Alkan_-_Op._35,_Etude_No_09_-_Contrapunctus
Festo 产品说明书.pdf_1705480633.1020026
Traduzione delle istruzioni originali 1Marcatura EXTab. 1 2Documentazione di riferimento validaIn altri documenti, i dati tecnici relativi al prodotto possono presentare valori diversi rispetto al presente documento. Per l'esercizio del prodotto in atmosfera esplosiva si deve fare riferimento in primo luogo ai dati tecnici del presente documento.Tutti i documenti disponibili sul prodotto si trovano sul sito è/pk.3Prodotti certificatiTipoTipoDFM12...B DFM32...B DFM16...B DFM40...B DFM20...B DFM50...B DFM25...BDFM63...BTab. 24FunzionamentoAlimentando le camere del cilindro il giogo si muove avanti ed indietro. La trasmissione di forze avviene mediante il movimento della piastra a giogo.5Sicurezza 5.1Avvertenze di sicurezza–Alle condizioni di esercizio indicate, l'unità può essere impiegata nelle zone 1e 2 a rischio di esplosione per la presenza di atmosfere gassose.–Eseguire tutti i lavori al di fuori delle zone a rischio di esplosione.–Mettere in funzione l'unità utilizzando esclusivamente un fluido di servizioadeguato è Dati tecnici.–L'impiego di altri liquidi esula dalle modalità di uso consentite.5.2Impiego ammessoL'unità viene utilizzata per il trasporto di masse e per la trasmissione di forze.6Montaggio A causa di un'installazione errata, possono verificarsi temperature elevate sulle bronzine. Le superfici calde possono creare una atmosfera esplosiva.•Provvedere ad avere una superficie di montaggio piana.•Installare l'unità in modo adeguato.•Evitare il danneggiamento delle aste di guida.7Messa in servizio La scarica di cariche elettrostatiche presenti su alcuni componenti può dare origine a scintille infiammabili.•Evitare la carica elettrostatica mediante opportune misure di installazione epulizia.•Includere l’apparecchio nella compensazione equipotenziale dell’impianto.Aspirare l'aria compressa fuori da atmosfere a rischio di esplosioni. Aerosol nell'aria compressa possono generare cariche elettrostatiche.Metodo di protezione contro l'accensione: c (sicurezza costruttiva)–Considerare l'etichetta dei dati identificativi del prodotto.8Manutenzione e cura–Verificare regolarmente la funzionalità dell'unità. Intervallo: 2 milioni di cicli di movimento o al più tardi dopo 6 mesi.In caso di impiego dell'unità in ambiente inquinato o umido, la durata utile delle guide è minore.–Verificare la funzionalità delle aste di guida e del supporto a intervalli più ravvicinati secondo le condizioni ambientali.9Eliminazione dei guastiAnomalia di funzionamentoRimedioDanni esterni rilevati durante l'ispezione visivaSostituire l'unitàPerdita udibileSostituire l'unitàNessuna sede fissa di fissaggioSerrare le viti di fissaggio Il giogo si sposta violentemente nella posizione terminaleRispettare i valori limite /Sostituire l'unitàResidui di lubrificante asciutti e saldamente attaccati sullo steloPulire lo stelo con una spugna morbida /Sostituire l'unitàComportamento di marcia irregolareRegolare l'aria di scarico con i regolatori di portata unidirezionale /Sostituire l'unitàGraffi longitudinali sullo steloSostituire l'unitàDeterioramento della qualità delle guide dovuto all'elevato gioco del supporto sul giogo Sostituire l'unitàRumorosità aumentataSostituire l'unitàTab. 3La sostituzione dei pezzi di usura e delle parti di ricambio è possibile in singoli casi. Le riparazioni di questo tipo possono essere eseguite solo da personale specializzato formato e autorizzato.–Contattare il consulente specializzato Festo.10Dati tecniciCondizioni d’esercizioTemperatura ambiente [°C]–20 £ T a £ +70Temperatura del fluido [°C]–20 £ T a £ +70Pressione d'esercizio [bar]10Fluido di lavoro Aria compressa a norma ISO 85731:2010 [5::]Posizione di montaggio qualsiasiVelocità max.Carico di coppia max.Energia di impatto nelle posizioni terminali max. ammissibileCarico utile max.è/catalogueLe leghe di alluminio utilizzate contengono meno del 7,5 % di magnesio (Mg).Tab. 48099854DFM-…-B-…-EX3-…Cilindro guidato8099854201811a [8099859]Festo SE & Co. KG Ruiter Straße 82 73734 Esslingen Germania+49 711 347。
拉赫玛尼诺夫全部音乐作品列表(List of compositions by Sergei Rachmaninoff)
22
Variations on a Theme of Chopin
1903
23
Ten Preludes
1903
No. 1, in F-sharp minor
No. 2, in B-flat major
No. 3, in D minor
No. 4, in D major
No. 5, in G minor
No. 3Andante cantabilein B minor
No. 4Prestoin E minor
No. 5Adagio sostenutoin D-flat major
No. 6Maestosoin C major
Morceau de Fantaisiein G minor
1899
Fughetta in F major
No. 1, Élégie in E-flat minor
No. 2, Prélude in C sharp minor
No. 3, Mélodie in E major (later revised)
No. 4,Polichinelle
No. 5, Serenade
10
Morceaux de Salon
1894
13
Symphony No. 1
1896
27
Symphony No. 2
1908
29
Isle of the Dead
1909
44
Symphony No. 3
1936
45
Symphonic Dances
1940
2.Chamber
Romance in A minor
Fractal Audio Systems EV-1 Expression Volume Pedal
PEDAL DE EXPRESIÓN/VOLUMEN EV-1GUÍA DEL PRODUCTOEl pedal de Expresión/Volumen EV-1 de Fractal Audio Systems ofrece una robusta carcasa de metal fundido, una superficie de pisado de goma cómoda y no resbaladiza, tensión de pedal ajustable, potenciómetro dual de expresión/volumen, y un recorrido largo y suave con maquinaria Planetary. El EV-1 está disponible en Plata o Negro.EL EV-1 COMO PEDAL DE EXPRESIÓNEl EV-1 es perfecto para su uso como PEDAL DE EXPRESIÓN con todoslos productos de Fractal Audio Systems y muchos dispositivos de otrosfabricantes. Su potenciómetro de 100K y su maquinaria Planetaryofrecen una respuesta genuinamente lineal. Conecta el jackEXPRESSION del EV-1 al jack PEDAL o de expresión del otro dispositivoutilizando un cable 1/4” TRS-a-TRS (punta-anillo-camisa, es decir,“estéreo”) de alta calidad. Los cables de guitarra normales nofuncionarán. NOTA: los productos de Fractal Audio Systems como elAxe-Fx o el FX8 necesitan que CALIBRES el pedal una vez conectado.Lee el manual para más detalles.EL EV-1 COMO PEDAL DE VOLUMENANALÓGICOEl EV-1 tiene una doble función como PEDAL DE VOLUMENANALÓGICO con un potenciómetro de audio de 500K. Cuandoutilices el EV-1 como PEDAL DE VOLUMEN conéctalo entre elinstrumento o dispositivos de nivel de línea utilizando los jacksIN y OUT del EV-1 con cables estándar no balanceados parainstrumentos (punta-camisa,”TS”o “mono”). NO uses lasfunciones de Expresión y Volumen al mismo tiempo o podríanproducirse bucles de masa.AJUST DE LA TENSIÓN DEL PEDALEl EV-1 ofrece la opción de un ajuste de la tensión del pedal de fácil acceso.Utiliza un destornillador de estrella para realizar el ajuste como se muestra.Gira en el sentido del reloj para aumentar la tensión.Si necesitaras ayuda con tu EV-1, por favor visítanos en www.g66.eu。
莫扎特作品集
