中国书法介绍(英文)
中国书法英文介绍
Good afternoon everyone,Today, our team’s topic is Chinese calligraphy and painting.First of all, let me introduce the first half of the Chinese calligraphy.开篇视频翻译：Calligraphy is traditionally been regarded in China as the highest form of visual art.书法，传统上被视为视觉艺术的最高形式。
The four treasures……文房四宝，笔墨纸砚pine soot（松烟）Calligraphy in social dimension……self-cultivation emulation of moral exemplars书法在社会层面上，孔子：自我修养，效仿道德模范老子：内心自我认识的表达直到今天，中国书法依然在中国人生活中保持着强大力量。
Chinese calligraphy, the four ancient Chinese artistic forms are called qin, chess, penmanship, and painting; and penmanship particularly refers to Chinese calligraphy. (中国古代四大艺术“琴棋书画”的“书”特指书法)Chinese calligraphy is a kind of art using a brush to write seal script, official script, regular script, running script, and cursive script, and other various writing styles of Chinese characters.（它是用毛笔书写篆、隶、楷、行、草等各体汉字的艺术）The writing techniques of Chinese calligraphy are highlighted by the manner of using a brush, the way ink is used, the art of composition, and so on. （中国书法在技法上讲究笔法、墨法、章法等）Its harmonious beauty of art is reflected in between the lines. （它艺术的和谐之美体现在字里行间）Chinese calligraphy exhibits（iɡˈzibits）its beauty in different poses, such as the uniqueness （jʊ'niknɪs）of the official script ―silkworm head and swallow tail(隶书的蚕头燕尾),the regular script requirement to ―stick to the norm and rules(楷书的中规中矩),the characteristic of cursive script ―flying dragon and dancing phoenixes(草书的龙飞凤舞), and the distinctive ―natural grace of the running script(行书的潇洒飘逸).可谓异彩纷呈，千姿百态Indeed, Chinese calligraphy reflects the personality of Chinese people’s straightforwardness, dignity, and reticence('retɪsns).(中国书法体现了中华民族的豪爽大气、端庄含蓄的特点)Chinese characters were initially meant to be simple pictures use to help people remember things. After a long period of development, it finally became a unique character system that embodies phonetic sound, image, idea, and rhyme(raɪm) at the same time.(汉字是从原始人用以记事的简单图画，经过不断演变发展最终成为一种兼具音、形、意、韵的独特文字) The writing system, which was extremely advanced in ancient times, began with inscriptions on bones and tortoise shells, and these are regarded as the original forms of Chinese characters. (现存中国古代最早成熟的文字是甲骨文，被认为是现代汉字的初形)Afterwards, Chinese characters went through numerous calligraphic styles: bronze inscriptions, official script, regular script, cursive script, running script, etc. (此后，汉字又经历了金文、隶书、楷书、草书、行书等不同的阶段)Chinese characters are usually round outside and square inside, which is rooted in ancient Chinese beliefs of an orbicularsky and a rectangular Earth. (汉字结构“内圆外方”，源于古人“天圆地方”的观念)The five basic strokes of Chinese characters are 一(the horizontal stroke), 丨(the vertical stroke), 丿(the left-falling stroke), 捺(the right-falling stroke), and 乙(the turning stroke). (汉字有五种基本笔画，即：横、竖、撇、捺、折)The four treasures of the study.文房四宝The writing brush, ink stick, ink stone, and paper were requisite（'rekwɪzɪt）treasures in the study of the scholars of ancient China, and they are often referred to as the ―Four Treasures of the Study.（笔墨纸砚是中国古代文人书房当中必备的宝贝，被称为“文房四宝”）The writing brush and ink stick have been used by the Chinese to write and paint since 5,000 years ago.（用笔墨书写绘画在中国可追溯到五千年前）In the Qin Dynasty (221BC-206BC), people already used feathers（'fɛðɚ）of different hardness and bamboo trunks to make brushes.（秦朝时已用不同硬度的毛和竹管制笔）During the Han Dynasty (206BC-220AD), man-made ink was used instead of natural ink. （汉代以人工制墨替代了天然墨）After paper was invented by the Chinese, bamboo slips, wooden tablets, brocade and silk, which originally functioned as writing surfaces, gradually faded out. （有了纸张以后，简牍锦帛逐失其用）The ink stone was first developed with the use of writing brushes and ink. （砚台则随笔墨的使用而发展）After the Song Dynasty(960AD-1279AD), the ―Four Treasures of the Study，particularly referred to hubi, the writing brush produced in Huzhou, Zhejiang province; huimo, the instick produced in Huizhou, Anhui province; xuan paper, a kind of paper produced in Xuanzhou, Anhui province; and duanyan, the ink stone made in Zhaoqing, Guangdong province(Zhaoqing was earlier called Duanzhou).Indeed, the ―Four Treasures of the Study have written the whole Chinese civilization, as it is.“文房四宝”到宋朝（960-1279）以后特指湖笔（浙江湖州）、徽墨（安徽徽州）、宣纸（安徽宣州）、端砚（广东肇庆，古称端州）。
介绍中国书法英语作文
介绍中国书法英语作文介绍中国书法英语作文在平日的学习、工作和生活里，大家都有写作文的经历，对作文很是熟悉吧，通过作文可以把我们那些零零散散的思想，聚集在一块。
相信写作文是一个让许多人都头痛的问题，以下是小编为大家收集的介绍中国书法英语作文，仅供参考，欢迎大家阅读。
