《sistercarrie》赏析自动保存的
嘉莉妹妹英文读后感
嘉莉妹妹英文读后感《Sister Carrie》is a remarkable novel that delves deep into the themes of ambition, desire, and the pursuit of the American Dream Set in the late 19th century, it follows the journey of Carrie Meeber, a young woman from a small town who moves to the big city of Chicago in search of a better lifeCarrie's character is complex and relatable She starts off as an innocent and naïve girl, filled with dreams of success and luxury Her initial struggles in Chicago, where she faces poverty and exploitation, are heartwrenching However, her determination to improve her circumstances drives her forwardThe author, Theodore Dreiser, does an excellent job of depicting the harsh realities of urban life during that time The city is portrayed as a place of both opportunity and deception, where the line between morality and immorality often blurs Carrie's encounters with various characters, such as the smoothtalking Drouet and the powerful Hurstwood, shape her perspective and decisionsOne of the most striking aspects of the novel is its exploration of the role of money and material possessions in shaping people's lives Carrie's longing for nice clothes, comfortable living, and social status leads her down a path that is not always morally upright This raises important questions about the true meaning of happiness and fulfillmentAnother interesting theme is the concept of social climbing Carrie's ascent in society is not only due to her own efforts but also a result of theopportunities presented to her by the men she meets This highlights the influence of external factors and the power dynamics at play in a capitalist societyThe novel also sheds light on the double standards faced by women Carrie is judged harshly for her actions, while the men around her often get away with similar or worse behavior This aspect adds a layer of feminist critique to the storyThe writing style of Dreiser is detailed and descriptive, which brings the settings and characters to life The descriptions of Chicago's streets, factories, and theaters make the reader feel as if they are right there in the midst of the hustle and bustleOverall, ＂Sister Carrie" is a thoughtprovoking and powerful novel that forces us to reflect on our own desires, choices, and the society we live in It shows that the pursuit of the American Dream is not always as straightforward as it seems and that success often comes at a price The story of Carrie is a cautionary tale about the dangers of getting lost in the pursuit of material wealth and social status It reminds us that true happiness and fulfillment may lie in more profound aspects of life such as relationships, personal growth, and a sense of purposeIn conclusion, ＂Sister Carrie" is a classic that remains relevant to this day Its themes of ambition, morality, and social inequality continue to resonate with readers, making it a mustread for anyone interested in understanding the complexities of human nature and the American society Ithas left a lasting impression on me and has made me think more deeply about the values and goals that we strive for in our own lives。
《嘉莉妹妹》介绍
Style and genre
At the urging of his journalist friend Arthur Henry, Dreiser began writing his manuscript in 1899. He frequently gave up on it but Henry urged him to continue. From the outset, his title was Sister Carrie, though he changed it to The Flesh and the Spirit while writing it; he restored the original name once complete. Dreiser had difficulty finding a publisher for Sister Carrie. Doubleday & McClure Company accepted the manuscript for publication but it was withdrawn after the publisher's wife declared it too sordid. Dreiser insisted on publication and 1,008 copies were printed on November 8, 1900. The book was not advertised and only 456 copies sold.[6] However, Frank Norris, who was working as a reader at Doubleday, sent a few copies to literary reviewers.
