英经典电影看得见风景的房间a room with a view scripts
看得见风景的房间 影评
去佛罗伦萨看风景吧A Room with a View / 看得见风景的房间的评论1.女人总是喜欢看得见风景的房间，而对于男人来说，风景是在心里的。
蓝蓝的天，小鸟的歌唱，这一切都在心里。
爱默森先生用叉指着自己的胸口，虔诚地说道。
这是《看得见风景的房间》那对奇怪的爱默森父子刚出场时的一句台词。
于是来自英国的美丽的露西小姐在牧师的说服下接受了他们的好意，和表姐——所有欧洲古典文学里最常见的陪衬角色——一个老处女搬进了能够看见佛罗伦萨美丽风景的房间。
镜头拉伸，从露西小姐的视野看出去，窗外是Arno河，意大利的美丽风光安静地铺陈在整个画面里。
故事就是这样的背景下展开的，舒缓而宁静，带着欧洲古朴的生活气息。
福斯特的原著我觉得甚至不如电影拍的好，有些章节太拖沓，不如电影脉络清晰。
整部影片我最喜欢的地方，就是它被分成了十几个小节，每一个小节开始之前会出现一个用繁复的花纹做外框的标题，有一种英国特有的严肃刻板的幽默成分，并且带着十足的欧洲文艺腔。
影片里的台词大部分还是忠于原著，花哨而正式的句式，从直着脖子持一口英国英语的演员嘴里说出来，显得格外的动人。
第一次看这个片子看的是中文配音版。
我认为西片如果是配音的，一般来说，好看程度就要打很大一个折扣。
因为老的配音演员总喜欢过于夸张地表现外国电影中的人物情绪。
这一次再看，不但让我感受到演员们平缓而得体地表现福斯特笔下优美的语句，而且还看到中文版中已经被剪切掉的，英国古典电影中不多见的一场裸戏。
那是露西和她的未婚夫还有妈妈一起散步时，遇见自己的弟弟、乔治还有镇上的牧师在池塘里洗澡的情境。
从露西的眼神以及偷笑的表情就可以看出，她不是那种被繁文缛节束缚着的英国上流社会人家的小姐，她必不甘于作为自己未婚夫的摆设，她的心里太多激情。
这也就是为什么在佛罗伦萨开满罂粟花的乡间，露西被乔治强吻之后，表面上如同一个大家闺秀应该做的那样愤怒地离开了他，其实心里却偷偷地萌发了爱的念头。
说起那个不由分说的吻，再和露西与那个假模假式未婚夫订婚后的那个吻一比较，后者便让人忍俊不禁了。
有风景的房间英语作文
有风景的房间英语作文英文回答：Rooms with a View。
Humans have an innate desire to connect with nature. From lush forests to shimmering oceans, natural environments have a profound impact on our physical and mental well-being. This connection is particularly evident in our living spaces, where incorporating elements of nature can create a sense of tranquility and rejuvenation.One of the most effective ways to bring the outdoors into your home is through rooms with a view. These rooms offer a direct connection to the natural world, providing a constant source of visual stimulation and inspiration. Whether overlooking a serene garden, a bustling cityscape, or a majestic mountain range, rooms with a view offer a unique perspective on the world.The benefits of rooms with a view are numerous. Studies have shown that exposure to natural environments can reduce stress levels, improve mood, and boost creativity. Natural light, which is abundant in rooms with a view, has also been linked to improved sleep, increased alertness, and enhanced cognitive function.In addition to the physiological benefits, rooms with a view can also provide aesthetic and emotional rewards. The beauty of nature can be a source of joy and inspiration, creating a space that is both calming and uplifting. The changing seasons, the play of light and shadow, and the movement of animals and plants can provide a constant source of interest and enjoyment.When designing a room with a view, it is important to consider the orientation of the room, the size and shape of the windows, and the surrounding landscape. The ideal view should be unobstructed and provide a clear connection to nature. The windows should be large enough to allow ample natural light and ventilation, but not so large that they compromise the privacy of the room.The furniture and décor in a room with a view should complement the natural surroundings. Neutral colors and natural materials, such as wood, stone, and leather, can create a sense of harmony between the interior and exterior spaces. Large mirrors can also be used to reflect the view and expand the sense of space.Rooms with a view can be found in a variety of settings, from urban apartments to suburban homes to remote mountain cabins. Regardless of their location, these rooms offer a unique opportunity to connect with nature and create aliving space that is both beautiful and restorative.中文回答：风景房。
看得见风景的房间 读后感
This article is about the E. M Forster novel. For other uses, see Room with a View (disambiguation).A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the repressed culture of Edwardian England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. Merchant-Ivory produced an award-winning film adaptation in 1985.In 1998, the Modern Library ranked A Room with a View 79th on its list of the 100 best English-language novels of the 20th century.[edit] Part oneThe first part of the novel is set in Florence, Italy, and describes a young English woman's confusion at the Pensione Bertolini over her feelings for an Englishman staying at the same hotel. Lucy Honeychurch is touring Italy with her overbearing older cousin and chaperone, Charlotte Bartlett, and the novel opens with their complaints about the hotel,"The Pension Bertolini." Their primary concern is that although rooms with a view of the River Arno have been promised for each of them, their rooms instead look over a courtyard. A Mr. Emerson interrupts their "peevish wrangling," offering to swap rooms as he and his son, George Emerson, look over the Arno. This behavior causes Miss Bartlett some consternation, as it appears impolite. Without letting Lucy speak, Miss Bartlett refuses the offer, looking down on the Emersons because of their unconventional behaviour and thinking it would place her under an "unseemly obligation" towards them. However, another guest at the pension, an Anglican clergyman named Mr. Beebe, persuades the pair to accept the offer, assuring Miss Bartlett that Mr. Emerson only meant to be kind.The next day, Lucy embarks on a tour of Florence with another guest, Miss Eleanor Lavish, a novelist who shows Lucy the back streets of Florence, takes her Baedeker guidebook and subsequently loses her in Santa Croce, where Lucy meets the Emersons again. Although their manners are awkward and they are deemed socially unacceptable by the other guests, Lucy likes them and continues to run into them in Florence. One afternoon Lucy witnesses a murder in Florence. George Emerson happens to be nearby and catches her when she faints. Lucy asks George to retrieve some photographs of hers that happen to be near the murder site. George, out of confusion, throws her photographs into the river because they were spotted with blood. Lucy observes how boyish George is. As they stop to look over the River Arno before making their way back to the hotel, they havean intimate conversation. After this, Lucy decides to avoid George, partly because she is confused by her feelings and partly to keep her cousin happy—Miss Bartlett is wary of the eccentric Emersons, particularly after a comment made by another clergyman, Mr. Eager, that Mr. Emerson "murdered his wife in the sight of God." Later on in the week, a party made up of Beebe, Eager, the Emersons, Miss Lavish, Miss Bartlett and Lucy Honeychurch make their way to Fiesole, in carriages driven by Italians. The driver invites a woman he claims is his sister onto the carriage, and when he kisses her, Mr. Eager promptly forces the lady to get off the carriage. Mr. Emerson remarks how it is defeat rather than victory to part two people in love. In the fields, Lucy searches for Mr. Beebe, and asks in poor Italian for the driver to show her the way. Misunderstanding, he leads her to a field where George stands. George is overcome by Lucy's beauty among a field of violets and kisses her, but they are interrupted by Lucy's cousin, who is outraged. Lucy promises Miss Bartlett that she will not tell her mother of the "insult" George has paid her because Miss Bartlett fears she will be blamed. The two women leave for Rome the next day before Lucy is able to say goodbye to George.