英文影评十部英美电影

：Titanic enriches us with a romantic story of young love, passion and feelings, full of utopias and dreams, mother and child fighting for power and greed, idealistic and self-identified clashes within a consenting human ambitions society and victims of their own vanity and pomposity. This is one of the films that most shocked the general public in the last twenty years. The huge collections that are logical because they got obvious that Titanic has one of those stories full of strength and feeling, with great dramatic content. If we add the stunning beauty of the image, thanks to advances in digital technology, success is understandable. Very successful movie, which tells the story of the sinking of the ship, but in the background shows a passionate love story. It achieves a harmonious balance in that, in the mix of history and feelings, and makes it almost perfect.中文为：泰坦尼克号丰富了我们一个浪漫的故事，年轻的爱，激情和感情，充满了乌托邦的梦想，母亲和儿童战斗的权力和贪婪，理想主义和自我认同的冲突在同意人的野心社会和受害者自己的虚荣和傲慢。

这是一部电影，最震惊公众在过去的二十年。

巨大的集合，是因为他们有明显的逻辑泰坦尼克号的故事充满力量的感觉，非常引人注目的内容。

如果我们把绝色美女的形象，由于数字技术的进步，成功是可以理解的。

非常成功的电影，它讲述了沉没的船，但在背景中展示了一个充满激情的爱情故事。

它达到了一种和谐的平衡，在混合的历史和感受，并使得它几乎完美。

罗马假日heerfully charming romantic comedy in which reporter Gregory Peck fallsfor a slumming princess, Audrey Hepburn. Bagged four Oscars, including one forHepburn in her first major role The picture that effectively introduce...Cheerfully charming romantic comedy in which reporter Gregory Peck falls for aslumming princess, Audrey Hepburn. Bagged four Oscars, including one for Hepburnin her first major roleThe picture that effectively introduced the world to Audrey Hepburn, this isfeelgood fare of the first order driven by good old-fashioned star power.Hepburn is the poised but pampered princess on holiday in Rome. Weary of herofficial duties, she bunks off and ends up in the arms of fast-talkingnewspaperman Joe Bradley (Peck).Hepburn's performance still looks brilliantly fresh and she gets surprisingcomic mileage out of her girlish innocent abroad act. As the affair gathersmomentum, an initially prickly Peck puts professional considerations aside andallows himself to be won over by her relentlessly cute allure. Their romance isplayed out against the sights and sounds of a beautifully shot Rome, and in oneof the many memorable moments the couple visit the Mouth of Truth, where anad-libbing Peck pretends to have his hand bitten off. The focus rarely movesaway from the stars, but Eddie Albert proves a great comic foil as a highlystrung bohemian photographer.Nominated for 10 Oscars, not even a teary conclusion can lessen the appeal ofthis unfailingly lovely fairy tale.呼啸山庄If you've seen other films by Jacques Rivette, you might wonder, just as I do, what this Victorian novel adaptation was all about. If you've seen other films by this unique director - especially "Celine and Julie go boating" or newer ones like "Secret Defense" and "Histoire de Marie et Julien" - this mid-eighties try just doesn't fit.Take the 1974 masterpiece "Celine and Julie" for comparison. In it, two very open-minded young women (both practitioners of different kinds of "magic") get tangled in a mysterious old-fashioned love triangle story, taking place in a archetypal haunted (Victorian) house. When they figure out that the 10-year old daughter of the house-owner is going to get murdered out of love madness, they decide to sneak into the house and rescue her.The thing is, you know from the beginning that the pathetic melodrama in the haunted house is not real in the sense that Celine and Julie are. It's rather they invented the whole story just to kill time & have some fun with out-dated storytelling. It's essentially a illustration of what is called "deconstruction". The melodrama just serves as something that can be manipulated or even laughed at. Rivette (respectively, Celine and Julie) play very freely with a kind of narrative that doesn't seem to work anymore.Unfortunately, "Hurlevent" has just the feeling of the haunted house sequences of the earlier movie - and that means, the characters are not likable, seem like marionettes, bloodless, dull. It completely lacks the light-hearted (though very intellectual) sophistication that made "Celine and Julie" so enjoyable. Maybe Rivette wanted it just like that. Even if this is so, it doesn't make sense for me.