Ezra Pound英文介绍
Pound
His own significant contributions to poetry begin with his promulgation (spread) of Imagism, a movement in poetry.
Comments on Ezra Pound
Comments on Ezra Pound
In the early twentieth century, he opened an influential exchange of work and ideas between British and American writers, and was famous for the generosity.
Pound’s Major Literary Works
4) “A Pact” “合同”，“协约” 合同” 合同 协约”
意象派;映衬对比;音乐性短句
5) “In a Station of the Metro” “在地铁站里” 在地铁站里” 在地铁站里
庞德曾把“意象”称为 “一刹那间思想和感情的复合体”。
W. W. II, Italian government, radio broadcasts died in in 1972, in Italy
Pound’s
Ezra Weston Loomis Pound (October 30, 1885 – November 1, 1972) was an American expatriate poet, critic and intellectual who was a major figure of the Modernist movement in the first half of the 20th century. He is generally considered the poet most responsible for defining and promoting a modernist aesthetic in poetry.[1] The critic Hugh Kenner said of Pound upon meeting him: "I suddenly knew that I was in the presence of the center of modernism."[2] In the early teens of the twentieth century, he opened a fruitful exchange of work and ideas between British and American writers, and was famous for the generosity with which he advanced the work of such major contemporaries as Robert Frost, William Carlos Williams, Marianne Moore, H. D., Ernest Hemingway, Wyndham Lewis, and especially T. S. Eliot. Pound also had a profound influence on the Irish writers W. B. Yeats and James Joyce. His own significant contributions to poetry begin with his promotion of Imagism, a movement in poetry which derived its technique from classical Chinese and Japanese poetry—stressing clarity, precision, and economy of language, and forgoing traditional rhyme and meter in order to, in Pound's words, "compose in the sequence of the musical phrase, not in the sequence of the metronome."[3] His later work, spanning nearly fifty years, focused on his epic poem The Cantos.
Pound’s Major Literary Works
1) Cathay
《华夏集》 华夏集》 神州集》 《神州集》 中国诗章》 《中国诗章》
based on translations from older Chinese poets like Li Bai
2) Hugh Selwyn Mauberley 休赛尔温毛伯利 毛伯利》 《休赛尔温 毛伯利》 his disillusionment and his view of his own career
用视觉意象引起联想， 表达一瞬间的直觉和思想。 一般用自由体写作短小篇章。
Comments on Ezra Pound
Ezra Pound is generally considered the poet most responsible for defining (characterizing) and promoting a modernist artistic poetry.
Ezra Pound 庞德 (1885— (1885—1973)
Ezra Pound (1885—1973) (1885—
Pound’ Pound’s Life Story
born in Hailey, Idaho University of Pennsylvania Hamilton College Master degree in 1906, Romance languages, Renaissance literature 1908, again abroad 1020, a permanent expatriate 1924, left Paris for Italy accused of treason, dismissed in 1958
Pound’s Poems
A Pact In a Station of Metro
Pound’s Major Literary Works
3) The Cantos 诗章 诗章 诗章 encyclopedic epic poem
It explores western civilization from the classical past through the medieval period and the Renaissance to the modern age, and describes remedies for its cultural ills.
He stressed clarity, precision, and economy of language, and foregoing (earlier) traditional rhyme and meter in order to compose in the sequence of the musical phrase .
His own significant contributions to poetry begin with his promulgation (spread) of Imagism, a movement in poetry.
Comments on Ezra Pound
Comments on Ezra Pound
In the early twentieth century, he opened an influential exchange of work and ideas between British and American writers, and was famous for the generosity.