[edit] Part twoIn Rome, Lucy spends time with Cecil Vyse, whom she knew in England. Cecil proposes to Lucy twice in Italy; she rejects him both times. As Part Two begins, Lucy has returned to Surrey, England to her family home, Windy Corner. Cecil proposes yetagain at Windy Corner, and this time she accepts. Cecil is a sophisticated and "superior" Londoner who is desirable in terms of rank and class, even though he despises country society; he is also somewhat of a comic figure in the novel, as he gives himself airs and is quite pretentious.The vicar, Mr. Beebe, announces that new tenants have leased a local cottage; the new arrivals turn out to be the Emersons, who have been told of the available cottage at a chance meeting with Cecil; the young man brought them to the village as a comeuppance to the cottage's landlord, whom Cecil thinks to be a snob. Fate takes an ironic turn as Lucy's brother, Freddy, befriends George and invites him to play tennis one Sunday at Windy Corner. Although Lucy is initially mortified at the thought of facing both George and Cecil (who is also visiting Windy Corner that Sunday), she resolves to be gracious. Cecil annoys everyone by reading aloud from a light romance novel that contains a scene suspiciously reminiscent of when George kissed Lucy in Florence. George catches Lucy alone in the garden and kisses her again. Lucy realizes that the novel is by Miss Lavish (the writer-acquaintance from Florence) and that Charlotte must thus have told her about the kiss.Furious with Charlotte for betraying her secret, Lucy forces her cousin to watch as she tells George to leave and never return. George argues with her, saying that Cecil only sees her as an "object for the shelf" and will never love her enough to grant her independence, while George loves her for who she is. Lucy is moved but remains firm. Later that evening, after Cecil again rudely declines to play tennis, Lucy sours on Cecil and immediately breaks off her engagement. She decides to flee to Greece with acquaintances from her trip to Florence, but shortly before her departure she accidentally encounters Mr. Emerson senior. He is not aware that Lucy has broken her engagement with Cecil, and Lucy cannot lie to the old man. Mr. Emerson forces Lucy to admit out loud that she has been in love with his son George all along.The novel ends in Florence, where George and Lucy have eloped without her mother's consent. Although Lucy "had alienated Windy Corner, perhaps for ever," the story ends with the promise of lifelong love for both her and George.[edit] AppendixIn some books, an appendix to the book is given entitled "A View without a Room," written by Forster in 1958 as to what occurred between Lucy and George after the events of the novel. It is Forster's afterthought of the novel, and he quite clearly states that "I cannot think where George and Lucy live." They were quite comfortable up until the end of the war, with Charlotte Bartlett leaving them all her money in her will, but World War I ruined their happiness according to Forster. George became a conscientous objector, lost his government job but was given non-combatant duties to avoid prison, leaving Mrs Honeychurch deeply upset with her son-in-law. Mr Emerson died during the course of the war, shortly after having an argument with the police about Lucy continuing to play Beethoven during the war. Eventually they had three children, two girls and a boy, and moved to Carshalton from Highgate to find a home. Despite them wanting to move into Windy Corner after the death of Mrs Honeychurch, Freddy sold the house to support his family as he was "an unsuccessful but prolific doctor."After the outbreak of World War II, George immediately enlisted as he saw the need to stop Hitler and the Nazi regime but he unfortunately was not faithful to Lucy during his time at war. Lucy was left homeless after her flat in Watford was bombed and the same happened to her married daughter in Nuneaton. George rose to the rank of corporal but was taken prisoner by the Italians in Africa. Once Italy fell George returned to Florence finding it "in a mess" but he was unable to find the Pension Bertolini, stating "the View was still there and that the room must be there, too, but could not be found." He ends by stating that George and Lucy await World War III, but with no word on where they live, for even he does not know.[edit] Major themesThe main themes of this novel include repressed sexuality, freedom from institutional religion, growing up and true love. It is written in the third person omniscient, though particular passages are often seen "through the eyes" of a specific character.A Room with a View is Forster's most romantic and optimistic book. He utilizes many of his trademark techniques, including contrasts between "dynamic" and "static" characters. "Dynamic" characters are those whose ideas and inner-self develop or change in the plot, whereas "static" characters remain constant.Published in 1908, the novel touches upon many issues surrounding society and politics in early 20th century Edwardian culture. Forster differentiates between conservative and radical thinking, illustrated in part by his contrasts between Medieval (Mr. Beebe, Miss Bartlett, Cecil Vyse) and Renaissance characters (Lucy, the Emersons).Lucy personifies the young and impressionable generation emerging during that era, during which women's suffrage would gain strong ground. Forster, manifesting his own hopes for society, ends the book with Lucy having chosen her own path—a free life with the man she loves. The novel could even be called a Bildungsroman, as it follows the development of the protagonist.Binary opposites are played throughout the novel, and often there are mentions of "rooms" and "views". Characters and places associated with "rooms" are, more often than not, conservative and uncreative — Mrs Honeychurch is often pictured in a room, as is Cecil. Characters like Freddy and the Emersons, on the other hand, are often described as being "outside" — representing their open, forward-thinking and modern character types. There is also a constant theme of Light and Dark, where on many occasions, Cecil himself states how Lucy represents light, but Forster responds but stating how Cecil is the Dark, alluding to the fact that they can never be together, and that she really belongs with George. Interestingly, the name Lucy means "light", while the name Cecil means "blind", i.e. one who is "in the dark".Forster also contrasts the symbolic differences between Italy and England. He idealized Italy as a place of freedom and sexual expression. Italy