sister carrie
Many modern authors aetting out to write a first novel have turned to exploitation of some aspect of thier own early lives, both because this material is close at hand and because its truthfulness is seemingly authenticated by the writer's firsthand experience. Dreiser, as he began Sister Carrie, does not appear to reflect this truism, since the story he was to tell was that of his sister Emma. But by the time Dreiser completed Sister Carrie, both Carrie and Hurstwood had become so expressive of his own conception of himself, and especially of his hopes and fears, that their stories had in essence become his own story. from the Introduction to New Essays on Sister Carrie
The Feature of Sister Carrie
Carrie: hopeful----ambitious---vain---immoral
嘉莉妹妹句子赏析
嘉莉妹妹句子赏析1. 嘉莉妹妹精彩文段我以前也曾经看过德莱塞的《嘉莉妹妹》。
这是我以前的读书笔记，现摘录如下：我认为《嘉莉妹妹》在更多意义上，似乎是一种复古。
在某些方面，德莱塞的陈述与比他晚一些的劳伦斯一样，虽然已到达20世纪，依然在用某种古老的方式讲述故事，并不屈不挠的以战斗姿态与其反对的一切--社会、庸俗的习俗、制度的弊病--做着斗争。
在此之前，我还读过他的代表作《美国的悲剧》，浮光掠影，未经细究。
印象随着时间而流失殆尽。
但读德莱塞的《嘉莉妹妹》其句式给人的强烈冲击，使我构成了对德莱塞作品的第一印象：“一个十八岁的姑娘离开家庭，有两种遭遇，必得其一。
或者是，有好人相助而好起来，或者是，很快的染上了大都市的恶习而堕落下去。
在这样的环境里，不好不坏，是不可能的。
大都市里到处是狡诈，奸谋，还有更其细致，但是更其投合人情的诱惑。
……” 这种陈述给人的印象，使我想起曾经有人说过的话：“巴尔扎克最大的秘密，在于句式+概括+洞察力。
”我于是感觉到，德莱塞的小说，是在巴尔扎克巨大阴影之下的潜行。
随后的阅读证实了我的某些猜想，但是推翻了德莱塞作品的某些认识。
在继续《人间喜剧》式的铺陈间隙，在对话和叙述方面，显示了很多其他的东西。
与巴尔扎克全知全能的、俯瞰众生的方式不同，德莱塞的角度更平一些。
不错，他偶尔也会陡然拔高自己，让自己作为故事的创造者、编制者，命运的推演者一样，展示他高瞻远瞩的--对于情节而言--预见能力和愤慨的批判，但是大多数时候，他在全神贯注的讲一个故事，并试图将之讲得尽善尽美又合情合理。
对于细节的重视使我开始喜欢上他的陈述。
虽然那种重视带着浓郁的书生气。
我记得海明威曾经公开宣称自己喜欢福楼拜的简洁，厌恶康拉德和德莱塞式的史诗铺陈。
确实如此。
铺陈的极致，伟大的雨果，其早期具有喷薄般激情的史诗到后期呈现出某些使文本失去观赏性的反复道德说教。
德莱塞呈现了一个保守者的特质，带有十九世纪的影子，于是这种对旧有文体的欣赏构成了他的趣味。
Sister Carrie读后感
SisterCarrie读后感SisterCarrie是美国著名小说家西奥多·德莱塞（TheodoreDreiser，1871—1945）的作品。
这部写于1900年的小说在国内好像比较小众，远比同时期的很多英美文学作品落寞得多。
本书所蕴含的某些“精神”在很多社会都会受到争议。
即便在美国也是如此。
毕竟在当时年代，女人的社会地位是非常低的，而且社会对于婚姻关系的看法也比较保守。
但小说的女主Carrie竟然在婚前与男人同居，并与已婚男人私通，后来还成为一位著名演员，实在是太挑战人们的三观了。
所以小说的初版并不算顺利，而且删去了大量的两性描写。
当然，也有的人坚持认为，这本小说突破了常规，体现了女性的解放。
其实放在百年后的现代社会，女主的这些“不道德”行为似乎也算不得什么稀罕事。
很多小说之所以能够得以流传，一个重要的原因就在于，它突破了时间和空间的界限，无论放在什么年代，什么地域，读者都能从中看到自己所置身社会的影子，能从中看到自己，以及自己身边的人和事。
Carrie不过是一个来自美国小镇的姑娘，她18岁去芝加哥寻梦，希望能够在大城市找到体面的工作，过上美好生活，穿上漂亮衣服，住上大房子。
那么女主是怎样逐步实现梦想的呢？她先是去投靠芝加哥的姐姐和姐夫，但到了以后才发现他们家竟然简陋不堪，生活也拮拮据据。
她不想过这样的日子，便试图去找份好点的工作。
但没有技能，也没有工作经验，找了一圈都没人要她，最后只能去做个类似于织布女工的工作，却发现工作环境太压抑，还要承受潜在的性骚扰，很想放弃。
正在此时，Carrie的人生出现了转折。
她在来芝加哥的火车上所遇到的一个男人让她跟自己一起生活。
于是女主便离开了姐姐姐夫的住所，过起了非婚富太太的生活。
用现代话说就是被包养了。
这个“包养”她的男人是个销售员，挣钱不少，对女主也是全心全意，但就是迟迟不肯跟她结婚。
理由也很简单，他想先做单大生意，然后风风光光地娶她。
但女主不愿意啊。
(英语论文)嘉莉妹妹解读(英文)
A BRIEF ANALYSIS OF SISITER CARRIE《嘉莉妹妹》解读June, 2007Xiaogan UniversityAbstractSister Carrie tells the story of a small country girl Carrie who moves to Chicago to realize her “American Dream”and eventually becomes a Broadway star in New York. Despite living a luxurious life, she is lost in sprit. Reading the novel, we may easily notice Carrie’different needs and desires arising gradually and also the betrayal of traditional moral code in the process of pursuing material gain. The paper analyzes the reasons why Carrie has various needs at different stages of life, mainly based on Maslow’s hierarchy of needs. One is Carrie’s inner desires; the other is the outside force, including temptations of environment, cities, etc. The interaction between them makes Carrie lose herself eventually. It seems to tell people that in modern society material supplies more and more abundantly, but we should never pursue it blindly and much importance should be attached to happiness and stability created by spirit. It is essential to ponder the significance and the value of life.Key words: Sister Carrie; desire; lost; hierarchy of needs从马斯洛层次需要理论重新解读《嘉莉妹妹》摘要《嘉莉妹妹》讲述一位农村女孩嘉莉不甘贫穷来到芝加哥实现自己的“美国梦”，最终成为纽约百老汇一位著名的演员，享受奢华的物质却陷入精神迷失的故事。