魂断蓝桥This movie has been remade several times and I doubt if in this day and age the old fashioned plot would succeed. This is because the plot is full of lots of melodrama and situations that today just seem too unbelievable. However, being a fan of older films, I was able to suspend disbelief and just watch the movie and accept it for what it was.Ms. Leigh is a struggling ballerina in love with a rich guy about to go off to WWI. They are desperately in love and she ultimately gives up her career for him. Unfortunately, he goes off to war and is assumed to be lost and she has no income. His family is far from welcoming and so she is forced to sell her body to support herself! Now, most people today would think "yeah, she COULD just scream and yell and demand support from his family or why doesn't she just go out and get a job?" and this is the main problem with the film. Also, it's hard to reconcile the fine romance and romantic cinematography and music with her becoming a hooker. They just don't go together. These plot holes, it turns out, are a result of a massive re-writing of the script from the 1931 film of the same name--where the character Ms. Leigh plays is already a prostitute when she meets her love AND she never was a ballerina!! However, in spite of this, it's still an excellent film and is worth seeing.乱世佳人This movie has been remade several times and I doubt if in this day and age the old fashionedplot would succeed. This is because the plot is full of lots of melodrama and situations that today just seem too unbelievable. However, being a fan of older films, I was able to suspend disbelief and just watch the movie and accept it for what it was.Ms. Leigh is a struggling ballerina in love with a rich guy about to go off to WWI. They are desperately in love and she ultimately gives up her career for him. Unfortunately, he goes off to war and is assumed to be lost and she has no income. His family is far from welcoming and so she is forced to sell her body to support herself! Now, most people today would think "yeah, she COULD just scream and yell and demand support from his family or why doesn't she just go out and get a job?" and this is the main problem with the film. Also, it's hard to reconcile the fine romance and romantic cinematography and music with her becoming a hooker. They just don't go together. These plot holes, it turns out, are a result of a massive re-writing of the script from the 1931 film of the same name--where the character Ms. Leigh plays is already a prostitute when she meets her love AND she never was a ballerina!! However, in spite of this, it's still an excellent film and is worth seeing.珍珠港Pearl Harbor is a classic tail of romance set during a war that complicates everything. It all starts when childhood friends Rafe and Danny become Navy pilots and meet Evelyn a Navy nurse. Rafefalls head over heels and next thing you know Evelyn and Rafe are hooking up. Then Rafe volunteers to go fight in Britan and Evelyn and Danny get transfered to Pearl Harbor. And while Rafe is off fighting everything gets completely whack and next thing you know everybody is in the middle of an air raid we now know as "Pearl Harbor." Written by shoppingurl3Set during the time of the Japanese bombing of Pearl Harbor, two friends (Ben Affleck and Josh Hartnett) are caught up in the events that draw the United States into World War II. One of them enlists with the U.S. Army Air Corps and the other flies for the British Royal Air Force, but they both find themselves in love with the same woman (Kate Beckinsale). Written by AnonymousThe classic story of the Japanese attack on Pearl Harbor is told through the eyes of two boyhood friends, now serving as officers in the Army Air Corps. Rafe is an energetic young pilot who is selected to fly with the British in Europe while America is still not at war. After Rafe is shot down and presumed killed, however, Danny comforts Rafe's former lover, Evelyn, and the two draw closer. But, when Rafe turns up alive, the two former friends become enemies, and it is through the turmoil of Pearl Harbor that the two may reconcile their differences. Written by Anthony Hughes {husnock31@}Two childhood best friends, Rafe (Ben Affleck) and Danny (Josh Hartnett), grow up wanting to fly planes. When Rafe gets the chance to join the Royal Air Force during World War II, he takes it - leaving his new love, Evelyn (Kate Beckinsale), a dedicated Navy nurse, and Danny, also a pilot, behind. Danny and Evelyn are transferred separately to the idyllic paradise of Hawaii, where they eventually meet through a connection to Rafe, who has been declared missing. But just as the love triangle begins to get complicated, Dec. 7, 1941 arrives, changing all of their lives forever. Written by Sujit R. Varma人鬼情未了Oscars:Supporting Actress; Original ScreenplayMake no mistake about Paramount's "Ghost." It's formula-packed business as usual. In fact, it's double-packed, triple-packed, more: There's the afterlife love affair between recently deceased Patrick Swayze and earthly girlfriend Demi Moore. There's the beyond-the-grave odd-buddy-buddying between Swayze and spiritualist