promised raw, natural passion that inspired many Britons at the time who wished to escape the constrictionsof English society. While Lucy is in Italy her views of the world change dramatically, and scenes such as the murder in the piazza open her eyes to a world beyond her "protected life in Windy Corner".Major ThemesPropriety and PassionThe conflict between social convention and passion is a central theme of the novel. Lucy's match with George, by social standards, is completely unacceptable. But it is the only match that could make her happy. Her match with Cecil is far more conventional, but marriage to Cecil would destroy Lucy's spirit. The Emersons are truly unconventional people. They care almost nothing for propriety. Mr. Emerson, a Socialist, speaks with great feeling about the importance of passion and the beauty of the human body. The British characters of the novel have very strong ideas about the need to repress passion and control young girls. To achieve happiness, Lucy will have to fight these standards, many of which she has internalized, and learn to appreciate her own desires.The beauty of human beingsA Room with a View is social commentary, but Forster's depictions of people are ultimately generous. He gently mocks the Honeychurches for their bourgeois habits, but he does not shy from depicting their strengths. They are loving and sincere, generous with guests and with each other. Cecil's greatest fault is that he is entirely too critical of people. He cannot appreciatethe good in the simple country gentry with whom Lucy has grown up. Even Charlotte, the prim spinster who is a major obstacle to the love between Lucy George, is allowed to have a moment of grace. In the end, Forster appreciates his characters' goodness much more than he mocks their faults.Travel and the idea of ItalyTravel is a powerful force in the novel, and at its best it can be a life-altering experience. The heart of travel is to allow a place to get under one's skin; staying at British pensions and scorning Italian peasants do not the constitute the best experience one can get out of Italy. Italy gives Lucy insights into her life back at Windy Corner. It changes her perspective of herself. Although her experiences there confuse her, in working through the confusion she becomes a self-assured and independent young woman.The beautiful and the delicateLucy asks in the first chapter if beauty and delicacy are really synonyms. One of Lucy's important lessons is that beauty need not be refined; much is beautiful in the gesture of kindness that oversteps propriety, or the act of passion that ignores convention. Lucy has to learn to see beauty in things that her society scorns or condemns.Woman's position and independenceThe Emersons are fervent believers in the equality of men and women. Lucy is not a rebel at heart, but she is often frustrated by the limitation put on her sex. Her marriage to Cecil could never be one between equals. Cecil is not so much in love with Lucy as he is in love with some idea of what a woman is supposed to be. He constantly compares her to a work of art, which, although it may be flattering, also objectifies her and ignores that she is a living person. What Lucy needs, although she does not know it, is a relationship between equals. She has no desire to be protected or instructed.Connection between nature and manOne of Mr. Emerson's convictions is that man and nature are inextricable from each other, and only the mistakes of civilization separate man from his natural state. Closely connected to the theme of passion and the body, this theme runs throughout the novel. Forster emphasizes it by having the weather often mirror the thoughts of his characters. He also connects George and Lucy to the land at key points.Passion and the bodyIf nature and man are inextricable from each other, it follows that there should be no shame for the body or passion. Society's conventions try to hide both. The body must be hidden, a thing of which one should feel ashamed; passions must be controlled and regulated by rules tied to class and gender. Lucy has to overcome these conventions if she is to allow herself to love George.The Medieval/the Renaissance/the ClassicalForster uses time periods to represent characters and their attitudes. Uptight Cecil is always associated with the medieval; George is associated with the myths of the classical world. Italy is the land of both the classical Roman world and the Renaissance, and Forster uses these eras as symbols of beauty and passion.MusicLucy's relationship to her music is an important insight into her character. Her playing is an indication that she has untapped reserves of passion; Mr. Beebe remarks that one day Lucy will live as well as she plays. Lucy's music also articulates her feelings better than her words can, and after playing she is more certain of what she wants.The MuddleForster constantly uses the word "muddle" to describe Lucy's state of mind. The muddle arises when everything that one has been taught suddenly is thrown into doubt. It is one of the marks of growing up. Lucy's muddle is frightening and confusing, but in working through it she will become a stronger and wiser person.Class snobberyClass snobbery is a constant feature of A Room with a View. The Emersons, because they are not refined, are the most frequent victims of this snobbery. Country gentry look down on those who work hard for a living; Cecil looks down on the suburban ways of country gentry. Lucy has to overcome the class bigotry that she has been taught.Preview… EM Forster always does an outstanding job developing his characters, blurring the line between fiction and reality in the reader’s mind. In one of his earlier works, “A Room with a View”, we become acquainted with Lucy Honeychurch as she travels the major cities of Italy—most notably Florence—under the watchful eye of her cousin and chaperone, Charlotte. Upon arrival at the hotel, the women are dismayed upon their receipt of a room overlooking the courtyard, when they had specifically and clearly requested a room with a view. Another English guest, Mr. Emerson, offers the room he is sharing with his son, George, to the ladies for its coveted view. Offended by his brash behavior, Charlotte and Lucy begrudgingly accept.This chance encounter sets the whole story into motion: a murder in the piazza, a scandalous kiss that later finds itself nestled in the pages of a laughably bad novella (a humorous story within the story), a chance reencounter, an ill-suited engagement, gratuitous male nudity and latent homosexuality among the parish. Ultimately, Lucy must choose between a socially acceptable match with her fiancé Cecil or love’s true calling with George. The book becomes most meaningful when the reader uncovers the hidden depths of the story pertaining to EM