Toric varieties whose canonical divisors are divisible by their dimensions

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法国文化英语作文

法国文化英语作文

French culture is a rich tapestry woven with the threads of history,art,and tradition. It is a culture that has significantly influenced the world in various ways,from the fields of literature and philosophy to fashion and cuisine.Here,we will explore some of the key aspects of French culture that make it so unique and captivating.Historical SignificanceThe history of France is marked by significant events that have shaped its culture.From the Roman Empire to the French Revolution,each era has left its imprint.The Middle Ages saw the rise of Gothic architecture,which is evident in the NotreDame Cathedral in Paris.The Renaissance brought about a cultural rebirth,with French artists like Leonardo da Vinci contributing to the artistic landscape.The Enlightenment period was a time of intellectual and philosophical development,with French thinkers like Voltaire and Rousseau influencing the worlds understanding of human rights and governance. Language and LiteratureThe French language is known for its elegance and precision.It has been a language of diplomacy and international relations for centuries.French literature is equally rich,with authors like Victor Hugo,Marcel Proust,and Albert Camus contributing to the global literary canon.The works of these authors are not just a source of entertainment but also a reflection of French society and its values.Art and ArchitectureFrance is home to some of the worlds most renowned art and architectural masterpieces. The Louvre Museum in Paris houses an extensive collection of art,including the famous Mona Lisa by Leonardo da Vinci.The Palace of Versailles is a testament to the grandeur of French royal architecture,with its opulent interiors and sprawling gardens.French Impressionist painters,such as Claude Monet and PierreAuguste Renoir,have also left a lasting impact on the art world with their innovative use of light and color.CuisineFrench cuisine is celebrated worldwide for its diversity and sophistication.It is characterized by its emphasis on quality ingredients,expert preparation,and presentation. From the classic Coq au Vin to the delicate Macarons,French dishes are a culinary adventure.The country is also renowned for its wines,with regions like Bordeaux and Burgundy producing some of the finest wines in the world.FashionParis is often referred to as the fashion capital of the world.French fashion is synonymous with elegance and style.Designers like Coco Chanel and Christian Dior have set trends that have influenced fashion globally.The annual Paris Fashion Week is a major event where the latest in fashion is showcased,attracting fashion enthusiasts from around the globe.Traditions and FestivalsFrance is known for its vibrant festivals and traditions.The Cannes Film Festival is one of the most prestigious film festivals in the world,attracting filmmakers and celebrities. The Tour de France is a worldrenowned cycling race that traverses the country, showcasing its diverse landscapes.The Bastille Day celebrations on July14th are a time of national pride,with parades and fireworks marking the anniversary of the storming of the Bastille.Philosophical InfluenceFrench philosophy has had a profound impact on Western thought.Thinkers like JeanPaul Sartre and Simone de Beauvoir have contributed to existentialism and feminist theory.Their works continue to be studied and debated,reflecting the ongoing relevance of French philosophical thought.In conclusion,French culture is a complex and multifaceted entity that has left an indelible mark on the world.Its contributions to art,literature,cuisine,fashion,and philosophy are a testament to the countrys rich cultural heritage and its enduring influence on global culture.。

中外物品对比英语作文

中外物品对比英语作文

中外物品对比英语作文"A Comparison of Chinese and Foreign Items"In today's globalized world, there are numerous items from different countries that we encounter every day. Chinese and foreign products both have their unique features and charm.Take food as an example. Chinese cuisine is renowned for its rich variety and delicate flavors. From spicy Sichuan dishes to the delicate dim sum, it offers a culinary experience like no other. Foreign cuisines, such as Italian pizza and French pastries, also have their own allure, bringing different taste sensations.When it comes to technology, both Chinese and foreign advancements play significant roles. Chinese electronics and high-tech products have made remarkable progress in recent years, competing strongly on the global stage. At the same time, foreign technologies often bring innovative ideas and solutions.In the field of handicrafts, Chinese traditional handicrafts,like intricate silk embroideries and beautiful porcelain, showcase the essence of ancient artistry. Foreign handicrafts, like Swiss watches and Turkish rugs, also represent the excellence of their respective cultures.In conclusion, both Chinese and foreign items have their own strengths and contribute to the diverse and vibrant global marketplace. We can appreciate and benefit from the best that different countries have to offer.。

2023年高考英语新时政热点阅读 17 英女王谢幕(含解析)

2023年高考英语新时政热点阅读 17 英女王谢幕(含解析)

