英国文学作品名字名词解释
英国文学名词解释
Ballad(民谣)In more exact literary terminology, a ballad is a narrative poem consisting of quatrains of iambic tetrameter alternating with iambic trimester. Common traits of the ballad are that(a) the beginning is often abrupt ,(b) the story is told through dialogue and action (c) the language is simple or “folksy,”(d) the theme is often tragic---though comic ballads do exist, (e) the ballad contains a refrain repeated several times. The ballad became popular in England in the late 14th century and was adopted by many writers. One of the most important anthologies of ballads is F. J. Child’s The English and Scottish Popular Ballads. 在更为精确的文学术语中，民谣指的是抑扬格四音步与抑扬格三音步诗行交替出现的四行叙事诗。
民谣的共同特色包括：（a）诗歌的起首通常十分出其不意。
（b）故事通过对话和行为讲述。
（c）语言简单，民风十足。
（d）尽管存在喜剧民谣，但大多数民谣的主题具有悲剧意味。
（e）民谣通常包含重复多遍的叠句。
民谣这种诗歌形式在14世纪晚期的英格兰十分盛行，从此以后许多作家对其进行模仿创作。
英国文学 名词解释
1.(1) Modernism (现代主义)A movement of experiment in new techniques in writing. Modernist fiction represented a trend drifting away from the tradition of the 19th century realism. It put emphasis on the description ogoometimes it is call ed modern psychological fiction. Lawrence is a typical representative of itRealism（现实主义）Realism was a loosely used term meaning truth to the observed facts of life （especially when they are gloomy）。
Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic or literary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner. It is an attempt to reflect life "as it actually is"--a concept in some ways similar to what the Greeks would call mimesis. (2) Secondly and more specifically, realism refers to a literary movement that developed out of naturalism in the nineteenth and twentieth centuries. Although realism and the concern for aspects of verisimilitude have been components of literary art to one degree or another in nearly all centuries, the term realism also applies more specifically to the tendency to create detailed, probing analyses of the way "things really are," usually involving an emphasis on nearly photographic details.These writers include such diverse artists as Mark Twain, Tolstoy, &Thomas Hardy.Modernism（现代主义）: Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Yeats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia WoolfModernism: 1) The rise Of modernism movement Modernism rose out of skepticism and disillusionment of capitalism, which made writers and artists search for a new ways to express their understanding of the world and the human nature. The French symbolism was the forerunner ofmodernism. The First World War quickened the rising of all kinds of literary trends of modernism, which, toward the 1920s, converged into a mighty torrent of modernist movement. The major figures associated with the movement were Kafka, Picasso, Pound, Eliot, Joyce, and Virginia Woolf. Modernism was somewhat curbed in the 1930s. but after World War II, Varieties of modernism, or post-modernism, rose again with the spur of Sarter’s existentialism. However, they gradually disappe ared or diverged into other kinds of literary trends in the 1960s. 2) The characteristics of modernism ●Modernism marks a strong and conscious break with the past, by rejecting the moral, religious and cultural values of the past.●Modernism emphasizes on the need to move away from the public to the private, from the objective to the subjective. ●Modernism upholds a new view of time by emphasizing the psychic time over the chronological one. It maintains that the past, the present and the future are one and exist at the same time in the consciousness of individual as a continuous flow rather than a series of separate moments.