雪夜林边小驻
完整word版,stopping by woods on a snowy evening翻译及赏析
Stopping by Woods on a Snowy Evening[雪夜林边小驻]Whose woods these are I think I know, 我知道林子的主人是谁，His house is in the village though. 虽村落是他所居之地。
He will not see me stopping here, 他不会看到我停留于此，To watch his woods fill up with snow. 凝视他的林子雪花纷飞。
My little horse must think it queer, 我的小马一定以我为怪，To stop without a farmhouse near, 近无房舍，为何停伫。
Between the woods and frozen lake, 况只有林子与冰湖，The darkest evening of the year. 和一年中最黑之夜。
He gives his harness bells a shake, 他轻摇铃具To ask if there is some mistake. 询问有错与否。
The only other sound's the sweep, 唯一的回复来自，Of easy wind and downy flake. 软雪和清风。
The woods are lovely, dark and deep. 林子很美——昏暗而幽深，But I have promises to keep, 但我已有约定。
And miles to go before I sleep. 沉醉前还有一段路要走And miles to go before I sleep 沉醉前还有一段路要走。
1Summary:On the surface, this poem is simplicity itself. The speaker is stopping by some woods on a snowy evening. He or she takes in the lovely scene in near-silence, is tempted to stay longer, but acknowledges the pull of obligations and the considerable distance yet to be traveled before he or she can rest for the night.Form:The poem consists of four (almost) identically constructed stanzas. Each line is iambic, with four stressed syllables:Within the four lines of each stanza, the first, second, and fourth lines rhyme. The third line does not, but it sets up the rhymes for the next stanza. For example, in the third stanza, queer, near, and year all rhyme, but lake rhymes with shake, mistake, and flake in the following stanza.The notable exception to this pattern comes in the final stanza, where the third line rhymes with the previous two and is repeated as the fourth line.Do not be fooled by the simple words and the easiness of the rhymes; this is a very difficult form to achieve in English without debilitating a poem's content with forced rhymes.Commentary:This is a poem to be marveled at and taken for granted. Like a big stone, like a body of water, likea strong economy, however it was forged it seems that, once made, it has always been there. Frostclaimed that he wrote it in a single nighttime sitting; it just came to him. Perhaps one hot, sustained burst is the only way to cast such a complete object, in which form and content, shape and meaning, are alloyed inextricably. One is tempted to read it, nod quietly in recognition of its splendor and multivalent meaning, and just move on. But one must write essays. Or study guides.Like the woods it describes, the poem is lovely but entices us with dark depths--of interpretation, in this case. It stands alone and beautiful, the account of a man stopping by woods on a snowy evening, but gives us a come-hither look that begs us to load it with a full inventory of possible meanings. We protest, we make apologies, we point to the dangers of reading poetry in this way, but unlike the speaker of the poem, we cannot resist.The last two lines are the true culprits. They make a strong claim to be the most celebrated instance of repetition in English poetry. The first "And miles to go before I sleep" stays within the boundaries