Trifles中的女性主义觉醒
《逃离》的背后女性意识的觉醒与成长
《逃离》的背后女性意识的觉醒与成长一、本文概述《逃离》这部作品以其深刻的主题和独特的叙事风格，引起了广泛的关注和讨论。
作为一部以女性视角展开的小说，它不仅仅是一个简单的故事情节，更是对女性意识觉醒与成长的深入探讨。
本文旨在分析《逃离》这部小说中女性意识的觉醒与成长过程，探究其背后的深层含义和社会价值。
文章将首先对《逃离》的故事梗概进行简要介绍，以便读者对作品有一个整体的认识。
随后，将重点关注小说中的女性角色，通过她们的经历和心路历程，分析女性意识觉醒的过程及其背后的原因。
在此基础上，文章将进一步探讨女性意识觉醒对个人成长和社会发展的重要意义，以及这一过程中所面临的挑战和困境。
通过深入剖析《逃离》中女性意识觉醒与成长的主题，本文旨在引发读者对这一问题的深入思考，并期望能够为社会中女性意识的提升和女性地位的改善提供有益的启示。
二、《逃离》中女性角色的塑造《逃离》这部作品深刻揭示了女性意识的觉醒与成长，其中女性角色的塑造至关重要。
作品通过细腻入微的笔触，展现了女性在家庭、社会中的多重角色和复杂情感，以及她们如何在困境中挣扎、觉醒，最终实现自我成长。
在《逃离》中，女性角色不再是被动的受害者或单纯的依赖者，而是具有独立思考能力和行动力的个体。
她们在面对家庭矛盾、社会压力时，不再选择沉默或逃避，而是勇敢地面对问题，寻求自我救赎和成长。
这种塑造方式使得女性角色更加立体、丰满，也更具现实意义。
同时，《逃离》中的女性角色还具有强烈的自我意识。
她们清楚自己的需求和价值，不愿被束缚在传统的家庭角色中，而是追求自我实现和独立。
这种自我意识的觉醒，使得她们在面对困境时能够做出更加明智的选择，实现自我成长。
《逃离》还通过女性角色之间的互助和支持，展现了女性之间的团结和力量。
她们在面对困难时，能够相互扶持、共同成长，这种团结和力量不仅增强了女性的自信心，也为她们的成长提供了有力支持。
《逃离》中女性角色的塑造，既展现了女性意识的觉醒与成长，也揭示了女性在家庭、社会中的重要地位和作用。
女性主义文学的觉醒与抗争
女性主义文学的觉醒与抗争近年来，女性主义文学在全球范围内开始崭露头角，引起了广泛的关注和讨论。
女性主义文学的觉醒与抗争，旨在揭示和反思社会中的性别不平等问题，探索女性权利和自由的诉求。
本文将从历史背景、文学作品和社会影响三个方面，探讨女性主义文学的觉醒与抗争。
首先，女性主义文学的觉醒与抗争与历史背景密不可分。
长期以来，女性在社会中的地位被压制和忽视，她们的声音被束缚。
然而，随着社会进步和女性解放运动的兴起，女性主义文学开始崛起并展现出强大的力量。
19世纪末，英国作家玛丽·沃尔斯通克拉夫特的《女性的权利》成为女性主义文学的重要里程碑，她在书中呼吁女性争取平等的权利和机会。
此后，女性主义文学在20世纪迎来了蓬勃发展，代表作品如弗吉尼亚·伍尔芙的《到灯塔去》和玛格丽特·阿特伍德的《使女的故事》等，通过描绘女性的内心世界和生活经历，探讨了性别歧视和压迫的问题。
其次，女性主义文学的觉醒与抗争通过文学作品传达了强烈的诉求和思想。
女性主义文学的作品多样而丰富，通过小说、诗歌、散文等多种形式，呈现了女性的独特视角和经验。
例如，美国作家爱丽丝·沃克的《紫色姐妹花》以黑人女性为主角，探讨了种族和性别双重压迫的问题；法国作家西蒙娜·德波沃的《第二性》深入研究了女性的社会地位和性别角色；中国作家王安忆的《长恨歌》通过女性的视角，展现了中国近现代历史中的女性命运。
这些作品通过真实而生动的叙述，引发了读者对性别不平等的思考和反思，激发了女性争取平等权利的动力。
最后，女性主义文学的觉醒与抗争对社会产生了深远的影响。
女性主义文学的兴起不仅为女性赢得了更多的话语权和关注度，也促进了社会对性别平等的认识和关注。
女性主义作品的出版和传播，让更多的人了解了女性的内心世界和生活经历，引发了公众对性别问题的关注和讨论。
女性主义文学的影响还体现在社会的变革和进步上，例如，女性主义作家的作品对性别平等法律的制定和修改起到了积极的推动作用，为女性争取了更多的权益和机会。
论苔丝悲剧的女性主义解读
论苔丝悲剧的女性主义解读论苔丝悲剧的女性主义解读本文关键词：解读，悲剧，女性主义，苔丝论苔丝悲剧的女权女性主义解读本文简介：摘要：托马斯·哈代是英国历史上著名的批评保守主义作家,剧本创作了大量的优秀优秀文学作品,在英国文学史上留下了深深的留下暗喻,在世界文学史上也有着举足轻重的地位。
他著作的《德伯家的苔丝》通过描写贫穷农家女孩苔丝坎坷的一生,批判了西方资本主义社会的黑暗本质。
本文以生态女性主义为切入点,深刻分析苔丝悲剧产生论拉娜悲剧的女性主义解读本文内容：摘要：托马斯·哈代是英国文明史无政府主义上著名的批评主义作家, 创作了巨量的文学作品优秀文学作品, 在英国文学史上能上除留下了深深的印记, 在世界文学史上也拥有举足轻重的地位。
他著作的《德伯家的苔丝》通过描写贫穷农家女孩奥赛罗坎坷的一生,个人崇拜批判了西方资本主义社会的黑暗本质。
本文以生态女性主义为湿地切入点, 深刻微妙分析苔丝悲剧产生的原因和必然性。
关键词：苔丝; 悲剧; 生态女性主义;;一、引言托马斯?哈代是英国历史上面著名的作家, 作为一名剧作家批判现实主义作家, 创作了大量的优秀文学作品, 在荷兰文学史上留下了深深的印记, 在世界文学史上也有着的地位。
《德伯家的苔丝》是他著述的一部小说, 向我们描述了一名处于社会底层的贫苦女孩坎坷的一生, 豆蔻年华的好时光, 永古约省本该享受幸福美满的生活却经历了苦难折磨, 先是被恶少亚雷?德伯奸污, 后来在牛奶场工作时与牧师之子克莱恋爱、结婚却又惨遭抛弃, 最后她为求解脱, 悲愤、绝望地杀死亚雷, 被判绞刑的故事情节。
本文以生态女性主义为视角需要进行分析, 悲剧深入解构苔丝悲剧形成的原因。
二、生态女性主义生态女性主义的概念, 是法国后殖民学者F.奥波尼1974年在《女人或死亡》这部译著中首次提出来的, 认为妇女和自然有着相通之处, 对性工作者的压迫与对自然的有着直接的联系, 其中一方的解放不能脱离我方的解放。
【英语论文】谈《飘》中女性意识的觉醒 Awakening of Feminine Consciousness in Gone with the wind
谈《飘》中女性意识的觉醒Awakening of Feminine ConsciousnessInGone with the windContentsIntroduction (8)ChapterOneThe Women Characters Show the Awakening of Women.. 9 ChapterTwoThe Most Important Women Characters Showing Their Woman Spirits to Protect Their Freedom and Their Dreams (9)Conclusion (16)Acknowledgements (18)Bibliography (19)IntroductionAs time goes by, with the development of the human civilization, the people began to realize the women status in all walks of lives in the world. Through continuous social realities we can see that women play an important role in creating the new world. So women want to improve their situations and social status. They want to be equal with men.From the old history to the modern time, many social activities, organizations and movement s are advocating women’s rights that are protected by the law and men and women are equal. Women’s views and ideas are the key. Thus knowledge and education become the first. In this essay, I take Gone with the Wind as an example to describe women’s rights in the novel.This essay is describing the feminism in Scarlett. It enlights the feminist movement, daringly reflects the theme of the freedom, the dream and the love and expresses the awakening of women's consciousness and self-consciousness and their seeking for independent human dignity. After that, people began to study the novel from a brand new angle, affirmed its significant exploration concerning problems of marriage, freedom and love, and established Scarlett's status in the society.The research is conducted on the awakening of feminists and the main characters. Then the author analyses the