sistercarrie赏析自动保存的
嘉莉妹妹英文读后感
嘉莉妹妹英文读后感《Sister Carrie》is a remarkable novel that delves deep into the themes of ambition, desire, and the pursuit of the American Dream Set in the late 19th century, it follows the journey of Carrie Meeber, a young woman from a small town who moves to the big city of Chicago in search of a better lifeCarrie's character is complex and relatable She starts off as an innocent and naïve girl, filled with dreams of success and luxury Her initial struggles in Chicago, where she faces poverty and exploitation, are heartwrenching However, her determination to improve her circumstances drives her forwardThe author, Theodore Dreiser, does an excellent job of depicting the harsh realities of urban life during that time The city is portrayed as a place of both opportunity and deception, where the line between morality and immorality often blurs Carrie's encounters with various characters, such as the smoothtalking Drouet and the powerful Hurstwood, shape her perspective and decisionsOne of the most striking aspects of the novel is its exploration of the role of money and material possessions in shaping people's lives Carrie's longing for nice clothes, comfortable living, and social status leads her down a path that is not always morally upright This raises important questions about the true meaning of happiness and fulfillmentAnother interesting theme is the concept of social climbing Carrie's ascent in society is not only due to her own efforts but also a result of theopportunities presented to her by the men she meets This highlights the influence of external factors and the power dynamics at play in a capitalist societyThe novel also sheds light on the double standards faced by women Carrie is judged harshly for her actions, while the men around her often get away with similar or worse behavior This aspect adds a layer of feminist critique to the storyThe writing style of Dreiser is detailed and descriptive, which brings the settings and characters to life The descriptions of Chicago's streets, factories, and theaters make the reader feel as if they are right there in the midst of the hustle and bustleOverall, ＂Sister Carrie" is a thoughtprovoking and powerful novel that forces us to reflect on our own desires, choices, and the society we live in It shows that the pursuit of the American Dream is not always as straightforward as it seems and that success often comes at a price The story of Carrie is a cautionary tale about the dangers of getting lost in the pursuit of material wealth and social status It reminds us that true happiness and fulfillment may lie in more profound aspects of life such as relationships, personal growth, and a sense of purposeIn conclusion, ＂Sister Carrie" is a classic that remains relevant to this day Its themes of ambition, morality, and social inequality continue to resonate with readers, making it a mustread for anyone interested in understanding the complexities of human nature and the American society Ithas left a lasting impression on me and has made me think more deeply about the values and goals that we strive for in our own lives。
《嘉莉妹妹》介绍
Style and genre
At the urging of his journalist friend Arthur Henry, Dreiser began writing his manuscript in 1899. He frequently gave up on it but Henry urged him to continue. From the outset, his title was Sister Carrie, though he changed it to The Flesh and the Spirit while writing it; he restored the original name once complete. Dreiser had difficulty finding a publisher for Sister Carrie. Doubleday & McClure Company accepted the manuscript for publication but it was withdrawn after the publisher's wife declared it too sordid. Dreiser insisted on publication and 1,008 copies were printed on November 8, 1900. The book was not advertised and only 456 copies sold.[6] However, Frank Norris, who was working as a reader at Doubleday, sent a few copies to literary reviewers.
Sister Carrie 嘉莉妹妹
After only a few years,Hurstwood discovers that his savings are running out and urges Carrie to work. Carrie turns to New York’s theatres for employment and becomes a chorus girl. As the rapidly aging Hurstwood declines into obscurity, Carrie begins to rise from a chorus girl to a famous actress. She establishes a friendship with another chorus girl, Lola, who begins to urge Carrie to live with her.Finally,Carrie abandons Hurstwood and leaves a farewell note with twenty dollars.
Plot Summary
Plot Summary
PAST PRESENT
FUTURE
The beginging of the story:
Dissatisfied with life in her rural Wisconsin home, 18-year-old Carrie takes the train to Chicago, where her elder sister Minnie, and Minnie's husband, Sven Hanson, have agreed to take her in. On the train, Carrie meets Charles Drouet, a traveling salesman with fine clothing and manners , who is attracted by her because of her beauty and unspoiled manner. They exchange contact information. But upon arriving at her sister's flat, Carrie soon realizes that the Hansons expect her to find a job and pay them rent.
