绝望主妇第一季结束语
绝望的主妇第一季第10集中英对照剧本,学习笔记

d e 10: Come Back to Me-前情回顾。
-t. Zach离开了银冠青少年康复中心-y? 你饿了吗?- … 有时候…-t e: if I don't get some e, I will lose my mind.?l ent: 极好的 ’ 失去理智,疯掉sco r e: 得到:高级的如果我得不到一些帮助,我就要疯了。
我 到高 的保姆?- …Car t.-FBI: FBI, open the door. 开门war r ant: 授权证t: 逮捕t: 逮捕证你如 努力…,你被捕了-t or: … 有些问题…- ’ , and you are? 不好意思,你是?-Bree: Oh, ’ n s. 我想你已经见过Mai n s了吧take it: 猜想,以为- ’ m are. 她真是个恶梦。
:完全的m are: 恶梦-o m. 热衷于统治她的小小王国。
do: 确实rule: 统治e: 小的o m: 王国- ’’ d to ask.sex life: 性生活get: 得到y: 实在,简直 … 太…以至于d: 害怕你 我 的性生活不 意,你有些 我 得到 你就是不 出来- … ’ d. 是 法轻易得到解决的y: 容易地,不费力地:解决.n d. Her eveno rk.:度过:履行,完成d: 差事d s for: 为…跑腿,办事dis h: 盘,碟with: 帮助(某人)做某事要了解n s,你首先需要知道她如 度过她的下午,她 午 为她的 跑腿办事帮助 做功课-: Okay, so nine plus one is... 嗯,好,那么9加1是…plus: 加 、加法-n y of men.n y of: …一起n y: 陪伴是在下午的时候,她 是 男人在一起to y.n g to help them.:失意的,挫败的o od: 被误解的n g to: 愿意做… 支付e: 少许【 是修饰比较级】y: 孤单的,孤独的那些 到挫的 被人误解的孤独 愿意花钱使自己不那么孤独的男人n s 愿意帮助他- ’ r ed, , do they?r: 想知道、迷惑:知道、了解b y: 业余爱好、嗜好,我一直觉得很惊讶, 有人知道你 个小小的爱好, 吧?-: Mm-mm. 是啊。
中英对照绝望的主妇每集结束语

Everyone understands the nature of war, we also understand that victory depends on the cards that we have been dealt. Some when faced with a bloody battle simply give in, but for some surrender is unacceptable, even though they know it would be a fight to the death.每个人都清楚战争的本性,我们也知道胜利取决于我们打出的那些牌。
有些人在面对血战会从容放弃;但是对某些人来说投降是无法接受的,尽管他们清楚面前的是决一死战。
The world is filled with unlikely friendships. How did they begin, with one person desperately in need and another willing to lend a helping hand. When such kindness is offered, we are finally able to see the worth of those we have previously written off, and before we've known it, a bond has formed, regardless of whether others can understand it. Yes, unlikely friendships start up everyday, no one understands this more than the lonely, in fact, and it’s what they count on.世界上到处都是不太可能的友谊。
美剧英文台词文本绝望主妇第1季第17集

DESPERATE HOUSEWIVES 1X17ORIGINAL AIRDATE : Mon, Apr. 3rd, 2005 @ 10pm (ABC)WRITTEN BY JOHN PARDEE & JOEY MURPHYDIRECTED BY JEFF MELMAN==========================TRANSCRIPT:==========================Sacred Heart Hospital - Nighttime"In the Coma Ward at Sacred Heart Hospital, the dreams begin just after midnight. The pitch black of night gives way to vivid images that comfort the dreamer until the morning."A janitor stops cleaning the floor and stretches."Gus, the custodian, dreams of someday winning the lottery and quitting his thankless job." He removes a piece of paper from his shirt pocket, kisses it, picks up his thermos, and walks off.A security guard, sitting in a chair, pulls out a neck pillow to place on his neck. "Howard, the security guard, envisions a luxurious retirement in the tropics."He kicks off his shoes and closes his eyes.A night nurse sits at a desk, looking bored. She spins something on the desk and watches it. "Ruth Ann, the night nurse, fantasizes about leaving her husband."As it spins, she checks her watch, picks up a pack of cigarettes and stands up to leave, leaving her wedding ring spinning on the desk."But the most vivid dreams of all belong to the patient in Room 312."Inside room 312, Juanita Solis lies still in her hospital bed."Yes, Juanita Solis had been dreaming steadily for five months. Sometimes of the shocking secret she had uncovered."Flashback to her taking a picture of Gabrielle and John caught in bed.."Other times, she dreamt of the accident that had put her in the hospital."Flashback to her running out of the Solis house and getting hit by a car."But her most common dream was the one in which she finally told her son the truth." Carlos sits next to Juanita’s bedside holding her hands. Juanita leans over and begins whispering to Carlos.Juanita: "Carlos. Gabrielle...""And then one night...Juanita Solis decided it was time to wake up."Juanita's eyes open suddenly and she sits up in bed.A few minutes later, Juanita leaves her hospital room, holding onto her pole with IV fluids. She looks up and down the empty hallway.Juanita: "Hello? Is anybody here?"Juanita goes down the hallway, looking back and forth.Juanita: "Hello!"Juanita reaches the empty nurse's station and bangs on the counter.Juanita: "I have to call my son!"Juanita continues to run down the hallway in her stocking feet. She runs past the hallwayand doesn’t see the sleeping guard. She continues running and see a phone on the wall at the end of a hallway. She pulls out the intravenous tube and runs down the hallway toward the phone.As she heads towards it, she slips on the wet floor left by the janitor. She slides straight into a stairwell, where she falls down the stairs, right near the feet of the nurse taking her cigarette break. Ruth Ann, turns, shocked."Even though she knew she was about to die, Juanita didn’t care. The truth was finally going to come out."Ruth Ann puts out her cigarette and runs toward Juanita. Ruth Ann kneels down and holds Juanita’s head.Juanita: "Tell my son his wife is cheating on him."Ruth Ann: "Oh my God!"Juanita dies."Sadly for Juanita, this was one dream that would never come true."Ruth Ann pulls earphones from her ears. Music is blasting from the earphones.CUT TO:CreditsCUT TO:Susan's HouseAt Susan's kitchen table, there are illustrated drawings knights and dragons."We all honor heroes for different reasons. Sometimes for their bravery, sometimes for their daring, sometimes for their goodness, but mostly we honor heroes because at one point or another we all dream of being rescued."Susan goes to the coffeemaker by the sink and pours herself a cup. She looks through the kitchen window and sees Mike walking up to the door.He knocks on the door.Mike: "Susan, I know you’re in there. We have to talk."Susan opens door and faces Mike.Mike: "This is crazy."Susan: "I know."Mike grabs Susan and they kiss.Cut to Susan standing at the kitchen window again, daydreaming.Susan again opens the door and faces Mike.Mike: "Everything the cop said to you is true. I did kill someone. But there’s one thing they didn’t tell you. I killed for you, Susan."Susan grabs Mike and kisses him.Cut to Susan standing at the kitchen window again, daydreaming.Susan opens the door and faces Mike. He pulls out a gun and aims at her.Mike: "Susan, if I can’t have you, no one else can."Susan knocks the gun out of Mike’s hand.Susan: "Shut up."Susan grabs Mike and kisses him. The coffee cup she is holding falls and breaks.Cut to Susan standing at the kitchen window again, daydreaming. She looks down at the unbroken cup in her hand. She sees Mike walking toward the door, and then he knocks.Susan drops to the floor and crawls to the door.Mike: "Susan, are you home? Susan, your car is here. I know you’re in there. I was hoping we could talk for a minute."Susan whimpers and leans against the door. Mike slides a letter under the door. Susan pulls it in.Mike: "Susan, maybe you should have waited until I left to do that. All right, look, I know you don’t want to see me right now, but I owe you an explanation and it’s all in there, all of it. Everything you ever wanted to know about my past, about my reasons for doing what I did. It’s all there."Susan stands up and looks out the door in time to watch Mike walk away.CUT TO:School Parking LotA car sits in the parking lot. Its interior is filled with smoke. A school security guard knocks on window. A window rolls down and smoke pours out.Andrew: "Hey!"Security Guard: "Guys come on. What are you doing?"Andrew: "Ah, you know, just bonding. Discussing current events."Security Guard: "Hey, seriously, listen, if you guys would have just parked across the street I could have let you go."Andrew: "Why don’t you pretend like we did?"Andrew's friends laugh.Security Guard: "Get out of the car."Instead, Andrew starts pulling away.Security Guard: "Hey, hey, hey! Stop the car!"He holds onto the window and as the car speeds up, he trips and rolls