2023年高考英语新热点时文阅读-英女王谢幕01(2022·四川·一模)On September 8th, 2022, Queen Elizabeth II, Britain’s longest-reigning monarch in history, died aged 96. Buckingham Palace announced her death on Thursday, Her son, Prince Charles, has now become Britain’s new king.“The Queen died peacefully at Balmoral this afternoon,” Buckingham Palace said in a statement. “The King and The Queen Consort will remain at Balmoral this evening and will return to London tomorrow,” it added.“The death of my beloved Mother, Her Majesty The Queen, is a moment of the greatest sadness for me and all members of my family,” King Charles said in a statement, “We mourn profoundly the passing of a cherished Sovereign and a much-loved Mother. I know her loss will be deeply felt throughout the country, the Realms and the Commonwealth, and by countless people around the world.”“Queen Elizabeth II was the rock on which modern Britain was built,” Britain’s Prime Minister Liz Truss said in a statement.Earlier in the day, Buckingham Palace said the monarch was under medical supervision due to doctors’ concerns over her health. The royal family members soon rushed to Scotland to be at her side following the announcement.In the evening, royal staff hung obituaries(讣告)on railings in front of Buckingham Palace. Crowds braved the rain to pay their respects and many laid flowers outside Windsor Castle.Queen Elizabeth II has significantly reduced her public engagements since the death of her husband Prince Philip in April last year, and canceled or postponed many official engagements after being hospitalized in October last year. She was diagnosed with the coronavirus in February.Born on April 21, 1926, Elizabeth II was announced Queen after the death of her father, King George VI, on Feb. 6, 1952. She was formally crowned(加冕)the monarch of the United Kingdom on June 2, 1953. 1.How long was Elizabeth queen of Britain?A.70 years.B.96 years.C.69 years.D.68 years.2.What does Liz Truss think of Queen Elizabeth?A.She is the greatest queen in the history of Britain.B.She is a beloved mother.C.She plays an important role in the modern history of Britain.D.She is a popular queen respected by her people.3.Why did Queen Elizabeth appear in public less frequently?A.Because her husband died and her health was in bad condition.B.Because she got tired of fame and wealth.C.Because she wished a quieter life when she was old.D.Because she would like Prince Charles to appear in public more.4.Which of the following can be the best title for the text?A.Farewell to Queen Elizabeth IIB.Queen Elizabeth II: a Beloved MotherC.The Wonderful Life of Queen Elizabeth IID.A Highly Honored Queen02(2022·北京·首都师范大学附属密云中学高三阶段练习)Queen Elizabeth II, who ascended the British throne at 25, has passed away at the age of 96.On Sept. 8, the official Twitter account belonging to the royal family confirmed the news, writing, “The Queen died peacefully at Balmoral this afternoon.”The news comes hours after Buckingham Palace issued a statement on Sept. 8, sharing that doctors were “concerned” with the Queen’s health and recommended she “remain under medical supervision.”While Her Majesty stayed busy with a variety of royal engagements even in the final years of her life, some royal watchers grew concerned about her heath after the Queen started using a cane and was briefly hospitalized in October 2021 for an undisclosed ailment.In February, the fears grew stronger after she tested positive for COVID-19, just weeks after she celebrated 70 years on the British throne to become the longest-reigning monarch in British history. However, the Queen would make a rare appearance a little over three months later in May at the Royal Windsor Horse Show.But after the first day of her Platinum Jubilee celebrations in June, the Palace shared at the time that she experienced “some discomfort,” leading her to miss the National Service of Thanksgiving at St. Paul’s Cathedral on June 3.Back in 1952, Elizabeth became queen upon the death of her father, King George VI. In 2015, she surpassed the previous longest-reigning British monarch, her great-great-grandmother Queen Victoria, and also became the longest-serving female head of state in world history.Her extraordinary reign included countless overseas visits with world leaders, but the Queen always viewed public and voluntary service as one of the most important elements of her work.According to the Palace, Elizabeth had links — as President or Royal Patron — with over 600 charities, military associations, professional bodies and public service organizations.“I declare before you all that my whole life whether it be long or short shall be devoted to your service,” Elizabeth shared on her 21st birthday, back when she was still known as Princess Elizabeth.Elizabeth was married to the late Prince Philip for 73 years before he passed away in April 2021 at the age of 99.At the Duke of Edinburgh’s funeral, a card was seen atop of the late royal’s coffin. The note, written on the Queen’s stationery and placed alongside flowers, appeared to read in part, “I love you”.The Queen carried out all of her duties while raising four children: Prince Charles, Princess Anne, Prince Andrew and Prince Edward. During her incredible life, she would also welcome eight grandchildren, and 12 great-grandchildren to the Royal Family.At the time of Philip’s passing, Prince Harry reflected on his grandparents’ incredible love story.“The two of them together were just the most adorable couple,” he shared. “I don’t know if anyone’s ever described them as adorable but, to me, knowing the cheekiness of him and knowing that behind what the world sees you have two individuals who were very much in love, and both at a very young age, dedicated both of their lives to service. The places these two travelled, the things they saw, the experiences they went through. That is an incredible bond between two people.”5.What is the best title of this article?A.The love story between Queen Elizabeth II and Prince PhilipB.The Queen’s legacy would live onC.Long live the QueenD.Queen Elizabeth II passed away at the age of 96.6.Which the follow statement is NOT TRUE?A.The Queen has become the longest reigning monarch in British history.B.The Queen was forced to miss several events in the final stage of her life due to some health issues. C.The Queen reigns longer than her great-great-grandmother Queen Victoria and even longer than any other leader in the world.D.The Queen is always dedicated to public and voluntary service, even at the end of her days.7.What can be implied from the last paragraph?A.The Queen and her husband both dedicated their lives to service.B.The Queen and her husband forms a special bond and shared a lot of common experiences.C.The Queen and her husband’s love story has become an exemplar for the whole royal family.D.The only person who understands Prince Philip is the Queen.03(2022·上海市松江二中高三阶段练习)She has become the world’s longest-reigning monarch(在位时间最长的君主), following the death of Thailand’s King Bhumibol Adulyadej on Oct 13.Now a new TV series called The Crown, which started to air on Nov 4 in the US, is looking back at the time when Queen Elizabeth Ⅱ of the UK prepared to take the throne(王位)at a 25-year-old. She would face a series of challenges after she was crowned(加冕)following the unexpected death of her father, George VI, in 1952.Ever since she took the throne, the queen has seen her country change dramatically. Yet she has remained a constant presence in British lives. How can a queen, a memory from long ago in most parts of the world, still be so popular in modern Britain.One answer is that the royal(王室的)family knows how to move with the times. Once upon a time, kings, queens, princes and princesses were distant from everyone. Today, while they still have some of the old mystery, the royals are true celebrities(名人)like famous sports and pop stars. Indeed, they are upper-classcelebrities. There are hundreds of Hollywood actors, but there is only one queen of the UK.Because they are seen so much—in magazines, on TV and on the internet—the royals must now be careful. It is not enough to be famous; one must “deserve” this fame. That’s why the new, younger generations of royals are so important to the royals’ chances of surviving. Duchess of Cambridge Kate Middleton’s commitment to many good causes has also given the royal family an image it highly needs.In addition, old-fashioned British eccentricity(古怪)explains why the royals have stayed for so song. “The British monarchy is valued because it is the British monarchy,” the BBC noted. “We are an old and complicated society.”8.What can we learn about Queen Elizabeth Ⅱ from the two paragraphs?A.She was 25 years old when she became queen in 1952.B.She was doomed to(注定)take the throne from birth.C.The TV series The Crown is about Queen Elizabeth Ⅱ’s whole life.D.She is the oldest monarch in the world after Bhumibol Adulyadej.9.What should new generatic of British royals probably do in order to stay popular, according to the author? A.Try to become as famous as possible.B.Shoot some films about the royal family.C.Keep their distance from common people.D.Devote themselves to good causes.10.The author mentions the BBC’s a comment to show that _______.A.the UK is a strange nationB.the British value their old traditions a lotC.British society is too complex to understandD.the British monarchy is unique in the world11.The main purpose of the article is to ______.A.describe the details of the TV series The Crown to readersB.describe the daily routines of British royalsC.explore the secrets of the popularity of the British monarchyD.explain the differences between the old and new generations of British royals04(2022·重庆一中高三阶段练习)阅读下面材料,在空白处填入适当的内容或括号内单词的正确形式。