importance of the different loves in the novel to help Scarlett express the theme of feminism. In light of these ideas, the author puts the idea on the analysis of aspects of men and the author gets the conclusion that Scarkett is a famous piece of fiction about the theme of feminism.Chapter One The Women Characters Show the Awakening of Women1.1 Scarlett’s Ideas and Actions Describe the Awakening of WomenScarlett is by far the most developed character in Gone with the Wind. She stands out because she is strong and saves her family but is incredibly selfish and petty at the same time. She challenges nineteenth century society's gender roles repeatedly, running a store and two lumber mills at one point. Scarlett is in some ways the least stereotypically feminine of women, and the more traditional Melanie Wilkes is in many ways her foil. But Scarlett survives the war, several marriages, the birth of children, and even a miscarriage. Melanie, on the other hand, struggles with fragile health and a shy nature. Without Melanie Wilkes, Scarlett might simply be seen as harsh and "over the top," but beside Melanie, Scarlett presents a fresher, deeper female characterization; she lives a complicated life during a difficult period of history.Some of Scarlett's lines from Gone with the Wind, like "Fiddle-dee-dee!," "Tomorrow is another day," "Great balls of fire!" and "I'll never go hungry again!", have become modern catchphrases.As for her love, Scarlett did not care about the traditional rules. she wanted to choose her husband by herself. Sometimes, she kept her love as her private rights.As for her marriage, Scarlett once had been married for three tImes. At that time, it was shocking. Scarlett was not controlled by the traditional rules of marriage. She just did what she wants to do.As for her birth of children, through the three marriages, Scarlett had born three children, who had different fathers. She chose her marriage when she needed a man.As for her survival, Scarlett worked at Tara and made it better and better after the war. She also runs a store and two lumber mills. All she did support her family and relatives.Chapter Two The Most Important Women Characters ShowingTheir Woman Spirits to Protect Their Freedom and Their Dreams2.1 Scarlett O’Hara From a Young Girl to a Complicated WomanNo matter what we can see, the most important is the different loves of Scarlett There is a course of Scarlett’s Love Pursuit. Gone with the Wind depicts the perplexed love matter of Scarlett O’Hara during the Civil War and Reconstruction Age in the South. The whole novel is a course of Scarlett’s love pursuit. In the novel, Scarlett is a full-blooded woman; selfish, deluded conflicted, but driven by her own strength of will. She protects her land and runs her timber mill’s by using many base conducts; however, the motive power which pushes her to do like that is rightly her deep love for the land and for the men she loves. It is her deep love for Ashley, Tara and Rhette that supports her to pull through the difficulties, and to live on bravely. These positive elements rooting in her character continuously influence the women in the twentieth century.Her love for Ashley: Ashley is born of a line of men who use their leisure for thinking, not doing, for spinning brightly colored dreams that have in them no touch of reality. He moves in an inner world that is more beautiful than Georgia and comes back to reality with reluctance. Why is he so attractive to Scarlett? The very mystery of him stems from her curiosity like a door that has neither lock nor key. The things about him, which she could not understand only, make her love him more. In childhood, Scarlett and Ashley always play together. They seem to be as friendly as other friends. She has seen him come and go and never gives him a thought, and Ashley has never seemed so very attractive to her. It is as simple as that. That year she is only 16. She is attracted and falls in love with him. Scarlett stays headstrong and stubborn, as well as very selfish. All that she does is for her benefit. Yet she is not inherently evil. She turns to Ashley to be that authority figure, but he is not able to be one for her. She, just like a child, needs boundaries, and because she was not getting them, runs wild just like a child. Her so-called love for Ashley is a child’s love. He is something that denied her, so that makes her want it more.She has wanted him, in that first instant, wants him as simply and unreasonablly as she wants food to eat, horses to ride and a soft bed on which to lay her. Consequently, Ashley does never show love for her, nor do the clear gray eyes ever glow with that hot light which Scarlett knows so well in other me n.