on the ground as the car leaves.CUT TO:Bree's HouseRex: "I can’t believe it. Two months from graduation and he gets expelled."Bree: "You know we are just lucky that that security guard did not press charges."Rex: "So what are we gonna do?"Bree: "Well, glad that you asked."Bree pulls out some pamphlets from a drawer and lays them out.Rex: "What are these?"Bree: "They’re brochures for youth detention centers."Rex: "How long have you had these?"Bree: "They’ve been in the drawer for a few months. I had a feeling we might be needing them."Rex: "Bree, I don’t know."Bree: "We have to admit that we need help. If we can’t get through to Andrew then we have to find someone who can."Rex: "You really want to send our son away to some prison camp?"Bree: "Oh come on, don’t be so dramatic. Some of these places actually look fun. Look. Camp Hennessey." (reading) "Camp Hennessey teaches kids respect for authority andboundaries in a summer camp-like atmosphere."Bree holds up the brochure for Rex to see. Rex grabs the brochure.Rex: "The perimeter is surrounded by an electrified fence."Bree: "Well, you have to admit that’s an efficient way to teach respect for boundaries. Okay, how about this one. It’s perfect for Andrew. It’s a ranch in Montana. It has lots of fresh air and plenty of open spaces and daily classes in anger management."Rex: "I’m, I’m not comfortable with this."Bree: "All right, what about this one. It’s in the desert and it’s very reasonable. Barracks are a little bit bleak, but that recidivism rate is to die for!"Rex: "Bree, I’m not doing it. I’m not sending my son away."Bree: "It’s easy for you, isn’t it? You’re not the one he’s openly rude to. You’re not the one he challenges every day. You’re not the one he hates."Rex: "I’ll talk to him, all right? I’ll sit him down for a little old-fashioned heart to heart." Bree: "You talk to him all you want. I’m gonna check out the place with the electrified fence."CUT TO:Barcliff AcademyFive children, including Porter and Preston, dressed in colonial costume, stand on a small stage, reciting lines.Twin: "Listen, my children and you shall hear of the midnight ride of Paul Revere."Lynette proudly smiles as she watches her sons recite. She turns to see, in the audience, a mother and young daughter signing to each other.Twin: "In the lantern is turned off in the belfry arch of the North church tower. One if by land, two if by sea, and I on the opposite shore will be."The parents applaud. Lynette smiles proudly as she applauds.Lynette, pushing a stroller, approaches the little girl and woman who had been signing. Lynette: "Um, hi. I, I wanted to introduce myself to your Mom. I’m Lynette Scavo."Alisa Stevens: "Have we met? I’m Alisa Stevens."Lynette: "Oh, I'm sorry! I thought..."Alisa: "I read lips."Lynette: "Oh."Alisa starts signing and her daughter begins translating for her.Lily (translating): "But a lot of the time, signing is much easier. I don’t like to misunderstand or be misunderstood."Lily turns toward Lynette and offers her hand.Lily: "And I’m Lily."Lynette: "Oh hi. Nice to meet you, Lily."A young boy in a horse costume runs by.Matt: "Hi, mom."Alisa: "That’s my son, Matt."Lynette: "My twins talk about Matt all the time. We should set up a play date."Alisa: "That sounds great. Let’s have dinner, too."Lynette: "I’d love to."Lynette turns toward her boys as she hears them yelling. They are holding Matt’s horse’stale, whipping it and yelling. Matt is trying to run away.Twins: "The British are coming! The British are coming. Giddy up! Giddy up! Giddy up." Matt:"No, no, no."Lynette turns back toward Alisa.Lynette: "Even better, let’s just keep it adults."CUT TO:Gabrielle’s House.Gabrielle is sitting on the couch reading the paper. Carlos comes in the front door. Carlos: "Babe, they blinked! We got 'em by the short hairs!"Carlos grabs Gabrielle’s hand and pulls her up.Gabrielle: "Who? Who blinked?"Carlos picks Gabrielle up and she shrieks.Carlos: "I just spoke to the lawyers. They offered a plea bargain."Gabrielle: "And that’s - good?"Carlos: "It means they know they got a weak case. They don’t think they can win. It’s over." Gabrielle: "Oh my god! Honey, that means we can keep the house!"Carlos: "No. We still have to sell the house. I gotta pay the lawyers."Gabrielle: "But I thought you said they offered a plea bargain."Carlos: "Yeah, but we’re not gonna take that."Gabrielle: "Put me down."Carlos puts Gabrielle down.Carlos: "Honey, it would mean me going to jail for eight months."Gabrielle: "I think that’s pretty reasonable considering you're guilty as sin!"Carlos: "You said that you were fine with selling the house."Gabrielle: "That was before I knew we could trade a couple months in prison to keep it!" The phone rings. Gabrielle goes over to answer it.Gabrielle: "What? No, this is her daughter-in-law."Carlos: "Is it the hospital? Is it Mama?"Gabrielle turns away from Carlos.Gabrielle: "Ah, thank you, yes."She hangs up.Carlos: "Gabby?"Gabrielle: "I'm sorry, Carlos."She puts her arms around him and hugs him close. As she holds him, she smiles.CUT TO:Gabrielle's HousePamphlets for crypts, caskets, and flowers are spread all over the coffee table."Some believe people are judged by the way they live life, and others by the way they leave it."Carlos: "I like the Lexington mahogany with gold leaf. It comes with a pink velvet interior and drapes. Plus it’s hand-engraved so in case of a flood or earthquake, they’ll at least be able to know which one is hers."Gabrielle: "Don’t you think that’s a little over the top?"Carlos: "I want the best for Mama."Gabrielle: "No, honey, these funeral homes make a fortune trying to convince people to overspend."Carlos: "What are you saying?"Gabrielle: "Well, I’m saying your mother was a sensible woman. She wouldn’t be comfortable with all these bells and whistles. Maybe this one. Wood veneer!"Carlos closes his eyes and shakes his head.Gabrielle: "What?"Carlos: "You never liked Mama."Gabrielle: "Well, it’s awfully hard to like someone who actively hates your guts. She always thought you married beneath you and she let me know it."Carlos: "She loved you."Gabrielle: "She treated me like trash!" (crosses herself) "God rest her soul."Carlos: "I’m putting my mother in the grave. Now is not the time to pinch pennies." Gabrielle: "Carlos, we’re not exactly flush with cash right now. Let her be true to her roots. She was born humble and barefoot."Carlos: "She was a queen."He walks away.CUT TO:Susan's House - OutsideSusan holds the sealed letter marked "Susan" that Mike had put under her door. Sitting around her are Lynette, Edie, and Bree.Lynette: "So what did Mike say when he gave you the letter?"Susan: "That it explains everything."Bree: "Well, does it?"Susan: "I haven’t read it."Edie: "Well, why the hell not?"Susan: "I just can’t."Lynette: "You’re a better woman than me. I would have ripped that open with my teeth. Aren’t you dying to know what he wrote?"Susan: "Yes. What if it just a bunch of far-fetched stories."Bree: "Well, you should assume that it is."Lynette: "Why?"Bree: "Well, think about how good men are at lying on the spot. I mean, God forbid, you should give them time and a pen!"Lynette and Edie laugh.A car drives up on the street behind them and honks. The sign on the door of the car reads "General Contractors." A handsome man calls out to Edie.Bill: "Hey Edie, you mind stopping by the site later? I have blueprints of the master bath." Edie: "Oh. I’ll see you in a few, Bill."Susan turns and looks at Bill. Bill nods and smiles at Susan as he drives away.Edie: "That’s my new contractor. We’re sort of dating."Lynette: "Didn’t you once say you never mix business with pleasure?"Edie: "No, I said never mix pleasure with commitment."Lynette (laughing): "Right."Bree: "So, Susan, what are you gonna do with the letter?"Edie: "And for pete’s sake, would you open it up already?"Susan begins to open the letter, then stops.Susan: "No, no, I won't. I don’t trust Mike anymore. And without trust...no, no. I’m just gonna go in and rip it up and throw it in the trash."Susan begins walking toward her house. Lynette grabs the letter and acts like she's going to rip it up.Lynette: "Why wait, why don’t we just rip it up now."Susan grabs the letter back.Susan: "No, no no. That’s okay, I don’t wanna, you know, litter."She runs inside her house. The other women watch her go.Lynette: "She is so opening that letter."CUT TO:Sacred Heart HospitalGabrielle walks down the hallway."While Carlos was making arrangements to bury his mother, Gabrielle was making sure she’d be taking her secret to the grave."Gabrielle reaches the nurse's station. As she looks at the nurse behind the counter, a man in a business suit walks up to a room behind Gabrielle, and enters it, but makes sure to keep the door cracked open so he can eavesdrop.Gabrielle: "Hi, I’m Gabrielle Solis. You're Nurse Heissel?"Nurse Ruth Ann Heissel: "Yes, Hi. Um, when you called and said you were coming down I collected all the personal things that your husband brought in during Juanita’s stay with us."Nurse Heissel puts a cardboard box on the counter.Nurse Heissel: "I assume that that’s why you were stopping by."Gabrielle: "Oh, that’s so thoughtful of you, but actually no."Nurse Heissel: "No?"The man behind the door continues to watch.Gabrielle: "No, you see my husband and I still don’t have a clear account as to how Juanita passed."Nurse Heissel: "How?"Gabrielle: "Yes, did she die quietly in her sleep?"Nurse Heissel and the man in the doorway nod as if agreeing with what Gabrielle is saying. Nurse Heissel: "Oh yeah, that’s usually how it happens. I mean, I’m pretty sure that that’s how it happened."Gabrielle: "Pretty sure?"Nurse Heissel: "I mean, I don’t know exactly cause I wasn’t with her at that time." Gabrielle: "Uh huh. Was anyone with her? An orderly, candy striper, anyone?"The man still watches them.Nurse Heissel: "No. She was alone."The man closes his eyes and bows his head.Gabrielle: "Thank you so much. That’s all I needed to hear."Gabrielle walks away. As she passes by the room the man is in, he quickly closes the door.Nurse Heissel picks up the cardboard box.Nurse Heissel: "Mrs. Solis!"Gabrielle: "Oh, you can just toss that!"CUT TO:Susan's House - OutsideSusan comes out with purse and keys. She looks at her car and sees that she has a flat tire. Susan: "Great, just great!"She stoops down to look at the tire and pulls out a long nail. She hears construction work going on at Edie’s house and looks that way.Susan walks over to the construction lot. She sees the man, Bill, who had been in the general contractors truck and walks up to him, nail in hand.Susan: "I think this is yours."She hands Bill the nail.Bill: "Yeah. Yeah, I’ve been looking for this one. Thanks."Susan: "I don’t suppose you have any idea where I found it?"Bill: "Well, these little suckers are drawn to bare feet and car tires and since you’re not limping or bleeding..."They smile at each other.At Susan’s car, Bill has a compressor filling Susan’s tire.Bill: "This is only temporary. You’re going to need to take this tire in to get it fixed." Susan: "Thanks, I will."Bill: "Seriously. It’s not safe. You’re probably only going to get 20, 30 miles out of it." Susan: "All right, I promise."Bill: "Hey listen, I’m about to break for lunch. How would you like to join me?"Susan: "Lunch?"Bill: "Yeah. Lunch."Susan: "Are you asking me out on a date?"Bill: "That sounds kind of formal for a burrito and a can of soda but, yeah, I guess I am." Susan: "Aren’t you dating Edie?"Bill: "We went out on a date, we’re not dating."Susan: "Oh."Bill: "So how about it? I’m buying."Susan: "Yeah. I just got out of this relationship with this guy, Mike, and it’s kind of complicated. Anyway, I’m just not even sure where I am right now emotionally, I’m just all jumbled up and I don’t think I could leap right into something new, relationship wise, you know, at the moment."Bill: "Again. Just a burrito."Susan: "Sorry."Bill: "Okay, I understand. Sounds like you need a little time to reflect and heal."Susan: "I do. I really do."Bill: "Okay. I’ll check back with you again tomorrow."CUT TO:Lynette's HouseTom, Lynette, Alisa and her husband, Dennis, are having dinner. Alisa is signing and herhusband it translating.Dennis (translating Alisa’s signing): "This is so delicious. I don’t know how you find the time with four kids."Lynette: "Only for first time guests. Normally you’d be having, um, chicken fingers and cartoon shaped macaroni."Tom: "If that."Lynette: "Hey. Shut up."Alisa: "Tom, you’re in advertising, right?"Tom: "Uh hm."Alisa: "I worked five years at Simon and Scott."Tom: "Well, I started at Simon and Scott. I hated those guys."Everyone laughs.Alisa: "But we have to talk."Tom: "Yes. Who do you know? Do you know who’s there now?"Tom scoots his chair closer to Alisa's and Dennis turns to Lynette.Dennis: "Well, it's all over now. They’ll be talking shop for the rest of the night. Alisa loves talking about Alisa."Lynette: "Well, Lynette loves talking about Lynette, too."Dennis: "Oh I don’t believe that for a second. You and your husband seem pretty solid." Tom and Alisa can be seen and heard talking in the background.Dennis: "We’re going through some tough stuff. We’re in counseling."Tom (in the background): "They’re nice people."Lynette (uncomfortably): "Oh really? More steak?"Dennis: "It was her idea. It’s not the most pleasant way to spend an hour. Basically, I look at the clock and she blames me for everything."Lynette: "I don’t think we should be talking about Alisa with her, so..."She gestures over at Alisa.Dennis: "It’s okay, it’s not like she can hear. Maybe I’ll have some more of that potato stuff."A shocked Lynette stares at Dennis.Later, Tom and Lynette clear the dishes.Tom: "He actually said those things with her just sitting right there?"Lynette: "It was really nasty and he wouldn’t shut up either."Tom (disgusted): "Ahhh."Lynette: "I can’t believe you said we’d play tennis with them."Tom: "Honey that was before I knew that he was a jerk. She was great. Look what she taught me."Tom signs "I Love You."Tom: "Means I love you."Lynette: "Yeah, that’s great. What am I gonna do?"Tom: "What do you mean?"Lynette: "Well, obviously she needs to be told."Tom: "Wha-no, no, no, she doesn’t. This is between Dennis and Alisa."Lynette: "How can I ignore this? And I quote, 'It’s not like she can hear.'"Tom: "Lynette you’re starting to ring up into that whole meddling thing that you do." Lynette: "Excuse me!"Tom: "Let me just handle it. Let’s avoid a big thing."Lynette: "Are you saying I can’t be tactful?"Tom: "No. If he says something when we play tennis, I will take him aside man to man and say that’s not cool."Lynette: "Are you saying I’m not tactful?"Tom looks as though he does not know what to say so instead he signs "I love you" to Lynette. She grabs his finger and pushes him back.Tom: "Ow, ow, ow, owww."CUT TO:Bree's HouseAndrew lies on his bed watching TV. Bree walks in with a laundry basket.Bree: "Andrew, I need you to take out the trash."Andrew: "Sure."Bree: "Now, not five hours from now."With a long-suffering sigh, he sits up.Andrew: "I’m going, I’m going. God! Um, I’m meeting Justin at the mall tonight so I’m gonna need forty bucks."Bree: "No!"Andrew: "What?"Bree: "You no longer get an allowance."Andrew: "Fine. I’m not taking out the trash."Bree (exasperated): "Andrew."Andrew: "What are you gonna do, torture me? Go ahead, I can take it."Bree approaches Andrew who is sitting on the bed.Bree: "What I want, what I have always wanted is for you to be happy. And you're not. And I have no idea how to help you."Rex walking by the