Whoopi Goldberg. It's also a tearjerker, along the sappy lines of "Field of Dreams." It's a murder thriller . . . .And strangely enough, it's not that bad.Now, hold it right there. I refer you to the low-light critical tariff one must apply to Hollywood's summer fare. In this artistically devalued summer of schlockbusters ("Days of Total RoboCop III"), it means Jerry Zucker's movie (he made "Airplane!" and "Ruthless People") is surprisingly entertaining and goes along nicely with the theater's air conditioning."Ghost" starts off in the kind of cheesy way that Paramount seems so peculiarly proud of. We're subjected to True Love Moments between Swayze and Moore, as she tells him she loves him and he says, wait for it, "Ditto." (This is what screenwriters commonly refer to as a "hook" and is important for later.)But as soon as the couple is confronted by a gunman, the thriller elements of the movie kick in and the movie gets . . . interesting. A lot of plot elements can't be given away, but suffice it to say, when Swayze's spirit comes back from the dead, he finds out Moore is in great danger.Unable to be seen by the living, Swayze finds out he can communicate aurally with Goldberg, a common-variety spiritual charlatan who discovers to her ESP horror that she is the real thing. Swayze has to enlist Goldberg to thwart the dangerous mystery man and pass the amorous word on to Moore -- words like "ditto," for instance.Along the way, Swayze also learns, with the help of subway-haunting spirit Vincent ("One Flew Over the Cuckoo's Nest") Schiavelli, that ghosts can concentrate their psychic power into moving physical objects: making objects fly around the room, slapping bad guys around, that sort of thing.Only in the leanest of movie-acting years would Swayze or Moore ever find themselves clutching Oscars, but they're very competent performers, certainly good enough to get through this mystery plot (decently scripted by Bruce Joel Rubin) without getting in your way. The best screen work comes from Goldberg, who puts spiritual oomph into an otherwise strained tea-reading role. Since her memorable performance in "The Color Purple," she's been mired in macho formula. But this movie, though it's still studio-ready stuff, may augur well for her future.指环王The enduring conflict between good and evil is the underlying theme of the trilogy, but Tolkien develops other themes in connection with it. He explores the positive and negative sides ofpower, the nature of heroism, and the role of friendship. To Frodo Baggins, favourite nephew of the ring-finder Bilbo Baggins, is entrusted the task of saving Middle Earth from the control of the master of evil, Sauron. Frodo's task reverses the basic quest pattern: instead of finding a treasure, Frodo is sent to destroy what Sauron values above all—the One Ring. Sauron has poured much of his power into the One Ring to strengthen his control over the 19 Rings of Power. Of these 19 rings, only the Three made by the elves for themselves have never been touched by Sauron and his evil. The Seven, originally distributed to dwarf leaders, have been destroyed and do not affect events in the trilogy. The major concentration of evil confronted by Frodo comes from the Ringwraiths, OrNazgul, who are men enslaved by Sauron through the Nine Rings.Sauron, having learned from Gollum the whereabouts of the One Ring, sends the Nazgul to recover it. Since the defeat in which the Ring was cut from his hand, Sauron himself can no longer assume a physical form. He can, however, act through those who have submitted their minds and wills to his service. The nature of the Rings of Power and of the Ringwraiths is made clear to Frodo before he accepts responsibility for destroying the Ring. The wizard Gandalf and Elrond, great leader of the elves of Middle Earth, determine who will accompany Frodo on his quest. To match the number of Nazgul, they include nine individuals in the Fellowship of the Ring, representing the people of Middle Earth: four hobbits (Frodo, his servant Sam, and two young friends, Pippin and Merry); the elf Legolas; the dwarf Gimli; two men, aragorn and Boromir; and Gandalf himself.The fellows all demonstrate some aspect of heroism. Gandalf has an aura of supernatural power. He risks his life and his power when he is pitted against other supernatural forces: his fellow wizard Saruman, turned evil by desire for the Ring; the Balrog of Moria, who leads him to at least a symbolic death; and the Lord of the Nazgul, who is reinforced by the great strength of Sauron. Gandalf’s heroism is beyond human imitation.Human heroes abound in the trilogy: aragorn, Boromir, his brother Faramir, the aged Theoden, Eowyn and Eomer (Theoden's niece and nephew), and the many warriors