●Modernism is, in many respects, a reaction against realism. It rejects rationalism, which is the theoretical base of realism; it excludes from its major concern the external, objective, material world, which is the only creative source of realism; it casts away almost all the traditional elements in literature like story, plot, character, chronological narration, etc., which are essential to realism. As a result, the works created by the modernist writers can often be labeled as anti-novel, anti-poetry or anti-drama[22] Realism:（写实主义） A term used in literature and art to present life as it really is without sentimentalizing or idealizing it. Realistic writing often depicts the everyday life and speech of ordinary people. This has led, sometimes to an emphasis on sordid details.Critical Realism (批判现实主义) Critical realism is one of the literary genres that flourished mainly in the 19th century. It reveals the corrupting influence of the rule of cash upon human nature. Here lies the essentially democratic and humanistic character of critical realism. The English critical realists of the 19th century not only gave a satirical portrayal of the bourgeoisie and all the ruling classes, but also showed profound sympathy for the common people. In their best works, they used humor and satire to contrast the greed and hypocrisy of the upper classes with the honesty and good-heartedness of the obscure “simple people” of the lower classes. Humorous scenes set off the actions of the positive characters, and the humor is often tinged with a lyricism which serves to stress the fine qualities of such characters. At the same time,bitter satire and grotesque is used to expose the seamy side of the bourgeois society. The critical realists, however, did not find a way to eradicate the social evils they knew so well. They did not realize the necessity of changing 4 the bourgeois society through conscious human effort. Their works do notpoint toward revolution but rather evolution or reformism. They often start with a powerful exposure of the ugliness of the bourgeois world in their works, but their novels usually have happy endings or an impotent compromise at the end. Here are the strength and weakness of critical realism. 批判现实主义是盛行于19世纪的文学流派之一，揭示了金钱控制一切对人性的恶劣影响，这正是19世纪批判现实主义民主和人文特点的根源。
英国文学的一些名词解释
英国文学的一些名词解释英国文学是世界文学宝库中的明珠，众多文学名著诞生于这片土地上。
提到英国文学，我们不仅仅要了解其中众多名著的作者和故事情节，我们还需要掌握一些专业术语和概念。
在本文中，我将为大家解释一些与英国文学相关的名词，帮助读者更好地理解英国文学的精髓。
一、浪漫主义浪漫主义是18世纪末到19世纪初兴起的一种文学运动，它强调个人感受、想象力和超凡脱俗的体验。
浪漫主义充满了激情和对自然、人类内心世界的热爱。
在英国文学史上，浪漫主义给予了众多优秀的作品，如《弗兰肯斯坦》、《唐吉诃德》等。
二、维多利亚时代维多利亚时代是指1837年至1901年英国女王维多利亚统治下的时期。
这个时代是英国工业革命达到巅峰的时期，但也是社会动荡和不平等的时期。
维多利亚时代的文学作品通常描写社会阶级落差、人性的复杂以及对女性地位的思考。
其中最著名的代表作品包括《雾都孤儿》、《呼啸山庄》等。
三、现代主义现代主义是20世纪初兴起的一种文学运动，它试图打破传统的叙事形式，挑战读者的理解和想象力。
现代主义作品通常以碎片化的结构、内心独白和流露出的不确定性为特点。
英国文学史上的现代主义代表作品有《尤利西斯》、《荒原》等。
四、战后文学战后文学是指第二次世界大战结束后，英国文学的新兴潮流。
在这一时期，英国文学持续呈现多样性和实验性。
战后文学关注社会变革、性别政治以及民族认同，并通过多种不同的写作风格和技巧来探索个体心理和文化理解。
该时期的代表作品包括《动物农场》、《1984》等。
五、北方现实主义北方现实主义是19世纪中叶至20世纪初期在英国出现的文学派别，它对于社会的现象和底层人民的生存状况进行了深刻而真实的描写。
北方现实主义作品通常关注社会困境和阶级冲突，以真实主义的手法展现人物的命运和社会环境的影响。
代表作品有《红与黑》、《战争与和平》等。
六、文学奖项文学奖项是评选和表彰优秀文学作品和作者的机构或组织举办的活动，也是文学界的重要盛事。
英国文学史名词解释
英国文学史名词解释英国文学史是西方文学史中重要的一个分支，它以英国作家的作品为研究对象，涵盖了从中世纪到现代的众多文学作品和文学流派。
在这篇文章中，我将解释一些与英国文学史相关的重要名词，帮助读者更好地理解和欣赏英国文学的发展历程。
1. Beowulf (《贝奥武夫》)《贝奥武夫》是一部古老的英国史诗，被认为是英国文学史上最早的重要文学作品之一。
它讲述了贝奥武夫这位英勇的斗士与怪物格列伦德之间的战斗，强调了英雄气概和荣誉观念。
2. Elizabethan Age (伊丽莎白时代)伊丽莎白时代是英国文学史上一段璀璨的时期，时间跨度大约是1558年到1603年，得名于当时的女王伊丽莎白一世。
莎士比亚和培根等众多杰出的文学家在这个时代涌现，他们的作品对英国戏剧和文学产生了深远的影响。
3. Restoration (复辟时期)复辟时期是指英国历史上查理二世复辟王朝（1660年至1688年）期间的文学时期。
在这个时期，英国文学经历了从古典主义到启蒙思想的转变，作家们开始关注社会问题，并使用更加通俗的语言创作。
4. Romanticism (浪漫主义)浪漫主义是18世纪末至19世纪初在英国兴盛的一种文学运动，它强调个人情感和情感共鸣，对自然界、个体感受和非理性有着强烈的兴趣。
威廉·华兹华斯、塞缪尔·柯勒律治和约翰·济慈等浪漫主义诗人的作品在这一时期达到了巅峰。
5. Victorian Era (维多利亚时代)维多利亚时代是19世纪英国的一个时期，得名于维多利亚女王。
