English drama who made blank verse the principle vehicle of expression in drama); Robert Greene George Green /the Pinner of W akefield William Shakespeare1564-1616 (37plays, two narrative poems, 154sonnets) The Tempest 暴风风雨;The Two Gentlemen of Verona 维罗纳二绅士;The Mercy Wives of Windsor 温莎的风流妇人;Measure for Measure 恶有恶报;The Comedy of Errors 错中错;Much Ado about Nothing 无事自扰;Love ’s Labour ’s Lost 空爱一场;A Midsummer Night ’s Dream 仲夏夜之梦;The Merchant of Venice 威尼斯商人;As Y ou Like It 如愿;The T aming of the Shrew 驯悍记;All ’s Well That Ends Well 皆大欢喜;Twelfth Night 第十二夜;The Winter ’s T ale 冬天的故事;The Life and Death of King John/Richard the Second/Henry the Fifth/Richard the Thir d 约翰王/理查二世/亨利五世/理查三世;The First/Second Part of King Henry the Fourth 亨利四世(上、下);The First/Second/Third Part of King Henry the Sixth 亨利六世(上、中、下);The Life of King Henry the Eighth 亨利八世;Troilus and Cressida 脱爱勒斯与克莱西达;The Tragedy of Coriolanus 考利欧雷诺斯;Titus Andronicus 泰特斯·安庄尼克斯;Romeo and Juliet 罗密欧与朱丽叶;Timon of Athens 雅典的泰门;The Life and Death of Julius Caesar ;朱利阿斯·凯撒;The Tragedy of Macbeth 麦克白;The Tragedy of Hamlet 哈姆雷特/王子复仇记;King Lear 李尔王;Othello 奥塞罗;Antony and Cleopatra 安东尼与克利欧佩特拉;Cymbeline 辛白林;Pericles 波里克利斯;Venus and Adonis 维诺斯·阿都尼斯; Lucrece 露克利斯;The Sonnets 十四行诗 The Great Comedies: A Midsummer Night ’s Dream; The Merchant ofVenice; As You Like It ;Twelfth Night;The Great Tragedies: The Tragedy of Hamlet; Othello; King Lear;The Tragedy of Macbeth;The Later Comedies(romances): Pericles; Cymbeline; The Winter’s Tale; The Tempest;Part 5. The English Bourgeois revolution period and RestorationJohnMilton1608-1674 Shorter poems: L‘Allegro欢乐的人;Il Penseroso沉思的人;Comus科马斯;Lycidas;Principle pamphlets: Areopagitica论出版自由; Eikonoklastes; Defense for the English people;Poem: Paradise Lost(The poem was written in blank verse); Paradise Regained;JohnBunyan1628-1688 The Pilgrim‟s Progress(It is the greatest English allegory, its style is simple and biblical)JohnDonne1572-1631 Poetry(love lyrics & religious poems);Sonnets(The founder of the Metaphysical school of poetry)John Dryden Critic, poet and playwright of restoration periodHistory and Anthology of English Literature IPart I The Anglo-Saxon Period(449-1066)(In Chin. Chr.: Northern and Southern Dynasties – Northern Song Dyn.)History of the English LanguageOld English: Anglo-Saxon times —1100Middle English:1150 -- 1500Modern English:1500 – present times(Early Modern English:1500 – 1700)In 43 A.D. the Romans landed in Britain and made south Britain a Roman province When the Roman Empire declined and its troops left England, the tribes of Angles, Saxons and Jutes invaded the island from Northern Europe around the 5th century(about 449 A. D.).*Epic: a long narrative poem about heroic deeds and adventures.The storyAccording to the contents of the story, the poem can be divided into three parts: Part I: the fight against GrendelPart II: the fight against Grend el‘s motherPart III: the fight against the Fire DragonThe artistic featuresAlliteration, metaphor, understatement, vivid poetic diction and parallel expressions for a single ideaThe themesThe chief significance of this epic lies in the vivid portrayal of a great national hero, strong and courageous and selfless and ever helpful to his people and kinsfolk. The Song of Beowulf can be justly termed English national epic and its hero Beowulf – one of the national heroes of the English people.*Alliteration: the deliberate repetition of the first consonants in associated words or next to stressed syllables.Part II The Anglo—Norman Period(1066—1350)(In Chinese chronology: Northern Song Dyn.—Yuan Dyn.)Medieval RomanceIt was a long composition, sometimes in verse, sometimes in prose, describing the life and adventures of a noble hero.1st Canto: Gawain returns the blow2nd Canto: Gawain‘s long journey3rd Canto: Gawain‘ life in the castle4th canto: …gets to the Green Chapel… warned to turn back…terrif ying sound of sharpening ax…Green Knight appears…two swings harmlessly…third one wounds him…Green Knight explains…lord …shame…atone(make repayment)…free gift…Gawain returns to Arthur‘s…tells his story…knights wear a green girdle ever sinceThe themeSir Gawain and the Green knight is the best of the surviving Middle English romances, characterized by passages of beautiful poetry, moments of gentle comedy and keenly observed psychology. It has two motifs (main subject or idea) in the story, one is the testing of faith, courage and purity, the other is the proving of human weakness forself-preservation. The two motifs provide the poem with unmistakable traits of chivalric romances, plus some strong Christian colouring.The artistic features : AlliterationPart III Geoffrey Chaucer(1340?—1400)(In Chinese history: early Ming Dynasty)The Canterbury TalesThe themeIn The Canterbury Tales, one of the most famous works in all literature, Chaucer has given us a picture of contemporary English life, its work and play, its deeds and dreams, its fun and sympathy and hearty joy of living such as no other single work of literature has ever equaled.Chaucer‘s contribution to English poetryChaucer’s contribution to English poetryChaucer‘s contribution to English poetry lies chiefly in the fact that he introduced from France the rhymed stanzas of various types, especially the rhymed couplet of iambic pentameter (to be called later the ―heroic couplet‖) to English poetry, instead of the old Anglo- Saxon alliterative verse. Chaucer also greatly contributed to the founding of the English literary language, the basis of which was formed by the London dialect, so profusely used by the poet.Metre*Metre (格律): the organization of rhythm in verse into various regular patterns or units. In English verse, these units are based on stress, and it is the combination of stressed and unstressed syllables into various patterns or units that gives each poem its rhythm or metre.Iamb (iambic): one unstressed syllable followed by one stressed syllable. __︶(抑扬格)Anapest ( anapestic) __ __ ︶(抑抑扬格)Trochee(trochaic) ︶__ (扬抑格)Dactyl (dactylic) ︶__ __ (扬抑抑格)Spondee (spondaic) ︶︶__ __ (扬扬抑抑格)Foot or Metrical FootFoot (音步): the basic unit of measurement in a line of poetry. Generally a foot consists of two or three syllables, one of which is stressed.Monometre: 1 foot Pentametre: 5 feetDimetre: 2 feet Hexametre: 6 feetTrimetre: 3 feet Heptametre: 7 feetTetrametre: 4 feet Octametre: 8 feetPopular balladsBallads are anonymous narrative songs that have been preserved by oral transmission. The origin of them can be traced back as early as the 13th century, few of them were printed before the 18th Century and some not until the 19th.Analysis of Get up and Bar the DoorForm: Four-line stanzas, rime-scheme of abcb, colloquial language, the use of dialogues and exaggerated actions, story, the length of verse linesContent: This is a good example of the humorous ballad. It is a light tale humorously told, showing the simple life and the innocent fun of the common people.Part IV The RenaissanceThe Renaissance: This word, meaning ―rebirth‖ is commonly applied to the movement or period which marks the transition from the medieval to the modern world in Western Europe.Humanism: Broadly, this term suggests any attitude which tends to exalt the human element or stress the importance of human interests, as opposed to the supernatural, divine elements—or as opposed to the grosser, animal elements. In a more specific sense, humanism suggests a devotion to those studies supposed to promote human culture most effectively—in particular, those dealing with the life, thought, language, and literature of ancient Greece and Rome. In literary history the most important use of the term is to designate the revival of classical culture which accompanied the Renaissance.John Donne(1572-1631)Death Be not proudDeath Be Not Proud is one of Donne‘s 19 holy sonnets, which were believed to have been written before his ordination .The poem reveals his belief in life after death. Here death is compared to rest or sleep. Death is but momentary while happiness after death is eternal. But this religious idea is curiously expressed in the author‘s supposeddialogue with―death‖, a s various reasons are given in the poem to argue against the common belief in death as ―mighty and dreadful‖. In this way the sonnet was a typical work of the school of metaphysical poetry. This is a sonnet written in the strict Petrarchan pattern, with 14 lines of iambic pentameter rhyming abba, abba,cddcee. Donne’s distinguishing artistic featuresDonne‘s originality stems from his freedom to draw on a number of different conventions and to adapt them to his own peculiar voice. In the first place his poetry is in one respect less classical than that of his predecessors. There is far less in it of the superficial evidence of classical learning with which the poetry of the ―universitywits‖abounds, pastoral and mythological imagery. The texture of his poetry is more dialectical, and the imagery is less picturesque, more scientific, philosophic, realistic and homely. Nevertheless, in spite of the closeness of the argument, the abstractness of the ideas, the absence of visual imagery, and the strictly denotative use of words, the effect of his poetry is not abstract in the pejorative sense. Each stanza, in fact is a compressed syllogism the conclusion and the minor premise being reserved, as a kind of surprise, until the end.Image: One of the most distinguishing features of poetry is the employment of image. Image is the soul of poetry. It means that the poet uses specific form/ figure or picture to express what people experience, intellectually or emotionally.(a word picture; putting into words of a sound, sight, smell, taste, etc. by describing it.) Imagery: using images such as metaphors and similes to produce an effect in the reader‘s imagination.Enjambment:a device used in verse when both the sense and the grammatical structure are carried over to the next line, /running on the sense of one line of poetry to the nextConceit:from the Italian concetto, used to mean a precise and detailed comparison of something more remote or abstract with something more present or concrete, and often detailed through a chain of metaphors or similes.Wit:the ability to use contrasting and unlikely associations to express a clever and amusing idea.Donne‘s image ry has always impressed readers by its range and variety and its avoidance of the conventionally ornamental. Donne had a different conception of the function of imagery from that of the other Elizabethan poets. The purpose of an image in his poetry is to define the emotional experience by an intellectual parallel. His images must be followed logically; point by point they fit the emotion illustrated.In short, the poetry of Donne is characterized by complex imagery and irregularity of form. He frequently employs the conceit, an elaborate metaphor making striking syntheses of apparently unrelated objects or ideas. His intellectuality, introspection, and use of colloquial diction, seemingly unpoetic but always uniquely precise in meaning and connotation, make his poetry boldly divergent from the smooth, elegant verse of his day.John Milton(1608—1674)Analysis of Paradise LostParadise Lost is Milton‘s masterpiece, and greatest English epic. It consists of 12 books, containing about ten thousand lines in blank versePlotThe stories were taken from the Old Testament: the creation; the rebellion in Heaven of Satan and his fellow angels; their defeat and expulsion from Heaven; the creation of the earth and of Adam and Eve; the fallen angels in hell plotting aga inst God; Satan‘s temptations of Eve; and departure of Adam and Eve from Eden.