of literalness set forth by the rest of the poem. We may suspect, as we have up to this point, that the poem implies more than it says outright, but we can't insist on it; the poem has gone by so fast, and seemed so straightforward. Then comes the second "And miles to go before I sleep," like a soft yet penetrating gong; it can be neither ignored nor forgotten. The sound it makes is "Ahhh." And we must read the verses again and again and offer trenchant remarks and explain the "Ahhh" in words far inferior to the poem. For the last "miles to go" now seems like life; the last "sleep" now seems like death.The basic conflict in the poem, resolved in the last stanza, is between an attraction toward the woods and the pull of responsibility outside of the woods. What do woods represent? Something good? Something bad? Woods are sometimes a symbol for wildness, madness, the pre-rational, the looming irrational. But these woods do not seem particularly wild. They are someone's woods, someone's in particular--the owner lives in the village. But that owner is in the village on this, the darkest evening of the year--so would any sensible person be. That is where the division seems to lie, between the village (or "society," "civilization," "duty," "sensibility," "responsibility") and the woods (that which is beyond the borders of the village and all it represents). If the woods are not particularly wicked, they still possess the seed of the irrational; and they are, at night, dark--with all the varied connotations of darkness.Part of what is irrational about the woods is their attraction. They are restful, seductive, lovely, dark, and deep--like deep sleep, like oblivion. Snow falls in downy flakes, like a blanket to lie under and be covered by. And here is where many readers hear dark undertones to this lyric. To rest too long while snow falls could be to lose one's way, to lose the path, to freeze and die. Does this poem express a death wish, considered and then discarded? Do the woods sing a siren's song? To be lulled to sleep could be truly dangerous. Is allowing oneself to be lulled akin to giving up the struggle of prudence and self-preservation? Or does the poem merely describe the temptation to sit and watch beauty while responsibilities are forgotten--to succumb to a mood for a while?The woods sit on the edge of civilization; one way or another, they draw the speaker away from it (and its promises, its good sense). "Society" would condemn stopping here in the dark, in the snow--it is ill advised. The speaker ascribes society's reproach to the horse, which may seem, at first, a bit odd. But the horse is a domesticated part of the civilized order of things; it is the nearest thing to society's agent at this place and time. And having the horse reprove the speaker (even if only in the speaker's imagination) helps highlight several uniquely human features of the speaker's dilemma. One is the regard for beauty (often flying in the face of practical concern or the survival instinct); another is the attraction to danger, the unknown, the dark mystery; and the