Forster’s own life. As a late Victorian era homosexual, Forster was unable to pursue his own love story due to the condescending eye of society. Maybe he will let Lucy and George have their fairy tale ending, since he never had his.You may like this book if… you enjoy other works by Forster, you like novels with exceptional character development, you have a good sense of humor, you have travelled to Italy or enjoy reading about its imagery, you like unlikely matches, you are all about examining the changing values of society, you enjoy a quick classic, you have already watched the 1986 film adaptation (this is one of the films most perfectly true to its source novel that I have ever seen)You may not like this book if… you get too upset by the snobbery and irrationality of some of the upper class old school characters, you cannot stand the fact that our protagonist might marry the wrong man in the end, you do not enjoy the fact that there are homosexual tendencies given to a clergyman, you’ve had enough of literature from this era and don’t think you could possibly stomach anymoreBook Review on A Room with a ViewSarahwwA Room with a View is a 1908 novel by English writer E.M. Forster. It is one of Forster’s most celebrated works and has been treated as a fine example of travel literature, character development, satire, comedy, writing style, and a modernization ofancient myths. It touches upon many issues surrounding society and politics in early 20th century Edwardian culture. Forster differentiates between conservative and radical thinking, illustrated in part by his contrasts between Medieval_r(Mr. Beebe, Miss Bartlett, Cecil Vyse) and Renaissance characters (Lucy, the Emersons).The main themes of this novel include repressed sexuality, freedom from institutional religion, growing up and true love, with its central theme, the conflict between social convention and passion, dominating the whole story. It is the story of a young English middle-class girl, Lucy Honeychurch. While vacationing in Italy, Lucy meets and is wooed by two gentlemen, George Emerson a nd Cecil Vyse. According to social standards, Lucy’s match with George, a socialist who speaks with great feeling about the importance of passion and the beauty of human body, is completely unacceptable, yet is the only match that could make her happy. Meanwhile, her match with Cecil, who is a more socially acceptable mate, is far more conventional, but it would destroy her spiritual pleasure, because they have completely different values, beliefs, and noting in common. After numerous miserable struggles she finally follows what her soul truly wants, that is to pursuit her own happiness by choosing to go honeymoon with her true love, George Emerson.The central theme of this novel is also interwoven with a constant feature, the class snobbery. The Emersons, because they are not refined, are the most frequent victims of this snobbery. For me, one of the most absurd things is the refusal to accept the Emersons’ offer of the room with a view, when Lucy and her aunt Miss Bartlett is deeply longing for that of fer. Miss Bartlett rejected not only because of her narrow-mindedness, but also because of the strong arrogance exerted by the class snobbery.However, no matter how sharp the conflict is, or how deep the social gap is, the result of the story is pleasant and satisfactory. In this matter it could also be regarded as a comedy, with its vivid cast of characters, enjoyable travel to Italy, connection between nature and man, humorous dialogue, comedic play upon the manners of the day, and the longing for freedom and happiness as a whole. The book itself seems to enjoy its storytelling so much that I enjoy the very process of it. Moreover, it is appreciable and significant in reflecting the social and cultural background and thus really worth our time.Lucy对俊美迷人的George心存好感，在河边George暗示他的爱意之时，她却碍于身份冷漠对待。
《看得见风景的房间》主要剧情内容简介及赏析
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A room with a view
The Cathartic and Stimulating Effect of Music——Music in the Novel of A Room with a View摘要：《看得见风景的房间》是福斯特于1908的作品。
在这部作品中，音乐起到了极其重要的作用，特别是在人物的塑造和整个故事的发展方面，展现了音乐的无条件的感染和刺激作用。
关键词: music, women, effectThe Edwardian social comedy,A Room with a View, explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. The enduring delight of this tale of romantic intrigue is rooted in Forster's colorful characters, including outrageous spinsters, pompous clergymen and outspoken patriots. Written in 1908, A Room with a View is one of E.M. Forster's earliest and most celebrated works. And Music in the novel serves as an important element to arouse the female protagonist‟s self awareness in the depressed world.In nature, music belongs to the level of consciousness. Ther efore, it undoubtedly connects to human minds, no matter what rate it may be, excluding all disturbances from the society. At this point, music is ultimately penetrating which leads human minds to the chief aim of the form of art.Seen from Forster‟s novel, music plays an essential role in the character building. Under the grand background of the Edwardian time, the atmosphere of the novel is repressed and stifling: masculine dominant spreads its tentacles, pressing whatever may be called the awareness of demand for women themselves. Rigid though it may be called, there‟s still something shining under the black veil. Behind the high walls, ego reappears in the melody of the great pieces.I, Music as a way to women‟s self-consciousnessMusic, as a tool to reveal and express, connects depressed women with the outside world. In the novel of A Room with a View, great composers like Beethoven, Schumann and Wagner, all serves their ways to stimulates women‟s self-recognition and their needs towards life.A.BeethovenThe great composer Beethoven is marked with the impression of full ofhumanistic care. Compared with Haydn or Mozart, Beethoven puts much more emphasis on self thoughts and experiences. He aims at letting people feel exactly his emotions in a similar situation which is created by the effect of music. By moving towards larger orchestra, like the notably 3rd symphony, his works give audience much darker and heavier hearing experience.In the novel, the protagonist Lucy shows her particular love towards Beethoven. First, she thought it could help her escape from the chaotic daily life in Tunbridge Wells. As an imprisoned suburban girl, Lucy on the one hand is traditional and cares about the public thoughts, yet on the other hand, she dreams to give vent to her inner passion and thus, be the real independent self. When she plays music, she feels totally free and is somehow loyal to her own feelings. To be mentioned is that Lucy prefers to play music on the victory side. “Passion was there, but it could not be easily labeled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what-- that is more than the words of daily life can tell us. But that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph.”