Editor R. de la Llave Existence of Ground State Configurations

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关于什么是慷慨的英语作文

关于什么是慷慨的英语作文

In the tapestry of human virtues, generosity stands out as a vibrant thread, weaving together the rich fabric of our communities. It is a quality that transcends cultural, social, and economic boundaries, touching the lives of individuals in profound and meaningful ways. My journey through the understanding of generosity has been a personal odyssey, marked by experiences that have shaped my perspective on this noble attribute.Growing up, I was fortunate to be surrounded by people who exemplified the spirit of giving. My parents, with their quiet yet consistent acts of kindness, taught me the value of sharing without expecting anything in return. They would often donate to charities, volunteer at local shelters, and help neighbors in need. Their actions were not grand gestures designed for public recognition but small, everyday acts of compassion that spoke volumes about their character.One incident that stands out in my memory is when a family in our neighborhood faced a devastating house fire. Overnight, they lost everything they owned. The community rallied around them, and my family was at the forefront, offering not just material support but emotional solace as well. I remember my mother spending hours consoling the distraught family, while my father and I helped sort through donations and organize a fundraiser. It was a humbling experience that opened my eyes to the power of generosity in times of crisis.As I grew older, my understanding of generosity expanded beyond the confines of my immediate community. Through books, documentaries, and news, I learned about individuals who had made significant contributionsto society, not for personal gain but for the collective good. Figures like Mother Teresa, who dedicated her life to serving the poor and the sick, and Bill Gates, who pledged a substantial portion of his wealth to philanthropy, inspired me to think about generosity on a global scale.In high school, I had the opportunity to participate in a student exchange program, which allowed me to travel to a different country and experience a new culture. This exposure broadened my horizons and deepened my appreciation for the diversity of human experiences. I was struck by the warmth and generosity of the host family, who welcomed me into their home with open arms despite our cultural differences. They shared their traditions, stories, and even their limited resources with me, showing that generosity is a universal language that knows no borders.The concept of generosity is not limited to material giving. It encompasses emotional, intellectual, and even spiritual forms of sharing. I have seen friends offer a listening ear to someone in distress, teachers dedicate extra hours to help a struggling student, and strangers give up their seats on public transport for the elderly or pregnant women. These acts, though seemingly small, are testaments to the human capacity for empathy and selflessness.In my own life, I have tried to embody the spirit of generosity. Whether its volunteering at a local food bank, helping a classmate with their homework, or simply offering a word of encouragement to someone who needs it, I strive to make a positive impact on the lives of those around me.I have found that in giving, I receive an immeasurable sense of fulfillmentand joy.Generosity is not without its challenges. It requires a willingness to look beyond ones own needs and consider the wellbeing of others. It demands humility, as it often involves putting others before oneself. Yet, the rewards of living a generous life are immeasurable. It fosters a sense of community, strengthens social bonds, and contributes to a more harmonious society.In conclusion, generosity is a multifaceted virtue that enriches our lives in countless ways. It is a testament to our humanity, our capacity to care for one another, and our desire to make the world a better place. As I continue on my journey, I am committed to nurturing this quality within myself and encouraging others to do the same. For in the end, it is through our collective acts of generosity that we can truly make a difference in the lives of those around us and leave a lasting legacy of kindness and compassion.。

literature的英语作文

literature的英语作文

Literature is an integral part of human culture,reflecting the thoughts,emotions,and experiences of individuals and societies.It is a medium through which we can explore the complexities of the human condition,gain insights into different cultures and histories, and understand the world from various perspectives.Here are some key aspects to consider when writing an essay on literature:1.Themes and Motifs:Discuss the central themes and recurring motifs in the work.How do these elements contribute to the overall meaning of the text?Consider how the author uses these themes to convey messages or explore universal human experiences.2.Character Analysis:Delve into the characters of the work,examining their personalities,motivations,and development throughout the narrative.How do the characters interact with one another,and how do their relationships drive the plot?3.Plot and Structure:Analyze the plot of the work,including the sequence of events, conflicts,and resolutions.Consider the structure of the narrative,such as whether it is linear or nonlinear,and how this affects the readers engagement with the story.4.Setting and Atmosphere:Explore the setting of the work and how it contributes to the atmosphere.Discuss the importance of the time period,location,and social context in which the story takes place,and how these elements influence the characters and events.5.Style and Language:Examine the authors use of language,including diction,syntax, and rhetorical devices.How does the style of writing affect the tone and mood of the work?Consider the use of imagery,symbolism,and figurative language.6.Narrative Perspective:Discuss the point of view from which the story is told.Is it firstperson,thirdperson,or omniscient?How does the narrative perspective affect the readers understanding of the events and characters?7.Cultural and Historical Context:Place the work within its cultural and historical context.How does the work reflect the values,beliefs,and social issues of the time in which it was written?Consider any historical events or cultural practices that may have influenced the authors writing.8.Symbolism and Allegory:Analyze any symbols or allegorical elements in the work. How do these contribute to the deeper meanings of the text?Discuss how the author uses these devices to convey complex ideas or critique society.9.Influence and Legacy:Consider the influence of the work on later literature and itslasting impact on readers.How has the work been received by critics and audiences,and what makes it enduring or significant?10.Personal Response:Reflect on your personal response to the work.How did the work affect you as a reader?What emotions or thoughts did it evoke,and why do you think the authors choices were effective or ineffective?When writing your essay,ensure that you provide specific examples from the text to support your analysis.Engage with the work critically,but also express your own interpretations and insights.Remember to structure your essay logically,with a clear introduction,body paragraphs that explore each aspect in depth,and a conclusion that summarizes your main points and offers a final reflection on the work.。