*Blank verseunrhymed verse written in iambic pentameter.The themeThe poem, as we are told at the outset, was to ―justify the ways of God to man‖, i.e., to advocate submission to the Almighty. But after reading it one gets the impression that the main idea of the poem is a revolt against God‘s authority.In the poem God is no better than a selfish despot, seated upon a throne with a chorus of angels about him eternally singing his praises. His long speeches are never pleasing. He is cruel and unjust in his struggle against Satan. His Archangel is a bore. His angels are silly. While the rebel Satan who rose against God and, though defeated, still sought for revenge, is by far the most striking character in the poem.Adam and Eve embody Milton‘s belief in the powers of man. Their craving for knowledge, as Milton stresses, adds a particular significance to their characters. This longing for knowledge opens before mankind a wide road to an intelligent and active life.It has been noticed by many critics that the picture of God surrounded by his angels, who never think of expressing any opinions of their own, resembles the court of an absolute monarch, while Satan and his followers, who freely discuss all issues in council, sufficient to prove that Milton‘s revolutionary feelings made him forsake religious orthodoxy.This epic is an eloquent expression of the revolutionary spirit of the English bourgeois revolution, a call to resist tyranny and to continue the fight for freedom.The image of SatanSatan is the central figure in Paradise lost. He is human as well as superhuman. We think of Satan either as an abstract conception or else, more immediately, as someone in whom evil is mixed with good but who is doomed to destruction by the flaw ofself-love. The figure of Satan is undoubtedly impressive, powerful, and immense, looming up as a magnificent figure, a mighty, a terrible, and an immortal Being; he is infinitely superior to man, as well in the dignity of his nature, entirely different from the devil of the miracle plays and completely overshadowing the hero both in interest and in manliness. He has about him the last flickers of heavenly radiance, the traces of his ruined greatness.There is undoubtedly something thrilling as he summons up his defeated powers, collect together the scattered legions of the lost angels, addresses them with words of defiance of God, and draws forth response of militaristic assent as his troops ―Clashe d on their sounding shields the din of war,/ Hurling defiance towards the vault of heaven.‖ Then simple ―Satanist‖ case is, then that Milton allowed the revolutionary in himself to take root in Satan. Though Milton thought of himself as a Christian, his inner sympathies with rebellion, anger and revolution often color the poem. Satan‘s defianceof the Divine will is indispensable to the continuance of his identity, a predicament which raises him to tragic status.John Bunyan(1628—1688)Allegory is a story which teaches a lesson because the people and places in it stand for other ideas. One of the greatest of all allegories is Pilgrim‘s Progress by John Bunyan. The themePilgrim‘s Progress is a biting satire on the English society with which the writer wasfa miliar. It reveals Bunyan‘s Puritan ideal.The success of The Pilgrim’s ProgressThe secret of its success is probably simple. It is, first of fall, not a procession of shadows repeating the author‘s declamations, but a real story, the first extended story in English. The Puritans may have read the story for religious instruction; but all classes of men have read it because they found in it true personal experience told with strength, interest humor, in a word, with all the qualities that such a story should possess. Young people have read it, first for its intrinsic worth, because the dramatic interest of the story lure them on to the very end; and second, because it was their introduction to true allegory. It was the only book having a story interest in the great majority of English and American home for a full century.Bunyan cherished a deep hatred of both the king and his government. He saw and detested the injustice of laws, trials and magistrates, between whom and his saints there was a perpetual war. That is why his Pilgrim‘s Progress had won immediate success among the bakers, weavers, cobblers, tailors, tinkers, shepherds, ploughmen, diary-maids, seamstresses and servant girls of his time, and has become one of the most popular works in the English Language.Bunyan‘s prose is admirable. It is popular speech ennobled by the solemn dignity and simplicity of the language of the English Bible. Spenser‘s allegory in The Faerie Queen appears ornate when compare with Bunyan.The Eighteenth CenturyThe Age of Enlightenment in EnglandClassicism: As a critical term, a body of doctrine thought to be derived from or to reflect the qualities of ancient Greece and Roman Culture, particularly in literature, philosophy, art or criticism.Neoclassicism: In English literature, the stylistic trend between the Restoration(1660)and the advent of romanticism at the beginning of the 19th century is referred to as neoclassicism.Sentimentality and sensibility are two terms frequently used in reference to some literary works of the 18th century. They are today used as mutually exchangeable terms, Poetry and fiction of sentimentality or sensibility, as a literary genre, didn‘t start all of a sudden in the 18th century, though it was not often found earlier than that. It was a direct reaction against the cold, hard commercialism and rationalism which had dominated people‘s life since the last decades of the 17th century.Romanticism: Romanticism was in effect a revolt of the English imagination against the neoclassical reason which prevailed from the days of Pope to those of Johnson. Satire: a piece of writing in which public personalities, current affairs, human weaknesses, etc are mocked using sarcasm and irony.Daniel Defoe (1660-1731)The themeIn Robinson Crusoe the author eul ogizes labour and man‘s indefatigable efforts to conquer nature, but at the same time he beautifies colonialism.The styleThough most of his works are written in the picaresque tradition, Defoe is, in fact, an anti-romantic, anti-feudal realistic writer.Defoe‘s style is characterized by a plain, smooth, easy, direct, and almost colloquial but never coarse language.Jonathan Swift (1667-1745)The themeIt is a satire on the eighteenth century English society, touching upon the political, religious, legal, military, scientific, philosophical as well as literary institutions, about almost every aspect of the society. Bitterly satirical, the book takes great pains to bring to light the wickedness of the then English society, with its tyranny, its political intrigues and corruption, its aggressive wars and colonialism, its religious disputes and persecution, and its ruthless oppression and exploitation of the common people.The ugliness of the eighteenth century society is no elsewhere so thoroughly and forcefully exposed and condemned as in this single book. And, the satire, as it is, is not only of practical significance in its own day in England and Europe but its exposure is also true of all countries, all ages. Its satires are applicable to any class, any society, anywhere in the world and in any period of history.To conclude, Swift‘s Gulliver‘s Travels gives us an unparalleled satirical depiction of the vices of his age and the weaknesses of man.Some narrative featuresThe novel is at once a fantasy and a realistic work of fiction.The Language here, as is typical of all Swift‘s works, is very simple, unadorned, straightforward and effective.The novel is noted for its exceptionally tidy structural arrangement. The four seemingly independent parts are linked up by the central idea of social satire and make up an organic whole. The four parts are complementary, each supporting, adding to and developing the central satire. This is especially true of the first two parts. The narrative pattern of the book is also outstanding.Swift’s point of viewA defender of human freedomAn irreligious clergymanSwift’s styleSwift is one of the greatest writers of satiric prose. No reader of his can escape being impressed by the great simplicity, directness and vigor of his style. Easy, clear, simple, and concrete diction, uncomplicated syntax, economy and conciseness of language mark all his writings. Seldom is there ornament or singularity of any kind. Never is the meaning obscure. Everything is in complete control of the writer.And yet, it seems inadequate to define Swift‘s style simply as what he says: ―proper words in proper pla ces‖, for his is one of great richness and variety. His simplicities, more often than not, are a camouflage for insidious intentions, for big serious matters, and an outward earnestness, simplicity, innocence and an apparently cold impartial tone render his satire all the more powerful and effective. Sometimes even a ferocious joke does the job. His ―A Modest Proposal‖— a ferocious joke really — is generally held as the example of best satirical work in English.But to say that Swift has invented a complete new prose style is to overstate. When we emphasize his abandonment of ―serious‖ or ―lofty‖ styles brought to high refinement by his cousin Dryden and his friend Pope, we do not exclude his cousin Dryden and his friend Pope, we do not exclude his indebtedness to the old tradition, particularly the tradition of Rabelais. It is by adapting and modifying the old forms and techniques, by infusing them with his own strong personality that he is able to play with learned or pseudo-learned ideas, to put forward his own judgment, to carry his parody, satire, ridicule and condemnation until ―the wit of man carry it no further.‖What is more, Swift is in the habit of writing in the capacity of a fictitious character. This provides him opportunities to let out his pent-up emotions, mostly his contempt, disappointment, bitterness and desperate indignation, and also allows him freedom in the choice of an idiom which is appropriate to the assumed character and a style which is most suitable to his theme and purpose.Joseph Addison (1672 - 1719)ContributionThough Addison considered himself a poet and distinguished himself with his tragedy ―Cato‖, and Steele was successful with his many sentimental comedies, they have been remembered chiefly as editors of the two literary periodicals. The Tattler and The Spectator are chief contributors to the English periodical literature of the early eighteenth century. Their new genre of familiar essays, characterized by an informal, easy style, by the creation of characters and by their comments on the manners and morals of the time, which were illustrated by interesting brief sketches and tales pavedthe way for the flourishing of literary periodicals and the arrival of English novels in the days to come.Henry Fielding (1707-1754)The ThemeIn ―Tom Jones‖ Fielding gives a vivid panoramic picture of English society in mid-18th century, and shows his great sympathy for the poor and oppressed and his strong antipathy toward all the wicked and deceitful persons in the story. The character of Blifil is an embodiment of vice, while Tom Jones is an upright, kind-hearted youth in spite of his minor shortcomings and Sophia Western is a courageous young woman who battles successfully against feudal bondage.Features of Fielding’s novels1)Fielding‘s method of relating a story is telling the story directly by the author.2) Satire abounds everywhere in Fielding‘s works.3) Fielding believed in the educational function of the novel. The object of his novels is to present a faithful picture of life, while sound teaching is woven into their texture.4) Fielding is a master of style. His style is easy, unlaboured and familiar, but extremely vivid and vigorous. His sentences are always distinguished by logic and musical rhythm. His command of language is remarkable.Thomas Gray(1716-1771)Analysis of Elegy Written in a Country ChurchyardRelevant information about Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard(1751), one of the best known lyrics in the English language. The poem once and for all established his fame as the leader of the sentimental poetry of the day, especially ―the Graveyard school.‖ His poems, as awhole, are mostly devoted to a sentimental lamentation or meditation on life, past and present.·Graveyard schoolshow sympathy for the poor and indulge in the meditation of death and loneliness Although neo-classicism dominated the literary scene in 18th century, there were poets whose poetry had some elements that deviated from the rules and regularities set down by neo- classicist poets. These poets had grown weary of the artificiality and controlling ideals of neo-classicism. They craved for something more natural and spontaneous in thoughts and language. In their poetry, emotions and sentiments, which had been repressed, began to play a leading role again. Another factor marking this deviation is the reawakening of an interest in nature and in the natural relations between man and man. Among these poets, one of the representatives was Thomas Gray.Analysis of “Elegy”It is originally in classical Greek and Roman literature, a poem composed of couplets. Classical elegies addressed various subject, including love, lamentation, and politics, and were characterized by their metric form. Since the 16th century elegies have been characterized not by their form but by their content, which is invariably melancholy and centers on death. The best-known elegy in English is Gray‘s―Elegy‖.Milton‘s Lycidas was an elegy to his friend who drowned. Gray‘s Elegy in a Country Churchyard is a sad poem about mankind‘s mortality.Epitaph: Something written on a tombstone, or a poem about someone after their death.Elegy Written in a Country Churchyard is the best-known meditative poem by Thomas Gray. The churchyard is perhaps that of Stoke Poges, where Gray often visited。