嘉莉妹妹-中英800字-读后感,作文,读书笔记
英文“ Sister Carrie” is a remarkable novel that delves deep into the human condition, exploring themes of ambition, desire, and the pursuit of the American Dream. Theodore Dreiser's vivid portrayal of Carrie's journey from a naive country girl to a woman caught in the web of urban life is both poignant and thought-provoking.The novel's strength lies in its unflinching realism. Dreiser doesn't shy away from depicting the harsh realities of life in the city, including the poverty, the cutthroat competition, and the moral ambiguity that Carrie encounters. This authenticity makes the story all the more compelling and relatable, as it reflects the challenges and choices that many people face in their own lives.One of the most interesting aspects of the novel is the complex character of Carrie. She is a complex and multi-faceted character, driven by her desires and ambitions, yet also vulnerable and uncertain. Her journey is a constant struggle between her longing for a better life and the moral dilemmas that come with it. As she ascends the social ladder, she must grapple with the consequences of her actions and the sacrifices she makes along the way.The character of Hurstwood is equally fascinating. His downfall is a tragic reminder of the consequences of giving in to one's desires without considering the moral implications. His actions are driven by his love for Carrie, but they also lead to his ruin. His story serves as a cautionary tale about the dangers of unchecked passion and the importance of self-control.The writing style of “Sister Carrie” is both powerful and evocative. Dreiser's prose is rich in detail, painting a vivid picture of the city and its inhabitants. His descriptions of the settings and the characters' emotions are so vivid that the reader can almost feel the bustling streets of Chicago and the turmoil in the characters' hearts.In conclusion, “Sister Carrie” is a timeless classic that offers a profound exploration of human nature and the pursuit of happiness. It forces us to question our own values and the choices we make in life. Through Carrie's story, we are reminded that the pursuit of the American Dream is not always straightforward and that the consequences of our actions can be far-reaching.中文《嘉莉妹妹》是一部引人入胜的小说，它深入探讨了人性，以及对美国梦的追求。
sister carrie英文书评
sister carrie英文书评《Sister Carrie》这本书的英文书评如下：Sister Carrie is a powerful portrayal of one woman's journey through the complexities of urban life in late 19th-century America. The novel, written by Theodore Dreiser, delves into themes of ambition, society's expectations, and the individual's struggle to find their place in the world.The story revolves around the character of Carrie, a young woman from rural Minnesota who moves to the big city of Chicago in search of a better life. From the very first pages, Dreiser captures the excitement and naivety that comes with starting a new life in the city, as Carrie is immediately seduced by the bright lights and the promise of glamour and success.What makes Carrie such a fascinating character is her普通rural upbringing and her subsequent rise to fame and fortune. She is not a conventional heroine; she is not particularly virtuous or kind, nor is she particularly intelligent or talented. She is, however, exceedinglyambitious and determined to claw her way to the top, no matter the cost.What I found most intriguing about Carrie's character is her complete lack of guilt or remorse. She is not burdened by any sense of morality or righteousness; her only concern is her own happiness and success. This single-minded determination propels her forward, leading her to make some startling decisions that would be unthinkable for most characters in literature.The narrative also explores themes of social class and the role of society in shaping individuals' lives. Carrie's rise from poverty to affluence, and her subsequent fall from grace, is a commentary on the arbitrary nature of social status and the lengths people will go to in order to claw their way into the upper echelons of society.The writing style in Sister Carrie is also noteworthy. Dreiser's use of naturalism means that the story is told with a minimum of embellishment, focusing instead on the raw and unvarnished truth of Carrie's experiences. This style lends the narrative a gritty authenticity that fully immerses the reader in Carrie's world.In conclusion, Sister Carrie is a masterful exploration of human nature and the lengths we will go to in order to fulfill our dreams and desires. It is a searing portrayal of one woman's journey through the labyrinthine complexities of urban life and the price she pays for her ambitions. It is a novel that will stay with you long after you have finished reading it. Highly recommended.。