特级初榨橄榄油 Extra virgin Olive Oil

特级初榨橄榄油 Extra virgin Olive Oil

Florence, May 2001Extra Virgin Olive Oil: techniques and technology for a product of high qualityAlfa Laval SpAOlive oil ItalyDr Lamberto BaccioniNine calories per gramThis is the caloric contribution both of oils and fats: seeds oil, butter, olive oil, animal and vegetable fats.So, what distinguishes extra virgin olive oil from the other alimentary fats, for centuries so precious, both as food and as symbol of culture and rich source for the peoples of the Mediterranean coasts? Olive oil classificationThe oil extracted from the olives using a mechanical process (pressure or centrifugation) is classified using a chemical and organoleptic analysis:- extra virgin- virgin- lampante (in the past used for oil lamps)The lampante oil that is not fit for direct consumption is refined and after its mixing with virgin oil is reintroduced on the market under the commercial name of ”olive oil”.From the olive processing, after the mechanical extraction, the by-product is named olive husk (olive pulp with 3-5% of residual oil) from which the residual oil can be extracted with a solvent, such as esano.The extracted oil is refined and mixed with olive oil, to be marketed as “olive husk and olive oil”. While “olive oil” and “olive husk and olive oil” are used in industrial preparations and for culinary uses, especially for frying, the extra virgin olive oil is in particular used to be consumed directly, uncooked.So it is evident that the organoleptic features play an important role.Organoleptic featuresThe fruity smell, the tomato or artichoke taste, the typical bitterness of the oil produced with already partially green fresh olives, the spiciness of some varieties, like Frantoio: all these aspects satisfy the quality demands of the most exigent consumers.In these taste the consumer compares profiles with the organoleptic models they have in mind.The organoleptic profile is completed from the nutritional value of the extra virgin olive oil due to the minor components, such as the antioxidants, vitamins, the fatty acids and the absence of cholesterol. The affirmation of the Mediterranean Diet, as a correct model of alimentation, proves the final success of the extra virgin olive oil as the best condiment.Production and consumption of olive oil90% of olive oil is produced and consumed in the Mediterranean countries.The larger producer is Spain, with 650,000 - 950,000 tons/year, Italy is at the 2nd place with 500,000 - 600,000 tons/year and 3rd is Greece, with 350,000 - 450,000 tons/year.Italy is, however, at the first place both for the consumption, with 500,000 - 600,000 tons per year, and for the exportation, with around 150,000 - 200,000 tons per year.Italian production is not, however, sufficient for our needs, with around 150,000 - 200,000 tons per year of disparity.Recently the consumption trend is positive for extra virgin olive oil, while the olive oil consumption is decreasing, symptom of the consumers’ evolution towards better quality products under the organoleptic and nutritional point of view.The evolution was surprising in certain non producing countries, in particular in the USA, where in 14 years the consumption has grown from 20,000 to 160,000 tons per annum, and in Japan with more than 60,000 ton per year of extra virgin olive oil consumedThe production is evolving too, not only in quantity but also in quality.New producing countries such as Australia, Argentina, Mexico, California, have appeared.Other countries, even though traditional producers, have always had a limited role.They have been involved in a quantitative development process, but, moreover, a qualitative one, obtaining surprising results.Amongst these: Tunisia, Turkey, Syria and Morocco in the front line, and together they represent productive dimensions similar to those of Italy.The antique tradition, the climatic variability, and the numerous varieties&cultivars are the causes of the huge difference in the oils characteristics on the market.Huge commercialisation Companies, which drive the international market, with an affirmed competence, select and mix different oils from different countries to give consumers a satisfying product and reproduce the organoleptic model so much familiar and appreciated.Quality oil: IGP and DOPToday, as it has happened for the wine in the last 20 years, thanks to the producers’ direct presence, on the end-consumers market, with the qualified finished product, as oils of a protected origin (D.O.P.) and of a protected geographic indication (I.G.P), it is possible for the consumers to choose high quality extra-virgin olive oil, organoleptically different, according to the area of production. How to educate the consumers to choose extra virgin oil ?Probably quite soon, oil list, like wine list, will appear on restaurants’ tables.At least a small selection of oils, in their bottles with their labels, so that everyone can choose the oil accordingly to the dish and organoleptic difference: delicate oils with a soft almond taste, like the typical ligurian oil from “Taggiasca” olives, for fish; or bitter oils, fruity, with a typical spice of the Tucson olive oil, for vegetable soup; or otherwise tomato scented oil, delicately bitter, from western Sicily, from the “Nocellara del Belice “ variety, used on uncooked vegetables.The technology of oil extractionFor good quality production, the olives must be hands picked from the plant, otherwise with shakers and nets to avoid contact with the soil.From the nets, olives are transferred in plastic containers having a capacity from 30 to 300 Kg.The containers are then transported within 1 or 2 days to the oil mill, where, within 24 hours, the olives must be processed.The necessary ambient for the olives’ conservation, before the processing, is a fresh and aired place, to avoid the fermentation that causes overheating of the oil.The technology must help the Miller to respect and emphasise the nutritional and organoleptic characteristics of extra virgin olive oil.Until 40 years ago, for more than 5000 years, the oil extraction from olives was done pressing the paste obtained with stone mills.Nowadays, 70% of oil is produced thanks to modern machinery that has been by Alfa Laval introduced in 1962.In the modern process the working condition are controlled by the operator, especially the holding times and temperatures during the malaxing step.Very important are the hygienic conditions: every part, which is in contact with the product, is in stainless steel and is washable.This help to avoid taste alterations, typical of the pressing machines and caused by olive paste’s residual products’ fermentation, especially in the mixing mill and in the “fiscoli” (fibre disks on which the paste is stratified for pressing).The centrifugal machinery made a remarkable improvement on working conditions and, having a large capacity, help the reduction of working times economically.This allows the olives to be processed in their optimal maturation period (which lasts 30 - 45 days). At present the average capacity of the oil plant is growing in every country even if in different ways from place to place.In Spain the average size of a typical line is 100 – 150 tons of olives per day and many of the oil mills have more than one line.In Italy the average size of a typical line is 40 – 60 ton per day and the majority of the oil mills have only one line.The Oil MillsIn Italy, where there are around 6000 oil mills which process 2,5 million tons of olives, the oil mills’ average yearly output oscillates from 1000 tons for the 1200 oil mills of Puglia (40-45% of Italy’s potential ), to 400 tons for the 300 Tuscany’s oil mills ( 6% of the Italian production ).The average production of a