英国文学史及选读复习资料

英国文学史及选读复习资料

英国文学史及选读复习资料英国文学史及选读复习资料英国文学历史悠久而丰富多样,涵盖了从中世纪到现代的各个时期和流派。

在这篇文章中,我们将探索英国文学史的一些重要时期和作品,并提供一些选读复习资料,帮助读者更好地了解和掌握英国文学。

中世纪文学是英国文学史的起点,其代表作品包括《贝奥武夫》和《坎特伯雷故事集》。

《贝奥武夫》是一部史诗,描写了勇敢的英雄贝奥武夫的冒险故事。

《坎特伯雷故事集》是一部讲述了一群人在前往坎特伯雷朝圣途中分享故事的作品,通过这些故事,揭示了中世纪社会的各个层面。

文艺复兴时期是英国文学史的重要里程碑,该时期的作品受到古希腊罗马文化的影响,充满了人文主义的精神。

莎士比亚是这一时期最杰出的作家之一,他的作品包括诗剧《哈姆雷特》和《罗密欧与朱丽叶》等。

这些作品以其深刻的人物刻画和复杂的情节而闻名,被认为是世界文学的瑰宝。

17世纪是英国文学史上的黄金时代,其中最重要的作家是约翰·米尔顿。

他的史诗《失乐园》被誉为英国文学的巅峰之作,以其对人类自由意志和权力的思考而著称。

此外,约翰·多恩也是这一时期的重要作家,他的诗歌作品以其独特的形式和思想深度而受到赞誉。

18世纪是英国文学史上的启蒙时代,这一时期的作品强调理性和科学思维。

亚历山大·蒲柏是这一时期最重要的作家之一,他的诗歌作品《诗人的墓》和《奥德赛》被广泛阅读和研究。

此外,詹姆斯·汤姆森的长诗《四季》也是这一时期的重要作品,描绘了大自然的美丽和变化。

19世纪是英国文学史上的浪漫主义时期,作家们追求情感和个体的表达。

威廉·华兹华斯和塞缪尔·泰勒·柯勒律治是浪漫主义诗歌的代表作家,他们的作品强调对自然和内心世界的关注。

此外,查尔斯·狄更斯是这一时期最重要的小说家之一,他的作品《雾都孤儿》和《双城记》等揭示了当时社会的不公和人性的复杂性。

20世纪是英国文学史上的现代主义时期,作家们挑战传统文学形式和观念。

英国文学史选读复习资料

英国文学史选读复习资料

英国文学简史复习资料General introduction of English literature1. 1) Old English Literature (449-1066) 古英语时期文学——The Song of Beowulf 《贝奥武甫》2) Medieval English Literature (1066-15th century) 中世纪英语时期文学——Geoffrey Chaucer (1340_1400) 杰弗里·乔叟2. Renaissance English literature (late 15th century ~ early 17th century) 文艺复兴——Francis Bacon 弗朗西斯·培根——William Shakespeare 威廉·莎士比亚——Ben Jonson 本·琼生——Christopher Marlowe 克里斯托弗·马洛3. English Literature of the Revolution and Restoration Period (1640-1688) 资产阶级革命与王朝复辟时期的文学——John Milton约翰·弥尔顿——John Bunyan 约翰·班扬4. 18th century English literature-the age of Enlightenment 启蒙运动时期——Daniel Defoe丹尼尔·笛福——Jonathan Swift乔纳森·斯威夫特——Henry Fielding亨利·菲尔丁——William Blake威廉·布莱克——Robert Burns罗伯特·彭斯5. Romantic English Literature (1798-1832) 浪漫主义时期——William Wordsworth, 威廉·华兹华斯——Samuel Taylor Coleridge, 塞缪·泰勒·柯勒律治——George Gordon Byron, 乔治·戈登·拜伦——Percy Bysshe Shelley 佩西·比舍·雪莱——John Keats, 约翰·济慈——Walter Scott 沃尔特·司各特——Jane Austen简·奥斯汀6. Critical Realistic Literature in the 19th Century 维多利亚时期(批判现实主义)——W.M. Thackeray, 萨克雷——C harles Dickens, 查尔斯·狄更斯——Robert Browning 罗伯特·布朗宁——Bronte sisters:Charlotte Bronte, Emily Bronte, Ann Bronte——George Eliot乔治·艾略特——Matthew Arnold 马修·阿诺德——Thomas Hardy 托马斯·哈代——Oscar Wilde 奥斯卡·王尔德7. 20th Century English Literature——George Bernard Shaw乔治·萧伯纳——Joseph Conrad 约瑟夫·康拉德——William Butler Yeats 威廉·巴特勒·叶芝——Virginia Woolf弗吉尼亚·沃尔夫——James Joyce詹姆斯·乔伊斯——D. H. Lawrence劳伦斯——T. S. Eliot 爱略特一、The Anglo-Saxon period (449-1066)1、这个时期的文学作品分类:pagan(异教徒) ,Christian(基督徒)2、代表作:The Song of Beowulf《贝奥武甫》( national epic 民族史诗) 采用了隐喻metaphor手法3、Alliteration 头韵(写作手法)例子:of m an was the m ildest and m ost beloved,To his k in the k indest, k eenest for praise.二、The Anglo-Norman period (1066-1350) 盎格鲁—诺曼时期1、romance 传奇文学2、代表作:Sir Gawain and the Green Knight (高文爵士和绿衣骑士) 是一首押头韵的长诗三、Geoffrey Chaucer (1340-1400) 杰弗里·乔叟时期1、the father of English poetry 英国诗歌之父2、heroic couplet 英雄双韵体:a verse unit consisting of two rhymed(押韵) lines in iambic pentameter(五步抑扬格)3、代表作:The Canterbury Tales 《坎特伯雷的故事集》(英国文学史的开端)大致内容:the pilgrims are people from various parts of England, representatives of various walks of life and social groups. 朝圣者都是来自英国的各地的人,代表着社会的各个不同阶层和社会团体小说特点:each of the narrators tells his tale in a peculiar manner, thus revealing his own views and character. 这些叙述者以自己特色的方式讲述自己的故事,无形中表明了各自的观点,展示了各自的性格。