third--perhapsrelated but distinct--is the possibility of the death wish, of suicide.Not that we must return too often to that darkest interpretation of the poem. Beauty alone is a sufficient siren; a sufficient protection against her seduction is an unwillingness to give up on society despite the responsibilities it imposes. The line "And miles to go before I sleep" need not imply burden alone; perhaps the ride home will be lovely, too. Indeed, the line could be read as referring to Frost's career as a poet, and at this time he had plenty of good poems left in him.2This poem is written by the American poet Robert Frost whose works are mostly concerned with nature. In this poem, he describes a little incident happening in a snowy evening. As a traveler, the poet is fascinated by the beautiful scene in the woods. He stops to enjoy it, but his mind urges him to go on, because there is still a long way ahead of him, an unfinished duty waiting for him. This poem is plain in words, but profound in meaning. Since it is full of symbolic constructs, it is thought- provoking, and the readers can get great fun in developing the subtext.In the first stanza, the poet leads us to a piece of beautiful woods filled up with snow. As we all know that the woods are usually linked with myth, the unknown world, and the utmost tranquillity. We can guess that, in this poem, the poet takes the woods as the eternal life, the bliss, that is to say the Heaven. He is fed up with the routine duties, and wants to rest forever. The woods happens to provide an ideal place.Then it comes to the snowy evening. “It is the darkest evening of the year.” The snow is cold and the evening dark, all of which indicate that the poet is depressed inside. His subconscious wants him to stop, but his “little horse” with the inspiring bells, which is actually a symbol of vitality, urges him to go. In the second stanza, the poet uses “frozen lake” to denote dea th. Why he transfers the embodiment of death from the beautiful “woods” to the deadly “frozen lake” is because the point of view has changed from the poet to the little horse.In the third stanza, the little horse wonders why the poet stops when he should have go on. Only “the easy wind” and “downy flake” answer it with soft sweep. We can imagin the scene: the “downy flake” is so light and gentle that it flies in the soft wind. Thus we can get the idea: the poet’s answer is as slight and uncertain as the flakes, because he himself doesn’t know why he stops suddenly in the woods.Toward the end, the poet comes back from the illusion. Though the woods are attractive, he must move on, because he has promise to keep. “The promise” could be an obligation or a goal. One cannot die before fulfilling one’s dream. The poet uses “sleep” to represent death, just as we usually do.In this poem, Robert Frost discusses the relation between mortal obligations and the eternal rest. One leaves no regrets after he dies, as long as one has reached his goal.3In the poem, “Stopping by Woods on a Snowy Evening,” the speaker stops by some woods on a snowy evening and absorbs