云冈石窟英文导游词
云冈石窟英文介绍

佛教的经典杰作世界的艺术高峰数十个千年石窟数万尊佛雕中国的瑰丽宝库全人类的文化遗产World culture heritageAt the southern foot of Wuzhou Mountain 16 kilometers west to Datong, Shanxi Province, a colorful and new grottoes are hid among the groves ,which are praised as “One of the artistic peak in the world “by French President Pompidou.The grottoes are chiseled(雕,刻;凿)at the foot of the mountain, stretching about one kilometer from east to west. These are about 53 grottoes of different sizes and more than 51000 Buddhist(佛教的) carves .It is one of the biggest grottoes of China and is called the three artistic grottoes artistic treasure-house in China together with Qianfo cave in Dunhuang and Longmen grottoes in Luoyang.It was first chiseled in the first year of Year Heping in Northern Wei and Monk Tan Yao at that time chiseled it for duty of Emperor Wencheng. Most of the grottoes were finished in the eighteenth year of Year Taihe in Northern Wei before the capital moved to Luoyang, which lasted for forty years. And there were more than 40000 people did the job. While the grottoes statue project lasted until the period of Emperor ZhengguangThe highest is 17 meters while the smallest is only several centimeters. The grottoes are very magnificent(壮丽的;华丽的;宏伟的),Cave No.5 and Cave No.6 and Wuhua Cave are rich in content and can be called the essences(本质,实质;精华)of the grottoes artistic.The Y ungang Grottoes are divided into three parts –east part, middle part and west part.There are four caves in the east part, nine caves in the middle part. And forty caves in the west part .The Yungang grottoes inherited and developed the traditional art of Qin and Han Dynasty. It also absorbed the essence of foreign culture and created a unique style and served as a connecting link to the later Sui and Tang Dynasty on art. This occupies an important place in the Chinese artistic history.Tan Yao’s Five cavesTan Yao’s Five Caves are the first chiseled(开凿)among the Y ungang Grottoes and they are very magnificent .They are located in the middle of the Yungang Grottoes and there are Cave No.16、Cave No.17、Cave No.18、Cave No 19and Cave No.20.Weizi-Buddhism and Taolsm Annals”, in the first years of Year Heping in Northern Wei, the famous Monk Tan Yao at that time presented a memorial to the Emperor Wencheng to chisel five caves in Wuzhou and carved five Buddhas shaped as Emperor Wei Daowu. Emperor Mingyuan, Emperor Taiwu, Emperor Jingmu and Emperor Wencheng. And this is Tan Yao’s Five Caves today.Wuhua Caves has Cave No.9、Cave No.10、Cave No.11、Cave No 12 and Cave No.13. It has various of artistic styles. Wuhua Cave、Cave No 5 and Cave No.6 are the essences of the carving art in the Yungang Grottoes .And they also offer a lotOf imaging information to the research of art, history, calligraphy(书法), music, architecture, etc.The Yungang Grottoes –West PartMost of the caves are in the west part and each has its own feature, acclaimed. Especially Cave No.16 to Cave No.20 in Tan Yao’s Five Caves, they are chiseled in a planned way under the direction of Tan Yao. It is said that this followed the order ,”the emperor is Tathagata.”