钢琴曲谱：莫扎特作品集莫扎特作品之交响曲：第1交响曲，降E大调，K.16（伯姆指挥柏林爱乐）第2交响乐，（疑作）（Naxos,沃德指挥北方室内管弦乐团）第4交响曲，D大调，K.19（伯姆指挥柏林爱乐）第5交响曲，降B大调，K.22（伯姆指挥柏林爱乐）第25交响曲，g小调，K.（伯恩斯坦指挥维也纳爱乐）第35交响曲（哈夫纳），D大调，K385第二乐章（哈农库特指挥皇家音乐厅管弦乐团）第36交响曲（林茨），C大调，K425第一乐章（哈农库特指挥皇家音乐厅管弦乐团）全曲（克莱伯版）第38交响曲“布拉格”，D大调，K504全曲（克伦贝勒指挥柏林战时广播交响乐团）第39交响曲，降E大调，K543第三乐章（演奏者不详）第三乐章(朱里尼/柏林爱乐)全曲（伯姆指挥柏林爱乐）第40交响曲，g小调，K550第一乐章(旺德指挥北德广播交响乐团)第一乐章（伯姆指挥柏林爱乐）第二乐章（伯姆指挥柏林爱乐）第三乐章（伯姆指挥柏林爱乐）第四乐章（伯姆指挥柏林爱乐）全曲（伯姆指挥柏林爱乐）四合一版（富特文革勒＋瓦尔特＋卡拉扬＋老克莱伯）（维也纳爱乐＋哥伦比亚交响＋柏林爱乐＋伦敦爱乐）第41号交响曲（朱庇特），C大调，K551第一乐章（伯姆指挥柏林爱乐）第一乐章（伯恩斯坦指挥维也纳爱乐）全曲（伯恩斯坦指挥纽约爱乐乐团）全曲（史科瓦泽夫斯基指挥日本读卖交响乐团）莫扎特作品之其他管弦乐作品：遣兴曲 K63，第五乐章（NAXOS，内拉特指挥萨尔茨堡室内乐团）遣兴曲 K99 第7乐章（NAXOS，内拉特指挥萨尔茨堡室内乐团演奏）第2号嬉游曲之2，D大调，K136（山度·威格指挥萨尔兹堡莫扎特管弦乐团演奏）第2号嬉游曲之3，降B大调，K137（山度·威格指挥萨尔兹堡莫扎特管弦乐团演奏）第2号嬉游曲之4，F大调，K138 第3乐章（库普曼指挥阿姆斯特丹巴洛克乐团）第11号嬉游曲 K251，第三乐章，稍快的快板（圣马丁室内合奏团）第12号嬉游曲 K252，第三乐章，波兰舞曲（霍利格尔管乐合奏团）第14号嬉游曲 K270，第二乐章，小行板（霍利格尔管乐合奏团）第15号嬉游曲 K287，第四乐章（圣马丁室内合奏团）第16号嬉游曲 K289，第一乐章（荷兰管乐合奏团）第17嬉游曲K334，第三乐章，小步舞曲（圣马丁室内合奏团）第17嬉游曲K334，第三乐章，小步舞曲（演奏者不详）第1号小夜曲，D大调，K100，第六乐章（博斯科夫斯基指挥维也纳莫扎特合奏团演奏）第3号小夜曲，D大调，K185，第二乐章（NAXOS，内拉特指挥萨尔茨堡室内乐团）第4号小夜曲，D大调，K203，第八乐章（NAXOS，内拉特指挥萨尔茨堡室内乐团）D大调进行曲K215和第5号小夜曲，D大调，K204第一乐章（马里纳指挥圣马丁乐团）第6号小夜曲，D大调，K239，（月下小夜曲）"Serenata Notturna"第一乐章：进行曲（伯姆指挥柏林爱乐）全曲（SandorVegh指挥萨尔茨堡莫扎特音乐学院乐团）第7号小夜曲，D大调，K250，（哈夫纳小夜曲）第四乐章：回旋曲（伯姆指挥柏林爱乐乐团演奏）第9号小夜曲，D大调，K320全曲（伯姆指挥柏林爱乐乐团演奏）第六乐章，小步舞曲（伯姆指挥柏林爱乐乐团演奏）第10号小夜曲，降B大调，K361第三乐章（NAXOS，德国管乐家重奏团）第七乐章（NAXOS，德国管乐家重奏团）全曲（伯姆指挥柏林爱乐管乐团）全曲(富特文革勒指挥维也纳演奏家乐团)第11小夜曲，降E大调，K375（芝加哥交响乐团/ 莫斯科爱乐）第12小夜曲，C小调，K388（迈耶尔管乐合奏团）第13号小夜曲，《G大调弦乐小夜曲》，K525第一乐章（瓦尔特指挥哥伦比亚交响乐团，CBS报纸版）第一乐章(Traunfellner指挥维也纳室内爱乐乐队)第四乐章：（伯姆指挥维也纳爱乐乐团）全曲(马里纳指挥圣马丁乐团EMI-LD版)全曲（马里纳指挥圣马丁乐团PhlipsCD版）《音乐玩笑》，F大调，K522（菲拉德指挥菲拉德室内管弦乐团）《音乐玩笑》，F大调，K522（奥菲斯室内乐团）德国舞曲，K605，第3首“雪橇”（博斯科夫斯基指挥维也纳莫扎特合奏团）德国舞曲 K586 No.5(Johannes Wildner指挥Capella Istropolitana)NAXOS8.550412 《英雄科堡之胜利》K587（奥菲斯室内乐团）Promenade en Traineau (里德/慕尼黑艺术家管弦乐团)(马里纳指挥圣马丁室内乐团)莫扎特作品之芭蕾音乐：《小玩意》（Les petits riens）K.299B（马里纳指挥圣马丁室内乐团）协奏曲:小提琴协奏曲：第1小提琴协奏曲，降B大调，K207（小提琴：大卫·奥依斯特拉赫）第1小提琴协奏曲，降B大调，K207（小提琴：Simon Standage）第2小提琴协奏曲，D大调，K211全曲（小提琴：格鲁米欧）第2小提琴协奏曲，D大调，K211全曲（小提琴：林昭亮）第3小提琴协奏曲，G大调，K.216第一乐章：快板（小提琴：马泽尔）第一乐章：快板（小提琴：阿卡多）第一乐章：快板（小提琴：慕洛娃）第一乐章：快板（小提琴：大卫·奥依斯特拉赫）第三乐章：（小提琴：穆特）全曲（格鲁米欧）第4小提琴协奏曲，D大调，K218第一乐章：（小提琴：格罗米欧）第二乐章：（小提琴：格罗米欧）第三乐章：（小提琴：格罗米欧）全曲（小提琴：阿卡多）第5小提琴协奏曲，A大调，K219第一、二乐章（小提琴：蒂博）第三乐章（小提琴：海菲兹）第三乐章（小提琴：穆特；指挥：卡拉扬）全曲（小提琴：施奈德汉）全曲（小提琴：格鲁米欧）D大调小提琴协奏曲（K271i）（小提琴：格鲁米欧）（单声）第一乐章第二乐章第三乐章E大调柔板，K261（小提琴：格鲁米欧）C大调回旋曲，K373（Maria-Elisabeth Lott，12岁）C大调回旋曲, K373(格鲁米欧小提琴)降B大调回旋曲, K269(谢霖小提琴吉卜森指挥新爱乐乐团协奏)双小提琴协奏曲，C大调，K190（小提琴：帕尔曼、祖克曼）小提琴中提琴交响协奏曲，降E大调，K364第一乐章（小提琴：海菲兹；中提琴：普利姆罗斯）第一乐章（Thomas Brandis； Giusto Cappone；伯姆指挥柏林爱乐）第一乐章Naxos历史录音（小提琴：Albert Sammons；中提琴：Lionel Tertis）第二乐章（小提琴：美岛莉；中提琴：今井信子）第三乐章（小提琴：海菲兹；中提琴：普利姆罗斯）第三乐章（小提琴：海菲兹；中提琴：普利姆罗斯）第三乐章（小提琴：布朗；中提琴：伊迈）第三乐章（小提琴：Dumay；中提琴：Causse）第三乐章（小提琴：伊戈尔·奥伊斯特拉赫，中提琴：大卫·奥伊斯特拉赫）第一、二乐章（小提琴：伊戈尔·奥伊斯特拉赫，中提琴：大卫·奥伊斯特拉赫）全曲：（小提琴：格鲁米欧，中提琴：佩雷西亚）***全曲：（小提琴：（帕尔曼），中提琴：祖克曼）交响协奏曲，k297b（Thomas Brandis；Giusto Cappone；伯姆指挥柏林爱乐）第一乐章第二乐章第三乐章D大调小提琴与钢琴协奏曲（小提琴：美岛莉；钢琴：艾申巴赫）莫扎特作品钢琴协奏曲：第7号为三架钢琴而作的协奏曲，F大调，K242（古钢琴：Malcolm Bilson，Robert Levin，谭梅文）第一乐章第二乐章第三乐章第8号钢琴协奏曲，C大调，K246，(全曲)（肯普夫/莱特纳/柏林爱乐）第9钢琴协奏曲，降E大调，K271第一乐章（钢琴：杨多）第二乐章（钢琴：杨多）第三乐章：（钢琴：杨多）全曲（钢琴：布伦德尔，马克拉斯指挥苏格兰室内管弦乐团/）全曲（钢琴：拉罗查，戴维斯指挥英国室内乐团）第10号为双钢琴而作的协奏曲，E大调，K.365第一乐章（古钢琴：Malcolm Bilson；谭梅文）第二乐章（古钢琴：Malcolm Bilson；谭梅文）第三乐章（古钢琴：Malcolm Bilson；谭梅文）第三乐章（钢琴：吉列尔斯; Rakov Zak）全曲（德拉罗查与普列文合作）全曲（吉列尔斯父女三星带花的名版）第12号钢琴协奏曲，A大调，K414，（钢琴：基辛；斯皮瓦科夫指挥莫斯科名家合奏团）第13号钢琴协奏曲，C大调，K415 （钢琴：米凯兰杰里）第13钢琴协奏曲，C大调，K415，第二乐章（钢琴：杨多）第13钢琴协奏曲，C大调，K415，第三乐章（钢琴：杨多）第15号钢琴协奏曲，降B大调，K450第15钢琴协奏曲（维也纳爱乐乐团／伯恩斯坦乐团指挥并演奏钢琴）第一乐章; 第二乐章；第三乐章全曲（钢琴：布伦德尔）全曲（钢琴：米凯兰杰利）第16号钢琴协奏曲，D大调，K451，（全曲，钢琴：佩拉西亚）第16号钢琴协奏曲，K451，（全曲，钢琴：塞尔金）第17号钢琴协奏曲，K453，G大调（暂缺）第18号钢琴协奏曲，K456，（钢琴：赛尔金Serkin）第19钢琴协奏曲，F大调，K459第一乐章（钢琴：哈斯姬儿）第二、三乐章（钢琴：哈斯姬儿）第二乐章（钢琴：杨多）第三乐章（钢琴：杨多）第20钢琴协奏曲 D小调， K466, （钢琴：杨多）第一乐章第二乐章第三乐章第20钢琴协奏曲 D小调 K466, 第二乐章：（钢琴：顾尔达）第20钢琴协奏曲 D小调 K466, 全曲（钢琴：米凯兰杰里，现场录音）第20钢琴协奏曲 D小调 K466, 全曲（钢琴：勒费布，富特文革勒/柏林爱乐）第21钢琴协奏曲，C大调，K467第一乐章：（钢琴：杨多）第一乐章（钢琴：Daniele Dechenne ）第二乐章（钢琴：伊士东文）第二乐章(钢琴:安达Geza Anda)第二乐章（钢琴：施纳贝尔）第三乐章（钢琴：杨多）第三乐章（钢琴：Daniele Dechenne ）全曲（钢琴：布伦德尔）全曲（钢琴：伊斯托敏）全曲（钢琴：内田光子）第22号钢琴协奏曲，降E大调，K482第一乐章（佩拉西亚/英国室内乐团）第二乐章（演奏者不详）第三乐章（佩拉西亚/英国室内乐团）全曲（钢琴: 海布勒，戴维斯指挥伦敦交响）第23钢琴协奏曲，A大调，K488第一乐章（钢琴：杨多）第二乐章（演奏者不详）第二乐章(霍洛维茨/朱利尼)第二乐章（施纳贝尔）第三乐章(霍洛维茨/朱利尼)第三乐章（钢琴：杨多）第三乐章（钢琴：肯普夫1960）全曲（钢琴：布伦德尔）第24钢琴协奏曲，C小调，K491第一乐章（钢琴：杨多）第二乐章（钢琴：杨多）第三乐章（钢琴：杨多）全曲（钢琴：哈斯姬儿）第25钢琴协奏曲，K503，C大调（Malcolm Bilson 古钢琴；Gardiner指挥英国巴洛克独奏家乐团）第一乐章第二乐章第三乐章第26钢琴协奏曲（加冕），D大调，K.537,（钢琴：海布勒，洛维茨基指挥伦敦交响）第一乐章第二乐章第三乐章第27钢琴协奏曲，降B大调，K595第一乐章(布伦德尔/马连拿指挥圣·马田乐团)第一乐章（钢琴：杨多）第二乐章（钢琴：杨多）第三乐章（钢琴：卡仲CLIFFORD CURZON）全曲（钢琴：顾尔达）全曲（钢琴：巴克豪斯）全曲（钢琴：吉列尔斯）第27钢琴协奏曲（3合1版）（演奏：吉列尔斯＋佩拉希亚＋顾尔达）莫扎特作品为其他乐器所作的协奏曲：大管协奏曲，降B大调，K191全曲（大管：Zeman；伯姆指挥维也纳爱乐乐团）全曲（翁纽大管，Cuschlbauer指挥班贝格交响乐团）长笛与竖琴协奏曲，K299第三乐章（朗帕尔长笛；拉斯金竖琴；菲拉德指挥菲拉德室内管弦乐团）全曲（舒尔茨长笛，萨巴雷塔竖琴，伯姆指挥维也纳爱乐乐团协奏）第1长笛协奏曲，K313全曲（格拉费娜尤长笛；马里纳指挥圣马丁乐团协奏）第一乐章（Susan Palma长笛，Orpheus Chamber Orchestra）第2号长笛协奏曲，D大调 K.314（长笛：尼科莱；皇家音乐厅管弦乐团／津曼）C大调行板，K315（朗帕尔长笛；Cuschlbauer指挥维也纳交响乐团）C大调行板，K315（朗帕尔长笛）双簧管协奏曲，K314（霍利格尔双簧管；马里纳指挥圣马丁乐团协奏）双簧管协奏曲，K314, 第三乐章（皮埃罗双簧管，朗帕尔指挥英国室内乐团）单簧管协奏曲，K622第一乐章（巴塞特单簧管版本，W.梅耶单簧管；哈农库特指挥维也纳音乐社）第一乐章（兰斯洛特单簧管，菲拉德指挥菲拉德室内管弦乐团）第二乐章（布瑞默单簧管；马里纳指挥圣马丁乐团）第二乐章（莱斯特单簧管，马里纳指挥圣马丁乐团）第二乐章（普林茨单簧管，伯姆指挥维也纳爱乐）第三乐章（普林茨单簧管，伯姆指挥维也纳爱乐）第三乐章（Naxos: 奥腾萨默单簧管；约翰内斯·维尔德纳指挥维也纳莫扎特学会）全曲（奥腾萨默单簧管，科林·戴维斯指挥维也纳爱乐乐团）全曲（普林茨单簧管，慕兴格尔指挥维也纳爱乐乐团）全曲（查尔斯·尼德赫单簧管独奏，奥菲斯室内乐团协奏）第1圆号协奏曲，D大调，K412（演奏者不详）第1圆号协奏曲，D大调，K412, 第一乐章（圆号：丹尼斯·布莱恩）第1圆号协奏曲，D大调，K412,第一乐章（圆号：图克维尔/英国室内乐团）第2圆号协奏曲，降E大调，K417（鲍曼圆号；祖克曼指挥圣·保罗室内乐团）第2圆号协奏曲，降E大调，K417, 第一乐章（圆号：丹尼斯·布莱恩）第3圆号协奏曲，降E大调，K447（圆号：丹尼斯·布莱恩）第4圆号协奏曲，降E大调，K495（圆号：丹尼斯·布莱恩）第4圆号协奏曲，降E大调，K495（圆号：图克威尔，马格指挥伦敦交响乐团协奏）莫扎特作品奏鸣曲：小提琴奏鸣曲：小提琴奏鸣曲第10号，K15（大键琴：维莱特；小提琴：波莱特）小提琴奏鸣曲第16号，K31（大键琴：维莱特；小提琴：波莱特）小提琴奏鸣曲第17号，C大调，K296 （小提琴：谢霖，钢琴：海布勒）小提琴奏鸣曲第18号，K301 （小提琴：格鲁米欧，钢琴：克林）小提琴奏鸣曲第21号，K304 （小提琴：格鲁米欧，钢琴：克林）小提琴奏鸣曲第24号，F大调，K376（小提琴：格吕米奥；钢琴：哈斯姬儿）小提琴奏鸣曲第26号，降B大调，K378（小提琴：格吕米奥；钢琴：哈斯姬儿）小提琴奏鸣曲第26号，降B大调，K378（小提琴：谢霖；钢琴：海布勒）小提琴奏鸣曲第27号，G大调，K379（小提琴：谢霖；钢琴：海布勒）小提琴奏鸣曲第32号，降B大调, K454（小提琴：格吕米奥；钢琴：哈斯姬儿）小提琴奏鸣曲第33号，K481 （小提琴：格鲁米欧，钢琴：克林）小提琴奏鸣曲第35号，A大调，K526（小提琴：谢霖；钢琴：海布勒）小提琴奏鸣曲第35号，A大调，K526 （小提琴：格鲁米欧，钢琴：克林）小提琴奏鸣曲第36号，F大调，K547 （暂缺）变奏曲，K359（小提琴：谢霖；钢琴：海布勒）小提琴奏鸣曲》K481（小提琴：施纳德汉；钢琴：希曼）小步舞曲（小提琴：海菲兹）钢琴奏鸣曲及独奏作品：钢琴奏鸣曲，第1号，C大调，K279（钢琴：季雪金）钢琴奏鸣曲，第2号，F大调，K280（钢琴：海布勒）钢琴奏鸣曲，第2号，F大调，K280（钢琴：哈斯姬尔）钢琴奏鸣曲，第3号，降B大调，K281（钢琴：霍洛维兹）：第一乐章第二乐章第三乐章钢琴奏鸣曲，第3号，降B大调，K281（钢琴：吉列尔斯）钢琴奏鸣曲，第4号，降E大调，K282，（钢琴：吉塞金Gieseking）钢琴奏鸣曲，第5号，G大调，K283（钢琴：吉塞金Gieseking）钢琴奏鸣曲，第6号，D大调，K284（钢琴：海布勒）钢琴奏鸣曲，第7号，C大调，K309（钢琴：海布勒）钢琴奏鸣曲，第7号，C大调，K309（钢琴：拉罗查）钢琴奏鸣曲，第8号，A小调，K310（钢琴：拉罗查）钢琴奏鸣曲，第8号，A小调，K310（钢琴：李帕蒂）钢琴奏鸣曲，第8号，A小调，K310（钢琴：施纳贝尔）钢琴奏鸣曲，第9号，D大调，K311（钢琴：吉泽金）钢琴奏鸣曲，第10号，A大调，K330（钢琴：哈斯姬尔）钢琴奏鸣曲，第10号，A大调，K330（钢琴：霍洛维茨）钢琴奏鸣曲，第11号，A大调，K331（其中第三乐章为著名的土耳其进行曲）K331（钢琴：海布勒）K331（钢琴：吉塞金Gieseking）土耳其进行曲(波格莱里奇)钢琴奏鸣曲，第12号，F大调，K332（钢琴：舒拉.切尔卡斯基Shura Cherkassky）钢琴奏鸣曲，第13号，降B大调，K333（钢琴：拉罗查）钢琴奏鸣曲，第13号，降B大调，K333（钢琴：舒拉.切尔卡斯基)钢琴奏鸣曲，第13号，降B大调，K333（钢琴：霍洛维兹）钢琴奏鸣曲，第14号，c小调，K457（钢琴：阿劳）钢琴奏鸣曲，第15号，C大调，K545（钢琴：海布勒）钢琴奏鸣曲，第15号，C大调，K.545（钢琴：内田光子）钢琴奏鸣曲，第15号，C大调，K.545（钢琴：李赫特,布拉格现场）钢琴奏鸣曲，第16号，降B大调，K570（钢琴：弗雷德里齐·古尔达）钢琴奏鸣曲，第16号，降B大调，K570（钢琴：季雪金）钢琴奏鸣曲，第17号，D大调，K576, 第二乐章（钢琴：弗雷德里齐·古尔达）钢琴奏鸣曲，第17号，D大调，K576, 全曲（钢琴：Solomon）c小调钢琴《幻想曲》，K396（钢琴：查哈里亚斯Christian Zacharias）d小调钢琴《幻想曲》，K397（钢琴：吉列尔斯，现场录音）D大调钢琴《回旋曲》，K485（钢琴：查哈里亚斯Christian Zacharias）F大调钢琴《回旋曲》，K494(李赫特,布拉格现场)两架钢琴奏鸣曲，D大调，K448全曲（钢琴：罗夫·帕尔吉，沃尔夫冈·曼斯）全曲（钢琴：海布勒、霍夫曼）第二乐章（钢琴：鲁普、佩拉西亚）全曲(钢琴: Anna & Ines walachowski)钢琴变奏曲,K354（钢琴：海布勒）（根据博马舍《塞维利亚理发师》中的《我是多林》而作的12首变奏曲）迪波尔小步舞曲主题变奏曲9首，K573（钢琴：哈斯姬尔）迪波尔小步舞曲主题变奏曲，K573（钢琴：布伦德尔）根据“阿，妈妈，我要对你说”而作的12首变奏曲，K265（钢琴：海布勒）为两架钢琴而作的G大调慢板和变奏曲，K501（阿格丽姬，毕晓普-科瓦塞维奇）A小调回旋曲,K511(布伦德尔)6首德国舞曲,KV509(吉泽金)格伦·古尔德弹奏的(感觉异样的)莫扎特钢琴奏鸣曲:钢琴奏鸣曲 K279（格伦·古尔德）钢琴奏鸣曲 K283（格伦·古尔德）钢琴奏鸣曲 K330（格伦·古尔德）钢琴奏鸣曲K309（格伦·古尔德）钢琴奏鸣曲K310，第一乐章（格伦·古尔德）钢琴奏鸣曲K331，第三乐章, 土耳其进行曲（格伦·古尔德）室内乐：二重奏作品：G大调小中提琴二重奏,K423(Grumiaux&Pelliccia)降B大调小中提琴二重奏,K424(Grumiaux&Pelliccia)三重奏作品：第1号钢琴三重奏，降B大调，K254，（皮雷斯、杜梅、王建）第2号钢琴三重奏，G大调，K496（皮雷斯、杜梅、王建）第3号钢琴三重奏，降B大调，K502（美艺三重奏）第4号钢琴三重奏，E大调，K542（美艺三重奏）第5号钢琴三重奏，C大调，K548（暂无）第6号钢琴三重奏，G大调，K.564（美艺三重奏）第一乐章第二乐章第三乐章单簧管三重奏，降E大调，K498（莱文钢琴，莱斯特单簧管，科瑞斯特中提琴）为弦乐三重奏而作的《降E大调嬉游曲》，K563（格鲁米欧三重奏团）降B大调《嬉游曲》K254，第三乐章(皮尔斯/杜梅/王键) ——————————————————————————————————四重奏作品：第1号弦乐四重奏，G大调，K80/73f（意大利四重奏团）第2号弦乐四重奏，D大调，《米兰四重奏》之一，K155/134a（意大利四重奏团）第3号弦乐四重奏，G大调，《米兰四重奏》之二，KV156/134b（意大利四重奏团）第13号弦乐四重奏，D小调，《维也纳四重奏》第六首，K173 (阿玛迪乌斯四重奏团)第17号弦乐四重奏（狩猎），降B大调，K458（意大利四重奏组）第21号弦乐四重奏，D大调，K575（意大利四重奏组）第23号弦乐四重奏，K590，D大调《普鲁士四重奏》第三号(阿玛迪乌斯四重奏团)第1号钢琴四重奏，G小调，K478，全曲，（马友友，斯特恩，艾克斯，拉雷多）第2号钢琴四重奏，降E大调，K493，全曲，（马友友，斯特恩，艾克斯，拉雷多）第2号钢琴四重奏，降E大调，K493，全曲（PHILIPS：Haeble钢琴，Schwalbe小提琴，Cappone中提琴，Borwitzky大提琴）第1号长笛四重奏，D大调，K285, （贝奈特长笛；格鲁米欧三重奏团）第一乐章第二乐章第三乐章全曲第一乐章(高威与东京弦乐四重奏团)第2号长笛四重奏(全曲)（长笛：贝内特/格鲁米欧三重奏团）第3号长笛四重奏(全曲)（长笛：贝内特/格鲁米欧三重奏团）第4号长笛四重奏(全曲)（长笛：贝内特/格鲁米欧三重奏团）双簧管四重奏，K370（Kiss双簧管，科达伊四重奏团成员，NAXOS版）——————————————————————————————————五重奏作品：第3号弦乐五重奏，C大调，K515 （小提琴：Arthur Grumiaux，Arpad Gerecz；中提琴：Georges Janze r，Max Lesueur；大提琴：Eva Czako）第4号弦乐五重奏，G小调，K516, 第一乐章（演奏者同上）第5号弦乐五重奏，D大调，K593，（全曲,演奏者同上）第6弦乐五重奏 K614，降E大调，(格鲁米欧三重奏团/格莱茨/莱舒尔)单簧管五重奏，A大调，K581第一乐章（单簧管：Jozsef Balogh；Danubius 四重奏团）全曲（Schmidl巴塞特单簧管，维也纳八重奏团成员演奏）玻璃琴五重奏《C小调柔板与回旋曲》，K617（玻璃琴：Bruno Hoffmann；长笛：Aurele Nicolet；双簧管：Heinz Holliger；中提琴：Karl Schouten；大提琴：Jean Decroos）圆号五重奏，K407（Kevehazi圆号，科达伊四重奏团，NAXOS版）钢琴与管乐五重奏，降E大调，K452（布伦德尔钢琴，霍利格尔双簧管，布鲁纳单簧管，鲍曼圆号，图纳曼大管）钢琴与管乐五重奏，降E大调，K452(丹尼斯·布赖恩管乐合奏团)根据G大调弦乐小夜曲（K525）而改编的弦乐五重奏（埃克斯、瓜奈里四重奏团等）第一乐章第二乐章第三乐章第四乐章歌剧作品:《费加罗的婚礼》，K492序曲（梅塔指挥SONY 53286）序曲（莱茵斯多夫指挥维也纳爱乐）序曲（瓦尔特指挥哥伦比亚交响乐团）咏叹调：《蝴蝶不能再飞》（梅塔指挥SONY 53286）咏叹调：“Voi che sapete”（Danco演唱；克莱伯指挥维也纳爱乐乐团、维也纳歌剧院合唱团演出）二重唱：“Che soave zefiretto”（Casa & Gueden演唱，克莱伯指挥维也纳爱乐乐团、维也纳歌剧院合唱团）二重唱“Cinque...dieci...venti...trenta”(Siepi & Gueden演唱，E.