北京大学英美文学考研真题精讲
2024年北京大学文学考研真题
2024年北京大学文学考研真题文艺学一、名词解释（每题10分，共40分）“神与物游”、“气盛宜言”、小说界革命、现实主义二、论述题（每题20分，共60分）1.试论文学语言2.结合具体例子说明“意境”3.雪莱说：“诗人是一只夜莺，栖息在黑暗中，用美好的声音歌唱，以安慰自己的寂寞。
”请结合文学理论知识谈谈你对这一看法的理解。
三、任选下面一则材料写一篇文学评论（80分）1.海明威《真正的高贵》风平浪静的大海上，每个人都是领航员。
但只有晴天没有阴霾，只有快乐没有悲伤，那就全然不是人生。
就拿最幸福的人来说吧——他们的命运就是一团纠缠不清的纱线。
丧亲之痛和神恩赐福此起彼伏，让我们悲欢交替。
甚至连死亡本身也使生命更加珍贵。
人们在生命的庄严时刻，在哀伤和丧亲的阴影之下，最接近真实的自我。
在生活或事业中，性格比才智更能指导我们，心灵比头脑更能引导我们，而由判断而得的克制、耐心和教养比天分更能让我们受益。
我一向认为，内心开始生活得更为严谨的人，他外在的生活会开始变得更为简朴。
在物欲横流的年代，但愿我能向世人表明：人类的真正需求少得多么可怜。
反思自己的过错以至于不重蹈覆辙才是真正的悔悟。
高人一等并没有什么值得夸耀的。
真正的高贵是超越原来的你。
2.杜甫《江亭》坦腹江亭暖，长吟野望时。
水流心不竞，云在意俱迟。
寂寂春将晚，欣欣物自私。
江东犹苦战，回首一颦眉。
古代文学一、名词解释（每小题6分，共30分）《世说新语》、文以载道、《西昆酬唱集》、“永嘉四灵”、狭邪小说二、论述题（每小题40分，共120分）1.试释《诗》可以观2.刘勰《文心雕龙·明诗》云：“庄老告退，山水方滋”，说明了晋宋之交山水文学兴盛的原因，你对这句话是如何理解的。
3.论述宋元明时期话本及拟话本小说的发展概况，并对其艺术成就做出评价。
2024年北京大学文学考研真题当代文学一、名词解释（每题5分，共30分）《我们夫妇之间》、“中间人物”论、浩然、现代派的四只小风筝、人文精神大讨论、《繁花》二、论述题（每题30分，其120分，5选4，第1和第2题必答）1.请在赵树理《三里湾》、周立波《山乡巨变》、柳青《创业史》中选择两部，谈谈其主题、情节、人物及其艺术风格的异同2.请结合具体作品，阐述王小波知青书写与1980年代“知青文学”的异同3.请结合具体作品，谈谈1950到1970年代文学中“民族形式”的建构问题4.请以《三体》为例，谈谈刘慈欣科幻文学与当代文学传统之间的关系5.请结合具体作家作品，谈谈中国当代文学中北京城市书写的演变现代文学一、名词解释（每题5分，共30分）新潮社、《倪焕之》、《鲁迅杂感选集》、东北作家群、新月派、零余者二、论述题（每题30分，其120分，5选4，第1题必答）1.结合《呐喊》《彷徨》中的具体作品，谈谈鲁迅对现代中国小说形式上的贡献2.瞿秋白将茅盾的《子夜》誉为“中国第一部写实主义的成功的长篇小说”，谈谈你对这一看法的理解。
北京师范大学英美文学考研真题
【温馨提示】现在很多小机构虚假宣传，育明教育咨询部建议考生一定要实地考察，并一定要查看其营业执照，或者登录工商局网站查看企业信息。
目前，众多小机构经常会非常不负责任的给考生推荐北大、清华、北外等名校，希望广大考生在选择院校和专业的时候，一定要慎重、最好是咨询有丰富经验的考研咨询师.北京师范大学英美文学考研试题（721）基础英语一.完形填空（20分）一篇短文，挖出20个空，讲learning second language对人大脑的好处，没有选项，没有首字母提示，全凭上下文分析，应该能填出来，只是不确定是否为最佳答案，难度不是很大。
二.阅读一（18分）heading搭配，多给了两个备选项，讲的是一个小型电影节三.阅读二（18分）段落排序，原文少了六个段落，给了七个选项，选进去，讲的是一些科学结论及research可信性，大家要学会辨别四.阅读三（24分）两道主观大题，一道12分，文章讲thinking分三个level，第一题阐释三个level是什么，并自己举例，第二大题elaborate作者最后一句话五.翻译（30分）一段比较formal的文章，从中截取了五六个长句子，讲的是在学校实行的种族隔离对儿童的影响，号召取消这样的隔离六.作文（40分）encouraging young people that they canaccomplish great things if they try hard enough is misleading and potentially harmful谈谈你的看法（941）英语语言文学一.单选（10分）唯一的五道选择题，范围比较宽，比如说以下作品共有的特点（lyrical啊，还是ballad之类的），或是以下五位作者属于哪个时代，还出了一个Emerson的self-reliance的小选段，分析作者这样说的意义等等（以前没看过也没关系，和阅读题一样直接分析就行）总之这五道应该是把基础知识看了就差不多。
北京外国语大学 北外 2004年英美文学 考研真题及答案解析
北京外国语大学2004年硕士生入学考试英语语言文学专业试卷Time Limit: Three Hours Total Points: 150All answers must be written on the answer sheets.Section 1 Matching（30 points）Match each of the following ten passages with its source. There are more sources than passages here, and one source may be matched with more than one passage.Write the passage number and the corresponding source letter for each answer. For example, suppose Passage 11 is the following:Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.And its source is [M] John Fowles. Then your answer will be 11M.Sources (From A to L)[Al Geoffrey Chaucer [G] Ernest Hemingway[B] Kate Chopin [H] John Keats[C] Joseph Conrad [I] D. H. Lawrence[D] Frederick Douglass [J] Percy Bysshe Shelley[E] T. S. Eliot [K] John Steinbeck[Fl Thomas Hardy [L] Harriet Beecher StowePassages1. The meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these halos that sometimes are made visible by the spectral illumination of moonshine.2. The migrant people, scuttling for work, scrabbling to live, looked always for pleasure, dug for pleasure, manufactured pleasure, and they were hungry for amusement.3. A green and yellow parrot, which hung in a cage outside the door, kept repeating over and over:"Allez vous-en.t Allez vous-en! Sapristi.t That's all fight!"4. In that dizzy moment her feet to her scarce seemed to touch the ground, and a moment brought, her to the water's edge. Right on behind they came, and, nerved with strength such as God gives only to the desperate, with one wild cry, and flying leap, she vaulted sheer over the turbid current by the shore, on to the raft of ice beyond.5. I have no accurate knowledge of my age, never having seen any authentic record containing it.By far the larger part of the slaves know as little of their ages as horses know of theirs, and it is the wish of most masters within my knowledge to keep their slaves thus ignorant.6. We two whites stood over him, and his lustrous and inquiring glance enveloped us both. I declare it looked as though he would presently put to us some question in an understandable language; but he died without uttering a sound, without moving a limb, without twitching a muscle. Only in the very last moment, as though in response to some sign we could not see, to some whisper we could not hear, he frowned heavily, and that frown gave to his black death-mask an inconceivably somber, brooding, and menacing expression.7. It is the same! —For, be it joy or sorrow,The path of its departure still is free;Man's yesterday may ne'er'be like his morrow;Nought may endure but Mutability.8. A snake came to my water troughOn a hot, hot day, and I in pajamas for the heat,To drink there.9.The river's tent is broken: the last fingers of leafClutch and sink into the wet bank. The windCrosses the brown land, unheard. The nymphs are departed.10.Good table manners she had learnt as well:She never let a crumb from her mouth fall;She never soiled her fingers, dipping deepInto the sauce; when lifting to her lipsSome morsel, she was careful not to spillSo much as one small drop upon her breast.Her greatest pleasure was in etiquette.The following sections of the examination will be graded on both what you say and how you say it.Section2 Short Essays (90 points)I. Summarize the plot of the following story in your own words (around200 words). (30points)2. Comment on the role of the wicked boy in the story. (30points)3.What is the theme of the story? Pay particular attention to the ending. (30points)A Wicked BoyBy Anton ChekhovIvan Ivanych Lapkin, a young man of nice appearance, and Anna Semionovna Zamblitskaia, a young girl with a little mined-up nose, went down the steep bank and sat down on a small bench. The bench stood right by the water among some thick young osier bushes. What a wonderful little place! Once you've sat down, you were hidden from the world—only the fish saw you, and the water-tigers, running like lightning over the water. The young people were armed with rods, nets, cans of worms, and other fishing equipment. Having sat down, they started fishing right away."I'm glad we're alone at last," Lapkin began, looking around. "I have to tell you a lot of things, Anna Semionovna... an awful lot... when I saw you the first time.... You've got a bite.... then I understood what I'm living for, understood where my idol was--to whom I must devote my honest, active life... that must be a big one that's biting.... Seeing you, I feel in love for the first time, feel passionately in love! Wait before you give it a jerk.... let it bite harder.... Tell me, my darling, I adjure you, may I count on--not on reciprocity, no! I'm not worthy of that, I dare not even think of that—may I count on .... Pull!"Anna Semionovna raised her hand with the rod in it, yanked, and cried out. A little silvery-green fish shimmered in the air."My Lord, a perch! Ah, ah.... Quickly! It's getting free!"The perch got free of the hook, flopped through the' grass toward its native element.... and plopped into the water!In pursuit of the fish, Lapkin somehow inadvertently grabbed Anna Semionovna's hand instead of the fish, inadvertently pressed it to his