介绍郁达夫的书籍英文作文

介绍郁达夫的书籍英文作文

介绍郁达夫的书籍英文作文"English:"Yu Dafu, a prominent figure in modern Chinese literature, has left an indelible mark on the literary landscape with his profound and poignant works. Born in 1896 in Fuyang, Zhejiang Province, Yu Dafu's literary career blossomed during the early 20th century, a time of great social and cultural upheaval in China.One of Yu Dafu's most celebrated works is his novella "Sinking." This poignant tale delves into the complexities of human relationships and the existential struggles faced by individuals in a rapidly changing society. Through vivid imagery and lyrical prose, Yu Dafu explores themes of love, loss, and alienation, striking a chord with readers both in China and abroad.Another notable work by Yu Dafu is his short story "Spring in a Small Town." Set in the aftermath of theSecond Sino-Japanese War, this poignant tale revolves around the lives of characters grappling with the devastation of war and the challenges of rebuilding their lives amidst the ruins. The story's exploration of love, betrayal, and forgiveness has earned it a place as one of the masterpieces of modern Chinese literature.Yu Dafu's writing style is characterized by its emotional depth, lyrical language, and keen insight into the human condition. His ability to capture the complexities of human emotions and the nuances of interpersonal relationships has earned him a reputation as one of China's foremost literary talents.In addition to his fiction writing, Yu Dafu was also a prolific essayist, exploring a wide range of topics including literature, society, and culture. His essays are marked by their intellectual rigor and thought-provoking insights, shedding light on the cultural and intellectual currents of his time.Overall, Yu Dafu's contributions to Chinese literatureare immense, and his works continue to resonate withreaders today, offering profound insights into the human experience."中文,"郁达夫,现代中国文学的重要人物,以他深邃而感人的作品在文学领域留下了不可磨灭的印记。

EDITOR’S_LETTER

EDITOR’S_LETTER

industry. We tackle overpackaging—a ubiquitous yet overlooked problem in China’s consumer economy—and find out what spooked China’s domestic movie market from making good horror films, and more.Copyright©博看网. All Rights Reserved.COVER STORY26While young singles bemoan the lack oftime and money to find a mate, Beijing’s Changpuhe Park hosts a different group of lonely hearts: retirees who’ve fulfilled their family duties, want company and mutual care in their old age, and hold some surprising views on love and relationships.TWILIGHT LOVE48 相亲公园里的寻爱老人们CopyrightWALKING ON FIREThe harvest is a time of thanksgiving all around rural China, but the villagers of Zhongtuan, Fujian province, prefer to show gratitude in a peculiar way: byperforming dangerous acrobatics of ancient origins, such as walking barefoot on hot coals and climbing 18 KALEIDOSCOPE“上刀山下火海”:福建武平独特的民俗绝技Copyright286 ZOETROPE54 ON THE ROADWHERE EMPIRES MEETA CHINESE HORROR STORYOn rating platforms, China’s top-ranked horror movie dates from 1935, while neighbors like Japan and Korea havebecome powerhouses in the genre. What’s spooked China’s homegrown horrormarket, and can it ever make an original, culturally distinct, and truly terrifying film?大连旅顺游:不只是打卡景点Formerly a seaport contested by three empires, Lüshunkou is now a district of Dalian boasting century-old colonial architecture. But as the photogenic中国特色恐怖片Copyright ©博看网. All Rights Reserved.。

