英汉拟声词对比翻译论文文献综述

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英汉拟声词对比翻译论文文献综述

英汉拟声词对比翻译论文文献综述

Onomatopoeia is an important way of word-formation and a kind of rhetorical device. It uses the sound to reflect the sense, that is, the pronunciation of one word is the echo to the sense- the naming of a thing or action by a vocal imitation of the sound associated with it (as buzz, hiss) or the use of words whose sound suggests the sense. The creations of onomatopoeias are very simple and original. People just imitate the sounds of the animals or other things that can produce sounds. There are great numbers of onomatopoeias in each language. Onomatopoeias are important figures of speech that enrich the language. There exist the differences and similarities between English and Chinese onomatopoeias from aspects of phonetics, part of speech, syntactic function and semantics. The similarities mainly exist in partial similar phonetics, the diversities of part of speech and syntactic function, the transference of semantics and its usage. The differences mainly arise in phonetics, part of speech, semantics and syntactic function. So it’s necessary to pay attention to the same aspects and difference of onomatopoeias between Chinese and English and to make an in-depth research. At the same time, in the translation of onomatopoeia between Chinese and English, people have figured out many effective ways, however, they are very scattered. Many researches are made to explore the translation skills of onomatopoeia, which includes the transliteration and complement method.Hu Zhuanglin, in his famous book Linguistics, points out that words that sounds like the sounds they describe are called onomatopoeias, such as 叮咚,轰隆in Chinese. But in English, totally different words are used to describe the sound. For example, the dog barks bowwow in English but wang wang wang in Chinese. But there are some misunderstandings about the onomatopoeic effect. As a matter of fact, arbitrary and onomatopoeic effect may work at the same time. For example, Widdowson cites a line from Keats’Ode to a nightingale to illustrate: the murmurrous haunt of flies on summer eves. If you read it about, you may feel the connection between the sounds and the meaning. But the effect does not really result from the whispering sounds themselves, for you will have to know the meaning of the words murmurous, summer, before setting up such a connection. To test this, just think of using the similar sounding word murderous to substitute murmurous, and no connection whatsoever will be established between the sounds and the little noises of the flying flies. “It is only when you know the meaning that you infer that the form is appropriate.” This also applies to many cases of the so-called onomatopoeic words. Bloomfieild defined some onomatopoeia as secondary onomatopoeia, which refers to certain sounds and sound- sequences are associated with certain senses in an expressive relationship. In this form, the sounds evoke, not an acoustic experience, but a movement (dither, dodder, quiver, slink, slither, slouch, squirm, wriggle), or some physical or moral quality, usually unfavorable (gloom, grumpy, mawkish, slimy,sloppy, sloth, wry). Some of these onomatopoeic terms have certain elements in common; in Bloomfield’s words, there is “a system of initial and final root-forming morphemes, of vague signification”, with which the “intense, symbolic connotation”of such termsis associated. For example, the sounds /sn/ may express three types of experiences: “breath-noise”(sniff, snuff, snore, and snort), “quick separation or movement”(snip, snap, snatch), and “creeping”(snake, snail, sneak, snoop). Final group have similar functions: -are suggests “ big light or noise” as in blare, flare, glare, stare;-ump suggests “protuberance” as in bump, chump, clump, dump, hump, lump, mump” and “heavy fall” as in dump, crump, flump, plump, slump, thump. Another interesting feature of onomatopoeic patterns is that they often work by vowel alternation; by substituting one vowel for another one can express different noises.Guo Zhuzhang, in his A Practical Course in Translation between English and Chinese, points out that there are a lot of skills to translate onomatopoeia, which includes three ways. (a). Literal translation. If there are onomatopoeias in the original article, we should use onomatopoeias in the target languages when we translate them. For examples: 1)Two heavy guns went off in the woods-Brump! Brump! 两门重炮在森林里开始发射了-轰隆!轰隆!(2)Whee-ee-ee! Whee-ee-ee! The police whistles shrilled suddenly“鸣-!鸣-!”警笛突然响了。