“And yet- and yet – she knew he loved her. She could not be mistaken about it. Instinct stronger than reason and knowledge born of experience told her that he loved her. Too often she had surprised him when his eyes were neither drowsy nor remote, when he looked ather with a yearning and a sadness, which puzzled her. She knew he loved her.” In fact, Ashley does not love her. He just lusts for Scarlett’s body. At the same time, he is afraid of her warmth, her forces and her frankness. As he has said that Scarlett had a lion heart. He needs a wife who is as quiet as himself. And the best woman is his cousin---Melanie Charleston. The marriage had another aim that is to uphold their family properties. But he never has the courage to face Scarlett and tell her that is Melanie who he truly loves. He chooses to keep a vague dubious relationship with her. As a result, Scarlett is a victim; no matter how she is cheated by him. He is a liar and a coward. He has no courage to face reality and his heart.He insists on closing himself in the entire old world, and cherishes the memory of the life in Twelve Oaks in sigh. His idea, language, fear and pain are all that Scarlett cannot understand, so he is attractive to her. However, in fact, Scarlett just hugs an unreal ima ge. During the war, she tries her best to look after Ashley’s wife and son, only because she loves Ashley and has promised him to take care of Melanie. As a loser, Ashley lives like a weak dog under the protection of Scarlett. He does not learn how to survive on his own in the new emerging South. He relies on both Scarlett and Melanie to keep him going. He realizes this, but does nothing to change it. He has nothing, no emotion, no enthusiasm, no aim, and dangles like an empty bag in the wind. But the foolish Scarlett still wants Ashley to marry her at that time and unchanged with wishful thinking to be his wife. She even encourages him to flee with her. Fleeing with Ashley is always a nice dream to Scarlett, and she dreams all the way to realizing it is too late. She just casts the unreal image on Ashley, though Ashley is not the one she loves in the real life. The one she really loves is an image in her dream.Her love for Rhett: Then from Cathleen’s words, Scarlett knows his terrible reputation: “Rhett But ler comes from Charleston. One day he took a Charleston girl out by buggy riding. They stayed out nearly all night and walked home finally, saying that the horse had run away and smashed the buggy and they had gotten lost in the woods. But to their surpris e, he refused to marry her the next day.” In people’s eyes, this was a bad guy in those days, as Scarlett also thought it like that. But somehow, unbidden, she has a feeling of respect for Rhett Butler for refusing to marry a girl who is a fool. In a word, the first impression of Rhett Butler was not so good. Anyhow, Rhett Butler is the typical southern young rogue, the one all the ladies are warned off, yet to be found fascinating. On the other hand, how about Rhett’s first impression on Scarlett? It was amazing though it was also not very good. Rhett overheard all the bold and enthusiastic expressions that Scarlett had told Ashley in that room. Then there was a quarrel between Rhett and Scarlett. Rhett was really attracted by her nature at once. From the very beginning, they had the same feeling about each other---ridicule and respect. They should not pretend to be lady and gentleman when facing each other. Rhett loves Scarlett, so whenever she gets into troubles, he will try his best to help her. After Scarlett is married to Frank Kennedy, it is Rhett who lends Scarlett the money to buy the mill and drives with Scarlett to-and-fro along the mill. Itis he who warns her about the dangers of making the drive alone. There was an intense sexual desire between the two. But Scarlett