Pound,Ezra(1920)HughSelwynMauberley…

Pound,Ezra(1920)HughSelwynMauberley…

Pound, Ezra (1920) Hugh Selwyn MauberleyHugh SelwynMauberleyBYE. P.THE OVID PRESS 1920"VOCAT ÆSTUS IN UMBRAM"Nemesianus Ec. IV.H. S. Mauberley(LIFE AND CONTACTS)Transcriber's note: Ezra Pound’s Hugh Selwyn Mauberley contains accents, diphthongs and Greek characters. Facsimile images of the poems as originally published are freely available online from the Internet Archive. Please use these images to check for any errors or inadequacies in this electronic text.MAUBERLEYCONTENTSPart I.________Ode pour l'élection de son sepulcher II. III. IV. V. Yeux Glauques "Siena mi fe', disfecemi Maremma" Brennbaum Mr. Nixon X. XI. XII.____________ENVOI1919____________Part II. 1920 (Mauberley)I.II.III. "The age demanded"IV.V. MedallionE.P. ODE POUR SELECTION DE SON SEPULCHREFOR three years, out of key with his time,He strove to resuscitate the dead artOf poetry; to maintain "the sublime"In the old sense. Wrong from the start—No hardly, but, seeing he had been bornIn a half savage country, out of date;Bent resolutely on wringing lilies from the acorn;Capaneus; trout for factitious bait;ἴδµενγάρτοιπάνπάνθ', όσ' ένιΤροίηCaught in the unstopped ear;Giving the rocks small lee-wayThe chopped seas held him, therefore, that year.His true Penelope was Flaubert,He fished by obstinate isles;Observed the elegance of Circe's hairRather than the mottoes on sun-dials. Unaffected by "the march of events,"He passed from men's memory in l'an trentiesme De son eage; the case presentsNo adjunct to the Muses' diadem.II.THE age demanded an imageOf its accelerated grimace,Something for the modern stage,Not, at any rate, an Attic grace;Not, not certainly, the obscure reveriesOf the inward gaze;Better mendacitiesThan the classics in paraphrase!The "age demanded" chiefly a mould in plaster, Made with no loss of time,A prose kinema, not, not assuredly, alabasterOr the "sculpture" of rhyme.III.THE tea-rose tea-gown, etc.Supplants the mousseline of Cos,The pianola "replaces"Sappho's barbitos.Christ follows Dionysus,Phallic and ambrosialMade way for macerations;Caliban casts out Ariel.All things are a flowing,Sage Heracleitus says;But a tawdry cheapnessShall reign throughout our days.Even the Christian beautyDefects—after Samothrace;We see τοκαλόνDecreed in the market place.Faun's flesh is not to us,Nor the saint's vision.We have the press for wafer;Franchise for circumcision.All men, in law, are equals.Free of Peisistratus,We choose a knave or an eunuchTo rule over us.O bright Apollo,τίν' άνδρα, τίν' ήρωα, τίναθεον,What god, man, or heroShall I place a tin wreath upon!IV.THESE fought, in any case, and some believing, pro domo, in any case . . Some quick to arm, some for adventure, some from fear of weakness, some from fear of censure, some for love of slaughter, in imagination, learning later . . .some in fear, learning love of slaughter; Died some "pro patria, non dulce non et decor". .walked eye-deep in hell believing in old men's lies, then unbelieving came home, home to a lie, home to many deceits, home to old lies and new infamy;usury age-old and age-thick and liars in public places.Daring as never before, wastage as never before.Young blood and high blood,Fair cheeks, and fine bodies;fortitude as never beforefrankness as never before, disillusions as never told in the old days, hysterias, trench confessions, laughter out of dead bellies.V.THERE died a myriad,And of the best, among them,For an old bitch gone in the teeth,For a botched civilization,Charm, smiling at the good mouth,Quick eyes gone under earth's lid,For two gross of broken statues,For a few thousand battered books.YEUX GLAUQUESGLADSTONE was still respected,When John Ruskin produced"Kings Treasuries"; SwinburneAnd Rossetti still abused.Fœtid Buchanan lifted up his voiceWhen that faun's head of hersBecame a pastime forPainters and adulterers.The Burne-Jones cartonsHave preserved her eyes;Still, at the Tate, they teachCophetua to rhapsodize;Thin like brook-water,With a vacant gaze.The English Rubaiyat was still-bornIn those days.The thin, clear gaze, the sameStill darts out faun-like from the half-ruin'd fac Questing and passive …."Ah, poor Jenny's case"…Bewildered that a worldShows no surpriseAt her last maquero'sAdulteries."SIENA MI FE', DISFECEMI MAREMMA" AMONG the pickled foetuses and bottled bones, Engaged in perfecting the catalogue,I found the last scion of theSenatorial families of Strasbourg, Monsieur Verog. For two hours he talked of Gallifet;Of Dowson; of the Rhymers' Club;Told me how Johnson (Lionel) diedBy falling from a high stool in a pub . . .But showed no trace of alcoholAt the autopsy, privately performed—Tissue preserved—the pure mindArose toward Newman as the whiskey warmed.Dowson found harlots cheaper than hotels;Headlam for uplift; Image impartially imbuedWith raptures for Bacchus, Terpsichore and the Church. So spoke the author of "The Dorian Mood",M. Verog, out of step with the decade,Detached from his contemporaries,Neglected by the young,Because of these reveries.BRENNBAUM.THE sky-like limpid eyes,The circular infant's face,The stiffness from spats to collarNever relaxing into grace;The heavy memories of Horeb, Sinai and the forty years, Showed only when the daylight fellLevel across the faceOf Brennbaum "The Impeccable".MR. NIXONIN the cream gilded cabin of his steam yachtMr. Nixon advised me kindly, to advance with fewer Dangers of delay. "Consider"Carefully the reviewer."I was as poor as you are;"When I began I got, of course,"Advance on royalties, fifty at first", said Mr. Nixon, "Follow me, and take a column,"Even if you have to work free."Butter reviewers. From fifty to three hundred"I rose in eighteen months;"The hardest nut I had to crack"Was Dr. Dundas."I never mentioned a man but with the view"Of selling my own works."The tip's a good one, as for literature"It gives no man a sinecure."And no one knows, at sight a masterpiece.And give up verse, my boy,There's nothing in it.