英语文学名著精读论文
英语文学名著精读论文(5篇模版)

英语文学名著精读论文(5篇模版)第一篇:英语文学名著精读论文幻想到现实,顿悟与成长——曼斯菲尔德《园会》及当代青少年精神世界的剖析【摘要】《园会》是曼斯菲尔德诸多作品中较为著名的一篇短篇小说,文中主人公劳拉在接受道德历程的洗礼后逐渐成长,实现从幻想到现实的顿悟和自我超越。
文章试通过解读和分析《园会》,探寻劳拉的内心世界,并以此为基点探讨当代中国青少年的精神世界,分析存在的问题,针对青少年的自我修养提出三条可行的途径。
【关键词】《园会》;分析;当代青少年;成长;精神世界;凯塞琳.曼斯菲尔德是20世纪英国短篇小说家,《园会》是她于1922年创作的作品,讲述了谢太太的一位穷苦的近邻由于偶然的事故不幸身亡,遗属正伤心落泪,悲恸欲绝,而她却在园中奏乐娱乐,大宴宾客。
谢太太的女儿,即文中主人公劳拉一开始听到邻居工的死讯非常震惊,后来因为获得了一顶漂亮帽子而忘却此事,最后她去死去工人的家中送饭,目睹了另一个不同的世界。
至此,劳拉心中原有的幻想世界破灭,对现实和死亡的直观认识使她实现了精神上的顿悟和内心的自我超越。
相同的,笔者认为,当代青少年的精神世界也并不完整,不仅与劳拉一样需要顿悟和自我超越,更重要的是与故事中的劳拉相比,周围的环境中的不利因素更多,影响更甚。
因此中国当代青少年需要更多的努力,更多关注精神世界的成长与完善。
一.《园会》情节分析小说开始就以欢乐和纯洁侵入读者的心里。
打开《园会》,跃人眼帘的是像伊甸园式的花园的描写。
这里即将举行一场盛大的园会。
一切都是那么完美,温煦和暖,没有风,也没有云,蓝天上笼着淡淡的金色的烟霭,像初夏时节那样。
天刚黎明,园丁就起来修剪、清理草坪,直到整片草地和种矢菊的深色平坦的玫瑰形花坛都似乎在发亮。
在故事的开始,劳拉完全沉醉在这优美的梦幻世界之中。
她对园会的期待溢于言表,毕竟这是她的成人礼,还有什么比一位少女的成长更让一位少女快乐呢?巨大的快乐使她内心充满了渴望,所以在园会的准备过程中,她一直都非常兴奋激动。
名著赏析英语作文

名著赏析英语作文Title: Appreciation of Classic Literature。
In the realm of classic literature, there exists a treasure trove of timeless works that continue to captivate readers across generations. These literary masterpieces not only entertain but also provoke deep reflection on the human condition and the complexities of life. In this essay, we will delve into the appreciation of classic literature, examining its enduring relevance and the profound insightsit offers.One of the most celebrated classics is "Pride and Prejudice" by Jane Austen. Set in early 19th-century England, the novel intricately portrays the societal norms and expectations of the time, particularly concerning marriage and social status. Through the spirited protagonist, Elizabeth Bennet, Austen explores themes of love, pride, and the consequences of snap judgments. The novel's enduring appeal lies in its sharp wit, engagingcharacters, and astute observations of human nature.Another cornerstone of classic literature is "To Kill a Mockingbird" by Harper Lee. This Pulitzer Prize-winning novel grapples with themes of racial injustice, morality, and empathy in the deep South of the 1930s. Through the innocent eyes of young Scout Finch, Lee exposes the ugliness of prejudice and the courage it takes to stand up for what is right. The timeless lessons of compassion and understanding make "To Kill a Mockingbird" a poignant and thought-provoking read for readers of all ages.Moving beyond the confines of Western literature, we encounter "The Tale of Genji" by Murasaki Shikibu, often considered the world's first novel. Written in 11th-century Japan, this epic saga follows the life and romanticexploits of Prince Genji, offering a glimpse into thelavish court culture of the Heian period. Murasaki's exquisite prose and keen psychological insight into her characters elevate "The Tale of Genji" to a work of unparalleled beauty and sophistication.In the realm of Russian literature, Fyodor Dostoevsky's "Crime and Punishment" stands as a towering achievement. This existential masterpiece delves into the psyche of its protagonist, Raskolnikov, a destitute student who commits a heinous crime in pursuit of a twisted ideology. As Raskolnikov grapples with guilt and redemption, Dostoevsky explores profound questions about morality, free will, and the nature of evil. The novel's psychological depth and philosophical richness continue to fascinate readers worldwide.Lastly, we cannot overlook the impact of Shakespeare's works on classic literature. From the timeless tragedy of "Hamlet" to the romantic comedy of "A Midsummer Night's Dream," Shakespeare's plays continue to enthrall audiences with their rich language, complex characters, and universal themes. Whether exploring the complexities of human nature or the intricacies of power and ambition, Shakespeare's enduring legacy reminds us of the enduring power of storytelling.In conclusion, classic literature serves as a windowinto the past while offering timeless insights into the human experience. Through the works of authors like Austen, Lee, Murasaki, Dostoevsky, and Shakespeare, readers are transported to different times and places, yet find echoes of their own lives in the pages of these timeless masterpieces. As we continue to appreciate and studyclassic literature, we not only enrich our understanding of the world but also gain a deeper appreciation for the beauty and complexity of the human spirit.。
英文阅读名著的作文