克莱伯指挥维也纳爱乐乐团、维也纳歌剧院合唱团)“Porgi amor,qualche ristoro”(Casa演唱 E.克莱伯指挥维也纳爱乐乐团、维也纳歌剧院合唱团) “Porgi amor,qualche ristoro”(Kanawa演唱伯姆指挥维也纳爱乐乐团)“Dove sono”(演唱：施瓦兹科普夫;卡拉扬指挥维也纳爱乐)《魔笛》，K620序曲（伯姆指挥）序曲(瓦尔特指挥哥伦比亚交响)第二幕（索尔蒂指挥维也纳爱乐乐团，演唱：迪斯考等）二重唱“那些坠入爱河的男人”（索尔蒂指挥维也纳爱乐，演唱：普雷，罗莲嘉）“在神圣的殿堂里”（演唱：特尔维拉）“帕帕姬娜你在哪里”（伯姆指挥）二重唱:懂得爱情的男人，都有一颗仁慈的心（Ziesak&Kraus演唱;索尔蒂指挥维也纳爱乐）咏叹调：“如果有个女人爱我，多么幸福”（索尔蒂指挥维也纳爱乐乐团）“夜后”（演唱：格鲁布洛娃Edita Gruberova）二重唱：《pa pa pa》(演唱：夸斯托夫/卡巴列)二重唱：《pa pa pa》(演唱：普雷/霍尔姆, 索尔蒂/维也纳爱乐)美丽的画像(演唱：冯德里希)夜后"复仇的火焰"(演唱者：朵依特肯)《女人心》,K588序曲（伯姆指挥维也纳爱乐、维也纳歌剧院合唱乐团）第二幕（伯姆指挥维也纳爱乐、维也纳歌剧院合唱乐团）第2幕第4场(EMI伯姆指挥爱乐乐团与合唱团演出, Schwarzkopf、Ludwig、Kraus、Taddei等演唱) “Fra gli amplessi in pochi istanti”(EMI伯姆指挥爱乐乐团与合唱团演出, Schwarzkopf & Kraus演唱)《唐璜》,K527序曲（朱利尼指挥爱乐乐团）第一幕：（朱利尼指挥爱乐乐团，演唱：萨瑟兰、施瓦兹科普夫等）第二幕（索尔蒂指挥伦敦爱乐乐团、伦敦歌剧院合唱团）二重唱“让我们手拉手吧”（演唱：Sciutti & Wachter；朱利尼指挥爱乐乐团、合唱团）小夜曲“Deh vieni alla finestra”(Wachter演唱朱利尼指挥爱乐乐团、合唱团)《后宫诱逃》 K384咏叹调“Martern aller Arten”（Koth演唱，约胡姆指挥巴伐利亚歌剧院乐团与合唱团）咏叹调“Hier soll ich dich denn sehen”(Wunderlich演唱，约胡姆指挥巴伐利亚歌剧院乐团与合唱团)序曲(约胡姆指挥巴伐利亚歌剧院乐团与合唱团)序曲(NAXOS)《狄托的仁慈》，K621二重唱“Ah perdona al primo affetto”（von Stade & Popp演唱，科林·戴维斯指挥科文特花园皇家歌剧院乐团与合唱团）咏叹调“Ah,se fosse intorno al trono” (Burrows演唱科林·戴维斯指挥科文特花园皇家歌剧院乐团与合唱团)《阿斯卡尼奥在阿尔巴》K111,序曲(萨尔茨堡莫扎特管弦乐团／利奥波德·哈格)《巴斯蒂恩与巴斯蒂恩娜》K50,序曲《巴斯蒂安与巴斯蒂安娜》K50，全剧（Gruberova、Cole、Polgar演唱，Leppard指挥李斯特室内乐团）《装痴作傻》（一）施雷尔（P.Schreier）指挥C.P.E巴赫乐团《装痴作傻》（二）施雷尔（P.Schreier）指挥C.P.E巴赫乐团---------------------------------------------------------------------------------声乐作品:女高音咏叹调：“喜悦的心情”，K579（演唱：格鲁贝洛娃）咏叹调：“Vorrei Siegarvi,oh Dio”，K418《哈利路亚》(平诺克指挥英国协奏团, 演唱: Bonnry)《黄昏的感触》（Elly Ameling Dalton Baldwin with Netherlands Wind Ensemble）教堂音乐:忏悔者的庄严晚祷，K399C大调《加冕》弥撒曲，K317（哈农库特指挥）C小调大弥撒 K427 (柏林广播交响乐团/Fricsay)《圣礼赞》(排箫：赞非尔/管风琴：毕什)《C大调第十号弥撒曲》麻雀(库贝利克指挥巴戈里亚广播合唱团、乐团)安魂曲，D小调，K626伯姆指挥维也纳爱乐1971年版卡拉扬/柏林爱乐1976年版卡拉扬指挥维也纳歌唱家合唱团、伯林爱乐乐团巴伦博依姆1972年的版本克尔特兹(Kertesz)指挥维也纳爱乐乐团版库普曼指挥阿姆斯特丹巴洛克乐团等伯恩斯坦悼念亡妻版朱利尼/爱乐乐团和合唱团改编曲:第13号小夜曲《G大调弦乐小夜曲》,K525,第四乐章（长笛版）吉他: 《魔笛》主题及变奏（索尔改编，演奏：帕克宁）吉他: 《魔笛》主题及变奏（索尔改编，演奏：塞戈维亚）吉他: 《魔笛》主题及变奏（Pepe Romero 吉他独奏）《魔笛》中的幻想曲(萨拉萨蒂改编, 沙汉姆演奏)《费加罗婚礼》(管乐合奏)(LINOS-ENSEMBLE)《后宫诱逃》长笛与双簧管二重奏（Schulz长笛/Schellenberger双簧管）摇篮曲(改编曲)贝多芬《根据莫扎特歌剧〈唐璜〉中“La ci darem la mano”主题而作的变奏曲》但济《单簧管与乐队“La ci darem la mano”主题幻想曲》圆号协奏曲哼唱的《土尔其进行曲》木管五重奏《土尔其进行曲》Mozart 莫扎特作品目录编号K.时间地点作品名音高1 1761/2 Salzburg Minuet for Harpsichord (See K. 1e) G Major or 17641 1761/2? Salzburg Andante for Harpsichord C Major1b 1761/2? Salzburg Allegro for Harpsichord C Major1c 1761 Salzburg Allegro for Harpsichord F Major1d 1761 Salzburg Minuet for Harpsichord F Major1e 1761/2 Salzburg Minuet for Harpsichord (See K. 1) G Major or 17641f 1761/2 Salzburg Minuet for Harpsichord C Major or 17642 1762 Salzburg Minuet for Harpsichord F Major3 1762 Salzburg Allegro for Harpsichord B Flat Major4 1762 Salzburg Minuet for Harpsichord F Major5 1762 Salzburg Minuet for Harpsichord F Major5a 1763 Salzburg Allegro for Harpsichord (See K. 9a) C Major6 1764 Paris Sonata for Harpsichord & Violin C Major7 1764 Paris Sonata for Harpsichord & Violin D Major8 1764 Paris Sonata for Harpsichord & Violin B Flat Major9 1764 Paris Sonata for Harpsichord & Violin G Major9a 1763 Salzburg Allegro for Harpsichord (See K. 5a) C Major10 1764 London Sonata for Harpsichord，Violin (or B Flat Major Flute) & Cello11 1764 London Sonata for Harpsichord，Violin (or G Major Flute) & Cello12 1764 London Sonata for Harpsichord，Violin (or A Major Flute) & Cello13 1764 London Sonata for Harpsichord， Violin (or Flute) & Cello14 1764 London Sonata for Harpsichord， Violin (or Flute) & Cello。
Ovation I O Reference Manual
This publication adds the Eight Channel RTD module to the Ovation I/O Reference Manual. It should be placed between Sections 19 and 20.Date: 04/03IPU No.243Ovation ® Interim Publication UpdatePUBLICATION TITLEOvation I/O Reference ManualPublication No. R3-1150Revision 3, March 2003Section 19A. Eight Channel RTDModule19A-1. DescriptionThe Eight (8) channel RTD module is used to convert inputs from Resistance Temperature Detectors (RTDs) to digital data. The digitized data is transmitted to the Controller.19A-2. Module Groups19A-2.1. Electronics ModulesThere is one Electronics module group for the 8 channel RTD Module:n5X00119G01 converts inputs for all ranges and is compatible only with Personality module 5X00121G01 (not applicable for CE Mark certified systems).19A-2.2. Personality ModulesThere is one Personality module groups for the 8 channel RTD Module:n5X00121G01 converts inputs for all ranges and is compatible only with Electronics module 5x00119G01 (not applicable for CE Mark certified systems).19A-2.3. Module Block Diagram and Field Connection WiringDiagramThe Ovation 8 Channel RTD module consists of two modules an electronics module contains a logic printed circuit board (LIA) and a printed circuit board (FTD). The electronics module is used in conjunction with a personalty module, which contains a single printed circuit board (PTD). The block diagram for the 8 channel RTD moduleis shown in Figure 19A-1.Table 19A-1. 8 Channel RTD Module Subsystem ChannelsElectronic Module Personality Module85X00119G015X00121G01Figure 19A-1. 8 Channel RTD Module Block Diagram and Field Connection Wiring Diagram19A-3. SpecificationsElectronics Module (5X00119)Personality Module (5X00121)Table 19A-2. 8 Channel RTD Module SpecificationsDescription ValueNumber of channels8Sampling rate50 HZ mode: 16.67/sec. normally. In 3 wire mode, leadresistance measurement occurs once every 6.45 sec.during which the rate drops to 3/sec.60 HZ mode: 20/sec. normally. In 3 wire mode, leadresistance measurement occurs once every 6.45 sec.during which the rate drops to 2/sec.Self Calibration Mode: Occurs on demand only. The ratedrops to 1/sec. once during each self calibration cycle.RTD ranges Refer to Table 19A-3.Resolution12 bitsGuaranteed accuracy (@25°C)0.10% ±[0.045 (Rcold/Rspan)]% ± [((Rcold + Rspan)/4096 OHM)]% ± [0.5 OHM/Rspan]% ±10 m V ± 1/2LSBwhere:Rcold and Rspan are in Ohms.Temperature coefficient 10ppm/°CDielectric isolation:Channel to channel Channel to logic 200V AC/DC 1000 V AC/DCInput impedance100 M OHM50 K OHM in power downModule power 3.6 W typical; 4.2 W maximumOperating temperature range0 to 60°C (32°F to 140°F)Storage temperature range-40°C to 85°C (-40°F to 185°F)Humidity (non-condensing)0 to 95%Self Calibration On Demand by Ovation ControllerCommon Mode Rejection120 dB @ DC and nominal power line frequency+/- 1/2%Normal Mode Rejection100 dB @ DC and nominal power line frequency+/- 1/2%Table 19A-3. 