10.James Joyce EVELINE
Eveline

Stream of Consciousness
Psychoanalytic method of Sigmund Freud Intuitive of Henri Bergson
The thoughts of a character in the random, seemingly unorganized fashion in which the thinking process occurs
侧重从复杂多变的内心世界和意识重从复杂多变的内心世界和意识活动来反映客观世界以特殊的活动来反映客观世界以特殊的角度曲折的方式来反映现实生角度曲折的方式来反映现实生现代主义小说的根本特点现代主义小说的根本特点在题材内容上从着重反映外部在题材内容上从着重反映外部物质世界转向着重表现个人的内物质世界转向着重表现个人的内心精神世界心精神世界在结构上从以时间为顺序的线在结构上从以时间为顺序的线状结构变为突破时间空间框架状结构变为突破时间空间框架的放射形结构的放射形结构现代主义小说的社会内容现代主义小说的社会内容着重表现自我着重表现自我危机感危机感异化异化现代主义小说的结构现代主义小说的结构蛛网状结构蛛网状结构以现代小说的表现对象自我以现代小说的表现对象自我为中心让自我的各种思绪为中心让自我的各种思绪感觉遐想幻觉各种胡思乱感觉遐想幻觉各种胡思乱想自言自语从这个中心向四处想自言自语从这个中心向四处辐射出去构成放射形的蛛网结辐射出去构成放射形的蛛网结现代主义小说的结构现代主义小说的结构在这种结构里时间空间因果在这种结构里时间空间因果等逻辑关系的观念已被突破故事情等逻辑关系的观念已被突破故事情节的完整性和连贯性已被放到可有可节的完整性和连贯性已被放到可有可无的地位
Eveline
Not leaving
高中生经典英文小说阅读与欣赏系列 Eveline

Evelineby James JoyceSHE sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses. One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it -- not like their little brown houses but bright brick houses with shining roofs. The children of the avenue used to play together in that field -- the Devines, the Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters. Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming. Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from. Perhaps she would never see again those familiar objects from which she had never dreamed of being divided. And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:"He is in Melbourne now."She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question. In her home anyway she had shelter and food; she had those whom she had known all her life about her. O course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were peoplelistening."Miss Hill, don't you see these ladies are waiting?""Look lively, Miss Hill, please."She would not cry many tears at leaving the Stores.But in her new home, in a distant unknown country, it would not be like that. Then she would be married -- she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence. She knew it was that that had given her the palpitations. When they were growing up he had never gone for her like he used to go for Harry and Ernest, because she was a girl but latterly he had begun to threaten her and say what he would do to her only for her dead mother's sake. And no she had nobody to protect her. Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages -- seven shillings -- and Harry always sent up what he could but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn't going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad on Saturday night. In the end he would give her the money and ask her had she any intention of buying Sunday's dinner. Then she had to rush out as quickly as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions. She had hard work to keep the house together and to see that the two young children who had been left to hr charge went to school regularly and got their meals regularly. It was hard work -- a hard life -- but now that she was about to leave it she did not find it a wholly undesirable life.She was about to explore another life with Frank. Frank was very kind, manly, open-hearted. She was to go away with him by the night-boat to be his wife and to live with him in Buenos Ayres where he had a home waiting for her. How well she remembered the first time she had seen him; he was lodging in a house on the main road where she used to visit. It seemed a few weeks ago. He was standing at the gate, his peaked cap pushed back on his head and his hair tumbled forward over a face of bronze. Then they had come to know each other. He used to meet her outside the Stores every evening and see her home. He took her to see The Bohemian Girl and she felt elated as she sat in an unaccustomed part of the theatre with him. He was awfully fond of music and sang a little. People knew that they were courting and, when he sang about the lass that loves a sailor, she always felt pleasantly confused. He used to call her Poppens out of fun. First of all it had beenan excitement for her to have a fellow and then she had begun to like him. He had tales of distant countries. He had started as a deck boy at a pound a month on a ship of the Allan Line going out to Canada. He told her the names of the ships he had been on and the names of the different services. He had sailed through the Straits of Magellan and he told her stories of the terrible Patagonians. He had fallen on his feet in Buenos Ayres, he said, and had come over to the old country just for a holiday. Of course, her father had found out the affair and had forbidden her to have anything to say to him."I know these sailor chaps," he said.One day he had quarrelled with Frank and after that she had to meet her lover secretly.The evening deepened in the avenue. The white of two letters in her lap grew indistinct. One was to Harry; the other was to her father. Ernest had been her favourite but she liked Harry too. Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice. Not long before, when she had been laid up for a day, he had read her out a ghost story and made toast for her at the fire. Another day, when their mother was alive, they had all gone for a picnic to the Hill of Howth. She remembered her father putting on her mothers bonnet to make the children laugh.Her time was running out but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne. Down far in the avenue she could hear a street organ playing. She knew the air Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could. She remembered the last night of her mother's illness; she was again in the close dark room at the other side of the hall and outside she heard a melancholy air of Italy. The organ-player had been ordered to go away and given sixpence. She remembered her father strutting back into the sickroom saying:"Damned Italians! coming over here!"As she mused the pitiful vision of her mother's life laid its spell on the very quick of her being -- that life of commonplace sacrifices closing in final craziness. She trembled as she heard again her mother's voice saying constantly with foolish insistence:"Derevaun Seraun! Derevaun Seraun!"She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy? She had a right to happiness. Frank would take her in his arms, fold her in his arms. He would save her.She stood among the swaying crowd in the station at the North Wall. He heldher hand and she knew that he was speaking to her, saying something about the passage over and over again. The station was full of soldiers with brown baggages. Through the wide doors of the sheds she caught a glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes. She answered nothing. She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what was her duty. The boat blew a long mournful whistle into the mist. If she went, tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres. Their passage had been booked. Could she still draw back after all he had done for her? Her distress awoke a nausea in her body and she kept moving her lips in silent fervent prayer.A bell clanged upon her heart. She felt him seize her hand:"Come!"All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her. She gripped with both hands at the iron railing."Come!"No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish."Eveline! Evvy!"He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.。
James Joyce

“Eveline”By James JoycePlease read the part of Point of View on page 32 in the section of Basic Elements of Fiction in the text book. Pay attention to the third person limited point of view.♦The patterns of speech presentation♦Direct speech: I said, "He has come."♦Indirect speech: I said that he had come.♦Free direct speech: He has come, I said.♦Free Indirect Speech: He had come.♦Narrative report of speech act (言语行为的叙述报道): She told of his coming.♦The patterns of thought presentation:♦Direct thought: She thought, "He is a nice guy."♦Indirect thought: She thought that he was a nice guy.♦Free direct thought (没有引号或没有直接叙述的动词): He is a nice guy, (she thought).♦Free indirect thought: He was a nice guy.♦Narrative report of a thought act (思维的叙述报道): She considered him a nice guy.♦E.g.,♦* Direct thought: He wondered, "Does she still love me?"♦* Indirect thought: He wondered if she still loved him♦* Free direct thought: Does she still love me? (as in interior monologue)♦* Free indirect thought: Did she still love him? (as in quoted monologue)♦* The Narrative Report of a thought : He wondered about her love for him.Terms concerning gender:Simone de Beauvoir says in The Second Sex: "One is not born, but rather becomes a woman. No biological, psychological, or economic fate determines the figure that the human female presents in society; it is civilization as a whole that produces this creature."Gender: is both an effect of biology and a social construction. In patriarchal societies, that construction will tend to favour men over women.Gender role: refers to the behavioural role or quality socially and culturally sanctioned for males and females.Gender identity: refers to the self-awareness of one’s biological, social and cultural characteristics. It is the conformation and approval of one’s sexual identity. Gender identity is the internalisation of gender role, while gender role is the externalised form of gender identity; both are based on biological elements.Femininity: submissive, passive, mindless, emotional, sensual, fragile, nurturing, caring, relational, domestic and etc.Masculinity: aggressive, competitive, smart, strong-hearted, tough, rational, social, independent and etc.Feminist consciousness: awareness of the elements that prevent women from developing in the socialinstitutional structure; the conscious pursuit for political and economical subjectivity in society.Female consciousness: natural female consciousness including the pursuit for beauty and freedom, and the awareness of self-attractiveness, self-worthiness, self-existence, self-esteem, self-enjoyment and etc, and also the desire for intellectual, emotional and sexual fulfilment.Feminism: Feminism aims to destroy the dominance of phallocentrism, and exams the symbolic, psychological and ethical connections of domination of women and male monopolization of resources and controlling power.Feminist criticism: examines the ways in which literature (and other cultural productions) reinforce or undermine the economical, political, social, and psychological oppression of women.Three interdependent elements:sexuality, as a wife; maternity, as a mother; and individuality, as a human being in universe. Only a woman with combination of these three elements in her identity might be said to have become a fully realized woman.