* * *Likewise a friend of Bloughram's once advised me:Don't kick against the pricks,Accept opinion. The "Nineties" tried your game And died, there's nothing in it.X.BENEATH the sagging roofThe stylist has taken shelter,Unpaid, uncelebrated,At last from the world's welterNature receives him,With a placid and uneducated mistressHe exercises his talentsAnd the soil meets his distress.The haven from sophistications and contentions Leaks through its thatch;He offers succulent cooking;The door has a creaking latch.XI."CONSERVATRIX of Milésien"Habits of mind and feeling,Possibly. But in EalingWith the most bank-clerkly of Englishmen? No, "Milésien" is an exaggeration.No instinct has survived in herOlder than those her grandmotherTold her would fit her station.XII."DAPHNE with her thighs in barkStretches toward me her leafy hands",— Subjectively. In the stuffed-satin drawing-room I await The Lady Valentine's commands, Knowing my coat has never beenOf precisely the fashionTo stimulate, in her,A durable passion;Doubtful, somewhat, of the valueOf well-gowned approbationOf literary effort,But never of The Lady Valentine's vocation: Poetry, her border of ideas,The edge, uncertain, but a means of blending With other strataWhere the lower and higher have ending;A hook to catch the Lady Jane's attention,A modulation toward the theatre,Also, in the case of revolution,A possible friend and comforter.* * *Conduct, on the other hand, the soul"Which the highest cultures have nourished"To Fleet St. whereDr. Johnson flourished;Beside this thoroughfareThe sale of half-hose hasLong since superseded the cultivationOf Pierian roses.ENVOI (1919)GO, dumb-born book,Tell her that sang me once that song of Lawes; Hadst thou but songAs thou hast subjects known,Then were there cause in thee that should condone Even my faults that heavy upon me lieAnd build her glories their longevity.Tell her that shedsSuch treasure in the air,Recking naught else but that her graces giveLife to the moment,I would bid them liveAs roses might, in magic amber laid,Red overwrought with orange and all madeOne substance and one colourBraving time.Tell her that goesWith song upon her lipsBut sings not out the song, nor knowsThe maker of it, some other mouth,May be as fair as hers,Might, in new ages, gain her worshippers,When our two dusts with Waller's shall be laid, Siftings on siftings in oblivion,Till change hath broken downAll things save Beauty alone.1920(MAUBERLEY)I.TURNED from the "eau-fortePar Jaquemart"To the strait headOf Mcssalina:"His true PenelopeWas Flaubert",And his toolThe engraver'sFirmness,Not the full smile,His art, but an artIn profile;ColourlessPier Francesca,Pisanello lacking the skillTo forge Achaia.II."Qu'est ce qu'ils savent de l'amour, et gu'est ce qu'ils peuvent comprendre? S'ils ne comprennent pas la poèsie, s'ils ne sentent pas la musique, qu'est ce qu'ils peuvent comprendre de cette pas- sion en comparaison avec laquelle la rose est grossière et le parfum des violettes un tonnerre?" CAID ALIFOR three years, diabolus in the scale,He drank ambrosia,All passes, ANANGKE prevails,Came end, at last, to that Arcadia.He had moved amid her phantasmagoria,Amid her galaxies,NUKTIS AGALMADrifted….drifted precipitate,Asking time to be rid of….Of his bewilderment; to designateHis new found orchid….To be certain….certain…(Amid aerial flowers)..time for arrangements—Drifted onTo the final estrangement;Unable in the supervening blanknessTo sift TO AGATHON from the chaffUntil he found his seive…Ultimately, his seismograph:—Given, that is, his urgeTo convey the relationOf eye-lid and cheek-boneBy verbal manifestation;To present the seriesOf curious heads in medallion—He had passed, inconscient, full gaze,The wide-banded irisesAnd botticellian sprays impliedIn their diastasis;Which anæsthesis, noted a year late,And weighed, revealed his great affect, (Orchid), mandateOf Eros, a retrospect.. . .Mouths biting empty air,The still stone dogs,Caught in metamorphosis were,Left him as epilogues."THE AGE DEMANDED"VIDE POEM II.FOR this agility chance foundHim of all men, unfitAs the red-beaked steeds ofThe Cytheræan for a chain-bit.The glow of porcelainBrought no reforming senseTo his perceptionOf the social inconsequence.Thus, if her colourCame against his gaze,Tempered as ifIt were through a perfect glazeHe made no immediate applicationOf this to relation of the stateTo the individual, the month was more temperate Because this beauty had been……The coral isle, the lion-coloured sandBurst in upon the porcelain revery:Impetuous troublingOf his imagery.……Mildness, amid the neo-Neitzschean clatter,His sense of graduations,Quite out of place amidResistance to current exacerbationsInvitation, mere invitation to perceptivity Gradually led him to the isolationWhich these presents placeUnder a more tolerant, perhaps, examination.By constant eliminationThe manifest universeYielded an armourAgainst utter consternation,A Minoan undulation,Seen, we admit, amid ambrosial circumstances Strengthened him againstThe discouraging doctrine of chancesAnd his desire for survival,Faint in the most strenuous moods,Became an Olympian apatheinIn the presence of selected perceptions.A pale gold, in the aforesaid pattern,The unexpected palmsDestroying, certainly, the artist's urge,Left him delighted with the imaginaryAudition of the phantasmal sea-surge,Incapable of the least utterance or composition, Emendation, conservation of the "better tradition", Refinement of medium, elimination of superfluities, August attraction or concentration.Nothing in brief, but maudlin confession Irresponse to human aggression,Amid the precipitation, down-floatOf insubstantial mannaLifting the faint susurrusOf his subjective hosannah.Ultimate affronts to human redundancies;Non-esteem of self-styled "his betters" Leading, as he well knew,To his finalExclusion from the world of letters. IV.SCATTERED MoluccasNot knowing, day to day,The first day's end, in the next noon; The placid waterUnbroken by the Simoon;Thick foliagePlacid beneath warm suns,Tawn fore-shoresWashed in the cobalt of oblivions;Or through dawn-mistThe grey and roseOf the juridicalFlamingoes;A consciousness disjunct,Being but this overblottedSeriesOf intermittences;Coracle of Pacific voyages,The unforecasted beach:Then on an oarRead this:"I wasAnd I no more exist;Here driftedAn hedonist."MEDALLIONLUINI in porcelain!The grand pianoUtters a profaneProtest with her clear soprano.The sleek head emergesFrom the gold-yellow frockAs Anadyomene in the opening Pages of Reinach.Honey-red, closing the face-ovalA basket-work of braids which seem as if they wereSpun in King Minos' hallFrom metal, or intractable amber;The face-oval beneath the glaze,Bright in its suave bounding-line, asBeneath half-watt raysThe eyes turn topaz.THIS EDITION OF 200 COPIES IS THE THIRD BOOK OF THE OVID PRESS: WAS PRINTED BY JOHN RODKER: AND COMPLETED APRIL 23RD. 1920OF THIS EDITION:—15 Copies on Japan Vellum numbered 1-15 & not for sale. 20 Signed copies numbered 16-35 165 Unsigned copies numbered 36-200The initials & colophon by E. Wadsworth.The · OVID · PRESS43 BELSIZE PARK GARDENSLONDON N.W.3End of the Project Gutenberg EBook of Hugh Selwyn Mauberley, by Ezra Pound*** END OF THIS PROJECT GUTENBERG EBOOK HUGH SELWYN MAUBERLEY ***。