8 Channel RTD RangesScale #(HEX)Wires Type Tempo FTempo CRcold(ohm)Rhot(ohm)Excitationcurrent(ma)Accuracy± ±countsAccuracy± ±% ofSPAN1310OhmPL0 to1200–18 t o6496106.3 1.090.222310OhmCU 0 to302–18 t o1508.516.5 1.0 130.32D350OhmCU 32 to2840 to1405080 1.0110.2711350OhmCU 32 to2300 to1105378 1.0120.30193100Ohm PL –4 to334–16 t o16892163.671.0110.27223100Ohm PL 32 to5200 to269100200 1.0100.25233100Ohm PL 32 to10400 to561100301 1.0100.25253120Ohm NI –12 t o464–11 t o240109360 1.0100.25263120Ohm NI 32 to1500 to70120170 1.0130.32283120Ohm NI 32 to2780 to122120225 1.0110.27804100Ohm PL 32 to5440 to290100 208 1.0100.25814100Ohm PL 356 t o446180 t o230168 186 1.0300.74824200Ohm PL 32 to6980 to370200 473 1.0120.30834200Ohm PL 514 t o648268 t o342402452 1.0290.71844100Ohm PL 32 to1240 to51100120 1.0190.47854100Ohm PL 32 to2170 to103100 140 1.0130.3286 4100Ohm PL 32 to4120 to211100 180 1.0110.27874100Ohm PL 32 to7140 to379100 240 1.0100.25884120Ohm PL 511 t o662266 t o350200230 1.0240.5919A-4. 8 Channel RTD Terminal Block Wiring Information19A-4.1. Systems Using Personality Module 5X00121G01 Each Personality module has a simplified wiring diagram label on its side, which appears above the terminal block. This diagram indicates how the wiring from the field is to beconnected to the terminal block in the base unit. The following table lists and defines the abbreviations used in this diagram.Table 19A-4. Abbreviations Used in the DiagramAbbreviation Definition+IN, -IN Positive and negative sense input connectionEarth ground terminal. Used for landing shields when the shield is to begrounded at the module.PS+, PS-Auxiliary power supply terminals.RTN Return for current source connection.SH Shield connector. used for landing shields when the shield is to begrounded at the RTD.SRC Current source connection.Note:PS+ and PS- are not used by this module.19A-5. 8 Channel RTD Module Address Locations19A-5.1. Configuration and Status RegisterWord address 13 (D in Hex) is used for both module configuration and module status. The Module Status Register has both status and diagnostic information. The bit information contained within these words is shown in Table 19A-5.Definitions for the Configuration/Module Status Register bits:Bit 0:This bit configures the module (write) or indicates the configuration state of the module (read). A “1” indicates that the module is configured. Note that until the module is configured, reading from addresses #0 through #11 (B in Hex) will produce an attention status.Bit 1:This bit (write “1”) forces the module into the error state, resulting in the error LED being lit. The read of bit “1” indicates that there is an internal module error,or the controller has forced the module into the error state. The state of this bit is always reflected by the module’s Internal Error LED. Whenever this bit is set,an attention status is returned to the controller when address #0 through #11(B in Hex) are read.Table 19A-5. 8 Channel RTD Configuration/Status Register (Address 13 0xD in Hex)Bit Data Description -Configuration Register (Write)Data Description -Status Register (Read)0Configure Module Module Configured(1 = configured; 0 = unconfigured)1Force errorInternal or forced error(1 = forced error; 0 = no forced error)250/60 Hz select (0 = 60Hz, 1 = 50Hz)50/60 Hz System (1 = 50Hz) d(read back)3SELF_CAL (Initiates Self Calibration)Warming bit (set during power up or configuration)40050060Module Not Calibrated 708CH.1 _ 3/4 Wire.CH.1 _ 3/4 Wire - Configuration (read back)9CH.2 _ 3/4 Wire.CH.2 _ 3/4 Wire - Configuration (read back)10CH.3 _ 3/4 Wire.CH.3 _ 3/4 Wire - Configuration (read back)11CH.4 _ 3/4 Wire.CH.4 _ 3/4 Wire - Configuration (read back)12CH.5 _ 3/4 Wire.CH.5 _ 3/4 Wire - Configuration (read back)13CH.6 _ 3/4 Wire.CH.6 _ 3/4 Wire - Configuration (read back)14CH.7 _ 3/4 Wire.CH.7 _ 3/4 Wire - Configuration (read back)15CH.8 _ 3/4 Wire.CH.8 _ 3/4 Wire - Configuration (read back)Bit 2:The status of this bit (read) indicates the conversion rate of the module, write to this bit configures the conversion rate of A/D converters as shown below.see Table 19A-6.Bit3:Write: This bit is used to initiate self-calibration. Read: This bit indicates that the module is in the “Warming” state. this state exists after power up and ter-minates after 8.16 seconds. the module will be in the error condition during the warm up period.Bit4 & 5:These bits are not used and read as “0” under normal operation.Bit 6:This bit (read) is the result of a checksum test of the EEPROM. A failure of this test can indicate a bad EEPROM, but it typically indicates that the module has not been calibrated. A “0” indicates that there is no error condition. If an error is present, the internal error LED is lit and attention status will be returned for all address offsets 0-11 (0x0 - 0xB). The “1” state of this bit indicates an unre-coverable error condition in the field.Bit 7:This bits is not used and read as “0” under normal operation.Bit 8 - 15:These bits are used to configure channels 1 - 8 respectively for 3 or 4 wire op-eration. A “0” indicates 3 wire and a “1” indicates 4 wire operation, see Table 19A-7 and Table 19A-8).Word address 12 (0xC) is used to configure the appropriate scales for Channels 1 - 4 (refer to Table 19A-7 and Table 19A-8).Table 19A-6. Conversion Rate Conversion Rate (1/sec.)Bit 260 (for 60Hz systems)050 (for 50Hz systems)1Table 19A-7. Data Format for the Channel Scale Configuration Register(0xC)Bit Data Description Configuration (Write)Data Description Status (Read)0 Configure Channel #1scale - Bit 0Channel #1 scale configuration (read back) - Bit 01Configure Channel #1scale - Bit 1Channel #1 scale configuration (read back) - Bit 12Configure Channel #1scale - Bit 2Channel #1 scale configuration (read back) - Bit 23Configure Channel #1scale - Bit 3Channel #1 scale configuration (read back) - Bit 34Configure Channel #2 scale - Bit 0Channel #2 scale configuration (read back) - Bit 05Configure Channel #2 scale - Bit 1Channel #2 scale configuration (read back) - Bit 16Configure Channel #2 scale - Bit 2Channel #2 scale configuration (read back) - Bit 27Configure Channel #2 scale - Bit 3Channel #2 scale configuration (read back) - Bit 38Configure Channel #3 scale - Bit 0Channel #3 scale configuration (read back) - Bit 09Configure Channel #3 scale - Bit 1Channel #3 scale configuration (read back) - Bit 1Caution:Configuring any or all channel scales while the system is running will cause all channels to return attention status for up to two seconds following the reconfiguration.Caution:Configuring any or all channel scales while the system is running will cause all channels to return attention status for up to two seconds following the reconfiguration.10Configure Channel #3 scale - Bit 2Channel #3 scale configuration (read back) - Bit 211Configure Channel #3 scale - Bit 3Channel #3 scale configuration (read back) - Bit 312Configure Channel #4 scale - Bit 0Channel #4 scale configuration (read back) - Bit 013Configure Channel #4 scale - Bit 1Channel #4 scale configuration (read back) - Bit 114Configure Channel #4 scale - Bit 2Channel #4 scale configuration (read back) - Bit 215Configure Channel #4 scale - Bit 3Channel #4 scale configuration (read back) - Bit 3Table 19A-8. Data Format for the Channel Scale Configuration Register(0xE)Bit Data Description Configuration (Write)Data Description Status (Read)0 Configure Channel #5 scale - Bit 0Channel #5 scale configuration (read back) - Bit 01Configure Channel #5 scale - Bit 1Channel #5 scale configuration (read back) - Bit 12Configure Channel #5 