♦Figures of speech in the story♦oxymoron (矛盾修辞法): juxtaposition of incongruous, contradictory words or meanings for emphasis such as, She always felt pleasantly confused. (p. 144, paragraph 10)♦E.g.,♦(1) She dressed with careful carelessnesss.♦(2) I mean he is a clever fool.♦(3) He talked with her with studied ease.♦(4) They were puzzled at her cruel kindness.♦anti-climax(突降法): arrangement of words or phrases in a descending order of importance. E.g., Her eyes gave him no sign of love or farewell or recognition. (p.145, paragraph 25)♦E.g.,♦(1) Where shall I find hope, happiness, friends, cigar?♦(2) We often joked about his passionate love for his little daughter, his cat and his ash-tray.♦hyperbole(夸张):exaggeration. E.g., All the seas of the world tumble about her heart.(p. 145, paragraph 21)Language points:♦folk adage (俗语) e.g.,♦go for(p 143 paragraph 9): attack;♦chap(p 144, Paragraph 11): boy / man;♦fall on one's feet(p 144, paragraph 10): settle down / have good luck♦have an edge on somebody (p143, paragraph 5. 压某人一头; 对某人怀恨在心): have an advantage over somebody / cherish a hatred or resentment against somebody.♦As she mused the pitiful vision ... in final craziness(144-145, paragraph 16): As she thought deeply she saw in her mind's eye the pitiful life of her mother and it cast its influence on her deepest feelings / deep down she felt so sorry for her mother——a life sacrificed in mediocrity and ending finally in mental disorder. 母亲生活的凄苦情景给她留下难以磨灭的痛楚——一种在平庸中消耗,最终在精神失常中结束的生活。
乔伊斯《伊芙琳》 小论文

Back to Square one摘要乔伊斯的短篇小说《伊芙琳》描述了女人公伊芙琳沉闷乏味的生活经历以及在出走的最后一刻却退回原地,选择放弃的故事,结尾处的女主人公的决策使得小说晦涩难懂,本文以此为着眼点,展示了民众内心瘫痪的主题,揭示了女性意识的觉醒,以及梦想的幻灭导致的无助的退却。
关键词:伊芙琳; 瘫痪;女性意识觉醒;幻灭;退却AbstractEveline is a novel by James Joyce, which describes the protagonist’s stultifying life experiences and her giving up of leaving at the last minute. At the end of the story, her final decision was obscure and confusing. Thus, I take it as a key point to demonstrate the public psychic paralysis which is the theme of this novel, then further display the awakening of female consciousness and the helpless retreat brought about by the disillusion of dream.Key Words: Eveline; paralysis;awakening of female consciousness; disillusion;shrink back I. IntroductionFor a long time, James Joyce has always been considered as one of the most influential modernist novelist of the early 20th century. He was born in an Irish Catholic family in Dublin. Though most of his adult life was spent overseas, Joyce's fictional universe does not extend beyond Dublin where seemed to be the center of paralysis[l]. His masterpiece Dubliners is a powerful illustration, which was completed in 1905, composed of 15 short stories[2].Eveline, as the fourth story in this collection, reflects the paralytic life of the young in Dublin in a most direct and vivid way. The protagonist, a girl at the age of 19, had suffered an oppressive life ever since her beloved people died. She was ordered about at the store, and she lived an impoverished life with an abusive father who refused to let her have a life of her own. In order to seek for a brand new life with her boyfriend Frank, she decided to run away to Buenos Aires. Howerver, just before boarding the ship, she had a change of mind and shrunk back to her depressing life. Many people hold the view that this ending simply showsa dilemma between family and love. Eveline choosed to stay beacause her sense of obligation to her family outweighed her desire for a whole new life. However, in my opinoin, it is not totally so. Actually, such a process of decision making happens to reveal the theme of Dubliners—the psychic paralysis.The paralysis of Dublin life hinders the awakening of woman consciousness and causes the disillusion of dream. This gives me the aspiration of writing this paper.II.The paralysis of Dublin lifeIn this short story, through the depicting of the depressive surrounding, the paralysis of Dublin life was presented vividly. At the very beginning of this story, Eveline sat at the window, leaned against the window curtains, surging thoughts and emotions about stay or leave, and in her nostrils was the odour of dusty cretonne. Clearly, the word dusty symbolized the dry, uninteresting life in Dublin. Even Eveline wondered where on earth all the dust came from, though she had been cleaning it out for so many years[2].Obviously the thick dust suggested the degree of Dublin's paralysis. This foreshadowed the destiny of women in Eveline’s period. Some of them are fully apathetic; others might have ever tried to escape from the dull li fe only to find that the “dust” cover on the heart and soul is too thick.While reading this story, the unhappy experiences of Eveline