大学英语专业毕业论文【浅谈英语拟声词的特点与翻译 】

大学英语专业毕业论文【浅谈英语拟声词的特点与翻译 】

Ⅰ. IntroductionOnomatopoetic word is a kind of vocabulary simulating sound of the nature and a component that all languages must own. It imitates noises of human beings, animals and things so as to increase languages of vividness, iconicity of the word-formation and rhetoric methods. As an indispensable figure of speech in rhetoric, onomatopoeia has a long history and is widely used in common discourse and literary works (Jiang and Zhong, 2008:277). An ancient Greek natural philosopher once remarked: There is no doubt that onomatopoetic words are the oldest word-formation of human in the world and the core of the whole vocabulary as well as the foundation of formation and development of language (Liu, 1998:143).Ⅱ. Classification of English Onomatopoetic WordsIn English, there are numerous onomatopoetic words that are composed of imitating sounds of all things whether they are animate or inanimate. According to the meaning of sound, onomatopoetic words can be divided into two categories, which are primitive onomatopoetic word and secondary onomatopoetic word (Wang and Li, 1983:47).2.1 Primitive Onomatopoetic WordPrimitive onomatopoetic word’s phonetic coincides briefly with its semantic, which makes people associate its sound with its meaning directly. Primitive onomatopoetic word can be subdivided into the words that simply imitating the sound but not representing the object itself and imitating the sound as well as the object itself. According to its origin, the former refers to simulating voices of human beings, such as ouch, ow, giggle, shoo, hum, chatter, chuckle etc.; and simulating voices of animals, such as a mew of cat, a drone of bee, a croak of frog, a gaggle of goose, a neigh of horse, a baa of sheep, a oink of pig, a growl of tiger and the like; as well as simulating sound of objects like click, clack, clink, clang, ding dong, hoot, putter, squash and so forth. The latter initially refers to imitating a sound to come into being, and then the meaning of the word has further developed and transformed into analog sound and the object itself. There are three good examples:(1) To begin with, cuckoo imitated a kind of bird’s sound, afterward, refers to the bird, gowk.(2) Cricket imitated the sound of an insect, and then it means the insect, gryllid.(3) Ping- pong to which we are familiar can refer to both the voice of ball and the sport, table tennis.In a word, this kind of onomatopoeia associated pronunciation with the meaning of theword, and its sound can refer to the object itself.2.2 Secondary Onomatopoetic wordSecondary onomatopoetic word refers to an association between pronunciation and meaning, and its phonetic is a symbol of semantic to produce onomatopoetic words. This kind of onomatopoeia, unlike primitive onomatopoetic word, do not directly imitate sound of things to come into being, but by means of symbol to create a word. In English, this word is considered as having onomatopoetic function, because the pronunciation of the letter phoneme or phoneme combination in the word is particularly fitted for expressing a certain meaning, symbolic of a concept or a scene, thus arousing people to produce association. A case in point is that [m], a low nasal, is a symbol of low voices, such as: murmur, mutter, mumble, moan, hum and so on. So the Onomatopoetic words containing the phoneme of [m] just right accorded with the symbolic speech sound. And as words, ending with the three letters, -ump, may indicate a heavy impact like dump, thump, bump, lump, clump etc..III. The Characteristics and Functions of English Onomatopoetic WordsEnglish onomatopoetic word by imitating, drawing and rendering voice of all living things to stimulate people’s hearing and to cause people produce symbolic association can enhance the vividness and iconicity of language expression and gives people a kind of true voice and being personally on the scene (Li and Liu, 2009:164). There are four main characteristics in the onomatopoetic word.3.1 The FlexibilityFirst, it has flexibility. According to the general understanding, onomatopoetic words have taken shape by imitating sounds, but people ’s pronunciation organs can not accurately simulate all kinds of sounds, and different nationalities in the perception and simulation of sound is also not same. Taking the cry of a cock for instance, it is “喔喔喔”in Chinese, “cocorico” (Meng, 1994:561) in French, “Kikeriki” (Deng, 2003:716) in German, and “cock - a - doodle - doo” in English. The Onomatopoeia not only shows different forms in different languages, but also it is used very flexibly in the same language. Its flexibility performs: First of all, the same onomatopoeia can express different sounds. For example: in English, “roar” can refer to people’s laugh and cry of pain, the growls of lion and tiger, the wheeze and asthma of horse due to disease, the sound of storms and waves and the thrumming of the engines and so on. And “scream” means the sound of wind, a shrill whistle and the shriek of human and animals. Secondly, the same voice in English can be expressed by different onomatopoetic words.Looking at this example: These words, arf arf, bay, bow bow, growl and yip yip, can be used to express barking of dog. And the expression of the sound of clock or bell has more than 20 words like chime, chink, clang, clangor, clank, clink etc.. Of course, there are thousands of sounds in the world, and dictionaries can not include all voices whether any languages, English or Chinese, must create new words to express.3.2 The UniversalitySecondly, it has universality. The onomatopoeia is widely used in literatures, idioms, proverbs, daily conversations, news reports and other aspects. From A Comprehensive Dictionary Of English Idioms And Phrases compiled Xiamen university to