. Tan Yao directed the five emperors’ figures since Emperor Tai Zu in Northern Wei to the cliff .on the Sakyamuni(释迦摩尼). Cave No.16 Buddha is the youngest one and it is simulated(模仿) the 20-year old and more Emperor Wencheng reigned then, And the Buddha is 13.5 meters high.The Yungang Grottoes –East PartCave No.1 to Cave No.2 are double caves which are situated in the east of Yungang Grottoes. In the middle of Cave No.1, there carved two floors of square tower pillar. At the back ,there was Maitreya(弥勒佛). The Buddha around were mostly weathered, the carved Monaural(维摩文殊) on two sides of the cave gate of the south wall and the Buddhist adopted story relief on the lower part of the east wall were well preserved. In the middle of Cave No.2, there was a three floors of square tower pillar .Each floor carved three attic niches around and also carved five-floor –tower on the inside walls which were the imaging information of the architecture in Northern Wei.World Heritage Committee appraised: Located in Datong, Shanxi Province, the Yungang Grottoes have 252 niches and more than 51000 Buddhist cave art in China from 5 Century to 6 Century. Tan Yao’s Five Caves have a well-knit and united arrangement and they are the classical masterpieces in the first peak of Chinese Buddhist art.。
云冈石窟英文导游词

云冈石窟英文导游词第一篇:云冈石窟英文导游词导语:云冈石窟位于中国北部山西省大同市西郊17公里处的武周山南麓,石窟依山开凿,东西绵延1公里。
以下是小编整理云冈石窟英文导游词的资料,欢迎阅读参考。
Hello everyone, welcome to datong city.My name is li.I can be called xiao li.During the tour, you can always ask me questions.I will answer for you warmly.Below, I will take you to one of the four great grottoes in China-yungang grottoes for sightseeing.Visitors, look!In front of it is the yungang grottoes.The rows of buddhist statues are so lifelike that they look real, don't they? The yungang grottoes was built in the northern wei dynasty, which was ordered by emperor wencheng of the “taiwu law”, which has a history of 1,500 years.It was magnificent, and it was almost completed in 30 years.Please come with me from this side.Yungang grottoes are divided into three parts: east, middle and west.The shrines in the grottoes are like a hive of honeycomb, and the large, middle and small grottoes are imbedded in the middle of the mountain.We are now east of the grottoes.The grottoes here are mostly towers, and large and small towers are arranged in neat rows.So the eastern grottoes are called the tower cave.We are now in the middle of the grottoes.Each grotto in the middle is divided into two Chambers.The main Buddha center, the cave wall and the ceiling are full of relief sculpture, is really beautiful.You see, right?The front is the famous fifth, the six grottoes, everybody hurry to go.The fifth cave is here.The central seated statue of the third Buddha in the grottoes is the largest Buddha statue in the grottoes.It is as high as 17, and it is not crowded with twelve orthree adults standing on its feet.You see, it is demure, it is the expression of traditional Chinese culture;But its face image: “the forehead is wide, the nose is high, the eyes are large and the lips are thin ”, but has the characteristics of the foreign Buddhism culture.This is the sixth cave.It is the most representative cave in yungang grottoes.In the middle of the cavern, there are two floors up to 15 meters high.There