留下史书照尘寰用在英语作文里

留下史书照尘寰用在英语作文里

留下史书照尘寰用在英语作文里In the tapestry of human history, countless individuals have woven their unique threads, leaving behind legacies that continue to inspire and guide generations to come. Amidst the vast panorama of such luminaries, there stands a figure whose writings have cast an enduring light upon the annals of our civilization, his words illuminating the corridors of time with their wisdom and eloquence.This literary titan, a master of language and a keen observer of the human condition, has etched his name upon the pages of history with an imprint as indelible as the stars in the night sky. His writings, characterized bytheir profound insights, incisive wit, and timeless relevance, have transcended the boundaries of time and space, captivating readers across continents and centuries alike.Through the lens of his masterful prose, he has laid bare the intricate workings of the human heart, exposingthe frailties, aspirations, and paradoxes that define our collective existence. His characters, drawn with unparalleled depth and nuance, leap from the page as if imbued with a life of their own, their struggles and triumphs resonating with readers from all walks of life.Furthermore, his works extend beyond the realm of mere storytelling, delving into the complexities of history, politics, and the human psyche. With a keen eye for detail and an unwavering commitment to truth, he has chronicled the rise and fall of empires, laid bare the machinations of power, and challenged the prevailing norms of his time.His writings have served as a beacon of enlightenment, casting a discerning light upon the foibles and triumphs of human nature. They have shaped our understanding of ourselves, our world, and our place within the grand tapestry of history. Through his words, we have gained a deeper appreciation for the beauty of language, the power of imagination, and the enduring legacy of human thought.Generations of scholars, writers, and thinkers havedrawn inspiration from his works, finding solace, wisdom, and guidance within his prose. His words have been translated into countless languages, reaching audiences far and wide, transcending cultural and linguistic barriers to touch the hearts and minds of people from all corners of the globe.In the face of adversity and changing times, his writings have remained an unwavering source of strength and resilience. They have provided solace during periods of turmoil, ignited revolutions, and inspired countless individuals to strive for a better world. His words have become synonymous with truth, justice, and the indomitable spirit that resides within each of us.As the echoes of his words continue to reverberate through the corridors of time, his legacy endures as a testament to the transformative power of literature. His writings have left an indelible mark upon the hearts and minds of humanity, shaping our collective consciousness and inspiring us to reach for the stars.In the tapestry of human history, his name is woven with threads of gold, a testament to his enduring brilliance. His words, like an eternal flame, continue to illuminate the path forward, guiding us towards a future where the human spirit reigns supreme.。

what is it famous for的意思

what is it famous for的意思What Is It Famous For?IntroductionWhen encountering the question "What is it famous for?", we are invited to explore and uncover the unique aspects or achievements for a particular subject. This could be a person, a landmark, a city, or even a country. In this article, we will dive into the significance and distinguishing characteristics that make something or someone famous without explicitly stating the subject. By delving into its history, cultural contributions, and unparalleled features, we aim to discover its essence and understand why it has garnered fame and recognition.Historical SignificanceThe subject's historical significance plays a pivotal role in establishing its fame. Through significant events and outstanding achievements, it becomes engraved in the annals of history. This subject has a remarkable past that has shaped its influence and garnered international recognition. The historical heritage it holds resonates with people from various backgrounds, making it a treasure trove of cultural significance.Cultural ContributionsBeyond its historical value, the subject is renowned for its rich cultural contributions. It has given birth to a plethora of artistic talents, whose works have transcended time and continue to captivate audiences globally. Whether it be literature, music, visual arts, or performing arts, this subjecthas become a muse for countless influential creatives. Its vibrant cultural scene and contributions have made a lasting impact on the world's artistic landscape.Natural and Architectural WondersNotably, this subject boasts breathtaking natural and architectural wonders that have become iconic symbols. Its natural landscapes showcase an awe-inspiring blend of mountains, rivers, forests, and coastlines, offering a picturesque backdrop for visitors and locals alike. These natural wonders have not only attracted tourists but have also provided researchers and scientists with valuable environmental and ecological resources.The architectural wonders that dot the subject's landscape further boost its fame. From ancient temples and palaces to modern skyscrapers, the subject embodies a harmonious mix of tradition and innovation. These architectural marvels not only serve as remarkable structures but also represent the subject's unwavering commitment to preserving its rich heritage while embracing the future.Culinary DelightsAnother aspect that has contributed to the subject's fame is its culinary delights. Its cuisine is renowned for its unique flavors, diverse ingredients, and meticulous preparation techniques. Each dish tells a story, reflecting the subject's cultural heritage and regional specialties. Food enthusiasts from around the world flock to experience the subject's gastronomic treasures, as its cuisine continues to tantalize taste buds and leave a lasting impression.Global InfluenceThe subject's significant influence extends far beyond its borders. It has left an indelible mark on various aspects of society, spanning politics, economics, technology, and sports. Through its notable figures, inventions, and international events, the subject has become a global reference point, continuously shaping and influencing the course of history.Tourism MagnetLastly, the fame of this subject is partly due to its allure as a tourism magnet. People from all corners of the globe visit to witness its marvels firsthand. The subject's fame has turned it into a bustling tourist destination, with visitors seeking to immerse themselves in its vibrant culture, explore its historical sites, indulge in its cuisine, and witness its natural wonders. Tourism not only contributes to the subject's economy but also fosters cultural exchange and cross-cultural understanding.ConclusionIn conclusion, we have delved into the various factors that contribute to the fame of a subject without explicitly mentioning what it is. Through its historical significance, cultural contributions, natural and architectural wonders, culinary delights, global influence, and allure as a tourism magnet, this subject has garnered international recognition. While the specific subject remains undisclosed, we have explored the universal elements that can make anything or anyone famous.。