Pound’s Major Literary Works
4) “A Pact” “合同”，“协约” 合同” 合同 协约”
意象派;映衬对比;音乐性短句
5) “In a Station of the Metro” “在地铁站里” 在地铁站里” 在地铁站里
庞德曾把“意象”称为 “一刹那间思想和感情的复合体”。
W. W. II, Italian government, radio broadcasts died in in 1972, in Italy
Pound’s
Ezra Weston Loomis Pound (October 30, 1885 – November 1, 1972) was an American expatriate poet, critic and intellectual who was a major figure of the Modernist movement in the first half of the 20th century. He is generally considered the poet most responsible for defining and promoting a modernist aesthetic in poetry.[1] The critic Hugh Kenner said of Pound upon meeting him: "I suddenly knew that I was in the presence of the center of modernism."[2] In the early teens of the twentieth century, he opened a fruitful exchange of work and ideas between British and American writers, and was famous for the generosity with which he advanced the work of such major contemporaries as Robert Frost, William Carlos Williams, Marianne Moore, H. D., Ernest Hemingway, Wyndham Lewis, and especially T. S. Eliot. Pound also had a profound influence on the Irish writers W. B. Yeats and James Joyce. His own significant contributions to poetry begin with his promotion of Imagism, a movement in poetry which derived its technique from classical Chinese and Japanese poetry—stressing clarity, precision, and economy of language, and forgoing traditional rhyme and meter in order to, in Pound's words, "compose in the sequence of the musical phrase, not in the sequence of the metronome."[3] His later work, spanning nearly fifty years, focused on his epic poem The Cantos.
Pound’s Major Literary Works
1) Cathay
《华夏集》 华夏集》 神州集》 《神州集》 中国诗章》 《中国诗章》
based on translations from older Chinese poets like Li Bai
2) Hugh Selwyn Mauberley 休赛尔温毛伯利 毛伯利》 《休赛尔温 毛伯利》 his disillusionment and his view of his own career
用视觉意象引起联想， 表达一瞬间的直觉和思想。 一般用自由体写作短小篇章。
Comments on Ezra Pound
Ezra Pound is generally considered the poet most responsible for defining (characterizing) and promoting a modernist artistic poetry.
Ezra Pound 庞德 (1885— (1885—1973)
Ezra Pound (1885—1973) (1885—
Pound’ Pound’s Life Story
born in Hailey, Idaho University of Pennsylvania Hamilton College Master degree in 1906, Romance languages, Renaissance literature 1908, again abroad 1020, a permanent expatriate 1924, left Paris for Italy accused of treason, dismissed in 1958
Pound’s Poems
A Pact In a Station of Metro
Pound’s Major Literary Works
3) The Cantos 诗章 诗章 诗章 encyclopedic epic poem
It explores western civilization from the classical past through the medieval period and the Renaissance to the modern age, and describes remedies for its cultural ills.
He stressed clarity, precision, and economy of language, and foregoing (earlier) traditional rhyme and meter in order to compose in the sequence of the musical phrase .
合集下载
Ezra-Pound-庞德
Literary works
The
Seafarer《水手》 Translation from Old English. Cathay《华夏》(1915) Translation of ancient Chinese poetry. Hugh Selwyn Maubery《休· 赛尔温· 毛伯利》(1920) deplored the Western civilization in the Great War(WWI) and its afermath.
Cantos 诗章 (1915-1945) Pound`s major work. It is the inclusion of Chinese characters as well as quotations in European languages other than English. As in Pound's prose writing, the themes of economics, governance, and culture are integral不可缺少的 to its content.
In 1920, upest by WWI, Pound Moved to Paris. There he joined the group of the Lost Generation(“迷惘的一代”). In 1924, he chose to stay in Italy. When WWII broke out, Pound support the Mussolini government and against the American soldiers. In 1945, arrested by the U. S. and tried for treason, then sent to hospital after being declared insane. Secured by T. S. Eliot and Robert Frost and Hemingway, settled down in Italy for the rest of his life.
The
Seafarer《水手》 Translation from Old English. Cathay《华夏》(1915) Translation of ancient Chinese poetry. Hugh Selwyn Maubery《休· 赛尔温· 毛伯利》(1920) deplored the Western civilization in the Great War(WWI) and its afermath.
Cantos 诗章 (1915-1945) Pound`s major work. It is the inclusion of Chinese characters as well as quotations in European languages other than English. As in Pound's prose writing, the themes of economics, governance, and culture are integral不可缺少的 to its content.