Sister Carrie
Endless desire leads to the loss of Sister Carrie“When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse. Of an intermediate balance, under the circumstances, there is no possibility.” It is obvious that Carrie becomes the latter one, her endless desire leads to her loss. Although she gained reputation, wealth, and everything she wanted in the end, still there was a hole in her heart, which she can never fulfill. As a reader, what impressed most is that her material success is accompanied by her moral degeneration. To be more specific, she achieved the material success at the expense of losing her morality.Sister Carrie is like Cinderella, they share a lot of similarities, but a noticeable difference between them lies in that the social status of Sister Carrie does not change overnight, but step by step, by being the mistress successively of the two men Drouet and Hurstwood. A once innocent country girl thus grows into a prostitute figure. One may ask what the reason is, and the answer is her endless desire.Everyone has desire, there is no exception. However, the desire for wealth, a higher position and all the material enjoyment is deep rooted in Carrie’s mind, and there is no single moment she does not think about it.As a poor country girl, Carrie leaved her parents for Chicago hoping to get a decent job and live a comfortable life. “Self-interest with her was high, but not strong. It was, nevertheless, her guiding characteristic.” At the beginning, this character keeps in proportion, while as time goes by, it develops out of proportion and drives her to pursuit whatever she wants. Driven by this endless desire, she is never satisfied. Therefore we can take it for granted no matter what happened after.It is not surprised that she is disappointed when she first arrived at her sister’s house, the small and poor-furnished flat “inhabited by families of laborers and clerks”. Even though she was not happy with the situation, yet she tried tochange it by finding a job, by hard working. At that time, she was still a good girl: simplicity, naïve, shy, polite and honest, not associated with her evil workmates and her only wish was the guarantee of basic living standard. But when the little exception failed her, when she was persuaded by her sister to go back home, it leaved her no choice but to degenerate.The mark of her fall, in my view, was her acceptatio n of Drouet’s 20 dollars. After which, something inside of her has changed. She was in dilemma: whether to keep the 20 dollars or not. Finally, her desire constituted an overwhelming superiority, she decided to have it, but she still had the consciousness: since she had not done that thing, she could find a way out. But it is generally believed that once one was get involved, it is not easy to get out. From then on, she began her journey to moral degeneration.Being invited, she lived with Drouet. Carrie got everything satisfied temporarily, delicious food, pretty clothes, gay party and. Her desire for pleasure and enjoyment made her develop a stronger inclination towards Drouet. Before long, because of the temptation of money and pleasure, she gave in, and became Drouet’s mistress. Got used to live a comfortable life like this, Carrie was so afraid of losing all she have got that she obsessed with beautifying herself to make her more attractive. Her desire was expanding, especially when she knew that Drouet was not reliable. Carrie cannot simply satisfy with the clothes and money as well as her insecure life, so she was seeking opportunities to climb up for a better living.The opportunity came. Not accidentally, she met Hurstwood, who motivated her inner desire for a safe and secure yet luxurious life. Compared with Drouet, Hurstwood had many advantages: a higher social position, clever and richer. W hat’s