The prince of Egypt影 评
小王子影评英语
小王子影评英语The Little Prince is a timeless story that holds a special place in the hearts of readers of all ages. Written by Antoine de Saint-Exupéry, this novella explores themes of love, friendship, loneliness, and the nature of human relationships. The story follows a young prince who travels from planet to planet in search of understanding and meaning in life. As he encounters various adults who have lost touch with their inner child, he learns valuable lessons about the importance of innocence, imagination, and connection.《小王子》是一部永恒的故事，深受各个年龄段读者的喜爱。
安东尼·德·圣-埃克苏佩里创作了这部中篇小说，探讨了爱、友谊、孤独以及人类关系的本质。
故事围绕一名年轻王子展开，他从一个星球到另一个星球寻找生活中的理解和意义。
当他遇到与内在童心失联的各种成年人时，他学到了有关天真、想象力和联系的宝贵教训。
The Little Prince is not just a children's story, but a philosophicalwork that delves into deeper meanings of life and existence. Through the interactions between the Little Prince and characters like the Fox and the Rose, readers are encouraged to reflect on their own valuesand priorities. The story presents a contrast between the materialistic world of adults and the simple, pure perspective of the Little Prince. This juxtaposition forces readers to reconsider what truly matters in life and what it means to live authentically.《小王子》不仅仅是一部儿童故事，而是一部深入探讨生活和存在意义的哲学作品。
埃及王子影评 review by Maria Garcia
埃及王子The Prince of Egypt 英文影评review by Maria Garcia2007-08-24 07:36:32 来源：Internet 浏览次数：1662 文字大小：【大】【中】【小】简介：In an era when 'entertainment value' is often the only measure of success or failure, it isn't any wonder the movie musical has been reincarnated as an animated feature. Billed as 'family entertai ...关键字：埃及王子The Prince of EgyptIn an era when 'entertainment value' is often the only measure of success or failure, it isn't any wonder the movie musical has been reincarnated as an animated feature. Billed as 'family entertainment,' these films probably won't provide any cathartic moments; on the other hand, you can usually take the children and be reasonably amused-The Rugrats Movie is a good example. However, when the animated musical meanders into the murky waters of what some regard as religious mythology, and what others consider the origin of their religious identity, it reaches the outer realm of its credibility. Witness DreamWorks' second animated feature release, The Prince of Egypt, which traces the life of Moses up to the time of the Exodus (the journey of the Hebrews from Egypt). Whether or not Moses and Aaron actually lived, and whether in fact the Jews existed in large numbers in Egypt at the time of Rameses II-both the topic of historical debate-is perhaps beside the point. The Exodus marked the beginning of Judaism as an organized religion, and it was the birth of monotheism or, in Western history, the shift from the Ancient to the Modern world. Myth or reality, Moses' life is entrenched in the canon of so many disciplines-including psychology and philosophy-that perhaps he's a reasonable subject for all sorts of storytelling. Despite its masterful animation, and a glib version of Old Testament (a Christian designation) events, The Prince of Egypt leaves you feeling like you've witnessed something that misses the mark. It begins