insisted on that she loved Ashley and would never change her mind. It is Rhett who tells her that she would never be happy with Ashley. And he is the only one who understands Scarlett thoroughly because they are alike. This mistaken feeling like a veil blinded her to convince that the one she really loves was---Rhett Butler. He finally marries her, but it is the beginning of the end. A marriage built on power struggles, communication difficulties and personality clashes between two fiercely independent and frustrated individuals can only lead to the inevitable break-up. Perhaps they are too much alike to live peacefully together. Rhett knows that the two things in the world. She longs for---Ashley and wealth. He can give her wealth. But he cannot become Ashley. He is Rhett, Rhett Butler. He loved Scarlett, but he does not tell Scarlett that because he thinks it will give her power over him that he does not want her to have. And he finally matched her in wits. But Scarlett still was too st ubborn to understand Rhett’s love.Her love for the land---Tara: The hand of Fate and a hand of poker combined to give Gerald the plantation, which he afterwards called it Tara, and at the same time moved him out of the upland country of north Georgia. Tara is a beautiful place with the long red road that leads down the hill to the river and the red fields with springing green cotton. Growing up in Tara. Scarlett understands that land and Negroes are all the resources of her big family. As a Southerner, she also hates the war and the Yankees, although she does not like to discuss the war. However, during the war, she volunteers to take care of the wounded in Atlanta. Like many white women, she takes an active and educated part in the movement to separate the South from the North. To protect the south means to protect her family and the plantation. After Sherman’s campaign, Atlanta is completely lost from the South. Many people desert their lands and families and escape to other places.Scarlett loves her family and the whole of Tara. Tara is her land and her backbone. She can lose Ashley or Rhett, but she cannot live without Tara. She stays and tries her best to preserve Tara no matter what it will cost. She deludes Frank Kennedy, her sister’s beau, a successf ul merchant in hardware, furniture, and lumber, and marries him to save Tara---the family’s plantation, her home. She relies on it to practice usury, run timber mill, and illegally employ Negroes. She is abused by the southern royalty to be greedy, selfish, shameless, cruel and cold. It does not matter, because those features are just the qualities of the ascending bourgeoisie. And she follows the improved bourgeoisie. She is an adventure, an upstart and a great heroine who has survived in the war. She is a belle in the turbulent days. Factually, all the people in Tara including the Ashleys are living on Scarlett’s shoulders. Without her cruelty and coldness, how could there be so many virtues in Melanie? Without Scarlett to be an evil, how could Melanie be respected as an angel? Therefore, Scarlett is the real respectable person. She is a heroine in the campaign at the terrible times.At the end of the novel, Rhett loses confidence in her, and leaves her away. The only thing that can comfort Scarlett is the land---Tara. Tara is her physical and emotional home to perch; Tara gives her life and energy. At this time her father’s words occurs in her mind “Land’s the only thing in the world worth working for, worth fighting for, worth dying for, because it’s the only thing that lasts.” From the beginning to the end, the land---Tara was the center in Scarlett’s heart, though she once gave up peasantry and ran after commerce during the war. Tara gave her the confidence to live on to win back her soul---Rhett again. This is where she always goes when her problems are too many for her to bear. Tara is her heaven as she finally understands what her father meant---the land is the only constant thing. She does whatever she can to hold on to it, and she is able to have it for comfort. It is the only thing she has left at the end of the story.In summary, Scarlett’s love for Ashley, Tara and Rhett respectively supports her to live on. When she falls in love with Ashley, she can give up the land---Tara