这个时期的文学作品反映了当时社会的道德伦理观念和社会问题，女性权益和道德拯救等主题常常被探索和讨论。
查尔斯·狄更斯、艾米丽·勃朗特和托马斯·哈代是这个时期最著名的文学家之一。
6. Modernism (现代主义)现代主义是20世纪初在英国兴起的一种文学运动，它反对传统形式和传统价值观，并试图通过新颖的写作风格和形式来呈现当时复杂多变的现实。
（完整）英国文学名词解释大全（整理版）,推荐文档
（完整）英国文学名词解释大全（整理版）,推荐文档名词解释1.Epic(史诗)（appeared in the the Anglo-Saxon Period ）It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf （the pagan（异教徒），secular(非宗教的) poetry）Iliad 《伊利亚特》，Odyssey《奥德赛》Paradise Lost 《失乐园》，The Divine Comedy《神曲》2.Romance （传奇）(Anglo-Norman feudal England)Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble hero Character:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures,taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king ?Romance lacks general resemblance to truth or reality.It exaggerates the vices of human nature and idealizes the virtues.It contains perilous (dangerous) adventures more or less remote from ordinary life.It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table （亚瑟王和他的圆桌骑士）●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur （亚瑟王之死）②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone（the most important part基石）of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized （supported 庇护,保护）by the noble.3. Alliteration（押头韵）: a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement（低调陈述）（for ironical humor）not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》（a monument of Old English prose）6. Ballads （民谣）（The most important department of English folk literature ）①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic （风格上）Features of the Ballads1. Composed in couplets （相连并押韵的两行诗,对句）or in quatrains （四行诗）known as the ballad stanza （民谣诗节）, rhyming abab or abcb, with the first and third lines carrying 4 accented syllables （重读音节）and the second and fourth carrying 3.2. Simple, plain language or dialect （方言，土语）of the common people with colloquial （口语的，会话的）, vivid and, sometimes, idiomatic （符合当地语言习惯的）expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension （方面）to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet （英雄双韵体）（introduced by Geoffrey Chaucer）Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体：用于史诗或叙事诗，每行十个音节，五个音部，每两行押韵。
英国文学名词解释
英国文学名词解释英国文学I. Multiple choice 20’unit10--211. Charles dickens:小说：The Posthumous Papers of Pickwick Club《匹克威克外传》第一部长篇小说Oliver Twist《雾都孤儿》The Old Curiosity Shop《老古玩店》Dombey and Son《董贝父子》Bleak House《荒凉山庄》David Copperfield《大卫·科波菲尔》 A Tale of Two Cities《双城记》Great Expectation《远大前程》课本选文：《great expectation》Characters: Pipe, Joe, Magwitch, Estella, Miss Havisham描写主人公匹普的生活经历和心理发展，揭示他对上等生活的种种渴望和幻想破灭后的道德感受和精神反思过程。
作品把个人生活经历同社会批判结合起来，突出显示社会各种邪恶势力对主人公心理成长的影响。
并含蓄的批判了大英帝国对殖民地进行剥削掠夺的事实。
2.Victorian Poets⑴ Alfred Tennyson (the most popular poet in England in Victorian Age, Poet Laureate桂冠诗人) Works：Poems by Tow Brothers《两兄弟诗集》1827 The Princess《公主》1847 In Memoriam A.H.H.《悼念》1850 Maud《毛黛》1855Enoch Arden《伊诺克·阿登》1864 Idylls of the King《国王之歌》1859-85Crossing the Bar《过沙洲》The charge of the light brigade 《轻骑旅进攻》Tear，idle tears《泪水，无端地流》1.Terms explanation 5’*4Dramatic monologue: dramatic monologue in poetry, alsoknown as a persona poem, shares many characteristics with a theatrical monologue; an audience is implied; there is no dialogue; and the poet speaks through an assumed voice-- a character , a fictional identity, or a persona.A poem in which the speaker reveals his or her character through an extended speech or a one-way dialogue. A lyric poem in which the speaker addresses a silent listener, revealing himself/herself in the context of a dramatic situation. The speaker provides information, not only about his/her personality, but also about the time, the setting, the key events, and any other characters involved in the situation at hand.Aesthetic movement: the aesthetic movement, occurred