A Dictionary of Current Idiomatic English edited by Qin Xiubai, we can see clearly that many idioms and phrases come from onomatopoetic words. From various literary works to news reports, we can also see extensive use of onomatopoeia. A writer once remarked: the use of onomatopoeia is everywhere. W e might as well have a look at the following examples:(1) There is no retreat but in Submission and Slavery ! Our chains are forged ! Their clanking may be heard on the plains of Boston !The two sentences come from a moving speech of the Virginia parliament made by the progressive of Patrick Henry during the American Revolution. Using of the onomatopoetic word, clanking, can give people great courage and power and boost inspiration of the speech as if the audience were there and saw slaves wearing heavy chains. The situation having been getting worse and worse, they must immediately take effective measures without any hesitation.(2) One of the most picturesque and impressive parts of the bazaar is the copper-smiths' market. As you approach it, a tinkling and banging and clashing begins to impinge on your ears.The three onomatopoetic words, tinkling, banging and clashing, have taken on a hustling and bustling scene in Eastern Bazaar, a bronze market. The three words would make readers feel a festive ambiance and scene.(3) My souls, how the wind did scream along! And every second or two there's come a glare that lit up the white caps for half a mile around, and you'd see the islands looking dusty through the rain and the trees thrashing around the wind, then comes a h-whack-bum! Bum bumble -umble-umbue-bum-um and the thunder would go rumbling and grumbling away, and quit -and the rip comes flash and another sockdolager (Twain, 2009:164).In the above paragraph, the writer, Mark T wain, used rhetoric of onomatopoeia and metaphor to vividly portray thunder. The word of crash shows a single sharp thunder, then “rumbling” and “grumbling”, a prolonged shriek of thunder, and then the “tumbling” and “rolling”, a long rumble and slow vanishing thunder.3.3 The IconicityThirdly, it has iconicity. The onomatopoetic word not only imitates sounds but also gives person a feeling of concrete, iconicity, vividness. Therefore, its widespread application has enlarged the English vocabulary. On the other hand, it increases charm of language. As the description of “wind”, we can see the following sentences:(4)The wind swirled and howled in the valley.(5)The wind whistle through the street.(6)A stirring blast of wind came and the leaves rustled.Wind” in the above sentences did neither simply blow nor a fixed voice. “Swirl”, “howl”, “stir” and “rustle”are the direct and indirect description of wind to make person hear the sound as if he was personally on the scene.Next, it has reverse. Some onomatopoeia in long term use has gradually lost its onomatopoeia significance and directly become the concept meaning of the word, even converted into verbs. For example:(7) The rain pattered all night.(8) A rock splashed down into the river.(9) Rainsford had not been entirely clear-headed when the chateau gates snapped shut behind him.In the above three sentences, the onomatopoetic words, patter, splash and snap, have completely transformed noun into verb, however, it is easy to see that they still have a very strong echoic element.3.4 The CreativityFinally, it has creativity. Onomatopoetic words mainly imitate sounds of the nature, but because human beings are the subject of social activities and can use ears and brains to feel and interpret as well as distinguish different sounds, even make a variety of sounds. Therefore, some new words do not mimic natural sounds, but human beings imagine sound to convey or express one's tender feeling as so to enhance the expression of language. Let’s take a look for the following sentences:(10) My day crackled ane were up in smoke.(11) His thoughts rattled through all the things and therefore he could not go to sleep though he lay in bed for six hours.In example (10), the “crackled” means a sharp and rapid slight voice, especially the sound of fuel or crackling in fire; and “my day” is compared to fuel, like disappearing smoke, which means I passed without any success those days. The metaphor was hit off and very successful. In example (11), thoughts wouldn't rattle even pass through things just in that the onomatopoetic word of rattle serves as thoughts of the predicate verb, then activates the abstract noun, thoughts, which not only can make sound, but also pass through.Two examples in the above succeeded in using onomatopoeia to flirt by the sound. The matter that cannot make voices was vividly portrayed. And making the sound, shape, meaning and feelings melts in a furnace and greatly enhances the expression of literal.IV. The Translation Skills of English Onomatopoetic WordsAccording to the characteristics and functions of onomatopoeia, we can easily make sense of the meaning of onomatopoetic word in various situations and also be more idiomatic translation of onomatopoeia in the sentence. T o sum up, Several methods like direct transliteration,converted translation and added translation are used to translate English onomatopoetic words.4.1 The Direct TransliterationPeople living in the same world have experienced the similar or same nature life. Therefore, simulating the sound of people, animals, or nature is same or similar in most cases. That is to say, for the same object making the sound, there is a basic correspondence and rough equivalence between Chinese and English. So when translating English onomatopoeia into Chinese, we can use the method of direct transliteration according to the sound of Chinese onomatopoeia (Liu, 2007:151-154). For example:(12)Pooh! What do you take me for? (呸! 你把我当成什么人了? )(13)The stream went gurgling on. (溪水潺潺地流。