the lovely scene. The speaker is tempted to stay longer, butacknowledges that he has obligations and a considerable distance to travel before he can rest for the night. The speaker talks with a tone of satisfaction, but at the end of the poem shows a tone of fatigue or tedium. The mood of poem, devotion, appears in lines fourteen and fifteen.The poem offers a great deal of imagery, such as dark, deep woods in line thirteen that are being filled with large amounts of snow pouring from the sky in line four, and house in a small village, again the snow coming down, except this time on the roof the house, in line three. Also, a frozen lake, let it be big or small, with the sky darkening fast, in lines seven and eight. In the third stanza, a horse is shown shaking the bells on his reigns, as if to call the attention of the speaker, to inform him that he must have made a mistake.The poem consists of four almost identically constructed quatrains. Each line has iambic tetrameter. Within the four lines of each stanza, the first, second, and fourth lines rhyme. The third line does not, but it sets up the rhymes for the next stanza. The rhyme scheme is as follows: a,a,b,a;b,b,c,b. For example, in the second stanza, lines five through eight, queer, near, and year all rhyme, but lake rhymes with shake, mistake, and flake in the following stanza. The only exception is the last stanza in which the third line rhymes with the previous two lines and is repeated as the fourth line, therefore the rhyme scheme: d,d,d,d.This poem speaks of wanting to enjoy the pleasures of life, such as watching woods fill up with snow, but then it concludes with the speaker acknowledging that he has work to do, and one can assume that he proceeds on to do it. The poem seems to be stating that it is all right to enjoy the special moments in life, but if one makes a promise, he should not compromise it with the things he enjoys, even if the activities seem better than working.4Robert Frost's Stopping by Woods on a Snowy Evening is by far one of my favorite works of modern poetry. The pensive, unhurried mood of the poem is reflected with a calm rich imagery that creates a vivid mental picture. The simple words and rhyme scheme of the poem give it an easy flow, which adds to the tranquility of the piece. Every aspect of the poem builds off the others to put the mind into the calm of a winter evening. The first stanza of the poem is rather simple and provides the basis for the imagery. It mentions the woods and implies that they are located away from town and civilization his house is in the village though. It also shows the easy pace that speaker is taking, having plenty of time to simply watch the falling snow. As I think about them, the words of the first stanza are not overtly somber, they do however through their order and the way they were chosen create a rather pensive mood. The second stanza provides a more in depth view of the imagery sketched out in the first; it also provides a more definite time and location. The first two lines of this stanza firmly place the reader rather deep in the