were unfolded little by little. Since her mother died, Eveline began to lived in a state of endless uncertainty. She had to shoulder the responsibility of supporting her family.She felt no longer protected because of the heavy burden of family and her father’s threatening. She, in fact, played a double role in her family, a mother for the young, a wife for her father. Under the mounting stress from different aspects, she tried to fight against this “paralysis”. She was about to explore another life in another world. However, before boarding the ship, she was totally at a loss about whether to go or not, and at last fail to go. This reveals Eveline’s puzzlement and the spiritual dilemma on the one hand; On the other hand, it shows the lingering repression and paralysis of Dublin.III. the awakening of woman consciousnessIn such a male-dominant society, women had a hard life even when they were still young. Through the presentation of Eveline’s and her mother’s life, it shows that women atthat time should devote to the family whole-heartily, while they didn’t have the right to determine things independently, even their own life, marriage and fate; they have to accept their unbearable miseries in life passively and obediently. Thus it exposed the irrationality of traditional feminine role. What’s more, fro m the story we get to know that a sailor called Frank rushed into the her life like a sea breeze. Evenline met him secretly and experienced many brand new things together. She inevitably generated the idea of elopement.“To be or not to be, that is a question,”such a famous saying well interprets the dilemma of Eveline. Once she hesitated and was haunted by the past memories and promise she kept. Then at the second thought of the whole life miseries of her mother, she was frightened and again determined in running away with her boyfriend. Eveline’s awareness of her mother’s miseries and her desire to start a new life reveals the awakening of her female consciousness. Although at last Eveline did not manage to leave, she was not the girl who used to be after the torturous baptism.III.Disillusion of dreamNo one can forcast what might happen to her future, but the ending of this story does give us infinite space reverie. The reason that Eveline stopped pursuing for her dream seemed very obscure to us. Maybe in such a dull society, the only way for Eveline to escape from unhappy situations is marriage. However, marriage is not always reliable as she thought. With one step forword to the dock, there was freedom and hope of a new life, but also danger, death or uncertainty.Besides, in the traditional ideas of westerners, sailor usually refers to people who tend to spread intimacy over too many places and who are unwilling to build a ture partnership. We can not rule out the possibility that Frank was an exception. But with the brief time getting to know each other, Eveline was spellbound by the crazy love and generated the idea of elopement in a brash way. No wonder her father would said with objection, ”I know these sailor chaps,” and quarrelled with Frank.At the end of the story, unexpectedly, she refused to go with this young man who brought her hope, her face registered no emotion at all, no sign of love or farewell or recognition. She didn’t express her ideas clearly to us, which leave us confused. But ac cording to her reactionof “gripping with both hands at the iron railing”, we learned that her desperate situation was cleared up for her at this very moment. This might originate from her inborn human nature—a sense of self-protection. She might realize that Frank would probably become another “father”, and finally she would follow her mother’s steps—a slave of housekeeping. She just jumped into another fiery pit and made no difference. The amazing marriage in her dream would turn out to be a replica of present dull life. Unable to struggle, swamp quagmire. After all, it is not so easy for her to get rid of such a society of paralysis.V. ConclusionDreams are better than reality. But someday people would suddenly wake up from their dreams and find no way out, get injured and feel more upset by comparing that dream with reality. Actually, Eveline is the very epitome of that time. Through the whole story, we know that Eveline’s feminist consciousness was awakened. However, she didn’t take the chance to seek a new life. With her dream shattered, Eveline was paralyzed in getting rid of such a dilemma. Since people’s dreams were shaped in the existing paralytic surroundings, their protest uaually went back to the square one, and their efforts often ended in bitter resignation or fruitless discontent. Watch can go back to the basics, but has not yesterday.By probing into this short story, I have not only gained a lot of knowledge about the works of James Joyce but also known something about the psychic world of his time as well. Apart from these, it also raises my interest to go deeper and further in other works of James Joyce.References[l] 侯纬锐. 现代英国小说史[M]. 上海:上海教育出版社[2] 詹姆斯乔伊斯. 都柏林人[M]. 孙梁,宗白,译.上海译文出版社。
sentence variety

Original: John likes football. His wife likes football.