英汉拟声词的对比研究

英汉拟声词的对比研究

开封文化艺术职业学院学报Journal of Kaifeng Vocational College of Culture&Art 2020年10月20日Oct.202020第40卷第10期Vol.40No.10doi:10.3969/j.issn.2096-7853.2020.10.036英汉拟声词的对比研究赵佳琪(广西大学外国语学院,广西南宁530004)摘要:英语和汉语中的拟声词都是对自然声音和人声的模拟,因此,英汉拟声词具有许多相同点。

但是,由于语言结构和思维方式的不同,再加上文化传统的差异,英汉拟声词也具有许多不同之处。

加强英汉拟声词对比分析,有助于学习者加深对英汉语言系统的理解,增进对英汉两种文化的了解,并提高其使用两种语言的能力。

关键词:英语拟声词;汉语拟声词;语音;词形结构;句法功能中图分类号:H04文献标识码:A文章编号:2096-7853(2020)10-0085-02拟声词,同时又可以称为象声词(Onomatopoetic Words),是某种特定的语言中用来模拟自然或人为声音而形成的词项。

不同地区的人有不同的发音习惯,因此英汉拟声词存在异同⑴。

由此,本文主要从语音、词形结构、句法功能、审美功能四方面对英汉拟声词的异同进行对比分析。

—、语音对比(-)相同之处语义学理论认为,语言符号(Symbol)和所指对象(Referent)之间没有直接必要的联系,但拟声词是一个例外。

英语和汉语在听觉和声音模仿上有相似之处,因此,英语的部分拟声词和汉语的部分拟声词在语音形式上重合。

例如:牛叫声:moo------哗眸笑声:ha ha------哈哈狼叫声:howl------嗥爆炸、拍打的声音:bang------呼(二)不同之处拟声词是某个民族根据其语言固有的语言系统对客观世界的声音进行改造加工的结果,是某一特定语言和自然声音相结合的产物。