lips.... She quickly drew it back, but it was already too late; their mouths inadvertently merged in a kiss. It happened somehow inadvertently. Another kiss followed the first, then vows and protestations.... What happy minutes! However, in this earthly life there is no absolute happiness. Happiness usually carries a poison in itself, or else. is poisoned by something from outside. So this time, too. As the young people were kissing, a laugh suddenly rang out. They glanced at the river and were stupefied: a naked boy was standing in the water up to his waist. This was Kolia, a schoolboy, Anna Semionovna's brother. He was standing in the water, staring at the young people, and laughing maliciously."Ah-ah-ah... you're kissing?" he said. "That's great! I'll tell Mama.""I hope that you, as an honest young man..." muttered Lapkin, blushing. "It's low-down to spy, and to tell tales is foul and detestable... I assume that you, as an honest and noble young man...""Give me a ruble and then I won't tell!" said the noble young man. "Or else I will."Lapkin pulled a ruble out of his pocket and gave it to Kolia. Kolia squeezed the ruble in his wet fist, whistled, and swam off. And the young people didn't kiss any more that time.The next day Lapkin brought Kolia some paints and a ball from town, and his sister gave him all her empty pill-boxes. After that they had to give him some cuff-links with dogs' heads on them. The wicked boy obviously liked all these things very much and, in order to get still more, he started keeping his eye on them. Wherever Lapkin and Anna Semionovna went, he went, too. He didn't leave them alone for a minute."The bastard!" Lapkin gnashed his teeth. "So little, and already such a real bastard! What's he going to be like later?!"All through June, Kolia made life impossible for the poor lovers. He threatened to tell on them, kept his eye on them, and demanded presents; it all wasn't enough for him, and he finally started talking about a pocket watch. And what then? They had to promise the watch.One time at dinner, when the waffle cookies were being passed, he suddenly burst out in aguffaw, winked an eye, and asked Lapkin:"Shall I tell? Huh?"Lapkin blushed terribly and started eating his napkin instead of the cookie. Anna Semionovna jumped up from the table and ran into the other room. And the young people found themselves in this position until the end of August, until the very day when, at last, Lapkin proposed to Anna Semionovna. Oh, what a happy day that was! Having talked to the parents of his bride, and having received their consent, Lapkin first of all ran out into the garden and started looking for Kolia. Once he had found him, he almost sobbed from delight and seized the wicked boy by the ear. Anna Semionovna, who had also been looking for Kolia, ran up, and seized him by the other ear. And you really ought to have seen what joy was written all over the lovers' faces as Kolia cried and begged them:"Dearest, darling, angels, I'll never do it again! Ow, ow! Forgive me!"And afterwards they both admitted that during the whole time they had been in love with each other they had never once felt such happiness, such breath-taking bliss as during those moments when they were pulling the wicked boy's ears.Section 3 Creative Thinking (30points)If you were the author, Somerset Maugham, what title would you give to the story below? Generate as many titles as you can before deciding on the best one. Be creative and go for quantity; list at least 10 titles.There was a merchant in Bagdad who sent his servant to market to buy provisions, and in a little while the servant came back, white and trembling, and said, "Master, just now when I was in the market, I was jostled by a woman in the crowd and when I turned I saw it was Death that jostled me. She looked at me and made a threatening gesture; now, lend me your horse, and I will ride away from this city and avoid my fate. I will go to Samarra and there Death will not find me." The merchant lent him his horse, and the servant mounted it, and he dug his spurs in its flanks and as fast as the horse could gallop he went. Then the merchant went down to the market, and he saw Death standing in the crowd and he came to Death and said, “Why did you make a threatening gesture to my servant when you saw him this morning?” “That was not a threatening gesture,”Death said. “It was only a start of surprise. I was astonished to see him in Bagdad, for I had an appointment with him tonight in Samarra.”Section4 Critical Thinking (20-point bonus)You do not have to do the task in this section, but you will get a 20-point bonus if you do it correctly.Identify errors in logic, if any, in the following arguments. Justify your answers.1. Hey, John, check this out! Two weeks ago, I bought this good luck charm, and I’ve been carrying with me every day. Since the, I’ve been carrying it around with me every day. Since then, I found $50 on the street, I got the apartment I was hoping for, and I got a date with Elaine! This good luck charm really works!2. Look, either we do a full-color glossy brochure or we don’t do anything at all. It’s better to have nothing than to have something shabby. Do it right or don’t do it at all.3. If we legalize marijuana, watch out-the legalization of cocaine and other drugs can’t be far behind.4. Do you support the ban of nuclear and biological weapons that would leave us defenseless against those countries that will continue to build nuclear and biological warheads in secret?5. One of the things those animal rights people want to do is to make you believe that a monkey has the same rights as a human being.This is the end of the examination.答案部分：北京外国语大学2004年硕士生入学考试英语语言文学专业试卷Time Limit: Three Hours Total Points: 150All answers must be written on the answer sheets.Section 1 Matching（30 points）（北京外国语大学2004年研）Match each of the following ten passages with its source. There are more sources than passages here, and one source may be matched with more than one passage.Write the passage number and the corresponding source letter for each answer. For example, suppose Passage 11 is the following:Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.And its source is [M] John Fowles. Then your answer will be 11M.Sources (From A to L)[Al Geoffrey Chaucer [G] Ernest Hemingway[B] Kate Chopin [H] John Keats[C] Joseph Conrad [I] D. H. Lawrence[D] Frederick Douglass [J] Percy Bysshe Shelley[E] T. S. Eliot [K] John Steinbeck[Fl Thomas Hardy [L] Harriet Beecher StowePassages1. The meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these halos that sometimes are made visible by the spectral illumination of moonshine.2. The migrant people, scuttling for work, scrabbling to live, looked always for pleasure, dug for pleasure, manufactured pleasure, and they were hungry for amusement.3. A green and yellow parrot, which hung in a cage outside the door, kept repeating over and over:"Allez vous-en.t Allez vous-en! Sapristi.t That's all fight!"4. In that dizzy moment her feet to her scarce seemed to touch the ground, and a moment brought, her to the water's edge. Right on behind they came, and, nerved with strength such as God gives only to the desperate, with one wild cry, and flying leap, she vaulted sheer over the turbid current by