of Rohan and Gondor. Boromir at one point yields to the power of the Ring, trying to take it from Frodo, but he recognizes his weakness almost immediately and dies defending the younger hobbits, Pippin and Merry. aragorn, descended from two great marriages of elves and mortals, has a grace and power beyond that of mere human leaders. With this heritage he seems like one of the great epic heroes of the past, just as Tolkien's trilogy itself at times echoes the heroic epic world. aragorn plans, leads, encourages, and heals; he is always ready to risk his life for the salvation of others. When the royal line of the great kings of the West is returned to power by him, the free peoples of Middle Earth can again find justice and the age of men can begin.T he most human heroes are the four hobbits. although at first they do not fully understand the dangers of the quest, their commitment grows in proportion to their knowledge of the nature of their enemies. Frodo undergoes the greatest test because the forces of Sauron concentrate their attacks on him. He is also tested by the Ring, by Gollum whom a lesser hero might have killed for his own safety, and by physical strain. although Frodo at the last moment yields to the evil pull of the ring, he is saved by his own virtue: the pity that had spared Gollum. Frodo carries a sword, but he rarely uses it, except when he futilely strikes at the Lord of Nazgul; his heroism lies more in endurance than in battle.Sam, like his master, endures, but he is called to fight against Gollum, Shelob, and the orcs. He delights in hearing the orcs misidentify him as a great elven warrior. Sam's major role in thetrilogy is that of loyal friend. However, he is also the voice of normality, longing for the beauty of home, his family and friends in the Shire, his garden, and his pots and pans. Like Sam, Pippin and Merry exemplify friendship and heroism on a more attainable level. They are too small to fight the orcs who capture them, but they outwit them and travel with Fangorn and the ents to overcome Saruman. Back in the Shire after the destruction of the ring, Sam, Pippin, and Merry all share in the battle against more normal enemies: mere men.Neither Elrond nor Galadriel participate in the quest, but they do contribute to its outcome. Elrond's power rescues Frodo from the Nazgul attack and his wound; and it is at Elrond's home that the fellowship is formed. Galadriel's gifts, especially Frodo's phial of light and the seeds of new life in Sam's box, symbolize the life-giving nature of the elves. When Galadriel later tells Frodo that the destruction of the One Ring will probably destroy the power of the Three Rings, it becomes clear how much the elves are sacrificing for the success of the quest. The 19 Rings of Power made by the elves of old had originally been formed as objects of goodness and beauty; it was Sauron who turned the rings he touched into sources of evil. Tolkien demonstrates how goodness can be perverted into evil, but he also shows that evil in turn can be overcome.In his preface to the trilogy, Tolkien distinguishes between allegory and the applicability of works of literature to life. While he disclaims having imposed any allegorical significance on his story, he asserts the right of readers to apply the meaning of the story to their own lives as they see fit. In light of this disclaimer, it seems contrary to Tolkie n’s intention to interpret The Lord of the Rings as political or social allegory, as some critics have done. On the other hand, readers of all generations can apply to their own age some of the overall principles embodied in the trilogy. The fact, for example, that elves, dwarves, hobbits, and human beings can set aside major differences to work together for the welfare of Middle Earth can be extended to a hope that modern human races can set aside their differences, no more deeply embedded than the distrust between dwarves and elves.Many battles take place in Middle Earth—often violent and bloody ones. The heroes fight bravely, sometimes against terrible odds, but the good characters do not rejoice in fighting, except perhaps when Fangorn and the ents delight in overthrowing the tree destroyers, Saruman and his orcs,or when Legolas and Gimli compete over the number of orcs slain. Before the Battle of Bywater, after the return to the Shire, Frodo directs his companions to avoid killing their enemies if possible. Even Saruman would have been spared if his own cruelty had not provoked the enslaved Grima to turn against him.Evil is readily recognizable by its ugliness and by its fruits. Goodness is equally recognizable and its fruits are more lasting. The author does not preach, but his good characters exemplify in action