英语论文】《嘉莉妹妹》文学评论(英文)
LITERATURE REVIEW—AN ANALYSIS OF DREISER’S SISTER CARRIE《嘉莉妹妹》文学评论An 18-year-old girl without money or connections ventures forth from her small town in search of a better life in Theodore Dreiser's revolutionary first novel. The chronicle of Carrie Meeber's rise from obscurity to fame--and the effects of her progress on the men who use her and are used in turn--aroused a storm of controversy and debate upon its debut in 1900. The author's nonjudgmental portrait of a heroine who violates the contemporary moral code outraged some critics. A century later, Dreiser's characters continue to fascinate readers. The protagonist Carrie is still a controversial character. Many critics regard Carrie as a “fallen woman”, and there are also some critics regard her a s a “new woman”.Many people hold such an opinion that Sister Carrie is a tragedy, in which carrie is described as an immoral woman and she had an empty life though she succeeded as a famous player at the end of the novel. They conclude that “it is impossible to possess true happiness in a money-oriented capitalism society.”①(Li qi-shan 45).Jiang yu-qin says that “the city changed Carrie,a once innocent country girl into a seemingly successful empty life.”②(Jiang yu-qin 135)In her abstract she points out that Carrie represents the women who “experience desiring,chasing,struggling,falling and disillusioning.” Carrie was successful eventually from material aspect, but still unhappy spiritually.We can find such a paragraph in Peng dan-kui’s “Theodore and his Sister Carrie ”, “She(Carrie) has two persons to help her,but instead of getting better, she goes from bad to worse. Actually there is no one who can be the saviour for Carrie in the society. And she comes to realize it is impossible to be a success by working hard honestly…….Carrie is just one of the many victims of the city’s influence and of the capitalist society.”③(Peng dan-kui 75)From this passage, we can conclude that Mr. Peng takes Carrie as a traditional woman victim in a corrupted society. In other words, he denies that Carrie has her own motivates as an independent person.There are also many critics about the character carrie abroad.For example, in Sister Carrie and the Hidden Longing for Love: Sublimation or Subterfuge?Leon F. Seltzer says, “The thesis of this study is Carrie’s longing is shown by Dreiser(though never clearly understood by him )to be a longling for love and emotional relatedness. Such a longing, however, can never know fulfillment because, on one level, carrie is depicted as deficient in the capacity to love and, on far more essential level, her creator ( a man at once sterile and promiscuous, who….)was incapable of appreciating either the nature orpossibiities of human intimacy.”④(Leon F. Seltzer 192)We notice that seltzer descried carrie as a woman without the capability of love. Here he also attacked dreiser.From so many critics, we can see there are really many people they don’t appreciate Carrie. They think she is degenerate, immoral,cold-blooded, and without a lofty soul.But like everything has two sides, lots of other people have different viewpoints. They don’t take carrie so simply, so traditionally. They argue that carrie, from some aspects, stands for “new woman”, which we can see in Wu hong-yun’s Sister Carrie under the unconventional discourse of feminism. First she declares that “Carrie is not a victim ” of the captilist world, on the contrary, she is a victor, be cause “she (Carrie) proves her ability and realizes her value through her own efforts in the capitalist fatherhood society.”