room, stops in the doorway.Andrew: "Well, you can start by getting out of the way."Bree: "I will not. We’re gonna talk about this now."Andrew: "I said get out of the way!"He kicks at her, pushing her with his leg. Bree stumbles, almost falling. Rex runs into the room and grabs Andrew by the arms and pulls him up and slams him against the wall. Rex: "The next time you touch your mother like that, I’m gonna throw you through this wall! You understand me?"Andrew has a frightened look on his face. Rex leaves the room glancing at Bree to make sure she is okay. Bree grabs the laundry basket and walks to the door. She turns to look at Andrew who looks like he's about to start crying. Bree turns away and walks out.CUT TO:Susan's HouseSusan sits on the bench in her front yard, drawing. Edie jogs by.Susan: "Oh, Edie. Wait up, I, I want to ask you something."Edie continues to run, so Susan follows her.Edie: "Can’t stop, gotta keep my heart rate up."Susan: "I was just wondering how you’d feel if I went out with Bill."Edie stops running.Edie: "What?"Susan: "Um. Bill asked me out."Edie: "Bill? My Bill?"Susan: "Well see that’s the thing, he doesn’t think of himself as "your Bill" cause he said that date was just a one time thing. Which I know because when he asked me out, I told him I thought you guys were involved."Edie: "So, you haven’t agreed to go out with him?"Susan: "No. No, I wanted to check with you first."Edie: "Wow. That was nice of you."Susan: "So can I?"Edie: "No."Edie takes off jogging again. Susan runs after her.Susan: "Edie! Edie, why can’t I go out with him?"Edie stops jogging again.Edie: "Because I saw him first."Susan: "Come on, that’s a really 3rd-grade thing to say."Edie: "Look, you asked my permission, I said no. That should be the end of it!"Edie takes off jogging again. Susan yells after her.Susan: "Well, you know, technically, I don’t need your permission!"Edie stops jogging and turns to face Susan.Edie: "You know, I so much want to like you but you just won’t let me."Susan: "Edie."Edie: "Susan, you know I try. I try to look past your flaws, your klutziness, that, that faux vulnerability, your hair, but you look for ways to push my buttons."Susan: "He just wants to buy me a burrito."Edie: "Susan, please. Let me like you."Susan: "Okay, I won’t go out with him. I mean obviously you have feeling for him."Edie: "No, I don’t. I really don’t."Susan: "So what then? If you can’t have him, nobody can?"Edie: "See? Now you’re thinking like a friend."Edie turns and jogs away leaving Susan with a dumbfounded look on her face.CUT TO:CemetaryA singer in black, holding a single rose, sings Ave Maria as she leads a procession of black-clad mourners for Juanita Solis.Lynette walks with Bree.Lynette: "What a voice."Bree: "You have to hand it to Gabby and Carlos. They do grieve better than anyone."A white horse pulling a carriage containing Juanita Solis’ casket is leading the procession. Carlos and Gabrielle are near the front of the group.Gabrielle: "So, how much did that horse and buggy set us back?"。
美剧英文台词文本绝望主妇第1季第8集

DESPERATE HOUSEWIVES 1X08Original Airdate (ABC): 28/NOV/2004==========================TRANSCRIPT:==========================SCENE: Focus in on a Bible being opened. Mary Alice begins speaking.MARY ALICE: There is a widely read book that tells us everyone is a sinner. Of course, not everyone who reads this book feels guilt over the bad things that they do.Pull out to see that Bree opened the Bible and is reading from it.MARY ALICE: But Bree Van de Kamp did. In fact, Bree had spent most of her life, feeling guilty.Flashbacks showing the images of what Mary Alice is speaking of.MARY ALICE: As a child, she felt guilty about not getting straight A’s. As a teenager, she felt guilty about letting her boyfriend go to second base. As a newlywed, she felt guilty about taking three weeks to get out her thank you cards she knew the transgressions of her past were nothing compared with the sin she was about to commit.SCENE: The Van de Kamp family is all in the living room. Danielle and Rex are seated while Andrew paces, and Bree looks through the Bible.DANIELLE: Couldn't we just go to the police and tell them it was an accident?REX: This wasn't some simple DUI. Not only was your brother drinking, Andrew left the scene of the crime. That makes it a hit and run.ANDREW: Maybe I could go to Canada, you know, until the statute of limitations is up. DANIELLE: Do you really think mom and dad are going to foot the bill while you go moose hunting for seven years?REX: If Carlos’ mother dies, there is no statute of limitations..DANIELLE: Right. Because then it’s murder.ANDREW: Shut up!DANIELLE: You shut up!ANDREW: How could it be murder, it was an accident!(pause)BREE: We have to get rid of the car. But we can't sell it. The police might find it, and there could be DNA. We take the car to a bad part of town. We'll leave the keys in the ignition and the doors unlocked. If the police don't find it, we'll get the insurance money, and if they do, it wasn't in our possession. Anyone could have hit Mrs. Solis.ANDREW: That sounds good!REX: Bree, are you sure?BREE: Our son could spent the rest of his life in jail. I won't allow that.Bree stands up and puts the Bible away.MARY ALICE: Bree knew what she was about to do was wrong, but like most sinners, she would worry about her guilt tomorrow.BREE: Well everybody should, uh, go wash up. We're having pancakes for breakfast.MARY ALICE: Not since my own suicide had violence intruded upon the serenity of life on Wisteria Lane in such a conspicuous fashion. And needless to say, my friends attacked the problem head on.Lynette, Susan, and Bree are all in the middle of the street, trying to clean off the skid marks on the road. Lynette brought the broom. Susan brought the trash bags. And Bree brought the industrial strength solvent.LYNETTE: Woo. That stuff is strong!BREE: It has to be, I don't want Gabrielle and Carlos coming home to this ugly reminder in front of their house.LYNETTE: So, has anyone been over there?SUSAN: Julie and I went over this morning.BREE: How is Juanita doing?SUSAN: She’s been in a coma ever since she came out of ER. Nobody knows when or even if she'll wake up.LYNETTE: This is awful. Carlos must be just devastated.SUSAN: I hope she wakes soon. Maybe she can tell us who was driving that car.BREE: We can only hope.A red car zips around the corner and speeds past the women.Lynette stands up, shouting after the car.LYNETTE: Slow down, you jerk, this is a residential neighborhood.She throws her sponge at the car and it bounces off of the car's hood.SUSAN: Wow, that’s quite a pitching arm you've got there.LYNETTE: It pisses me off. I've got four kids, you know. I was up all night reading statistics online. One out of every four traffic accidents happens on residential streets. I hope whoever hit Juanita gets put away for life.BREE: don't you think that’s a little bit extreme?LYNETTE: An innocent woman gets hit by a car and the driver just takes off? I don't think it’s extreme.SCENE: Carlos and Gabrielle are in Mama Solis's hospital room. Carlos sits by the bed and Gabrielle checks her nails as she sits on the dresser.GABRIELLE: You should go home and get some rest, eat something. You have a ton of messages from work--Tanaka called; said it was urgent. Carlos, I can stay here with your mother.CARLOS: I need to be here if she wakes up.GABRIELLE: You can't go on like this. You have to take care of yourself.CARLOS: And what if she dies? People slip into comas all the time and never come out. GABRIELLE: Don't say that! We need to stay positive.The door opens and John sticks his head in.JOHN: Mr. and Mrs. Solis?GABRIELLE: John!JOHN: Is it okay if I come in?CARLOS: Of course.JOHN: Mr. Solis, I'm so sorry this happened.CARLOS: It means a lot that you came.They