typical working line is around 2000-2500 kg of olives per hour. Usually, in Italy, oil producers work olives on behalf of producers, that is the batch processing. Olive producers pay the oil mill’s owner according to the quantity of treated olives and the price is around 75 – 100 EUR per ton of olives.In Spain, instead, there are around 3000 oil mills that process, on average, 4 - 5 million tons of olives per year.Obviously the Spanish oil mills have a larger output than the Italian ones (4 times) with lower production cost for olives’ producers (farmers).Often the machinery has several production lines with a single capacity of over 5000 kg of olives per hour.In Spain the olives are industrially processed: they are brought to the oil mills and after the heap they are processed without being subdivided.Such a system restrains prices and supports the large-scale production of oil of a homogeneous quality, which effectively answers the bottling and marketing demands of largest trade companies.A typical example is Andalusia, where is produced around 60% of Spanish oil, mainly with the Picual variety, with a characteristic eucalyptus taste and with the Hojie Blanca or Arbechina.The extraction machineryThe extraction process is divided in different steps.Each relies on specific machines which, lined up, give a continuous and efficient process.The first step is represented by the defoliation and washing with water.The aim of this stage is to remove the stones, earth and leaves.The rinsed olives, washed with clean water on the washing machine, are fed with screw elevator in a mechanical crasher.The second step is the crushing of olives.To consent the best performance, according to the olives’ characteristics, Alfa Laval gives as an alternative to the stone mill, still used, four different types of crashers: toothed disk, hammer, roller and cone.Each one has different characteristics and has merits and weaknesses that each oil producer has to evaluate to make the right choice according to what he wishes to obtain.In summary, we can classify the different crashers:1. Stone millThey give a traditional image, very much appreciated in some traditional areas, even dough it gives hygienic problems.They are very large and expensive; they have a capacity of 800-1800 kg of olives per hour.They work crushing, with a limited effect of breakage on the skin, so that the oil will be colourless and bitterness.2. Roller mill with toothed finisherIt has a more energetic action than the stone mill machine; thus the result is slightly greener and bitterer oil, with a capacity of 1800 - 2200 kg of olives per hour.It takes up a less space than the stone mill machines and ensures better hygiene.3. Cone crusherIt is made up of a fixed cone and a rotating internal one (400 rpm), both toothed, and skinning each other they crush the olives, breaking pulp and stones but without damaging large parts of the skin.It gives a lightly coloured and bitterness taste.The capacity of this kind of crusher is around 1500-2000 kg of olives per hour.The breaking organs are made of a very hard material and are therefore particularly expensive.4. Toothed disk crushersThese are the exclusive Alfa Laval products aimed at satisfying the expectations of who requires big productive capacity, with an efficient extraction of colouring and bitter substances, without the problems caused by the emulsion and overheating.It is made up of a fixed disk with pegs or teeth, which meets with another disk with staggered teeth, which rolls at about 1400 rpm.Olives enter trough the centre and radially crossing the disks are crushed in minute pieces.The distance between the two disks can be regulated to obtain the desired dimensions of broken pieces of olives.5. Hammer mill crushersThey are made up of a circular cage, in which a cross turns at 2900 rpm.At the extremities of the cross there are plates made of a hard material, which crush the olives against the net itself, until the olives cross the net are reduced in paste form.The grill holes can be varied from 5 to 7 mm to have a different granulometry according to the sort of olives.This is the crusher with the maximum capacity and lowest cost.For this reason they are the most popular, especially in these areas in which the productive capacity is the most important aspect.Their limit is linked to the breaking force, which can cause emulsion and paste heating risks.In this case the direct result would be the production of bitter oils.The third step is the malaxing the paste of crushed olives.The crashed paste is picked up in one or more ( until 10 sections in parallel ) double walled ( jacket) horizontal open tank, equipped with slow mixer, where warm water circulates at 35°C, in the jacket. The total volume of the containers, called “Malaxing machine”, is calculated to give a holding time of around 40-60 minutes, so that the paste can reach at least 30°C.During this period the paste is mixed to consent the oil drops’ release.Those drops are wrapped up by lipoprotein membranes, contained in the olive cells.The minute oil drops, due to coalescence, become larger, and thanks to the centrifugal force they become separable in the decanter.Malaxing machines are made in stainless steel for hygienic reasons and the rotary reels meet, at about 5 mm distance, the walls of the malaxing machines to continuously remove the paste, guaranteeing the best distribution of temperatures, around the average value selected by the regulation system.The separation machineryOnce the paste is ready, it is fed by a mono-pump into decanter where the division of the oil from the water and olive husk takes place.A small amount of warm water is added to the olives paste (from 10 to 20% according to the olives’ weight), to improve the paste’s fluidity inside the decanter in order to obtain an efficient separation between the three stages (water-oil-olive husk), this guaranteeing the extraction result of the productive capacity.Alfa Laval has recently introduced the new VDP decanters with a steep cone with a conveyor’s differential speed control system (VS + ECB).In this new generation of decanters, whose capacities vary from 1200 kg/hr to 7000 kg/hr, thanks to the ARA regulation and the conveyors’ differential speed, the customer can obtain excellent performances with the possibility of regulation and adaptation of the performances according to the olives’ characteristics.Alfa Laval’s exclusive reduced water consumption, in the ARA system, allows the operator to control the characteristics of the oil: varying the oil/water ratio of dilution, it is possible to influence the taste of the oil and its resistance to oxidation.Reducing the amount of water one obtains oil that is richer in phenols substances and therefore more bitter and stable.The oil extracted from the decanter is sent to a vertical separator, in which the remaining water and impurities are separated to have clean oil, to be directly consumed, after a filtration by gravity on hydrophilic cotton, for dehumidification.Oil conservationThe lack of emulsified water in the oil prevents the proliferation of micro-organism, that change the taste of the oil, allowing a shelf life of 18-24 months, if it is conserved in the dark, out of contact with oxygen and at around 15-20°C.The bottles made of a dark glass and small capacities prove to be the best solution.Kept in a dark, cool ambient they allow to be consumed quickly, so that one can appreciate the smell and taste of a product that carries with it the charm of its millenary history.To enjoy fragrant oil from the oil mill, even in summer, try freezing in autumn small bottles (250 ml, not full) at – 20°C; once defrosted it lasts not for long, but what a surprising delight it is on a fresh salad!。