the virtues of mercy, perseverance, generosity, and friendship. Sauron, Saruman, and the Ringwraiths all embody the vices of hatred, greed, and the thirst for power. The influence of Sauron on those who once were normal men demonstrates the pervasiveness of evil, as does the ugliness of Sauron's land, Mordor. While the destruction of Sauron and the Ringwraiths suggests that evil can be overcome, it does not imply that the destruction of a major source of evil eliminates all evil. The Southrons continue to fight after Sauron's power has collapsed, Saruman's petty destroyers of good continue their work in the Shire, and aragorn finds it necessary to establish guardians for his borders. Middle Earth after Sauron is no utopia, but it is a world very much like ours, one worth cultivating to bring forth beauty and goodness. In Gondor and in the Shire hope lives on.美女与野兽Once upon a time in a faraway landa young prince lived in a shining castle.Although he had everything his heart desiredthe prince was spoiled, selfish and unkind.But then, one winter's nightan old beggar woman came to the castleand offered him a single rosein return for shelter from the bitter cold.Repulsed by her haggard appearancethe prince sneered at the gift and turned the old woman away but she warned him not to be deceived by appearancesfor beauty is found withinand when he dismissed her againthe old woman's ugliness melted awayto reveal a beautiful enchantress.The prince tried to apologize, but it was too latefor she had seen that there was no love in his heartand as punishment, she transformed himinto a hideous beastand placed a powerful spell on the castleand all who lived there.Ashamed of his monstrous formthe Beast concealed himself inside his castlewith a magic mirror as his only windowto the outside world.The rose she had offered was truly an enchanted rosewhich would bloom until his 21st year.If he could learn to love anotherand earn her love in return by the time the last petal fell then the spell would be broken.If not, he would be doomed to remain a beast for all time.As the years passed, he fell into despairand lost all hopefor who could ever learn to love a beast?Little town, it's a quiet villageEvery day like the one beforeLittle town, full of little peopleWaking up... to... say...Bonjour!- Bonjour!- Bonjour! - Bonjour!Bonjour!There goes the bakerWith his tray like alwaysThe same old bread and rolls to sellEvery morning just the sameSince the morning that we cameTo this poor provincial town...Good morning, Belle.Good morning, Monsieur.Where are you off to?The bookshop.I just finished the most wonderful storyabout a beanstalk and an ogre, and...That's nice.Marie! The baguettes.Hurry up!Look, there she goesThe girl is strange, no questionDazed and distracted, can't you tell?Never part of any crowd'Cause her head's up on some cloudNo denying she's a funny girl, that BelleBonjourGood dayHow is your family?BonjourGood dayHow is your wife?I need six eggsThat's too expensiveThere must be more than this provincial life...Ah, Belle.Good morning.I've come to return the book I borrowed.Finished already?Oh, I couldn't put it down.Have you got anything new?Not since yesterday.That's all right.I'll borrow... this one.BEAUTY AND THE BEAST is a contemporary retelling of the classic French fairy tale. Once upon a time, there was a handsome but heartless prince, whose selfishness caused an enchantress to turn... BEAUTY AND THE BEAST is a contemporary retelling of the classic French fairy tale. Onceupon a time, there was a handsome but heartless prince, whose selfishness caused an enchantress to turn him into a hideous beast. He had only one hope for freedom: winning a woman's love despite his ugliness. The years passed; the Beast remained alone. Then one day, Maurice, a poor inventor, accidentally stumbled upon the Beast's lair. The angry Beast instantly swore to kill him -- until he saw Belle, Maurice's lovely daughter, who had come to to the palace to fight for her father's life. The Beast promised not to harm Maurice on one condition: Belle must stay with him. And so began Belle's lesson in the true meaning of beauty... a lesson that would bring her love and happiness ever after.