embrace.CARLOS: Look, I think I'm gonna to go down to the chapel and pray. You want to come? GABRIELLE: Um, no, I think I will stay here with mama.JOHN: Is it all right if I come?CARLOS: Of course, we need all the prayers we can get.John leaves the flowers he had brought for Mama Solis on the table by her bed, then leaves with Carlos. Gabrielle is annoyed. A nurse comes in with a bucket of water.NURSE: Mrs. Solis, it’s time for her sponge bath.GABRIELLE: Come again?NURSE: Sometimes family members prefer to administer sponge baths themselves. GABRIELLE: I think I'll pass.SCENE: Mrs. Huber is neatly packing luggage on the kitchen table when her front door opens and Edie comes in.EDIE: Martha. Where’s your purse?MARTHA: Over there, why?Edie walks over to the purse without saying a word and opens it.MARTHA: What are you doing?"EDIE: I am taking back the $40 that you stole out of my purse.MARTHA: Edie!EDIE: We both know you did it, now hand it over!MARTHA: I have taken nothing from your purse, and if you're missing money, I'd ask one of those strange men you parade through here at all hours.She grabs the purse from Edie and walks away.EDIE: I am not going to apologize for having a healthy sex life!MARTHA: Healthy? I'm going to have to burn every sheet you've touched.EDIE: I want my money.MARTHA: And I want those non-fat peach yogurts. They didn't just walk out of that fridge by themselves.EDIE: Well you can deduct it from the $40 that you're going to give me, now!MARTHA: You're my best friend, why would I steal from you?EDIE: It’s no secret that you've been having financial problems. I hear you bitching on the phone to your bank.MARTHA: That’s it! I can put up with your debauchery and your food theft, but I will not tolerate spying. I want you out.EDIE: You don't mean that.MARTHA: Yes I do. I'm leaving tomorrow to visit my sister for a few days. I want you gone by the time I get back.EDIE: I'll do one better. I will leave today.She takes her purse and leaves. Once she's gone, Mrs. Huber reaches into her blouse and removes some money, which she then puts into her purse.SCENE: Lynette is lying on a table while Dr. Chang, an acupuncturist, places needles intoher forehead.LYNETTE: I hope this works. My sleep cycle is totally out of whack. I'm up all night, I'm dozing off during the day.DR. CHANG: Trust me, this will do the trick. In fact, you should be feeling more relaxed already.LYNETTE: You know, you're right.Faintly, from outside of the room, calls and shouts from Lynette's kids can be heard. LYNETTE: Boys, I can hear you out there. Now be quiet. Just sit there and color.DR. CHANG: Now is not a good time to be moving.LYNETTE: Oh, yeah. Sorry.DR. CHANG: Just block everything out, and let it go. Imagine that you're in a forest. There’s a babbling brook nearby, and the wind is just coming through the trees...Parker comes through the door, dragging a plastic tree.PARKER: Mommy.LYNETTE: Parker! I don't know --ow!--what you think that you're doing, but put that back where it belongs!LYNETTE: I'm sorry. You were saying something about wind?DR. CHANG: I was just creating a soothing image.LYNETTE: Oh, for the love of God!She gets off the table and opens up the door to where her boys are waiting.LYNETTE: Knock it off, you little monsters.DR. CHANG: Mrs. Scavo, please lie down. we need to finish this.LYNETTE: Look, I'm on my last nerves, so I'm going to level with you. I've screwed up my entire system by taking my system by taking my kids’ ADD medication. Yeah, that’s right, you heard me. I plan to stop, but right now I need to sleep, and I need more than a few, crappy, needles, so whattya got?DR. CHANG: I'm not licensed to write prescriptions.LYNETTE: I know you're not.The acupuncturist goes to her cabinet and removes a small bag of herbs. She turns to Lynette.DR. CHANG: This will put you right to sleep. It’s a very powerful herbal remedy. Now promise me you're going to use it judiciously?LYNETTE: Sure. Whatever.SCENE: Susan knocks on Mike's screen door.SUSAN: Knock, knock!MIKE: Hey! Come on in!SUSAN: You're a mess.MIKE: Ah, yeah, I'm tearing out these leaky pipes in the upstairs bathroom. Wall to wall rotten wood.SUSAN: Sounds like a job. So, Julie said that you came by before?MIKE: Um.. Yeah. Uh... yeah, I was thinking about driving up to the Girmany vineyard tomorrow for this wine tasting, and, um..SUSAN: What time do you want me to be ready?MIKE: How about six?SUSAN: Six is good.MIKE: All right. I thought maybe afterwards, we could have a little dinner, maybe some dancing.SUSAN: Sounds great. Um, you do know that it’s like a two-hour drive up there. And isn't that kind of late to be coming back?MIKE: I thought if, you know, worse came to worse, we could grab a room...SUSAN: Oh? Like a hotel room?MIKE: Yeah, as a last resort.SUSAN: Of course, of course, yes. So, maybe we should make reservations, you know, just in case.MIKE: Yeah, I found some hotels online. Let me get a printout.She laughs and he goes upstairs. Bongo, who had been off in the corner, comes towards Susan.SUSAN: Hey, Bongo, come here. You want a treat? Hey Mike, where do you keep the dog biscuits?MIKE: I'm sorry, what?SUSAN: Oh, never mind! We'll just find them ourselves. We'll go find them ourselves.She opens up one of Mike's cabinets and, in plain view, are stacks of money and a gun. Susan takes out a couple of stacks of money and looks at them.Mike comes down the stairs.MIKE: I'm sorry Susan. I couldn't hear you. What did you say?SUSAN: Nothing. It’s not important.She quickly puts the money back and closes the cabinet. The phone rings.MIKE: It’s my tile guy. Here, see what looks good.He hands her the printout of hotels and answers the phone.MIKE: Hey Phil. Um, no. No. Tomorrow morning I'm making a lumber run. It’s no good. Uh, no, I'll be gone tomorrow night, too.SUSAN: I could let him in.MIKE: No, that’s okay.SUSAN: No, it’s fine, just give me the key. I'll be around all day.MIKE: All right. Thanks. Phil, I'll give the key to my neighbor. She'll be here to let you in.SCENE: A car drives down the street of an old, worn-out neighborhood.MARYALICE: Like every city, Fairview had a neighborhood that was less than desirable. It was an accepted fact: anyone who lingered there after midnight was usually up to no good. Rex and Bree Van de Kamp were no exception.The car stops and Bree gets out. In a nonchalant manner, she walks around the car and heads towards Rex, who's parked in his own car in a darkened alleyway, with a perfect view of the car Bree had driven.She gets into the car with Rex.REX: You really think this is gonna work?BREE: This is the most impoverished neighborhood in the city. Trust me, somebody will steal the car.REX: How can you be so sure?BREE: Because I have faith in the poor.SCENE: On the television is a home video of Mary Alice wearing a party hat. As the video plays, Paul watches it as he talks.PAUL: She’s so beautiful. I shot this last year on her birthday. How you going to do it?MR. SHAW: I made contact with her at a bar. She thinks I'm a real estate developer. PAUL: Is she going to suffer?MR. SHAW: No. Edie Britt will disappear, and you'll go back to your life.PAUL: Before you do it, do you think you should ask her why she sent this note to my wife? MR. SHAW: You can't think like that, Mr. Young. You can't give in to your curiosity. Curiosity leads to guilt. Guilt leads to talking. You still have questions?Paul sighs and shakes his head no.MR. SHAW: I want to be clear about something. When I walk away with this cash, it’s done. No refunds. No buyer's remorse.PAUL: I get it.MR. SHAW: We won't talk again so I'll ask one more time: are you sure you want this? PAUL: My wife is dead because of Edie Britt. I absolutely want this.He touches her face on the TV screen.SCENE: Rex and Bree sit relaxed in the car, watching