Unit5MusicReadingandThinkingTheVirtualChoir教案-高中英语

Unit5MusicReadingandThinkingTheVirtualChoir教案-高中英语

Unit 5 MUSICReading and Thinking: The Virtual Choir第一节文本解读一、总体解读本单元阅读文本的话题是美国音乐制作人埃里克·惠塔克(Eric Whitacre)创作的一种合唱形式——虚拟合唱团,旨在让读者不仅对其组织形式、制作方式和产生的原因等有所了解,还对这种形式给人们歌唱方式和整个世界带来的积极影响有所认识。

该文本采用了说明性文体,共四段:第一段介绍了虚拟合唱团的组织形式、制作方式,以及所产生的积极影响;第二、三两段介绍了虚拟合唱团创始人埃里克·惠塔克在音乐方面的经历,重点介绍了他于2009年创办首个虚拟合唱团“金色之光(Lux Aurumque)”的前因后果和2014年为联合国儿童基金会(UNICEF)创办的“虚拟青年合唱团(Virtual Youth Choir)”;第四段是作者对虚拟合唱团的形式和影响的感悟。

阅读策略上,学生可快速浏览文本,利用标题和图片等信息了解文本框架,把握文本大意,判断文本体裁,理解作者态度,并融入自己的思考,训练学生的批判性思维。

二、分段解读三、综合解读1.综合上述分析,我们对文本进行教学设计时,应着重考量以下三个方面。

1. 语言学习本阅读文本以“What a virtual choir brings people?”为基础任务,学习与本单元文本内容相关的话题词汇。

根据词义的不同,可以分为:与虚拟合唱团相关的词汇:virtual、together with、individual、ordinary people、studio、video camera、the Internet等。

与合唱团相关的词汇:choir、composer、conductor、classical music、musical composition、creation等;根据词形的特点,又可归纳出许多以字母“c”开头的相关话题词汇:choir、camera、connect、connection、close friends、contact with、chance、community、composer、conductor、classical music、color、composition、creation、countries等。

英语作文-意大利美术用品店推出最新调色板产品

英语作文-意大利美术用品店推出最新调色板产品

英语作文-意大利美术用品店推出最新调色板产品In a quiet corner of Milan, nestled amidst the charming streets and historic architecture, a new gem has emerged in the world of art supplies. This latest addition to the city's artistic landscape comes in the form of a quaint yet innovative art supply store specializing in the newest palette creation: the Italian Art Supplies Palette.Located just a stone's throw away from the bustling city center, this boutique store aims to revolutionize the way artists perceive and utilize color. The brainchild of a passionate team of local artists and color specialists, the Italian Art Supplies Palette promises to be a game-changer in the realm of artistic expression.Stepping into the store, one is immediately struck by the vibrant display of hues and shades meticulously arranged across the spacious shelves. From earthy ochres to vivid cobalts, every color in the palette is carefully curated to evoke the essence of Italian artistry and culture. Each pigment is sourced from the finest materials, ensuring unparalleled richness and depth in every stroke.What sets the Italian Art Supplies Palette apart from its competitors is not just the quality of its colors, but the innovative approach to palette design. Traditionally, artists have been limited by the static nature of their palettes. However, this new product introduces a customizable palette system that allows artists to arrange and rearrange colors according to their creative needs. Whether blending the perfect skin tone or capturing the subtle hues of a Mediterranean sunset, the versatility of this palette empowers artists to explore endless possibilities.Moreover, the store offers personalized consultations with experienced artists who guide customers in selecting colors that best complement their individual styles and projects. This personalized approach ensures that every artist, from seasoned professionals to enthusiastic beginners, finds inspiration and practical support in their artistic journey.Beyond its product offerings, the Italian Art Supplies Palette represents a commitment to fostering a vibrant artistic community. The store hosts regular workshops and events where artists can exchange ideas, learn new techniques, and draw inspiration from one another. These gatherings not only enrich the artistic skills of participants but also cultivate a sense of camaraderie among Milan's creative souls.In conclusion, the launch of the Italian Art Supplies Palette marks a significant milestone in the evolution of art supplies. By combining premium quality with innovative design and community engagement, this boutique store has carved out a niche in the competitive world of art supplies. As artists continue to seek new ways to express their creativity, the Italian Art Supplies Palette stands ready to inspire and empower them on their creative journeys.。