during the late 19th century from about 1868 to about 1900,is a 19th century European design style that emphasized aesthetic values more than social-political theme for literature, fine art, the decorative and interior design. It was part of the anti-19th century reaction and had post-romantic origins, and as such anticipates modernism.Britain the best representatives were Oscar and Algernon Charles Swinburne. The slogan of the movement is “Art for Art’s Sake”, the artists and writers of the Aesthetic movement tended to profess that the Arts should provide refined sensuous or pleasure, rather than convey moral or sentimental messages. Instead, they believed that Art did not have any didactic purpose, it need only be beautiful.Steam of consciousness: it is a narrative device that attempts to give the written equivalent of thecharacter’s thought processes, eit her in a loose interior monologue, or in connection to his or her actions. Stream-of-consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps inthought and lack of some or all punctuation.Epiphany: it refers to a sudden revelation of truth about life inspired by a seemingly trivial incident, it is a spiritual and intellectual illumination of the nature of a thing ,or a sudden revelation of spiritual or moral meaning, usually as to the essential being of a person or thing.Naturalism: it describes a type of literature that attempts to apply scientific principles of objectivity and detachment to its study of human beings. Unlike realism, which focus on literary technique, naturalism implies a philosophical position: for naturalistic writers, since human beings are, in Emile Zola’s phrase, “human beats,” characters can be studied through their relationships to their surroundings.Metafiction: metafiction is essentially writing about writing or “foregrounding the apparatus”, making the artificiality of art or the fictionality of fiction apparent to the reader and generally disregards the necessity for “ willful suspension of disbelief ”. It is often employed to undermine the authority of the author, for unexpected narrative shifts, to advance a story in a unique way, for emotional distance, or to comment on the art of storytelling.胡敏Metafiction is a term given to fictional writing which self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relationship between fiction and reality. In providing a critique of their own methods of construction, such writings not only examine the fundamental structures of narrative fiction, they also explore the possible fictionality of the world outside the literary fictional text.。
英国文学名词解释
英国文学名词解释英国文学是指在英国境内产生的文学作品，包括散文、诗歌、戏剧等多种文学形式。
以下是一些与英国文学相关的名词解释：1. 莎士比亚戏剧（Shakespearean Drama）：指威廉·莎士比亚所创作的戏剧作品，包括《哈姆雷特》、《罗密欧与朱丽叶》等。
2. 简·奥斯汀小说（Jane Austen Novels）：指英国女作家简·奥斯汀所写的一系列小说，主要描写中上层社会的生活，包括《傲慢与偏见》、《理智与情感》等。
3. 浪漫主义（Romanticism）：指18世纪末至19世纪初的一种文艺运动，强调情感、个人主义和自然之美，代表作家有威廉·华兹华斯、塞缪尔·柯勒律治等。
4. 维多利亚时期文学（Victorian Literature）：指19世纪中后期的英国文学，以女王维多利亚统治时期为背景，作品内容反映了社会变革和道德观念的转变，代表作家有查尔斯·狄更斯、乔治·艾略特等。
5. 符号主义（Symbolism）：指19世纪末20世纪初的一种文学流派，强调象征和隐喻的运用，代表作家有奥斯卡·王尔德、D·H·劳伦斯等。
6. 现代主义（Modernism）：指20世纪初的一种思潮和文学流派，以对现代社会的批判和对传统形式的挑战为特点，代表作家有弗吉尼亚·伍尔夫、詹姆斯·乔伊斯等。
7. 女性主义文学（Feminist Literature）：指关注女性经验和性别平等的文学作品，代表作家有弗吉尼亚·伍尔夫、玛格丽特·阿特伍德等。
8. 后现代主义（Postmodernism）：指二战后出现的一种思潮和文学流派，强调对现实的怀疑和对语言的游戏性，代表作家有萨缪尔·贝克特、艾里奥·卡尔维诺等。
9. 科幻文学（Science Fiction）：指描写未来社会和科技发展的文学作品，代表作家有霍华德·菲利普斯·洛夫克拉夫特、艾萨克·阿西莫夫等。
(完整word版)英国文学 名词解释
1.(1) Modernism （现代主义)A movement of experiment in new techniques in writing. Modernist fic tion represented a trend drifting away from the tradition of the 19th century realism。