the car Bree left behind.REX: You've been awfully quiet.BREE: I had just been...thinking about the kids. They sure grew up quickly, didn't they? REX: They sure did.BREE: I remember telling them when they were babies that they weren't allowed to get any bigger because they were so adorable. And we were so happy.REX: Yeah, well...BREE: They sure didn't turn out like we expected them to.REX: No, they didn't.BREE: We could have been better parents.REX: We weren't that bad.BREE: We still have so much to teach them. For starters, we need to get across to Andrew the enormity of what he’s done.REX: I don't - I suppose we could punish them.BREE: All right, then what’s the appropriate punishment for a child who drives over a woman?REX: I...I don't know.BREE: You know, no matter how the kids turn out, I still love them.REX: Of course, you do.BREE: But I'll never forgive them for growing up so quickly.REX: Hey, look.A man stands by the car on the street, looks around, then quickly gets into the car and drives away.SCENE: Susan packs as she talks with Julie.SUSAN: And then I opened the cabinet and there was all this money in it. I mean, there waswads of it.JULIE: That’s why you're freaking out? A few stacks of cash? Come on."SUSAN: Well what? Realistically, I've known this guy a few weeks. I mean, he could be a hit man for the mob!JULIE: If you really think that, why are going on a trip with him?SUSAN: I never get out of the house.JULIE: Mom, if you really need something to freak out about, just remember that you're going to spend the night with Mike in a hotel. No man has seen you naked in years, except your doctor.SUSAN: Yeah, and he retired. I try not to take that personally.She puts on a sweater.JULIE: You look old in that.SUSAN: Maybe I am being silly, but going to a hotel with a man is a big deal to me. What if Mike is hiding something?JULIE: Like what?SUSAN: I don't know.A horn honks outside.JULIE: That’s Dad. I gotta go. Now, listen to me. No more freaking out. I need this weekend to go well.SUSAN: Why do you care so much?JULIE: Because I'm gonna have a husband of my own someday, and I really don't want you living with us.SCENE: The four Van de Kamps are visiting Carlos and Gabrielle.BREE: Are the lady fingers okay?GABRIELLE: Oh, they're terrific. We just appreciate you all stopping by.BREE: We just want you to know how much we care.REX: So, have the police come up with any leads?GABRIELLE: Not really. They'll be able to determine the make and model of the car, but without any eye witnesses, no one seems very optimistic.BREE: Well, more importantly, is there any good news about Juanita?GABRIELLE: No change. All we can do is wait and hope for the best.DANIELLE: We put her on our prayer list at church.GABRIELLE: Oh, that’s very sweet, Danielle, thank you.CARLOS: It must really help during times like these--having kids.REX: Yeah, they're a blessing.CARLOS: Children make everything worthwhile. You guys are the future. Legacy. ANDREW: Thanks.CARLOS: After we're all dead, you'll be the only ones left to carry on. Gabrielle and I are about to start a family.REX: Oh, hey, that--that’s great.BREE: Well, when did you decide this?GABRIELLE: It’s a fairly recent development.She stares pointedly at Carlos, who bows his head in slight acknowledgement.BREE: I see.GABRIELLE: We'll talk about this later.CARLOS: Face it. We're shallow people. I mean, can our lives have any meaning if all we ever do is buy stuff?GABRIELLE: That depends on what we buy.CARLOS: I want a child.GABRIELLE: In case you've forgotten, before we got married, we made a deal. No kids. CARLOS: Yeah, well, deals were meant to be renegotiated.GABRIELLE: Well, we're not negotiating my uterus.BREE: We should probably be going.REX: Yeah.BREE: Thank you so much.The Van de Kamps leave the Solis's house and walk back to their house.DANIELLE: That was weird.BREE: I feel awful for Carlos. That talk about children was obviously coming from his grief. ANDREW: Whatever. I'm off the hook.He and Danielle touch fists and walk off. Bree stops walking and stares after him. SCENE: Lynette lies down on the couch and covers herself up with blankets when the doorbell rings.MARY ALICE: A weary Lynette drank her potent tea in hopes of finally finding the sleep that had eluded her. Unfortunately for Lynette, there would be no rest for the weary. LYNETTE: Go to hell.The doorbell rings several more times.LYNETTE: Go to hell. Go to hell. Go to hell. Go to hell. Go to hell.She stomps to the door and opens it. A stream of boy scouts with a scout mother rush inside. SCOUT MOTHER: Sorry we're late, Kenny Lipman couldn't find his handkerchief. Come on guys!LYNETTE: The scout meeting is today?The boys run all over the house, being noisy, as Lynette stares at them. Later, the boys are separate into groups, with the other scout mother monitoring the boys at the table and Lynette on the floor with her three boys and one other boy. They have books on rope tying in front of them. Lynette leans against the couch, sleeping sitting up.PARKER: Mommy!LYNETTE: What? Oh...right! Okay, boys. This knot is called the bowline. It is a remarkably useful knot. Now, pick up your ropes. Okay. First we cross this end over here, and then we make a loop, and then another loop, and then you sort of pull it through, I'm guessing, and then, ready? Yank it taut.She pulls her rope taut and it's a straight piece of rope.TWIN: Mommy, that doesn't look like the picture.LYNETTE: You're never going to be a sailor, what do you care? Okay everybody, let’s just take a break!She gets up.LYNETTE: Thanks!She walks away and the boys on the floor start hitting each other with the rope. Lynette goes to the bathroom and takes out some pills, which she swallows. She pauses, thenswallows some more.SCENE: Susan is getting a package from the door.PHIL: Okay, it’s all up there. Can I get a signature?SUSAN: Oh, of course.PHIL: Thank you very much.SUSAN: Here you go. Have a nice weekend.PHIL: You too, lady.She closes the door behind him, then heads for the kitchen, where she removes all of the money and the gun. Later, she sits on the living room couch, counting out the money. She hears a car door slam and when she looks out the window, see Phil getting out of his truck. Quickly, she gathers up all of the money and the gun and rushes up the stairs.PHIL: Hey ma'am, you still here? I forgot to give you a receipt! Ma'am?Susan heads into Mike's bathroom and dumps everything into the sink. She climbs on the toilet to look out the window and sees Phil driving away. She lets out a sigh of relief. She then jumps down, falling through the floor, where she stays there, trapped.SUSAN: Hello! I need help, I'm up here, I'm trapped in the floor, hello?!Bongo comes running in to stare at her.SUSAN: If you came in here to judge me, you can just leave!Bongo looks behind him to the door.SUSAN: Wait! Wait! No! Wait, don't, don't go! Wait, I have an idea. Here! Here! Here! Here, grab the towel, Bongo! Come on, grab the other end! Come on, boy! That’s it! Get the other end! Come on, Bongo! Pull the other end! Come on, Bongo! What are you doing? Bongo, over here!He goes over and starts drinking out of the toilet.SUSAN: Bongo? Oh, oh! don't do that! Bongo!She grimaces.SCENE: Gabrielle walks up the path to John's house, past John, himself, who's working on the yard.MARY ALICE: While Susan was hopelessly stuck, Gabrielle was moving to confront the issue of her young lover’s restless conscience.JOHN: Nobody’s home.GABRIELLE: I know, I've been watching. I came to talk to you.She turns slightly and sees that he's stopped working.MARY ALICE: Although she would need to be discrete.GABRIELLE: Keep working! What were you thinking, showing up at the hospital?JOHN: I had to see if she was okay.GABRIELLE: You need to keep a low profile right now.JOHN: Look, you and I are finished. From now on, I'm sticking with Danielle. GABRIELLE: Why would you say that?Gabrielle rings the doorbell again.JOHN: I hate myself for what we did! Okay? I can't sleep at night! I've got to make a clean break.GABRIELLE: We weren't driving the car. We didn't chase Juanita into the street!JOHN: Well, she wouldn't have been there if we weren't having an affair.Gabrielle turns away from the door to face John.GABRIELLE: Oh, for God’s sakes, between you and Carlos! Listen to me carefully, you didn't do anything wrong.She rings the doorbell again.JOHN: That’s not what Father Crowley thinks.GABRIELLE: What?JOHN: I went to confessionGabrielle turns around and walks over to him.GABRIELLE: Have you lost your mind? What did you tell him?She leans over to smell the rose.JOHN: Everything.GABRIELLE: Including in the alley? Behind the truck stop?JOHN: Everything.GABRIELLE: Damn you!She storms off.SCENE: Bongo comes into the bathroom again where Susan is still stuck.SUSAN: What is wrong with you? Lassie would have had a fire truck here by now! Stupid dog. Bongo turns and rushes off.SUSAN: Good boy, Bongo! Run, Bongo, run, go get help!Bongo returns and drops a dead crow in front of her.SUSAN: Ooooeeewwwoooohhh...SCENE: Bree and Andrew are both in the kitchen.BREE: Andrew, um, I know the last few days have been stressful, and, uh, you know, if you ever need to talk to anybody...ANDREW: I know, I know. You and Dad are here for me.BREE: Actually, I was thinking we could arrange for you to talk to a professional. ANDREW: A shrink? You think I'm crazy?BREE: Of course not. It’s just that the accident probably stirred up a lot of emotions, and it would be normal for you to be feeling confused or depressed or ashamed...ANDREW: I'm cool, mom. Really.BREE: Honey, you put a woman into a coma. Surely that arouses some kind of emotion! ANDREW: Yeah, well, it doesn't. Now if you'll excuse me...BREE: No, I won't, not until you tell me.ANDREW: Why do you care?BREE: Because I need to know that you're not a monster!ANDREW: You want to know how I feel?BREE: Yeah.ANDREW: Okay, here it goes. I feel bad that she got hurt. But I also feel bad that my car got dinged because somebody didn't have enough sense to look both ways before she crossed the street. And I also feel bad that now I'm gonna have to ride my bike to school.BREE: Andrew, you almost killed another human being.ANDREW: She’s an old lady. Okay? She’s lived her life. I have my whole life ahead of me, and now it might be screwed up! That’s what you should be worried about!BREE: What I'm worried about, Andrew, is that you don't seem to have a soul. Give me one good reason why I shouldn't call the police!ANDREW: Because I'm your son. That would make you the monster.He walks out.SCENE: Mike opens up the front door and Bongo comes rushing down the stairs to greet him. MIKE: Hey, buddy!He goes into the kitchen and sees the remains of the bathroom floor scattered on the kitchen. He looks up and sees Susan's legs dangling from the ceiling.MIKE: Susan, is that you?SUSAN: Mike? I'm upstairs. Sorta.MIKE: Hang on, I'll be right up.When he gets to the bathroom, he stops, and leans against the door frame.MIKE: What happened?SUSAN: Well, you see, this bird, um, flew in your bathroom window, and, I, tried to save it, but, uh, it died.MIKE: I don't think that’s what happened.SUSAN: I don't think so, either.MIKE: Come on...He lifts her out and puts her to the side.SUSAN: Thank you, oh, you have no idea what that was like...Mike looks in the sink and notices the money and gun Susan left there.MIKE: You went through my cabinets.SUSAN: What? Oh, I can explain.MIKE: Get out of my house.SUSAN: Mike...MIKE: Get out!She leaves.SCENE: Mr. Shaw gets out of his car and goes to the trunk. He opens it. Inside are shovels. He takes out a gun and hides it in the back of his paints, underneath his jacket. Edie pulls up in her car and gets out. Mr. Shaw closes the trunk.EDIE: Hello there!MR. SHAW: Good afternoon.EDIE: Ooh, well isn't this just as pretty as a picture book!MR. SHAW: Well, the plan is to put in a small condo.EDIE: You want to make some money, or you want to pussyfoot around?MR. SHAW: What do you suggest?EDIE: I'm thinking strip mall. I've run some numbers.She pulls out a sheet of the purple stationary with numbers written on it and hands it to him.MR. SHAW: Nice stationary.EDIE: Oh, it’s stolen.MR. SHAW: What do you mean?EDIE: After my house burned down, I was staying with this neighbor, Martha Huber. That is, until the old troll threw me out. Anyway, I'd steal her stuff, she'd steal mine. Circle of life.MR. SHAW: So this paper is hersEDIE: Oh, God, yes.SCENE: Parker plays with the radio, switching stations and turning it louder. The twins bang on pots, The house is a mess, with food and toys everywhere. Lynette comes into the kitchen, talking on the phone.LYNETTE: No, Tom, you can't do this to me. Because, I need you at home. Boys, stop it, I am on the phone. Well, yeah, I realize it’s not your fault that the meeting got postponed, but you promised you'd be back tonight. I, I, I gotta go. The kids are... Yeah, I know... you're sorry, just, will you try to get back as soon as you can? Okay, bye.She hangs up the phone.SCENE: The boys are listening to the radio whilst Lynette does not seem pleased with this at all.LYNETTE: Boys, would you please, please, stop it. Really, really, mommy’s got a headache. Okay? Just, uh...RADIO: ...and drowsy and ready to sleep, let the morning time drop all its petals on me... life I love you, all is groovy...LYNETTE: "Turn that damn thing off.Lynette starts screaming at the boys as everything happens in slow motion. She throws pans on the floor and throws a can through the window. Facing the window, she sees Mary Alice appear. Mary Alice smiles, looks down at her hands, and then hands Lynette a gun. Slowly, Lynette takes the gun, looks at it, and then holds it up to her own head. She closes her eyes.A loud crash wakes up Lynette, who had been sleeping with her head on the kitchen table. She looks at her boys, who are ignoring her, doing their own thing, and she sighs. SCENE: Susan rings Mike's doorbell. He answers the door, unfriendly.MIKE: What?SUSAN: I just came over to say I'm sorry, and I'll pay for all the damage.MIKE: don't worry about it.He starts to close the door.SUSAN: Well, so, in your mind, is the date off?MIKE: Well, you snooped around my house, and went through my stuff. Uh, yeah, in my book, that’s pretty much a deal breaker.Susan opens the screens and enters the house.SUSAN: Hold on a minute, now. I started snooping around because I found all that money by accident. And, and then, I found a gun. Are you a drug dealer or something?MIKE: Is that what you think?SUSAN: Well, I wouldn't know because you never let me in. You know, there’s this whole part of your life that you keep completely walled off.MIKE: I have a gun for protection, I keep cash for emergencies. I'm a good guy, Susan, and you should know that. I'm, I'm not obligated to share every little detail of my life with you. SUSAN: Well, every little detail is one thing. You know, weird creepy secrets, that’s another.MIKE: You know what, I don't want to be with someone who doesn't trust me.SUSAN: Well, maybe we shouldn't be dating.MIKE: Maybe we shouldn't.。
绝望主妇第一季第7集剧本(中英文)

-Mary Alice: Previously on Desperate Housewivespreviously: 以前【previously on后加剧名,表示为对剧情的“前情提要”。
】desperate: 绝望的,不顾一切的housewife: 家庭主妇前情回顾。
-Mr. Shaw: What is it hired me to do?hire: 出钱雇佣某人做(某事)你雇佣我来干什么?-Paul: Someone sent that to my wife. I need to know who.send: 送,寄有人给我太太寄了这张纸条,我想知道是谁。
-Mary Alice: Some secrets were discovered.secret: 秘密discover: 发现,发觉有些秘密被发现了。
-Zach: After Mom died, I started remembering what happened to Dana.die: 死亡start doing: 开始干…happen to: 发生我妈妈死后,我开始回忆起发生在Dana身上的事。