英文阅读名著的作文Reading classic literature in English is a great way to improve language skills. It exposes readers to a wide range of vocabulary and sentence structures, helping them to become more fluent and articulate in their own writing and speaking.When diving into a classic novel, it's important to pay attention to the historical and cultural context in whichit was written. This can provide valuable insights into the author's intentions and the underlying themes of the work.One of the most rewarding aspects of reading classic literature is the opportunity to explore complex and thought-provoking ideas. Many timeless works of literature grapple with universal themes such as love, power, and morality, inviting readers to reflect on their own beliefs and experiences.In addition to the intellectual stimulation that comesfrom engaging with challenging ideas, reading classic literature can also be a deeply emotional experience. The best novels are able to evoke a wide range of emotions, from joy and excitement to sadness and empathy, leaving a lasting impact on the reader.Moreover, classic literature often offers a window into the past, allowing readers to gain a deeper understanding of different time periods and societies. This can be both enlightening and humbling, as it prompts readers to consider how much has changed – and how much has remained the same – over the course of history.Finally, reading classic literature can foster a sense of connection with other readers, both past and present. Many of the most beloved works of literature have been cherished by generations of readers, creating a shared cultural heritage that transcends time and place. This can create a sense of community and belonging among those who appreciate the power of a good story.。
有关英语文学论文范文

有关英语文学论文范文作为英语教学的主干课程之一,文学课程的重要性却正在逐渐淡化。
下面是店铺为大家整理的有关英语文学论文,供大家参考。
有关英语文学论文范文一:莎士比亚英语文学教育研究摘要:读书贵在思考,课后需要思考文章的主旨,提高自己的文学底蕴。
正如前文所说,一千个读者就有一千个哈姆雷特,所以每个人的思考都不一样,要能拿出自己独到的见解。
如果条件允许,可以把学生分成几组,课后自觉地讨论阅读心得。
关键词:英语文学;莎士比亚一、莎士比亚作品特色(一)注重人物性格塑造人物性格的塑造可以说是任何文学作品的精髓,可以使作品蒙上一层淡淡的艺术色彩。
现对莎士比亚作品中的几个典型人物进行分析。
1.夏洛克《威尼斯商人》是莎士比亚早期喜剧作品之一。
其将夏洛克塑造成一个贪婪、爱钱、自私、残暴的反面人物。
但也曾有人质疑夏洛克是否还带有正面色彩即对女儿的关爱,对民族矛盾的抗议。
首先,对女儿的关爱,笔者认为没有。
他的这种亲情早已被金钱冲得无影无踪。
他在女儿带着财产私奔的时候,撕心裂肺地喊:“我的女儿呀、我的钱呀!”此时他呼喊的只能是他女儿带走的金钱,而女儿在他的心里充其量和那些钱平等。
而在后文中夏洛克对好友杜拔尔的一番话中,他宁愿女儿死在他的脚下,而那些钱还全部在女儿身上,这足以说明夏洛克把金钱看得比女儿重要。
其次,对民族矛盾的抗议,也是根本不存在的。
夏洛克高举民族至上的招牌,实质上是为了谋取个人利益。
他在眉飞色舞地盘算着要割掉安东尼奥一磅肉时,说了一些愤激的、俨然要为犹太人“声张正义”的话,但这不是因为民族矛盾,而是商人利益之间的争夺。
因为安东尼奥放贷的时候是不收利息的,这势必影响了他的利益,所以他想借民族矛盾除掉安东尼奥。
虽然他在口口声声地“鸣不平”,但他的行为并不符合人民的要求。
所以笔者认为,莎士比亚不仅仅直接描写了夏洛克的吝啬、残酷,还通过他对待女儿的态度,为犹太人“鸣不平”的行为反衬他的反面特征。
可见,莎士比亚将夏洛克这个反面人物描绘得淋漓尽致、塑造得活灵活现!2.哈姆雷特《哈姆雷特》是莎士比亚中期四大悲剧作品之一。
Mrs. Warren's profession-literature thesis(沃伦夫人的职业-文学名著精读期末论文)

Birth of New WomanAbstract:The main purpose of this paper is to show the characteristics of "new woman" on the protagonist-Vivie.Victorian women were expected to maintain a poised and dignified manner, and to be obedient to their husbands' requests, Vivie is a fine example of gender reformation, she defies the Victorian expectations of an obedient woman. With a firm handshake ,mathematic degree, cigarette-smoking, whisky-drinking habits, Vivie is a direct challenge to the tradition limitations on women’s sphere. Though there are caprice and compromises in the middle, at last, Vivie breaks up with a romantic lifestyle, breaks up with her suitors and breaks up with her mother, absorbed in her work and absorbed in a pragmatic, self sufficient new life.Key words: prostitution, profession, marriage, romance, new woman Victorian era( 20 June 1837—22 January 1901)has demographic imbalance in favour of women (United Kingdom Census 1851 reveals 4% more women than men). Victorian women did not have suffrage rights, the right to sue, or the right to own property. At the same time, women participated in the paid workforce in increasing numbers following the Industrial Revolution. These conditions lead to woman’s inferiority to men and more seriously, the problem of prostitution began to shift from a moral/religious cause to a socio-economic one. The years between 1848 and 1870 saw a veritable explosion in the number of institutions working on "reforming" prostitutes and "saving" these "fallen women" . Meanwhile, the theme of prostitution and the "fallen woman" (any woman who has had sexual intercourse out of marriage) became a staple feature of Victorian literature. Unlike other plays about fallen women, Shaw shifts the burden of guilt from individualism to the society, which is very notable when Vivie gives up her original claim that "People are always blaming circumstances for what they are. I don't believe in circumstances." and when Mrs.Warren responds without shame and repentance but with vigorous self-justification to Vivie’s inquiry of her profession. Shaw critiques the economical system which produces "Mrs. Warren", attacking the problematic double standard of male privilege and the deeply entrenched objectification of women.