介绍中国书法英语作文篇1Calligraphy is the essence of Chinese culture,which has developed into a special high-level art apart from satisfying theneeds of daily writing. It has been flourishing for thousands of years inChina.Shopswith strong commercial atmosphere will gain some elegance if they are decoratedwith some quaint cultural calligraphic works. Sitting rooms, studies andbedrooms can be nice-looking with calligraphy works decorated.As a kind of artwork, the writing of calligraphy is particular.The Chinese characters arewritten on Xuan paper which absorbs ink very well and then are mounted to hangon a wall.The calligraphy works are mostly a poem or a motto that the host ofthe room likes it much; if it is written by the host himself, it willdemonstrate more his aspiration and interest as well as his talent.书法是中国文化的精粹，除了满足日常书写外，它已经上升成为一门特别的高等艺术。
中国书法英文介绍
中国书法英文介绍Title:Chinese CalligraphyChinese calligraphy is a unique and profound art form in China. It has a long history that can be traced back thousands of years.Chinese calligraphy originated from the inscriptions on oracle bones in the Shang Dynasty. These inscriptions were mainly used for divination and recording important events. As time passed, different styles of calligraphy gradually emerged. For example, during the Qin Dynasty, the official script (Lishu) became popular, which was more standardized compared to the previous styles. In the Han Dynasty, calligraphy continued to develop, and the cursive script (Caoshu) started to take shape.The basic tools for Chinese calligraphy are the brush, ink, paper, and inkstone, which are collectively known as the “Four Treasures of the Study”. The brush is made of animal hair, such as wolf hair or sheep hair. The ink is usually made from soot and glue, which can produce different shades of black when diluted with water. The paper, especially the rice paper(Xuanzhi), has a special texture that is suitable for ink absorption. The inkstone is used for grinding the ink.There are five main styles of Chinese calligraphy, namely, seal script (Zhuanshu), official script (Lishu), regular script (Kaishu), running script (Xingshu), and cursive script (Caoshu). Seal script is often used for seals and has a very archaic and solemn appearance. Official script is more square - shaped and has clear strokes. Regular script is the most standardized style, with each stroke having a fixed shape and position. Running script is a combination of regular script and cursive script, with a flowing and natural rhythm. Cursive script is the most free - style, with the strokes often connected and abbreviated, showing the calligrapher's strong emotions and creativity.Chinese calligraphy is not only a form of writing but also a way of expressing the calligrapher's personality, mood, and aesthetic taste. It reflects Chinese philosophy and cultural values. For example, the balance and harmony in calligraphy strokes are in line with the concept of “Yin - Yang”in Chinese philosophy. Moreover, calligraphy is also an important part of Chinese cultural heritage. It has influenced other Asian countries' calligraphy and art forms.In conclusion, Chinese calligraphy is a remarkable art form that combines writing, art, and cultural connotations. It is a precious treasure of Chinese culture and has attracted the attention and admiration of people all over the world.。
中国书法介绍英语
中国书法介绍英语Chinese Calligraphy: An Artistic MasterpieceChinese calligraphy is a unique and captivating art form that has been practiced for centuries in China. It is a visual representation of the written language, where the strokes and compositions of the characters are not merely a means of communication but a form of artistic expression. This ancient art form has evolved over time, reflecting the cultural, historical, and philosophical aspects of Chinese civilization.At the heart of Chinese calligraphy lies the concept of "qi," which refers to the vital energy or life force that permeates the universe. Calligraphers strive to capture this essence through their brushstrokes, imbuing each character with a sense of rhythm, balance, and emotional resonance. The art of calligraphy is not merely about the technical execution of the characters but rather the artist's ability to convey their inner state of mind and personal interpretation of the written word.One of the most striking features of Chinese calligraphy is the diverse range of styles that have emerged over the centuries. Fromthe bold and commanding "Kaishu" (regular