英语作文-西班牙古董店推出收藏版地中海陶瓷

英语作文-西班牙古董店推出收藏版地中海陶瓷

英语作文-西班牙古董店推出收藏版地中海陶瓷A Spanish antique shop has recently unveiled a new collection of Mediterranean ceramics, adding a touch of history and culture to its already impressive array of treasures. The collection features a stunning array of pottery, tiles, and other ceramic pieces that have been carefully curated from various regions around the Mediterranean, each with its own unique story to tell.The owner of the antique shop, Mr. Garcia, explained that the collection was inspired by his love for the rich history and vibrant artistry of the Mediterranean region. "These pieces are not just beautiful works of art, but they also represent the cultural heritage of the Mediterranean," he said. "Each piece has been carefully selected for its historical significance and artistic value, making it a truly special addition to any collection."The collection includes a wide range of ceramics, from intricate hand-painted tiles to delicate pottery dating back to the Roman and Moorish eras. Each piece is a testament to the skilled craftsmanship and artistic traditions that have been passed down through generations, reflecting the diverse influences and cultural exchanges that have shaped the Mediterranean region over the centuries.One of the highlights of the collection is a set of ancient amphorae, which were once used to store and transport goods such as olive oil and wine. These beautifully preserved amphorae offer a fascinating glimpse into the ancient trading practices and maritime history of the Mediterranean, and are sure to captivate collectors and history enthusiasts alike.In addition to the ancient artifacts, the collection also features a range of contemporary ceramics created by local artisans using traditional techniques. These modern pieces offer a fresh perspective on the rich artistic traditions of the Mediterranean, showcasing the enduring legacy of ceramic craftsmanship in the region.Mr. Garcia emphasized that the collection is not only intended for seasoned collectors, but also for anyone with an appreciation for art, history, and culture. "These ceramics are more than just decorative objects – they are a tangible link to the past, a way to connect with the people and traditions that have shaped the Mediterranean region," he said. "I hope that this collection will inspire a sense of curiosity and appreciation for the rich heritage of the Mediterranean."The unveiling of the collection has already generated significant interest among collectors and art enthusiasts, with many praising the shop for its dedication to preserving and showcasing the cultural heritage of the Mediterranean. The collection is expected to attract visitors from near and far, offering them a unique opportunity to immerse themselves in the beauty and history of the region through these exquisite ceramic treasures.In conclusion, the new collection of Mediterranean ceramics at the Spanish antique shop is a testament to the enduring legacy of artistic traditions and cultural heritage in the Mediterranean region. With its diverse range of ancient and contemporary pieces, the collection offers a captivating journey through time and artistry, inviting visitors to appreciate the beauty and history of the Mediterranean in a tangible and meaningful way. Whether you are a seasoned collector or simply an admirer of art and culture, this collection is sure to leave a lasting impression.。

颐和园物品介绍作文英文

颐和园物品介绍作文英文

颐和园物品介绍作文英文In the Summer Palace, you can find a wide variety of items for sale, from traditional Chinese handicrafts to modern souvenirs. One popular item is the traditional Chinese fan, which comes in a range of designs and colors. These fans are not only beautiful but also practical for keeping cool on a hot day.If you're looking for something to remember your visit by, consider purchasing a piece of traditional Chinese calligraphy. These artworks are often done by skilled artists and can be personalized with your name or a special message. They make for a unique and meaningful keepsake.For those interested in traditional Chinese medicine, the Summer Palace offers a selection of herbal remedies and teas. These products are made from natural ingredients and are believed to have various health benefits. Whetheryou're looking for something to soothe a sore throat or to improve your overall well-being, you're sure to findsomething that suits your needs.If you're a fan of jewelry, you'll be delighted by the selection of jade and pearl accessories available at the Summer Palace. Jade is a precious stone in Chinese culture, symbolizing beauty, grace, and purity. Meanwhile, pearls are associated with elegance and sophistication. Both make for exquisite and timeless gifts.For the little ones, there are plenty of fun and educational toys inspired by traditional Chinese culture. From colorful Chinese puzzles to cute panda plush toys, there's something for every child to enjoy. These toys are not only entertaining but also provide a great way to learn about Chinese traditions and folklore.Last but not least, don't forget to pick up a packet of traditional Chinese snacks to enjoy on your way home. From crispy sesame cookies to sweet lotus seed paste buns,there's a wide array of treats to satisfy your cravings. These snacks are not only delicious but also a great way to experience a taste of authentic Chinese cuisine.。