to flee with him so as to get her sweetheart. During the war, when Ashley is enlisted in the Confederacy and Rhett is still a common friend to her, Tara becomes her beloved one. After the war, when she wakes up from her dream to Ashley, she loses her best lover, also her “soul”---Rhett Butler forever, because her statements and actions to Rhett before deeply hurt him. In despair, Rhett gives her up forever and goes away alone. After her love flame for Ashley perishes and losing Rhett’s real love, she was forced to go back to Tara---the only constant love she could rely on---the vast red land, the place where she was born and grows up.All in all, the whole novel is a course of Scarlett’s love pursuit. It is her deep love for Ashley, Tara and Rhett respectively that supports her to pull through the difficulties, and it is the very deep love for her land and for the men she loves which pushes her to live on bravely. These positive elements rooting in her character continuously influences the women in the twentieth century.2.2 The Women Can Surpass the Power of MenNo matter what will be happening in the real world the results and consequences can give everyone a fully contented answer .Through the novel, we can see different people who have different fates and their different goals.Scarlett is the most important person in the novel, it is difficult to define her, but we can see that: vain, flirtatious and utterly self-absorbed, Scarlett O'Hara makes an unlikely heroine. Other qualities, such as her courage and perseverance, ameliorate her bad points and make her an entertaining character. Although not particularly perceptive about people, she has a knack for seeing the reality of things, making decisions and following through on them no matter what she has to do. It isScarlett on whom the whole family relies after the war. Her determination to save Tara becomes almost an obsession with her. At last, she gets nothing except land, because the land can not leave her, but she can leave the land .She realizes what the most important thing is in her life. She got three marriages and she has everything she wants to own, all in all, at last, she lost them in the end.Melanie's loving nature and humility in the face of her family's financial difficulties after the war make her popular among the Atlanta ladies who admire her attitude, and they immediately recruit her for their numerous charities and organizations. Her wise and nurturing personality make her the natural choice for people seeking refuge and understanding; she comforts people hurt or rejected by Scarlett, notably Rhett and Wade. Her sharp intelligence about people and her personal strength come into play when she must act quickly to save Ashley from being arrested for his participation in the Ku Klux Klan raid. Taking her cues from Rhett, Melanie ad-libs her way through a brilliant performance designed to elude the police, a performance that Scarlett would never be perceptive enough to carry off. Melanie's death at the end of the novel is a revelation for Scarlett, who realizes that Melanie is the only true friend she's ever had. It is also Melanie, in her final moments before death that helps Scarlett to see how much Rhett loves her.Ellen O'hara, Scarlett's mother, Ellen is a member of the well-known Robillard family of Charleston. Ellen is known throughout the county as a great lady, and Scarlett longs to be like her. She dies from typhoid fever, which she contracts while nursing the Slattery family through it.In the end, the woman can not surpass the power of the man ,in the novel, we can known that the woman are always following the man ,they want to known all the things about the man even whether they are living or dead. On the contrary, men do not have the same feeling for women, they just do the things the society requires them. Due to the war, it is clear that women presents each one wants to have a woman before he goes to the war. So men are still control the world.Despite the severe gender inequality of their time, women in Gone with the Wind show strength and intelligence that equal or best those of men. Scarlett is cunning, and manipulates men with ease. She runs Tara when her father falls ill, and eventually realizes that she has a better head for business