[2]As Shaw said himself that the purpose of writing the play is:"to draw attention to the truth that prostitution is caused, not by female depravity and male licentiousness, but simply by underpaying, undervaluing, and overworking women so shamefully that the poorest of them are forced to resort to prostitution to keep body and soul together."Women who falls into prostitution may not get descent life eventually, instead, they may come across a grim destiny. "It must not be supposed that if some, perhaps a majority of them, eventually become comparatively respectable, and merge into the ocean of propriety, there are not a vast number whose lives afford matter for the most touching tragedies, whose melancholy existence is onecontinual struggle for the actual necessaries of life, the occasional absence of which entails upon them a condition of intermittent starvation."[4]Disappointed about the inequality women are suffering, Shaw creates a "new woman"-Vivie, giving her a mother who climbs out of prostitution by owning her "business", attributing her with new female characteristics:"highly educated, overwhelmingly self-confident, unconventional, asexual and "permanently unromantic". With all these characteristics, Vivie is never a commodity to be sold, on the contrary, she enjoys superiority through the whole play: She behaves like a man in dumping her lover-Frank without any hesitation and sympathy; she adamantly rejects Crofts’ adoration regardless of how much fortune he can offer her; she says goodbye to Mrs. Warren and says goodbye to her mother’s way of life. Actually, economic independence contributes substantially to Vivie’s superiority in the play, she does not need to cater to men’s desire for life necessaries or jewelry, either does she need to ask her mother to support her.Bernard Shaw eagerly expresses his expectations of amelioration of women’s condition, at the same time, he keeps a sober mind that the "birth of new women"roots in the social-economic dimensions, only when women get decent professions can they have initiative and voice in marriage and other aspects of life.In the following part, I will discuss Shaw’s ideal image of "new woman"in Vivie’s connections with the world: her relation with her work, her relation with her suitors and her relation with her mother. In these relations, Vivie challenges the tradition judgment with her intelligence and determination.Vivie and her WorkAs a graduate from Cambridge, Vivie is hardworking. The play begins with Vivie’s reading and making notes, "A big canvas umbrella, stuck in the ground, keeps the sun off the hammock, in which a young lady is reading and making notes, her head towards the cottage and her feet towards the gate. In front of the hammock, and within reach of her hand, is a common kitchen chair, with a pile of serious-looking books and a supply of writing paper on it”.It is book instead of cosmetic that appears in a young, charming lady’ surrounding. Although the cottage and the hammock are the indicators of a splendid life, Vivie gets absorbed in her work instead staying in front the dresser. Mrs. Warren’s old friend Mr. Praed is a well-bred gentleman and a fine representative of conventional social thought. His surprise at Vivie’s ignorance of romance and affection of lengthy work can well reflect the audience’s surprise. Two conversations between Vivie and Praed are extracted from the play to show Vivie’s diligence in working and "unromantic"features. When Vivie first meet Praed and talks about tripos and calculation:“VIVIE.Culture! My dear Mr Praed: do you know what the mathematical tripos means? It means grind, grind, grind for six to eight hours a day at mathematics, and nothing but mathematics.I'm supposed to know something about science; but I know nothing except the mathematics it involves. I can make calculations for engineers, electricians, insurance companies, and so on; but Iknow next to nothing about engineering or electricity or insurance. I don't even know arithmetic well. Outside mathematics, lawn-tennis, eating, sleeping, cycling, and walking, I'm a more ignorant barbarian than any woman could possibly be who hadn't gone in for the tripos.PRAED [revolted] What a monstrous, wicked, rascally system! I knew it! I felt at once that it meant destroying all that makes womanhood beautiful!VIVIE. I don't object to it on that score in the least. I shall turn it to very good account, I assure you.PRAED. Pooh! In what way?VIVIE. I shall set up chambers in the City, and work at actuarial calculations and conveyancing. Under cover of that I shall