(Page 21, Chapter III) She chooses optimistic music and does whatever she could to change the tone of tragic music to the good side. Music here is just like a catalyst. It spurs her to think in her own feet and to burst out the real thoughts through playing. Second, the heroine uses Beethoven to defend herself when masculine dominant poses influence. When Cecil wants to make her playing Beethoven, she refuses and plays Schumann instead."Now some Beethoven" called Cecil, when the querulous beauty of the music had died. She shook her head and played Schumann again. (Page 82, Chapter XI) Beethoven for Lucy is a path to self awareness. The process to the end is volunteering. Anything that is mighty forced is unbearable for Beethoven‟s sake. Therefore, such kind of thing pushes her to rebel and boldly turns down Cecil‟s proposal. This is the time when woman begins to show herself independently yet externally.B. Schumann.For all ages, Schumann is considered romantic and gentle. His musical theme is always connected with love and the joy in life. While at the same time, the motif of love, especially the boundless love, is not so agreeable in the Edwardian times.During the banquet, Lucy‟s choice of continuing playing Schumann obviously shows her revolt towards Cecil. The desire to love freely is unfolded. Music approximates woman‟s wish to gain the freedom of choice. However, the way Lucy plays the second Schumann‟s pieces depicts the great conflict between women‟s desire and the mighty power of society. Music‟s effect is initially not too strong to support a female to choose to fight directly with men. “The melody rose, unprofitably magical. It broke; it was resumed broken, not marching once from the cradle to the grave. The sadness of the incomplete--thesadness that is often Life, but should never be Art--throbbed in its disjected phrases, and made the nerves of the audience throb. Not thus had she played on the littledraped piano at the Bertolini, and "Too much Schumann" was not the remark that Mr.Beebe had passed to himself when she returned.” (Page 82, Chapter XI) Yet itindeed results in positive demands, the will to express.C.WagnerPioneering for his era, Wagner is seen as a symbol of recreation. In particular, he is passion. His characters in drama, just like Foster‟s protagonist, are isolated and always hoping to get reach of the freedom.Lucy, however, is such kind of person. “When she first refuses to play Flower Maidens, her inner course reveals that her indifference towards Cecil.Like words, music serves as a way to concretization emotions. Nevertheless, when later she sees George, the one she loves, she decides to perform music from Wagner‟s Parsifal. she will play the music to Mr.Emerson. Lucy did not know what to do nor even what she wanted to do. She played a few bars of the FlowerMaidens' song very badly and then she stopped.”(Page 104, Chapter XV) The right of discourse is revealed and implicitly, love is expressed through music.II. The result of musical influenceConsider the process of the protagonist‟s wakening, music reconstructs people‟s inner world in a rather seeping way.The first appearance of music stimulates Lucy to review herself as an individual, not as the attachment to man‟s society. Tagged with her own victory thoughts, Beethoven‟s pieces are marked with women‟s demands. However, the first stage of self awareness belongs to the person herself.“If M iss Honeychurch ever takes to live as she plays, it will be very exciting—both for us and for her”(Page 22,Chapter III) Under great pressure, there‟s little possibility for women to reveal themselves publicly. They can only find sustenance in the room conceived by both the society and women themselves. Performing music helps women to consider the outside world in their own eyes, getting rid of the shackles of man‟s discourse. However, the experience happens in the grand background of a room with no view.Then, step by step, Lucy is partly overwhelmed by her own demands. Therefore, she turns down her fiancée‟s proposals and decides to determine the kind of music which is suitable for the banquet night. And that is the gentle Schumann‟s music. Music helps her forget her English inhabitations and be loyal to herself. Wagner‟s passion takes effect in her. She realizes her love and her indifference. Music is under control of the performer. Psychological freedom now appears in reality. She employs Wagner‟s music to reveal her fancies to George Emerson. Women‟s independence therefore formed and begins to show the independency by denying every biased decisions made by men or the depressed women. Music supports Lucy and somehow encourages her to say no to Cecil and be faithful to George.To the author, m usic seems to be more …real‟ than anything, and to survive when the rest of the civilization decay. Just as Mr. Emerson, George‟s father‟s word, “Life . . . is a publicperformance on the violin, in which you must learn the instrument as you go along. . . . …That‟s it; that‟s what I mean.”(Page 136, Chapter XIX) Works of art are the only objects in the material universe to possess internal order, and that is why, though I don't believe that only art matters, I do believe in Art for Art's sake. Music seems to be prior for all its cathartic and stimulating effects.参考文献：1.Mahmoud Salami, The Narratological Discourse of Music in E.M. Forster‟s Novels2.Zhang Fuyong, Foster‟s view of Literature and Art,Foreign Language School of QiluUniversity, 20073.Advani, Rukun. E. M. Forster as Critic. London: Croom Helm, 1984.。
电影《看得见风景的房间》中露西女性意识的觉醒
电影《看得见风景的房间》中露西女性意识的觉醒作者：张丽丽来源：《电影评介》2017年第01期由詹姆斯·伊沃里执导、改编自20世纪英国小说巨匠爱·摩·福斯特的同名小说A Room with a View拍摄成的美国电影《看得见风景的房间》，自1986年3月被搬上大银幕以来就引发了广大观众一致的赞誉，该片获得奥斯卡八项提名，不仅在票房上收入颇丰，同时也获得众多好评，其也因此成为了世界电影史上的经典之作。
影片以景色宜人的佛罗伦萨和田园牧歌般的英格兰乡村为背景，讲述了爱德华时期一段清新甜蜜的年轻人的爱情故事。
在这部影片中，随着露西和乔治之间爱情故事的发展，女主人公露西，一个生活在男权社会下的女性，最终认识到真正的自我，摆脱了僵化、保守的英国中产阶级社会道德对她的禁锢，成为敢于追求自由、追求幸福的新女性。
文章结合故事发生的时代背景，分析了女主角露西从对自己中产阶级身份的顺从到对爱情的彷徨最后到女性自我意识觉醒的过程。
影片《看得见风景的房间》围绕女主角露西的旅行展开，她跟随表姐夏绿蒂前往佛罗伦萨度假旅游，在佛罗伦萨露西邂逅了一位同样来自英国的小伙子乔治，乔治的与众不同深深吸引了露西。
[1]佛罗伦萨之旅使露西感受到了与英国完全不同的意大利的激情和气质，旅行中的见闻使女主角的思想产生了巨大变化，她心中对于爱与自由的幻想和渴望也由此被唤醒。
阿诺河畔，露西心中的自我被真正的激发出来，她与乔治的爱情也悄然滋长。
但是，在表姐的劝诫与社会道德的约束之下，露西在面对抉择时选择了退缩，也因此与乔治擦肩而过。
迫于家庭和社会各方面的压力，回国后的露西与塞西尔，一位与她背景相似、条件十分优越的绅士订了婚。
或许是命运使然，露西再次遇到了乔治。
此时，露西再也无法按捺住内心暗藏已久的主体意识，塞西尔的狂妄自大、色厉内荏使得露西在与他的相处中倍感压抑和厌倦。
但露西还是无法突破自我，在乔治执着的爱情和乔治父亲老爱默生先生的真诚劝导下，她才终于冲破了传统礼教的束缚，取消了与塞西尔之间的婚约，决定勇敢地追求自由和属于自己的幸福。
【奥斯卡获奖电影和电影人(十一)】第59届最佳改编剧本
第59届最佳改编剧本最佳改编剧本RuthPrawerJhabvala《看得见风景的房间》(ARoomwithaView)电影版《看得见风景的房间》改编自 E.M.福斯特的小说，有浓浓的文艺味，无懈可击的高超表演，包括你想象不出的戴－刘易斯角色，有普契尼的音乐和佛罗伦萨的人文景观，是一部古典浪漫派杰作，但又带着英国式的幽默。
编导为这个百年前的爱情故事，注入一种高雅动人的生机。