⑤(Wu hong-yun 36) Then Mrs. Wu put forward the idea “Carrie is not a immoral woman”, and she admires Carrie highly with the words like “spirit independently”, “rational and witty”, “hard working”, “a new woman” from the feminist angle. She even justifies Carrie’s desire for material gains. She insists that carrie shows a quality of “modern females”.It’s not superisingly that we can find almost the same words in Wang gang-hua’s article. He even puts Carrie to a new higher level. Here is a paragraph from his Carrie’s desires and motives : “in short, carrie shaped her own perfect image through the reflection in mirror , the discernment and the confirmation of the surrounding people. This kind of self-shaping cultivated carrie’s own consciousness, that is, she regards herself as an independent subject, and keeps an independent position in social activities. Thereafter, carrie gradully stepped into being active from passive.”⑥(Wang gang-hua 92) If we surf on the internet, we can find lots of critics about Sister Carrie. Clare Virginia Eby says in his Cultural and Historical Contexts for Sister Carrie, “Dreiser's evolutionary treatment of ethics in Sister Carrie ultimately verges toward the revolutionary, in that he tries to get readers to suspend judgment on actions that would typically be condemned as immoral, such as Carrie's premarital sex and Hurstwood's theft….. Dreiser discourages readers from viewing Carrie as immoral, instead drawing attention to the obsolescence of traditional moral standards. The ending of the novel is especially significant in this regard, for Dreiser breaks with long-standing literary tradition that "fallen women" must be fully punished, preferably by a grisly death. Carrie, to the contrary, may be unfulfilled or lonely at the novel's end, but she is very much alive and eminently successful in the eyes of the world.”⑦He added, “Carrie is not simply rebelling against her husband(Hurtswood) but more significantly against the role that women were traditionally supposed to follow. As historian Barbara Welter describes the nineteenth century ideal for the white middle class, the "True Woman" was expected to be pious, pure, domestic, and submissive. However a competing model for femininity emerged in the U.S. around the 1880s. The "New Woman" typically had a career and was economically independent. Frequently New Women aligned themselves with members of their own sex rather than in conventional marriages. Carrie follows this pattern …… Yet the typical New Woman was be tter educated and frequently more politically inclined than Carrie, and so we might best thinkof Dreiser's heroine as a transitional figure, moving from the Victorian model of True Woman toward the recognizably modern New Woman.”⑧From these two paragraphs, we can know clearly about Eby’s understanding of Carrie.Too many critics about Carrie exist from 1900 when dreiser finished the novel till now, and I can’t cite them one by one. Here I just classified them into two groups. From the totally different views, we can see that different people does hold different opinions. To me, I also have my own understanding of Carrie.First, I really can’t agree Carrie is a “fallen woman”.Those who criticized that she is greedy for material gains and she loses her sense of morality when she pursues her desire, to me, they failed to understand the novel deeply and they failed to treat carrie equally as well. It’s quite true that carrie had sexual relations with two men, which maybe the most unbearable thing for those who said Carrie is “immoral”, but when we read the novel, actually we can say that Carrie’s intention was to have a good husband.First she met Drouet who attracted her with his beautiful clothes and fine manners which represented he belongs to a high class. That is very nature, as I say. Carrie came from a poor peasant family and she wanted to search a better life in Chigago. When she met such a young man who was “ an experienced traveller, a brisk man of the world”⑨(Dreiser 9) and was so courteous to her. “It disposed her pleasantly toward all he might do.”