do some law, with one eye on the Stock Exchange all the time. I've come down here by myself to read law: not for a holiday, as my mother imagines. I hate holidays.PRAED. You make my blood run cold. Are you to have no romance, no beauty in your life?VIVIE. I don't care for either, I assure you.PRAED. You can't mean that.VIVIE. Oh yes I do. I like working and getting paid for it. When I'm tired of working, I like a comfortable chair, a cigar, a little whisky, and a novel with a good detective story in it.”Though Vivie’s work is full of tiring mathematics and calculations, she enjoys getting paid for it, she even gets a plan to set up her own business in the City. She shows little desire for holidays, instead she prefers a comfortable chair, a cigar, a little whisky, and a novel with a good detective story in it, which are conventionally regarded as male excusive. Praed is startled by Vivie’s attitude towards holiday and work, it is very remarkable in his reaction:”You make my blood run cold. Are you to have no romance, no beauty in your life? ”. Vivie’s statement overturned his previous expectation of a young woman.The second conversation happens in Vivie’s office, this time Vivie rejects Mr. Praed invitation for travelling in Italy indifferently:PRAED. How do you do, Miss Warren? [She presses his hand cordially, though a certain sentimentality in his high spirits jars upon her]. I start in an hour from Holborn Viaduct. I wish I could persuade you to try Italy.VIVIE. What for?PRAED. Why, to saturate yourself with beauty and romance, of course.[Vivie, with a shudder, turns her chair to the table, as if the work waiting for her there were a support to her. Praed sits opposite to her. Frank places a chair near Vivie, and drops lazily and carelessly into it, talking at her over his shoulder.]VIVIE. Mr Praed: once for all, there is no beauty and no romance in life for me. Life is what it is; and I am prepared to take it as it is.Though Mr. Praed spares no efforts in persuading Vivie to have a glance at the beautiful scenery in Italy, Vivie shows no interests, to her, life is plain and places are the same. To Vivie, work is prior to recreational activities whatever travel or concert, saturating in work gives her more satisfaction than anything else in the world. Vivie independent character represents new women’s desire to support themselves, they are not easily ”tempted” by romance and are proud of self possession.Vivie and her SuitorsVivie is a beautiful, attractive young lady graduated from university, being available for suitors. Unfortunately, Vivie has contempt over her suitors, let us see her comment on Frank and Croft in a conversation with her mother:MRS WARREN. Did you ever in your life hear anyone rattle on so? Isn't he a tease? [She sits at the table]. Now that I think of it, dearie, don't you go encouraging him. I'm sure he's a regulargood-for-nothing.VIVIE. [rising to fetch more books] I'm afraid so. Poor Frank! I shall have to get rid of him; but I shall feel sorry for him, though he's not worth it. That man Crofts does not seem to me to be good for much either: is he?It seems that she is very disappointed with Frank. Though she has apathy, Vivie gets involved in romance with the pleasant, pretty, smartly dressed Frank for a little while, these lines are the only loving scene Bernard Shaw describes in his play:FRANK [babyishly, lulling her and making love to her with his voice] Mustn't go live with her. Little family group of mother and daughter wouldn't be a success. Spoil o u r little group.VIVIE [falling under the spell] What little group?FRANK. The babes in the wood: Vivie and little Frank. [He nestles against her like a weary child]. Lets go and get covered up with leaves.VIVIE [rhythmically, rocking him like a nurse] Fast asleep, hand in hand, under the trees.FRANK. The wise little girl with her silly little boy.VIVIE. The deal little boy with his dowdy little girl.FRANK. Ever so peaceful, and relieved from the imbecility of the little boy's father and the questionableness of the little girl's—VIVIE [smothering the word against her breast] Sh-sh-sh-sh! little girl wants to forget all about her mother. [They are silent for some moments, rocking one another.Ironically, when Vivie wakes up with a shock from the romance, she never returns to it. In the end of the play, she is barely moved by Frank’ visit and request, ruthless to dump Frank, this can be reflected on her disposals of Frank’s note left for her: ”She tears the note up and tosses the pieces into the wastepaper basket without a second thought. ”It is really a male Frank regards a female Vivie as