the shore, on to the raft of ice beyond.5. I have no accurate knowledge of my age, never having seen any authentic record containing it. By far the larger part of the slaves know as little of their ages as horses know of theirs, and it is the wish of most masters within my knowledge to keep their slaves thus ignorant.6. We two whites stood over him, and his lustrous and inquiring glance enveloped us both. I declare it looked as though he would presently put to us some question in an understandable language; but he died without uttering a sound, without moving a limb, without twitching a muscle. Only in the very last moment, as though in response to some sign we could not see, to some whisper we could not hear, he frowned heavily, and that frown gave to his black death-mask an inconceivably somber, brooding, and menacing expression.7. It is the same! —For, be it joy or sorrow,The path of its departure still is free;Man's yesterday may ne'er'be like his morrow;Nought may endure but Mutability.8. A snake came to my water troughOn a hot, hot day, and I in pajamas for the heat,To drink there.9.The river's tent is broken: the last fingers of leafClutch and sink into the wet bank. The windCrosses the brown land, unheard. The nymphs are departed.10.Good table manners she had learnt as well:She never let a crumb from her mouth fall;She never soiled her fingers, dipping deepInto the sauce; when lifting to her lipsSome morsel, she was careful not to spillSo much as one small drop upon her breast.Her greatest pleasure was in etiquette.参考答案：1C 2K 3B 4L 5D 6C 7J 8I 9E 10 ?The following sections of the examination will be graded on both what you say and how you say it.Section2 Short Essays (90 points) （北京外国语大学2004年研）I. Summarize the plot of the following story in your own words (around200 words). (30points)2. Comment on the role of the wicked boy in the story. (30points)3.What is the theme of the story? Pay particular attention to the ending. (30points)A Wicked BoyBy Anton ChekhovIvan Ivanych Lapkin, a young man of nice appearance, and Anna Semionovna Zamblitskaia, a young girl with a little mined-up nose, went down the steep bank and sat down on a small bench. The bench stood right by the water among some thick young osier bushes. What a wonderful little place! Once you've sat down, you were hidden from the world—only the fish saw you, and the water-tigers, running like lightning over the water. The young people were armed with rods, nets, cans of worms, and other fishing equipment. Having sat down, they started fishing right away."I'm glad we're alone at last," Lapkin began, looking around. "I have to tell you a lot of things, Anna Semionovna... an awful lot... when I saw you the first time.... You've got a bite.... then I understood what I'm living for, understood where my idol was--to whom I must devote my honest, active life... that must be a big one that's biting.... Seeing you, I feel in love for the first time, feel passionately in love! Wait before you give it a jerk.... let it bite harder.... Tell me, my darling, I adjure you, may I count on--not on reciprocity, no! I'm not worthy of that, I dare not even think of that—may I count on .... Pull!"Anna Semionovna raised her hand with the rod in it, yanked, and cried out. A little silvery-green fish shimmered in the air."My Lord, a perch! Ah, ah.... Quickly! It's getting free!"The perch got free of the hook, flopped through the' grass toward its native element.... and plopped into the water!In pursuit of the fish, Lapkin somehow inadvertently grabbed Anna Semionovna's hand instead of the fish, inadvertently pressed it to his lips.... She quickly drew it back, but it was already too late; their mouths inadvertently merged in a kiss. It happened somehow inadvertently. Another kiss followed the first, then vows and protestations.... What happy minutes! However, in this earthly life there is no absolute happiness. Happiness usually carries a poison in itself, or else. is poisoned by something from outside. So this time, too. As the young people were kissing, a laugh suddenly rang out. They glanced at the river and were stupefied: a naked boy was standing in the water up to his waist. This was Kolia, a schoolboy, Anna Semionovna's brother. He was standing in the water, staring at the young people, and laughing maliciously."Ah-ah-ah... you're kissing?" he said. "That's great! I'll tell Mama.""I hope that you, as an honest young man..." muttered Lapkin, blushing. "It's low-down to spy, and to tell tales is foul and detestable... I assume that you, as an honest and noble young man...""Give me a ruble and then I won't tell!" said the noble young man. "Or else I will."Lapkin pulled a ruble out of his pocket and gave it to Kolia. Kolia squeezed the ruble in his wet fist, whistled, and swam off. And the young people didn't kiss any more that time.The next day Lapkin brought Kolia some paints and a ball from town, and his sister gave him all her empty pill-boxes. After that they had to give him some cuff-links with dogs' heads on them. The wicked boy obviously liked all these things very much and, in order to get still more, he started keeping his eye on them. Wherever Lapkin and Anna Semionovna went, he went, too. He didn't leave them alone for a minute."The bastard!" Lapkin gnashed his teeth. "So little, and already such a real bastard! What's he going to be like later?!"All through June, Kolia made life impossible for the poor lovers. He threatened to tell on them, kept his eye on them, and demanded presents; it all wasn't enough for him, and he finally started talking about a pocket watch. And what then? They had to promise the watch.One time at dinner, when the waffle cookies were being passed, he suddenly burst out in a guffaw, winked an eye, and asked Lapkin:"Shall I tell? Huh?"Lapkin blushed terribly and started eating his napkin instead of the cookie. Anna Semionovna jumped up from the table and ran into the other room. And the young people found themselves in this position until the end of August, until the very day when, at last, Lapkin proposed to Anna Semionovna. Oh, what a happy day that was! Having talked to the parents of his bride, and having received their consent, Lapkin first of all ran out into the garden and started looking for Kolia. Once he had found him, he almost sobbed from delight and seized the wicked boy by the ear. Anna Semionovna, who had also been looking for Kolia, ran up, and seized him by the other ear. And you really ought to have seen what joy was written all over the lovers' faces as Kolia cried and begged them:"Dearest, darling, angels, I'll never do it again! Ow, ow! Forgive me!"And afterwards they both admitted that during the whole time they had been in love with each other they had never once felt such happiness, such breath-taking bliss as during those moments when they were pulling the wicked boy's ears.