各种语言的语音结构、词汇形态各不相同,不同民族对同一声音的听觉感知和模拟习惯也不同,再加上民族文化传统的差异,不同语言中的拟声词在语音形式上就可能出现较大差别⑵9。

英译比较研究文献综述总结

英译比较研究文献综述总结

英译比较研究文献综述总结
以下是一篇关于英译比较研究文献综述的总结,供参考:
近年来,随着全球化进程的加速,跨文化交流变得越来越频繁,英译比较研究成为了一个备受关注的领域。

本文旨在对该领域的文献进行综述,探讨英译比较研究的历史、现状和未来发展趋势。

首先,英译比较研究的起源可以追溯到20世纪初,当时一些学者开始尝试比较不同语言之间的翻译差异。

随着时间的推移,这一领域逐渐得到了广泛的认可和重视,涌现出大量的研究成果。

目前,英译比较研究已经成为了语言学、文学、翻译学等多个学科交叉的领域,涉及到翻译理论、翻译实践、跨文化交际等多个方面。

其次,英译比较研究的现状呈现出多元化的特征。

一方面,研究者们从不同的角度出发,采用不同的方法和技术手段,对英译比较研究进行了深入的探究。

另一方面,研究者们也注重将理论与实践相结合,通过实证研究来验证和拓展理论框架。

此外,随着科技的不断发展,人工智能等新兴技术也开始应用于英译比较研究领域,为该领域的发展带来了新的机遇和挑战。

最后,展望未来,英译比较研究仍将是一个充满活力和前景的领域。

随着全球化进程的进一步推进,跨文化交流的需求将会更加迫切,英译比较研究也将会更加重要。

此外,随着科技的不断发展,新兴技术也将为英译比较研究提供更多的可能性和机会。

因此,未来的英译比较研究将会更加多元化、深入和前沿,为人类的跨文化交流和全球化进程做出更大的贡献。

总之,英译比较研究是一个充满机遇和挑战的领域,其发展将会对人类的跨文化交流和全球化进程产生深远的影响。

本文旨在对该领域的文献进行综述,为读者提供一些基本的了解和参考。

英汉动物拟声词对比小议

英汉动物拟声词对比小议

英汉动物拟声词对比小议摘要文章从语音、结构和语义三方面对英语和汉语有关动物的拟声词进行对比分析,进一步了解和认识其共性与个性,从而使我们能够在今后的双语教学和翻译中准确把握和运用它们,使文章更加丰富多彩,更加生动形象,具有感染力,并从另外一个侧面让我们了解英汉两种语言的特点,对比较文化研究有些微启示。

关键词英汉动物拟声词;语音;结构;语义拟声词Onomatopoeia是一种非常普遍而又重要的语言现象,是对人、动物或自然物所发出的声音如实地加以描摹而构成的词,它通过声音的力量,使本来只能意会的事物更加直观化,变得更加生动形象。

正确地运用拟声词,能够烘托气氛、显示意境、增强声势和实地情景感,使平淡的句子变得鲜活生动、富有情趣,堪称语言宝库里的奇葩。

我们生活在一个充满声音的世界里,动物数量成千上万种,声音五花八门,动物拟声词应运而生,并在拟声词中占有重要的比重,其丰富、形象、生动,大大增强了语言表现力。

本文通过分析对比英汉两种语言中的动物拟声词,进一步了解和认识其共性与个性,从而使我们能够在今后的双语教学和翻译中准确把握和运用它们,使文章更加丰富多彩,更加生动形象,具有感染力,并从另外一个侧面让我们了解英汉两种语言的特点,对比较文化研究有些微启示。