script) to the fluid and expressive "Xingshu" (cursive script), each style reflects the unique aesthetic sensibilities and personal preferences of the calligrapher. The choice of script, the thickness and rhythm of the strokes, and the overall composition of the characters all contribute to the distinct character of a calligraphic work.The materials used in Chinese calligraphy are equally significant. The traditional tools include the brush, ink, paper, and inkstone, each of which plays a crucial role in the creative process. The brush, in particular, is an extension of the calligrapher's hand, allowing them to effortlessly manipulate the ink and create a wide range of expressive strokes. The quality of the paper, with its subtle textures and absorbent properties, also influences the final outcome, as it interacts with the ink to produce unique visual effects.The practice of Chinese calligraphy is not merely a technical exercise but a deeply introspective and spiritual process. Calligraphers often engage in meditative practices to cultivate a calm and focused state of mind, which is then reflected in the fluidity and harmony of their brushstrokes. The act of creating a calligraphic work is seen as a journey of self-discovery, where the artist's personal experiences, emotions, and philosophical beliefs are woven into the fabric of the artwork.Beyond its aesthetic appeal, Chinese calligraphy also serves as a window into the rich cultural heritage of China. The evolution of calligraphic styles is closely tied to the development of Chinese literature, history, and social customs. Each dynasty and region has its own distinctive calligraphic traditions, reflecting the unique cultural influences and artistic preferences of the time.In recent years, Chinese calligraphy has gained increasing global recognition, with artists and enthusiasts around the world exploring and appreciating this captivating art form. Contemporary calligraphers have also embraced new mediums and techniques, blending traditional practices with modern sensibilities to create innovative and thought-provoking works.In conclusion, Chinese calligraphy is a profound and multifaceted art form that continues to captivate and inspire audiences worldwide. From its deep-rooted cultural significance to its mesmerizing visual aesthetics, this ancient art form is a testament to the enduring creativity and spiritual essence of the Chinese people. Whether one is a seasoned connoisseur or a curious newcomer, the world of Chinese calligraphy offers a rich and rewarding journey of discovery and appreciation.。
(完整word)中国书法英文介绍
Good afternoon everyone，Today, our team’s topic is Chinese calligraphy and painting。
First of all， let me introduce the first half of the Chinese calligraphy。
开篇视频翻译:Calligraphy is traditionally been regarded in China as the highest form of visual art.书法，传统上被视为视觉艺术的最高形式。
The four treasures……文房四宝，笔墨纸砚 pine soot（松烟)Calligraphy in social dimension……self-cultivation emulation of moral exemplars书法在社会层面上,孔子:自我修养,效仿道德模范老子：内心自我认识的表达直到今天,中国书法依然在中国人生活中保持着强大力量。
Chinese calligraphy, the four ancient Chinese artistic forms are called qin, chess， penmanship，and painting; and penmanship particularly refers to Chinese calligraphy. (中国古代四大艺术“琴棋书画”的“书”特指书法)Chinese calligraphy is a kind of art using a brush to write seal script， official script， regular script, running script, and cursive script, and other various writing styles of Chinese characters。
中国书法英文介绍
Outline
Brief introduction Tools we need Categories
The rules of brush writing
Brief Introduction
An art dating back to the earliest day of Chinese history.
Running Hand
行书 (xing shu)
The most popular style of Chinese characters. Itrokes. So it’s very convenient to write. Many calligrapher are good at writing this style.
Official Script
隶书 (li shu)
An ancient style of calligraphy current in the Han Dynasty. It usually starts with a spissated stroke and ended with an extended tail.
The other tools
• Desk pad 画毡 • Paperweight 镇石 • Seal 印章 • Ink stick 墨条
Categories
Seal Character
篆书 (zhuan shu)
An ancient style of Chinese calligraphy used officially in Qin Dynasty. The lines making up every character are symmetric and fluent.
中国书法英文介绍
柳公权(778－865)—Tang dynasty
• Liu Gongquan, a master of kaishu and cursive(行草) who is oftened mentioned with Yan Zhenqing. Kaishu: vigorous and rigorous Running-cursive: fluent and flowing
dominant rightward or downward diagonal stroke.