woods and away from any dwelling. He is so far out in fact that his horse is puzzled by his actions. The next line gives a better image of the scene Between the woods and frozen lake; it seems to be a rather quiet and lonely place. The next line then provides that it is night and very dark, either emotionally or actually. I think that Frost intended to make that line rather ambiguous The darkest evening of the year, It can either be taken literally as the most lightless night, or it can be taken as the night of the darkest emotions. I think that it is a combination of the two, a dark moonless winter night in which the speaker experiences some form ofdepression or loneliness. The third stanza of the poem brings the strangeness of the situation to a head. The only other living being in this cold lonely landscape, the speaker's horse takes action to find the reason for the odd stopping. The noise from the inquisitive harness bells provide contrast to the quiet of the scene, where the only other sounds a wind and snow. The descriptions of the sounds provide a little insight to the speaker's mindset and position. He is so still that he can here the soft fall of the downy flake and hear the movement of the easy wind. This also shows a great calm and patience that the speaker must posses. The final stanza of the poem brings all the sentiments of the poem together, an intense love and awe of nature, a never ending patience and some unknown task or problem that robs the speaker of rest. The dark and deep woods seem to reflect the speaker, his dark emotion and depth of character. There stillness also contrasts with the need of the repeated closing lines And miles to go before I sleep/ And miles to go before I sleep. These final lines represent the problem that has plagued the speaker and that is most likely responsible for his dark mood. It is something that is undefined that does not demand a rush to deal with, but is important enough to demand attention. The poem as a whole, is a simple effigy of a quiet thoughtful night. I can easily relate to the poem, the emotions it describes and the way that the images are presented. The careless ease with which the poem is read is vital to the poem as a whole. Also this is my favorite poem, I didn't have to open the book to remember it, only to see its format again. It reminds me of the moods I feel on snowy nights or early mornings. I live in the woods and before I drove; I often walked through them as a shortcut to visit friends, so I have many memories of stopping by a neighbors wood on an easy walk home, and watching the snow slowly fall.。
雪夜林边小驻主旨
雪夜林边小驻主旨《雪夜林边小驻》是一篇描写冬季自然景色和人物生活的小说，主旨是表现人与自然的和谐共生关系。
小说通过对主人公小驻的描写，表现了一个勤劳、善良、热爱自然的普通人在大自然中的生活状态，同时也展示了大自然的美丽和神秘。
整个故事发生在一个寒冷的冬夜中，小驻在林边搭建了一间简陋的房子，并靠着打猎和种菜维持着自己的生计。
作者通过对雪地、树林、湖泊等自然景色的描绘，让读者感受到了冬季大自然中那种寂静而神秘的氛围。
同时，作者也通过对小驻日常生活琐事和内心感受的描写，让读者更加深入地了解了这个普通人在大自然中所面临的各种挑战和困难。
小说中最令人印象深刻之处是它所表现出来的人与自然之间的和谐共生关系。
虽然小驻经常需要面对食物不足、天气恶劣等各种困难，但他从未对大自然产生过敌意或者不满。
相反，他总是尽可能地去适应和融入自然环境，并且对自然充满敬畏之心。
例如，在小说中，小驻经常会在夜晚出门观察星空，感受大自然的神秘和美丽；他还会在林间寻找野果、野菜等食物，从而更好地了解和利用自然资源。
此外，小说中还涉及到了一些人性的主题。