his meat ticket which contradicts people’s traditional view.Vivie refuses Crofts’” upper class”life without little room for discussion, she is determined that she will never descend herself to the temptation of money and position, here is Vivie’s immediate refusal to Sir Crofts:CROFTS. Oh well, come, Miss Vivie: you needn't pretend you don't see what I'm driving at. I want to settle down with a Lady Crofts. I suppose you think me very blunt, eh?VIVIE. Not at all: I am very much obliged to you for being so definite and business-like. I quite appreciate the offer: the money, the position, Lady Crofts, and so on. But I think I will say no, if you don't mind, I'd rather not.CROFTS I'm in no hurry. It was only just to let you know in case young Gardner should try to trap you. Leave the question open.VIVIE [sharply] My no is final. I won't go back from it.Frank and Croft are representatives of man who may be options for traditional women, one is youthful and good-looking, one has social position and money. However, they fail in capturing Vivie’s heart. Intelligent Vivie has got her own judgment, she will not be tempted by visual eye enjoyment and superficial material luxury.Vivie and her MotherMrs. Warren gives Vivie comfortable life and first class education which leads to her distinguished academic achievement as a Cambridge graduate, but lifetime of boarding schools, lightning-fast visits and long-distance communication alienate Vivie from her mother. Mrs. Warren seems to be mysterious to Vivie as she talks to Mr. Praed:VIVIE.Don't suppose anything, Mr Praed. I hardly know my mother. Since I was a child I have lived in England, at school or at college, or with people paid to take charge of me. I have been boarded out all my life. My mother has lived in Brussels or Vienna and never let me go to her. Ionly see her when she visits England for a few days. I don't complain: it's been very pleasant; for people have been very good to me; and there has always been plenty of money to make things smooth. But don't imagine I know anything about my mother. I know far less than you do.However,"The dichotomy of innocent woman and fallen woman is omitted in the play, not only do mother and daughter embrace without precaution of gloves and a veil, there is a strong family resemblance between them."[3]Vivie and her mother are both successful at their own"business". The two women reach temporal reconciliation after their sincere conversation at night, Vivie understands her mother’s dilemma, and gives up her stand that people can always determine their destiny. Mrs. Warren talks about her sisters’respectable profession selection and their tragic endings:MRS WARREN.Well, what did they get by their respectability? I'll tell you. One of them worked in a whitelead factory twelve hours a day for nine shillings a week until she died of lead poisoning; The other was always held up to us as a model because she married a Government laborer in the Deptford victualling yard, and kept his room and the three children neat and tidy on eighteen shillings a week—until he took to drink.When asked about her stepping into prostitution by her daughter, Mrs. Warren gives a reasonable self-justification:VIVIE. [intensely interested by this time] No; but why did you choose that business? Saving money and good management will succeed in any business.MRS WARREN. Yes, saving money. But where can a woman get the money to save in any other business? Could y o u save out of four shillings a week and keep yourself dressed as well? Not you. Of course, if youre a plain woman and can't earn anything more; or if you have a turn for music, or the stage, or newspaper-writing: thats different. But neither Liz nor I had any turn for such things at all: all we had was our appearance and our turn for pleasing men. Do you think we were such fools as to let other people trade in our good looks by employing us as shopgirls, or barmaids, or waitresses, when we could trade in them ourselves and get all the profits instead of starvation wages? Not likely.We can see clearly that Mrs. Warren has no option because she has no professional skills in spite of pleasing men, so prostitution has become the only logical decision for a young, attractive, penniless woman alone in the world. Vivie gets to know the hard trudge her mother takes in resisting poverty and raising her up. At the ending of the conversation, Vivie cannot control the flow of her feelings by saying,"My dear mother: you are a wonderful woman: you are stronger than all England."She completely forgives her mother and they are seen walking affectionately together the next