with the popular story of how Moses was set adrift in a reed basket to be found by an Egyptian queen. Unlike its Biblical equivalent, in this version Moses doesn't learn he's a Hebrew until he's an adult. By then, it's difficult for him to break his familial tie to Rameses, his 'brother' and the future Pharaoh, until he mistakenly kills an Egyptian foreman. The foreman is beating a Hebrew slave laboring in a new temple. In the Bible, Moses' act is a crime of passion that sends him into a period of wandering and contemplation. Here, it's fear that compels him to leave his palace home-hardly the stuff of great drama. But who wants drama? This is supposed to be family entertainment, isn't it?An army of animators, a costume designer and some new technology that allows animators to combine 2D and 3D elements in a scene really do differentiate The Prince of Egypt-the crane shot of an Egyptian temple at the beginning of the film is one example of what the new technology, invented by DreamWorks and Silicon Graphics, can achieve. Animators also created new techniques which allow crowd scenes to look far more realistic than they have in other animated films. Spectacular scenes like the Passover, the dream sequence in which hieroglyphics become animated, and the parting of the waters, combine to make The Prince of Egypt a memorable visual experience. While the songs don't qualify as toe-tapping melodies, they're often cleverly used toadvance the plot, as they are in the Passover sequence. (Listen for Michelle Pfeiffer as Tzipporah, and Ralph Fiennes as Rameses-the only actors who sing their own songs.)DreamWorks is banking on adults buying movie tickets for animated features. While The Prince of Egypt can boast 'adult themes'-racism, revenge, sibling disputes and divine intervention-what it doesn't have is the ability to involve adults emotionally. It's rare to feel anything for an animated character. Parents may perceive the film as an opportunity to introduce children to Biblical themes, but children are likely to become bored by a story about adults, and young children could be disturbed by brief, but nonetheless disturbing, events such as the death of the first-borns or the bloodying of the waters. Richard Schickel's concluding sentence in a 1966 review of The Bible-'Read the book'-is worth mentioning here: The themes inherent in the story of Moses, for the religious and for the non-religious, have been the subject of so much scholarly debate in so many disciplines that to make it the inspiration for an animated musical is, in some ways, to do the story a disservice. Recounting the life of Moses in a visual medium by simply focusing on the events of his life is to greatly misunderstand his accomplishment. When God handed Moses the Ten Commandments, he demanded that the Hebrews avoid graven images of him and of nature. God was delivering the Hebrews from idolatry, from the empty worship of physical objects, opening up the possibility of imagination, psychic awareness, and the modern idea of an interior life. In an ironic twist too glaring to ignore, in The Prince of Egypt the picture is all.。
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一、影片定位：打破原有动画传统