英国文学简史复习资料(整理版)

英国文学简史复习资料(整理版)

英国文学简史复习资料(整理版)第一篇:英国文学简史复习资料(整理版)I.Old English Literature & the Late Medieval Ages 贝奥武夫:the national epic of the Anglo-SaxonsGeoffrey Chaucer 杰弗里•乔叟1340(?)~1400 The father of English poetry.① 坎特伯雷故事集:first time to use …heroic couplet‟(双韵体)by middle English ②特罗伊拉斯和克莱希德③ 声誉之宫II The Renaissance Period A period of drama and poetry.The Elizabethan drama is the real mainstream of the English Renaissance.Renaissance: the activity, spirit, or time of the great revival of art, literature, and learning in Europe beginning in the 14th century and extending to the 17th century, marking the transition from the medieval to the modern world.Three historical events of the Renaissance – rebirth or revival: 1.new discoveries in geography and astrology 2.the religious reformation and economic expansion 3.rediscovery of ancient Roman and Greek culture The most famous dramatists:Christopher Marlowe William Shakespeare Ben Johnson.William Shakespeare威廉•莎士比亚1564~1616① Historical plays: Henry VI 亨利六世;Henry IV : Richard III 查理三世;Henry V ;Richard II;Henry VIII ②Four Comedies: 皆大欢喜;第十二夜;< A Midsummer Night‟S Dream>仲夏夜之梦;威尼斯商人③Four Tragedies: 哈姆莱特;奥赛罗;李尔王;麦克白④Shakespeare Sonnet :154Three quatrain and one couplet, ababcdcdefefggA sonnet is a lyric consisting of 14 lines, usually iniambic pentameter restricted to a definition rhyme scheme.⑤the comedy of errors 错中错,Titus Andronicus泰特斯·安特洛尼克斯,The Taming of the shrew 驯悍记Love's labour's lost(爱的徒劳)Romeo and Juliet 罗密欧与朱丽叶Much ado about nothing(无事生非)The merry wives of Windsor.温莎的风流娘们King John 约翰王All's well that ends well 终成眷属Measure for measure(一报还一报)Bacon: Of Studies;Of Beauty;Of Marriage and Single Life English Bourgeois Revolution,学术的推进 III:the period of the English bourgeois ton:1608~1674Paradise Lost;Samson Agonistes(力士参孙);On the morning of Christ’s Nativity,复乐园我的失明论出版自由为英国人民声辩Bunyan: 1628~1688 ①Religionary Allegory:天路历程Grace Abounding to the Chief of Sinner;the Holy War John Don: the Metaphysical poet(玄学派诗人).Metaphysical Poetry(玄学诗):(用语)the diction is simple, the imagery is from the actual,(形式)the form is frequently an argument with the poet’s beloved, with god, or with himself.(主题:love, religious, thought)The Flea;跳蚤Forbbiding Mourning,Songs And Sonnets歌与十四行诗,emergent occasions 突变引起的诚念Hely sonnets IV The 18th Century:EnlightenmentA revival of interest in the old classical works, order, logic, restrained emotion(抑制情感)and accuracy The Age ofEnlightenment/Reason: the movement was a furtherance of the Renaissance of the 15th and 16th centries, a progressive intellectual movement, reason(rationality), equality&science(the 18th century)小说崛起:In the mid-century, the newly literary form, modern English novel rised(realistic novel现实主义小说)Gothic novel(哥特式小说):mystery, horror, castles(from middle part to the end of century)Jonathan Swift乔纳森•斯威夫特1667~1745(十八世纪杰出的政论家和讽刺小说家 a master satirist。

英国文学史及选读复习总汇

英国文学史及选读复习总汇

Part One: Early and Medieval English Literature1. Beowulf: national epic of the English people; Denmark story; alliteration, metaphors and understatements (此处可能会有填空,选择等小题)2. Romance (名词解释)3. “Sir Gawain and the Green Knight”: a famous roman about King Arthur‟s story4. Ballad(名词解释)5. Character of Robin Hood6. Geoffrey Chaucer: founder of English poetry; The Canterbury Tales (main contents; 124 stories planned, only 24 finished; written in Middle English; significance; form: heroic couplet)7. Heroic couplet (名词解释)第一章古英语和中古英语时期1、古英语时期是指英国国家和英语语言的形成时期。