Popular styles
• 楷书 楷书Regular script/kǎishū
• Regular script came into being between the Eastern Hàn and Cáo Wèi dynasties, and its first known master was Zhōng Yáo(钟繇) known as “father of regular script”. • It is most common in modern writings and publications.
黄庭坚 (1045-1105) Huang Tingjian
• A calligrapher and poet in Song dynasty. • His works are fancy and firm, leading change of the trend.
Popular styles
• 隶书The clerical script
Popular styles
• 行书Semi-cursive script/running script/xíngshū
• It belongs to a cursive style of Chinese characters. • Easy to read compared to cursive
中国书法介绍英文版CalligraphyIntroduction
CalligraphyCalligraphy is understood in China as the art of writing a good hand with the brush or the study of the rules and techniques of this art. As such it is peculiar to China and the few countries influenced by ancient Chinese culture.In the history of Chinese art, calligraphy has always been held in equalimportance to painting. Great attention is also paid today to itsdevelopment by holding exhibitions of ancient and contemporary works andby organizing competitions among youngsters and people from various walksof life. Sharing of experience in this field often makes a feature inSino-Japanese cultural exchange.Chinese calligraphy, like the script itself, began with the hieroglyphs and, over the long ages of evolution, has developed various styles and schools, constituting an important part of the heritage of national culture.ClassificationChinese scripts are generally divided into five categories:The seal character (zhuan), the official or clerical script (li), theregular script (kai), the running hand (xing) and the cursive hand (cao).1) The zhuan script or seal character was the earliest form of writing afterthe oracle inscriptions, which must have caused great inconvenience becausethey lacked uniformity and many characters were written in variant forms.The first effort for the unification of writing, it is said, took placeduring the reign of King Xuan (827-782 B. C.) of the Western Zhou Dynasty,when his taishi (grand historian) Shi Zhou compiled a lexicon of 15chapters, standardizing Chinese writing under script called zhuan. It isalso known as zhouwen after the name of the author. This script, often usedin seals, is translated into English as the seal character, or as the "curlyscript" after the shape of its strokes.Shi Zhou's lexicon (which some thought was written by a later author of the state of Qin) had long been lost, yet it is generally agreed that the inscriptions on the drum-shaped Qin stone blocks were basically of the same style as the old zhuan script.When, in 221 B. C., Emperor Qin Shi Huang unified the whole of China under one central government, he ordered his Prime Minister Li Si to collect and sort out all the different systems of writinghitherto prevalent in different parts of the country in a great effort to unify the written language under one system. What Li did, in effect, was to simplify the ancient zhuan (small seal) script.Today we have a most valuable relic of this ancient writing in the creator Li Si's own hand engraved on a stele standing in the Temple to the God of Taishan Mountain in Shandong Province. The2,200-year-old stele, worn by age and weather, has only nine and a half characters left on it.2) The lishu (official script) came in the wake of the xiaozhuan in the same short-lived Qin Dynasty (221 - 207 B. C.). This was because the xiaozhuan, though a simplified form of script, was still too complicated for the scribes in the various government offices who had to copy an increasing amount of documents. Cheng Miao, a prison warden, made a further simplification of the xiaozhuan, changing the curly strokes into straight and angular ones and thus making writing much easier. A further step away from the pictographs, it was named lishu because li in classical Chinese meant "clerk" or "scribe". Another version says that Cheng Miao, because of certain offence, became a prisoner and slave himself; as the ancients also called bound slaves "li", so the script was named lishu or the "script of a slave".3) The lishu was already very close to, and led to the adoption of, kaishu, regular script. The oldest existing example of this dates from the Wei (220-265), and the script developed under the Jin (265-420). The standard writing today is square in form, non-cursive and architectural in style. The characters are composed of a number of strokes out of a total of eight kinds-the dot, the horizontal, the vertical, the hook, the rising, the left-falling (short and long) and theright-falling strokes. Any aspirant for the status of calligrapher must start by learning to write a good hand in kaishu.4) On the basis of lishu also evolved caoshu (grass writing or cursive hand), which is rapid and used for making quick but rough copies. This style is subdivided into two schools: zhangcao and jincao.The first of these emerged at the time the Qin was replaced by the Han Dynasty between the 3rd and 2nd centuries B. C. The characters, though written rapidly, still stand separate one from another and the dots are not linked up with other strokes.Jincao or the modern cursive hand is said to have been developed by Zhang Zhi (?