In 1920, upest by WWI, Pound Moved to Paris. There he joined the group of the Lost Generation(“迷惘的一代”). In 1924, he chose to stay in Italy. When WWII broke out, Pound support the Mussolini government and against the American soldiers. In 1945, arrested by the U. S. and tried for treason, then sent to hospital after being declared insane. Secured by T. S. Eliot and Robert Frost and Hemingway, settled down in Italy for the rest of his life.
英美文学_Ezra_Pound
Ezra pound (1885-1972)
E1102：
李姗姗
陈银斐
Character
introduction Life experience Major works Writing style Comments
Ezra Pound
Ezra Pound(30October18851November1972)was an expatriate American poet and critic who was a major figure of the early modernist movement. His contribution to poetry began with his development of imagism.
⑶Cantos 《诗章》 the intellectual diary since 1915 ~encyclopedic epic poem （学识渊博的史诗性诗歌）
Ezra Pound ′s major works
☆A Lume Spento --1908
☆Personae --1909
☆Des Imagistes --1914
☆ The Spirit of Romance --1910
☆ Homage to Sextus Propertivs --1917 ☆ Hugh Selwyn Mauberley --1920 ☆ The Cantos --1917~1959
Writing style:
Nadel writes that imagism was to change Pound‟s writing style. Pound said poetry require a precise and economic use of language and that the poet should always use the „exact‟ word and expression.
E1102：
李姗姗
陈银斐
Character
introduction Life experience Major works Writing style Comments
Ezra Pound
Ezra Pound(30October18851November1972)was an expatriate American poet and critic who was a major figure of the early modernist movement. His contribution to poetry began with his development of imagism.
⑶Cantos 《诗章》 the intellectual diary since 1915 ~encyclopedic epic poem （学识渊博的史诗性诗歌）
Ezra Pound ′s major works
☆A Lume Spento --1908
☆Personae --1909
☆Des Imagistes --1914
☆ The Spirit of Romance --1910
☆ Homage to Sextus Propertivs --1917 ☆ Hugh Selwyn Mauberley --1920 ☆ The Cantos --1917~1959
Writing style:
Nadel writes that imagism was to change Pound‟s writing style. Pound said poetry require a precise and economic use of language and that the poet should always use the „exact‟ word and expression.
Ezra_Pound英文介绍
W. W. II, Italian government, radio broadcasts died in in 1972, in Italy
Pound’s
Ezra Weston Loomis Pound (October 30, 1885 – November 1, 1972) was an American expatriate poet, critic and intellectual who was a major figure of the Modernist movement in the first half of the 20th century. He is generally considered the poet most responsible for defining and promoting a modernist aesthetic in poetry.[1] The critic Hugh Kenner said of Pound upon meeting him: "I suddenly knew that I was in the presence of the center of modernism."[2] In the early teens of the twentieth century, he opened a fruitful exchange of work and ideas between British and American writers, and was famous for the generosity with which he advanced the work of such major contemporaries as Robert Frost, William Carlos Williams, Marianne Moore, H. D., Ernest Hemingway, Wyndham Lewis, and especially T. S. Eliot. Pound also had a profound influence on the Irish writers W. B. Yeats and James Joyce. His own significant contributions to poetry begin with his promotion of Imagism, a movement in poetry which derived its technique from classical Chinese and Japanese poetry—stressing clarity, precision, and economy of language, and forgoing traditional rhyme and meter in order to, in Pound's words, "compose in the sequence of the musical phrase, not in the sequence of the metronome."[3] His later work, spanning nearly fifty years, focused on his epic poem The Cantos.