• 梦工厂三巨头对于一种有别于传统的好莱坞传统风 格，摆脱迪斯尼那种以儿童为对象的讨好和趣味的 立意达成了共识。在一个全新的、严肃的创作理念 的驱动下，《埃及王子》应运而生，并且达到美国 动画长久以来从没有达到过的一个目标——那就是 让它将美国动画带到另一个新的领域。
• 梦工厂在《埃及王子》上的苦心经营不仅仅处于 商业的考虑，更是从动画艺术性上作出了可喜的 探索，力图打破传统童话色彩的动画格局与规模， 塑造一种动画的史诗性。
一、影片定位：打破原有动画传统
• 《埃及王子》是将最新的动画技术、最成熟的好 莱坞剧作、大众流行音乐以及全明星包装等等带 有浓重现代色彩的商业模式有机结合，形成了商 业元素和严肃题材相协调的道路，无疑为动画题 材的开拓和推动整个动画发展历史写下了华彩的 一笔。
一、影片定位：打破原有动画传统
• 正如杰夫瑞· 卡森伯格所说：“非动画片的类型很 多，有文艺片、喜剧、动作片、恐怖片等等。我 认为动画片也可以有各种不同的故事类型。我非 常希望也深深相信动画片能被用来说各种不同的 故事，而且动画片不止是给小孩子看的卡通。”
一、影片定位：打破原有动画传统
• 《埃及王子》被认为是电影史上最伟大的动画片。
二、影片让美国Leabharlann 画严肃起来• 影片非常严谨地遵循剧情电影的模式，融入正剧 的手法来叙述故事。
• 主题设置成人化
–影片采用的是宗教性的故事，内容涉及非常庞杂，如 讲到了自由和解放、自我回归、人的成长、大义和亲 情、信仰……
–贯穿影片始终的主题“信仰才是得救之道”
二、影片让美国动画严肃起来
• 矛盾冲突的复杂化
–本片的矛盾冲突纷繁复杂，有社会环境存在矛盾，有 人物之间的矛盾，有人物内心的矛盾……
奇迹建立在信仰之上
奇迹建立在爱与信仰之上--------《埃及王子》影评《埃及王子》是梦工厂耗资一亿美金并花费四年时间精心制作的一部关于圣经题材的动画片。
该片的制作过程中使用了最先进的电脑动画，动用了来自35个国家的350名首席画师、动画师和技术师。
为了更忠实于原作，美术指导更是亲自去埃及取景以呈现古埃及风貌。
因为内容涉及宗教题材，该片还邀请到了数百位历史和宗教学者为其担任顾问。
更有好莱坞当红影星方•基墨和桑德拉•布洛克做其幕后配音以及乐坛中的两大天后玛利亚•凯莉和惠特尼•休斯顿献唱该片的主题曲。
其准备之充分，阵容之强大被当时的影评人士认为是电影史上最伟大的动画片，而且极有可能打破动画片从未涉入奥斯卡提名的历史。
影片以圣经《旧约•出埃及记》的1到14章的内容为蓝本展开。
故事发生在法老统治下的埃及，由于希伯来人数量增多，法老担心这样会撼动他的统治，便下令把所有希伯来人刚生出的男婴扔到河里。
一位希伯来妇女为了保护自己刚生下的男婴，便将其放入竹篮中，依依不舍的把竹篮放进尼罗河里，让其顺水飘走到安全的地方。
竹篮在神的庇佑下飘到了埃及皇宫附近的小河，被在河边散步的王后发现后带走认作自己的孩子，并给他取名为摩西斯。
从此摩西斯便与王子兰姆西斯一同生活在王宫，也没有人来质疑摩西斯的身份都以为他就是王后的亲生儿子。
长大后的摩西斯在一次宫廷宴会后与自己的亲姐姐相遇，在姐姐的提示下得知了自己的真实身世，并为法老对待希伯来人的奴役态度感到悲叹。
一次意外让他失手打死了奴役希伯来人的埃及长官，由于内心的谴责不安，他选择自我放逐。
无意中来到了米甸，并因解救了米甸祭司的女儿而被邀请留住在此，摩西斯也在此成家立业。
一次牧羊途中他接受神谕并被神选派为解救压迫中的希伯来人的代表。
那时新法老即兰姆西斯刚即位更加加重了奴役希伯来人的重担，摩西斯深感肩负的重任，带着神赐予的力量经历了一番苦难后终将希伯来人从埃及人残酷血腥的奴役中解放出来，并带领着他们走出埃及。
国王的演讲影评_观后感
精心整理国王的演讲影评_观后感【第1篇】——在那个暴风雨前夜的时代背景下的一个片面里，描绘人一性一。
从那个片面的角度中，诉说那个不平凡的时代。
也许，你深知凡华体系下，整个欧洲沉湎着如暴风雨前夜般一阴一森的平静。
是“到访，笔道。
这些细腻描写的瞬间无疑也为影片增色不少。
国王的演讲是本年度最有秀的电一影之一，也是近几年鲜见的优质的历史电一影。
值得一看。
【第2篇】国王的演讲是一部很不错的传记电一影，不错到了即使是社一交一网络这样的大热影片也不敢轻视其夺奖前景。
如果说社一交一网络给我们展示了纯正的美国梦，那么国王的演讲真正告诉了我们成功的背后的艰辛。
说到二战，欧洲战场，我们更多注意的是艾森豪威尔将军的气势，是丘吉尔的智慧，是轮椅上罗斯福的炉边讲话，我们很少知道这个乔治六世也是一位演讲家。
，本片获奖良多，最近在制片人工会中击败了社一交一网络赢得最佳影片的称号可以说是名副其实。
如果说国王的演讲能斩获几个奥斯卡小金人，我觉得也不是幻想。
本片确实给我么展现了一段不为人知的历史，不过我也为欧洲人的宽容与求实感到惊叹，一个国王的口吃，并不是一个光彩的事情，但是他们敢于搬上银幕，难道还不说明他们王室的民一主与亲民吗?而看过本片，我们也只能说乔治六世是个勇敢的人，而不会嘲笑他，因为他敢于走到麦克风后，敢于发表一场场的演讲，即使他并不擅长。
【第3篇】看完电一影《国王的演讲》，除了令人能记住的是那位在演讲时就口吃的英国国王乔治六世，还有就是他和Lionel，一位全力帮助乔治六世克服口吃的普通平民，形成来。
，而是绝不放弃希望。
于是她找到了Lionel。
Lionel的居所幽黑，其人一性一格固执，颇有一点神秘色彩，而其房间的布置，多少带着点魔幻色彩，彰显了主人公特立独行的个人风格。
Bertie和Lionel的第一次见面可不是在宾客俱欢的友好气氛中进行，两人各自固执己见。
在争执中，在彼此的试探中两人委婉地附加着半点的妥协，才使这第一次见面磕磕碰碰地走到了终点。
埃及王子影评 (2)
埃及王子影评1. 简介《埃及王子》（The Prince of Egypt）是一部由梦工场动画工作室制作，于1998年上映的美国动画电影。
影片由布伦达·查普曼和斯蒂芬·席尔伯格共同执笔，并由布伦达·查普曼和史蒂夫·席尔伯格共同执导。
影片以摩西的故事为基础，讲述了他在埃及长大的故事，以及他领导希伯来人逃离奴役的旅程。
2. 剧情梗概影片以埃及为背景，主要讲述了两个主要角色：摩西和拉美西斯的故事。
他们两个是皇室兄弟，却因为摩西发现了自己的真实身份并站在了奴隶一方，从而成为对手。
故事从两个兄弟在一起长大的时候开始，展示了他们渐行渐远的过程。
摩西发现自己的犹太人身份后，对奴役的痛苦和争议就开始了。
他试图与法老争论对希伯来人的不公对待，但遭到了法老的强烈反对。
在一场被法老撤销的决斗中，摩西杀死了一名埃及士兵，为此被流放到了流亡之旅，直到他在沙漠中遇到了一个神秘的燃烧的灌木丛。
神通过燃烧的灌木丛告诉摩西，他被选中去拯救希伯来人。
在神的指引下，摩西回到埃及，与拉美西斯展开了一场来势汹汹的大战。
最终，希伯来人成功逃离埃及的奴役，在红海分开之际获得自由。
3. 影片亮点3.1 动画和视觉效果《埃及王子》在动画和视觉效果方面展现了梦工场工作室的一流水准。
通过精美的角色设计和光影处理，影片成功地再现了古埃及的壮丽景观和宏伟建筑。
从热闹的巴士底广场到广阔的红海，每一个画面都令观众感到震撼和心旷神怡。
3.2 音乐和歌曲影片中的音乐和歌曲也是其亮点之一。
音乐总监汉斯·季默创作了一系列动人的配乐，为影片赋予了情感和力量。
其中，歌曲《不再孤单》（When You Believe）更是成为了影片的代表作，并赢得了奥斯卡最佳原创歌曲奖。