蝴蝶与少女观后感英语作文

Butterflies and the Maiden is a film that has captivated audiences with its enchanting narrative and visual splendor.Here are some reflections on the film that could be included in an English essay:1.Introduction to the Film:The essay could begin by introducing the film,mentioning its director,the year of release,and the genre.It could also provide a brief overview of the plot without giving away too many spoilers.2.Character Analysis:One of the most engaging aspects of the film is its characters.The essay could delve into the main character,the maiden,and her journey of selfdiscovery and growth.The transformation she undergoes throughout the film can be analyzed in detail.3.Symbolism of Butterflies:Butterflies are often used as a symbol of change and transformation.The essay could explore how this symbolism is woven into the narrative and how it reflects the themes of the film.4.Cinematography and Visual Effects:The films stunning visuals are a highlight.The essay could discuss the cinematography,the use of color,and the visual effects that contribute to the dreamlike quality of the film.5.Soundtrack and Music:Music plays a significant role in setting the mood of a film. The essay could comment on the films soundtrack,how it complements the scenes,and the emotional impact it has on the audience.6.Themes and Messages:The essay could explore the deeper themes and messages of the film,such as the struggle between conformity and individuality,the power of dreams,and the importance of embracing change.7.Cultural and Historical Context:If the film is set in a specific cultural or historical context,the essay could discuss how this setting influences the story and the characters actions.8.Personal Reflection:The essay could include a personal reflection on how the film resonated with the writer,what lessons were learned,and how the film might influence their perspective on life.9.Conclusion:The conclusion could summarize the main points discussed in the essay and offer a final thought on the films impact and significance.10.Recommendation:Ending with a recommendation for others to watch the film, especially if its thoughtprovoking or has a unique artistic vision.Remember to maintain a formal tone throughout the essay and to provide specific examples from the film to support your analysis.。

关于皮埃尔狄盖的英语作文

关于皮埃尔狄盖的英语作文Pierre Dugua de Mons, also known as Sieur de Mons, was a French merchant, explorer, and colonizer who played a significant role in the early French colonization of North America. Dugua was born in the city of Royan, France, in 1558. He was a Protestant, and his religious beliefs led to his involvement in the Huguenot struggles in France. In the late 16th century, Dugua became involved in the fur trade in North America, and he eventually formed a partnership with the explorer Samuel de Champlain.In 1604, Dugua and Champlain were granted a fur trade monopoly in New France, which included the territory of Acadia (present-day Nova Scotia, New Brunswick, and Prince Edward Island). Dugua established the first French settlement in North America at Île-Saint-Croix (in present-day Maine), but the harsh winter and lack of supplies led to the loss of many lives. In 1605, the settlement was relocated to Port-Royal (in present-day Nova Scotia), where it thrived as a center for fur trading and exploration.Dugua's most significant contribution to the French colonization of North America was his establishment of thefirst permanent French settlement in North America at Port-Royal. This laid the foundation for future French exploration and settlement in the region. Dugua also played a key role in establishing friendly relations with the Indigenous peoples of the region, which was essential for the success of French colonization efforts.In 1608, Dugua and Champlain founded the city of Quebec, which became the capital of New France. Dugua continued to be involved in the fur trade and exploration in North America, but financial difficulties led to the revocation of his fur trade monopoly in 1607. Despite this setback, Dugua remained involved in French colonial ventures and continued to support exploration and settlement in North America.Dugua's legacy in the history of North American colonization is significant. His efforts laid the groundwork for the establishment of French settlements and the fur trade in the region, and his friendly relations with the Indigenous peoples set a positive example for future interactions between Europeans and Indigenous peoples. Dugua's contributions to the early French colonization of North America are an important part of the history of the region and continue to be remembered and studied today.皮埃尔·迪格瓦·德·蒙斯,又称蒙斯先生,是一位法国商人,探险家和殖民者,他在北美的早期法国殖民化中起了重要作用。

劳雷尔的黄金时代-首位法裔加拿大首相的外交事务 The Golden Age of Laurier


Two major views on the issue
1)
The English-Canadian view Most supported imperialism Supporting imperialism did not necessarily mean they did not support Nationalism
Loyalty to one’s country


See reasons on page #40 Of course, some felt Canada should either be fully independent, or perhaps, even join the USA. However, they were minority English-Canadians.

French-English Relations Pre-Laurier

French always worried about losing their language/culture & being assimilated (justified?) Mé and Louis Riel tis
Laurier-Greenway Compromise