参考答案：1. A young man, Lapkin fell in love with Anna. One day by the river as they were doing fishing, he expressed his love for her and they kissed. However, their kissing was discovered by Anna’s brother, Kolia. Kolia asked for a ruble, or he would go to Mama to tell on them. And he got the ruble. The next day Lapkin and Anna again gave him some presents for him to shut his mouth. Then the boy saw how much he could benefit from them. From time to time he demanded presents from the lovers and his small tricks would always work. While Kolia was content, it was the lovers who suffered. On the one hand, they were forced to meet Kolia’s demands for presents. On the other hand, Kolia kept a close watch on them so that they did not have free time of their own. It lasted about three months until the day when Lapkin proposed to Anna and got her parents’approval. Finally they got rid of the threat of Kolia and became librated. Then the lovers found out Kolia and punished him by seizing his ears.2. The wicked boy mainly plays two roles, one is that of obstruction, and the other is that of catalyst. Firstly, the wicked boy keeps a close watch on the lovers and goes wherever they go. Therefore, the lovers do not have time that belongs to them. So the wicked boy is an obstruction to the lovers. However, paradoxically, the wicked boy is also a catalyst in the development of the lovers’ relationship. On the one hand, with his tricks, the wicked boy becomes the common enemy of the lovers. And the two lovers work together to solve the problems raised by the wicked boy,which promotes the development of their relationship and also avoids the possibilities of their quarreling. Meanwhile, Lapkin’s proposal to Anna so early also to some extent attributes to the wicked boy’s tricks.3. The theme of the story is that freedom is the most valuable of all things. As we can see in the story, the lovers are kept watch by the wicked boy and are never left alone for even a minute. The wicked boy’s interference with the lovers’ life makes their life miserable so that they are not able to enjoy fully the time when they are dating. At last, after the proposal, they suddenly become overjoyed, as they finally bring their freedom back. That’s why at the end of the story, the lovers admits that they have never been so happy during their dating time as during the moments when they are punishing the boy by pulling his ears.Section 3 Creative Thinking (30points) （北京外国语大学2004年研）If you were the author, Somerset Maugham, what title would you give to the story below? Generate as many titles as you can before deciding on the best one. Be creative and go for quantity; list at least 10 titles.There was a merchant in Bagdad who sent his servant to market to buy provisions, and in a little while the servant came back, white and trembling, and said, "Master, just now when I was in the market, I was jostled by a woman in the crowd and when I turned I saw it was Death that jostled me. She looked at me and made a threatening gesture; now, lend me your horse, and I will ride away from this city and avoid my fate. I will go to Samarra and there Death will not find me." The merchant lent him his horse, and the servant mounted it, and he dug his spurs in its flanks and as fast as the horse could gallop he went. Then the merchant went down to the market, and he saw Death standing in the crowd and he came to Death and said, “Why did you make a threatening gesture to my servant when you saw him this morning?” “That was not a threatening gesture,”Death said. “It was only a start of surprise. I was astonished to see him in Bagdad, for I had an appointment with him tonight in Samarra.”参考答案:How Far Can He Escape?; The Doomed; Fate; Appointment with Death; The Meeting with Death: Escape Into His Destiny; To Escape or Not to Escape, That is a Question; The Servant and the Death; Stay Where You Are; Is to Escape the Best Strategy out of the Thirty-six Stratagem?Section4 Critical Thinking (20-point bonus)（北京外国语大学2004年研）You do not have to do the task in this section, but you will get a 20-point bonus if you do it correctly.Identify errors in logic, if any, in the following arguments. Justify your answers.1. Hey, John, check this out! Two weeks ago, I bought this good luck charm, and I’ve been carrying with me every day. Since the, I’ve been carrying it around with me every day. Since then, I found $50 on the street, I got the apartment I was hoping for, and I got a date with Elaine! This good luck charm really works!2. Look, either we do a full-color glossy brochure or we don’t do anything at all. It’s better to have nothing than to have something shabby. Do it right or don’t do it at all.3. If we legalize marijuana, watch out-the legalization of cocaine and other drugs can’t be far behind.4. Do you support the ban of nuclear and biological weapons that would leave us defenseless against those countries that will continue to build nuclear and biological warheads in secret?5. One of the things those animal rights people want to do is to make you believe that a monkey has the same rights as a human being.This is the end of the examination.参考答案：1. Doubtful cause. The good luck charm is not the cause of his recent good luck.2. False dilemma. The speaker gives only two extreme options and no middle ground.3. Slippery slope. The legalization of marijuana does not necessarily leads to the legalization of cocaine and other drugs.4. Begging the question.Nuclear and biological weapons are being discussed here.5. Straw man. The speaker intends to misrepresent the opinions of the animal rights people.本文档来源于布丁考研网（），全国最真实、最全面的考研真题及资料库。
北大美学专业考研真题+详解。西方美学含哲学
北大美学专业考研真题+详解。
西方美学含哲学1.名解___提出的此在（Dasein）（5）___（fecility）（5）___的悲剧（5）___的无意识（5）2.简答1.___在《诗学》中的文艺思想（10）2.19世纪俄国美学思想概述（10）3.___对诗和诗人的看法（15）4.___的文艺观（15）3.论述1.艺术概念与现代美学的起源，以及二者的关系和对20世纪西方美学的影响（40）2.___解释学的意义，以及与美学的关系（40）解析：本文是一篇考试题目，需要将其格式规范化。
同时，删除了明显有问题的段落。
在改写时，尽量保留原文的意思，但进行了一些小幅度的修改，使其更加通顺易懂。
___是___的弟子，但与其师不同，他认为文艺不是对理式影子的模仿，而是对现实世界的模仿。
他提出了“过失说”，认为悲剧是最高超的艺术形式，可以净化灵魂，具有陶冶情操的作用。
他同时为古典主义的发展奠定了基础，提出了“时间、地点、人物”的三一律和典型刻画的重要性。
在艺术起源方面，他认为艺术起源于“音乐感”“节奏感”，即人的生理活动的自我调节。
___的哲学为整个西方哲学奠定了基础，他是客观唯心主义的创始人。
在他的哲学中，“理念论”、“理式”、“相”(Ideal)是最高实体，先产生了现实世界，然后文艺在对现实世界的模仿上产生，即“真理隔三层”。
每个事物都有一个相来对应，树有树的，植物有植物，而艺术只是真理的影子。
___的这种哲学思想对诗和诗人的地位产生了负面影响。
后来的哲学家如、___的“自在之物”、___的“物自身”、___的“绝对精神”等都难以逃脱“理念论”/“理式”/“相”(Ideal)这个本体的窠臼。
在___之前，美感和快感常常被混淆。
然而___明确指出美感与快感不同，认为美不是概念、推理或逻辑判断，而是纯粹的，美感是一种无功利、纯粹的愉悦感。
___将美分为“纯粹美”和“附庸美”，其中纯粹美是一种形式之美，即想象力和知性的自由谐和。
2022北京大学英语语言文学考研真题考研经验考研参考书
北京大学英语语言文学考研真题经验参考书目录第一章考前知识浏览1.1北京大学招生简章......................1.2北京大学专业目录........................ 1.3北京大学英语语言文学专业历年报录比....... 1.4北京大学英语语言文学初试科目解析......第二章英语语言文学专业就业前景解读2.1北京大学专业综合介绍.................2.2北京大学专业就业解析.................2.3北京大学各方向对比分析.......第三章北京大学英语语言文学专业内部信息传递3.1报考数据分析..............3.2复试信息分析..............3.3导师信息了解........第四章北京大学英语语言文学初试专业课考研知识点4.1参考书目分析..........4.2真题分析................4.3重点知识点汇总分析（大纲）....第五章北京大学英语语言文学初试复习计划分享5.1政治英语复习技巧5.2专业课复习全程详细攻略5.3时间管理策略及习题使用第六章北京大学英语语言文学复试6.1复试公共部分的注意事项6.2复试专业课部分的小Tips“天高云淡，望断南飞雁，不到长城非好汉”，考研之路亦是如此!一直想写一篇关于考研经验的文章。
一是希望能够帮助接下来的考研的学弟学妹们；二是希望给自己过去的一年做个总结。
如果能和一些人产生共鸣，甚至能帮到一些人，那就再好不过了。
北大外国语学院的英语语言文学不区分研究方向，考试科目如下：【参考书目】李赋宁主编：《欧洲文学史》4卷本，古希腊罗马，西欧，俄国部分，商务印书馆，1999年。
罗经国：《新编英国文学选读》2卷本，北京大学出版社，1996年。
陈嘉：《英国文学作品选读》2卷本，商务印书馆，1982年。
李宜燮、常耀信主编：《美国文学选读》2卷本，南开大学出版社，1991年。
北京大学英美文学考研参考书,考研经验、考研真题
北京大学英语语言文学2013年考研真题育明教育孙老师整理，欢迎大家来育明教育学习。
专业能力：（1）英翻中（50）The Poetry of Architecture:Cottage,Villa,Etc.to Which Is Added Suggestions on Works of Art作者：John Ruskin第41页和42页,google图书从I must take notice of its effect in scenery.When one has been wandering for a whole morning through a valley到because they are useless,uneaning and incongruous.主要讲瑞士cottage,个人感觉还是有一定难度的,因为有好几个句子感觉比较复杂，很容易译偏了，相反那几个如雷贯耳的建筑名字我觉得大家应该都知道，不算很难，除了Pyramid of Cheops(胡夫金字塔)这个。