more, he is very concerned about Carrie's stage performance and he promised Carrie a hopeful and bright future. That was what she wants now. Soon, she abandoned Drouet and dated with Hurstwood secretly. A good time never last long. After knowing that Carrie had an affair with Hurstwood, Drouet told Carrie that Hurstwood was married. W hat’s worse, Hurstwood’s wife also found herhusband’s adultery. Thereby, Hursthood and Carrie elope to New York, Hursthood lost everything: his family, money and reputation. Three years flies, Hurstwood became more and more gloomy and less welcomed by his customers, and what he earns cannot make ends need. They were forced to move into a small flat. Carrie was disgusted with Hurstwood's depression, his no longer attractive appearance and his behaviors. He cannot provide with her the life she wants any more. Again, her desire was awakened. She wanted to escape from him, from the poverty. Carrie achieved success as an actress in the end. In order to live the life she dreamed, enjoy great material comfort, and to give way for her many rich wooers, Carrie abandons Hursthood.Clearly, Carrie’s success was at the expense of losing herself, losing her morality. She is a not an easy satisfied pe rson with endless desire. “self-interest” desires made her fall and sink deeper and deeper and at last she lost herself completely. The once innocent girl turned into a shameless woman driven by desire without morality. The whole process is accompanied by Carrie’s moral degeneration. It is not hard to imagine a woman like her would feel cold even in the sunshine and the hole in her heart could never be fulfilled. So in the end we saw the scene that she was at loss.Endless desire leads to the loss of Sister Carrie美国文学阅读与欣赏2013-06-17Essay question：Some say that in Sister Carrie, Carrie’s material success is accompanied by her moral degeneration. Do you agree? Discuss this in relation to the theme(s) of the novel.Main body: After reading the novel, I personally conclude that one of the themes of the novel is that the endless “self-interest” desire of Carrie leads to her moral corruption, and her success is accompanied by this moral degeneration. The essay focus on this issue and gives examples to prove that.Resources:Theodore Dreiser Sister Carrie [M].Bantam Classics, 1982The Way to Success: An Analysis of the Main Character, Carrie in Sister Carrie徐文荟（上海市卢湾区业余大学，上海200023）文章编号：1009-5039(2010)08-0211-02。
Sister Carrie读后感
SisterCarrie读后感SisterCarrie是美国著名小说家西奥多·德莱塞（TheodoreDreiser，1871—1945）的作品。
这部写于1900年的小说在国内好像比较小众，远比同时期的很多英美文学作品落寞得多。
本书所蕴含的某些“精神”在很多社会都会受到争议。
即便在美国也是如此。
毕竟在当时年代，女人的社会地位是非常低的，而且社会对于婚姻关系的看法也比较保守。
但小说的女主Carrie竟然在婚前与男人同居，并与已婚男人私通，后来还成为一位著名演员，实在是太挑战人们的三观了。
所以小说的初版并不算顺利，而且删去了大量的两性描写。
当然，也有的人坚持认为，这本小说突破了常规，体现了女性的解放。
其实放在百年后的现代社会，女主的这些“不道德”行为似乎也算不得什么稀罕事。
很多小说之所以能够得以流传，一个重要的原因就在于，它突破了时间和空间的界限，无论放在什么年代，什么地域，读者都能从中看到自己所置身社会的影子，能从中看到自己，以及自己身边的人和事。
Carrie不过是一个来自美国小镇的姑娘，她18岁去芝加哥寻梦，希望能够在大城市找到体面的工作，过上美好生活，穿上漂亮衣服，住上大房子。
那么女主是怎样逐步实现梦想的呢？她先是去投靠芝加哥的姐姐和姐夫，但到了以后才发现他们家竟然简陋不堪，生活也拮拮据据。
她不想过这样的日子，便试图去找份好点的工作。
但没有技能，也没有工作经验，找了一圈都没人要她，最后只能去做个类似于织布女工的工作，却发现工作环境太压抑，还要承受潜在的性骚扰，很想放弃。
正在此时，Carrie的人生出现了转折。
她在来芝加哥的火车上所遇到的一个男人让她跟自己一起生活。
于是女主便离开了姐姐姐夫的住所，过起了非婚富太太的生活。
用现代话说就是被包养了。
这个“包养”她的男人是个销售员，挣钱不少，对女主也是全心全意，但就是迟迟不肯跟她结婚。
理由也很简单，他想先做单大生意，然后风风光光地娶她。
但女主不愿意啊。
英语论文】《嘉莉妹妹》文学评论(英文)
LITERATURE REVIEW—AN ANALYSIS OF DREISER’S SISTER CARRIE《嘉莉妹妹》文学评论An 18-year-old girl without money or connections ventures forth from her small town in search of a better life in Theodore Dreiser's revolutionary first novel. The chronicle of Carrie Meeber's rise from obscurity to fame--and the effects of her progress on the men who use her and are used in turn--aroused a storm of controversy and debate upon its debut in 1900. The author's nonjudgmental portrait of a heroine who violates the contemporary moral code outraged some critics. A century later, Dreiser's characters continue to fascinate readers. The protagonist Carrie is still a controversial character. Many critics regard Carrie as a “fallen woman”, and there are also some critics regard her a s a “new woman”.Many people hold such an opinion that Sister Carrie is a tragedy, in which carrie is described as an immoral woman and she had an empty life though she succeeded as a famous player at the end of the novel. They conclude that “it is impossible to possess true happiness in a money-oriented capitalism society.”