-c. 192 A. D.) of the Eastern Han Dynasty, flourished in the Jin and Tang dynasties and is still widely popular today.It is the essence of the caoshu, especially jincao, that the characters are executed swiftly with the strokes running together. The characters are often joined up, with the last stroke of the first merging into the initial stroke of the next. They also vary in size in the same piece of writing, all seemingly dictated by the whims of the writer.A great master at caoshu was Zhang Xu (early 8th century) of the Tang Dynasty, noted for the complete abandon with which he applied the brush. It is said that he would not set about writing until hehad got drunk. This he did, allowing the brush to "gallop" across the paper, curling, twisting or meandering in one unbroken stroke, thus creating an original style. Today one may still see fragments of a stele carved with characters in his handwriting, kept in the Provincial Museum of Shaanxi.The best example and model for xingshu, all Chinese calligraphers will agree, is the Inscription on Lanting Pavilion in the hand of Wang Xizhi (321-379) of the Eastern Jin Dynasty. To learn to write a nice hand in Chinese calligraphy, assiduous and persevering practice is necessary. This has been borne out by the many great masters China has produced. Wang Xizhi, the great artist just mentioned, who has exerted a profound influence on, and has been held in high esteem by, calligraphers and scholars throughout history, is said to have blackened in his childhood all the water of a pond in front of his house by washing the writing implements in it after his daily exercises. Another master, Monk Zhiyong of the Sui Dynasty (581-618) was so industrious in learning calligraphy that he filled many jars with worn-out writing brushes, which he buried in a "tomb of brushes".Renewed interest in brush-writing has been kindled today among the pupils in China, some of whom already show promises as worthy successors to the ancient masters.Four Treasures of the StudyTo produce Chinese characters one will need a brush, paper, ink stickand ink stone, commonly referred to as the "Four Treasures of theStudy". To learn calligraphy, it is necessary to learn about thesetools.While brushes are varied, white-goat-hair, black-rabbit-hair and yellow-weasel-hair brushes are the main ones. On the basis of function, brushes are classified into three groups: hard, soft and both. Brush handles are usually made of bamboo, wood, lacquer or porcelain; ivory or jade handles are rare and precious.The ink stick is a unique pigment used for Chinese traditional painting and calligraphy. The most famous ink stick ishui mo(Anhui ink stick), made of pines that grow on Huangshan Mountain in Anhui Province. Clean water is needed to grind the ink stick, which must be balanced in the hand during the grinding or rubbing process. Press hard and rub lightly, slowly and evenly against the ink slab until a thick, liquid-ink forms.Paper was invented by Cai Lun in the Eastern Han Dynasty (25-220). While paper comes in many varieties, Xuan paper, produced in the Jing Prefecture of Xuanzhou (today's Anhui Province), is considered the best for Chinese calligraphy. The paper is soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting. With a good tensile strength and mothproof quality, the paper can be preserved for a long time.Ink stones or ink slabs have been classified into three categories:Duan,SheandTao. Features common to all three ink slabs are the stone's hardness and fineness. Although the stone is hard and fine, it is not dry or slippery. Using a hard, smooth stone, liquid ink can be produced easily by rubbing the ink stick against the stone.By controlling the flexibility of the brush, the concentration of the ink and the absorbency of the paper, the artist can produce an infinite variety of calligraphic styles and forms.Calligraphy: Leader of All Art FormsFew nations in the world have calligraphy as a form of art. In China, calligraphy has maintained a close rapport with the country's cultural development.Calligraphy is an expressive art. According to an old Chinese saying, "the way characters are written is a portrait of the person who writes them." Expressing the abstract beauty of lines and rhythms, calligraphy is a reflection of a person's emotions, moral integrity, character, educational level, accomplishments in self-cultivation, intellectual tastes and approach to life. Chinese characters, which convey ideas, are regarded as the most abstract and sublime art form.Calligraphy is also a practical fine art. Exotic calligraphic inscriptions written on paper, wooden plaques or stone tablets serve as decorations of a deep artistic value.Calligraphy manifests the basic characteristics of all Chinese arts. Closely associated with paintings -- the two leaders of Chinese art forms -- calligraphy takes precedence over painting since it greatly inspired the art of painting. Moreover, calligraphy has influenced other typically Chinese art forms like classical poetry, seal-cutting, sculpture, traditional music and dance, architecture and handicrafts.Calligraphy is a mental exercise that coordinates the mind and body. It is a most relaxing yet highly disciplined exercise for physical and spiritual well-being. Historically, many calligraphic artists lived to a ripe, old age.An Art of the OrientChinese calligraphy is an Oriental art. Like chopsticks, calligraphy was once entirely Chinese, but as Chinese culture spread to Korea, Japan, and Singapore, calligraphy became a unique feature of the Oriental art.Calligraphy is even wildly accepted by the West; as once Picasso said, "Had I been born Chinese, I would have been a calligrapher, not a painter." Many calligraphic elements are being adopted by modern western art.。
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Regular script
Fame, is based on the regular script calligraphy, cursive script is the best combination of practicality and artistry of the font. So, running from its birth to now, more than 1000 years, and has been popular for centuries. Wang Xizhi's Lanting Ji Xu was known as the best in the running script. Yan Zhenqing's article-nephew of manuscripts, known as the second book in the world. In the art of calligraphy, seal, Li, Kai, grass script, there are certain rules, but the cursive scripts were not necessarily written. Fame is a versatile font, written in script component in some more, commonly known as "Xingkai"; with cursive elements more, commonly known as "free". Fame doesn't follow a set pattern, but share a common characteristic, that is: less writing pen collection Office, Lu feng, hidden front; turn round stroke conversion, less discount.