西西里的美丽The film is set in 1940 during World War II just as Italy enters the war. Malena's husband, Nino Scordia, leaves to serve in the military. Malena feels sad and tries to cope with her loss, as the town she has just moved to tries to deal with this beautiful woman who gets the attention and lustful stares of all the local men, including the 12-year-old Renato. However, in spite of the villagers' gossip, she continues to be faithful to her husband. Renato becomes obsessed with Malena and starts fantasizing about her while masturbating.The silent, distractingly beautiful outsider learns one day that her husband has been killed. Renato continues to watch as she suffers from loneliness and grief. Malena is shunned by the townspeople and the unattractive, jealous women of the Italian village, who begin to believe the worst about her, simply because of her beauty.She visits her father, an almost deaf professor of Latin, regularly and helps him with his household chores. When a slanderous letter about her sexual morals reaches his hands, their relationship suffers a catastrophic blow. In the meanwhile, the war worsens. The village is bombed and Malena's father is killed.She falls on hard times and eventually has no money. The wife of the local dentist takes her to court, but Malena is acquitted. The only man Malena does have an innocent romance with, an army officer, is sent away because of the trial.Malena's poverty finally forces her to succumb to the greed and malice of the town and she becomes a prostitute, making the wives' fantasies about her a reality. When the German army comes to town, Malena gives herself to Germans as well. Renato sees her in the company of two German officers and faints.His mother and the older ladies of the town think that he has been possessed by the devil and take him to church to exorcise the "demons." His father however understands that he is suffering from sexual hunger and takes him to a brothel; Renato has sex with one of the prostitutes while fantasizing that she is Malena.When the war ends, the women of the village gather and, out of jealousy and hatred, publicly beat and humiliate Malena, who shortly after leaves for Messina. A few days later, Nino Scordia returns to town, to the shock of all the residents. He finds his house occupied by peopledisplaced by the war. Renato tells him through an anonymous letter about Malena's whereabouts.Nino goes to Messina to find her. A year later, they return. The villagers, especially the women, astonished at her courage, begin to talk to "Signora Scordia" with respect. Though still beautiful, they think of her as no threat claiming that she had wrinkles near her eyes and put on some weight.In the last scene near the beach, Renato helps her pick up some oranges that had dropped from her shopping bag. Afterwards he wishes her "Buonafortuna, Signora Malena" (good luck, Mrs. Malena) and rides off on his bicycle, looking back at her for a final time, as she walks away, with the retrospective thought that he has not forgotten her, even after a few years. He said, "Of all the girls who asked me if I remember them, the only one I remembered is the one who did not ask." The audience is left not knowing if Malena ever realizes Renato's feelings for her.勇敢的心Set in the late 13th century, 'Braveheart' is the story of one of Scotland's greatest national heroes Sir William Wallace. leader of the Scottish resistance forces during the first years of the long, ultimately successful struggle to free Scotland from English rule...Crucially charismatic in the title role, Gibson plays the heroic figure and emerges as a remarkable hero with wit and romantic soul, determined to rid his country of its English oppressors...Wallace's revolution was set in motion, with great obstacles from his countrymen... Many Scottish nobles lent him only grudging support as most of them were more concerned with wealth and titles than the freedom of the country... In fact, the Scottish leaders are in favor of revolt-or not-depending on English bribes... Wallace, by comparison, is a man of honor, incorruptible and righteous... He was knighted and proclaimed 'guardian and high protector of Scotland,' but as much as he railed against the Scottish nobles, submitted to Edward I, King of England, he was astonished and in shock to discover the treachery of the leading Scot contender for the throne—Robert, the Earl of Bruce—to whom he confided , 'The people would follow you, if you would only lead them.' Sophie Marceau is exquisite as the distressed princess Isabella of France who ends up falling in love with Wallace, warning him out of several traps...Catherine McCormack is a stunning beauty who ignites Wallace's revolution...Patrick McGoohan is chilling, brutal, and vicious as the ruthless Edward I, known by the nickname 'Longshanks.' This king remains simply the embodiment of evil...While Angus McFadyen moves as a nobleman torn between his conscience and political aspiration, and Brendan Gleeson brings strength and humor to his role as the robust Hamish, David O'Hara is very effective as the crazy Irishman who provides much of the film's comic relief from even the most tensed moments...Mel Gibson has reason to be proud of 'Braveheart.' It is a motion picture that dares to be。