3.3 剧情深度与故事触动《埃及王子》不仅仅是一部简单的动画电影，它提供了更深层次的故事和触动。
影片通过摩西和拉美西斯之间的关系展现了友情、家庭和信仰的复杂性。
埃及王子
《埃及王子》这个故事讲述的是古埃及法老发现自己的国家中希伯来人随着时间的增加越来越多，他开始感到不安，对希伯来人充满了猜疑，总觉得他们会威胁到法老的统治地位。
于是压迫所有的希伯来人，让他们都去当奴隶，并吩咐将所有希伯来人生下的男孩扔到河里。
某天，一个希伯来妇女生了一个漂亮的男孩，为了让自己的孩子能够幸免于难，她将他放到一个篮子中放进了尼罗河，让之随流飘荡。
而皇后在河边捡到了这个漂亮的男孩，将他带回宫殿抚养，取名摩西。
摩西和王子兰姆蒂斯一起长大，两人成了最好的兄弟。
而后摩西知道自己是希伯来人，却不愿接受这个事实。
他十分不喜欢法老对希伯来人的暴政，一次他为了阻止一名埃及人残害希伯来人而将失手将他打死。
为了逃避法老的惩罚，摩西逃到了米甸地。
不久法老去世，兰姆蒂斯成了新法老。
摩西原本以为兰姆蒂斯会一改以往法老对希伯来人的暴政，没想到兰姆蒂斯反而变本加厉。
在神的指示下，摩西了解到自己的使命，于是他决定要带领这群希伯来人走出困境。
这部动画是以《圣经旧约》中的“出埃及记”的故事为蓝本的，其中包含了许多现代电影元素。
这是一个能让现在的人们感动与共鸣的故事，里面交织着激发观众强烈情感的故事情节，它宣扬了人性的光辉。
本片高超的画工，还有发人深思的结局都给影片增加了不少好感。
该片以动画片的形式生动地演绎了这个被称作西方世界中有史以来的伟大故事。
《埃及王子》的主题超越了一般动画片的意义，它选择了一个史诗般的故事，同时也是一个沉重的话题，它是人们对信仰自由、对人生选择的思考。
首先，在《埃及王子》中角色的塑造我们将之分为两大类：埃及人和希伯来人。
这两部分在人物造型时所用的线条就已经不同。
埃及人所用的是硬朗的线条，而希伯来人的线就比较柔和松散。
而且两者的出处也不相同。
埃及人的造型很明显可以看出来是取自于埃及的壁画和雕塑；埃及壁画人物的身体构造特点如长颈、宽肩、窄臀都被挪用过来，五官的造型也非常的相似，只是略微增加了棱角。
众所周知，埃及壁画中几乎所有人物都会遵循“正面律”（丹麦考古学家兰格定义）的规则：头做侧面，眼睛作正面，肩胸作正面，腰部以下作侧面。
埃及王子影评 review by ROGER EBERT
埃及王子The Prince of Egypt 英文影评review by ROGER EBERT2007-08-24 07:33:59 来源：Internet 浏览次数：550 文字大小：【大】【中】【小】简介：Not long ago I saw the first of the great screen epics about Moses and his people, the 1923 silent version of Cecil B. de Mille's "The Ten Commandments." Everyone must be familiar with de Mille's ...关键字：埃及王子The Prince of EgyptNot long ago I saw the first of the great screen epics about Moses and his people, the 1923 silent version of Cecil B. de Mille's "The Ten Commandments." Everyone must be familiar with de Mille's 1956 sound version, which plays regularly on television. Now here is "The Prince of Egypt," an animated version based on the same legends. What it proves above all is that animation frees the imagination from the shackles of gravity and reality, and allows a story to soar as it will. If de Mille had seen this film, he would have gone back to the drawing board.The story of Exodus has its parallels in many religions, always with the same result: God chooses one of his peoples over the others. We like these stories because in the one we subscribe to, we are the chosen people. I have always rather thought God could have spared man a lot of trouble by casting his net more widely, emphasizing universality rather than tribalism, but there you have it. Moses gives Rameses his chance (free our people and accept our God) and Rameses blows it, with dire results for the Egyptian side."The Prince of Egypt" is one of the best-looking animated films ever made. It employs computer-generated animation as an aid to traditional techniques, rather than as a substitute for them, and we sense the touch of human artists in the vision behind the Egyptian monuments, the lonely desert vistas, the thrill of the chariot race, the personalities of the characters. This is a film that shows animation growing up and embracing more complex themes, instead of chaining itself in the category of children's entertainment.That's established dramatically in the wonderful prologue scenes, which show the kingdom and Hebrew slaves building pyramids under the whips of the Pharaoh's taskmasters. The "sets" here are inspired by some of the great movie sets of the