morning.But this good time does not last long. Vivie finds that her mother is still running the "business".She learns to her horror that what was a matter of necessity is nowa matter of profit; her mother fortune derives from running a chain of International brothels. Vivie is extremely shameful to the fact when she disclose the secrets to Frank even wants to hide herself:VIVIE. You shall see. [She writes]. "Paid up capital: not less than forty thousand pounds standing in the name of Sir George Crofts, Baronet, the chief shareholder. Premises at Brussels, Ostend, Vienna, and Budapest. Managing director: Mrs Warren"; and now don't let us forget h e r qualifications: the two words. [She writes the words and pushes the paper to them]. There! Oh no: don't read it: don't! [She snatches it back and tears it to pieces; then seizes her head in her hands and hides her face on the table].Despite Mrs. Warren’s promise of keeping Crofts away and reiteration of her reluctance on the "business", Vivie calmly turns away. She breaks up with her mother, declaring the difference between her work and her mothers’, that is the challenge of old social order:MRS WARREN. Oh, it's all very easy for Liz: she likes good society, and has the air of being a lady. Imagine me in a cathedral town! Why, the very rooks in the trees would find me out even if I could stand the dulness of it. I must have work and excitement, or I should go melancholy mad. And what else is there for me to do? The life suits me: I'm fit for it and not for anything else. If I didn't do it somebody else would; so I don't do any real harm by it. And then it brings in money; and I like making money. No: it's no use: I can't give it up—not for anybody. But what need you know about it? I'll never mention it. I'll keep Crofts away. I'll not trouble you much: you see I have to be constantly running about from one place to another. Youll be quit of me altogether when I die.VIVIE. No: I am my mother's daughter. I am like you: I must have work, and must make more money than I spend. But my work is not your work, and my way is not your way. We must part. It will not make much difference to us: instead of meeting one another for perhaps a few months in twenty years, we shall never meet: thats all.Vivie’s departure from her mother symbolizes her departure from the constraints of the Victorian social order. She ends the play pursuing the career in accountancy which her education has prepared her,"Then she goes at her work with a plunge, and soon becomes absorbed in its figures ."Conclusion:Vivie rejects her mother and Croft’s offer of abundant even luxurious materials, for the life of kept woman will make her bored. Vivie’s enthusiasm for work must has an outlet just like 20 years ago, Mrs. Warren’s energies took her first onto the streets and then into brothel business. It is circumstance instead of character which determines the different fates of Vivie and her mother.Vivie’s indulgence in her work in the end of the play indicates that instead of resorting to the support from others, she lives upon herself. Economic independence is the core characteristic of "new women"and it is critical in the amelioration ofVictorian women’s situation.References:1.Shaw, George Bernard (1902). "Mrs. Warren's Profession". Retrieved 2011-02-072.Dierkes-Thrun, Petra. English Literature in Transition, 1880-1920, Volume 49, Number 3,2006, pp. 293-310 (Article)3. Powell, Kerry (2004). The Cambridge companion to Victorian and Edwardian theatre.Cambridge University Press. p. 229. ISBN 978-0-521-79536-4.4."Mrs. Warren's Profession Study Guide". Guthrie Theater. 2003. pp. 25–26. Retrieved2008-08-14.5.Gates, Anita.For Mrs. Warren, a Career Choice With Consequences: [Review]. NewYork Times, Jan 25, 2009, NJ.9。
名著赏析英文作文

名著赏析英文作文1. "Pride and Prejudice" by Jane Austen is a classic novel that explores the themes of love, marriage, andsocial class in 19th century England. The story revolves around the Bennet family, particularly the protagonist Elizabeth Bennet, and her journey of self-discovery and finding true love. Austen's witty and satirical writing style brings the characters and their interactions to life, making the novel a delight to read.2. In "To Kill a Mockingbird" by Harper Lee, the reader is transported to the 1930s in a small Southern town called Maycomb. Through the eyes of Scout, a young girl growing up during a time of racial injustice, we witness the harsh realities of prejudice and discrimination. Lee's skillful use of language and vivid descriptions create a vivid portrayal of the town and its inhabitants, making the reader deeply empathize with