例如，在小说结尾处，小驻为了帮助一个受伤的猎人而冒着生命危险去寻找医药。
这种关注他人、乐于助人的精神是我们所应该学习的。
同时，在小说中也展现了一些社会不公和阶级差异问题。
小驻虽然勤劳善良，但由于出身贫寒，很难得到社会上的认可和支持。
总之，《雪夜林边小驻》这篇小说通过对大自然景色和人物生活状态的描写，表现了一个勤劳、善良、热爱自然并且具有一定社会意识的普通人在大自然中的生活状态和精神面貌。
它所表现出来的人与自然之间的和谐共生关系，以及小驻身上所体现出来的关注他人、乐于助人的精神，都是我们所应该学习和追求的。
雪夜林边小驻诗歌赏析
雪夜林边小驻诗歌赏析节奏及韵律：这是一首规范的四步抑扬格小诗。
诗歌的押韵形式是a a b a, b b c b, c c d c，d d d d.例如第一诗节中的know,though,here,snow.此外诗歌还运用了头韵，第二行的the和though,第三行的see和stopping,第四行的watch和woods,等等。
诗人在诗中对一些音素进行了重复使用，例如/s/这个音，stop,sweep,snow,sleep,听起来就像是下雪时的丝丝声，很宁静，很温馨；以/w/开头的单词，wind，wood，will，without,令人想起风呼啸的呜呜声；还有众多带/t//d/音素的单词，像极了马儿奔驰的答答声。
头韵和对同一音素的重复使用，首尾音的巧妙安排，这些都极大的加强了诗歌的音乐美感，使得全诗节奏分明。
内容：第一节写诗人骑马夜行，途中被一片树林吸引而驻足林边。
诗人欣赏着被雪覆盖的树林，而林子真正的主人却一无所知。
此时诗人沉醉其中，分不清现实和幻想。
第二节，诗人的陶醉其中被马儿打断了，马儿觉得奇怪，为何主人在此处停留，一个荒凉之地？这儿湖面冰封，近无人家，林木雪盖。
第三节马儿继续发问，为什么诗人要在此停留？它用玲儿询问诗人，此时诗人的内心是矛盾重重，理不清楚的，他没有回答马儿的问话。
马儿在此可看作是幻想世界和现实世界的中间人，它将迷茫中的诗人拉回现实。
也可以说马儿是诗人的另一个自我。
第四节诗人告诉了我们最终矛盾的结果，虽然雪夜下的树林是如此静谧可爱，幽静深远，令人流连忘返，沉醉其中，可诗人不能就此停住，他还有更重要的是要去完成，生活的责任和义务他不能放手。
最后诗人的理性战胜了感性，他无奈的离开了树林，重新出发。
整首诗诗人用浅显易懂的文字，写出了雪夜树林的寂静和人物内心的孤独和矛盾。
语言：这首诗语言的重要特征就是大量运用象征和比喻。
例如woods和snow就有很强的象征性。
Woods象征着大自然的神秘和复杂，snow则象征着诗人纯洁和简朴的品格，二者形成强烈对比。
雪夜林边小驻诗歌赏析
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雪夜林边小驻诗歌赏析
诗歌是语言的艺术，它以其丰富的想象力、极强的感染力和永恒的文学价值，在文学殿堂里如瑰宝般灿烂。
《雪夜林边小驻》的篇幅不长，但它描述了一个完整的故事。
雪夜无边静美令人沉醉，让疲倦的旅人驻足不前，而生命承诺及责任又让旅人不得安睡，必须再次启程，踏上未知的旅途。
本诗语言朴素却又含义隽永，用浅显易懂的文字，道出了雪夜树林的寂静和人物内心的孤独和矛盾，充满梦幻情调和淡淡忧思。
读者在欣赏这篇诗作时，不仅能够欣赏到美丽的雪景，还能够明白费罗斯特对生活的理解以及追求。
雪夜——寒冷与幽暗——象征着诗人心境的凄冷状态
树林——美丽、幽深——象征着诗人的寄托
小马——无忧无虑——象征生命和活力
湖冰——冰冷——象征着死亡
雪花——漫天遍野——象征着扑朔迷离。
雪夜林边小驻诗歌鉴赏
雪夜林边小驻诗歌鉴赏
嘿，你知道那首吗？哇哦，那可真是一首超级迷人的诗歌呀！
想象一下，在一个安静的雪夜，四周一片洁白，就好像整个世界都
被雪花给覆盖了。
你走在树林边，突然就停了下来。
“我想我认识这片
树林，主人的房子就在前村，却看不见我在此歇马，看他林中飘满的
雪景。
”这感觉，是不是特别奇妙？就好像你突然闯入了一个只属于自
己的宁静世界。
诗里说“我的小马一定觉得奇怪，为何停在荒林边界，附近既看不
到一间农舍，又没有一棵kubernetes 等待收割。
”这小马就像是我们内
心的疑惑，在问我们为啥要在这儿停留呀。
这不就跟我们有时候一样嘛，会对一些突然的决定感到奇怪。
“它把颈上的铃铛摇响，问我是不是出了差错，那清脆的铃声就像
冰面破裂，寂静在深夜里格外清晰。
”哎呀呀，这铃铛声简直太生动啦！就好像在寂静的夜里突然响起的声音，能把你从思绪中拉回来。
“林中有只小鸟在召唤，它说夜幕虽然已降临，护林人，你不必再
前行，前面的路可没什么好看。
”这小鸟就像是个小精灵，在提醒你该
停下脚步享受这一刻啦。
整首诗就像是一幅美丽的画卷，把我们带到了那个雪夜的树林边。
让我们也能感受到那份宁静和美好。
我觉得呀，这首诗真的是太赞了！它让我们在忙碌的生活中，找到了一个可以停下来静静欣赏的角落。
它告诉我们，有时候放慢脚步，去感受身边的美好，是多么重要的一件事啊！你难道不这么认为吗？。
雪夜林边驻译文对比赏析
雪夜林边驻译文对比赏析探析《雪夜林边小驻》摘要:《雪夜林边小驻》的语言简洁清新,给读者宁静安详的景象。
作者罗伯特·费罗斯特是美国最出名的诗人之一。
在这首诗里,他通过描写森林、马和沉睡来表达他对生活的理解和感悟。
关键词:森林文体抑扬格拟人《雪夜林边小驻》是一篇描写风景的短诗,里面所描写的雪景给读者的印象是唯美的。
要学习这首诗,首先从它的基本信息着手,如作者、诗的体裁等,然后是诗的文体特征。
1 基本信息1.1 作者《雪夜林边小驻》的作者是罗伯特·费罗斯特(1874-1963),是20世纪美国最著名的诗人之一,当时在美国享有非常高的名誉和地位。
他的诗描写的主要是生与死,爱与恨,战争与和平问题,因此被誉为哲学诗人。
但他最感兴趣的是大自然以及大自然和人类之间的关系。
他大部分著作以新英格兰的乡村为背景,充满了强烈的乡土气息和诱人的田园情趣,所以他也被称为田园诗人,并被赋予“新英格兰诗人”和“美国民族诗人”的称号。
罗伯特·费罗斯特仁慈聪颖;他的诗歌风格也清新质朴,阐述了生命的真谛。
1961年他被邀请出席肯尼迪总统的就职典礼,并朗读了他的诗作《彻底的礼物》,之后便成为美国人心中的“民间桂冠诗人”。
他不仅发扬了传统诗篇的创作技巧,还建立了自己的写作风格;他是连接欧美传统诗和现代派诗篇的桥梁,因而有些评论家也称之为“交替性诗人”。
费罗斯特从来把自己归为任何一个学派,对由庞德和艾略特等所发起的新诗运动毫无兴趣,并拒绝接受法国先锋派的诗篇创作原则,他感兴趣的是独创性。
他四次获得普立兹奖,并在1938年和1941年获得美国艺术文学和美国诗社奖。
作为描写大自然的诗人,费罗斯特将具本土特色的、清新自然的新英格兰英语融入到传统的抑扬格诗篇里,采用本土方言进行诗篇创作,这种创作方法为华兹华斯高度赞扬。
他经常将意义/哲理隐含于各种各样的形象,以表达他对生活、社会和宇宙的看法。
因此他的诗作充满了神秘色彩和宗教意义。
十大现代诗
十大现代诗当代诗歌是一个非常重要的艺术形式，它有着众多优秀的作品和才华横溢的诗人。
以下是十个现代诗歌，它们各具特色，有些描绘了现代社会的残酷与无情，有些则表达了对生命和爱的热爱。
1. 埃德文·阿什福德《在地铁车站》在地铁车站，一个清冷的夜晚，我看到一个瘦弱的男人，独自徘徊，他的面容疲惫，心事重重，仿佛他的生命中充满了悲伤。