past, including those in de Mille's original film and D.W. Griffith's "Intolerance." A vast Sphinx gazes out over the desert, and slaves bend to the weight of mighty blocks of stone. In crowd scenes, both here and when the Hebrews pass through the Red Sea, the movie uses new computer techniques to give the illusion that each of the countless tiny figures is moving separately; that makes the "extras" uncannily convincing.The film follows Moses (voice of Val Kilmer) from the day when he is plucked from the Nile by the queen (Helen Mirren) to the day when he returns from the mountain with the Ten Commandments. What it emphasizes more than earlier versions is how completely the orphan child is taken into the family of the Pharaoh (Patrick Stewart); he is a well-loved adopted son who becomes the playmate and best friend of Rameses (Ralph Fiennes), the Pharaoh's son. As boys, they get in trouble together (one drag race in chariots, which speed excitingly down collapsing scaffolds, results in the destruction of a temple). And when Rameses is named regent, his first actis to name Moses as royal chief architect.But something within Moses knows that the Egyptians are not his people. After he happens to meet his real brother and sister, Aaron (Jeff Goldblum) and Miriam (Sandra Bullock), and learns the truth about his heritage, he runs away into the desert. At an oasis, Moses encounters a former slave girl, whom he had helped to escape from the Pharoah's empire, and who is the daughter of the Hebrew high priest Jethro (Danny Glover). While staying with them, Moses hears the voice from the Burning Bush: "I am that I am, the God of your fathers." For Moses, accepting this god means renouncing untold power and riches, and Rameses (now the Pharaoh) is first incredulous, then angered. "I am a Hebrew," Moses sternly informs him, "and the God of the Hebrews came to me and commands that you let my people go." When Rameses disagrees (and doubles the slaves' workload), God unleashes a series of punishments. Fire rains from the sky, locusts descend in clouds, and all the first-born are killed. All leads up to the spectacular parting of the Red Sea, an event made for animation; unlike de Mille's oddly unconvincing vertical walls of water, the parting here has an almost physical plausibility; we can see how the water parts and where it goes. The movie is not shy about being entertaining, but it maintains a certain seriousness. In place of the usual twosomes and threesomes of little characters doing comic relief, we get two temple magicians (voices of Steve Martin and Martin Short), and a duet ("Playing With the Big Boys"). Moses turns his staff into a snake to impress Rameses, and magicians show how the trick has been done. It's not that easy to explain the fire and the locusts.The more movies I see, the more grateful I am for new films that go to the trouble of creating astonishing new images. One of the reasons I was so enthusiastic, earlier in 1998, about "Dark City," "What Dreams May Come" and "Babe: Pig in the City" is that they showed me sights I had never imagined before, while most movies were showing me actors talking to one another. (Those who found "Dreams" cornball were correct, but they missed the point.) "The Prince of Egypt" is the same kind of film (as were, on quite a different scale, "A Bug's Life" and "Antz"). It addresses a different place in the moviegoer's mind, one where vision, imagination and dream are just barely held in rein by the story. One imagines de Mille had a film like this in his mind, before he had to reduce it to reality.。