scale - Bit 2Channel #5 scale configuration (read back) - Bit 23Configure Channel #5 scale - Bit 3Channel #5 scale configuration (read back) - Bit 34Configure Channel #6 scale - Bit 0Channel #6 scale configuration (read back) - Bit 05Configure Channel #6 scale - Bit 1Channel #6 scale configuration (read back) - Bit 16Configure Channel #6 scale - Bit 2Channel #6 scale configuration (read back) - Bit 27Configure Channel #6 scale - Bit 3Channel #6 scale configuration (read back) - Bit 38Configure Channel #7 scale - Bit 0Channel #7 scale configuration (read back) - Bit 09Configure Channel #7 scale - Bit 1Channel #7 scale configuration (read back) - Bit 110Configure Channel #7 scale - Bit 2Channel #7 scale configuration (read back) - Bit 211Configure Channel #7 scale - Bit 3Channel #7 scale configuration (read back) - Bit 312Configure Channel #8 scale - Bit 0Channel #8 scale configuration (read back) - Bit 013Configure Channel #8 scale - Bit 1Channel #8 scale configuration (read back) - Bit 114Configure Channel #8 scale - Bit 2Channel #8 scale configuration (read back) - Bit 215Configure Channel #8 scale - Bit 3Channel #8 scale configuration (read back) - Bit 3Table 19A-7. Data Format for the Channel Scale Configuration Register(0xC)19A-6. Diagnostic LEDsTable 19A-9. 8 Channel RTD Diagnostic LEDsLED DescriptionP (Green)Power OK LED. Lit when the +5V power is OK.C (Green)Communications OK LED. Lit when the Controller is communicatingwith the module.I (Red)Internal Fault LED. Lit whenever there is any type of error with themodule except to a loss of power. Possible causes are:n - Module initialization is in progress.n - I/O Bus time-out has occurred.n - Register, static RAM, or FLASH checksum error.n - Module resetn - Module is uncalibrated.n - Forced error has been received from the Controllern - Communication between the Field and Logic boards failedCH1 - CH 8 (Red)Channel error. Lit whenever there is an error associated with a channel or channels. Possible causes are:n - Positive overrangen - Negative overrangen Communication with the channel has failed。
古典音乐介绍
中文名称：拉赫玛尼诺夫: 钢琴协奏曲1-4英文名称：Vladimir Ashkenazy - Rachmaninov: Piano Concertos 1-4 资源类型：APE版本：分轨2CD发行时间：1995年专辑歌手：Vladimir Ashkenazy 弗拉基米尔·阿什肯纳齐地区：英国简介：专辑名称：拉赫玛尼诺夫: 钢琴协奏曲1-4专辑歌手：弗拉基米尔·阿什肯纳发行日期：1995专辑语种：纯音乐专辑类型：古典音乐/协奏曲唱片公司：Decca唱片编号：444839-2 ADD 2CD压缩比率：APE专辑介绍：阿什肯纳齐的1997年出版的这套拉氏钢琴全集，被认为是所有版本中最出色的，英国权威《企鹅唱片指南》将这套唱片评为最高的―三星带花‖名片。
阿什肯纳齐的演奏极富诗意，音色明亮华丽，并且自然是充满了俄罗斯的气息。
普烈文指挥的伦敦交响乐团也被焕发出亮丽的色泽，既富气势又不喧宾夺主，与阿什肯纳齐的钢琴互为衬托。
特别是第二钢琴曲，听了几乎会让人落泪。
谢尔盖·瓦西里耶维奇·拉赫玛尼诺夫（Sergei Vassilievitch Rachmaninoff ，1873－1943），俄国著名作曲家、钢琴家和指挥家，晚期浪漫主义音乐代表之一。
出生于富贵家庭，曾就学于莫斯科音乐学院，二十岁就一举成名。
在音乐史上，像他这样顺利的音乐家是少见的。
但是，拉赫玛尼诺夫在政治上并不是守旧派，同当时的很多的俄罗斯知识分子一样，他对于十九世纪末到二十世纪初的俄国社会现实是不满的。
1905年，俄国爆发了资产阶级民主革命，虽然最终遭到失败，但其影响深远。
此后一直到1918年―二月革命‖，这一时期成为拉赫玛尼诺夫创作力最为旺盛的阶段。
他的创作深受柴科夫斯基影响，有深厚的民族音乐基础，旋律丰富，擅长史诗式状阔的音乐风格。
先后作有《钢琴协奏曲》四首、《帕格尼尼主题狂想曲》、二十四首《前奏曲》、《音画练习曲》、歌剧《阿莱科》、《利米尼的法兰契斯卡》和《第二交响曲》、管弦乐《死之岛》、《钟》以及浪漫曲等著名作品。
200611-DIVING-PAM中文操作手册
DIVING-PAM 操作手册
泽泉科技有限公司，德国 WALZ 公司中国技术服务中心
目录
1 安全指导 ...................................................................................................................................- 4 1.1 一般安全指导 ................................................................................................................- 4 1.2 特殊安全指导 ................................................................................................................- 4 -
水下调制荧光仪——
DIVING-PAM
操作手册
2006 年 11 月版
泽泉国际集团（香港）有限公司 泽泉科技有限公司 德 国 WA L Z 公 司 中 国 技 术 服 务 中 心
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传真：010-62304952 转 20
9.1.1 荧光的激发与检测............................................................................................- 28 9.1.2 内置卤素灯 .......................................................................................................- 29 9.1.3 可充电电池 .......................................................................................................- 29 9.1.4 显示器 ...............................................................................................................- 30 9.1.5 电子元件 ...........................................................................................................- 30 9.1.6 接口介绍 ...........................................................................................................- 30 9.2 标准光纤 DIVING-PAM/F 和微光纤 DIVING-PAM/F1 ...........................................- 32 9.3 光量子传感器 ..............................................................................................................- 32 9.4 深度传感器 ..................................................................................................................- 33 9.5 水温传感器 ..................................................................................................................- 33 9.6 水下通用样品架 DIVING-USH ..................................................................................- 33 9.6.1 介绍 ...................................................................................................................- 33 -
贝多芬全部作品列表(List of compositions by Ludwig van Beethoven)
List of compositions by Ludwig van BeethovenContent1. List of works by genreo 1.1 Orchestral music▪ 1.1.1 Symphonies▪ 1.1.2 Concerti▪ 1.1.3 Other works for soloist and orchestra▪ 1.1.4 Overtures and occasional musico 1.2 Chamber music▪ 1.2.1 Trios▪ 1.2.1.1 Piano trios▪ 1.2.1.2 Piano quartets▪ 1.2.1.3 String trios▪ 1.2.2 String quartets▪ 1.2.3 String quintets▪ 1.2.4 Chamber music with winds▪ 1.2.5 Sonatas for solo instrument and piano▪ 1.2.5.1 Violin sonatas▪ 1.2.5.2 Cello sonatas▪ 1.2.5.3 Horn sonataso 1.3 Solo piano music▪ 1.3.1 Piano sonatas▪ 1.3.2 V ariations▪ 1.3.3 Bagatelles▪ 1.3.4 Other workso 1.4 V ocal music▪ 1.4.1 Opera▪ 1.4.2 Choral▪ 1.4.3 Songo 1.5 Music for Wind Band2. List of works by numbero 2.1 Works with opus numberso 2.2 Works without opus numbers▪ 2.2.1 Works with WoO numbers▪ 2.2.1.1 Instrumental works: WoO 1–86▪ 2.2.1.2 V ocal works: WoO 87–205▪ 2.2.2 Works with Anhang (Anh) numbers▪ 2.2.3 Selected works with Hess (H) numbers▪ 2.2.4 Works with Biamonti Numbers1.List of works by genre1.1 Orchestral music1.1.1 Symphonies∙Opus 21: Symphony No. 1 in C major (composed 1799–1800, premièred 1800)∙Opus 36: Symphony No. 2 in D major (composed 1801–02, premièred 1803)∙Opus 55: Symphony No. 3 in E-flat major ("Eroica") (composed 1803-04, premièred 1804)∙Opus 60: Symphony No. 4 in B-flat major (composed 1806, premièred 1807)∙Opus 67: Symphony No. 5 in C minor (composed 1804–08, premièred 1808)∙Opus 68: Symphony No. 6 in F major ("Pastoral") (composed 1804–08, premièred 1808)∙Opus 92: Symphony No. 7 in A major (composed 1811–12, premièred 1813)∙Opus 93: Symphony No. 8 in F major (composed 1812, premièred 1814)∙Opus 125: Symphony No. 9 in D minor ("Choral") (composed 1817–24, premièred 1824)1.1.2 Concerti∙WoO 4: Piano Concerto No. 0 in E-flat major (1784)∙Opus 15: Piano Concerto No. 1 in C major (composed 1796-97)∙Opus 19: Piano Concerto No. 2 in B-flat major (first two movements composed 1787-1789, finale composed in 1795) ∙Opus 37: Piano Concerto No. 3 in C minor (composed 1800-01)∙Opus 56: Triple Concerto for violin, cello, and piano in C major (1805)∙Opus 58: Piano Concerto No. 4 in G major (composed 1805-06)∙Opus 61: Violin Concerto in D major (1806)∙Opus 61a: Beethoven's arrangement of Opus 61 for piano∙Opus 73: Piano Concerto No. 5 in E-flat major ("Emperor") (composed 1809-10)∙Hess 15: Piano Concerto No. 6 in D major (unfinished – performing version completed by Nicholas Cook) (1815)[3]1.1.3 Other works for soloist