Revised: John likes football and his wife likes it too.
Sentence Variety
Ways to achieve Sentence Variety:
2. Varied sentence structure Basic knowledge: sentence classification Application: varied sentence structure
He was born in a small village. His father was a teacher in the village school. His mother did the housework. He began to go to his father’s school at seven. He graduated from it six years later. Then he went to the junior middle school in a nearby town. He studied at a senior middle in the county seat. He was a good student there. He got good marks at the collge entrance examinations. He enrolled in a university in the provincial capital. He studied civil engineering there. He wanted to build a highway for his home village in future. He loved his village very much.
James Joyce作品简介PPT课件

寄宿公寓(The Boarding House)圣恩(Grace)
一朵浮云(A Little Cloud) 死者(The Dead)
.பைடு நூலகம்
5
About Ulysses
Ulysses is a novel by James Joyce. The complete book was first published in 1922, although parts of it had appeared elsewhere earlier, which was first published in France, because of censorship troubles in the Great Britain and the United States, where the book became legally available 1933.
Ulysses, was published in Paris in 1922. In the same year
he started work on his last great book, Finnegan’s Wake, which
was published in1939.
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2
Main Works:
◎The Play------EXILES 《流亡者》
◎The Collection of Poems------CHAMBER MUSIC 《室内乐集》 Many of them have been made into songs. “I have left my book, \ I have left my room, / For I heard you singing / Through the gloom.”
eveline读后感英语
eveline读后感英语"Eveline" is a short story written by James Joyce, which tells the story of a young woman named Eveline who is torn between her desire for freedom and her sense of duty towards her family. After reading the story, I feel a mix of emotions and reflections on the themes of family, duty, and freedom that Joyce explores in the narrative.One of the main themes that struck me in the story is the theme of duty towards family, particularly towards Eveline's father. Eveline feels a strong sense of obligation towards her father, who is abusive and controlling. Despite her desire to escape from her unhappy life, she struggles to break free from her responsibilities towards her father and siblings. This conflict between duty and personal desires is a central tension in the story, and it made me reflect on the sacrifices that individuals make for the sake of their families.Another theme that resonated with me in the story is the theme of freedom. Throughout the narrative, Eveline dreams of a better life away from her oppressive home environment. She longs for the freedom to make her own choices and live a life of independence. However, she ultimately finds herself unable to leave her family behind, highlighting the constraints that societalnorms and familial obligations can place on individuals seeking personal freedom.The ending of the story is particularly poignant, as Eveline finds herself paralyzed by fear and indecision, unable to board the ship that will take her to a new life. This moment captures the inner conflict that Eveline experiences, torn between the familiar comfort of her family and the unknown possibilities of the future. It made me reflect on the struggles that individuals face when they are caught between their personal desires and their sense of duty towards others.In conclusion, "Eveline" is a powerful story that explores the complexities of family, duty, and freedom. It left me with a deep sense of empathy for Eveline and a greater understanding of the internal conflicts that individuals face when making difficult choices. Joyce's evocative writing style and nuanced characterization make "Eveline" a compelling read that will linger in my thoughts for a long time.。
eveline简介及读后感
eveline简介及读后感英文回答:"英文回答,"Eveline is a short story written by James Joyce, which is part of his collection of stories called Dubliners. The story revolves around the life of Eveline, a young woman who is torn between staying in her hometown of Dublin or leaving with her lover, Frank, to start a new life in Buenos Aires.Throughout the story, Eveline is faced with a difficult decision. On one hand, she longs for adventure and a chance to escape the mundane and oppressive life she leads in Dublin. She dreams of a better future and believes that leaving with Frank will bring her happiness and freedom. On the other hand, Eveline is haunted by her responsibilities towards her family, especially her abusive father. Shefeels a strong sense of duty and obligation to stay andtake care of them. This internal conflict creates a sense of tension and suspense in the story.One of the themes explored in Eveline is the paralysis of the characters in Dubliners. Eveline is paralyzed by fear and indecision, unable to break free from the constraints