After election - Laurier-Greenway Compromise ~ “The Sunny Way” ½ hour of religious instruction at the end of the school day Teacher in the language of choice would be provided if 10 or more students French-Canadians very disappointed – view it as significant loss of French and catholic rights outside Quebec 1916 – Manitoba again makes English only language of instruction Let‟s read about this on page #41 - 42
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M P E JM P E JMathematical Physics Electronic JournalISSN1086-6655Volume10,2004Paper6Received:Mar10,2004,Accepted:Apr18,2004Editor:R.de la LlaveExistence of Ground State ConfigurationsCharles Radin1Department of Mathematics,University of Texas,1University Station C1200,Austin,TX78712-0257Abstract.We prove the existence of ground state configurations for systems of infinitely many particles interacting,in d-dimensional Euclidean space,through many-body potentials with hard core.1.IntroductionWe are concerned with systems of interacting particles in d-dimensional Eu-clidean space E d,d≥1,with particles of one or more species.We assume the interaction includes a hard core,which need not be spherically symmetric,so the system is perhaps better described as interacting molecules or bodies.We will assumefixed some Euclidean invariant interaction potentialφ,which associates an energyφ(C),in R∪+∞,to anyfinite collection C⊂E d of at least two bodies, subject to the weak conditions listed in the next section.Heuristically,we are looking for configurations x,spatially extended throughout E d,which minimize a global energy H(x)which is a sum of contributions,one for each particle/body b in x,of amount(1)ˆL(x;b)=−µ(b)+ C⊂x,C bφ(C),whereµ(b)is the chemical potential of b.There is no direct meaning to H(x)since in interesting cases it is infinite;instead we will use the traditional criterion for ground state configurations based on a form of local optimality for all local regions. To give a proper definition of ground state configurations wefirst need some notation.For each particle species i,of which there are M≥1,we assume given some body b i(that is,a compact,connected set with dense interior and boundary of zero volume,representing the hard core for that species)and chemical potential µi.We define X as the space of all possible packings of E d by congruent copies of the bodies,with the usual metrizable topology in which two packings are close if,within a large ball around the origin of E d,the two packings are uniformly close:that is,close in the Hausdorffmetric on compact sets[Ra1].(A collection of bodies forms a packing if their interiors do not intersect.)X is compact in that topology.Assume given a cube B⊂E d,and two packings x,y∈X.Then: N i[B;(y,x)]will denote the sum of the relative volumes vol(b∩B)/vol(b)of all those bodies b,of species i,such that either b∈y,or b∈x and the interior of b intersects the boundary∂B of B;¯N[B;(y,x)]={N i[B;(y,x)]};¯µ={µi};and ¯µ·¯N[B;(y,x)]= iµi N i[B;(y,x)].A related but more complicated quantity is the local potential energy defined as follows,using the notation v[A]to denote the volume,and i(A)the interior,of A⊂E d:E[B;(y,x)]= b∈y:b⊂B C bφ(C)+ b∈x:i(b)∩∂B=∅v[b∩B]This(traditional)criterion for a configuration x to be a minimizer for the global H is simply that it be locally stable:no change in x in afinite region can lower the contribution to H(x)associated with thatfinite region.One consequence is that a minimizing configuration has the lowest possible energy density,as computed by averaging over an expanding sequence of regions.The existence of such ground state configurations x is by no means obvious,and proof of their existence is our main result.(We compare this problem with the parallel one for lattice gas models in Section3.)The special cases of our result in whichφonly takes the values+∞and0and the chemical potentialsµi are taken to have special values(appropriate to the bodies b i),reduces to a theorem of Bowen[B]on completely saturated packings in E d.One example of this type to which we will refer is the following.Example1.Consider configurations in the plane of only one type of body,a unit square,with energy functionφconsisting only of the hard core,andµ=1.For this example it is easy to construct ground state configurations,for instance tilings of the plane.The example will be useful below in testing general strategies of proving the existence of ground state configurations.2.Statement and Proof of ResultsWe assume our Euclidean invariant interaction potentialφsatisfies the following general properties:i)There is some R,larger than twice the diameter of any of the b i,such thatφ(C)=0if there is no ball of radius R containing all the bodies of C;ii)φisfinite and continuous when restricted to the manifold of(positions and orientations of)packings of any givenfinite number,greater than2,of bodies of given species;iii)For pairs of bodies,φ=+∞if their interiors intersect,φisfinite and continuous when the pair does not intersect,and either:a)φisfinite and continuous on all packings of pairs;orb)φis bounded below,has value+∞for touching pairs,andφ→+∞as the separation of the pair vanishes.Our main result is the following.Theorem1.For any system of interacting particles/bodies with given interaction φsatisfying conditions i)–iii)and given chemical potentials¯µthere exists a trans-lation invariant probability measure mL ,on the space X of possible packings of thebodies,for which a set of full measure consists of ground state configurations. Proof.First we define a function p on X by:(4)p(x)= c(x),if the interior of a body˜b(x)of x contains O0,if no body of x contains O in its interior3where O is the origin in E d and c(x)=1/volume[˜b(x)].Then we define the function L on X,a density forˆL of(1),by(5)L(x)=p(x) −µ(x)+ C⊂x,C b(x)φ(C)where b(x)is any body in x nearest to O,andµ(x)is the chemical potential for that species of particle/body.