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The Prince of EgyptThe begining of the story gave me a great shock, I saw the slave was laced, scope and sound with very well.The teacher before it came to show and said:”The Prince of Egypt story originated form the bible.”And then she asked us a question,”The land of milk and honey”what does means.we all have no answer out.The movie began as soon as the play.The prince of Egypt this movie is probably said that In pharaoh (king) management of Egypt, because the Hebrew number jumped, pharaoh worry slaves will affect its rule, they ordered all the Hebrews newborn baby into the river hello crocodile. One of the Hebrew women gave birth to a son, for the son escape killing, and its into a wipe on stone paint rushes in the box, and then be reluctant to part from the box into the Nile in. The box has been left to the palace of the nearby river and it happened that the queen of Egypt in a small for a walk along the river found this box, she opened the box to see the beautiful boy, don't have the heart to the queen to abandon the baby, so she decided to recognize the baby as her own son, and give the child take the name Moses the prince of Egypt. Since then Moses and the prince ramses live together in the palace, no one here knows about Moses is Hebrew all thought of him as a queen's own son. When he grew up Moses because sister's tip and learned that his life, the Egyptian royal treat the slave cruel feel heartache, once he had killed miss a bully Hebrew the egyptians, and Moses fled to the land of midian to live. It wasn't long before the old pharaoh died, ramses ii enthronement became the new pharaoh Egypt. Moses thought ramses ii will let the Hebrews life to improve, but did not think of things have become more worse, built palaces, repair pyramid ramses ii everywhere enslave the Hebrews. At this time, the god of Israel, the Lord (god) appear, gave Moses strength let its led the Hebrews suffering from the egyptians under slavery come out, after some Hebrews after suffering by Moses liberation, arrived at a the land of milk and honey.The Prince of Egypt gave me a deep impression.It powerful sound effects and metamorphosis let me as it clap. It was amazing hype film is a Lord of the rings style epic struggle than the world has seen.The Prince of Egypt neither skims over nor dwells upon the least happy elements of the story. Overall, it's a story of triumph and adventure - of oppression ended and freedom begun. The comedy elements that have become an integral part of animated features are downplayed. The Pharaoh's two chief priests are sly and fatuous, and some of their antics are amusing, but they offer little more than occasional, momentary comic relief. For the most part, The Prince