of her environment. She is trapped in a cycle of routine and complacency, unable to take control of her own life. This theme reflects the larger social and political context of Dublin at the time, where many people felt trapped and limited by their circumstances.Another theme in the story is the role of women in society. Eveline is expected to sacrifice her own desires and dreams for the sake of her family. She is torn between her duty as a daughter and her desire for personal fulfillment. This theme highlights the limited options available to women in early 20th century Dublin and the societal pressures they faced.After reading Eveline, I was left with a sense of melancholy and sympathy for the main character. Eveline'sstruggle resonated with me, as I have also faced difficult decisions in my own life. The story reminded me of the importance of taking risks and pursuing one's own happiness, even in the face of fear and uncertainty. It also made me reflect on the societal expectations and constraints that can hold us back from living our lives to the fullest.Overall, Eveline is a poignant and thought-provoking story that explores themes of duty, sacrifice, and the limitations imposed by society. It is a powerful portrayalof the internal struggles we all face when making life-altering decisions.中文回答:"中文回答,"《伊夫琳》是詹姆斯·乔伊斯的短篇小说,是他的《都柏林人》故事集中的一部分。
James Joyce
Emotionally,she is passionate to her brothers and nostalgic for the past and also eager for love. But at last she becomes apathetic, revealing the paralytic nature of Dubliners because of religious anaesthesia (麻醉) and her mental confusion and timidity.
In what way does the story reveal the confinement of gender role?
The story “Eveline” through the representation of Eveline’s and her mother’s life shows that women at that time should be domestic, sacrificial and votive to the family, but they don’t have the right to determine or control things independently, even their own life, marriage and fate; they have to accept their unbearable life passively and endure miseries silently and obediently.
This technique helps the author illustrate how Eveline is in two minds in deciding to go or not. In reading the story, we have to do some imaginative work to recreate the events, but we can gain the illusion of being present to the private thoughts of Eveline.
乔伊斯和他的影子
乔伊斯和他的影子摘要:乔伊斯在他的很多作品中都带有或多或少的自传色彩,短篇故事集《都柏林人》是乔伊斯为爱尔兰写的一部精神道德史,书中15篇故事,几乎都能找到作者自己的影子,尤其是“伊夫林”“Eveline”。
在这个故事中,读者很容易感觉到其实伊夫林很多时候就是作者本人。
本文详细分析了故事“伊夫林”中乔伊斯和伊夫林角色的重叠。
关键词:乔伊斯伊夫林角色重叠引言乔伊斯被誉为二十世纪最重要的作家之一。
《都柏林人》是他第一部成功出版的作品。
该书中的15个故事并不是通常意义上短篇小说的汇编,而是为了一个明显的写作目的有意识的精心策划的、由一个个互相联系的短篇构成的系统。
乔伊斯试图通过“童年、少年、成年以及社会生活”这样一个顺序来全方位展示爱尔兰社会的精神症结。
这15篇作品既能独立成篇又环环相扣,展示了都柏林市民从少年到青年再到成年以及在各种社会生活中精神上、肉体上瘫痪的现实,并且对瘫痪的原因作了深入剖析。
本书一个最大的特点就是乔伊斯几乎在所有的主人公身上都注入了自己的色彩,几乎每一篇作品中都能看到作者的身影。
伊夫林(Eveline)与乔伊斯(一)“伊夫林”讲述了一个年轻女孩面对两难境地的故事:她必须选择要么继续和父亲生活在一起,要么和认识没多久的水手私奔去布宜诺斯艾利斯。
这是乔伊斯短篇故事集15篇中的一篇。
15篇作品共享一个特定模式,乔伊斯用这个特定模式表达他的思想:在整个《都柏林人》作品集中,乔伊斯把他的描述无一例外地放在了他以及他的家庭所熟知的中产阶层天主教教徒们身上。
乔伊斯早年的生活,家庭情况以及他的天主教背景都重现在他所写的这些作品中。
“在这些作品中乔伊斯常常将故事情节和他生活中发生的事情联系起来,甚至其中有些故事实际就是他生活中发生的事。
”(Joyce, Stanislaus) 在他给正如乔伊斯在给他的出版商Grant Richard的信中,他写道:“我的宗旨是为我国的道德和精神历史谱写一个篇章。
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EvelineSHE sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses. One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it -- not like their little brown houses but bright brick houses with shining roofs. The children of the avenue used to play together in that field -- the Devines, the Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters. Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming. Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from. Perhaps she would never see again those familiar objects from which she had never dreamed of being divided. And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:"He is in Melbourne now."She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question. In her home anyway she had shelter and food; she had those whom she had known all her life about her. O course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were people listening."Miss Hill, don't you see these ladies are waiting?""Look lively, Miss Hill, please."She would not cry many tears at leaving the Stores.But in her new home, in a distant unknown country, it would not be like that. Then she would be married -- she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence. She knew it was that that had given her the palpitations. When they were growing up he had never gone for her like he used to go for Harry and Ernest, because she was a girl but latterly he had begun to threaten her and say what he would do to her only for her dead mother's sake. And no she had nobody to protect her. Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages -- seven shillings -- and Harry always sent up what he could but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn't going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad on Saturday night. In theend he would give her the money and ask her had she any intention of buying Sunday's dinner. Then she had to rush out as quickly as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions. She had hard work to keep the house together and to see that the two young children who had been left to hr charge went to school regularly and got their meals regularly. It was hard work -- a hard life -- but now that she was about to leave it she did not find it a wholly undesirable life.She was about to explore another life with Frank. Frank was very kind, manly, open-hearted. She was to go away with him by the night-boat to be his wife and to live with him in Buenos Ayres where he had a home waiting for her. How well she remembered the first time she had seen him; he was lodging in a house on the main road where she used to visit. It seemed a few weeks ago. He was standing at the gate, his peaked cap pushed back on his head and his hair tumbled forward over a face of bronze. Then they had come to know each other. He used to meet her outside the Stores every evening and see her home. He took her to see The Bohemian Girl and she felt elated as she sat in an unaccustomed part of the theatre with him. He was awfully fond of music and sang a little. People knew that they were courting and, when he sang about the lass that loves a sailor, she always felt pleasantly confused. He used to call her Poppens out of fun. First of all it had been an excitement for her to have a fellow and then she had begun to like him. He had tales of distant countries. He had started as a deck boy at a pound a month on a ship of the Allan Line going out to Canada. He told her the names of the ships he had been on and the names of the different services. He had sailed through the Straits of Magellan and he told her stories of the terrible Patagonians. He had fallen on his feet in Buenos Ayres, he said, and had come over to the old country just for a holiday. Of course, her father had found out the affair and had forbidden her to have anything to say to him."I know these sailor chaps," he said.One day he had quarrelled with Frank and after that she had to meet her lover secretly.The evening deepened in the avenue. The white of two letters in her lap grew indistinct. One was to Harry; the other was to her father. Ernest had been her favourite but she liked Harry too. Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice. Not long before, when she had been laid up for a day, he had read her out a ghost story and made toast for her at the fire. Another day, when their mother was alive, they had all gone for a picnic to the Hill of Howth. She remembered her father putting on her mothers bonnet to make the children laugh.Her time was running out but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne. Down far in the avenue she could hear a street organ playing. She knew the air Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could. She remembered the last night of her mother's illness; she was again in the close dark room at the other side of the hall and outside she heard a melancholy air of Italy. The organ-player had been ordered to go away and given sixpence. She remembered her father strutting back into the sickroom saying:"Damned Italians! coming over here!"As she mused the pitiful vision of her mother's life laid its spell on the very quick of her being -- that life of commonplace sacrifices closing in final craziness. She trembled as she heard again her mother's voice saying constantly with foolish insistence:"Derevaun Seraun! Derevaun Seraun!"She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy? She had a right to happiness. Frank would take her in his arms, fold her in his arms. He would save her.She stood among the swaying crowd in the station at the North Wall. He held her hand and she knew that he was speaking to her, saying something about the passage over and over again. The station was full of soldiers with brown baggages. Through the wide doors of the sheds she caught a glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes. She answered nothing. She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what was her duty. The boat blew a long mournful whistle into the mist. If she went, tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres. Their passage had been booked. Could she still draw back after all he had done for her? Her distress awoke a nausea in her body and she kept moving her lips in silent fervent prayer.A bell clanged upon her heart. She felt him seize her hand:"Come!"All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her. She gripped with both hands at the iron railing."Come!"No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish."Eveline! Evvy!"He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.。