Ezra_Pound
Ezra Pound and Chinese Culture
Pound has been called the "inventor" of Chinese poetry in his time. Beginning in 1913 with the notebooks of the Orientalist Ernest Fenollosa, he pursued a lifelong study of ancient Chinese texts, and translated among others the writings of Confucius. Pound's translations based on Fenollosa's notes, collected in CATHAY (1915), are considered among the most beautiful of his writings. “And round about there is a rabble Of the filthy, study, unkillable infants of the very poor. They shall inherit the earth.” --from 'The Garden' in Cathay
Pound’s Commentary On In A Station
of Metro
“Three years ago in Paris I got out of a "metro" train at La Concorde, and saw suddenly a beautiful face, and then another and another, and then a beautiful child's face, and then another beautiful woman, and I tried all that day to find words for what this had meant to me, and I could not find any words that seemed to me worthy, or as lovely as that sudden emotion. … and I found... not in speech, but in little spotches of colour. … But it was a word, the beginning, for me, of a language in colour...” “That evening, …, I realised quite vividly that if I were a painter, or if I had, often, that kind of emotion, or even if I had the energy to get paints and brushes and keep at it, I might found a new school of painting, of "non-representative" painting, a painting that would speak only by arrangements in colour...”
埃兹拉·庞德（EzraPound）诗选
埃兹拉·庞德（EzraPound）诗选埃兹拉·庞德（Ezra Pound），美国诗人和文学评论家。
1885年10月30日出生于美国爱达荷州的海利镇。
在去欧洲以前，他在宾夕法尼亚大学就学，在那里攻读美国历史、古典文学、罗曼斯语言文学。
两年后，他转至哈密尔顿大学（Hamilton College）学习，1906年获硕士学位。
1898年庞德首次赴欧，以后于1902年，1906年及1908年先后共四次去欧洲。
1908年定居伦敦，以后一度成为伦敦文坛上举足轻重的人物。
在地铁车站这几张脸在人群中幻景般闪现；湿漉漉的黑树枝上花瓣数点。
（飞白译）致敬呵，整洁体面的一代人和限于困窘处境的一代人，我看见渔民们在阳光下野餐，我看见他们携带者邋遢的家属，我看见他们露着满嘴牙齿微笑，听到他们难听的笑声。
我比你们幸福，他们比我幸福；在湖水中游的鱼甚至没有衣服。
合同我跟你订个合同，惠特曼——长久以来我憎恨你。
我走向你，一个顽固父亲的孩子已经长大成人了；现在我的年龄已足够交朋友。
是你砍例了新的丛林，现在是雕刻的时候了。
我们有着共同的树液和树根——让我们之间进行交易。
舞姿为《加利利的卡纳的婚礼》而作呵，黑眼珠的我梦想的妇人，穿着象牙舞鞋在那些舞蹈的人们中，没有人像你舞步如飞。
我没有在帐篷中，在破碎的黑暗中发现你。
我没有在井边，在那些头顶水罐的妇女中发现你。
你的手臂像树皮下嫩绿的树苗；你的面孔像闪光的河流。
你的肩白得像杏仁；像刚剥掉壳的杏仁。
他们没有让太监护卫你；没有用铜栅栏护卫你。
在你憩息的地方放着镀金的绿宝石和银子。
一件黄袍，用金丝织成图案，披在你身上，呵，纳塔——伊卡奈，“河畔之树”。
像流经苍苔间的潺潺溪流，你的手按在我身上；你的手指是寒冷的溪流。
你的女伴们白得像卵石她们围绕着你奏乐。
在那些舞蹈的人们中，没有人像你舞步如飞。
伊昂妮，死去多年道路是空旷的，这片土地山的道路是空旷的花朵沉重地低下了头。
它们徒然低头。
Ezra Pound
The interpretation on A Girl of Ezra Pound
Ezra Pound(1885-1972)
Ezra Pound is an American poet, translator and literary critic, the pioneer of the poetic movement of “Imagist Movement” in the twentieth century.
In1912 he appointed himself foreign editor of Poetry.
In 1913, he became the literary executor of Ernest
Fenollosa , and began his fruitful study of the Chinese
Works
• A lume Spento (1908)
• Homage to Sextus Propertius (1917)
ห้องสมุดไป่ตู้
• Hugh Selwyn Mauberley(1920)
• Pisan Cantos • Cantos
A
girl
The tree has entered my hands, The sap has ascended my arms, The tree has grown in my breastDownward, The branches grow out of me, like arms.