than most men. She becomes a very successful mill owner, running every aspect of the business and putting her weak, incompetent husband to shame. Melanie, although she is a subdued figure, exhibits increasing strength as the novel progresses, and she eventually emerges as the novel’s strongest female character. She provid es much of Scarlett’s strength, although Scarlett realizes this only at the end of the novel. Melanie also protects Ashley from the world he cannot face. Despite her humble means, she single-handedly facilitates the restoration of Atlanta society. Old Miss Fontaine and Ellen also demonstrate strengthand intelligence. Both women act as head of the family, and the narrator describes Ellen as the true mind and strength behind Tara.ConclusionTo conclude, it is the research that men and women who have their different freedoms and loves all get their fates and the consequences. It is easy to get the main theme that the man needs the woman and the woman needs the man. This is so called the equality. And we are trying to make it into reality. So the awakening of women is always moving forward until we find the last result that women get the equality.It is easy to get the conclusion that although these female characters and male characters belong to disparate backgrounds, they have the same advantages, that is, no matter how hard their lives are, they can use different ways to adjust themselves to have an optimistic attitude towards life. And they rarely complain about the fate, for they know it is of no use and a waste of time. To be practical and solve the thorny problems which they meet calmly is what women usually do in real life. The right belongs to men, the right and freedom belong to women. We need equality.The author makes a summing-up of the advantages of these women. When dealing with troubles, these women always show more practicality than men, when facing pressure, they can display more endurance and patience, no matter how hard their present lives are, their hearts are still full of hope towards their future and they also bear the responsibility t o be men’s spiritual supporters.The thesis can be simply stated: the author of this thesis finds that women always hold active and positive attitude to face the social pressure. When the society is moving forward, both men’s powers and women’s powers are indispensable. Unilaterally emphasizing and exaggerating the importance of men’s role in the society is not correct. Paying enough attention to the role of women and letting them exert all their powers will make the society develop in a better way.Scarlet t O’Hara lights up the awakening of women in pursuit of her freedom. Her different loves show that her actions in her mind demonstrate a kind of spirit which need power, decisive right, especially the control of money .All this proves that Scarlett wants to get all that men have .The equality is appearing gradually .However, at last, she gives up the will and becomes a full time wife and she thinks that she have had a perfect life. On the contrary, she still loves Ashley. In fact, she always gets him, when he finds this when Melanie died. Rhett Butler leaves her. Suddenly, Scarlett realizes that women can not leave men while the man can notleave the woman. This is the truth. To sum up, women get the true awakening .Scarlett O’Hara understands it and she wil l realize it.AcknowledgementsThanks for my teachers and professor Liu Xueyun, they give me much more rigorous and careful attentions. At the same time, I will learn their meticulous attitudes in their works and they are my study spirits. They teach me with skills and patience by the guidance and mentality without restraint of style that give me the inexhaustible inspiration.Thanks for my tutor Yang Yuanyuan, this piece of paper’s each experimental detail and each data are provided by her careful instruction. And your open and bright individuality and the tolerant manner help me to be able to integrate this paper.Thanks for my roommates, who arrive in this strange city from the remote family, you and I are maintaining relations between each other with brotherly sentiment, maintaining the bedroom with family's harmony. In four years, as if at yesterday. In four years, we have not blushed, not quarreled, not any unhappy matter which goes to college.Thanks for my father and mother. Swindle the grass, saying the back of the tree and raising graciousness do not have repays, I hope that you forever have been the health and joy, which is mine strongest wish.BibliographyMitchell, Margaret. Gone with the Wind (上) (下). 