①(Li qi-shan 45).Jiang yu-qin says that “the city changed Carrie,a once innocent country girl into a seemingly successful empty life.”②(Jiang yu-qin 135)In her abstract she points out that Carrie represents the women who “experience desiring,chasing,struggling,falling and disillusioning.” Carrie was successful eventually from material aspect, but still unhappy spiritually.We can find such a paragraph in Peng dan-kui’s “Theodore and his Sister Carrie ”, “She(Carrie) has two persons to help her,but instead of getting better, she goes from bad to worse. Actually there is no one who can be the saviour for Carrie in the society. And she comes to realize it is impossible to be a success by working hard honestly…….Carrie is just one of the many victims of the city’s influence and of the capitalist society.”③(Peng dan-kui 75)From this passage, we can conclude that Mr. Peng takes Carrie as a traditional woman victim in a corrupted society. In other words, he denies that Carrie has her own motivates as an independent person.There are also many critics about the character carrie abroad.For example, in Sister Carrie and the Hidden Longing for Love: Sublimation or Subterfuge?Leon F. Seltzer says, “The thesis of this study is Carrie’s longing is shown by Dreiser(though never clearly understood by him )to be a longling for love and emotional relatedness. Such a longing, however, can never know fulfillment because, on one level, carrie is depicted as deficient in the capacity to love and, on far more essential level, her creator ( a man at once sterile and promiscuous, who….)was incapable of appreciating either the nature orpossibiities of human intimacy.”④(Leon F. Seltzer 192)We notice that seltzer descried carrie as a woman without the capability of love. Here he also attacked dreiser.From so many critics, we can see there are really many people they don’t appreciate Carrie. They think she is degenerate, immoral,cold-blooded, and without a lofty soul.But like everything has two sides, lots of other people have different viewpoints. They don’t take carrie so simply, so traditionally. They argue that carrie, from some aspects, stands for “new woman”, which we can see in Wu hong-yun’s Sister Carrie under the unconventional discourse of feminism. First she declares that “Carrie is not a victim ” of the captilist world, on the contrary, she is a victor, be cause “she (Carrie) proves her ability and realizes her value through her own efforts in the capitalist fatherhood society.”⑤(Wu hong-yun 36) Then Mrs. Wu put forward the idea “Carrie is not a immoral woman”, and she admires Carrie highly with the words like “spirit independently”, “rational and witty”, “hard working”, “a new woman” from the feminist angle. She even justifies Carrie’s desire for material gains. She insists that carrie shows a quality of “modern females”.It’s not superisingly that we can find almost the same words in Wang gang-hua’s article. He even puts Carrie to a new higher level. Here is a paragraph from his Carrie’s desires and motives : “in short, carrie shaped her own perfect image through the reflection in mirror , the discernment and the confirmation of the surrounding people. This kind of self-shaping cultivated carrie’s own consciousness, that is, she regards herself as an independent subject, and keeps an independent position in social activities. Thereafter, carrie gradully stepped into being active from passive.”⑥(Wang gang-hua 92) If we surf on the internet, we can find lots of critics about Sister Carrie. Clare Virginia Eby says in his Cultural and Historical Contexts for Sister Carrie, “Dreiser's evolutionary treatment of ethics in Sister Carrie ultimately verges toward the revolutionary, in that he tries to get readers to suspend judgment on actions that would typically be condemned as immoral, such as Carrie's premarital sex and Hurstwood's theft….. Dreiser discourages readers from viewing Carrie as immoral, instead drawing attention to the obsolescence of traditional moral standards. The ending of the novel is especially significant in this regard, for Dreiser breaks with long-standing literary tradition that "fallen women" must be fully punished, preferably by a grisly death. Carrie, to the contrary, may be unfulfilled or lonely at the novel's end, but she is very much alive and eminently successful in the eyes of the world.”