are statues on every side of the floor, surrounded by statues of Buddha, bodhisattvas and flying gods.The wall is carved with the story of sakyamuni from birth to buddhahood.You can have a good look at it.Now we come to the west of yungang grottoes.The western grottoes, with the largest number of small niches and small niches, were built at a later time, most of which were written by the northern wei after luoyang.The happy hour is coming to an end.I hope you will remember not lee, remember this trip.翻译大家好,欢迎大家来到大同市。
云冈石窟介绍英语作文

云冈石窟介绍英语作文Nestled in the heart of China's Shanxi province lies a treasure trove of ancient art that has stood the test of time—Yungang Grottoes. Imagine stepping back into the 5th century, where the echoes of chisels and the whispers of Buddhist chants fill the air. This is the world of Yungang, a place where stone meets spirituality, and history is carved into the very fabric of the mountainside.The Yungang Grottoes are a series of 252 caves adorned with over 51,000 Buddhist statues, each telling a story of faith and artistry. They were carved out of the sandstone cliffs by skilled artisans during the Northern Wei Dynasty, a testament to the dynasty's profound reverence for Buddhism. As you wander through the grottoes, you'll be greeted by the serene faces of bodhisattvas, the commanding presence of Buddhas, and intricate reliefs depicting scenes from Buddhist scriptures.The craftsmanship is nothing short of miraculous, with each statue possessing a unique expression and posture that speaks to the skill and devotion of the sculptors. The grottoes are not just a religious site; they are a cultural mosaic that reflects the fusion of Chinese, Indian, and even Greek and Persian artistic influences, a true testament to the Silk Road's legacy.Visiting Yungang is more than just a journey throughstone; it's an immersion into a world where past and present converge. The site is a UNESCO World Heritage Site, and for good reason—it's a living museum that continues to inspire awe and contemplation in all who visit. As you stand before these ancient relics, you can't help but feel a profound connection to the generations that have come before, and the timeless wisdom they sought to preserve.Whether you're a history buff, an art enthusiast, or simply someone seeking a moment of tranquility amidst the hustle and bustle of modern life, Yungang Grottoes offer an experience that is both enlightening and humbling. It's a place where the grandeur of the past is preserved in stone, inviting you to explore, learn, and be captivated by its enduring beauty.。
介绍云冈石窟初一英语作文

介绍云冈石窟初一英语作文The Yungang Grottoes: A Masterpiece of Buddhist ArtThe Yungang Grottoes, located in Shanxi Province, China, are a testament to the country's rich cultural heritage and the enduring influence of Buddhism. This UNESCO World Heritage Site, dating back to the 5th century, is a captivating display of intricate carvings, towering statues, and intricate architectural wonders that have captivated visitors from around the world.The Yungang Grottoes were commissioned by the Northern Wei Dynasty, a period of great cultural and artistic flourishing in China. The construction of these magnificent