上海: 外语教育出版社. 1992.Mitchell, Margaret. Gone with the Wind. Cawaye Place. London: Pan Books Ltd. 1974.丁则民. 美国内战与黄金时代（1986-19 世纪末）. 北京: 人民出版社. 2002马格丽特•米歇儿. 傅东华译. 飘（上、中、下）. 杭州: 浙江文艺出版社. 1985.马格丽特•米歇儿. 齐俊伟译. 飘. 呼和浩特: 内蒙古出版社. 2001.童明. 美国文学史. 南京: 译林出版社. 2002.武月明. 从卫希礼和昆丁所经历的精神危机看南方的悲剧. 外国文学研究. 2002(3).于胜民. 战争•女性•和谐美. 外国文学研究. 1989(4).周明燕. 一曲无尽的挽歌——评美国小说《飘》.外国文学研究. 1997(4).荆兴梅.《飘》的女性主义解读[J].江苏科技大学学报,2005（2）.玛格丽特·米切尔. 乱世佳人[ M] . 上海: 上海译文出版社,1991 :3.约瑟芬·多诺万. 女权主义的知识分子传统[M ]. 赵育春译. 南京:江苏人民出版社, 2003.顾韶阳, 王丽艳.《飘》与妇女觉醒——《飘》中女性价值观浅析. 西安外国语学院学报, 2003(3): 67~69.李银河.女性权利的崛起[M ]1北京:文化艺术出版社,2003.西蒙娜. 德. 伏波娃.第二性[M ]. 陶铁柱译.北京:中国书籍出版社, 2003.Mitchell, Margaret. Gone with the Wind. London: Macmillan London Ltd, 1980.Millett, Kate. Sexual Politics. New York: Doubleday& Company, 1970.Simone de Beauvoir.The Second Sex[M].New York:Vintage,1989.。
《琐事》中女性的悲剧与觉醒
88《琐事》中女性的悲剧与觉醒张雨铮 华东师范大学摘要：《琐事》是苏珊·格莱斯佩尔第一部独立完成的独幕剧。
该剧被视为早期女性主义戏剧。
剧中讲述了一桩耐人寻味的谋杀案。
通过塑造剧中的女性人物，格莱斯佩尔描绘了女性在男权社会下的生活悲剧以及压迫下的觉醒。
本文将从不同角度分别分析剧中女性的悲剧与她们的觉醒之路。
关键词：《琐事》；苏珊·格莱斯佩尔；女性；悲剧；觉醒《琐事》是一部早期女性主义戏剧。
整个剧本故事放置于以男性为主导的社会背景之下，由明暗两条线索展开：明线是，约翰·赖特先生在家中死亡，彼得斯太太和黑尔太太在陪同她们的丈夫以及乔治·亨德森律师到现场取证的过程中发现了赖特太太的杀人动机和证据但却保守了秘密；暗线则是赖特太太的生活经历。
这两条线索中对女性形象的塑造，揭露了女性的生活悲剧，描绘了女性在压迫之下的觉醒之路。
一、女性的悲剧男女不平等的地位关系造成了女性的悲剧。
在主线中，男女的不平等关系体现在空间分配上。
福柯说，空间是共同生活和行使权力的基础[1]。
因此空间不仅是事物存在和发生的地点，还是权力和秩序的象征。
处于主导地位的男性在生产关系中占统治地位，因此决定了空间分配和管理。
相反，女性从属于男性，因而受限于她们被迫分配到的空间中。
剧本一开头，当赖特家的门被打开，男性立即走到火炉边并占领了舞台中心，而女性则跟随男性，只站在门口。
甚至当律师招呼女士们进屋取暖时，女性只向前迈了一小步。
随着剧情发展，男性逐渐控制了卧室、客厅和棚舍等中心空间。
但是女性却被拘禁在厨房里。
厨房被视为女性的空间。
在调查过程中，男性也来回进出厨房。
但他们只是嘲讽女性，从未想过厨房与案件紧密相关。
事实上，女性意识到男性鄙夷的态度且表达了不满。
当律师踢歪了水槽里的平底锅，黑尔太太表示不喜欢男人到厨房里指指点点。
黑尔太太拒绝男性进入厨房表达了对男性主导地位的反抗，但却也加重了男女之间的不平等。
如果男性无法进入厨房，那么厨房里就只有女性，这似乎变成了女性的自我隔离。
《飘》的主人公斯嘉丽的性格变化剖析--基于女性主义立场的双性同体批判
青年文学家·文学评论《飘》的主人公斯嘉丽的性格变化剖析——基于女性主义立场的双性同体批判董思怡 盐城工学院博雅学院BM英语091班 江苏 盐城 224051摘要：基于女性主义立场分析斯嘉丽性格变化有着独特而深刻的美学价值。
女性主义是女性思维与行为方式的总和，主要包括政治观念与精神追求两类诉求。
斯嘉丽性格变化是一种双性同体结构，依次表现为战前任性与勇敢交融的爱情观、战中的自私与坚强并存的人格观与战后虚荣与成熟交织的经济观。
究其变化一方面源于经济原因、因南北战争引发的社会制度变革等客观因素，另一方面源于屈从生存危机、重建塔拉家园等主观因素。
而基于女性主义立场的精神追求是性格转型关键所在。
关键词：斯嘉丽；《飘》；女性主义；性格；变化作者简介：董思怡（1990—），女，江苏苏州人，盐城工学院博雅学院BM英语091班，本科在读，学习方向为英语。
[中图分类号]： I106 [文献标识码]：A[文章编号]：1002-2139(2013)-17-048-02一一、以平等与自由为主体的女性主义理论女性主义（Feminism）是以女性视角“观察、审视所有事物的思想、主张”，是一种表达特定诉求的“女性思维方式、行为方式的总和”。
[1]究其根源，女性主义是以启蒙思想为源头，兴起于19世纪的一场主要以女性经验为来源与动机的社会理论与政治运动，最开始主要在法国、美国等国出现，后遍及世界各地。
女性主义理论目的在于探究性别不平等的来源、本质与表现，研究重点在于性意识、权力关系与性别政治，争取人格独立、政治独立、经济独立与社会独立。
具体表现在：（一）作为一场政治运动，以争取受教育权、生育与堕胎权、产假与薪资平等、投票权、代表权为目标，具体表现为在20世纪六七十年代的反对选美活动、八九十年代的关于容貌与美的问题民主化改革讨论以及今天仍在持续的关于美貌的论争。
此类诉求在《飘》中体现相对不多。
（二）作为一种精神追求，主要以性别与性意识为突破口来破旧推新，反对性骚扰与性暴力、家庭暴力与性别歧视，争取女人作为人的基本尊严完整人格，争取与男性同等的政治身份与经济自由，在现实生活中通常表现为反抗父权与男权，追求自由与真爱；反对政治歧视，争取选举权与被选举权；反对经济附属，争取经济支配权与工作权利等。
女性主义视角下《觉醒》的思考和解读
- 240-校园英语 / 文艺鉴赏女性主义视角下《觉醒》的思考和解读福建省泉州市南安康美闽南科技学院/熊珈仪【摘要】《觉醒》是美国小说家凯特•肖邦的代表作品。
这部小说促使公众开始把目光投向女性的内心世界，关注女性的自我意识和自我感受。
因此，这本小说的重要价值不言而喻，对这本小说的研究也具有深远的意义。
本文从女性主义的角度出发，在前人研究《觉醒》的基础上浅析了女主人公艾德娜的成长历程。
本文从艾德娜女性自我意识的逐渐觉醒、艾德娜对女性独立和自由的追寻、艾德娜的觉醒：死亡中的寂静三个阶段分析并解读了《觉醒》中女性主义体现的细节，揭示了小说中不同意象的女性主义象征意义，概括了《觉醒》里主人公在不同阶段对女性主义追求的特点。
对这部作品中女性主义细节的解读，为后继的研究者和这篇作品的读者提供了一个新的参考角度。
【关键词】觉醒 女性主义 艾德娜凯特•肖邦是美国文学史上著名的女作家之一。
她一生写作的多篇小说都关注于女性的权利和感受。
《觉醒》作为凯特•肖邦的代表作毫无疑问也着力于女性的自我意识和自我认知。
本文通过对这部小说中女性主义的思考，希望帮助读者解读《觉醒》中女性主义的观念和细节。
女性主义主要是指消除男性和女性在法律权益、社会地位、社会价值观上的不公平的差异的一种理念。
女性主义的理论千头万绪，归根结底就是一句话：在全人类实现男女平等。
在十九世纪末期，妇女解放运动开始在全美国大规模的兴起。
许多的女性主义的作者也开始关注女性的内在世界和感受。
在他们的笔下，女性可以不惧那时候社会的压力，自由的表达自己的想法和感受。
在《觉醒》出版之前，凯特•肖邦是一个家喻户晓的南方作家，因为写了一些强烈乡村风格的作品而闻名。
在当时的女性主义意识的觉醒的思潮下，凯特•肖邦的写作风格完全发生了改变。
在《觉醒》刚出版时，这部作品受到了全国范围内大规模的激烈的批评。
然而随着时代的进步，和人们对于女性关注的增加，《觉醒》最终不再存在于官方禁书的名单里。
凯特肖邦作品的女性主义之路——从《一小时的故事》到《觉醒》
凯特肖邦作品的女性主义之路——从《一小时的故事》到《觉醒》发表时间：2018-07-30T11:27:32.733Z 来源：《知识-力量》2018年8月下作者：钟雨露茅晓妍[导读] 《一个小时的故事》与《觉醒》作为凯特肖邦的两部代表作，体现了凯特肖邦女性主义写作意识的发展之路。
本文从《一个小时的故事》女主人公露易丝与《觉醒》女主人公艾德娜的对比出发，从自我认知、家庭关系、自我实现的差异对凯特肖邦女性主义写作意识的发展进行探讨（浙江师范大学，浙江 321004）摘要：《一个小时的故事》与《觉醒》作为凯特肖邦的两部代表作，体现了凯特肖邦女性主义写作意识的发展之路。
本文从《一个小时的故事》女主人公露易丝与《觉醒》女主人公艾德娜的对比出发，从自我认知、家庭关系、自我实现的差异对凯特肖邦女性主义写作意识的发展进行探讨，并从家庭背景、女权运动、个人经历三个角度进一步分析了凯特肖邦女性主义意识发展原因。
最后，本文探讨了凯特肖邦作品的文学意义及现实意义。