2. 罗伯特·弗罗斯特《雪夜林边小驻》雪夜林边小驻，静谧静谧无边，听着溪流潺潺，雪花飘落，思维飘忽不定，心中纷扰渐消，我想念你，远方的你，无可比拟。
3. 托马斯·特朗斯特罗姆《地铁车站》人群中，我注视到一位女士，她独自沉思，仿佛在寻找什么，我试图理解她的处境，然而，语言无法传达我内心的感受。
4. 威廉·巴特勒·叶芝《湖水》湖水碧绿，平静如镜，它映照着天空和山脉，对于那些爱着的人来说，湖水是一面镜子，映射着他们的内心。
5. 詹姆斯·希尔顿《失落的地平线》在那个遥远的地方，一个被遗忘的村庄，人们生活在天堂般的环境中，他们真诚、善良、快乐，那是我们渴望已久的真正的幸福。
6. 埃德文·阿什福德《雨天》雨天，孤独的日子，雨水打在窗户上，思念涌动，情感澎湃，我想念你，像雨天一样深沉。
7. 罗伯特·弗罗斯特《两条路》走的路上，我遇到两个人，一个选择这条路，另一个选择那条路，我不知道他们会去哪里，但我知道他们会分别。
8. 托马斯·特朗斯特罗姆《画像》一位诗人，长期孤独生活，坐在窗前，面对一片山景，他的内心世界，像诗歌一样美丽，他的心灵，在寂静中燃烧。
9. 詹姆斯·希尔顿《失落的地平线》在那个遥远的地方，一个被遗忘的村庄，人们生活在天堂般的环境中，他们真诚、善良、快乐，那是我们渴望已久的真正的幸福。
10. 埃德文·阿什福德《雪夜林边小驻》雪夜林边小驻，静谧静谧无边，听着溪流潺潺，雪花飘落，思维飘忽不定，心中纷扰渐消，我想念你，远方的你，无可比拟。
弗罗斯特《雪夜林边小驻》意象的复义研究
弗罗斯特《雪夜林边小驻》意象的复义研究弗罗斯特的诗歌被誉为“现代黑暗诗”，黑暗而超自然的主题一直是它所突出的最大特点。
其中，《雪夜林边小驻》诗歌中的意象非常的有意义和深刻，其中所表达的沉浸感和黑暗的氛围让该诗歌成为弗罗斯特黑暗诗集中的精。
这首诗歌中，弗罗斯特使用多个意象来表达他对这个晚上的沉思。
例如，他用“落尽的林灰，林荫苍参”来描绘一个深邃而幽暗的夜晚。
此外，他还利用“那深沉雪夜独自落泪”来描述他在这个雪夜中所感受到的孤独和忧伤。
这些意象可以把读者带入一个阴郁而又沉重的氛围，让他们能够感受到诗人的心境。
此外，弗罗斯特将自然景观和人类的情感联系起来，用不同的意象来表达他对这个场景的感受。
例如，他用“白雪飘香，月儿暗映，林荫苍参”比喻出在黑夜里他有种置身于世外桃源的感觉。
而随着“一片静谧，唯有颠簸的车声，突破了深夜的宁静”的出现，他的思想又从美好的回归到现实的现实生活之中。
这些意象表达了他对夜晚的不同感受，表达了他的情感和思想的变化。
另外，弗罗斯特还运用多种抒情手法，以及全文的歌德式写作风格，把这首诗写得非常生动而感人。
他使用了比喻、拟人等修辞手法，把整首诗写得淋漓尽致，使其充满了深刻而抒情的意味，特别能够打动读者的心。
总之，弗罗斯特在《雪夜林边小驻》诗歌中有效地使用了多种意象，巧妙地将自然和人类的情感联系起来，以及大量的抒情修辞手法，使其成为弗罗斯特黑暗诗集中的代表作之一，值得进行深入的复义研究。
本文就以《弗罗斯特《雪夜林边小驻》意象的复义研究》为题，探讨弗罗斯特《雪夜林边小驻》诗歌中的意象以及复义的含义。
文章首先对该诗的结构进行分析，从而了解诗歌中的意象、主题、抒情以及弗罗斯特的歌德式写作风格，以及其引用的其它作家作品。
随后结合弗罗斯特诗歌中所用到的修辞手法，进一步讨论诗歌中所涉及的多种意象以及它们的复义，如“林灰”、“月儿”、“雪夜”等的含义。
最后，结合复义的深刻意义，分析弗罗斯特诗歌中暗藏的抒情修辞手法以及深刻的情感表达，指出它们比较特殊的表现手法，从而反映出弗罗斯特经典诗歌中深刻的心灵乐趣。
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诗人Robert Frost 简介：弗罗斯特(Robert Frost)(1874-1963) 美国现代著名诗人。
主要诗集有《孩子的意愿》、《波士顿以北》、《新罕布什尔》、《西去的溪流》、《理智的假面具》、《慈悲的假面具》、《林间中地》等。
1874年3月26日生于美国西部的旧金山。
他11岁丧父，后随母亲迁居东北部的新英格兰。
弗罗斯特诗歌风格上的一个最大特点是朴素无华，含义隽永，寓深刻的思考和哲理于平淡无奇的内容和简洁朴实的诗句之中。
这既是弗罗斯特的艺术追求，也是他事业成功的秘密所在。
这前后曾做过纺织工人、教员，经营过农场，并开始写诗。
他徒步漫游过许多地方，被认为是“新英格兰的农民诗人”。
弗罗斯特的诗歌最初末在美国引起注意，1912年举家迁往英国定居后，继续写诗，受到英国一些诗人和美国诗人埃兹拉·庞德的支持与鼓励，出版了诗集《少年的意志》(1913)与《波士顿以北》(1914)，得到好评，并引起美国诗歌界的注意。
获得四次普利策奖，被称之为美国文学中的桂冠诗人，1915年回到美国，在新罕布什尔州经营农场。
他的诗名日盛，于1924、1931、1937、1943年4次获得普利策奖（普利策奖也称为普利策新闻奖。
1917年根据美国报业巨头约瑟夫·普利策（Joseph Pulitzer）的遗愿设立，二十世纪七八十年代已经发展成为美国新闻界的一项最高荣誉奖，现在，不断完善的评选制度已使普利策奖成为全球性的一个奖项。
约翰·肯尼迪（John Kennedy，1917年5月29日－1963年11月22日）是唯一获得这个奖项的美国总统。
）并在几所著名的大学中任教师、驻校诗人与诗歌顾问。
弗罗斯特常被称为“交替性的诗人”，意指他处在传统诗歌和现代派诗歌交替的一个时期。
他又被认为与艾赂特同为美国现代诗歌的两大中心。
弗氏诗歌充满新英格兰乡间风味，诗歌语言平实，充满美国口语色彩，而诗人更被看作是美国的民族诗人。
Robert Frost(1874一1963)is a poet whose Poems begin with description of simple events，but usually end in Profound connotations far beyond the description of the specific events. This skill of expressing universal significance of truth through specific description of some Particular events is typical of Robert Frost’s style.A careful reading of his poem“Stopping by Woods on a Snowy Evening’’ will show a great deal about his style.《雪夜林边驻足》是诗人最闻名的诗作之一，于1923年发表在诗集《新罕布什尔》(New Hampshire)上。
故事简介：The Poem begins with a situation .A man一Robert Frost一is on his way to Somewhere at twilight in winter. .It is snowing .As he passes by a patch Of Woods .He stops to observe the snow flakes falling into the dark woods。