最早的文学形式是诗歌,以口头形式流传,主要的诗人是吟游诗人。

到基督教传入英国之后,一些诗歌才被记录下来。

这一时期最重要的文学作品是英国的民族史诗《贝奥武夫》,用头韵体写成。

2、古英语时期(1066—1500)从1066年诺曼人征服英国,到1500年前后伦敦方言发展成为公认的现代英语。

文学作品主要的形式有骑士传奇,民谣和诗歌。

在几组骑士传奇中,有关英国题材的是亚瑟王和他的圆桌骑士的冒险故事,其中《高文爵士和绿衣骑士》代表了骑士传奇的最高成就。

中世纪文学中涌现了大量的优秀民谣,最具代表性的是收录在一起的唱咏绿林英雄罗宾汉的民谣。

(完整word版)英国文学史及选读知识要点II

(完整word版)英国文学史及选读知识要点II

Part VII The Romantic Period (1798-1832) Romanticism in EnglandI. background1.The French Revolution(1789-1799)2. The Industrial RevolutionII romanticism1. definition and characteristics (理解)2. The period: 1798-1832Beginning with the publication of Wordsworth’s Lyrical Ballads (1798), ending with Walter Scott’s death(1832)3. The representative poetsWilliam Wordsworth(1770-1850)威廉·华兹华斯S.T. Coleridge (1772-1834)S.T.柯勒律治Robert Southey (1774-1843)罗伯特·骚塞George Gordon, Lord Byron (1788-1824)乔治·戈登·拜伦Percy Bysshe Shelley(1792-1822)珀西·比希·雪莱John Keats(1795-1821)约翰·济慈4. The prose writersWalter Scott (1771-1832): historical novelist 沃尔特·司各特James Austen (1775-1817) : novelist 简·奥斯丁Charles Lamb (1775-1834): essayist 查尔斯·兰姆5. Literary formsThe age of Wordsworth –like the age of Shakespeare - was decidedly an age of poetry. There was also a noteworthy development of the novel which was already beginning to establish itself as the favorite literary form of nineteenth century.The drama was the only literary form that was not adequately represented.(一)William Wordsworth(1770-1850)I status①the leading figure of the English romantic poetry②He has started the modern poetry, the poetry of the growing inner self.③using the ordinary speech and advocating a return to nature.II works1. Subjects:①Poems about nature②Poems about human life2. WorksLines Composed a Few Miles Above Tintern Abbey (1798) 《廷腾寺》The Prelude (1805-1806) 《序曲》The Excursion (1814) 《远足》Sonnets3. selected readingTintern AbbeyShe Dwelt Among the Untrodden Ways 她住在人迹罕见的路边I Traveled Among Unknown Men 我曾在异乡漫游I wandered Lonely as a Cloud 我像一朵孤独的浮云The Solitary Reaper孤独的割麦女(二)George Gordon, Lord Byron(1788-1824)I. Literary Works①Hours of Idleness《闲暇时刻》《消闲时光》②The English Bards and Scott Reviewers《英国诗人和苏格兰评论家》③Child Harold’s Pilgrimage《恰尔德·哈罗德游记》Canto I,II(1812)Canto III (1816)Canto Iv (1818)④Oriental Tales⑤Manfred 《曼弗雷德》a poetical drama(诗剧)⑥Cain 《该隐》a poetical drama⑦Don Juan《唐璜》II Selected Reading1.Childe Harold’s Pilgrimage 恰尔德·哈罗德游记2.Don Juan 唐璜(The Isles of Greece 哀希腊)3. When We Two Parted 当我俩分别的时候4. She Walks in Beauty 她早在美的光影里5. Sonnet on Chillon 夏兰(瑞士一古堡)的囚徒III Byronic Hero (理解)(三)Percy Bysshe Shelley (1792-1822)The worksTwo narratives①Queen Mab 麦布女王1813②The Revolt of Islam伊斯兰的反叛1818 Lyrics③Ode to the West Wind 西风颂1819④To a Skylark 云雀颂1820⑤The Cloud 云1820⑥Adonais 阿多尼an elegy for John KeatsPoetic drama⑦Prometheus Unbound 解放的普罗米修斯1819⑧The Cenci 钦契一家The major prose essay ⑨A Defence of Poetry诗辩1822(四)John Keats (1795-1821)I works①a sonnetOn First Looking into Chapman’s Homer 1817初读查浦曼译之荷马②a long narrative poemEndymion 1818 恩底弥翁③a volume of verseLamia , Isabella, The Eve of St. Agnes, and Other Poems 1820拉米亚、伊莎贝拉、圣安格尼斯节前夜和其它的诗( four great odes –On Melancholy忧郁颂, On a Grecian Urn希腊古瓮颂, To Psyche精神颂, To a Nightingale夜莺颂, and Hyperion许珀里翁)II ode(理解)(五)Walter Scott (1771-1832)I.statusHistorical novelist and poet popular throughout much of the world during his timeII Scott’s Works1. Poems①Minstrelsy of the Scottish Border《苏格兰边区歌谣集》1802 (he had collected among the Scottish people for many years.)②The Lay of the Last Minstrel《最末一个行吟诗人》③Marmion《玛密恩》1808④The Lady of the Lake《湖上夫人》18102. Historical Novelssubjects:from the Middle Ages to the 18th centuryhistory of ScotlandEnglish historyhistory of European countriesOf the Scottish history①Waverley 《威弗利》1814②Guy Mannering 《盖伊·曼纳令》1815③The Antiquary《古董家》1816④The Black Dwarf 《黑侏儒》1816⑤Old Morality 《修墓老人》1816⑥Rob Roy《罗布·罗伊》1817 the best of the group⑦The Heart of Midlothian 《密得洛西恩监狱》/《爱丁堡监狱》1818⑧The Bride of Lammermoor《沼地新娘》1819⑨A legend of Montrose 《蒙特罗斯传奇》1819⑩Red Gauntlet《雷德冈脱利特》1824⑾The Betrothed《约婚夫妇》1825⑿Talisman 《护身符》1825Of the English history①Ivanhoe《艾凡赫》/《撒克逊劫后英雄传/略》the English history of the end of the 12th century②The Monastery《修道院》1820③The Abbot《修道院长》/《女王越狱记》1820④Kenilworth, 《肯纳尔沃思堡》1821②③④describes the time of Mary Stuart and Queen Elizabeth⑤The Pirate 《海盗》1821⑥The Fortunes of Nigel, 《尼格尔的家产》1822⑦Peveril of the Peak 《贝弗利尔·皮克》1823⑤⑥⑦take place in 17th century Scotland and England⑧Woodstock 《皇家猎宫》1826The English RevolutionOf the European countries①Quentin Durward 《昆丁·达沃德》1823the best-known novel on French history.②Anne of Geierstein 《盖厄斯坦的安妮》1829③Count Robert of Paris《巴黎的罗伯特伯爵》1832III. historical novels①P86 L5-14②P 87 the last par.(六)Jane Austen (1775-1817)I. Novels1. Sense and Sensibility《理智与情感》2. Pride and Prejudice《傲慢与偏见》18133. Northanger Abbey 《诺桑觉寺》18184. Mansfield Park《曼斯菲尔德花园》18145. Emma 《爱玛》18156. Persuasion 《劝告》1818II A writer of the 18th century(理解)III Main literary concern (themes) (理解)IV selected readingPride and Prejudice(人物情节)(七)Charles Lamb(1775-1834)I The rise of English essayThe first decades of the 18th and 19th centuries witnessed new births in the essay as a form in literature.①Addison and Steele socialized the essay②A means of intimate self expressionCharles LambWilliam Hazlitt (1778-1830) 威廉·哈兹里特Thomas De Quincy(1785-1859)托马斯·德·昆西Leigh Hunt(1784-1859)李·亨特II works•Tales from Shakespeare (1807)•Specimens of English Dramatic PoetsContemporary with Shakespeare (1808)•Essays of Elia (1823)•Last Essays of Elia (1833)PART VIII The (early) Victorian Age(1832-1968) Critical Realism in England I BackgroundI. The period①The Victorian reign (1837-1901)②A new era 1832—the Reform Bill1902—the end of Boer war(the Victorian roughly coincides with the reign of Queen Victoria)Two divisions:a. Early Victorian period (1832-1868)(first 14 years – filled with unrest, alarm, and miserythe succeeding 22 years— the growing prosperity and general good feeling, “ the workshop of the world” )b. Late Victorian(1868-1902)II. literature1 Critical realismCharles Dickens (1812-1870) 狄更斯William Makepeace Thackeray (1811-1863) 萨克雷Charlotte Bronte (1816-1855) 夏洛特·勃朗特Emily Bronte (1818-1848) 艾米丽·勃朗特Mrs Gaskell (1810-1865)盖斯凯尔夫人Anthony Trollope (1815-1882)安东尼·特罗洛普George Eliot (1819-1880) 乔治·艾略特2. the chartist literature3. the poetsAlfred Tennyson (1809-1892)丁尼生Robert Browning (1812-1889) 布朗宁Charles Algernon Swinburne (1837-1909) 斯温伯恩Charles Dickens (1812-1870)I. the three greatest Victorian novelistsCharles DickensWilliams Makepeace ThackerayGeorge EliotII The Major Works of Charles DickensSketches by Boz (1836) 博兹特写集The Posthumous papers of the Pickwick Club (1836-1837) 匹克威克外传Oliver Twist (1837-1838) 雾都孤儿Nicholas Nickleby (1838-1839) 尼古拉斯·尼克尔贝The Old Curiosity Shop (1840-1841) 老古玩店Barnaby Rudge 1841巴纳比·鲁奇A Christmas Carol (1843) 圣诞欢歌Martin Chuzzlewit (1843-1845) 朱述尔维特Dombey and Son (1846-1848) 董贝父子David Copperfield( 1849-1850) 大卫·科波菲尔Bleak House (1852-1853) 荒凉山庄Hard Times (1854) 艰难时世Little Dorrit (1855-1857) 小杜丽A Tale of Two Cities (1859) 双城记Great Expectations (1860-1861) 远大前程Our Mutual Friend 我们共同的朋友III writing features1.Humor2. His character-portrayal3. Language4. a master story-tellerWilliam M Thackeray (1811-1863)I worksFrazer ①- ④①1837-38 The Yellowplush Correspondence②1839-40 Catherine③1841 The Great Hoggarty Diamond④1844 Barry Lyndon 巴利·林顿⑤Snob Papers ( in Punch) 1848 The Book of Snobs(a social satirist)⑥1847-1848 V anity Fair⑦1848-1850 Pendennis 潘丹尼斯⑧Henry Esmond : a historical novel⑨1855 The Rose and the Ring⑩1855 The Newcomes 纽卡莫一家⑪1855 The Four Georges ( a series of lectures on Kings George 1-IV and their times)12 1857-1859 The VirginiansCornhill Magazine 康西尔杂志13-1613. 