这篇文章我花了好长时间，还是没翻全，能力还没到家，平时训练太少了。
（2）中翻英（40）个人感觉特别简单，和往年有人回忆的很像，是梁实秋的文章，还是很简单很直白的（语言很有英语文法的痕迹）。
主要讲浪漫主义和新古典主义之间的关系，最后说这浪漫主义的情感和新古典主义的理性一直激荡在每个时期的作品中。
（3）阅读写作（60）主要讲American学术自由的。
阅读足足三页纸，我由于之前浪费在第一道题太多时间，明显觉得时间不够唉。
Paraphrase和单词解释以及一篇30分的写作，主要是两个词，那两个名词的含义特别相似，都有思想殿堂的意思吧，不过这两个词出现在文章的不同位置，题目要问的是这两个词分别在文中的意思以及每一个词在那个位置是怎么揭示它要表达的主题的，根据上下文来response。
经验：时间分配特别重要，阅读理解大家好好做，一定要读懂。
北大英文考研真题答案解析
北大英文考研真题答案解析北京大学英语考研真题答案解析近年来，越来越多的学子选择报考北京大学英语研究生入学考试（考研）来进一步提升自己的学术能力。
而英语考研作为考试的重要一环，备受广大考生的关注。
本文将对北大英语考研真题中的一些典型问题进行解析，帮助考生更好地应对考试。
第一部分：阅读理解阅读理解一直是英语考研中的难点和重点，需要考生具备较强的阅读和理解能力。
以下列举了北大英语考研真题中的一个例子：Passage 1:In America, people often use the word "network." A network is a group of people who help one another. They help one another in many ways. They tell one another about new jobs. They give one another good advice. They are like friends. Why do people in America have such good networks? One reason is that Americans move around a lot. Most Americans have moved many times in their lives. When they move, they leave many friends behind. They have to make new friends. So they are always looking for new people to meet. This is one reason why Americans are such good networkers.Another reason is that Americans do not like to be bored. They do not like to do the same thing every day. They like tolearn new things. So they go to school many times in their lives. When they go to school, they meet new people. They become friends with these new people. These new people become a part of their network.A third reason is that Americans like to make money. Money is important to them. In America, many jobs come from people's networks. For example, someone might be looking for a job at a restaurant. They could ask their friends if they know of any jobs. Someone could tell them about a job at a new restaurant that is going to open. This is how many jobs in America are found. Friends help friends.In conclusion, networks are very important in America. People use networks to find jobs. They use them to learn new things. They use them to help one another. Networks help make life better for everyone.Questions:1. What are networks in America?A. TelevisionsB. ComputersC. HospitalsD. Groups of people答案解析：D。
【北京外国语大学-英美文学-考研真题及答案】英美文学2010
【北京外国语大学-英美文学-考研真题及答案】英美文学方向专业试卷（考试时间3 小时，满分150分，全部写在答题纸上，答在试题页上无效）Section 1 Matching (30points)Match each of the following ten passages with its. author. There are more authors than passages here, and one author may be matched with more than onepassage.Write the passage number (1-10) and the corresponding author letter (A 句for each answer. For example, thefollowing is Passage2:Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to l ive.And its author is [M] F owles. Then your answer should be: 2M.Passages1.Whoso would be a man must be a non-conformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. Aboslve you to yourself, and you shall have the suffrage of the world.2.It was fifteen minutes before I could work myself up to go and humble myself to a nigger - but I done it, and I wam't ever sorry for it afterwards, neither. I didn't do him no more mean tricks, and I wouldn't done that one ifl'd a knowed it would make him feel that way.3.While arranging my hair, I looked at my face in the glass and felt it was no longer plain: there was hope in its aspect and life in its colour; and my eyes seemed as if they had beheld the fount of fruition and borrowed beams from the lustrous ripple. I had often been unwilling to look at my master, because I feared he could not be pleased at my look: but I was sure I might lift my face to his now, and not cool his affection by its expression.4.Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider.5.Some say the world will end in fire,Some say in ice.From what I've tasted of desire,I hold with those who favour fire.But if it had to perish twice,I think I know enough of hateTo say that for destructionice Is also greatAnd would suffice.6.I wander thro' each charter'd street,Near where the charter'd Thames does flow,And mark in every face I meetMarks of weakness, marks of woe.7.Make me thy lyre, even as the forest is:What if my leaves are falling like its own!The tumult of thy mighty harmoniesWill take from both a deep, autumnal tone,Sweet though in sadness. Be thou, Spirit fierce,My spirit! Be thou me, impetuous one!8.Another thing in Joe that I could not understand when it fi订st began to develop itself, but which I soon arrived at sorrowful comprehension of, was this: As I became stronger and better, Joe became a little less easy with me.9.All Nature is but art, unknown to thee;All chance, direction, which thou canst not see;All discord, harmony not understood;All partial evil, universal good;And, spite of pride, in erring reason's spite,One truth is clear: whatever IS, is RIGHT.10.The grass-plot before the jail, in Prison Lane, on a certain summer morning, not less than two centuries ago, was occupied by a pretty large number of the inhabitants of Boston, all with their eyes intently fastened on the iron-clamped oaken door. Amongst any other population, or at a later period in the history of New England, the grim rigidity that petrified the bearded physiognomies of these good people would have ugured some awful business in hand.AuthorsA.Henry Divid ThoreauB.William WordsworthC.Charles DickensD.Alexander PopeE.Francis BaconF.Charlotte BronteG.Percy Bysshe ShelleyH.Robert FrostI.Mark TwainJ.William ShakespeareK.Nathaniel Haw出orneL.Ralph W. EmersonM.Willam BlakeSection 2 Short Story (120points)1.Summarize the p lot o f t hefollowing .sto疗in y our own words. (30points)2.De fine the ma j or theme o f the following short sto叮'.(40points)3.Make a brief comment on the characterization of the man and his wife. (30points)4.C omment on the ending part o f the story.{20points)The Enormous RadioJim and Irene Wescott were the kind of people who seem to strike that satisfactory average of income, endeavor, and respectability that is reached by the statistical reports in college alumni bulletins. They were the parents of two young children, they had been married nine years, they lived on the twelfth floor of an apartment house near Sutton Place, they went to the theater on an average of 10.3 times a year, and they hoped someday to live in Westchester. Irene Wescott was a pleasant, rather plain g订l with soft brown hair, and a wide, fine forehead upon which nothing at all had been written, and in the cold weather she wore a coat of fitch skins dyed to resemble mink. You could not say that Jim Westcott looked younger than he was, but you could at least say of him that he seemed to feel younger. He wore his graying hair cut very short, he dressed in the kind of clothes his class had worn at Andover, and his manner was earnest, vehement, and intentionally na'ive. The Westcotts differed from their friends, their classmates, and their neighbors, only in an interest they shared in serious music. They went to a great many concerts - although they seldom mentioned t压s to anyone - and they spent a good deal of time listening to music on the radio.Their radio was an old instrument, sensitive, unpredictable, and beyond repair. He