上映时间英国UK1985年12月.....(RoyalCommandFilmPerformance)美国USA1986年3月7日.....(NewYorkCity,NewYork)美国USA1986年4月英国UK1986年4月11日阿根廷Argentina1986年8月7日芬兰Finland1986年9月26日法国France1986年11月19日西德WestGermany1986年11月27日瑞典Sweden1987年4月17日日本Japan1987年7月25日东德EastGermany1987年11月13日匈牙利Hungary1993年5月21日德国Germany1998年6月18日.....(re-release)日本Japan2001年8月14日.....(Tokyo)(re-release)剧情介绍在维多利亚时代的英国，出身上层社会的少女露西和她的表姐夏洛特一起前往意大利的弗罗伦萨度《看得见风景的房间》剧照(13张)假，碰到英国青年乔治和他的父亲同住在一家旅馆。
露西因为自己的房间看不到风景很沮丧，《看得见风景的房间》剧照(13张)乔治的父亲把自己住的房间让给了露西。
露西与乔治双双坠入情网。
但劳动人民家庭出身的乔治性格直率，举止与露西习惯的那种上流阶层的繁文缛礼格格不入，拘谨的夏洛特对乔治也很看不惯，双方时时发生误会，闹了不少笑话。
有一次，乔治情不自禁地吻了露西，这在上个世纪的英国被认为是越轨行为。
露西认为乔治的行为不合礼仪，便抛下他返回英国。
经典英文电影台词-爱情故事Love,Story
经典英文电影台词:爱情故事Love,Story篇一：美文：一个美丽真实的爱情故事中英文【英语故事】一个美丽真实的爱情故事A beautiful true love storyOne day, a young guy and a young girl fell in love. But the guy came from a poor family. The girl’s parents weren’t too happy. So the young man decided not only to court the girl but to court her parents as well. In time, the parents saw that he was a good man and was worthy of their daughter’s hand.有一天，一个年轻小伙子和一位年轻姑娘坠入爱河。
但小伙子出身贫寒。
姑娘的父母不太乐意。
所以年轻小伙决定不仅向女孩求爱，也向她父母请求。
随着时间推移，姑娘的父母发现这个小伙子很不错，是值得女儿托付的人。
But there was another problem: The man was a soldier. Soon, war broke out and he was being sent overseas for a year. The week before he left, the man knelt on his knee and asked his lady love, “Will you marry me?” She wiped a tear, said yes, and they were engaged. They agreed that when he got back in one year, they would get married.可是有一个问题：这个小伙子个士兵。
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This is not what we were led to expect.We were to see the Arno.The signora wrote"South rooms with a view, close together". Instead of which, we have north rooms without a view and far apart.Hurry and get dressed or we'll missour dinner on top of everything else.She had no business doing it.No business at all!Any nook does for me,but it is hard that you have no view.No, you must have a view, too.- Buonasera.- Buonasera.Miss Lavish,what a recommendation for a place! Indeed, Miss Alan, it is.Between the squalor of London and the squalor of Prato, there is a great gulf fixed.By going off the track,you get to know the country,see the little towns,Gubbio, Settignano, Galuzzo,San Gimignano, Monteriggioni.Their mixture of the primitivewith the classical is irresistible.- Miss Pole?- Yes, Mr. Emerson.What is that you are taking?It's not lemonade, is it?- Yes, it is.- Put it right away, Miss Pole.Lemonade is very bad for the stomach.Oh!I shall tell the signora to givethe next south view available to you.- Why not to you?- No, I insist.This meat has surely been boiled.For stock. It's lost all its flavor. Monteriggioni is not only quaint,but one meets the Italiansin all their simplicity and charm.Wasn't Monteriggioniwhere we saw the cornflowers, Teresa?An entire carpet of them. It was delightful!I find the cornflowerthe most delightful of flowers.I prefer something bolder -the reckless rose, the tempestuous tulip.- Your mother would never forgive me.- She'd want you to have it.On no account. The view of the Arno is yours.I don't know why we're arguing,because we have no view.I have a view. And so does George.My son George here.You can have our rooms.We'll have yours. We can change.- Why not?- Thank you very much.- We could not impose on your kindness.- Why?- You see...- Hush, Lucy.Women like looking at a view.Men don't. George, persuade them.It's obvious they should have the rooms.- Signora?- No, thank you.We could clear out in fifteen minutes.These niceties go against common sense! Every kind of sense. I don't carewhat I see outside. My vision is within.Here is where the birds singand where the sky is blue.Come, Lucy.Let them have the view if they want it.Why not? George, go after them.What an impossible person!- He meant to be kind.- I know how to deal with these people. Charlotte, you dealed rudely.You dealed wrongly.This pensione is a failure.Tomorrow we'll change.- It's Mr. Beebe.- Who?Charlotte, we can't change now.- Mr. Beebe.- Don't you remember us?Miss Bartlett and Miss Honeychurch.- We met at Tunbridge Wells.- That very cold Easter.How do you do?- I heard you are to be our vicar.- Yes, I move into the rectory in June.We did feel so sorry for youin the dining room.- Mr. Emerson is so tactless.- But he meant to be kind.This old gentleman and his sonoffered us their rooms with a view.It was most indelicate!But things that are indelicatecan sometimes be beautiful.- Yes!- I am the chaperone to my young cousin Lucy. It would be serious if I put her under an obligation to people of whom I know nothing. - I wouldn't think much harm could have come. - There.You think I ought to have accepted?You think I have been narrow-minded.I never suggested that.If you would allow me, I would be happyto act as intermediary with Mr. Emerson.He would not take advantagenor expect gratitude.He has rooms he does not valueand thinks you would.Charlotte, please.My wishes are unimportantcompared with yours.I am only here through your kindness.If you want me to turn these gentlemenout of their rooms, I will.Would you, Mr. Beebe, kindly tell Mr...- Emerson.- Emerson......we accept his offer?I would like to thank your father personally for his kindness.You can't. He's in his bath.I would have given the larger room to you, but I happen to knowit was the young man's.In my small way, I am a woman of the world. And I know where things can lead. Whatever does it mean?Lucy, get dressed or the better partof the day will be gone.You said you liked cornflowers.- So we brought you cornflowers.- Oh, how kind!They're your type of flowers.They have your personality.I'd like to see them in your hair.There are no jewels more becoming to a lady. May I say something rather daring?Mr. Beebe, you sound like Miss Lavish.- Are you writing a novel, too?- If I were, you would be my heroine.And I should write "If Miss Honeychurch ever takes to live as she plays..."...it will be very exciting,both for us and for her."Mother doesn't like me playing Beethoven. She says I'm peevish afterwards. Naturally, one would be stirred up.Won't you play some more?No, I think I'll go out.Alone? Is that wise, Miss Honeychurch?To be wise, one might have stayed at home. I'll not go far. I promise.I'm sorry.Whatever's the matter with dear Miss Lucy?I put it down to too much Beethoven.I heard her beautiful playing.Miss Catharine,you have flowers in your hair. Buongiorno, buongiorno, Ferdinando!We salute thee.The bronze came from Turkish cannons, captured by the Knights of San Stefano.Come along.Stop a minute. Let that man go onor I shall have to speak to him.Oh, the British abroad!I'd set an examination at Doverand turn back any tourists who failed. Miss, this sepolcro not very good.You go see affresci di Giotto.- Capella Peruzzi, Capella Bardivery good.- No, thank you.Giotto scolaro di Cimabue.Kept the sheep on the mountain.Make a picture of the sheep.