下面从语音、结构和语义三方面对英语和汉语有关动物的拟声词进行对比。

一、语音方面英国启蒙运动时期著名的诗人亚历山大·蒲柏(Alexander Pope)曾说过: “声音是意义的回声。

”而拟声词恰是对这句话的形象体现。

由于不同种族和地域的人们对其所听见的声音的模仿存在着“基本相似性”,这种相似性便造成了语际间大量相似拟声词的普遍存在,因此不同语言里的拟声词可能出现语音对应,即对同一种声音,不同语言的拟声词在语音形式上可能基本等值或者十分相似。

英语中的许多直接动物拟声词,都能在汉语找到与其语音完全或基本对应的词。

如猫叫声,英语拟声词为mew ,汉语拟声词为“喵”;鸽子的叫声,英语拟声词为coo,汉语拟声词为“咕咕”;鸭子的叫声,英语拟声词为quack ,汉语拟声词为“呱呱”;鹅的叫声,英语拟声词为cackle,汉语拟声词为“嘎嘎”;青蛙的叫声,英语拟声词为croak ,汉语拟声词为“嗝嗝”;牛的叫声,英语拟声词为moo,汉语拟声词为“哞哞”;杜鹃鸟的叫声,英语拟声词为为cuckoo,汉语为“布谷”;蛇发出的声音,英语拟声词为hiss,汉语拟声词为“嘶嘶”。

从英汉对比的角度探究拟声词的翻译策略

从英汉对比的角度探究拟声词的翻译策略

从英汉对比的角度探究拟声词的翻译策略摘要:拟声词是某种特定语言中用来模拟自然或人为声音的词项。

英语和汉语都有大量拟声词,并且呈现出诸多共性和个性。

本文从语音、句法功能对比英汉拟声词,分析异同并总结拟声词英汉互译的技巧。

了解和掌握英汉拟声词各方面的差异,能丰富我们对于拟声词这一特别词汇类型的知识面,提高译者对拟声词的翻译水平,促进我们更加准确地实现拟声词在英汉两种语言之间的互译。

关键词:拟声词语音句法功能翻译策略 1 引言拟声词是某种特定语言中用来模拟自然或人为声音的词项(刘晔,2010),人们使用语言模仿自然世界和人类世界声音,在声音和意义之间建立联系,使语言更加形象化。

拟声词可以在读者大脑中重现某个具体的声音,是重要的词汇和语言现象,存在于每种语言里。

比如:拉丁语“tuxtax”和砰砰的声音对等,模仿猛击的声音;俄语“graf graf”是狗叫的声音;法语“pan” 是手枪或者大炮发出的声音;汉语“miāo(喵)”是猫发出的叫声。

使用拟声词可以让语言直接生动,本文主要侧重研究英语和汉语拟声词,从语音、句法功能方面对比英汉拟声词,分析其异同,总结英汉拟声词互译的翻译技巧。

2 汉英拟声词在语音层面的对比研究拟声词源于人们对自然世界声音的模仿,因此发音和自然事物之间有着本质固有的直接联系。

自然世界的客观性决定汉英拟声词在语音层面有相似之处;汉英分属不同语系,有各自独特的语音系统,又存在很多不同。

2.1汉英拟声词在语音层面的相同之处“在客观世界中存在着相同的物体,英语国家的人们和中国人们在听力,感受和模仿声音上共享很多相同之处,英语和汉语拟声词的语音形式有时候相同或相似。

我们可以发现在两种语言之间有很多拟声词,它们的发音和所指代的意义非常接近。

”(万石建,2006)比如:2.2汉英拟声词在语音层面的不同之处在某一具体语言中,拟声词不只是对自然世界声音简单的记录,也是一个民族根据固有的语言系统对客观世界的声音重构和加工的结果,融合了某一具体语言和自然声音。