the characters and their struggles.3. "1984" by George Orwell is a dystopian novel that paints a bleak picture of a totalitarian society where individualism and freedom are suppressed. Orwell's hauntingly prophetic vision of a world ruled by Big Brother and constant surveillance serves as a warning against the dangers of totalitarianism and the erosion of personal liberties. The novel's dark and oppressive atmosphere is masterfully crafted through Orwell's precise and evocative language.4. "The Great Gatsby" by F. Scott Fitzgerald is a captivating portrayal of the American Dream and the decadence of the Jazz Age. Set in the 1920s, the novel follows the enigmatic Jay Gatsby and his pursuit of wealth and love. Fitzgerald's lyrical and poetic writing style captures the glamour and disillusionment of the era, while also exploring themes of social class, identity, and the emptiness of materialism.5. "Jane Eyre" by Charlotte Bronte is a compelling coming-of-age story that follows the eponymous character's journey from an orphan to an independent woman. Bronte'srich and descriptive prose immerses the reader in the atmospheric settings of Thornfield Hall and the moors of Yorkshire. The novel's exploration of gender roles, morality, and the search for identity resonates withreaders even today.6. In "Moby-Dick" by Herman Melville, the reader embarks on an epic adventure aboard the whaling ship Pequod, led by the obsessive Captain Ahab in his quest for revenge against the great white whale, Moby Dick. Melville's poetic and philosophical writing style delves into themes of obsession, fate, and the human condition. The novel's extensive descriptions of the whaling industry and maritime life add depth and authenticity to the story.7. "The Catcher in the Rye" by J.D. Salinger is a timeless coming-of-age novel that captures the angst and alienation of adolescence. Through the voice of the cynical and rebellious Holden Caulfield, Salinger explores themesof identity, innocence, and the loss of childhood. Thenovel's colloquial and conversational language immerses thereader in Holden's mind, creating a deeply personal and authentic reading experience.。
名著赏读英文作文

名著赏读英文作文英文:As a book lover, I have always enjoyed reading classic literature. There is something special about diving into a story that has stood the test of time and has been enjoyed by generations before me. In this essay, I will discuss my experience of reading and appreciating classic literature.One of my favorite books is "To Kill a Mockingbird" by Harper Lee. This novel tells the story of a young girl named Scout growing up in the South during the 1930s. Through her eyes, we see the injustices of racism and the courage of those who fight against it. I was drawn to this book because of its powerful message and the way it captures the essence of a time and place in history.Another classic that I have recently read is "Pride and Prejudice" by Jane Austen. This novel is a timeless tale of love and societal expectations in 19th century England. Iwas struck by the wit and humor of Austen's writing and how she portrays the complexities of relationships between characters.Reading classic literature has not only been enjoyable but also educational. It has helped me to understand the world and the people in it better. Through the characters and their experiences, I have gained insight into different cultures, historical periods, and human nature.中文:作为一个书迷,我一直喜欢阅读经典文学作品。
英语名著作文英文

英语名著作文英文英文:When it comes to English literature, there are so many great works to choose from. One of my personal favorites is "To Kill a Mockingbird" by Harper Lee. This novel is a classic coming-of-age story set in the Deep South during the 1930s. It deals with themes of racism, prejudice, and injustice, and is told through the eyes of a young girl named Scout Finch.What I love about this book is how it manages to be both heartwarming and heartbreaking at the same time. The characters are so well-developed and complex, and the story is both thought-provoking and emotionally powerful. There are so many memorable scenes and quotes that have stayed with me long after reading the book.Another English classic that I adore is "Pride and Prejudice" by Jane Austen. This novel is a romantic comedyof manners set in early 19th-century England. It follows the story of Elizabeth Bennet and her relationship with the wealthy Mr. Darcy.What I appreciate about this book is how Austen manages to satirize the societal norms and expectations of her time while also crafting a compelling love story. The characters are all so distinct and memorable, and the dialogue iswitty and sharp. It's a book that I can read over and over again and never get tired of.中文:说到英国文学,有很多伟大的作品可以选择。