It put emphasis on the description ogoometimes it is called modern psychological fiction. Lawrence is a typical representative of itRealism（现实主义)Realism was a loosely used term meaning truth to the observed facts of life （especially when they are gloomy）。
Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity。
Realism现实主义： An elastic and ambiguous term with two meanings。
（1） First, it refers generally to any artistic or literary portrayal of life in a faithful， accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world。
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Part One: Early and Medieval English LiteratureWhat’s epic?Epic is one of the ancient types of poetry and plays a very important role in early development of literature and civilization. An epic is a long narrative poem of great scale and grandiose style about the heroes who are usually warriors or even demigods. It deals with noble characters and heroic deeds.Basically, it is a story about hero, more significantly, it reflects national history.The significance of Beowulf:It sings of the exciting adventures of a great legendary hero whose physical strength demonstrates his high spiritual qualities, i.e. his resolution to serve his country and kind folk, his true courage, courteous conduct, and his love of honor. In the poem, Beowulf is strong, courageous, selfless, and ready to risk his life in order to rid his people evil monsters.Geoffrey Chaucer杰佛利•乔叟1340-1400长诗：The House of Fame声誉之堂;Troilus and Criseyde特罗勒斯与克丽西德小说：Canterbury Tales坎特伯雷故事集----英国文学史上现实主义第一部杰作（他是最早有人文主义思想的作家，现实主义文学的奠基人Father of English poetry & Founder of English realism）(Boccacio 薄伽丘The Decameron十日谈)The significance of The Canterbury Tales is as follows:1.It gives a comprehensive picture of Chaucer‟s time.2.The dramatic structure of the poem has been highly commended by critics.3.Chaucer‟s humour: Humour is a characteristic feature of the English literature.4.Chaucer‟s contribution to the English language.Heroic couplet英雄双行体Part Two: The English Renaissance (1550-1642)Renaissance is commonly applied to the movement or period in western civilization, which marks the transition from the medieval to the modern world. It first started in Florence and V enice.HumanismAccording to them it was against human nature to sacrifice the happiness of this life for an after life. They argued that man should be given full freedom to enrich their intellectual and emotional life.In religion, the H thinking was a relation against the narrow mindedness of the Catholic Church; they demanded the information of the church.In art and literature, instead of singing praise to God, they sang in praise of man and of the pursuit of happiness in this life. H shattered the shackles of spiritual bo ndage of man’s mind by the Roman Catholic Church and opened his eyes to “a brave new world” in front of him.Edmund Spenser (1552?-1599) The Fearie Queene仙后Christopher Marlowe (1564-1593) They were predecessors to Shakespeare and were later called the University Wits（大学才子派）.William Shakespeare莎士比亚1564-1616“He was not of an age, but for all time.”Shakespeare’s achievements:1.Shakespeare represented the trend of history in giving voice to the desires and aspirations ofthe people.2.Shakespeare‟s humanism3.Sh akespeare‟s characterization4.Shakespeare‟s originality5.Shakespeare as a great poet6.Shakespeare as master of the English languageHamlet as a Character(Hamlet‟s theme is revenge interrelated with theme of faithlessness, love and ambition.)Soliloquy（自言自语，独白）is a dramatic speech delivered by on character speaking aloud while under the impression of being alone. The soliloquist thus reveals his or her inner thoughts and feelings to the audience, either direct address. It is also known as interior monologue.