中英文拟声词翻译对比

中英文拟声词翻译对比

中英文拟声词翻译对比王 秀,陈 倩 (兰州理工大学外国语学院,甘肃兰州 730050) 摘 要:本文就中英文两种语言的拟声词翻译做了对比,即英文拟声词的汉译以及汉语拟声词的英译。

由于汉语里一般采用直接摹写声音的拟声词,而在英语里一些动词和名词本身就具备了拟声的特点,融音与意为一体,引起音与音之间的联想。

因此本文论述了拟声词在翻译时需要考虑的这些差异和两种语言互译时对拟声词的处理方法。

 关键词:拟声词;翻译;对比 1. 引言把人、动物或自然物所发出的声音如实地加以描摹,这种修辞方法称为拟声。

汉英皆有,但是有着较大的区别。

在汉语里一般采用直接摹写声音的拟声词,而在英语里,一些动词和名词本身就具备了拟声的特点,融音与意为一体,引起音与音之间的联想。

因此拟声词的翻译需要考虑这些差异,本文就英文拟声词的汉译与汉语拟声词的英译做简单论述。

2. 英文拟声词的汉译2.1 英文中的拟声词可以直接翻译为汉语拟声词e.g.(1) The sweet trilling of a murmuring stream and the melodious notes of nightingales formed altogether the most enchanting harmony.悦耳的潺潺流水和夜莺的婉转娇啼,奏出令人神往的和谐曲调。

(2) All you can do is keep on clack-clack-clacking.你老是叨叨叨,叨叨叨。

2.1.1 英语拟声词往往同感叹词一样,独立使用,不作为所在句中的任何句法成分。

汉语拟声词有同样的情况,因此汉译时较为简便,把英语原文中作独立成分用的拟声词相应地译成汉语中作独立成分的拟声词即可。

e.g. (1) She drew one out. R-r-atch! How it sputtered and burned.(Hans Christian Anderson: The little match girl!)她抽出一根火柴,哧!啪一下子燃着了。

英语拟声词的比较与翻译

英语拟声词的比较与翻译

英语拟声词的比较与翻译摘要:拟声词是某一特定语言与自然声音相结合的产物,通过比较英、汉拟声词在语音、表达方式方面的差异,加深对于英、汉语语言体系的认识,并由此探究英汉拟声词的互译。

关键词:拟声词;语音;表达方式;互译一引言拟声词,又称象声词,是模拟自然界声响而创造的词汇,是世界上所有语言都具备的成分。

P.H.Matthew认为,一个词的语音或发音过程模仿了该词所表示的声音或与该词所表示的事物相关,则该词为拟声词。

“Onomatopoeia:a word or process of forming words whose phonetic form is perceived as imitating a sound,or sound associated with something,that they denote.”我国第一部诗歌总集,周代文学的代表作《诗经》的首篇:“关关(睢鸠的叫声)睢鸠,在河之洲,窈窕淑女,君子好逑”。

十九世纪名诗人AlfredTennyson(阿尔弗雷德·丁尼生)则以Break,Break, Break(哗啦,哗啦,哗啦),冷漠的海水冲击岩石的声音来衬托他痛失挚友的无限衰思.令读者惊心动魄。