⑦He added, “Carrie is not simply rebelling against her husband(Hurtswood) but more significantly against the role that women were traditionally supposed to follow. As historian Barbara Welter describes the nineteenth century ideal for the white middle class, the "True Woman" was expected to be pious, pure, domestic, and submissive. However a competing model for femininity emerged in the U.S. around the 1880s. The "New Woman" typically had a career and was economically independent. Frequently New Women aligned themselves with members of their own sex rather than in conventional marriages. Carrie follows this pattern …… Yet the typical New Woman was be tter educated and frequently more politically inclined than Carrie, and so we might best thinkof Dreiser's heroine as a transitional figure, moving from the Victorian model of True Woman toward the recognizably modern New Woman.”⑧From these two paragraphs, we can know clearly about Eby’s understanding of Carrie.Too many critics about Carrie exist from 1900 when dreiser finished the novel till now, and I can’t cite them one by one. Here I just classified them into two groups. From the totally different views, we can see that different people does hold different opinions. To me, I also have my own understanding of Carrie.First, I really can’t agree Carrie is a “fallen woman”.Those who criticized that she is greedy for material gains and she loses her sense of morality when she pursues her desire, to me, they failed to understand the novel deeply and they failed to treat carrie equally as well. It’s quite true that carrie had sexual relations with two men, which maybe the most unbearable thing for those who said Carrie is “immoral”, but when we read the novel, actually we can say that Carrie’s intention was to have a good husband.First she met Drouet who attracted her with his beautiful clothes and fine manners which represented he belongs to a high class. That is very nature, as I say. Carrie came from a poor peasant family and she wanted to search a better life in Chigago. When she met such a young man who was “ an experienced traveller, a brisk man of the world”⑨(Dreiser 9) and was so courteous to her. “It disposed her pleasantly toward all he might do.”⑩(10)After Carrie arrived the Hanson’s, she found things disappointing. She did efforts to search a job, but she failed at last. Drived by the desire for survival, she eventually accepted drouet. Here we should notice that though the main reason Carrie accepted Drouet is he had the money to support her, but on the other hand, Carrie did have some good feelings on him. Besides, Drouet promised to marry her. So at the beginning, the story went like lots of other love stories. Poor young beautiful girl comes to a big city and wants a “better life”, then she meets a rich man who makes she believe that they love each other, inevitably she wishes a wedding with the man. That happens a lot now. but in the fact, the man didn’t have a plan to marry her.And later, Carrie found another man who seemed worth her love. Hurtswood stands for a calss higher than Drouet’s. He was more attractive and he knew women’s heart better. Carrie once hesitated, but Drouet really couldn’t touch her heart any longer. Drouet himself was not a guy who really wanted to get married. So Carrie didn’t resist when Hurstwood lied to her and brought her to New York. That happened on a base that Carrie thought Hurstwood would marry her and gave her a happy life. That’s human’s instinct. Carrie’s instinct is to survive and to live better. That’s all. She didn’t have any intrigues like Mrs.Hurstwood. We still can say she is pure. She was just drived by the circumstances. So sexual relations with two men didn’t make carrie a “fallen woman”.Secondly, I do n’t agree completely that Carrie is a “new woman”.When Carrie met the living crisis in New York, at the beginning, she still believed that Hurstwood could made all things right. But later, she found Hurstwood was fallingrapidly. She tried to encourage Hurstwood to find a job to support the family, but he failed. He couldn’t find his place in the bigger city New York at all. But