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a rX iv:mat h /5156v1[mat h.AG ]5Ja n25TORIC VARIETIES WHOSE CANONICAL DIVISORS ARE DIVISIBLE BY THEIR DIMENSIONS OSAMU FUJINO Abstract.We totally classify the projective toric varieties whose canonical divisors are divisible by their dimensions.In Appendix,we show that Reid’s toric Mori theory implies Mabuchi’s charac-terization of the projective space for toric varieties.1.Introduction In [HM,Section 5],Akio Hattori and Mikiya Masuda determined the structures of n -dimensional non-singular complete toric varieties whose first Chern classes are divisible by n or n +1as applications of their theory.Their results are as follows:Theorem 1.1(cf.[HM,Corollaries 5.4,5.8]).Let M be a complete non-singular toric variety of dimension n .(A)If c 1(M )is divisible by n +1,then M is isomorphic to the projective space P n as a toric variety.(B)If c 1(M )is divisible by n ,then M is isomorphic to an (n −1)-dimensional projective space bundle over P 1as a toric variety.For the more precise statements,see [HM,Corollaries 5.6,5.8].These results seem to be toric geometric analogues of Kobayashi-Ochiai’s theorems (see [KO]).In [KO],they characterized n -dimensional Fano manifolds whose first Chern classes are divisible by n or n +1.Before we state the main theorem of this paper,let us recall the fol-lowing theorem,which is a direct consequence of the main theorem of[F1].Theorem 1.2.Let X be an n -dimensional projective toric variety and B = j d j B j a Q -divisor on X ,where B j is a torus invariant prime divisor and 0≤d j ≤1for every j .Assume that K X +B is Q -Cartier,not nef,and −(K X +B )≡ND for some Cartier divisor D on X ,where N is a positive rational number.Then,[F1,Theorem 0.1]implies N ≤n +1.Furthermore,N =n +1if and only if X ≃P n ,2OSAMU FUJINOB=0,and O X(D)≃O P n(1).More generally,N>n implies that X≃P n, j d j<1,and O X(D)≃O P n(1).Obviously,Theorem1.2is much stronger than Theorem1.1(A)for projective toric varieties.Note that we do not assume that X is non-singular in Theorem1.2.Unfortunately,we need the projectivity as-sumption for our proof since it depends on the toric Mori theory.In this short paper,we try to generalize Theorem1.1(B)for projective toric varieties without any assumptions about singularities.The next theorem is the main theorem of this paper.Theorem1.3.Let X be an n-dimensional projecitve toric variety such that K X is Q-Cartier.Assume that K X≡nD for some Cartier divisor D on X.Then,we can determine the structure of X.More precisely, if X is non-singular,then X has a P n−1-bundle structure over P1.If X is singular,then X is P(1,1,2,···,2)or the toric variety constructed in Theorem3.4.For the more precise statements,see Theorems3.2 and3.4below.This paper is not self-contained.It heavily relies on my previous paper:[F1].As we said before,we need the projectivity assumption for our proof since it depends on the toric Mori theory.I do not know if our results are true or not without this assumption.In general,if X is non-projective,then the Kleiman-Mori coneTORIC VARIETIES3 2.9].We recommend the reader to see[F1,Section2]before reading this section.Proposition2.1.Let X be an n-dimensional Q-factorial toric Fano variety with Picard number one.If X≃P n and−K X·V(µl,m)≥n for every pair(l,m),then X≃P(1,1,2,···,2).Proof.It is obvious that n≥2.By the assumption,we have−K X·V(µk,n+1)=1mult(σk)≥nfor1≤k≤n.Thus(n+1)a n+1≥n+1i=1a i≥mult(σk)mult(µk,n+1)∈Z>0,we have mult(σk)=mult(µk,n+1)for every k.This implies that a k divides a n+1for all k.Claim1.a1=a2=1,a3=···=a n+1=2.Proof of Claim1.If a1=a n+1,then a1=a2=···=a n+1=1since we assumed a1≤···≤a n+1.This and−K X·V(µl,m)≥n for every (l,m)imply that X≃P n.See the proof of[F1,Proposition2.9].Thus, we have a1=a n+1.It follows from this fact that a2=a n+1since v1is primitive and i a i v i=0.In this case,−K X·V(µk,n+1)=1a n+1≤14OSAMU FUJINOall the lattice points included inn+1t i v i 0≤t i≤1 ⊂N Ri=2are vertices.Thus,mult(σ1)=1. Therefore,{v1,v2,···,v n+1}spans the lattice N≃Z n.Thus,we obtain X≃P(1,1,2,2,···,2),a weighted projective space. Remark2.2.Let X≃P(1,1,2,2,···,2).Then it is not difficult to see that V(v i)is a torus invariant Cartier divisor and K X∼−nV(v i) for3≤i≤n+1.3.Main TheoremsIn this section,we classify the structures of the Q-Gorenstein pro-jective toric varieties X with−K X≡nD.Before we go to the classi-fication,let us note the following lemma.The proof is easy.Lemma3.1(Numerical equivalence and Q-linear equivalence).Let X be a projective toric variety and D a Cartier divisor on X.Then D≡0 if and only if D∼0.Let D1and D2be Q-Cartier divisors on X.Then D1≡D2if and only if D1∼Q D2.First,we decide the structures of X under the assumption that X is Q-factorial and−K X≡nD,where n=dim X≥2.Theorem 3.2(Q-factorial case).Let X be a Q-factorial projective toric variety with dim X=n≥2.Let D be a Cartier divisor on X.If −K X≡nD,then the one of the following holds. (1)X≃P P1(O(q1)⊕O(q2)⊕···⊕O(q n))such that n i=1q i=2.In this case,O X(D)≃O P(1),where O P(1)is the tautologicalline bundle of P P1(O(q1)⊕O(q2)⊕···⊕O(q n)).Note that Xis non-singular andρ(X)=2.