关键词：凯特肖邦；《一个小时的故事》；《觉醒》；女性主义凯特•肖邦作为19世纪美国重要的女性主义作家，创作了诸多经典作品，对女性主义的发展及研究产生了深远的影响。
《一个小时的故事》与《觉醒》中这两部作品皆以女性自我意识的觉醒为主旨，对文中女主人公的思想、行为、社会关系等进行对比分析，可以进一步分析凯特•肖邦对女性主义的写作意识的发展过程。
一、从女主人公对比《一小时的故事》与《觉醒》（一）女主人公自我认知的差异在《一小时的故事》中，露易丝被所谓社会秩序长期压抑、束缚，不被人理解，因而感到难以排遣的孤独、失意。
长期处于这种环境，露易丝默许了以家庭和丈夫为生活中心的社会规则，直至自己的丈夫在铁路事故丧生，才意识到自己有可能只为自己而不是为别人活着。
她的女性主义思想仅仅是初步觉醒，她难以正视自己真实的追求，而且在自我认知觉醒的过程中有较大的阻碍，整个感悟变化的状态较为缓慢。
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1105班 1130100080 刘雅琪
The Ironic Meaning of the Title Trifles
Trifles is regarded as an example of early feminist drama. It reflects females＇
awakening and struggled for freedom and rights. Trifles as a title contains an ironic
meaning. It is true that the attention to trifles seems to be the starting points to solve a
big deal. So, what are trifles and why they are called trifles and how these trifles
works in this drama? This play itself contributes a lot to build up the meaning.
What are trifles? According to the play, in the eyes of men, all things women did
were trifles, but what ironic is that just the two women Mrs. Hale and Mrs. Peters who
concentrated on trifles found out the truth. The first trifle mentioned in the play is the
ruin fruit preserves. If Mrs. Wright had not been preoccupied, she could have started a
fire to keep the preserves from freezing. However, tragically, she had no right to make
a decision about anything.
SHERIFF. Well, can you beat the women! Held for murder and worryin＇ about
her preserves.
COUNTY ATTORNEY. I guess before we＇re through she may have something
more serious than preserves to worry about.
HALE. Well women are used to worrying over trifles.
Beneath these words, men are not appreciated women work, and laugh that they are
doing trifles. Secondly, the kitchen was in a mess. Bread that has been left out of its
box and the table remained half clean half messy. Mrs. Hale and Mrs. Peters started to
aware something. They had nearly the same experience as Mrs. Wright, so they could
understand Mrs. Wright＇s emotion precisely. Their works are not respected by men.
On the contrary, men not appreciate them but laugh at them. Just as Sheriff said: loyal
to your gender. It is an ironic as well. The two women did loyal to their gender
however not to submit to men but to unity and gave a hand to Mrs. Wright. This kind
of behavior can also be considered as Mrs. Hale and Mrs. Peters resistance. Thirdly, a
piece of the quilt draw lots of the two women＇s attention. At first the sewing is nice
and even, but then “It＇s all over the place! It looks as if she did not know what she
was about!” they discovered that there must be something got Mrs. Wright nerves, so
1105班 1130100080 刘雅琪
that she did not know what she was doing. Besides, when Mrs. Hale and Mrs. Peters
found paper and string, there was a birdcage catching their eyes. The birdcage door
was broken and on hinge is pulled apart. MRS HALE. [Looking to] looks as if
someone must have been rough with it. Finally in a fancy box, they found the bird and
it already dead. Somebody wrung its neck. [Their eyes meet. A look of growing
comprehension, of honor. Steps are heard outside. MRS HALE slips box under quilt
pieces, and sinks into her chair.] Everything is apparently by now. Mrs. Hale and Mrs.
Peters knew why Mrs. Wright murdered Mr. Wright. Then turn to the men, that is the
ironic point, they were too busy to fix on the dead body what is accounted as big deal
by them. Naturally, the men tried, because the evidence hidden in trifles, trifles what
they looked down upon not only once.
Why the title is ironic is also obviously by now. In the male-dominate society,
from men＇s perspective, women are vulnerable groups, and all what women do is
trifles or chores which are none of significance. Men in this drama demonstrated this
idea incisively and vividly. They tried all means to present a face of a serious
detective, working on what so-called big deals. They were never grateful for what
women did for them. They neglect women＇s emotion. They held that women are in
the charge of men and could only do chores and trifles. While the reality is that it is
the women who found out the truth. This drama reveals women＇s awakening and
remands men
the devil's in the detail. They should pay more attention to women＇s emotion.