and orchestra∙WoO 6: Rondo for Piano and Orchestra in B-flat major (1793)∙Opus 40: Romance for Violin and Orchestra No. 1 in G major (1802)∙Opus 50: Romance for Violin and Orchestra No. 2 in F major (1798)∙Opus 80: "Choral Fantasy" (Fantasia in C minor for piano, chorus, and orchestra) (1808)1.1.4 Overtures and occasional music∙Opus 43: The Creatures of Prometheus, overture and ballet music (1801)∙Opus 62: Coriolan Overture (1807)∙Overtures composed for Beethoven's opera Fidelio, Op. 72:o Opus 72: Fidelio Overture (1814)o Opus 72a: Leonore Overture "No. 2" (1805)o Opus 72b: Leonore Overture "No. 3" (1806)o Opus 138: Leonore Overture "No. 1" (1807)∙Opus 84: Egmont, overture and incidental music (1810)∙Opus 91: Wellington's Victory ("Battle Symphony") (1813)∙Opus 113: The Ruins of Athens (Die Ruinen von Athen), overture and incidental music (1811)∙Opus 117: King Stephen (König Stephan), overture and incidental music (1811)∙Opus 115: Zur Namensfeier (Feastday) Overture (1815)∙Opus 124: Consecration of the House (Die Weihe des Hauses), overture (1822)1.2 Chamber music1.2.1 Trios1.2.1.1 Piano trios∙Opus 1: Three Piano Trios (1795)o No. 1: Piano Trio No. 1 in E-flat majoro No. 2: Piano Trio No. 2 in G majoro No. 3: Piano Trio No. 3 in C minor∙Opus 11: Piano Trio No. 4 in B-flat major ("Gassenhauer") (1797) (version with violin)∙Opus 70: Two Piano Trios (1808)o No. 1: Piano Trio No. 5 in D major, "Ghost"o No. 2: Piano Trio No. 6 in E-flat major∙Opus 97: Piano Trio No.7 in B-flat Major ("Archduke") (1811)1.2.1.2 Piano quartets∙Opus 16/b: Piano Quartet in E flat (1797) (arrangement of Quintet for Piano and Winds, Op. 16)1.2.1.3 String trios∙Opus 3: String Trio No. 1 in E-flat major (1794)∙Opus 8: String Trio No. 2 ("Serenade") in D major (1797)∙Opus 9: Three String Trios (1798)o No. 1: String Trio No. 3 in G majoro No. 2: String Trio No. 4 in D majoro No. 3: String Trio No. 5 in C minor1.2.2 String quartets∙Opus 18: Six String Quartetso No. 1: String Quartet No. 1 in F major (1799)o No. 2: String Quartet No. 2 in G major (1799)o No. 3: String Quartet No. 3 in D major (1798/99)o No. 4: String Quartet No. 4 in C minor (1799)o No. 5: String Quartet No. 5 in A major (1799)o No. 6: String Quartet No. 6 in B-flat major (1800)∙Opus 59: Three String Quartets ("Rasumovsky") (1806)o No. 1: String Quartet No. 7 in F majoro No. 2: String Quartet No. 8 in E minoro No. 3: String Quartet No. 9 in C major∙Opus 74: String Quartet No. 10 in E-flat major ("Harp") (1809)∙Opus 95: String Quartet No. 11 in F minor ("Serioso") (1810)∙Opus 127: String Quartet No. 12 in E-flat major (1823/24)∙Opus 130: String Quartet No. 13 in B-flat major (1825)∙Opus 131: String Quartet No. 14 in C-sharp minor (1826)∙Opus 132: String Quartet No. 15 in A minor (1825)∙Opus 133: Große Fuge in B-flat major – originally finale of Opus 130 (1826) (Also arranged by Beethoven for piano duet (four-hands) Opus 134) (1826) ∙Opus 135: String Quartet No. 16 in F major (1826)1.2.3 String quintets∙Opus 4: String Quintet in E-flat major (1795)∙Opus 29: String Quintet in C major (1801)∙Opus 104: String Quintet in C minor (1817)∙Opus 137: Fugue for String Quintet in D major (1817)1.2.4 Chamber music with winds∙Opus 11: Trio for Piano, Clarinet, and Cello in B-flat major ("Gassenhauer") (Version with Violin instead of Clarinet is considered Piano Trio No. 4) (1797) ∙Opus 16: Quintet for piano and winds in E-flat major (1796) (later arranged for piano quartet)∙Opus 20: Septet for clarinet, horn, bassoon, violin, viola, cello and contrabass in E-flat major (1799)∙Opus 38: Trio for Piano, Clarinet (or Violin), and Cello in E-flat major (1803) (reduction of the Op. 20 Septet)∙Opus 71: Sextet for clarinets, horns, and bassoons in E-flat major (1796)∙Opus 81b: Sextet for Horns and String Quartet∙Opus 87: Trio for two oboes and English horn in C major (1795)∙Opus 103: Octet for oboes, clarinets, horns, and bassoons in E-flat major (1792)∙Opus 105: Six sets of variations for piano and flute (1819)∙Opus 107: Ten sets of variations for piano and flute (1820)1.2.5 Sonatas for solo instrument and piano1.2.5.1 Violin sonatas∙Opus 12: Three Violin Sonatas (1798)o No. 1: Violin Sonata No. 1 in D majoro No. 2: Violin Sonata No. 2 in A majoro No. 3: Violin Sonata No. 3 in E-flat major∙Opus 23: Violin Sonata No. 4 in A minor (1801)∙Opus 24: Violin Sonata No. 5 in F major ("Spring") (1801)∙Opus 30: Three Violin Sonatas (1803)o No. 1: Violin Sonata No. 6 in A majoro No. 2: Violin Sonata No. 7 in C minoro No. 3: Violin Sonata No. 8 in G major∙Opus 47: Violin Sonata No. 9 in A major ("Kreutzer") (1803)∙Opus 96: Violin Sonata No. 10 in G major ("The Cockrow") (1812)1.2.5.2 Cello sonatas∙Opus 5: Two Cello Sonatas (1796)o No. 1: Cello Sonata No. 1 in F majoro No. 2: Cello Sonata No. 2 in G minor∙Opus 69: Cello Sonata No. 3 in A major (1808)∙Opus 102: Two Cello Sonatas (1815)o No. 1: Cello Sonata No. 4 in C majoro No. 2: Cello Sonata No. 5 in D major1.2.5.3 Horn sonatas∙Opus 17: Horn Sonata in F major (1800)1.3 Solo piano music1.3.1 Piano sonatas∙Opus 2: Three Piano Sonatas (1795)o No. 1: Piano Sonata No. 1 in F minoro No. 2: Piano Sonata No. 2 in A majoro No. 3: Piano Sonata No. 3 in C major∙Opus 7: Piano Sonata No. 4 in E-flat major (1797)∙Opus 10: Three Piano Sonatas (1798)o No. 1: Piano Sonata No. 5 in C minoro No. 2: Piano Sonata No. 6 in F majoro No. 3: Piano Sonata No. 7 in D major∙Opus 13: Piano Sonata No. 8 in C minor ("Pathétique") (1798)∙Opus 14: Two Piano Sonatas (1799)o No. 1: Piano Sonata No. 9 in E major (Also arranged by the composer for String Quartet in F Major (H 34) in 1801)o No. 2: Piano Sonata No. 10 in G major∙Opus 22: Piano Sonata No. 11 in B-flat major (1800)∙Opus 26: Piano Sonata No. 12 in A-flat major ("Funeral March") (1801)∙Opus 27: Two Piano Sonatas (1801)o No. 1: Piano Sonata No. 13 in E-flat major 'Sonata quasi una fantasia'o No. 2: Piano Sonata No. 14 in C-sharp minor 'Sonata quasi una fantasia' ("Moonlight")∙Opus 28: Piano Sonata No. 15 in D major ("Pastoral") (1801)∙Opus 31: Three Piano Sonatas (1802)o No. 1: Piano Sonata No. 16 in G majoro No. 2: Piano Sonata No. 17 in D minor ("Tempest")o No. 3: Piano Sonata No. 18 in E-flat major ("The Hunt")∙Opus 49: Two Piano Sonatas (1792)o No. 1: Piano Sonata No. 19 in G minoro No. 2: Piano Sonata No. 20 in G major∙Opus 53: Piano Sonata No. 21 in C major ("Waldstein") (1803)o WoO 57: Andante Favori — Original middle movement of the "Waldstein" sonata (1804)∙Opus 54: Piano Sonata No. 22 in F major (1804)∙Opus 57: Piano Sonata No. 23 in F minor ("Appassionata") (1805)∙Opus 78: Piano Sonata No. 24 in F-sharp major ("A Thérèse") (1809)∙Opus 79: Piano Sonata No. 25 in G major (1809)∙Opus 81a: Piano Sonata No. 26 in E-flat major ("Les adieux/Lebewohl") (1810)∙Opus 90: Piano Sonata No. 27 in E minor (1814)∙Opus 101: Piano Sonata No. 28 in A major (1816)∙Opus 106: Piano Sonata No. 29 in B-flat major ("Hammerklavier") (1819)∙Opus 109: Piano Sonata No. 30 in E major (1820)∙Opus 110: Piano Sonata No. 31 in A-flat major (1821)∙Opus 111: Piano Sonata No. 32 in C minor (1822)1.3.2 Variations∙Opus 34: Six variations on an theme in F major (1802)∙Opus 35: Fifteen variations and a fugue on an original theme in E-flat major ("Eroica Variations") (1802)∙Opus 76: Six variations on an original theme in D major (1809)∙Opus 120: Thirty-three variations on a waltz by Diabelli in C major ("Diabelli Variations") (1823)∙WoO 63: Nine variations for piano on a march by Ernst Christoph Dressler∙WoO 64: Six Variations on a Swiss song for piano or harp∙WoO 65: Twenty-four