1860 Lovel the Widower 鳏夫洛威尔14. 1861-1862 The Adventures of Philip15. 1864 Denis Duval 丹尼斯·杜瓦尔16. 1863 The Roundabout papers 转弯抹角的随笔II Masterpiece: V anity Fair1.Setting : Vanity Fair is set at the time of the Napoleonic wars.2.the title :from John Bunyan’s The Pilgrim’s Progress3.subtitle : a novel without hero4.Characterization:Rebecca SharpAmelia5.Major plotGeorge Eliot (Mary Ann Evans)(1819-1880)Major works1.Translation:The Essence of Christianity《基督教的本质》2. Scenes of Clerical Life 《教区生活场景》1857Three stories:1) “The Sad Fortunes of the Reverend Amos Barton” “阿莫斯·巴顿牧师的不幸遭遇”2) “Mr. Gilfil’s Love Story” “吉尔菲尔先生的恋爱史”3) “Janet’s Repentance” “珍妮特的忏悔”3 Adam Bede《亚当·比德》18594.The Mill on the Floss 《弗洛斯河上的磨房》1859=18605. Silas Marner《织工马南》18616. Romola《罗慕拉》18637. Felix Holt the Radical1866《激进分子费立可斯·霍尔特》8. Middlemarch(1871—1872) 《米德尔马契》9. Daniel Deronda 1876 《丹尼尔·德龙达》II Writing features (理解)The Brontë SistersCharlotte Brontë (1816—1855)Emily Brontë (1818—1848)Anne Brontë (1820—1849)I WorksPoems by Culler, Ellis, and Acton Bell1846 a collection of poemsEmily:Wuthering Heights《呼啸山庄》Anne:①Agnes Grey《安格尼斯·格雷》②The Tenant of the Wildfell Hall《维尔德菲尔庄园的房客》①The Professor《教授》(based on her Brussels experience; not published until her death)②Jane Eyre《简爱》(masterpiece)③Shirley,《雪莉》1849④Villette,《维莱特》1853II Jane EyreIII. Wuthering Heights by Emily Bronte①one of the great works of genius in English fiction②Emily drew equally on her own emotional, introverted nature and on the wild and mysterious moorland around for the story of Heathcliff.③the title: wuthering, a yorkshire dialect for “weathering”④the plotTwo families and an instruderThe Earnshaw family—Wuthering HeightsHindley (Hareton)Catherine (cathy)The Linton family—Thrushcross GrangeEdgarIsabellaThe instruder Heathcliff (Linton)Alfred, Lord Tennyson1809-1892I statusThe most representative, if not the greatest, Victorian poetII Major works①In Memoriam 1833-1850 悼念集131 short poemsA powerful expression of the poet’s philosophical and religious thoughts②Idylls of the king 1850-1855•12 books of narrative poems, based on the Celtic legend of King Arthur and his Knights of the Round Table• A modern interpretation of the classic mythIII Tennyson’s best-known short poems①Ulysses②Break, Break, BreakSadness over the loss of a dear friend, combiningnature and his inner world③Crossing the BarIV Writing features (理解)Robert BrowningI Dramatic monologueII His major works①Pauline②Paracelsus 1835 帕拉塞尔萨斯③Sordello 索尔戴洛④Pippa passes 比芭走过⑤Dramatic Lyrics 1842⑥Dramatic Romances 1845⑦Men and Women 1855⑧The Ring and the Book 1868-1869III Artistic features①The name of Browning is often associated with the term "dramatic monologue." Although it is not his invention, it is in his hands that this poetic form reaches its maturity and perfection.its maturity and perfection.②Browning's poetry is not easy to read. His rhythms are often too fast, too rough & unmusical③The syntax is usually clipped & highly compressed. The similes & illustrations appear too profusely. The allusions & implications are sometimes odd & far-fetched. All this makes up his obscurity.On the whole, Browning's style is very different from that of any other Victorian poets.His poetic style belongs to the 20th-century rather than to the Victorian age.IV Selected Reading:“My Last Duchess”Best example of dramatic monologuePart IX Twentieth Century Literature The transition from 19th to the 20th Century in English LiteratureBackground of history•Imperialism•Social reformLiterature①A period of struggle between realistic and anti-realist trendsRealistic writersGeorge Meredith(1828-1909)乔治·梅瑞迪斯Samuel Butler (1865-1902)萨缪尔·巴特勒Thomas Hardy (1840-1828) 托马斯·哈代George Bernard Shaw (1856-1950) 乔治·巴纳德·萧Herbert George Wells(1866-1946) 赫伯特·乔治·威尔斯John Galsworthy 约翰·高尔斯华绥(1867-1833)Features:P 310 –p311 (5 paragraphs )Anti-realistic writersRobert Louis Stevenson 斯蒂文森(1850-1894)新浪漫主义Oscar Wilde 奥斯卡·王尔德(1856-1890)唯美主义Joseph Rudyard Kipling 吉卜林(1865-1936)帝国主义诗人(the first English-language writer to receive the Nobel Prize)②ModernismBackground (philosophical ideas)(1)Karl Marx:scientific socialism(2)Darwin’s theory of evolutionThe Social Darwinism, “survival of the fittest”(3) Einstein’s theory of relativity provided entirely new ideas for the concepts of time and space.(4)Freud’s analytical psychology(5) Arthur Schopenhauer, a pessimistic philosopher, started a rebellion against rationalism, stressing the importance of will and intuition.(6) Friedrich Nietzsche went further against rationalism by advocating the doctrines of power and superman and by completely rejecting the Christian morality.(7) Henry Bergson established his irrational philosophy, which put the emphasis on creation, intuition, irrationality and unconsciousness.Thomas Hardy (1840-1928)English poet and novelistThe Wessex Novelspessimism and sense of tragedy in human life.I His Major WorksHardy himself divided his novels into three groups:1) Novels of Character & Environment (性格与环境小说)2)Novels of Romances & Fantasies3)Novels of Ingenuity1) Novels of Character and EnvironmentUnder the Greenwood Tree(1872) 《绿荫下》Far from the Madding Crowd(1874) 《远离尘嚣》The Return of the Native (1878) 《还乡》The Trumpet Major(1880)《号兵长》The Mayor of Casterbridge(1886) 《卡斯特桥市长》The Woodlanders(1887)《林地人》Tess of the d'Urbervilles(1891) 《德伯家的苔丝》Jude the Obscure(1895) 《无名的裘德》II features①Past & Modern②Determinism③Critical realismIII Writing features①Hardy is not an analyst of human life or nature like George Eliot, but a meditative story-teller or romancer.②He tells very good stories about very interesting people but seldom stops to ask why.③He is a great painter of nature.④His heroes and heroines, those unfortunate young men and women in their desperate struggle for personal fulfillment and happiness, are all vividly and realistically depicted.⑤They all seem to possess a kind of exquisitely sensuous beauty.⑥And finally, all the works of Hardy are noted for the rustic dialect and a poetic flavor.⑦In style, Hardy is a traditionalist, although there are obvious traits of modernism in thematic matters.John Galsworthy 高尔斯华绥Major works①his first book,From the Four Winds(a volume of short stories)1897②The Forsyte Chroniclesthe first trilogy:The Forsyte SagaThe Man of Property (1906)In Chancery(1920)To Let(1921)the second trilogy: A Modern Comedy 1929the third : End of the Chapter1934③playsThe Silver Box (1906)Strife (1909)Justice (1910)Oscar Wilde•Irish poet, novelist, dramatist and essayist• A spokesman for Aestheticism (the school of “Art for Art’s sake”AestheticismWorks①The Picture of Dorian Gray (a novel) 1891道连·格雷的画像②Lady Windermere’s fan③A Woman of No Importance④An Ideal Husband⑤The Importance of Being Earnest(②- ⑤Comedies)⑥The Ballad of Reading Gaol《雷丁监狱之歌》1898 (poem)⑦De Profoundis 1905 《从深处》(prose)。