promised to buy Irene a new radio, and on Monday when he came home from work he told her that he had got one. He refused to describe it, and said it would be a surprise for her when it came.The radio was delivered at the kitchen door the follo劝ng afternoon, and with the assistance of her maid and the handyman Irene uncrated it and brought it into the living room. She wasstruck at once with the physical ugliness of the large gumwood cabinet. Irene was proud of her living room, she.had chosen its furnishings and colors as carefully as she chose her clothes, and now it seemed to her that her new radio stood among her intimate possessions like an aggressive intruder. She was confounded by the number of dials and switches on the instrument panel, and she studied them thoroughly before she put the plug into a wall socket and turned the radio on. The dials flooded with a malevolent green light, and in the distance she heard the music of a piano quartet. The quintet was in the distance for only an instant; it bore down upon her with a speed greater than light and filled the apartment with the noise of music amplified so mightily that it knocked a china ornament from a table to the floor. She rushed to the instrument and reduced the volume. The violent forces that were snared in the ugly gumwood cabinet made her uneasy. Her children came home from schoc,l then, and she took them to the Park. It was not until later in the afternoon that she was able to return to the radio.The maid had given the children their suppers and was supervising their baths when Irene turned on the radio, reduced the volume, and sat down to listen to a Mozart quintet that she knew and enjoyed. The music came through clearly. The new instrument had a much purer tone, she thought, than the old one. She decided that tone was most important and that she could conceal the cabinet behind the sofa. But as soon as she had made her peace with the radio, the interference began. A crackling sound like the noise of a burning powder fuse began to accompany the singing of the strings. Beyond the music, there was a rustling that reminded Irene unpleasantly of the sea, and as the quintet progressed, these noises were joined by the many others. She tried all the dials and switches but nothing dimmed the interference, and she sat down, disappointed and bewildered, and tried to trace the flight of the melody. The elevator shaft in her building ran beside the living-room wall, and it was the noise of the elevator that gave her a clue to the character of the static. The rattling of the elevator cables and the opening and closing of the elevator doors were reproduced in her loudspeaker, and, realizing that the radio was sensitive to electrical currents of all sorts, she began to discern through the Mozart the ringing of telephone bells, the dialing of phones, and the lamentation of a vacuum cleaner. By listening more carefully, she was able to distinguish doorbells, elevator bells, electric razors, and Waring mixers, whose sounds had been picked up from the apartments that surrounded hers and transmitted through her loudspeaker. The powerful and ugly instrument, with its mistaken sensibility to discord, was more than·she could hope to master, so she turned the thing off and went into the nursery to see her children.When Jim came home that night, he was tired, and he took a bath and changed his clothes. Then he joined Irene in the living room. He had just turned on the radio when the maid .announced dinner, so he left it on, and Irene went to the table.Jim was too tired to make even·pretense of sociability, and there was nothing about the dinner to hold Irene's interest, so her attention wandered from the food to the deposits of silver polish on the candlesticks and from there to the music in the other room. She listened for a few minutes to a Chopin prelude and then was surprised to hear a man's voice break in. ."For Christ's sake, Kathy," he said, "do you always have to play the piano when I get home?" The music stopped abruptly. "It's the only chance I have," the woman said. "I'm at the office all day." "So am I," the man said. He added something obscene about an upright piano, and slammed a door. The passionate and m elancholy music began again."Did you hear that?" Irene asked."What?" Jim was eating his dessert."The radio. A man said something while the music was still going on -- something dirty.""It's probably a play.""I don't think it is a play," Irene said.They left the table and took their coffee into the living room. Irene asked Jim to try another station. He turned the knob. "Have you seen my garters?" A man asked. "Button me up," a woman said. "Have you seen my garters?" the man said again. "Just button me up and I'll find your ga廿ers," the woman said. Jim shifted to another station. "I wish you wouldn't leave apple cores in the ashtrays," a man said. "I hate the smell.""This is strange," Jim said."Isn't it?" Irene said.Jim turned the knob again. "'On the coast of Coromandel where the early pumpkins blow,"' a woman with a pronounced English accent said, "'in the middle of the woods lived the Yonghy-Bonghy-Bo. Two old chairs, and half a candle, one old jug without a handle "' "My God!" Irene cried. "That's the Sweeneys' nurse.""'These were all his worldly goods,"' the British voice continued."Turn that thing off," Irene said."Maybe they can hear us." Jim switched the radio off. "That was Miss Armstrong, the Sweeneys' nurse," Irene said. "She must be reading to the little girl. They live in 17-B. I've talked with Miss Armstrong in the Park. I know her voice very well. We must be getting other people's apartments.""That's impossible," Jim said."Well, that was the Sweeneys' nurse," Irene said hotly. "I know her voice. I know it very well. I'm wondering if they can hear us."Jim turned the switch. First from a distance and then nearer, nearer, as if borne on the wind, came the pure accents of the Sweeneys' nurse again: '"Lady Jingly! Lady Jingly!"' she said, '"sitting where the pumpkins blow, will you come and be my wife? said the Yonghy-Bonghy-Bo '"Jim went over to the radio and said, "Hello" loudly into the speaker.'"/ am tired of living singly, "' the nurse went on, '"on this coast so wild and shingly, I'm a-weary of my life; ifyou 'll come and be my wife, quite serene would be my life '""I guess she can't hear us," Irene said. "Try something else."Jim turned to another station, and the living room was filled with the uproar of a cocktail party that had overshot its mark. Someone was playing the piano and singing the "Whiffenpoof Song," and the voices that surrounded the piano were vehement and happy. "Eat some more sandwiches," a woman shrieked. 