grottoes was a collaborative effort, with the involvement of thousands of skilled artisans and craftsmen who dedicated their time and talent to creating this masterpiece. The grottoes were carved directly into the sandstone cliffs, a testament to the ingenuity and dedication of the workers who brought this vision to life.One of the most striking features of the Yungang Grottoes is the sheer scale and grandeur of the sculptures. The largest of these statues, known as the Colossal Buddhas, stand at an impressive 57feet tall, their serene expressions and intricate details captivating all who behold them. These massive figures are not merely impressive in size, but also in their artistry, with each carving meticulously crafted to capture the essence of the Buddha and the teachings of Buddhism.Beyond the Colossal Buddhas, the Yungang Grottoes boast a vast array of smaller statues, relief carvings, and architectural elements that showcase the incredible skill and creativity of the artisans who created them. The grottoes are divided into 45 separate caves, each one offering a unique perspective on the artistic and spiritual significance of this site.One of the most remarkable aspects of the Yungang Grottoes is the way in which they seamlessly blend Buddhist iconography with Chinese cultural traditions. The carvings and sculptures incorporate elements of Chinese mythology, folklore, and even court life, creating a rich tapestry of artistic expression that reflects the vibrant cultural landscape of the time.The Yungang Grottoes are not merely a collection of impressive sculptures, but a living testament to the enduring power of faith and the transformative potential of art. The grottoes have been a site of pilgrimage and devotion for centuries, with visitors from all over the world coming to bask in the serene and awe-inspiring atmosphere ofthis sacred space.Despite the passage of time, the Yungang Grottoes have remained remarkably well-preserved, thanks to the tireless efforts of conservation and restoration teams who have worked tirelessly to protect this cultural treasure. Today, the grottoes stand as a shining example of the enduring power of human creativity and the ability of art to transcend the boundaries of time and space.In conclusion, the Yungang Grottoes are a truly remarkable and inspiring testament to the rich cultural heritage of China. From the towering Colossal Buddhas to the intricate relief carvings, this UNESCO World Heritage Site is a must-visit destination for anyone with an appreciation for art, history, and the enduring power of human creativity.。
导游英语 (15)

TRAVELING ON THE YUNGANG GROTTOES尊敬的女士们、先生们:今天,我们将参观举世闻名的佛教艺术宝库——云冈石窟。
云冈石窟位于塞外古都、煤海之乡的大同市西约16公里处,从酒店出发需要大约30分钟的时间。
利用这暂短的时间,我向大家简单地介绍一下云冈石窟。
Ladies and gentlemen, today we will visit the world-famous treasure house of Buddhist art- Yungang grottoes. It is located 16 km of the west of Datong city, which will takes us about 30 minutes from our hotel. Now I give you a brief introduction of Yungang Grottoes.云冈石窟是北魏王朝初期开凿的大型石窟,时间约在公元460年的北魏文成皇帝时期,迄今已有1540年的历史。
它与甘肃敦煌的莫高窟、洛阳的龙门石窟,并称为中国三大石窟。
云冈石窟的开凿比敦煌石窟晚94年,较龙门石窟早35年的时间。
它以建筑规模之大、塑像形体之高、保存之完整,而闻名天下。
又因对研究中国古代史、佛教史和艺术史有极高的价值,享誉国内外。
1961年,国务院将云冈石窟列为全国重点文物保护单位。