“To be, or not to be.” The speech conveys a sense of world weariness as well as the author‟s. SonnetA sonnet is a short song in the original meaning of the word. Later it became a poem of 14 lines, usually in iambic（长短格，抑扬格，抑扬格诗）pentameter（五步格诗）with various rhyming schemes.Part Three: Literature of Revolution Period (1603-1688)Francis Bacon培根1561-1626 essayist 散文家(the chief figure in English Prose in the first half of the 17th century and his essays began the long tradition of the English essay in the history of English literature.) Advancement of Learning学术的进展;Novum Organum 新工具;New Atlantic新大西岛;Essays论文集（Of Studies论学习;Of Wisdom for a Man‟s Self）Of Studies purpose: This essay is intended to tell people how to be efficient and make their way in public life.Language Appreciation:Parallel structure; succinct（简明的）expression; long complex sentences side by side with short simple ones; classical diction（发音）; good and clear logical reasoning, with examples and facts; objective impersonal, persuasiv e writing without “we”, “I”.Conceit(高傲，骄傲自大)Conceit originally means “concept” or “idea” and later came to mean “fanciful idea”. A conceit is a metaphor or simile that is mad elaborate (far-fetched), often extravagant（奢侈的，夸张的）. The difference between a conceit and a metaphor or simile is largely to degree. A metaphor or simile appeals mainly to the reader‟s 5 senses and is easier to understand; a conceit may strike the reader as weird.Founder of the Metaphysical school——John Donne; features of the school: philosophical poems, complex rhythms and strange images; the most famous preacher of his time. (In the first stage he was Donne the courtier, the lover, and the soldier. In the second stage he was Dr. John Donne, Dean of St. Paul‟s Cathedral.)John Milton约翰•弥尔顿1608-1674 (He was the man of revolution enthusiasm. The military leader of the revolution, John Milton was the man of thought, and with his pen he defended the revolutionary cause.) L…Allegro欢乐的人;Il Penseroso沉思的人;Comus科马斯;Lycidas列西达斯;Areopagitica论出版自由;Pro Populo Anglicano Defense为英国人民声辩; Pro Populo Anglicano Defense Secunda再为英国人民声辩; Paradise Lost失乐园; Paradise Regained复乐园; Samson Agonistes力士参孙.The blank verse 素体无韵诗, i.e., the unrhymed lines of iambic pentameter, is used throughout the epic and is characterized by its employment of long and involved sentences, which run on many lines with a variety of pauses, and achieving sometimes an oratorical and sometimes an elaborately logical effect.John Bunyan班扬1628-1688 The Pilgrim‟s Progress天路历程(Vanity Fair名利场);The Life and Death of Mr Badman培德曼先生的一生Part Four: The Eighteenth Century and Neo-classicism (1688-1798)What is Neo-classicism新古典主义?Neo-classicism was a reaction against the intricacy and occasional obscurity, boldness and the extravagance of European literature of the late Renaissance, as seen for instance, in the works of the metaphysical. In favor of simplicity, charity restraint regularity and good sense. The characteristics of neo-classicism can be summed up as follows:1.People emphasized reason rather than emotion, form rather than content.2.As reason was stressed, most of the writings of the age were didactic（迂腐的）and satirical.3.As elegance, correctness, appropriateness and restraint were preferred; the poet found closed couplet the only possible verse form for serious work.4.It is almost exclusively a “town” poetry, catering to the interests of the “society” in greatcities.5.It is entirely wanting in all those elements that are related with the “romantic”.28、Classicism (新古典主义)名词解释Classicism implies (意味着) the revival (复苏) of the forms and traditions of the ancient world，a return to works of old Greek literature from Homer to Plato and Aristotle. But French classicism of the 17th century was not conscious of being a classical revival (并非古典主义的复苏)。