- No, thank you.- I very... good speak English.- Do go away, please.- Capella Peruzzi, affresci di Giotto...Cio tuttolYou see here these superb frescoesby Giotto, depicting the life of St Francis.On the left, there he is,renouncing worldly goods.And, on the right, the fourth Pope.And here he is preaching to the bishops.And there he is undergoing a... trialby fire before the Sultan.And here...Ah, Mr. Eager, good morning.I'm leading a little private tour of my own. Here he is on his deathbed, surrounded... Mr. Eager is our English chaplainhere in Florence....now unhappily ruined by restoration,is untroubled by the snaresof anatomy and perspective...Look at that fat man! He must weigh as much as I do, but he's floating like a balloon. Remember that Santa Croce was built by faith in the full fervor of medievalism.Built by faith! That simply meansthe workers weren't paid properly!Pardon me. The chapel is somewhat small. We will incommode you no longer.Oh, I... Oh!Mr. Eager, there's plenty of roomfor all of us. You don't have to...Oh, dear.Gather round, everybody.You may observe here in the Peruzzi Chapel, as well as in the placefrom which we've been expelled,the special character of Giottoamong the great painters.He was practical...My poor boy has brains,but he's very muddled.But why should he be?Well may you ask.But think how he's been brought up -free from the superstitionthat leads men to hate in the name of God.I must go...I don't require you to fall in lovewith my boy, but please help him.If only one could stop him from brooding. And on what? The things of the universe.I don't believe in this world sorrow. Do you? No, I don't. Not at all, Mr. Emerson.Well, there you are.Make my boy realize that,at the side of the everlasting "why",there is a "yes".And a "yes" and a "yes"!Has your son no particular hobby?I forget my worries at the piano,and collecting stamps helped my brother. Excuse me. My cousin will bemost anxious if I don't get back.- Poor girl.- Poor girl?I think myself most fortunate.I'm very happy and having a splendid time. Thank you very much. Goodbye.Look at that adorable wine cart.How he stares at us, dear simple soul!I love these little dark alleys.They're all peasants, you know. Come along.I do declare we're lost.No, Miss Bartlett,you will not look into your Baedeker.Two lone females in an unknown city,that's what I call an adventure.We will simply drift.One always has to be wide open.I think Miss Lucy is.- Open to what, Miss Lavish?- To physical sensation.I'll let you into a secret.I have my eye on your cousin.For a character in your novel?The young English girl, transfigured by Italy. And why should she not be transfigured?It happened to the Goths.Signorina?The smell!A true Florentine smell. Inhale, my dear. Deeper.Every city, let me tell you, has its own smell. Grazie.How are you now?Perfectly well. Absolutely well.Then, let's go home.There's no point in our stopping.How very kind you've been.I can go alone. Thank you.- My photographs!- What photographs?I must have dropped themin the square. Would you be so kind...? Miss Honeychurch!You're not fit enough to go alone.- I am.- No, you're not!- But...- Then I don't get the photographs. Besides, that way,you'd have to fly over the wall.Sit down and don't move until I come back. Isn't it extraordinary?I mean, Italians are so kind, so lovable,and yet at the same time so violent.Mr. Emerson?I've never been so ashamed.I can't think what came over me.It's perfectly natural.I nearly fainted myself.Well, I owe you a thousand apologies. And... I want to ask you a great favor.You know how silly people are. Gossiping.Ladies especially, I'm afraid.- You understand what I mean?- No.I mean, would you not mention it to anyone, my foolish behavior.What was that?I believe it was my photographs!I didn't know what to do with them.They were covered with blood.There. Now I've told you.Something tremendous has happened. Well, thank you... again.How quickly accidents happen.Then one returns to the old life.I don't.I mean... something's happened to me.And to you.- No!- She is my sister.- We ought not to allow this.- They're doing no harm.You can't object in such a landscape.As long as she is his sister.So, Miss Honeychurch, you're traveling.As a student of art?- No, I'm afraid not.- As a student of human nature like myself? - I'm here as a tourist.- Indeed?We residents sometimes pityyou poor tourists not a little.Handed about like parcelsfrom Venice to Florence to Rome, unconscious of anything outside Baedeker, anxious to get done and go on elsewhere.I abhor Baedeker.I'd fling every copy in the Arno.Towns, rivers, palaces,all mixed up in an inextricable whirl.Over there, Miss Honeychurch,the villa of my dear friend Lady Laverstock,at present busywith a Fra Angelico definitive study.And, on your left - no, just there -Mr. Henry Burridge lives.An American of the best type. So rare! Doubtless you know his monographsin "Medieval Byways".Your father, Mr. Emerson, is a journalist?- He used to be.- He's retired? And you, yourself?I'm on the railways.You know the American girlin "Punch" who says to her father,"Say, Poppa, what did we see in Rome?"The father replies,"Guess Rome was where we saw the yellow dog." Yellow dog!There's traveling for you!What?! Stop at once!I'm not having this.Ferma la carrozza subitolHave we bolted?What? Is Phaethon misbehavingwith his Persephone?- Please, I'll deal with them.- Leave them.Do we find happinessso often that we should turn it away?ScendalBeauty!EspoirlIs that your son?Could that be the silent, dour George?He's saying his creed.One more lump,if I might trouble you, Mr. Beebe.Joy!Beauty!Joy...!He's declaring the eternal "yes".And a spoon, if there is one.Love!- What's that?- The gentlemen are doubtless having a game. Why don't you join them, dear?I want to stop here with you.Observe my foresight. I never venture forth without my mackintosh squares.At any time, one may have to siton damp ground or cold marble.Lucy, you have the other one.Come on, I insist. The ground will do for me.I have not had rheumatism for years,and if I feel a twinge I'll stand up.And she never went back to Weybridge?Her friend had to return without her.She remained at Monteriano.And did she really...?No, no. Don't be alarmed. This is not a cold. Just a slight cough.I've had it for three days.Nothing to do with sitting on the ground.I shall go and find Mr. Beebe.Oh, do, dear. He will be so pleased.- Did she really marry this Italian?- In the church at Monteriano.A youth. Ten years younger than herself. Eleanor!PUCCINI'S "CHI IL BEL SOGNODI DORETTA" FROM "LA RONDINE") Excuse me.Dove Mr. Beebe?Buoni uomini?I think there is somethingin the Italian landscapewhich inclineseven the most stolid to romance.It reminds me somewhatof the country around Shropshire.Where I once spent a holidayat the home of my friend Miss Apesbury. And I divine it, Charlotte.You had an adventure there.Vain to deny it.Lucy!Mr. Eager, do come and join us.Miss Honeychurch is feeling unwell. Andiamo.AndiamolGeorge. George.