Tree you are, Moss you are, You are violets with wind above them. A child - so high - you are, And all this is folly to the world.
Ezra Pound(1885-1972)
Ezra Pound is an American poet, translator and literary critic, the pioneer of the poetic movement of “Imagist Movement” in the twentieth century.
In1912 he appointed himself foreign editor of Poetry.
In 1913, he became the literary executor of Ernest
Fenollosa , and began his fruitful study of the Chinese
Works
• A lume Spento (1908)
• Homage to Sextus Propertius (1917)
ห้องสมุดไป่ตู้
• Hugh Selwyn Mauberley(1920)
• Pisan Cantos • Cantos
A
girl
The tree has entered my hands, The sap has ascended my arms, The tree has grown in my breastDownward, The branches grow out of me, like arms.
Tree you are, Moss you are, You are violets with wind above them. A child - so high - you are, And all this is folly to the world.
庞德
Ezra pound(埃兹拉·庞德)
Ezra Pound
• Ezra Pound (30 October 1885 – 1 November 1972）. • Pound was an American expatriate poet and critic and a major figure in the early modernist movement in poetry. • Was one of most important poets in his time .
主要经历
• 1908年庞德的第一部诗集《灯火熄灭之时》（A Lume Spento）在意大利威尼斯自费出版。 • 1909年，他的诗集《人物》（Personae）在伦敦出版。 • 1910年他的文集《罗曼斯精神》（The Spirit of Romance） 出版。文集内容主要是他的早期译作及他历年来学术研究的成 果和见解。庞德在他早期诗作中就显示出独创精神和渊博的学 识。 • 1912年他成为芝加哥小型杂志《诗歌》驻伦敦通讯员。 • 1914年他与多萝西·莎士比亚（Dorothy Shakespeare）结婚。 • 1915年庞德发表了他根据东方学者芬诺洛萨（Fenollosa）的 遗稿而译成的中国古诗英译本《中国》（Cathay）及两个日 本戏剧集。
思想转变
在1924年离开巴黎后到第二次大战前夕庞德的注意力由文学创 作逐步转向资本主义的政治经济问题。在文学创作的同时，他 写了一些社会批评方面的文章；讨论贫困与繁荣、战争与和平、 失业与高利贷等问题，同时也对物质主义和工业主义带来的人 们心灵腐化问题进行了抨击。令人难以理解的是这些问题的研 究最后竟使庞德走上了反犹太主义，为墨索里尼的法西斯国家 社会主义唱赞歌的道路。 • 二战时，庞德在罗马电台发表了数百次广播讲话，抨击美国的 战争行动，攻击罗斯福的作战政策，赞扬墨索里尼，鼓吹墨索 里尼的治国政策能促成一个没有贪婪和高利贷的社会。 • 庞德因上述原因于1943年被控叛国罪，1944年为美军所俘， 监禁在意大利比萨（Pisa）俘虏营中，1945年他被押往华盛顿 受审，以后他被宣布神经失常而免于受审。从那时起的十几年 庞德是在精神病院中度过的。
Ezra Pound
• Ezra Pound (30 October 1885 – 1 November 1972）. • Pound was an American expatriate poet and critic and a major figure in the early modernist movement in poetry. • Was one of most important poets in his time .