Carrie didn’t want to wait and die. She got a job in a theatre,not so easily, then she left him. Here we can often see many critics said carrie is “stone-hearted”. To me, Carrie’s behavior may be a bit cruel, but still can be forgave. Think what an enviroment she lives in! she needs to live! I also explain her action as a result of her instinct.Next, Carrie made herself successful on the stage by a small chance. She got money and fame gradually. But these can’t make her a “new woman”, because her success has much contingency. Her self-consciousness hadn’t be aroused untill she met Ames, a young engineer. His influence causes Carrie to become disillusioned with her success as an actress in comedy and makes her desire to perform more dramatic works. He introduced some writers to Carrie, and also gave some astonishing views about the surrounding people, which made Carrie think he was a special man. From that, Carrie started to think about lots of other things deeply. I say, Carrie at this moment is still not a“new woman”. She doesn’t has her own understanding of the world. She still can’t think and action as an independent woman.To sum up, I don’t think Carrie is “immoral”. When she is drived by her instinct to find a way to live, she has nothing to blame for. As Jerome Loving said, “For him(dreiser), man-all of humankind—was still halfway between animal instinct and ideal of human morality,and so alack of morality was to be expected.”⑾(Jerome Loving 92 The last titan:a life of theodore dreiser)To some extent, I agree with Eby’s opinion that Carrie is “a transitional figure, moving from the Victorian model of True Woman toward therecognizably modern New Woman”.Notes:⑦⑧Clare Virginia Eby:// /collections/rbm/dreiser/scculhist.htmlBibliography:(1)李其珊.《嘉莉妹妹》中的对比和象征艺术[J]玉林师范学院学报（哲学社会科学）2004(2)姜玉琴. 城市:一个承载事业、绞杀灵魂的谬体-从德莱塞的《嘉丽妹妹》到尤凤伟的《泥鳅》[J]外国文学研究2004(3)彭丹逵. 德莱塞和他的《嘉莉妹妹》[J]嘉兴大学学报1995(4)Leon F. Seltzer. Sister Carrie and the Hidden Longing for Love: Sublimation orSubterfuge?--- Twentieth Century Literature, V ol. 22, No. 2 (May, 1976) , pp. 192-209(5)王刚华. 嘉莉妹妹的欲望和驱动力[J]外国文学研究2002(6)Clare Virginia Eby .Cultural and Historical Contexts for Sister Carrie:// /collections/rbm/dreiser/scculhist.html(7)Dreiser,Theodore. Sister Carrie. Pennsylvania:University of Pennsylvania Press 1981(8)Loving,Jerome. The last titan:a life of theodore dreiser.California :University of California Press 1997(9)Pizer ,Donald. New Essays on Sister Carrie. New York:Cambridge University Press1991(10)Yoshinobu, Hakutani . Sister Carrie and the Problem of Literary NaturalismTwentieth Century Literature, V ol. 13, No. 1 (Apr., 1967) , pp. 3-17绝密文件，核心资料，拒绝盗版支持正版，从我做起，一切是在为了方便大家！。
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The latest revision on November 22, 2020
《Sister Carrie》
The author of the book is Theodore Dreiser, a famous realistic writer in Amaican literature history .Realism follows the rule of nature “survival of fittest”.《Sister Carrie》 is a representative of realism which describes a poor countryside girl′s life c hange after her arrival to ,cruel reality makes Carrie feel lonely and she cohabited with Drouet,a young
playboy ,Drouet offered her a easier life .Later,she married with
Hrustwood ,who had didn′t have a better life in New York. after they spent the money Hurstwood stole from his ex-wife .At the end of the book, Hrustwood died in a shabby little hotel,and Carrie became a famous star and be in high social classes.
Lost the job in shoe-making factory is just the turning point in Carrie′s life ,the turning point of her final success and survie she had to rely on someone .On the surface, writer is describing Carrie′s miserable suffering telling readers that is always very hard for woman .However ,to explore the deep meaning .Carrie is just a representative of the people from working-class who are oppressed by the capitalist .Dreiser shows sympathy to them and reveals the social ′s success is driven by dream and wants to change her destiny she is eager to climb into the high social matter how pimping you
are ,dream is important and essential to future success because dream or ambution has the power to drive you forward.
It is right to pursue for material life , but not everything,In fact it is never wrong to pursue for high standard and high class life.。