1973年,法国总统蓬皮杜访华,指名要求参观云冈石窟,9月15日,周恩来总理陪同蓬皮杜总统参观了云冈石窟。
Yungang Grottoes were hewn in the early Northern Wei dynasty, which has more than 1,500 years history. Yungang Grottoes, with Dunhuang Mogao Grottoes in Gansu Province and Longmen Grottoes in Henan Province are regarded as the Chinese three great Grottoes. As far as its construction, it is earlier 35 years then Longmen and later 94 years than Dunhuang Grottoes. As we know, It is noted for its large scale, high sculpture and integrity preservation, which plays an very important role in studying on the ancient Chinese history, Buddhism history and art history. In 1961, Yungang Grottoes were listed as the national key cultural relic protection units. In 1973, during French President Georges Pompidou’s visiting China, he visited the Yungang Grottoes on September 15, accompanied by Premier Zhou Enlai.我们乘坐的汽车已驶入停车场,大家请按顺序下车,在云冈石窟门前集合。
介绍云冈石窟初一英语作文

介绍云冈石窟初一英语作文The Yungang Grottoes, located in Datong City, Shanxi Province, China, are a treasure of ancient Chinese art and a masterpiece of stone carving art. They are renowned as one of the world's famous cultural heritages and have been inscribed on the UNESCO World Heritage List.The Yungang Grottoes were carved during the Northern Wei Dynasty (386-534 AD) and represent the pinnacle of Buddhist art in China. Spanning approximately one kilometer, the site consists of 45 major caves, 252 smaller caves, and over51,000 statues, ranging from several centimeters to 17 meters in height.Each grotto is unique, showcasing the artistic styles and cultural influences of different periods. The statues are exquisitely detailed, with the figures of Buddha, bodhisattvas, and other deities displaying a serene beauty and a profound sense of inner peace. The craftsmanship is a testament to the skill and dedication of the artisans who worked on these sculptures.The Yungang Grottoes not only reflect the religious beliefs of the time but also embody the cultural integration of various ethnic groups. The fusion of Chinese, Indian, and Central Asian artistic styles can be seen in the intricate carvings and the architectural design of the caves.Visiting the Yungang Grottoes is an enriching experience, offering a glimpse into the spiritual and artistic life of ancient China. The site is a must-see for anyone interested in history, art, and culture, and it continues to inspire awe and admiration from visitors around the world.。
云冈石窟英文导游词

云冈石窟英文导游词yungang caves, one of china’s four most famous "buddhist caves art treasure houses", is located about sixteen kilometers west of datong, shanxi province. there exists 53 caves, most of which are made during the northern wei dynasty between 460 and 494 ad, and over 51, 000 stone sculptures. it extends one kilometer from east to west and can be fallen into three major groups.the first group (including cave 1, cave 2, cave 3 and cave 4) are at the eastern end separated from others. cave 1 and cave 2 have suffered from rigors of time and the weather. cave 3, an afterthought after the northern wei dynasty, is the largest grotto among yungang caves.tours normally begin from the second group ranging from cave 5 to cave 13.yungang art manifests its best in