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幻想到现实,顿悟与成长——曼斯菲尔德《园会》及当代青少年精神世界的剖析【摘要】《园会》是曼斯菲尔德诸多作品中较为著名的一篇短篇小说,文中主人公劳拉在接受道德历程的洗礼后逐渐成长,实现从幻想到现实的顿悟和自我超越。
文章试通过解读和分析《园会》,探寻劳拉的内心世界,并以此为基点探讨当代中国青少年的精神世界,分析存在的问题,针对青少年的自我修养提出三条可行的途径。
【关键词】《园会》;分析;当代青少年;成长;精神世界;凯塞琳.曼斯菲尔德是20世纪英国短篇小说家,《园会》是她于1922年创作的作品,讲述了谢太太的一位穷苦的近邻由于偶然的事故不幸身亡,遗属正伤心落泪,悲恸欲绝,而她却在园中奏乐娱乐,大宴宾客。
谢太太的女儿,即文中主人公劳拉一开始听到邻居工的死讯非常震惊,后来因为获得了一顶漂亮帽子而忘却此事,最后她去死去工人的家中送饭,目睹了另一个不同的世界。
至此,劳拉心中原有的幻想世界破灭,对现实和死亡的直观认识使她实现了精神上的顿悟和内心的自我超越。
相同的,笔者认为,当代青少年的精神世界也并不完整,不仅与劳拉一样需要顿悟和自我超越,更重要的是与故事中的劳拉相比,周围的环境中的不利因素更多,影响更甚。
因此中国当代青少年需要更多的努力,更多关注精神世界的成长与完善。
一.《园会》情节分析小说开始就以欢乐和纯洁侵入读者的心里。
打开《园会》,跃人眼帘的是像伊甸园式的花园的描写。
这里即将举行一场盛大的园会。
一切都是那么完美,温煦和暖,没有风,也没有云,蓝天上笼着淡淡的金色的烟霭,像初夏时节那样。
天刚黎明,园丁就起来修剪、清理草坪,直到整片草地和种矢菊的深色平坦的玫瑰形花坛都似乎在发亮。
在故事的开始,劳拉完全沉醉在这优美的梦幻世界之中。
她对园会的期待溢于言表,毕竟这是她的成人礼,还有什么比一位少女的成长更让一位少女快乐呢?巨大的快乐使她内心充满了渴望,所以在园会的准备过程中,她一直都非常兴奋激动。
虽然故事的开端带给我们的是纯洁、幸福、欢乐等享受,但在这样梦幻般的世界里同时生长的是劳拉平民意识的萌芽,让文章的色调波澜起伏。
园会的布置原本是在一片愉悦的气氛中有条不紊的进行着,大家各司其职。
突然,由于一个推车人之死,在劳拉的心中引起了波澜。
劳拉在闻到邻居的噩耗时,自然地产生了停止举办园会的想法,并征求姐姐乔斯的意见。
然而乔斯却认为劳拉这样的举动是荒唐、不可思议的。
虽然劳拉一再恳求,乔斯擅自揣测,也许那人是喝醉了才会发生意外。
这让劳拉对劝服姐姐心灰意冷,转而向母亲求助。
谢太太听到死亡消息的第一反应是不是跟自己家庭有关系,得知跟自己毫无关系时,马上就变得漠然了。
这时,谢太太将原本给自己的漂亮黑色帽子送给了劳拉,劳拉不经意抬头看见镜子里这个俊俏的女孩儿,戴着镶金色野菊花的黑色女帽,帽上拖着长长的黑丝绒带。
她做梦也料不到自己会有这么副好模样儿。
她心里想,莫非是母亲对了,莫非是我胡闹?也许是我胡闹。
一时她又仿佛看见那可怜女人带着一群孩子,尸首正往家里抬。
可是这一切都模糊不清像是报纸上的照片了。
她打定主意,园会完了再想着这件事就是了,也不再想要停办园会了。
宴会后,劳拉母亲看到桌子上宴会剩下来将要被扔掉的东西,叫劳拉给死去邻居家送去。
劳拉心里又开始不安起来,她担心那位可怜的妇人是否会接受这些垃圾,但她还是去了。
当她走进小巷,悲惨的生活景象使她更加不安,尤其是到达死者家门前时,那种凄惨、悲哀的气氛使她手足无措,无地自容。
当她看到死者脸上象熟睡时的平静表情时,她似乎一下子懂得了许多,但又表达不出来。
作者通过贫富差距的对比,伊甸园式的花园与灰暗破旧小巷的对比,生与死的对比,带给读者她想要表达的东西:在一个虚幻的“伊甸园”里,在这个傻瓜们的天堂里,人们无知地把自己当成宇宙的中心,对现实世界、现实生活一无所知。
只有走出这个“伊甸园”,亲眼目睹生活的多样性以及现实世界的苦难,人类才能实现精神上的感悟,实现感情和道德上的升华,获得全面的新生。
二.对劳拉内心世界的探究从性格来说,劳拉是一个活泼,开朗的孩子。
在她的想象中,一切事物都是美好和完美的。
她以一种敏感而富于联想的方式来观察事物的,并对被观察事物进行艺术的想象,从而形成美的意象。
她很享受自己想象的世界,与现实世界形成强烈的对比。
劳拉这样的性格也决定了她要比其他人更感性和冲动,也更容易受到伤害。
当她冲动地走进穷人的世界时,她感到的是惊奇和害怕。
所以她的顿悟是一次彻底的心灵震撼。
从外在来说,劳拉生活在一个富有的家庭,所以她根本不会意识到贫富差距,这是她无法摆脱的身份。
家庭的影响让劳拉具有的天生的优越感。
从潜意识来说,当看到肮脏破乱的小巷和死去推车人的尸体时,她的潜意识告诉她眼前的是多么的的悲惨和凄凉,远远超出了她的想象范围。
对于一个孩子来说,这种潜意识根深蒂固。
劳拉的潜意识也是决定她从幻想到现实的顿悟的重要因素。
当劳拉面对贫穷、悲伤,尤其是死亡时,她离开了她的“伊甸园”并发现了生活的本来的面貌,顿悟到原来死亡也是生活的一部分。
对劳拉这个年纪的孩子而言,这次心灵的旅途无疑是让劳拉困惑的,也是她心智走向成熟的必经过程。
短短的一个下午,发生的事情让她体会到现实生活的残酷和自我想象的荒谬。
她顿悟到了生活的悲惨,为其所付出的代价就是难以用语言表达的悲伤。
她产生了对死亡的恐惧,同时对自己的想象与现实形成巨大差距而感到失落和伤心。
劳拉意识到了自己对世界的无知,更害怕失去她的“伊甸园”。
成人的世界把她美好和无知的幻想粉碎,她的精神得到顿悟的同时也是幻想世界的幻灭。
三.关注当代青少年的精神世界从《园会》劳拉身上,可以看到曼斯菲尔德自己对青少年内心成长的思索,包括心灵的“开窍”过程,顿悟的契机,周围环境的影响等等。
举一反三,更应该关注的是当代青少年的内心世界,也包括笔者自己在内。
青少年的内心成长伴随着的是对人生的逐渐关注。
青少年开始了对人生的思考,对人生价值的探索,发展自己的创新思维,养成自己独特的个性。
随着自我意识的日益增强和逻辑思维能力的提高,不断去思考探索一些关于人生的问题并做到去逐渐认同自己的选择。
青少年的世界观和价值观往往就在这个关键时期形成。
现代社会因为科学技术的迅猛发展和快节奏的生活,掺杂了许多精神上的副产品,这些副产品对当代青少年产生的影响很大。
从小接触的环境和教育会深远地影响一个人的一生,就譬如劳拉,处于富足的成长环境和上层阶级的母亲的教导下,不可避免地会形成不正确的世界观和价值观。
当代社会,物欲涌动,物质主义日趋主流,忽视精神世界的健康。
在这种环境下,青少年精神世界受到的不利引导要远比劳拉严重。
若是当代青少年也形成了人人拜金的世界观,事事趋利的价值观,中国的未来发展堪忧,这绝非危言耸听。
针对如此重要而紧迫的问题,首先需要对当代青少年精神世界的缺失作分析。
笔者整理出如下三个特点:1.缺乏对精神世界的关注如尼采形容的,现代的人总是行色匆匆地穿过闹市、手里拿着秒表思考、吃饭时眼睛盯着商业新闻,不复有闲暇沉思,愈来愈没有精神生活和真正的内心世界。
现代人的娱乐也无非是寻求感官上的刺激和精神上的麻醉,沉溺于快速的节奏、喧嚣的声响和色彩的魔术,甚至是低劣的俗情滥调。
书店里被那些琼瑶、席娟、池莉门所谓的经典爱情亦或在墙角珍藏的性文化充斥着,其实,无论从灵与肉的任何一方面,他们都比不过曹雪芹,他们只是在为前人做一点粗滥的注解,甚至还毁坏了这种文化在人们心目中的美感。
凡此种种,都表明了丧失精神信仰引起的内在焦虑和空虚,于是急于用外在的匆忙和喧嚣来麻痹内心的不安,用财产和知识的富裕来填补精神的贫困。
2.伪叛逆者。
对于在这个标榜个性年代成长起来的青少年而言,叛逆是不可避免的,甚至这已经成为体现自我价值的一个重要手段。
但同时,生活在物质正在极大丰富的社会进程中,又决定了这样的青少年是一群伪叛逆者,因为他们是在良好甚至优越的生活环境中长大的,如果他们真正地去叛逆这个社会的主流价值,他们将失去太多太多已经习惯了的生活条件,而这是他们所不能容忍的。
这就注定了他们中绝大多数的叛逆只能是一种表象的叛逆,只能把叛逆的方向集中在服装、发型、语言等方面,而不敢去触及最核心的价值观——喧闹背后灵魂的寂寞。
所以他们迫切地需要一个偶像、一个叛逆的偶像代替他们去反抗那些最核心的他们最后屈服了的价值观。
3.缺乏感情。
当代青少年大多数是国家实行计划生育后的产物,作为独生子女的他们从小到大都是一个人,没有兄弟姐妹,而现代住房的独门独户又使得他们缺少与同龄人的交流和沟通。
虽然学校的群居生活在一定程度上弥补了这一缺陷,但是幼年时期一个人成长的经历决定了这些人骨子里是孤独的。
于是他们喜欢郭敬明的小说,《幻城》、《梦里花落知多少》等受到了青年人狂热的追捧。
笔者也曾抱着对为什么人们会为它狂热的探究心情读了《幻城》,发现除了诸如王子复仇、魔法师、咒语这些大量魔幻小说中用滥的元素以外,剩下的还是大量魔幻小说中的煽情,无论是亲情还是爱情,抑或忠诚、友谊,将这些东西放在一个极端的条件下,然后通过一些豪言壮语和悲壮的行动赋予其感人的魅力,而这些东西恰恰是最能够打动那些从小没有兄弟姐妹而潜意识里对感情和沟通有着迫切需求的青少年们。
他们渴望亲情,可是却从未尝试着去付出感情和真诚。
于是他们就象“套中人”那样把自己裹在坚实的防护衣中遥望着感情的殿堂。
四.青少年的自我修养途径笔者以为,要解决上述问题还有很长的路要走。
相对于较难改变的社会环境和时代潮流导向,青少年可以从自身做起,有以下几种不错的途径。
1.找回传统文化的精髓在传统中国,明德修身、齐家治国乃是士人的毕生追求。
春秋以来,中国就有“死而不朽”观念:太上有立德,其次有立功,其次有立言,虽久不废,此之谓不朽。
三不朽之所言,无非做人、做事、做学问,做好人、做好事、做好学问。
三者之间相互关联,互相激励,却以立德为高。
所谓立德,圣人立圣德,可创制垂法,博施济众,惠泽被于无穷。
对于一般人,乃通常所谓“做一个好人”而已。
上古时期,中国就形成了底蕴深厚的人文教化传统,制定了人生礼仪,树立了人生准则,孔子等早期儒家系统总结“圣王之道”,教人“修己”,教人“成人”,确立了仁、义、礼、智、信等价值观念。
在传统社会,这些价值观念轨物范世,敦风厉俗,主导着社会,规范着行为。
毋庸讳言,在现代社会,哲学和内圣外王之道这两种意义上的最高学问都已没落。
回归传统,找回儒道文化的精髓,将是当代青少年自我超越的绝佳途径。
2.接触哲学哲学本义为“追求智慧”,所以很多人称之为“智慧学”、“人生的最高智慧”。
具体而言,哲学就是关于世界观、价值观和方法论的学说。
哲学是对世界的关于终极意义的解释,它在解释中使我们了解世界,使世界在我们的意识中合理化,从而为我们提供心灵的慰藉。
学习哲学,对于处于人生成长阶段的青少年意义非凡。