英国文学史期末总结复习重点

英国文学史期末总结复习重点

英国文学史Part one: Early and Medieval English LiteratureChapter 1 The Making of England1. The early inhabitants in the island now we call England were Britons,a tribe of Gelts.2. In 55 ., Britain was invaded by Julius Caesar.The Roman occupation lasted for about 400 years.It was also during the Roman role that Christianity was introduced to Britain.And in 410 ., all the Roman troops went back to the continent and never returned.3. The English ConquestAt the same time Britain was invaded by swarms of pirates( 海盗). They were three tribes from Northern Europe: the Angles, Saxons and Jutes.And by the 7th century these small kingdoms were combined into a United Kingdom called England, or, the land of Angles.And the three dialects spoken by them naturally grew into a single language called Anglo-Saxon, or Old English.4. The Social Condition of the Anglo-SaxonTherefore, the Anglo-Saxon period witnessed a transition from tribalsociety to feudalism.5. Anglo-Saxon Religious Belief and Its InfluenceThe Anglo-Saxons were Christianized in the seventh century.Chapter 2 Beowulf1. Anglo-Saxon PoetryBut there is one long poem of over 3,000 lines. It is Beowulf, the national epic of the English people. Grendel is a monster described in Beowulf.3. Analysis of Its ContentBeowulf is a folk lengend brought to England by Anglo-Saxons from their continental homes. It had been passed from mouth to mouth for hundreds of years before it was written down in the tenth century.4. Features of BeowulfThe most striking feature in its poetical form is the use of alliteration, metaphors and understatements.Chapter 3 Feudal England1) The Norman Conquest2. The Norman ConquestThe French-speaking Normans under Duke William came in 1066. After defeating the English at Hastings, William was crowned as King of England.The Norman Conquest marks the establishment of feudalism in England.3. The Influence of the Norman Conquest on the English LanguageBy the end of the fourteenth century, when Normans and English intermingled, English was once more the dominant speech in the country.3) The Romance1. The Content of the RomanceThe most prevailing kind of literature in feudal England was the romance.4. Malory ’s Le Morte D ’ArthurThe adventures of the Knights of the Round Table at Arthur ’s courtChapter 5 The English Ballads2. The BalladsThe most important department of English folk literature is the ballad.A ballad is a story told in song, usually in 4-line stanzas, with the secondand fourth lines rhymed.Of paramount importance are the ballads of Robin Hood.3. The Robin Hood BalladsChapter 6 Chaucer1. LifeGeoffrey Chaucer, the founder/father of English poetry.3. Troilus and CriseydeTroilus and Criseyde is Chaucer’s longest complete poem and his greatest artistic achievement.But the poet shows some sympathy for her, hitting that her fault springsfrom weakness rather than baseness of character.4. The Canterbury TalesThe Canterbury Tales is Chaucer ’s masterpiece and one of the monumental works in English literature.6. His LanguageChaucer’s language, now called Middle English, is vivid and exact.Chaucer’s contribution to English poetry lies chiefly in the fact thathe introduced from France the rhymed stanza of various types, especiallythe rhymed couplet of 5 accents in iambic meter (the “the heroic couplet ”)to English poetry, instead of the old Anglo-Saxon alliterative verse.The spoken English of the time consisted of several dialects, and Chaucerdid much in making dialect of London the standard for the modern English speech.Part Two: The English RenaissanceChapter 1 Old England in Transition1. The New MonarchyThe century and a half following the death of Chaucer was full of great changes.And Henry 7, taking advantage of this situation, founded the Tudor dynasty,a centralized monarchy of a totally new type, which met the needs of therising bourgeoisie and so won its support.2. The ReformationProtestantismThe bloody religious persecution came to a stop after the church settlementof Queen Elizabeth.3. The English BibleWilliam TyndallThen appeared the Authorized Version, which was made in 1611 under the auspices of James I and so was sometimes called the King James Bible.The result is a monument of English language and English literature.The standard modern English has been fixed and confirmed.4. The Enclosure Movement5. The Commercial ExpansionChapter 2 More1. LifeThomas More2. UtopiaUtopia is More ’s masterpiece, written in the form of a conversationbetween More and Hythlody, a returned voyager.The name “Utopia ”comes from two Greek words meaning “no place ”.3. Utopia , Book OneBook One of Utopia is a picture of contemporary England with forcibleexposure of the poverty among the laboring classes.4. Utopia , Book TwoIn Book Twowe have a sketch of an ideal commonwealth in some unknown ocean, where property is held in common and there is no poverty.Chapter 3 The Flowering of English Literature3. Edmund Spenser1) LifeThe Poet ’s Poet of the period was Edmund Spenser.In 1579 he wrote The Shepher’s Calendar, a pastoral poemin twelve books, one for each month of the year.2) The Faerie Queene (masterpiece)Spenser ’s greatest work, The Faerie Queene (published in 1589-1596), isa long poem planned in 12 books, of which he finished only 6.iambic feet Spenserian Stanza4. Francis Bacon (father/founder of English essay)the founder of English English materialist philosophyBacon is also famous for his Essays. When it included 58 essays.Bacon is the first English essayist.Chapter 4 Drama7. The PlaywrightsThere was a group of so-cal led “university wits ”(Lyly, Peele, Marlowe, Greene, Lodge and Nash).Chapter 5 Marlowe1. LifeThe most gifted of the “university wits ”was Christopher Marlowe.2. WorkMarlowe’s best includes three of his plays, Tamburlaine , The Jew of Malta and Doctor Faustus.3. Doctor FaustusMarl owe’s masterpiece is The Tragical History of Doctor Faustus.5. Marlowe ’s Literary AchievementMarlowe was the greatest of the pioneers of English drama.It is Marlowe who first made blank verse (rhymeless iambic pentameter)the principal instrument of English drama.Chapter 6 Shakespeare1. LifeWilliam Shakespeare was born on April 23, 1564, in Stratford-on-Avon.After his death, two of his above-mentioned fellow-actors, Herminge and Condell, collected and published Shakespeare ’s plays in 1623. To this edition, which has been known as the First Folio.4. The Great ComediesA Midsummer Night ’s Dream, The Merchant of Venice , As You Like It and Twelfth Night have been called Shakespeare ’s “great comedies ”.6. The Great TragediesShakespeare created his great tragedies, Hamlet, Othello , King Lear and Macbeth.7. Hamletthe son of the Renaissance9. The Poems1) Venus and Adonis2) The Rape of Lucrece3) Shakespeare’s Sonnets10. Features of Shakespeare ’s DramaShakespeare and the Authorized Version of the English Bible are the two greatest treasuries of the English language.Shakespeare has been universally acknowledged to be the summit of the English Renaissance.Part Three: The Period of the English Bourgeois RevolutionChapter 1 The English Revolution and the Restoration5. The Bourgeois Dictatorship and the Restorationin 1688 Glorious Revolution6. The Religious Cloak of the English RevolutionPuritanism was the religious doctrine of the revolutionary bourgeoisieduring the English Revolution. It preached thrift, sobriety, hard work and unceasing labour in whatever calling one happened to be, but with no extravagant enjoyment of the fruits of labour.Chapter 2 Milton1. Life and WorkParadise Lost , Paradise Regained and Samson Agonistes.2. Paradise Lost1) Paradise LostParadise Lost is Milton ’s masterpiece.blank verse.Chapter 3 Bunyan1. LifeThe Pilgrim ’s Progress was published in 1678.2. The Pilgrim ’s Progress1) The Pilgrim ’s Progress is a religious allegory.Chapter 4 Metaphysical Poets and Cavalier Poetsa school of poets called “Metaphysical ”by S amuel Johnson.by mysticism in content and fantasticality in formJohn Donne, the founder of the Metaphysical school of poetry.Chapter 6 Restoration Literature2. John DrydenThe most distinguished literary figure of the Restoration Period was John Dryden.Dryden was the forerunner of the English classical school of literaturein the next century.Part Four: The Eighteenth CenturyChapter 1 The Enlightenment and Classicism in English Literature1. The Enlightenment and 18th Century England2) The Enlightenment in EuropeThe 18th century marked the beginning of an intellectual movementin Europe, known as the Enlightenment, which was, on the whole, an expression of struggle of the bourgeoisie against feudalism. The enlighteners foughtagainst class inequality, stagnation, prejudices and other survivals of feudalism.3) The English EnlighternersThe representatives of the Enlightenment in English literature were Joseph Addison and Richard Steele, the essayists, and Alexander Pope, the poet.Chapter 2 Addison and Steele1. Steele and The TatlerRichard SreeleIn 1709, he started a paper, The Tatler , to enlighten, as well as to entertain, his fellow coffeehouse-goers.His appeal was made to “coffeehouses, ”that is to say, to the middle classes, for whose enlightenment he stood up.“Issac Bickerstaff ”2. Addison and The SpectatorThe general purpose is “to enliven morality with wit, and to temper witwith morality. ”They ushered in the dawn of modern English novel.Chapter 3 Pope1. LifeAlexander Pope, the most important English poet in the first half of the18th century.3. Workmanship and LimitationPope was an outstanding enlightener and the greatest English poet of the classical school in the first half of the 18th century.Pope is the most important representative of the English classical poery.But he lacker the lyrical gift.Chapter 4 Swift3. Bickersta f f Almanac (1708)Swift wrote his greatest work Gulliver ’s Travels in Ireland.Chapter 5 Defoe and the Rise of the English Novel1. The Rise of the English Novelthe realistic novel: Defoe, Swift, Richardson and FieldingSwift ’s world -famous novel Gulliver ’s Travel sDefoe’s Robinson Crusoe (the forerunner of the English realistic novel) Richardson: Pamela, Clarissa and Sir Charles GrandisonFielding was the real founder of the realistic novel in England.The novel of this period ⋯spoke the truth about life with an uncompromising courage. ”The novelists of this period understood that “the job of a novelist was to tell the truth about life as he saw it. ”(Ibid.)This explains the achievement of the English novel in the 18th century.4. Robinson Crusoe1) Today Defoe is chiefly remembered as the author of Robinson Crusoe, his masterpiece.Chapter 6 RichardsonSamuel RichardsonPamela was, in fact, the first English psycho-analytical novel.After Pamela, Richardson wrote two other novels: Clarissa Harlowe and Sir Charles Grandison .Clarissa is the best of Richardson ’s novel.Chapter 7 Fielding (the father of English novel)1. LifeHis first novel Joseph Andrews was published in 1742.His Jonathan Wild appeared in 1743. It is a powerful political satire.In 1749, he finished his great novel Tom Jones.Amelia was his last novel. It is inferior to Tom Jones, but has meritsof its own.3. Joseph Andrews4. Tom Jones1) The StoryFielding ’s greatest work is The History of Tom Jones , a Foundling . 