⑩(10)After Carrie arrived the Hanson’s, she found things disappointing. She did efforts to search a job, but she failed at last. Drived by the desire for survival, she eventually accepted drouet. Here we should notice that though the main reason Carrie accepted Drouet is he had the money to support her, but on the other hand, Carrie did have some good feelings on him. Besides, Drouet promised to marry her. So at the beginning, the story went like lots of other love stories. Poor young beautiful girl comes to a big city and wants a “better life”, then she meets a rich man who makes she believe that they love each other, inevitably she wishes a wedding with the man. That happens a lot now. but in the fact, the man didn’t have a plan to marry her.And later, Carrie found another man who seemed worth her love. Hurtswood stands for a calss higher than Drouet’s. He was more attractive and he knew women’s heart better. Carrie once hesitated, but Drouet really couldn’t touch her heart any longer. Drouet himself was not a guy who really wanted to get married. So Carrie didn’t resist when Hurstwood lied to her and brought her to New York. That happened on a base that Carrie thought Hurstwood would marry her and gave her a happy life. That’s human’s instinct. Carrie’s instinct is to survive and to live better. That’s all. She didn’t have any intrigues like Mrs.Hurstwood. We still can say she is pure. She was just drived by the circumstances. So sexual relations with two men didn’t make carrie a “fallen woman”.Secondly, I do n’t agree completely that Carrie is a “new woman”.When Carrie met the living crisis in New York, at the beginning, she still believed that Hurstwood could made all things right. But later, she found Hurstwood was fallingrapidly. She tried to encourage Hurstwood to find a job to support the family, but he failed. He couldn’t find his place in the bigger city New York at all. But Carrie didn’t want to wait and die. She got a job in a theatre,not so easily, then she left him. Here we can often see many critics said carrie is “stone-hearted”. To me, Carrie’s behavior may be a bit cruel, but still can be forgave. Think what an enviroment she lives in! she needs to live! I also explain her action as a result of her instinct.Next, Carrie made herself successful on the stage by a small chance. She got money and fame gradually. But these can’t make her a “new woman”, because her success has much contingency. Her self-consciousness hadn’t be aroused untill she met Ames, a young engineer. His influence causes Carrie to become disillusioned with her success as an actress in comedy and makes her desire to perform more dramatic works. He introduced some writers to Carrie, and also gave some astonishing views about the surrounding people, which made Carrie think he was a special man. From that, Carrie started to think about lots of other things deeply. I say, Carrie at this moment is still not a“new woman”. She doesn’t has her own understanding of the world. She still can’t think and action as an independent woman.To sum up, I don’t think Carrie is “immoral”. When she is drived by her instinct to find a way to live, she has nothing to blame for. As Jerome Loving said, “For him(dreiser), man-all of humankind—was still halfway between animal instinct and ideal of human morality,and so alack of morality was to be expected.”