(2)X≃P(1,1,2,2,···,2),and D is a torus invariant prime Cartierdivisor on X,see Remark2.2.Note that X is singular andρ(X)=1.Proof.Since K X is not nef,there exists a K X-negative extremal ray R.Its length is obviously≥n.This means that−K X·C≥n for every integral curve C such that[C]∈R.So,β=0or1in the proof of the theorem in[F1](see[F1,p.558–559]).Ifβ=1,then it can be checked easily thatα=0(see[F1,p.558]).In this case,there exists a contractionϕ:X−→P1such that the generalfibers areTORIC VARIETIES 5P n −1.Therefore,F ·D n −1=1for any fiber F since ϕis flat.Thus,every fiber is reduced and isomorphic to P n −1.So,we obtain X ≃P P 1(O (q 1)⊕O (q 2)⊕···⊕O (q n )).We can assume that 0< q i ≤n without loss of generality.Since O (K X )≃ϕ∗O P 1( q i −2)(−n )and−K X ≡nD ,we have q i =2.Therefore,O X (K X )≃O P (−n ).We finish the proof when β=1.When β=0,it is obvious that α=0and ρ(X )=1.Then this case follows from Proposition 2.1. Remark 3.3.Take X =P P 1(O⊕...⊕O⊕O (2)),which is a special case of (1)in Theorem 3.2.Then,the Picard number ρ(X )=2.So,NE (X )has two rays.One ray R corresponds to the P n −1-bundle structure X −→P 1.Another ray Q corresponds to the contraction ϕ:=ϕQ :X −→P (1,1,2,...,2).We note that K X is ϕ-numerically trivial and that ϕcontracts a divisor P 1×P n −2≃P P 1(O ⊕...⊕O )⊂X .Thus,ϕis a crepant resolution of P (1,1,2, (2)Next,we investigate the structures of X when X is not Q -factorial and −K X ≡nD .In the following theorem,it is obvious that n ≥3.It is because every toric surface is Q -factorial.Theorem 3.4(non-Q -factorial case).Let X be a non-Q -factorial pro-jective toric variety with dim X =n ≥3.Assume that X is Q -Gorenstein and −K X ≡nD for some Cartier divisor on X .We put Y =P P 1(O ⊕···⊕O ⊕O (1)⊕O (1)).Then X is the target space of the flopping contraction ϕ:Y −→X .Note that ϕcontracts P 1×P n −3≃P P 1(O ⊕···⊕O )⊂P P 1(O ⊕···O ⊕O (1)⊕O (1)).In this case,ρ(X )=1and X is Gorenstein.Proof.We take a small projective toric Q -factorialization f :Y −→X(see [F1,Corollary 5.9]).Since Y is Q -factorial,K Y ≡nf ∗D ,and ρ(Y )≥2,we have Y ≃P P 1(O (q 1)⊕O (q 2)⊕···⊕O (q n ))with q i =2.Since ρ(Y )=2,NE (Y )has two rays R and Q .One ray R corresponds to the P n −1-bundle structure Y −→P 1.Another ray Q corresponds to the flopping contraction ϕ:=ϕQ :Y −→X .Note that Q is spanned by one of the sections C i :=P P 1(O (q i ))⊂Y for 1≤i ≤n .It is because all extremal rays are spanned by torus invariant curves.We can assume that q 1≤q 2≤···≤q n without loss of generality.Sinceq i =2,we have q 1≤0.Note that K X ·R <0and K X ·C i =−nq i .If q 1<0,then Q is spanned by some C i 0with K X ·C i 0=−nq i 0>0.It is because NE (Y )is spanned by R and Q and K X ·R <0.Since ϕQ is a flopping contraction,we obtain q 1≥0.Therefore,(q 1,q 2,···,q n )=(0,0,···,0,1,1)(see also Remark 3.3).It is not difficult to see that the target space of the flopping contraction ϕQ :Y −→X has the desired properties.6OSAMU FUJINO4.AppendixIn this section,we show that Mabuchi’s characterization of the pro-jective space for toric varieties(cf.[M,Theorem4.1])easily follows from[R].We can skip Step2in the proof of[M,Theorem4.1]by applying[R,(2.10)Corollary].Theorem4.1(cf.[M,Theorem4.1]).Let V be an n-dimensional com-plete non-singular toric variety.Assume that the normal bundle of each torus invariant divisor is ample.Then V≃P n.Proof.We note that V is projective since it has ample line bundles. Let∆be the fan corresponding to V.Take an extremal ray R of NE(V).Let C be a torus invariant integral curve such that the nu-merical equivalence class of C is in R.Let v1,···,v n−1 ∈∆be the (n−1)-dimensional cone corresponding to C.Take two n-dimensional cones v1,···,v n−1,v n and v1,···,v n−1,v n+1 from∆.Thus we have n−1i=1a i v i+v n+v n−1=0.Note that V is non-singular.We put D i:=V(v i)for every i.Since O D(D i)is ample,we obtain thatia i=D1···D i−1·D2i·D i+1···D n−1>0for every i.Thus,n-dimensional cones v1,···,v i−1,v i+1,···,v n,v n+1 ∈∆for1≤i≤n−1(see[R, (2.10)Corollary]).Therefore,a i=1for all i since V is non-singular. So,we obtain that V≃P n. The following corollary is obvious by Theorem4.1.Corollary4.2.Let V be an n-dimensional complete non-singular toric variety.Then V≃P n if and only if the tangent bundle T V is ample.References[F1]O.Fujino,Notes on toric varieties from Mori theoretic viewpoint,Tohoku Math.J.(2)55(2003),no.4,551–564.[F2]O.Fujino,On the Kleiman-Mori cone,preprint,math.AG/0501055. [HM]A.Hattori and M.Masuda,Elliptic genera,torus manifolds and multi-fans, preprint,math.SG/0107014.[KO]S.Kobayashi and T.Ochiai,Characterizations of complex projective spaces and hyperquadrics,J.Math.Kyoto Univ.13(1973),31–47.[M]T.Mabuchi,Almost homogeneous torus actions of varieties with ample tan-gent bundle,Tohoku Math.J.(2)30(1978),no.4,639–651.[R]M.Reid,Decomposition of toric morphisms,Arithmetic and geometry,Vol.II, 395–418,Progr.Math.,36,Birkh¨a user Boston,MA,1983.Graduate School of Mathematics,Nagoya University,Chikusa-ku Nagoya464-8602JapanE-mail address:fujino@math.nagoya-u.ac.jp。

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