-Julie: Dana?谁是Dana?-Nurse: What are you doing?你在这干什么?-Mary Alice: Some secrets were uncovered.uncover: 揭开,揭露有些秘密揭开了。
-Carlos: Could be anyone she's having an affair with.have an affair with:(与某人)有不正当的男女关系有可能是这些人中的某一个和她有一腿。
-Mama Solis:Don't worry. I'm not letting her out of my sight.out of one’s sight: 看不见,在视野之外【这里指“我不会让她远离我的视线之外”。
绝望主妇第一季第11集中英字幕+学习笔记

绝望主妇第一季第11集中英字幕+学习笔记第一季 11集: Move On-Rex: I am just trying to move on with my life.try to: 设法、试图 move on: 继续前进 life: 生活、生命我只是想渡过这一关,继续我的生活这没什么可耻的。
-Bree: Are you having an affair with my husband?have an affair with: 通奸 husband: 丈夫那得看情况,你是不是和我丈夫有一腿?-NARRATOR: Suspicion ended in tragedy.suspicion: 怀疑,猜疑 end in: 以?为结果 end: 结束 tragedy: 悲剧猜疑的结果是悲剧-BREE: Um, excuse me, I’m here to see Rex Van de Kamp.excuse me: 对不起、打扰一下 excuse: 理由、借口嗯,不好意思,我来探望Rex Van De Kamp。
Apparently, he had a heart attack.apparently: 似乎、显然 heart attack: 心脏病发作heart: 心、心脏 attack: 疾病发作、攻击他好像心脏病发作了。
-NARRATOR: Trust…信任?-Carlos: It kills me that I’m putting you throu gh this.kill: 杀死、弄死 put through: 使经受、遭受我真是对不起你,让你受了这些苦。
-NARRATOR: was put on trial.put on: 强使承担(责任等) trial: 考验,试验经受严峻的考验-Judge Sullivan: Bring me the passport, and Mr. Solis can visit his mother.bring: 带来 passport: 护照 visit: 看望、探视把护照交给我,Solis就可以去探望他的母亲了。
绝望的主妇第一季(1—3集)中英文台词对照

绝望的主妇中英文台词对照-NARRATOR: My name is Mary Alice Young.我是Mary Alice Young。
When you read this morning's paper, you may come across an article about the unusual day I had last week.come across: 偶然遇到article: 文章unusual: 不平常的当你浏览今天的晨报,可能会读到一篇文章关于上个星期我所渡过的不平常的一天。
Normally, there's never anything newsworthy about my life.normally:通常newsworthy: 有新闻价值的通常,我的生活里是没有什么有新闻报道价值的。
That all changed last Thursday. change: 改变 . 但是上个星期四一切都改变了。
Of course everything seemed as normal at first.of course: 当然seem: 好像,仿佛normal: 平常as normal: 照常at first: 最初,开始时当然,起初,一切看起来都很平常。
I made my breakfast for my family. 我给一家人做好早餐。
-MARY ALICE: Here we are. Waffles.Waffles: 华夫饼干华夫饼来了。
-NARRATOR: I performed my chores. perform: 完成chore: (家庭或农庄的)杂务,杂活我做好了做家务。
-NARRATOR: I completed my projects. complete: 完成project: 设计【这里指美化家居】完成我的手工作品。
--NARRATOR: I ran my errands. ran: 有步骤地进行errand: 差使,差事run errand: 跑腿完成我的使命。
(完整版)1《DesperateHousewives》(绝望主妇)第一季台词

《Desperate Housewives》第1季1-01The next day my friends came together to pack away my clothes, my personal belongings and what was left of my life. Not quite Gabrielle, not quite. How ironic. To have something I tried so desperately to keep secret treated so causally. I'm so sorry, girls. I never wanted you to burden with this.第二天我的朋友们都来帮我收拾衣服,私人物品还有――我剩下的那些东西。
远不只这些Gabrielle,远不只。
多么讽刺,我拼命努力想要保守的秘密就这样随便的被她们发现了。
对不起,姐妹们。
我绝对不想让你们承受这种负担。
1-02Yes, as I look back at the world I left behind, it's all so clear to me. The beauty that waits to be unveiled, the mysteries that long to be uncovered. But, people so rarely stop to take a look. They just keep moving. It's a shame, really. There's so much to see.是的,当我回头看我身后的世界,它变得如此清晰。
那么多期待闪亮登场的美丽,那么多渴望不被发现的秘密。
但人们很少停下脚步去观察,他们只是一路前行。
这真的很可惜。
1-03Yes I remember the world. Every detail. And what I remember most is how afraid I was, what a waste. You see, to live in fear is not to live at all. I wish I could tell this to those I left behind, but would it do any good? Probably not. I understand now, there will always be those who face their fears, and there will always be those who run away.是的,我记得这个世界的每一个细节。
- 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。
101.An odd thing happens when we die. Taste, touch, smell, and sound become a distant memory, but our sight --ah, our sight expands, and we can suddenly see the world we've left behind so clearly. Of course, most of what's visible to the dead could also be seen by the living, if they'd only take the time to look. 我们死去以后就会有奇怪的事情发生,我们的感觉消失了,味觉、触觉和听觉都成为遥远的回忆,但是我们的视觉,它变得开阔了。
我们能突然把被我们扔在身后的这个世界看清楚。
当然,大多数死人能看见的世界,活着的人也能看清楚,只要他们愿意花时间去看。
102.As I look back at the world I left behind, it's all so clear to me: the beauty that waits to be unveiled, the mysteries that long to be uncovered. But people so rarely stop to take a look, they just keep moving. It's a shame really, there's so much to see.当我回头看看身后这个世界时;我看的如此清晰。
有那么多有待发现的美丽;和那么多有待揭幕的神秘;但是人们很少会停下来看上一眼。
他们只是不停的往前走,这真的很遗憾。
有那么多值得一看的东西!103.Yes, I remember the world --every detail. And what I remember most is how afraid I was. What a waste. You see, to live in fear is not to live at all. I wish I could tell this to those I left behind, but would it do any good? Probably not. I understand now -- there will always be those who face their fears... and there will always be those who run away.是的,我记得这个世界的每一个细节;而我记的最多的是我有多害怕;真是浪费。
你看,住在恐惧中并不是真正的活着!我希望能告诉活在我身后世界的人们这个道理,但是会有用吗?可能并不会。
我现在明白,总是会有人要面对他们的恐惧;也总有人会选择逃避104.When I was alive, I maintained many different identities --lover, wife, and ultimately, victim. Yes, labels are important to the living. They dictate how people see themselves.当我活着的时候,我保持着很多不同的身份——恋人,妻子,最终是受害者。
是的,这样那样的标签对于活着的人们来说是很重要的,因为它指示了人们怎么看待自己。
105.People, by their very nature, are always on the lookout for intruders. Trying to prevent those on the outside from getting in. But there will always be those who force their way into our lives, just as there will be those we invite in. But the most troubling of all will be the ones who stand on the outside looking in...the ones we never truly get to know.人本能都在寻找入侵者;阻止别人从外面闯入。
但总有些人强行闯入我们的生活;正如那些被我们邀请进入我们生活圈的人一样。
但最令人头疼的是;那些站在外面向里面偷窥的人;是一些你根本无法去了解的人~!其它:Life was suddenly full of possibilities, not to mention a few unexpected surprises. 生命充满了各种各样的可能,还有一些意想不到的惊喜。
The beauty that waits to be unveiled, the mysteries that long to be uncovered. But people so rarely stop to take a look, they just keep moving. It's a shame really, there's so much to see.有那么多待发现的美丽,和那么有待揭幕的神秘。
但人们很少会停下来看一眼,他们只是不停地往前走。
这真是令人遗憾,有那么多丰富多采的事物等着去看啊。
We are all searching for someone, that special person who will provide us what's missing in our lives. Someone who can offer companionship...or assistance...or security. And sometimes, if we search very hard, we can find someone who provides us...with all three. Yes, we're all searching for someone, and if we can't find them, we can only pray they find us.我们一直在寻寻觅觅,寻找着一位能弥补我们生命中缺陷的与众不同的人。
给予友谊,或是帮助,又或者是安全的人。
有些时候,要是我们能努力地寻求,我们甚至会找到能把以上三种东西都给予我们的人。
是的,我们都在寻觅着,如果我们一无所获,那只能祈祝寿他们能找到我们。
We've all done something in our lives we're ashamed of. Some of us have fallen for the wrong man. Some have let go of the right woman. There are those who have humiliated their parents and those who have failed their children. Yes, we've all made mistakes that diminish us and those we love. But there is redemption if we try to learn from those mistakes and grow.在生活中,我们都做过一些我们为之羞愧的事情。
我们中一些人爱错了男人,会错过合适的女人。
有使他们的父母丢脸的孩子,有让他们的孩子失望的父母。
是的,我们都会犯错,让爱我们的人离去。
但还是有挽回的机会,只要我们试着从这些错误中汲取经验教训,从而成长。
Everyone enjoys a game of make-believe now and then. Of course, the ways in which we play can vary greatly. Sometimes, we tell ourselves work won't interfere with our family life. Sometimes we imagine certain relationships to be more meaningful than they really are. Occasionally we put on a show, as if to convince ourselves our secrets aren't really all that terrible. Yes, the game of make-believe is a simple one. You start by lying to yourself. And if you can get others to believe those lies, you win.每一个人总喜欢时不时地自欺欺人。
当然了,我们每人的表达方式不尽相同。
有时我们告诉自己我作不会影响家庭,有时我们幻想某段关系比实际的有有意义。
有时我们会掩饰,好像这样能安慰自己我们的秘密并不是真的那么可怕。
是的,自欺欺人的游戏很简单。
只要你说服自己谎言是真的。
要是你能可以让全世界相信这是真的,那么你就是赢家。
The world is filled with good fathers. How do we recognize them? They're the ones who are missed so terribly that everything falls apart in their absence. They're the ones who love us long before we've even arrived. They're the ones who come looking for us when we can't find our way home. Yes, the world is filled with good fathers. And the best are the ones who make the women in their lives...feel like good mothers.世间好爸爸到处都有。