本文就英汉拟声词的语音,表达方式,互译方面进行对比。

二英语拟声词的语音比较拟声词是对自然声音的模仿,词的发音即“意义的回声”。

以语音形式对自然界发出的声音进行直接模仿,拟声的基本要求都是“像”客体的声音但也不是说一定要原声实录。

因为自然界的声响各具特色,千奇百怪,而语音却受环境和各民族语音系统的影响有所限制。

拟声词直接源于人类对大自然各种声音的模仿,而这种模仿超越了地域的制,只针对具体的事物。

辜正坤认为“由于人类在表达自己的情绪或作价值判断的时候,其心理活动必然产生相应的生理反应。

心理上的昂扬情绪必然借着生理上的发音器官的开放状态表现出来;同理,心理上的受阻情绪亦借着生理上的促迫状态表现出来。

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Onomatopoeia is an important way of word-formation and a kind of rhetorical device. It uses the sound to reflect the sense, that is, the pronunciation of one word is the echo to the sense- the naming of a thing or action by a vocal imitation of the sound associated with it (as buzz, hiss) or the use of words whose sound suggests the sense. The creations of onomatopoeias are very simple and original. People just imitate the sounds of the animals or other things that can produce sounds. There are great numbers of onomatopoeias in each language. Onomatopoeias are important figures of speech that enrich the language. There exist the differences and similarities between English and Chinese onomatopoeias from aspects of phonetics, part of speech, syntactic function and semantics. The similarities mainly exist in partial similar phonetics, the diversities of part of speech and syntactic function, the transference of semantics and its usage. The differences mainly arise in phonetics, part of speech, semantics and syntactic function. So it’s necessary to pay attention to the same aspects and difference of onomatopoeias between Chinese and English and to make an in-depth research. At the same time, in the translation of onomatopoeia between Chinese and English, people have figured out many effective ways, however, they are very scattered. Many researches are made to explore the translation skills of onomatopoeia, which includes the transliteration and complement method.Hu Zhuanglin, in his famous book Linguistics, points out that words that sounds like the sounds they describe are called onomatopoeias, such as 叮咚,轰隆in Chinese. But in English, totally different words are used to describe the sound. For example, the dog barks bowwow in English but wang wang wang in Chinese. But there are some misunderstandings about the onomatopoeic effect. As a matter of fact, arbitrary and onomatopoeic effect may work at the same time. For example, Widdowson cites a line from Keats’Ode to a nightingale to illustrate: the murmurrous haunt of flies on summer eves. If you read it about, you may feel the connection between the sounds and the meaning. But the effect does not really result from the whispering sounds themselves, for you will have to know the meaning of the words murmurous, summer, before setting up such a connection. To test this, just think of using the similar sounding word murderous to substitute murmurous, and no connection whatsoever will be established between the sounds and the little noises of the flying flies. “It is only when you know the meaning that you infer that the form is appropriate.” This also applies to many cases of the so-called onomatopoeic words. Bloomfieild defined some onomatopoeia as secondary onomatopoeia, which refers to certain sounds and sound- sequences are associated with certain senses in an expressive relationship. In this form, the sounds evoke, not an acoustic experience, but a movement (dither, dodder, quiver, slink, slither, slouch, squirm, wriggle), or some physical or moral quality, usually unfavorable (gloom, grumpy, mawkish, slimy,sloppy, sloth, wry). Some of these onomatopoeic terms have certain elements in common; in Bloomfield’s words, there is “a system of initial and final root-forming morphemes, of vague signification”, with which the “intense, symbolic connotation”of such termsis associated. For example, the sounds /sn/ may express three types of experiences: “breath-noise”(sniff, snuff, snore, and snort), “quick separation or movement”(snip, snap, snatch), and “creeping”(snake, snail, sneak, snoop). Final group have similar functions: -are suggests “ big light or noise” as in blare, flare, glare, stare;-ump suggests “protuberance” as in bump, chump, clump, dump, hump, lump, mump” and “heavy fall” as in dump, crump, flump, plump, slump, thump. Another interesting feature of onomatopoeic patterns is that they often work by vowel alternation; by substituting one vowel for another one can express different noises.Guo Zhuzhang, in his A Practical Course in Translation between English and Chinese, points out that there are a lot of skills to translate onomatopoeia, which includes three ways. (a). Literal translation. If there are onomatopoeias in the original article, we should use onomatopoeias in the target languages when we translate them. For examples: 1)Two heavy guns went off in the woods-Brump! Brump! 两门重炮在森林里开始发射了-轰隆!轰隆!(2)Whee-ee-ee! Whee-ee-ee! The police whistles shrilled suddenly“鸣-!鸣-!”警笛突然响了。

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