1h e r e were screams of laughter and a dish of some sort crashed to the floor."Those must be the Fullers, in 11-E," Irene said. "I knew they were giving a party this afternoon. I saw her in the liquor store. Isn't this too divine? Try something else. See if you can get those people in 18-C."The Westcotts overheard that evening a monologue on salmon fishing in Canada, a bridge game, running comments on home movies of what had apparently been a fortnight at Sea Island, and a bitter family quarrel about an overdraft at the bank. They turned off their radio at midnight and went to bed, weak with laughter.The following morning, Irene cooked breakfast for the family - the maid didn't come up from her room in the basement until ten - braided her daughter's hair, and waited at the door until her children and her husband had been carried away in the elevator. Then she went into the living room and tried the radio. "I don't want to go to school," a child screamed. "I hate school. I won't go to school. I hate school." "You will go to school," an enraged woman said. "We paid eight hundred dollars to get you into that school and you'll go if it kills you." The next number on the dial produced the worn record of the "Missouri Waltz." Irene shifted the control and invaded the privacy of several breakfast tables. She overheard demonstrations of indigestion, carnal love, abysmal vanity, faith, and despair. Irene's life was nearly as simple and sheltered as it appeared to be, and the forthright and sometimes brutal language that came from the loudspeaker that morning astonished and troubled her. She continued to listen until her maid came in. Then she turned off the radio quickly, since this insight, she realized, was a furtive one.Irene had a luncheon date with a friend that day, and she left her apartment a little after twelve.Irene had two Martinis at lunch, and she looked searchingly at her friend and wondered what her secrets were. They had intended to go shopping after lunch, but Irene excused herself and went home. She told the maid that she was not to be disturbed; then she went into the living room, closed the doors, and switched on the radio. She heard, in the course of the afternoon, the halting conversation of a woman entertaining her aunt, the hysterical conclusion of a luncheon party, and hostess briefing her maid about some cocktail guests. "Don't give the best Scotch to anyone who hasn't white hair," the hostess said. "See if you can get rid of the liver paste before you pass those hot things, and could you lend me five dollars? I want to tip the elevator man."As the afternoon waned, the conversations increased in intensity. From where Irene sat, she could see the open sky above the East River. There were hundreds of clouds in the sky, as though the south wind had broken the winter into pieces and were blowing it north, and on her radio she could hear the arrival of cocktail guests and the return of children and businessmen from their schools and offices. "I found a good-sized diamond on the bathroom floor this morning," a woman said. "It must have fallen out of the bracelet Mrs. Dunston was wearing last night." "We'll sell it," a man said. 'Take it down to the jeweler on Madison Avenue and sell it. Mrs. Dunston won'tknow the difference, and we could use a couple of hundred bucks " "'Oranges and lemons, say the bells of St. Clement's,'" the Sweeneys' nurse sang. "Halfpence and farthings, say the bells of St. Martin's. When will you pay me? say the bells at old Bailey ..."' "It's not a hat," a womancried, and at her back roared a cocktail party. "It's not a hat, it's a love affair. That's what Walter Florell said. He said it's not a hat, it's a love affair," and then, in a lower voice, the same woman added, "Talk to somebody, for Christ's sake, honey, talk to somebody. If she catches you standing here not talking to anybody, she'll take us off her invitation list, and I love these parties."Jim came home at about six the next night. Emma, the maid, let him in , and he had taken off his hat and was taking off his coat when Irene ran into the hall. Her face was shining with tears and her hair was disordered. "Go up to 16-C, Jim!" she screamed. "Don't take off your coat. Go up to 16-C. Mr Osborn's beating his wife. They've been quarreling since four o'clock, and now he is hitting her. Go up there and stop him."From the radio in the living room, Jim heard screams, obscenities, and thuds. "You know you don't have to listen to this sort of thing," he said. He strode into the living room and turned the switch. "It's indecent," he said. "It's like looking into windows. You know you don't have to listen to this sort of thing. You can turn it off.""Oh, it's so terrible, it's so dreaful," Irene was sobbing. I've been listening all day, and it's so depressing.""Well, if it's so depressing, why do you listen to it? I brought this dammed radio to give you some pleasure," he said. "I paid a great deal of money for it. I thought it might make you happy. I wanted to make you happy.""Don't , don't, don't,,don't quarrel with me," she moaned, and laid her head on his shoulder. "All the others have been quarreling all day. Everybody's been quarreling. They're all worried about money. Mrs. Hutchinson's mother is dying of cancer in Florida and they don't have enough money to send her to the Mayo Clinic. At least, Mr Hutchinson says they don't have enough money. And some woman in this building is having an affair with the handyman - with that hideous handyman. It's too disgusting. And Mrs. Melville has heart trouble, and Mr. Hendricks is going to lose his job in April and Mrs. Hendricks is horrid about the whole thing and that girl that plays the "Missouri Waltz" is a whore, a common whore, and the elevator man has tuberculosis and Mr. Osborn has been beating his wife." She wailed, she trembled with grief and checked the stream of tears down her face with the heel of her palm."Well why do you have to listen?" Jim asked again. "Why do you have to listen to this stuff if it makes you miserable?""Oh, don't, don't, don't," she cried; "Life is too terrible, too sordid and awful. But we'venever been like that, have we, darling"? Have we? I mean, we've always been good and decent and loving to one another, haven't we? And we have two children, two beautiful children. Our lives aren't sordid, are they, darling? Are they?" She flung her arms around his neck and drew his face down to hers. "We're happy, aren't we, darling? We are happy, aren't we?""Of course we're happy," he said tiredly. He began to surrender his resentment. "Of course we are happy. "I'll have that dammed radio fixed or taken away tomorrow." He stroked her soft hair. "My poor girl," he said."You love me, don't you? she asked. "And we're not hypercritical or worried about money or dishonesty, are we?"A man came in the morning and fixed the radio. Irene turned it on cautiously and was happy to hear a California-wine commercial and a recording of Beethoven's Ninth Symphony, including Schiller's "Ode to Joy." She kept the radio on all day and nothing untoward came toward the speaker.A Spanish suite was being played when Jim came home. "Is everything all right?" he asked. His face was pale, she thought. They had some cocktails and went to dinner to the "Anvil Chorus" from II Trovatore. This was followed by Debussy's "La Mer.""I paid the bill for the radio today," Jim said. "It cost four hundred dollars. I hope you'll get some enjoyment out of it.""Oh, I'm sure I will," Irene said."Four hundred dollars is a good deal more than I can afford," he went on. "I wanted to get something that you'd enjoy. It's the last extravagance we'll indulge in this year. I see that you haven't paid your clothing bills yet. I saw them on.your dressing table." He looked directly at her. "Why did you tell me you paid them? Why