variations for piano on Vincenzio Righini's aria "Venni Amore"∙WoO 66: Thirteen variations for piano on the aria "Es war einmal ein alter Mann" from Carl Ditters von Dittersdorf's opera Das rote Käppchen ∙WoO 67: Eight variations for piano four hands on a theme by Count Waldstein∙WoO 68: Twelve variations for piano on the "Menuet a la Vigano" from Jakob Haibel's ballet La nozza disturbate∙WoO 69: Nine variations for piano on "Quant'e piu bello" from Giovanni Paisiello's opera La Molinara∙WoO 70: Six variations for piano on "Nel cor piu non mi sento" from Giovanni Paisiello's opera La Molinara∙WoO 71: Twelve variations for piano on the Russian dance from Paul Wranitzky's ballet Das Waldmädchen∙WoO 72: Eight variations for piano on "Une Fièvre Brûlante" from André Ernest Modeste Grétry's opera Richard Coeur-de-lion∙WoO 73: Ten variations for piano on "La stessa, la stessissima" from Antonio Salieri's opera Falstaff∙WoO 74: "Ich denke dein" — song with six variations for piano four hands∙WoO 75: Seven variations for piano on "Kind, willst du ruhig schlafen" from Peter Winter's opera Das unterbrochene Opferfest∙WoO 76: Eight variations for piano on "Tandeln und scherzen" from Franz Xaver Süssmayr's opera Soliman II∙WoO 77: Six easy variations on an original theme for piano∙WoO 78: Seven variations for piano on "God Save the King"∙WoO 79: Five variations for piano on "Rule Britannia"∙WoO 80: Thirty-two variations on an original theme in C minor (1806)1.3.3 Bagatelles∙Opus 33: Seven Bagatelles (1802)∙Opus 119: Eleven new Bagatelles (1822)∙Opus 126: Six Bagatelles (1823)∙WoO 52: Presto (Bagatelle) for piano in C minor (1795, rev. 1798 and 1822)[4]∙WoO 53: Allegretto (Bagatelle) for piano in C minor (1796–97)[4]∙WoO 54: Lustig-Traurig (Bagatelle) for piano in C major (1802)[4]∙WoO 56: Allegretto (Bagatelle) for piano in C major (1803, rev. 1822)[4]∙WoO 59: Poco moto (Bagatelle) in A minor, "Für Elise" (c. 1810)[4]∙WoO 60: Ziemlich lebhaft (Bagatelle) for piano in B-flat major (1818)[4]1.3.4 Other works∙Opus 39: Two Preludes through all twelve major keys for piano (1789)∙Opus 51: Two Rondos for Piano (1797)o No. 1: Rondo in C majoro No. 2: Rondo in G major∙Opus 77: Piano Fantasia in G minor (1809)∙Opus 89: Polonaise in C major (1814)∙Opus 129: Rondo à Capriccio for piano in G major ("Rage over a lost penny") (1795)1.4 Vocal music1.4.1 Opera∙Opus 72: Leonore (1805) The first version in three acts∙Opus 72: Leonore (1806) The second version in two acts∙Opus 72: Fidelio (1814) The final version in two acts1.4.2 Choral∙Opus 80: Choral Fantasy for solo piano, chorus, and orchestra (1808)∙Opus 85: Christus am Ölberge (Christ on the Mount of Olives) – oratorio (1803)∙Opus 86: Mass in C major (1807)∙Opus 112: Meeresstille und glückliche Fahrt (Calm Sea and Prosperous V oyage), for chorus and orchestra (1815)∙Opus 123: Missa Solemnis in D major (1822)1.4.3 Song∙Opus 46: "Adelaide" – song (1794–1795)∙Opus 48: "Gellert Songs" – song set (1802)∙Opus 98: An die ferne Geliebte– song cycle (1816)∙Opus 108: Twenty-five Scottish Songs1.4.4 Music for Wind Band∙WoO 18: March No. 1 in F major for Military Band (1808)∙WoO 19: March No. 2 in F major for Military Band (1808)2. List of works by number2.1 Works with opus numbers∙Opus 1: Three Piano Trios (1795)o No. 1: Piano Trio No. 1 in E-flat majoro No. 2: Piano Trio No. 2 in G majoro No. 3: Piano Trio No. 3 in C minor∙Opus 2: Three Piano Sonatas (1796)o No. 1: Piano Sonata No. 1 in F minoro No. 2: Piano Sonata No. 2 in A majoro No. 3: Piano Sonata No. 3 in C major.∙Opus 3: String Trio No. 1 in E-flat major (1794)∙Opus 4: String Quintet (Reworking of Wind Octet (Op. 103), 1795)∙Opus 5: Two Cello Sonatas (1796)o No. 1: Cello Sonata No. 1 in F majoro No. 2: Cello Sonata No. 2 in G minor.∙Opus 6: Sonata for Piano, Four Hands in D major (1797)∙Opus 7: Piano Sonata No. 4 in E-flat major (1797)∙Opus 8: String Trio No. 2 (Serenade) in D major (1797)∙Opus 9: Three String Trios (1798)o No. 1: String Trio No. 3 in G majoro No. 2: String Trio No. 4 in D majoro No. 3: String Trio No. 5 in C minor.∙Opus 10: Three Piano Sonatas (1798)o No. 1: Piano Sonata No. 5 in C minoro No. 2: Piano Sonata No. 6 in F majoro No. 3: Piano Sonata No. 7 in D major∙Opus 11: Piano Trio No. 4 in B-flat major ("Gassenhauer") (1797) (*for clarinet (or violin), cello (sometimes bassoon), and piano) ∙Opus 12: Three Violin Sonatas (1798)o No. 1: Violin Sonata No. 1 in D majoro No. 2: Violin Sonata No. 2 in A majoro No. 3: Violin Sonata No. 3 in E-flat major∙Opus 13: Piano Sonata No. 8 in C minor ("Pathetique") (1799)∙Opus 14: Two Piano Sonatas (1799)o No. 1: Piano Sonata No. 9 in E major (Arranged for String Quartet by the composer in F Major (H 34) in 1801).o No. 2: Piano Sonata No. 10 in G major.∙Opus 15: Piano Concerto No. 1 in C major.∙Opus 16: Quintet for Piano and Winds (1796) (later arranged for piano quartet)∙Opus 17: Horn Sonata in F major (1800)∙Opus 18: Six String Quartets (1800)o No. 1: String Quartet No. 1 in F majoro No. 2: String Quartet No. 2 in G majoro No. 3: String Quartet No. 3 in D majoro No. 4: String Quartet No. 4 in C minoro No. 5: String Quartet No. 5 in A majoro No. 6: String Quartet No. 6 in B-flat major∙Opus 19: Piano Concerto No. 2 in B-flat major (1795)∙Opus 20: Septet in E-flat major (1799)∙Opus 21: Symphony No. 1 in C major (1800)∙Opus 22: Piano Sonata No. 11 in B-flat major (1800)∙Opus 23: Violin Sonata No. 4 in A minor (1801)∙Opus 24: Violin Sonata No. 5 in F major, "Spring" (1801)∙Opus 25: Serenade for Flute, Violin and Viola in D major (1801)∙Opus 26: Piano Sonata No. 12 in A-flat major (1801)∙Opus 27: Two Piano Sonatas (1801)o No. 1: Piano Sonata No. 13 in E-flat majoro No. 2: Piano Sonata No. 14 in C-sharp minor ("Moonlight")∙Opus 28: Piano Sonata No. 15 in D major (1801)∙Opus 29: String Quintet in C major (1801)∙Opus 30: Three Violin Sonatas (1803)o No. 1: Violin Sonata No. 6 in A majoro No. 2: Violin Sonata No. 7 in C minoro No. 3: Violin Sonata No. 8 in G major∙Opus 31: Three Piano Sonatas (1802)o No. 1: Piano Sonata No. 16 in G majoro No. 2: Piano Sonata No. 17 in D minor ("Tempest")o No. 3: Piano Sonata No. 18 in E-flat major ("Hunt")∙Opus 32: Song - An die Hoffnung (1805)∙Opus 33: Seven Bagatelles for piano (1802)∙Opus 34: Six variations on an original theme for piano in F major (1802)∙Opus 35: Fifteen variations and a fugue for piano on an original theme in E-flat major ("Eroica Variations") (1802) ∙Opus 36: Symphony No. 2 in D major (1803)∙Opus 37: Piano Concerto No. 3 in C minor (1803)∙Opus 38: Piano Trio in E-flat major (Arrangement of the Septet, Opus 20) (1803)∙Opus 39: Two Preludes through all twelve major keys for piano (1789)∙Opus 40: Romance for Violin and Orchestra No. 1 in G major (1802)∙Opus 41: Serenade for Piano and Flute or Violin in D major (1803)∙Opus 42: Notturno for Viola and Piano in D major (1803)∙Opus 43: The Creatures of Prometheus, overture and ballet music (1801)∙Opus 44: Piano Trio No. 10 (Variations on an original theme in E-flat major) (1792)∙Opus 45: Three Marches for Piano, 4 hands (1803)∙Opus 46: Song – Adelaide (1795)∙Opus 47: Violin Sonata No. 9 in A major ("Kreutzer") (1802)∙Opus 48: Six Songs (1802)o No. 1: "Bitten"o No. 2: "Die Liebe des Nächsten"o No. 3: "Vom Tode"o No. 4: "Die Ehre Gottes aus der Natur"o No. 5: "Gottes Macht und V orsehung"o No. 6: "Bußlied"∙Opus 49: Two Piano Sonatas (1792)o No. 1: Piano Sonata No. 19 in G minoro No. 2: Piano Sonata No. 20 in G major.