⑾(Jerome Loving 92 The last titan:a life of theodore dreiser)To some extent, I agree with Eby’s opinion that Carrie is “a transitional figure, moving from the Victorian model of True Woman toward therecognizably modern New Woman”.Notes:⑦⑧Clare Virginia Eby:// /collections/rbm/dreiser/scculhist.htmlBibliography:(1)李其珊.《嘉莉妹妹》中的对比和象征艺术[J]玉林师范学院学报（哲学社会科学）2004(2)姜玉琴. 城市:一个承载事业、绞杀灵魂的谬体-从德莱塞的《嘉丽妹妹》到尤凤伟的《泥鳅》[J]外国文学研究2004(3)彭丹逵. 德莱塞和他的《嘉莉妹妹》[J]嘉兴大学学报1995(4)Leon F. Seltzer. Sister Carrie and the Hidden Longing for Love: Sublimation orSubterfuge?--- Twentieth Century Literature, V ol. 22, No. 2 (May, 1976) , pp. 192-209(5)王刚华. 嘉莉妹妹的欲望和驱动力[J]外国文学研究2002(6)Clare Virginia Eby .Cultural and Historical Contexts for Sister Carrie:// /collections/rbm/dreiser/scculhist.html(7)Dreiser,Theodore. Sister Carrie. Pennsylvania:University of Pennsylvania Press 1981(8)Loving,Jerome. The last titan:a life of theodore dreiser.California :University of California Press 1997(9)Pizer ,Donald. New Essays on Sister Carrie. New York:Cambridge University Press1991(10)Yoshinobu, Hakutani . Sister Carrie and the Problem of Literary NaturalismTwentieth Century Literature, V ol. 13, No. 1 (Apr., 1967) , pp. 3-17绝密文件，核心资料，拒绝盗版支持正版，从我做起，一切是在为了方便大家！。
Sister_Carrie
Ame
• Drouet
Met her in a theater
Carrie
Alone with money
Missed but didn’t bother her,once in a while asked her money
• Hurstwood
Other man
Died miserably
Does she achieved the life she wanted or she loosed what she had before? maybe both.
He came up with a evil idea .
Carrie’s leaving • She leaved with hurstwood to New York in a evening.because he deceived she that Drouet was in hospital and asked she to leave immediately.
• Mrs Vance
Carie
Vance introduced Ame ,another man,to Carrie
• Ame
• Eventually,Carrie and Hurstwood moved to a shaby house,with less and less money.
Winter came,they need money to pay rent,coal and so on.
Carrie went to find jobs after her “husband” ‘s hunting nothing for a long time.
• I onece too part in a drama,maybe I could fond a job of acting.
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《Sister Carrie》
The author of the book is Theodore Dreiser, a famous realistic writer in Amaican literature history .Realism follows the rule of nature “survival of fittest”.《Sister Carrie》is a representative of realism which describes a poor countryside girl′s life change after her arrival to Chicago.However ,cruel reality makes Carrie feel lonely and unhappy.Then she cohabited with Drouet,a young playboy ,Drouet offered her a easier life .Later,she married with Hrustwood ,who had married.They didn′t have a better life in New York. after they spent the money Hurstwood stole from his ex-wife .At the end of the book, Hrustwood died in a shabby little hotel,and Carrie became a famous star and be in high social classes.
Lost the job in shoe-making factory is just the turning point in Carrie′s life ,the turning point of her final success and tragedy.To survie she had to rely on someone .On the surface, writer is describing Carrie′s miserable suffering telling readers that is always very hard for woman .However ,to explore the deep meaning .Carrie is just a representative of the people from working-class who are oppressed by the capitalist .Dreiser shows sympathy to them and reveals the social contradictions.Carrie′s success is driven by dream and money.She wants to change her destiny she is eager to climb into the high social class.No matter how pimping you are ,dream is important and essential to future success because dream or ambution has the power to drive you forward.
It is right to pursue for material life , but not everything,In fact it is never wrong to pursue for high standard and high class life.。