this group. cave 5 contains a seated buddha with a height of 17 meters. in cave 6, a 15-meter-high two storey pagoda pillar stands in the center of chamber and the life of the buddha from birth to the attainment of nirvana is carved in the pagoda walls and the sides of the cave. the bodhisattva was engraved in cave 7. the rare seen shiva statue in yungang with eight arms and four 1————来源网络整理,仅供供参考heads and riding on a bull is illustrated in cave 8. cave 9 and cave 10 are notable for front pillars and figures bearing musical instruments. musicians playing instruments also appear in cave 12. cave 13 has the buddha statue with a giant figurine supporting its right arm.the rest caves belong to the third group. cave 14 has eroded severely. cave 15 is named as the cave of ten thousand buddha. the caves numbered 16 to cave 20 are the oldest complex and each one symbolizes an emperor from the northern wei dynasty and the subject of "emperor is the buddha" is embodied. the caves from no. 21 onward are built in the later times and can not compare to their better preserved counterparts.————来源网络整理,仅供供参考 2。
描写云冈石窟的英语作文

描写云冈石窟的英语作文(中英文版)The Cloud冈Grottoes, a magnificent treasure trove of Buddhist art, are tucked away in the mountains of Shanxi Province, China.These awe-inspiring caves, carved out of the sandstone cliffs, showcase an extraordinary blend of spiritual, artistic, and architectural achievements.云冈石窟,位于中国山西省的群山之中,是一座佛教艺术的宝库。
这些令人惊叹的洞穴,在砂岩峭壁上开凿而成,展示了宗教、艺术和建筑成就的非凡融合。
With over fifty thousand statues and reliefs, the Cloud冈Grottoes are a testament to human ingenuity and devotion.Each cave tells a unique story, illustrating Buddhist legends, myths, and parables.拥有超过五万尊雕像和浮雕,云冈石窟是人类智慧和虔诚的见证。
每一个洞穴都讲述着独特的故事,描绘了佛教传说、神话和寓言。
The largest and most impressive cave is Cave 5, which features a grand Buddha statue, towering at a height of 17 meters.The serene expression and intricate details of this colossal figure are nothing short of breathtaking.最大且最令人印象深刻的洞穴是第五窟,其拥有一尊高达17米的宏伟佛像。
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---------------------------------------------------------------范文最新推荐------------------------------------------------------云冈石窟英文导游词Yungang Caves, one of Chinas four most famous Buddhist Caves Art Treasure Houses, is located about sixteen kilometers west of Datong, Shanxi Province. There exists 53 caves, most of which are made during the Northern Wei Dynasty between 460 and 494 AD, and over 51, 000 stone sculptures. It extends one kilometer from east to west and can be fallen into three major groups.各位游客朋友们:大家好!欢迎大家来到位于塞外古都、煤海之乡的大同观光旅游。
我是大家的导游员杨丽,今天我们将参观举世闻名的佛教艺术宝库---云冈石窟。
它与甘肃敦煌的莫高窟,河南洛阳的龙门石窟并称为中国三大石窟。
云冈石窟开凿于距今1500多年的北魏王朝,现存主要洞窟45个,佛教造像51000多尊,根据武周山势的自然起伏,云冈石窟又自然的分成东区、中区和西区三部分。
其中第14窟为东区,513窟为中区,1445窟为西区。
下面我们就先从中区的第5区开始参观吧。
第5、6窟是一组双窟,是云冈石窟中最精彩壮观、最具代表性的石窟。
第5窟为椭圆形的穹窿顶马蹄形,分前、后两室,进入高大的后1 / 7室,首先引入眼帘的是这尊两腿双盘、双手叠放腿上的大佛。
这种吉祥式坐姿的全结跏趺坐禅定印象,表示着释迦摩尼佛已进入标准的静思维修行状态,是佛的坐、立、行、卧四威仪,即四个庄严地身姿之一。
大佛高17米,是云冈石窟第一大佛。
专家们认为这尊大佛是北魏孝文帝为他的父亲献文帝凿造的佛陀象征。
那么上述历史在此窟是否有所体现呢?请各位细看,大佛头顶为蓝色螺髻,面庞方圆,细眼长眉,鼻梁高直,唇含笑意,两耳垂肩,在端庄、慈祥的神情中透露出神圣、超凡和自信的风貌。
尤其是这尊佛像身穿双领下垂,内衣束结,宽大柔软而下垂的袈裟,衣纹流畅,给人一种丝的质感。
大佛的右侧是未来世弥勒佛,左侧为过去式燃灯佛。
大佛的后面有一个很宽敞的甬道,那是供佛教信徒们礼佛绕行的诵经道。
第6窟是云冈石窟中以精巧著称的一窟,称第一伟窟。
窟平面呈回字形,窟正中凿一方形塔柱。