∙Opus 50: Romance for Violin and Orchestra No. 2 in F major (1798)∙Opus 51: Two Rondos for Piano (1797)o No. 1: Rondo in C majoro No. 2: Rondo in G major∙Opus 52: Eight Songs (1804–1805)o No. 1: "Urians Reise um die Welt"o No. 2: "Feuerfab"o No. 3: "Das Liedchen von der Ruhe"o No. 4: "Maigesang"o No. 5: "Mollys Abschied"o No. 6: "Die Liebe"o No. 7: "Marmotte"o No. 8: "Das Blümchen Wunderhold"∙Opus 53: Piano Sonata No. 21 in C major ("Waldstein") (1803)∙Opus 54: Piano Sonata No. 22 in F major (1804)∙Opus 55: Symphony No. 3 in E-flat major ("Eroica") (1805)∙Opus 56: Triple Concerto for violin, cello, and piano in C major (1804–1805)∙Opus 57: Piano Sonata No. 23 in F minor ("Appassionata") (1805–1806)∙Opus 58: Piano Concerto No. 4 in G major (1805–1806)∙Opus 59: Three String Quartets ("Rasumovsky") (1806)o No. 1: String Quartet No. 7 in F majoro No. 2: String Quartet No. 8 in E minoro No. 3: String Quartet No. 9 in C major,∙Opus 60: Symphony No. 4 in B-flat major (1806)∙Opus 61: Violin Concerto in D major (1806)∙Opus 61a: Piano Transcription of Violin Concerto Opus 61∙Opus 62: Coriolan Overture (1807)∙Opus 63: Arrangement of String Quintet (Opus 4) for Piano Trio (1806)∙Opus 64: Arrangement of String Trio (Opus 3) for Piano and Cello (1807)∙Opus 65: Aria: "Ah perfido!" (1796)∙Opus 66: 12 Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) ∙Opus 67: Symphony No. 5 in C minor (1807–1808)∙Opus 68: Symphony No. 6 in F major ("Pastoral") (1807–1808)∙Opus 69: Cello Sonata No. 3 in A major (1808)∙Opus 70: Two Piano Trios (1808)o No. 1: Piano Trio No. 5 in D major ("Ghost")o No. 2: Piano Trio No. 6 in E-flat major∙Opus 71: Wind sextet in E-flat (1796)∙Opus 72: Fidelio, opera (c. 1803–05; Fidelio Overture composed 1814)∙Opus 72a: Leonore (earlier version of Fidelio, with Leonore Overture No. 2) (1805)∙Opus 72b: Leonore (earlier version of Fidelio, with Leonore Overture No. 3) (1806)∙Opus 73: Piano Concerto No. 5 in E-flat major ("Emperor") (1809)∙Opus 74: String Quartet No. 10 in E-flat major ("Harp") (1809)∙Opus 75: Six Songs (1809)o No. 1: "Mignon"o No. 2: "Neue Liebe neues Leben"o No. 3: "Es war einmal ein König" from Goethe's Fausto No. 4: "Gretels Warnung"o No. 5: "An die fernen Geliebten"o No. 6: "Der Zufriedene"∙Opus 76: Six variations on an original theme for piano in D major (1809)∙Opus 77: Piano Fantasia in G minor (1809)∙Opus 78: Piano Sonata No. 24 in F-sharp major (1809)∙Opus 79: Piano Sonata No. 25 in G major (1809)∙Opus 80: "Choral Fantasy" (Fantasia in C minor for piano, chorus, and orchestra) (1808)∙Opus 81a: Piano Sonata No. 26 in E-flat major ("Les Adieux") (1809)∙Opus 81b: Sextet in E-flat major (1795)∙Opus 82: Four Ariettas and a Duet (1809)o No. 1: "Dimmi, ben mio, che m'ami"o No. 2: "T'intendo si, mio cor"o No. 3: "L'amante impaziente" (first version)o No. 4: "L'amante impatiente" (second version)o No. 5: Duet: "Odi 'laura che dolce sospira"∙Opus 83: Three Songs (1810)o No. 1: "Wonne der Wehmut"o No. 2: "Sehnsucht"o No. 3: "Mit einem gemalten Band"∙Opus 84: Egmont, overture and incidental music (1810)∙Opus 85: Oratorio: Christus am Ölberge (Christ on the Mount of Olives) (1803)∙Opus 86: Mass in C major (1807)∙Opus 87: Trio for two Oboes and English Horn in C major (1795)∙Opus 88: Song: "Das Gluck der Freundschaft" (1803)∙Opus 89: Polonaise in C major (1814)∙Opus 90: Piano Sonata No. 27 in E minor (1814)∙Opus 91: Wellington's Victory ("Battle Symphony") (1813)∙Opus 92: Symphony No. 7 in A major (1811)∙Opus 93: Symphony No. 8 in F major (1812)∙Opus 94: Song: "An die Hoffnung" (1814)∙Opus 95: String Quartet No. 11 in F minor ("Serioso") (1810)∙Opus 96: Violin Sonata No. 10 in G major (1812)∙Opus 97: Piano Trio No. 7 in B-flat major ("Archduke") (1811)∙Opus 98: An die ferne Geliebte, song cycle (1816)∙Opus 99: Song: "Der Mann von Wort" (1816)∙Opus 100: Song: "Merkenstein" (1814)∙Opus 101: Piano Sonata No. 28 in A major (1816)∙Opus 102: Two Cello Sonatas (1815)o No. 1: Cello Sonata No. 4 in C majoro No. 2: Cello Sonata No. 5 in D major.∙Opus 103: Wind octet in E-flat (1792)∙Opus 104: String Quintet (arrangement of Piano Trio No. 3, 1817)∙Opus 105: Six sets of variations for Piano and Flute (1819)∙Opus 106: Piano Sonata No. 29 in B-flat major ("Hammerklavier") (1818)∙Opus 107: Ten sets of variations for Piano and Flute (1820)∙Opus 108: Twenty-Five Scottish Songs (1818)∙Opus 109: Piano Sonata No. 30 in E major (1822)∙Opus 110: Piano Sonata No. 31 in A-flat major (1822).∙Opus 111: Piano Sonata No. 32 in C minor (1822)∙Opus 112: Meeresstille und glückliche Fahrt (Calm Sea and Prosperous V oyage), for chorus and orchestra (1815)∙Opus 113: Die Ruinen von Athen (The ruins of Athens), overture and incidental music (1811)∙Opus 114: Die Ruinen von Athen (The ruins of Athens), March and Chorus (1822).∙Opus 115: Zur Namensfeier (Feastday), overture (1815)∙Opus 116: "Tremate, empi tremate", vocal trio with orchestra (1802)∙Opus 117: König Stephan (King Stephen), overture and incidental music (1811)∙Opus 118: "Elegischer Gesang" for four voices and string quartet (1814)∙Opus 119: Eleven new Bagatelles for piano (1822)∙Opus 120: Thirty-three variations on a waltz by Diabelli for piano in C major ("Diabelli Variations") (1823)∙Opus 121: Piano Trio No. 11 (V ariations on "Ich bin der Schneider Kakadu") (1803)∙Opus 121b: "Opferlied" for soprano, chorus and orchestra (1822)∙Opus 122: "Bundeslied" for voices, chorus and wind instruments (1824)∙Opus 123: Missa Solemnis in D Major (1823)∙Opus 124: Die Weihe des Hauses (Consecration of the House), overture (1822)∙Opus 125: Symphony No. 9 in D minor ("Choral") (1824)∙Opus 126: Six Bagatelles for piano (1824)∙Opus 127: String Quartet No. 12 in E-flat major (1825)∙Opus 128: Song: "Der Kuss" (1822)∙Opus 129: Rondo à Capriccio for piano in G major ("Rage over a lost penny") (1795)∙Opus 130: String Quartet No. 13 in B-flat major (1825)∙Opus 131: String Quartet No. 14 in C-sharp minor (1826)∙Opus 132: String Quartet No. 15 in A minor (1825)∙Opus 133: Große Fuge in B-flat major for string quartet (originally finale of Opus 130) (1826)∙Opus 134: Piano arrangement (4 hands) of the Große Fuge, Opus 133 (1826)∙Opus 135: String Quartet No. 16 in F major (1826)∙Opus 136: Cantata: Der glorreiche Augenblick (1814)∙Opus 137: Fugue for String Quintet in D major (1817)∙Opus 138: Leonore, opera (earlier version of Fidelio, with Leonore Overture No. 1) (1807)2.2 Works without opus numbers2.2.1 Works with WoO numbersThe numbers and categories used below are from the Kinsky catalog of 1955. WoO is an abbreviation of "Werke ohne Opuszahl", German for "Works without Opus number".2.2.1.1 Instrumental works: WoO 1–86Orchestral worksOrchestra alone∙WoO 1: Musik zu einem Ritterballett (Music for a ballet on horseback) – eight movements∙WoO 2a: Triumphal March for orchestra for Christoph Kuffner's tragedy Tarpeja∙WoO 2b: Prelude to Act II of Tarpeja∙WoO 3: "Gratulations-Menuett", minuet for orchestraConcertante∙WoO 4: Piano Concerto in E-flat major (solo part only with indications of orchestration), occasionally referred to as Beethoven's Piano Concerto No. 0 ∙WoO 5: Violin Concerto movement in C major, fragment∙WoO 6: Rondo in B-flat major for piano and orchestra, fragment, possibly part of initial version of the Piano Concerto No. 2Dances∙WoO 7: Twelve minuets for orchestra∙WoO 8: Twelve German Dances for orchestra (later arranged for piano)∙WoO 9: Six minuets for two violins and cello∙WoO 10: Six minuets for orchestra (original version lost, only an arrangement for piano is extant)∙WoO 11: Seven Ländler for two violins and cello (original version lost, only an arrangement for piano is extant)。