• What is "calligraphy"? • We can source from its nature and characteristics, and personal approach to understanding. Calligraphy is based on Chinese characters, written with a brush, with four feature abstract symbols of art, it reflects everything "unity of opposites" the basic law reflects the spirit, disposition, education, and training.
Official script is evolved from the ancient zhuanwen gradually, is said to be created by Qin Cheng Miao. Official script is divided into "Qin" and "ancient calligraphy." "Qin" structure of rounded, similar to zhuanwen, multi-purpose, termed "ancient scribe". "Ancient calligraphy" people also known as the "eight points" body curve is straight, others flat against dash, Bo zhe show such fonts, evolved into Chinese, it is called "ancient calligraphy."alligraphy (Shang dynasty to Han dynasty and the three kingdoms), experienced by Oracle, the prose (Clementi), the large seal script (Zhou), seal, Li (eight points), cursive and cursive scripts, books and other stages, and evolution. • In the uncertain period of calligraphy (Jin southern and Northern dynasties to the Sui and Tang dynasties), entered a new realm of the art of calligraphy. Made from seal scribe from the simplicity of line and a real book, they become the dominant style of the period. Great calligrapher Wang Xizhi's calligraphy appears to shine, his highly regarded artistic achievement to the Tang dynasty. Meanwhile, a group of calligraphers of the Tang dynasty are quickly turning up, such as: Yu shinan, Ouyang Xun, Chu suiliang, Yan Zhenqing and Liu gongquan, large master. On the calligraphy as a gift is different and eclectic.
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Regular script is one of the main style of Chinese calligraphy art, also known as the "scribe today", "books", "book", "print", and so on. Because of its founder, an exemplary and hence the name. It came from the late Han dynasty, prevailing in Wei, Jin, southern and Northern Dynasties period, the Tang dynasty was a golden age of regular script. Regular script is formed by the official script evolution over a long period can be slowly degraded. Characteristics of regular script, from the overall perspective, kaishu oblong structure than the script close, also very rich and delicate with a pen. Writes than flexible script you has, from the script after the establishment, it replaces the script the Orthodox position, after a long period of trial proves that it is a better a combination of practical and artistic style. For thousands of years has been the official the official font used, also became a calligrapher in the history of the bulk. We often speak of "truth, grass, Li, fragrance" good examples, regular script ranks first in four bodies.
Chinese calligraphy is extensive and profound, it is a witness of the history of Chinese civilization and undertaker is a cultural treasure of the Chinese nation, China and jointly owned by the world's great spiritual wealth.
Cursive writing is convenient in order to write a stroke is continuous, the structure will be created in the province of Jane font. Grass, and in the olden days premature, the anxious, initial, draft, and informal meaning of immaturity. Cursive grass, jīn cǎo, cursive and chapter points. Dài zhāng grass is jīn cǎo. Traditionally, we just called jīn cǎo cursive script. According to historical records, jīn cǎo founded in the late Han dynasty, Zhang Zhi. However, come down from his works, is not reliable. Widely thought, Jin Wang Xizhi, who is a master of Cursive, as Wang Xizhi, calligrapher in the history of merit, to be regarded as "Holy". His seventh son Wang Xianzhi, was also a renowned calligrapher, traditionally they are father and son, known as the "second King"