6. Summary2) Fielding as the Founder of the English Realistic NovelAs a novelist, Fielding is very great. He is the founder of the English realistic novel and sets up the theory of realism in literary creation.He has been rightly called the “father of t he English novel. ”Chapter 10 Johnson1. LifeSamuel Johnson, lexicographer, critic and poet.2. Johnson ’s DictionaryIn 1755 his Dictionary was published.His Dictionary also marked the end of English writers ’reliance on the patronage of noblemen for support.Chapter 13 Sentimentalism and Pre-Romanticism in Poetry1. LifeThomas Gray2. Pre-RomanticismIn the latter half of the 18th century, a new literary movement arose in Europe, called the Romantic Revival.Pre-Romanticism was ushered in by Percy, Macpherson and Chatterton, and represented by Blake and Burns.Chapter 14 Blake1. LifeWilliam Blake2. Songs of Innocence and Songs of Experience4. Blake ’s Position in English LiteratureFor these reasons, Blake is called a Pre-Romantic or a forerunner of the Romantic poetry of the 19th century.Chapter 15 Burns1. LifeHis Poems Chiefly in the Scottish Dialect were printed. (masterpiece)The Scots Musical Museum and Select Collection of Original Scottish Airs 2. The Poetry of Burns1) Burns is remembered mainly for his songs written in the Scottish dialecton a variety of subjects.3. Features of Burns ’PoetryBurns is the national poet of Scotland.Part Five: Romanticism in EnglandChapter 1 The Romantic Periodthe Industrial Revolution the French RevolutionAmid these social conflicts romanticism arose as a new literary trend.It prevailed in England during the period 1798-1832.These were the elder generation of romanticists, sometimes called escapist romanticists, including Wordsworth, Coleridge and Southey, who have alsobeen called the Lake Poets.Active romanticists represented by Byron, Shelley and Keats.The general feature of the works of the romanticists is a dissatisfactionwith the bourgeois society, which finds expression in a revolt against oran escape from the prosaic, sordid daily life, the “prison of the actual ”under capitalism.Poetry, of course, is the best medium to express all these sentiments.The only great novelist in this period was Walter Scott.Scott marked the transition from romanticism to the period of realism which followed it.Chapter 2 WordsworthColeridgeIn 1798 they jointly published the Lyrical Ballads .The publication of the Lyrical Ballads marked the break with theconventional poetical tradition of the 18th century, ., with classicism,and the beginning of Romantic revival in England.The Preface of the Lyrical Ballads served as the manifesto of the English Romantic Movement in poetry.Wordsworth, Coleridge and Southey have often been mentioned as the “Lake Poets”because they lived in the Lake District in the northwestern partof England.His deep love for nature runs through such short lyrics as Lines Writtenin Early Spring , To the Cuckoo, I WanderedLonely as a Cloud, My Heart LeapsUp, Intimations of Immortality and Lines Composeda FewMiles Above Tintern Abbey. The last is called his “lyrical hymn of thanks to nature ”.Wordsworth’s poetry is distinguished by the simplicity and purity of his language.Chapter 3 Coleridge and Southey1. ColeridgeColeridge ’s best poems, The Rime of the Ancient Mariner .Chapter 4 Byron1. LifeChilde Harold ’s PilgrimageHe finished Childe Harold , wrote his masterpiece Don Juan.2. Childe Harold ’s PilgrimageThis long poem contains four cantos. It is written in the Soenserianstanza.3. Don JuanByron remains one of the most popular English poets both at home and abroad.Chapter 5 Shelley4. Promethus UnboundShelley ’s masterpiece is Promethus Unbound, a lyrical drama in 4 acts.6. Lyrics on Nature and LoveOde to the West WindChapter 6 Keats2. Long PoemsKeats wrote five long poems: Endymion, Isabella , The Eve of St. Agnes , Lamia and Hyperion .5) The unfinished long epic Hyperion has been regarded as Keat ’s greatest achievement in poetry.3. Short Poems1) His leading principle is: “Beauty in truth, truth in beauty. ”3) Ode to Autumn , Ode on Melancholy , Ode on a Grecian Urn and Ode to a NightingaleChapter 10 Scott2. His Historical NovelsScott has been universally regarded as the founder and great master ofthe historical novel.According to the subjet-matter, the group on the history of Scotland, thegroup on English history and the group on the history of European countries.In fact, Scott ’s literary career marks the transition from romanticismto realism in English literature of the 19th century.Part Six: English Critical RealismChapter 2 DickensCharles Dickens critical realismDickens: Pickwick Papers , American Notes , Martin Chuzzlewit and Oliver Twist4) Dickens has often been compared Shakespeare for creative force and range of invention. “He and Shakespeare are the two unique popular classics that England has given to the world, and they are alike in being remembered notfor one masterpiece but for creative world. ”David CopperfieldChapter 3 Thackeray2. Vanity Fair : A Novel Without a HeroVanity Fair is Thackeray ’s masterpiece. characters: Amelia Sedley and Rebecca (Becky) SharpThackeray can be placed on the same level as Dickens, as one of the greatest critical realists of 19th-century Europe.Chapter 4 Some Women Novelists1. Jane Austen (1775-1817)She herself compared her work to a fine engraving madeupon a little pieceof ivory only two inches square.Jane Austen wrote 6 novels: Northanger Abbey, Sense and Sensibility , Pride and Prejudice , Mansfield Park , Emma and Persuasion.2. The Bronte SistersCharlotte ’s maiden attempt at prose writing, the novel Professor , was rejected by the publisher, but her next novel Jane Eyre, appearing in 1847, brought her fame and placed her in the ranks of the foremost English realistic writers. Emily ’s novel Wuthering Heights appeared in 1847.Anne: Agnes Grey4. George EliotMary Ann Evansthree remarkable novels: AdamBede, The Mill on the Floss and Silas Marner 3) Silas Marner: Critical realism was the main current of English literaturein the middle of the 19th century.Part Seven: Prose-Writers and Poets of the Mid and Late 19th CenturyChapter 1 Carlylethe Victorian AgeChapter 3 Tennysonthe Victorian Age prose especially the novel1. Tennyson ’s Life and CareerAlfred Tennyson, the most important poet of the Victorian Age.In the same year (1850) he was appointed poet laureate in succession to Wordsworth.Chapter 7 Literary Trends at the End of the Century1. NaturalismNaturalism is a literary trend prevailing in Europe, especially in Franceand Germany, in the second half of the 19th century.2. Neo-RomanticismStevenson was a representative of neo-romanticism in English literature.Treasure Island (masterpiece)3. AestheticismAestheticism began to prevail in Europe at the middle of the 19th century.The theory of “art for art ’s sake ”was first put forward by the Frenchpoet Theophile Gautier.The two most important representatives of aestheticists in Englishliterature are Walter Pater and Oscar Wilde.2) Oscar Wilde dramatistLady Windermere’s Fan, 1893; A Woman of No Importance , 1894; An Ideal Husband and The Importance of Being Earnest , 1895The Importance of Being Earnest is his masterpiece in drama.Part Eight: Twentieth Century English Literature(Modernism)Chapter 2 English Novel of Early 20th Century3. Henry JamesHe is regarded as the forerunner of the “stream of consciousness ”literature in the 20th century.Chapter 3 Hardy1. Life and WorkAmong his famous novels, Tess of the D’Urbervillies and Jude the Obscure.2. Tess of the D ’Urbervilliescharacters: Tess, Alec D ’Urbervillies and Angel ClareChapter 6 Bernard ShawChapter 8 Modernism in Poetry1. ImagismEzra PoundThe two most important English poets of the first half of 20th centuryare W. B. Yeats and T. S. Eliot.2. W. B. YeatsThe Wild Swans at Coole , Michael Robartes and the Dancer , The Tower and The Winding StairT. S. Eliot has referred to Yeats as “the greatest poet of ourage-certainly the greatest in this . English) language. ”3. T. S. EliotThe Waste Land (1922) is dignifying the emergence of Modernism.T. S. Eliot was a leader of the modernist movement in English poetry anda great innovator of verse technique. He profoundly influenced 20th-century English poetry between World Wars 1 and 2.Chapter 9 The Psychological Fiction1. D. H. LawrenceSons and Lovers (1913) , the first of Lawrence ’s important novel s, islargely autobiographical.This shows the influence of Freud’s theory of psychoanalysis, especiallythat of the “Oedipus complex. ”The Rainbow, Women in Love and Lady Chatterley ’s Lover3. James JoyceUlysses (1922)June 16, 1904character: Leopold BloomJames Joyce was one of the most original novelists of the 20th century.His masterpiece Ulysses has been called “a modern prose epic ”.His admirers have praised him as “second only to Shakespeare in hismastery of the English language. ”4. Virginia Woolf“high-brows ”the Bloomsbury GroupVirginia Wolf ’s first two novels, The Voyage Out and Night and Day .Jacob’s Room, Mrs. Dalloway , To the Lighthouse and Orlando PartNine: Poets and Novelists Who Wrote both before and after the Second WorldWarChapter 5 E. M. ForsterEdward Morgan Forster the Bloomsbury Groupfour novels: WhereAngels Fear to Tread, The Longest Journey, A Roomwitha View and Howards EndA Passage to India , published in 1924, is Forster ’s masterpiece . In 1927, Forster published a book on the theory of fiction, Aspects of the Novel .Chapter 10 William GoldingWilliam Gerald GoldingHis first novel Lord of the FliesChapter 11 Doris LessingGolden Notebook。

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