The man is quite familiar with this place since he knows whose woods these are and where the owner lives，but nobody sees him standing there and enjoy in the flying flakes .诗歌第一节，诗人来到树林边，被雪夜的树林所诱惑在此驻步。
而林子的主人正舒适地待在家中温暖的火炉旁，他不会想到怎么还有人那么傻，在这样的夜晚停在他的林子边陷人沉思。
树林只是属于他的财产，可以为他带来利润，仅此而已。
而对于诗人而言，自然的美已不仅仅是单纯的美。
幽静的树林，在白雪的搜盖中透着神秘的气氛。
这里没有人类的印迹，它远离尘嚣，远离喧哗与骚动。
眼前的自然美景完美而神秘，使诗人对那彼岸世界无限向往，意欲永远地沉浸在那幻想世界中。
诗中所描写的林中世界—沉静而又孤寂，它是诗人心中的幻想世界，也使诗人向往的彼岸世界的无限向往，其并存的是另外一个具有人类及社会责任的世界。
树林是自然的，村庄是人类的。
树林象征了幻想的世界，而林子的主人和村庄代表着现实世界。
诗人从现实世界中来，被彼岸世界所引诱，自然与人类，幻想与现实之间的矛盾在积极地酝酿中。
可是小马儿发出了疑问。
第二、三节中诗人思想的矛后进人高潮，小马儿感到疑惑不安，这附近并无农舍，也无食物供应，为何在此停留?他就像个天真的孩童，川铃声询问自己的主人。
诗人从铃声中惊醒，也从幻想中走出。
却又陷入了幻想一与现实的矛盾中。
诗人并未回答马儿。
风，柔和地吹;雪，轻轻的落;除此以外，四周一片寂静。
马儿在此担当了幻想世界与现实世界的中间人。
而又显然的偏向于后者。
他在诗人完全陷人幻想中时将诗人拉回现实。
事实上此处马儿可看作是诗人的另一自我一现实中的自我或理卿的自我。
亦或是马儿惊醒了理料的自我。
幻想中的诗人可以抛弃掉尘世的责任与义务，烦恼与不幸，无拘无束驰骋在幻想世界中，不理凡尘俗事。
可是若任由幻想中的自我去响应那彼岸世界的呼唤，诗人会选择就此安息。
现实或理卿的自我不能袖手旁观，理柳与幻想在激烈地斗争，树林与冰湖象征的彼岸世界力量如此强大，使诗人看不到那白雪皑皑，而眼中只有一年中最漆黑的夜晚，这黑夜预示着诗人的最后安也、处，那是一种永远平静，与自然同在，与世隔绝。
理柳的自我不允许诗人就此沉睡，诗人被唤醒，随之陷人两难的选择困境。
希望大自然能给予些许启示，可世界只是沉默，只有风轻轻地吹，雪轻轻地下。
无沦诗人在想什么，心中的斗争多么激烈，大自然只按它的轨道运转，无暇顾及诗人。
第四节告诉我们矛盾斗争的结果。
尽管树林可爱、幽暗而深远，在雪夜中令人流连忘返，可现在还未到就此停住的时候，还有尘世的责任与义务，生活的素愿未完，不能任凭自己沉浸在幻想中。
理卿战胜了自我，最后诗人反复咏唱“再走一程才能人睡”，表现出诗人的无奈。
此处重复造成另一种效果，好似催人昏昏欲睡，预示着也许诗人的理智是薄弱的，内心深处的自我仍憧憬着永恒安宁的彼岸世界。
写作风格及手法：这首诗不仅很短，而且文字浅显易懂，深入简出，然而诗人却表现出了雪夜树林的寂静和人物思想的孤独，黑夜单骑马赏雪描写就令人难忘，而出于平易的语言就更加动人了。
（1）暗喻及象征：（Metaphor and Symbolism）诗歌语言的一个重要特征就是大量运用意象（image）。
所谓意象就是用具体的形象或画面来表现人们在理智和情感方面的体会和经验。
这首诗表现的形象（image）很有深度，而树林和白雪又有强烈的象征性（symbol），如果说“树林”象征着大自然的神秘和复杂，那么诗歌中的“白雪”则象征着诗人纯洁和简朴的品格，二者形成强烈的对比。
在诗中，弗罗斯特借助“马”的提醒“My little horse must think it queer-to ask if there is some mistake”告诫自己“I must have my promises to keep”这马被赋予人的行动和思维，是一种拟人的修辞手法。
事实上“马”这种参照物可以看作诗人的另一个侧面，是诗人的“本我”，一个“我”催促着向前行，不停蹄。
这些都生动地刻画了诗人当时的矛盾心理，丰富了诗歌的内涵。
《雪夜驻足林》貌似写景叙事，实则借景寄情，情寓于景。
马儿与诗人默默交流、心神合一，把景色融入诗人心中，把情愿投入大自然的怀抱，那片可爱幽深的树林有暗示着某种神秘而不知的东西，对诗人有着无穷的诱惑，令他心驰神往，而诗人最终觉醒：“I have promises to keep”这里的“promises”是诗人对生活（社会家庭）所肩负的职责，这种强烈的职责才使诗人有“And miles to go before I sleep.”。
此句中“sleep”运用了暗喻(metaphor)的修辞手法，表示诗人坚定不移的决心，在人生的旅途或创作生涯中感到有相当长的路要走，这种锐意进取的精神正是弗罗斯特当时意气奋发的展现。
（2）对比（contrast）：人与马的对比。
（略带过）（3）重复（repetition）：诗歌中词、词组或句子在不同地方的重现,能起到渲染气氛、前呼后应的作用。
在同一个地方两句更多诗句的重复实际上就是诗意的延伸,而且是非常明显的延伸。
《雪夜林边停留》中最后两行诗句的重复就是诗意的延伸,是全诗真正地的点睛之笔。
第一句“And miles to go before I sleep”延续着其他诗句所阐述的字面意义,但我们必须达到更高的诗的境界,就应该知道诗歌所暗示的内容要比它直接说出来的多得多。
接着我们看到了第二句“And miles to go before I sleep”,它表面柔和但穿透力极强,让人不能忽视更无法忘记。
最后一句的“And miles to go”好像在讲述生命的历“sleep”却暗喻死亡,与前面的woods(暗喻死亡的森林)和farm house(暗喻坟地)。
诗的高潮在最后一小节凸现,就是神秘树林的吸引力与因为责任而不得不离开树林的拉力之间的冲突。
树林是死亡的诱导,在最后一小节中产生象征共鸣:叙事者被他自己所认为的“可爱、幽黑、深邃”的死亡诱导,但是在他能“安睡”之前,他还有很多任务要去完成。
（4）音韵：此诗是比较规范的四步抑扬格（iambic tetrameter）诗的尾韵是a a b a, b b c b, c c d c, d d d d的形式。
此外诗中还运用了头韵和半谐音，如：第二行的His house, the ...though，第三行的He...here, see... stopping以及第四行的watch...words...with, 诗人在诗中还多次重复了某些音素，我们从诗中发现许多以/s/开头的单词，如sweep, snow, stop,some sound, sleep, 这种/s/音不断地重复，像是正在下雪的“沙沙声”给人以一种宁静的幽雅之感，同时还可以从诗中发现不少以/w/开头的单词，如wind, wood , will, without等，听到这种类似风的“呜呜”声寒襟之感油然而生，像must,without, little是以/t/结尾，darkness是以/d/开头，/t/、/d/结尾的音极像马踏寒冰的“嗒嗒”声。