(For completeness,in case one factor in(5)is0and the other is+∞we define the product to be0,except in those cases where O is on a boundary of a body in x,in which case we define the product to be+∞.)Note that although b(x)may not specify a particular body,this ambiguity,and therefore that ofµ(x),is irrelevant to L(x)because of the factor p(x);L(x)is nonzero only if some body b of x contains O,and then represents the total energy of interactionof b with the rest of the bodies in x.Note that ifχB is the characteristic functionfor B(6) χB(g)L(x−g)dg=E[B;(x,x)]−¯µ·¯N[B;(x,x)].Let M(X)be the set of Borel probability measures on X in the weak-∗topology, which makes M(X)compact,and let M I(X)be the subset of those measures which are invariant under the natural action of the translation group G d(≈R d)of E d. (M I(X)is easily seen to be a nonempty closed subset of M(X).)Lemma1.There exists mL in M I(X)such that mL(L)=inf{m(L)|m∈M I(X)}.Proof.We begin by smoothing out a bit the function L.Define˜L(x)as sup{f(x)|f continuous,and f(y)≤L(y),at all y∈X}.It follows that˜L is lower semicontinuous on X and bounded below.We consider Borel probability measures as functionals on the space of continuous functions on X,which one ex-tends(with the possible value of+∞)first to over functions and then integrable functions in the usual way[T].In this sense˜L is an over function,and,as a function on M(X),and therefore also M I(X),it is easy to see it is again lower semicontinuous.Therefore by compactness there is some˜m∈M I(X)such that ˜m(˜L)=inf{m(˜L)|m∈M I(X)}.We claim that m(L)=m(˜L)for all m∈M I(X). To see this wefirst note that L and˜L only differ where L is not lower semicontin-uous,and therefore only on the closed set K of packings x such that the origin O lies on a boundary of a body in x.That this set K has measure zero with respect to any m∈M I(X)follows easily by applying Birkhoff’s pointwise ergodic theorem [W],considered with respect to the action of the translation group on the space X of packings,to the characteristic function of K.This proves the claim,and we can then take mL=˜m to complete the proof of Lemma1.Let B s,for s>0,be the cube in E d centered at O and with faces which are distance s from O and perpendicular to coordinate axes.4Lemma2.For each j≥1there exists a function f j:X→X such that:a)for every x∈X,every v∈E d with integer coordinates,and with B j,vdefined as B j−v(2j+R),we have inf y{E[B j,v;(y,x)]−¯µ·¯N[B j,v;(y,x)]}= E[B j,v;f j(x),x]−¯µ·¯N[B j,v;f j(x),x];b)f j commutes with all translations v(2j+R),v∈E d having integer coordi-nates;c)f j is Borel measurable.Proof.Intuitively,what f j will do to x is replace those bodies of x which are (fully)in any of the regions B j,v by a collection of bodies which minimizes the energy associated with that region,while leaving the other bodies of x as they were.Such an energy minimum exists for a given region because of the continuity ofφand N;the only difficulty therefore is to ensure conditions b)and c).We can ensure b)by simply choosing the replacement for B j for each x and then extending to the translated regions appropriately.It is harder to see how to ensure condition c).An example which illustrates the essence of our difficulty with condition c)is Example1above,in which the body is B1.Take the region B=B1and let x consist of the single body B1+(2,0).The minimum of E[B;(y,x)]−¯µ·¯N[B;(y,x)] is then−µ,while for the translated packings x−( ,0)the minimum would be− µ(for arbitrarily small >0).In other words,in choosing how to optimize the bodies in B the dependence on those not in B must be taken into account and condition c)requires that this be done measurably.This is a standard selection problem in optimization.From the lower semicontinuity of E[B;(y,x)]−¯µ·¯N[B;(y,x)]as a function of(y,x)∈X×X,and the obvious fact that the equation(7){(y,x)|E[B;(y,x)]−¯µ·¯N[B;(y,x)]=infyE[B;(y,x)]−¯µ·¯N[B;(y,x)]}is equivalent to(8){(y,x)|E[B;(y,x)]−¯µ·¯N[B;(y,x)]≤infyE[B;(y,x)]−¯µ·¯N[B;(y,x)]},it follows that for given x(9){y |E[B;(y ,x)]−¯µ·¯N[B;(y ,x)]=infyE[B;(y,x)]−¯µ·¯N[B;(y,x)]}is closed.It then follows by the theorem of Kuratowski and Ryll-Nardzewski[Ro] that there exists a Borel measurable function(selection)y=y(x)such that (10)E[B;(y(x),x)]−¯µ·¯N[y(x),x)]=infyE[B;(y,x)]−¯µ·¯N[B;(y,x)]}, which gives us condition c).This completes the proof of Lemma2.Returning to the proof of Theorem1,for each j≥1we define the measure˜m jL ,on continuous functions h on X,by˜m jL (h)=mL(h◦f j)using the composition(h◦f j)[x]=h[f j(x)].We note that˜m jL is invariant under the group G d j consistingof translations by v(2j+R)for v∈E d with integer coordinates:using the notationh g(x)=h(x−g),˜m jL (h g)=˜mL(h g◦f j)=mL([h◦(f j)g])=mL(h◦f j)=˜m jL(h)for g∈G d j,where we used(f j)g[x]=(f j[x])−g from b)to get the second equality5and the invariance of m L for the third.Now we define m jLby averaging ˜m j Lover(the flat torus)B j ,which clearly makes m j L invariant under all of G d .We thenhave m jL (L )= χB j (g )L g (x )dν(g)χB j (g )dν(g )dmL (x ).(11)Let U j,n be the set of packings x for which (12)inf y {E [B j ;(y,x )]−¯µ·¯N [B j ;(y,x )]}≤E [B j ;(x,x )]−¯µ·¯N [B j ;(x,x )]−1χB j (g )dν(g )χU j,n (x )dm L (x )+ χB j (g )(L g ◦f j )(x )dν(g )nχB j (g )dν(g )χU cj,n (x )dm L (x )≤m L (L )−m L (χU j,n )setting than the crystallographic groups for a general understanding of the geomet-ric symmetry of solids[Ra1]-[Ra4],[BHRS].Coupled with this is the tantalizing, but unsatisfactory,well-known argument[Pi]to explain the experimental nonex-istence of a critical point separating the solid andfluid phases of matter,based on a supposed geometric symmetry for solids.There are indeed many ways in which the symmetry of ground state configurations are significant,for which the above existence theorem should be a useful step.AcknowledgmentsIt is a pleasure to thank Klaus Bichteler and Charles Holton for useful discus-sions.References[B]L.Bowen,On the existence of completely saturated packings and completely reducedcoverings,Geometria Dedicata98(2003)211–226.[BHRS]L.Bowen,C.Holton,C.Radin and L.Sadun,Uniqueness and symmetry in problems of optimally dense packings.Preprint,University of Texas at Austin,available fromftp:///pub/papers/radin/unique.pdf[I]R.Israel,Convexity in the Theory of Lattice Gases,Princeton University Press,Prince-ton,1979.[Pi] A.Pippard,The Elements of Classical Thermodynamics,Cambridge University Press, Cambridge,1979,p.122.[Ra1] C.Radin,Orbits of orbs:sphere packing meets Penrose tilings,Amer.Math.Monthly 111(2004)137–149.[Ra2] C.Radin,Global Order from Local Sources,Review-Expository Paper,Bull.Amer.Math.Soc.25(1991)335–364.[Ra3] C.Radin,Low temperature and the origin of crystalline symmetry,Intl.J.Mod.Phys.B1(1987)1157–1191.[Ra4] C.Radin,Symmetries of quasicrystals,J.Stat.Phys.95(1999)827–833.[Ro]R.Rockafellar,Measurable dependence of convex sets and functions on parameters,J.Math.Anal.Appl.28(1969)4–25.[Ru] D.Ruelle,Statistical Mechanics;Rigorous Results,Benjamin,New York,1969. [Sc]R.Schrader,Ground states in classical lattice systems with hard core,Commun.Math.Phys.16(1970)247–264.[Si]Ya.Sinai,Theory of Phase Transitions:Rigorous Results,Pergamon,Oxford,1982. [T] A.Taylor,General Theory of Functions and Integration,Blaisdell,Waltham,1965. [W]P.Walters,An Introduction to Ergodic Theory,Springer-Verlag,New York,1982.7。

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