主要经历
• 1908年庞德的第一部诗集《灯火熄灭之时》（A Lume Spento）在意大利威尼斯自费出版。 • 1909年，他的诗集《人物》（Personae）在伦敦出版。 • 1910年他的文集《罗曼斯精神》（The Spirit of Romance） 出版。文集内容主要是他的早期译作及他历年来学术研究的成 果和见解。庞德在他早期诗作中就显示出独创精神和渊博的学 识。 • 1912年他成为芝加哥小型杂志《诗歌》驻伦敦通讯员。 • 1914年他与多萝西·莎士比亚（Dorothy Shakespeare）结婚。 • 1915年庞德发表了他根据东方学者芬诺洛萨（Fenollosa）的 遗稿而译成的中国古诗英译本《中国》（Cathay）及两个日 本戏剧集。
思想转变
在1924年离开巴黎后到第二次大战前夕庞德的注意力由文学创 作逐步转向资本主义的政治经济问题。在文学创作的同时，他 写了一些社会批评方面的文章；讨论贫困与繁荣、战争与和平、 失业与高利贷等问题，同时也对物质主义和工业主义带来的人 们心灵腐化问题进行了抨击。令人难以理解的是这些问题的研 究最后竟使庞德走上了反犹太主义，为墨索里尼的法西斯国家 社会主义唱赞歌的道路。 • 二战时，庞德在罗马电台发表了数百次广播讲话，抨击美国的 战争行动，攻击罗斯福的作战政策，赞扬墨索里尼，鼓吹墨索 里尼的治国政策能促成一个没有贪婪和高利贷的社会。 • 庞德因上述原因于1943年被控叛国罪，1944年为美军所俘， 监禁在意大利比萨（Pisa）俘虏营中，1945年他被押往华盛顿 受审，以后他被宣布神经失常而免于受审。从那时起的十几年 庞德是在精神病院中度过的。
Ezra Pound埃兹拉.庞德
doctrine of Confucius a source of strength and
wisdom with which to counterpoint Western
gloom and confusion.
(4) He saw a chaotic world that wanted setting to rights, and a humanity, suffering from spiritual death and cosmic injustice, that needed saving. He was for the most part of
Ezra Pound (1885—1972)
Historic Position
A leading spokesman of the “Imagist Movement” One of the most influential American poets and critic The father of the American modern poetry
Features: (1) Language: intricate and obscure (2) Theme: complex subject matters (3) Form: no fixed framework, no central theme, no attention to poetic rules
• Hugh Selwyn Mauberley ① his best poem; ② 2 parts, the 1st part: the quest of an artist in an unresponsive world; the 2nd part: a similar quest but it has taken on a new dimension of meaning;
Ezra-Pound知识讲解
Thought transformation 思想转变
第二次世界大战时，庞德在罗马电台发表了数百 次广播讲话，抨击美国的战争行动，攻击罗斯福的作 战政策，赞扬墨索里尼，鼓吹墨索里尼的治国政策能 促成一个没有贪婪和高利贷的社会。
During World War II, the Roman Pound radio broadcast speech delivered hundreds of times, criticized the U.S. war effort, attacking Roosevelt's war policy, praised Mussolini, Mussolini's rule advocated policies can contribute to a no-greed and usury society.
The creation background 创作背景
❖ 我写了一首三十行的诗，然后销毁了，6 个月以后，我写了一首比那首短一半的诗， 一年后我写了日本和歌式的诗句。”
❖ 可以确定，这首短诗是庞德在法国的地铁 站触景而作，通过意象的叠加，诗歌最终大 大方方地落笔成简洁的14字。
Ezra Pound was America famous imagist poet. He and Eliot in the same post symbolist poetry leader. He Chinese from classical poetry, Japanese haiku of Health issued "poetry" theory, and made outstanding contributions to each other Eastern and Western poetry.
Ezra Pound
His Life
Pound was confined for 12 years in a hospital (actually prison) for the criminally insane in Washington. During this time he translated works of ancient Greek and ancient Chinese literature. While in prison ,he was awarded a prestigious poetry prize in 1949 for his last Cantos. In 1958 he returned to Italy,where he continued to write and make translations until he died in 1972oved to Europe, living first in Venice but eventually settling in London. Pound self-published A Lume Spento, his first published collection of short poems, while living in Venice. In the years before the World War I, Pound was largely responsible for the appearance of Imagism, and coined the name of the movement Vorticism( 漩涡主义).
classical past through the medieval period and the Renaissance to the modern age, and describes remedies for its cultural ills.