of Egypt plays it straight. As for the other "necessary" aspect of the successful animated feature - the musical numbers. And, while none are as memorable as those from the early entries into Disney's recent wave, they fold nicely into the story. Despite the bible background, ramses and Moses brother feeling let people shed tears. We can't blame ramses stubborn, that is he as pharaoh's responsibility, also cannot blame Moses clinging, it is his responsibility as a prophet. Of the emotion between brothers in the red sea cross-strait burst is really make people enough trails, ramses on the rock continuously shout "Moses" name, that is not his hate him, but he wants to him back, Moses, in the face of the millions of compatriots when watching the red sea cheering alone across the river, that is he willnever lose their homes lost brother lose the prince of Egypt identity be sentimentally attached to. A pair of can spread through the ages brother feeling in the faith, freedom, responsibility, social oppression chose opposition. Sometimes think that in every midnight, Moses will not remembered the young, and ramses leaped the horse running situation. Then smile, really touched me. That feeling, is the most memorable. , I for rameses and Moses cry bitterly, for the Lord's relentless complains.In a word, This movie was great! Beyond great actually. It was inspiring and after watching it, it made me want to become a better person. It was incredibly moving- I even cried!!one of the few animated movies that have had the ability to actually make me cry- if not one of them, the only one! the characters have so much depth. but this movie is REAL- if you get what i mean! it gives you the real answer to everything and that is faith and God. if you have those 2 things in your life, your set man. oh and this movie really made me contemplate a bunch and reflect on myself. at the end of the movie, in one way or another you become more religious and spiritual.But I have felt this I have see not understand place, I admit that cartoon very good, I think it is a bit like a puppet Moses, I can't see that a nation against the power of the noble, especially later punish the egyptians a bit ridiculous. In my impression, god is kind and sacred, but why does god want to slaughter the egyptians? When I saw the egyptians bereft pain, I don't think the egyptians is abhorrent.When the god drop disaster to the egyptians i think he is not god but the devil.The egyptians abuse of the Hebrews, god mutilating the egyptians. So I think god and the egyptians no different, it is the ferocity of the same. And Moses, I know he is reluctant to let his brother lost son, but he was powerless to stop it, he is the Lord's puppet, no their own thoughts and behaviors, so Moses is also sad. Finally Moses led the Hebrews reached a the land of milk and honey. This result appears to be good, but I think it is sad, sacrifice the egyptians to life, fulfill their happiness. Of course this is only my personal view. Finally, I think I know the teacher asked me a question, but I was not happy. The land of milk and honey is not at the expense of the other people's interests to fulfill his own.。