在巨大的中心塔柱和整个洞窟的四壁上,雕满了佛像、菩萨、罗汉、飞天、供养人、瑞鸟、神兽、花卉,形成了一种热闹拥挤,美妙神奇的佛国氛围,主题以歌颂佛母和表现释迦摩尼一生的成佛弘教经历为主,因而也叫佛母洞。
请大家随我的手势来观赏面前这幅关于右腋诞生的画面:古印度有一个小国叫迦毗罗卫国,国王叫净饭王,王后叫摩耶,他们到了40岁的时候还没有孩子,非常焦急。
有一天,摩耶夫人梦见一位菩萨乘白象而来,后来怀了身孕。
按当地习俗,妇女应回娘家分娩。
摩耶夫人在快临产时,在妹妹和仆人的陪侍下回家。
半路上,他们到蓝毗尼花园休息,刚到一颗菩提树下,夫人预感快要生产了。
于是,一手抓住树枝,一手在妹妹的---------------------------------------------------------------范文最新推荐------------------------------------------------------ 搀扶下,从右腋生出了孩子,这就是乔达摩悉达多,成佛后被尊为释迦族圣人的释迦摩尼。
下面我们要参观的是被誉为云冈石窟外交官和代表作的第20窟---露天大佛。
这尊高达13.7米的结跏趺坐佛像,面容丰满端庄,双肩宽厚平直,身披右袒袈裟,呈大日如来吉祥坐禅定印象,是释迦摩尼对宇宙、社会和人生的一种沉静思考状态。
这尊大佛便是北魏文成帝拓拔睿的象征。
他恢复佛法,开凿云冈石窟,大佛的嘴角微笑神态,表现出佛教徒对他的敬意。
距离产生美,角度显神韵。
在这尊露天大佛面前,以不同的距离和角度观赏,都会产生各种变化着的美及其神韵。
现在给大家20分钟时间在露天大佛前拍照留念,愿大佛炯炯有神的双眸,略带微笑的嘴角,给大家留下深刻的回忆,带来美好的福音。
好,20分钟后我们在这里集合,谢谢大家合作!回顾党的奋斗历程,我们在实践上的,每一个重大发展,理论上的每一个重大突破,工作上的每一个重大进步,都离不开解放思想。
在新的历史起点上,我们发展面临的机遇前所未有,面对的挑战也前所未有。
国际上,世界多极化和经济全球化的趋势深入发展,综合国力竞争日趋激烈,我们仍将长期面对发达国家在经济科技等方面占优势的压力。
从国内看,经济体制深刻变革,社会结构深刻变动,3 / 7利益格局深刻调整,思想观念深刻变化。
空前的社会变革给我们带来了巨大活力,也必然带来这样那样的矛盾和问题。
在这种情况下,只有继续运用解放思想这个锐利思想武器,才能科学认识当今的新趋势新潮流,科学应对各方面的新机遇新挑战。
作为三峡工程所在地的宜昌正在加快省域副中心城市建设,努力使宜昌走在中西部同等城市发展前列,尽早建成世界水电旅游名城。
在这一历史过程中,时不我待,机不可失。
唯有务实创新,求真为民,把解放思想作为谋划发展的起点,全面提升区域经济综合实力,努力建设实力宜昌;加快改革开放和创新步伐,努力建设活力宜昌;着力优化发展环境,努力建设魅力宜昌。
大家都地谈解放思想,到底如何解放思想?重点解决什么问题?笔者认为,当前重在八破八立。
一是破除封建迷信思想,树立实践意识。
胡锦涛总书记强调,凡是符合科学发展观的事情,就全力以赴地去做,不符合的就毫不迟疑地去改.温家宝总理指出,解放思想首先要破除封建迷信,反对本本主义。
只有解放思想才能敢于批判洋人的伪科学与假科学,只有实事求是才能明辩那些是洋人的真科学与假科学,只有与时俱进才能活学活用科学发展观。
更不能是把书本上理论当教条,思想僵化,一切以书本上的定义、定理、定律、公式出发,不从实际出发,不能具体情况具体分析,否认实践是检验真理的标准。
因此,必须树立让实践说话、评价的新意识、新标准。
二是破除骄傲自满思想,树立危机意识。
生于忧患,死于安乐.思想桎梏往往就产生于已往的成绩。
解放---------------------------------------------------------------范文最新推荐------------------------------------------------------ 思想首先就要清醒地看到差距、看到危机,看不到差距是最大的差距,看不到危机是最大的危机。
看差距找危机,眼光主要应盯在沿海发达地区、国内先进城市比。
不要光纵比,更多的应是横比。
如此才能比出差距,比出动力。
三是破除狭隘封闭思想,树立开放意识。
解放思想,必须眼光向外,开拓开放,走出山门。
树立开放眼光,需要我们以开放的姿态来接受新鲜事物;需要我们不断在比较中找到发展差距;需要我们兼收并蓄,善于学习别人的长处,善于借鉴别人的经验。
市场经济是一种跨地区、跨部门、跨国界的全方位的开放性经济,这种开放性要求我们要破除狭隘短视、封闭保守的思想,树立强烈的兼容开放意识。
必须以开阔的胸襟和气度,着眼于大处,自觉融入激烈的全球市场竞争之中,以积极的姿态进一步提高对外开放的水平,通过扩大开放有效解决资金、技术、人才等制约地域经济发展的瓶颈问题,促进资源的大开发和经济的大发展;必须坚定不移地推进对外开放,积极主动地接受发达地区的经济辐射和产业转移,重点把承接东部发达地区的产业转移作为招商引资的主线,抢抓机遇,完善政策,打造平台,优化环境,力争把宜昌建成承接产业转移的重要基地之一。
四是破除无所作为思想,树立拼搏意识。
干事业不可能一帆风顺,办事情不可能没有困难,要突破这些困难,就要敢于面对现实,敢于突破常规定式和传统做法,勇于知难而上,开拓创新,积极探索实现科学发展的新办法,寻求破解发展难题的新途径,提出加快发展的新5 / 7举措,争取更大作为,谋求更大发展。
就要时刻保持良好的精神状态,以满腔的激情和信心对待工作,自我加压,负重奋进,树立战胜困难的勇气,增强化解矛盾的决心,坚定解决问题的信心,做到不为落后找理由,多为发展谋对策。
五是破除见物无人思想,树立人本意识。
科学发展观,基本要求是全面协调可持续发展。
因此,必须进一步破除只重速度、忽视效益,只要增长、牺牲环境,只重当前、不顾长远的观念,牢固树立好字当头、好中求快、又好又快的观念;摒弃粗放式经营、盲目追求gdp的观念,树立富民优先观念,将富民作为党和政府一切方针政策和各项工作的根本出发点和落脚点,作为衡量一切工作的根本标准,想人民之所想、急人民之所急,用心研究和破解那些影响人民群众生活的瓶颈问题和主要矛盾,尤其是关注低收入群众,关心弱势群体,认真解决群众行路难、饮水难、住房难、读书难、看病难、生活难等六难问题,全面提高城乡居民的收入水平,改善人民群众的生活质量。
六是破除胸无全局思想,树立大局意识。
要坚决破除这些胸无全局的小团体观念,树立围绕中心、服务大局的意识。
要正确处理好小团体利益与人民群众根本利益和全市社会经济发展大局的关系。
凡事要从全市的大局出发,要有宽阔的胸怀,在小团体利益和全局利益面前,舍得抛弃个人和部门利益,服从大局利益。
七是破除片面发展思想,树立科学意识。
发展必须增强可持续发展能力,要把思想统一到党的十七大精神和胡锦涛总书记的重要讲话精神上来。
必须把宜昌放在全国、甚至全球的视野中来考量问题、作---------------------------------------------------------------范文最新推荐------------------------------------------------------ 出决策。
八是破除因循守旧思想,树立创新意识。
随着改革开放的不断深入和市场经济的不断发展,我们的发展环境正在发生着深刻的变化,许多新情况、新问题也将不断涌现,必然要求我们在工作方式方法上有所创新、有所突破。
大胆改革创新,努力建设开放型、服务型、创新型宜昌。
7 / 7。