did you lie to me?""I just didn't want you to worry, Jim," she said. She drank some water. "I'll be able to pay my bills out of this months allowance. There were the slipcovers last month, and that party.""You've got to learn to handle the money I give you a little more intelligently, Irene," he said. "You've got to understand that we don't have as much money this year as we had last. I had a very sobering talk with Mitchell today. No one is buying anything. We're spending all of our timepromoting new issues, and you know how long that takes. I'm not getting any younger you know. I'm thirty-seven. My hair will be gray next year. I haven't done as well as I hoped to do. And I don't suppose things will get any better.""Yes dear," she said."We've got to start cutting down," Jim said. "We've got to think of the children. To be perfectly frank with you, I worry about money a great deal. I'm not at all sure of the future. No one is. If anything should happen to me, there's the insurance, but that won't go very far today. I've worked awfully hard to give you and the children a comfortable life," he said bitterly. "I don't like to see all my energies, all my youth, wasted in fur coast and radios and slipcovers and -""Please Jim," she said. "Please. They'll hear us.""Who'll hear us? Emma can't hear us.""The Radio.""Oh, I'm sick! He shouted. "I'm sick to death of your apprehensiveness. The radio can't hear us. Nobody can hear us. And what if they can hear us? Who cares?"Irene got up from the table and went into the living room. Jim went to the door and shouted from there. "Why are you so Christly all of a sudden? What's turned you overnight into a convent girl? You stole your mother's jewelry before they probated her will. You never gave your sister a cent of that money that was intended for her - not even when she needed it. You made Grace Rowland's life miserable, and where was all your all your piety and your virtue when you went to that abortionist? I'll never forget how cool you were. You packed your bag and went off to have that child murdered as if you were going to Nassau. If you had any reasons, if you had any good reasons -Irene stood for a minute before the hideous cabinet , disgraced and sickened, but she held her hand on the switch before she extinguished the music and the voices, hoping the instrument might speak to her kindly, that she might hear the Sweeney's nurse. Jim continued to shout at her from the door. The voice on the radio was suave and noncommital. "An early-morning railroad disaster in Tokyo," the loudspeaker said, "killed twenty-nine people. A frre in a Catholic hospital near Buffalo for the care of blind children was extinguished early this morning by nuns. The temperature is forty-seven. The humidity is eighty-nine."。
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【温馨提示】现在很多小机构虚假宣传，育明教育咨询部建议考生一定要实地考察，并一定要查看其营业执照，或者登录工商局网站查看企业信息。
目前，众多小机构经常会非常不负责任的给考生推荐北大、清华、北外等名校，希望广大考生在选择院校和专业的时候，一定要慎重、最好是咨询有丰富经验的考研咨询师.北京大学英美文学考研真题精讲1.英译汉，考的主题大概是一个国家的衰落如何首先在文学及语言的衰落显现出来，语言不算难，偶有生词，比如你要知道Tacitus怎么翻译，divagation是什么意思等。
其他不难。
2.汉译英，考得是一篇比较西方哲学辩证法和中国古典哲学辩证法的区别的一片文章，语言不难，只要知道辩证法、二元论、词源学等专业术语怎么说就行了。
3.句子改写和写作，改写题，就是把拗口的难句改写成简单句，文章经后来考证，是出自联邦党人文集，文字有些难度，好多人没看懂，其实讲的就是hereditary monarchism，democracy以及representative republic各自的优劣，看明白这个结构和层次，改写很容易，后面的作文也是建立在理解文章的基础上，以问题的形式提出，文章看不懂，作文是没法写的。
The founders of our republics have so much merit for the wisdom which they have displayed,that no task can be less pleasing than that of pointing out the errors into which they have fallen.A respect for truth,however,obliges us to remark,that they seem never for a moment to have turned their eyes from the danger to liberty from the overgrown and all-grasping prerogative of an hereditary magistrate,supported and fortified by an hereditary branch of the legislative authority.They seem never to have recollected the danger from legislative usurpations,which,by assembling all power in the same hands, must lead to the same tyranny as is threatened by executive usurpations.In a government where numerous and extensive prerogatives are placed in the hands of an hereditary monarch,the executive department is very justly regarded as the source of danger,and watched with all the jealousy which a zeal for liberty ought to inspire.In a democracy, where a multitude of people exercise in person the legislative functions,and are continually exposed,by their incapacity for regular deliberation and concerted measures, to the ambitious intrigues of their executive magistrates,tyranny may well be apprehended, on some favorable emergency,to start up in the same quarter.But in a representative republic,where the executive magistracy is carefully limited;both in the extent and theduration of its power;and where the legislative power is exercised by an assembly,which is inspired,by a supposed influence over the people,with an intrepid confidence in its own strength;which is sufficiently numerous to feel all the passions which actuate a multitude, yet not so numerous as to be incapable of pursuing the objects of its passions,by means which reason prescribes;it is against the enterprising ambition of this department that the people ought to indulge all their jealousy and exhaust all their precautions.专业知识部分：1.英国文学试题，二选一：a.discuss the difference between Richardson and Fielding,and how each in their own way contributes to the development of english novel.b.ilustrate by specific textual examples how Milton in Paradise Lost applied the Bible.2.英国文学试题，二选一：a.Victorian age is one of complexities and paradoxes...discuss in detail two vicotrian novels how,by their characterization,plot,etc.,reflect the victorian society.b.引述了Elizabeth Browning的一段诗，然后问这句诗体现了什么"problem"，细节记不清楚了。
3.美国文学部分：三选二：a.elaborate and discuss how,both in prose and poetry,imagery was applied in Puritan writings.b.关于southern dialect的题目，细节不记得了。
c.考了一首十四行诗，要求对其进行close textual analysis，描述to which aspect of the poem do you most strongly respond to，以及从多方面对诗歌进行分析。
后经考证，是Edna St. Vincent Millay所写。
Hearing your words,and not a word among themby Edna St.Vincent MillayHearing your words,and not a word among themTuned to my liking,on a salty dayWhen inland woods were pushed by winds that flung themHissing to leeward like a ton of spray,I thought how off Matinicus the tideCame pounding in,came running through the Gut,While from the Rock the warning whistle cried,And children whimpered,and the doors blew shut;There in the autumn when the men go forth,With slapping skirts the island women standIn gardens stripped and scattered,peering north,With dahlia tubers dripping from the hand:The wind of their endurance,driving south,Flattened your words against your speaking mouth.专业课的复习和应考有着与公共课不同的策略和技巧，虽然每个考生的专业不同，但是在总体上都有一个既定的规律可以探寻。
以下就是针对考研专业课的一些十分重要的复习方法和技巧。
一、专业课考试的方法论对于报考本专业的考生来说，由于已经有了本科阶段的专业基础和知识储备，相对会比较容易进入状态。
但是，这类考生最容易产生轻敌的心理，因此也需要对该学科能有一个清楚的认识，做到知己知彼。
跨专业考研或者对考研所考科目较为陌生的同学，则应该快速建立起对这一学科的认知构架，第一轮下来能够把握该学科的宏观层面与整体构成，这对接下来具体而丰富地掌握各个部分、各个层面的知识具有全局和方向性的意义。
做到这一点的好处是节约时间，尽快进入一个陌生领域并找到状态。
很多初入陌生学科的同学会经常把注意力放在细枝末节上，往往是浪费了很多时间还未找到该学科的核心，同时缺乏对该学科的整体认识。
其实考研不一定要天天都埋头苦干或者从早到晚一直看书，关键的是复习效率。
要在持之以恒的基础上有张有弛。
具体复习时间则因人而异。
一般来说，考生应该做到平均一周有一天的放松时间。
四门课中，专业课（数学也属于专业课）占了300分，是考生考入名校的关键，这300分最能拉开层次。
例如，专业课考试中，分值最低的一道名词解释一般也有4分或者更多，而其他专业课大题更是动辄十几分，甚至几十分，所以在时间分配上自然也应该适当地向专业课倾斜。