- Aren't you coming with us?- I'll walk.Are you sure?Courage, Miss Honeychurch, and faith.Do you suppose this display is calledinto existence to extinguish you or me?Even scientifically, the chancesagainst being struck are enormous.The steel knives that might attractthe current are in the other carriage.What is to be done?How do you propose to silence him?- The driver?- My dear girl, no. Mr. George Emerson.I don't wish to be uncharitable,but I know he will talk.He will not. He never talks.One's lucky to getas much as a "yes" or "no" out of him. Unfortunately, I have met the type before. They seldom keep their exploits to themselves. Exploits?Very well. I'll speak to him.Oh, no, my dear Lucy.I think it is for me to do that.He should have been hereat least an hour ago.Don't stand there, dear.You will be seen from the outside.The moment he comes, I shall face him.No, my dear, you will do no such thing.My poor dear girl, you are so young!You've always lived among such nice people. You cannot realize what men can be.This afternoon, if I had not arrived,what would have happened?- I can't think.- Answer me, Lucia.What would have happened had I not appeared? You did appear!Oh, I have vexed you at every turn.It's true.I am too old for you. And too dull.It will be a push to catch the morning train.I have failed in my duty to your mother.She will never forgive me when you tell her. Come away from the window!She will certainly blame mewhen she hears of it.Certainly.And deservedly.- Why need Mother hear of it?- Well, you tell her everything. Don't you?I suppose I do, generally.There's such a beautiful confidencebetween you.One would hate to break it.And, as I've said before, I am to blame.I wouldn't want Mother to think so.She will think so... if you tell her.I shall never speak of it to Mother or anyone. We'll both be as silent as the grave.You'd better get to bed, dear.We have to make an early start.But, of course, we have not had a full week.I reserved them for a weeklike you wrote you wanted.Yes, but we've only had half a week,so I calculate we owe you half the price.I'm the loser.I could have let them rooms five times over. Buonasera. Grazie.Lucy! We must get packed immediately!I wish to have a word with you,Mr. Emerson, in the drawing room, please.- You shouldn't peep.- Cecil asked my permission,but he can't manage without me.- Nor me.- You?- He asked my permission also.- Whatever did you say?- I said no.- What?!It's the way he put it - wouldn't it bea splendid thing for Lucy if he married her? Wasn't I off my head with joy?So I said no, I wasn't.Ridiculous child. You think you're so holy and truthful, but it's just conceit.Look out!I promessi sposel- She has accepted me.- I'm so glad.Dear Cecil, what joy!- Well, welcome as one of the family.- Thank you.- Mother?- Lucy.Freddy!- Mr. Beebe.- Thank you, Mary.Hello, Mr. Vyse, I've come for tea.Do you suppose I shall get it?Food is the one thing one does get here.- What an extraordinary thing!- One of Freddy's bones.He's terrible. A most unpromising youth.So unlike his sister.You think his sister is promising?I have a pet theory about Miss Honeychurch. Is it not odd that she should play Beethoven with such passion and live so quietly?I suspect that one day......music and life will mingle.Then she will be wonderful in both.I trust that day is at hand.She has just promised to marry me.I'm sorry if I've given you a shock.I'm awfully sorry.I'd no idea you were so intimate with her. You should have stopped me.Shall we join the others? Congratulations.Blessings. Your vicar's benediction.I want you to be supremely happy.And supremely good,both as man and wife, mother and father. And now I want my tea.Just in time. How dare you be so serious!- Summer Street will never be the same.- It's too small for anyone like ourselves.It might attract the wrong type.The trains have improved so.Fatal. What are five milesfrom the station these days?Sir Harry, how about spinsters as tenants? Most certainly!That is, if they are gentlewomen.Indeed they are. Miss Teresaand Miss Catharine Alan. I met them in Italy. Sir Harry, beware of these gentlewomen. Only let to a man.Provided, of course, he's clean.You'd love the Miss Alans.I don't think I'd like anyone at that pensione. Wasn't there a lady novelistand a free-thinking father and son?I have no profession.My attitude - quite indefensible -is that, if I trouble no one, I may do as I like. It is, I dare say, an example of my decadence. You're very fortunate.Leisure is a wonderful opportunity.Don't slouch, Lucy. Go and talkto Mrs. Pool. Ask her about her leg.Would Cecil and I be missedif we went for a walk?I think it would be all right.Don't get your frock muddied.It's disgusting the way an engagementis regarded as public property.All those old women smirking.One has to go through it.They won't notice us much next time.But their whole attitude is wrong.An engagement -horrid word in the first place -is a private matterand should be regarded as such.Oh.- There's your philosophizing parson.- Don't you like Mr. Beebe?I never said so.I consider him far above the average.Mr. Beebe, I've had a wonderful idea.I'm going to write to our Miss Alansand ask them to take Sir Harry's villa.Sir Harry deserves a tenantas vulgar as himself.Oh, Mr. Vyse, he's really very nice. Gentlewomen! Yuck!Acting the little god down herewith his patronageand his sham aesthetics,and everyone is taken in.I'll write to them,and if you'd also send a word? Certainly. A highly suitableaddition to our little community. Goodness, how cross you are!It was that miserable tea partyand all those dreadful people.And not being alone with you.Hmm.Italy and London are the placeswhere I feel I truly belong.I am something of an Inglese Italianato.E un diavolo incarnato.You know the proverb?I somehow think you feelmore at home with me in a room.Never in the real country like this.I think you're right. When I do think of you, it is always in a room.This is the Sacred Lake.Very picturesque, but hardly a lake.More of a puddle.Freddy loves to bathe here.He's very fond of it.And you?I used to bathe here, too.Until I was found out.- Lucy.- Hmm?Yes, I suppose we ought to be going.I want to ask you somethingthat I have never asked before.What, Cecil?Yes?I have never kissed you.No. You haven't.May I now?Well, of course you may, Cecil.You might before. I can't run at you.I'm sorry.Mother's right. Those peopleCharlotte and I met at the pensione,they were all rather extraordinary.has a villa in Summer Streetfor which he needs a tenant.- I immediately thought of you.- "The house has the added attraction"that it stands exactly across the roadfrom the Reverend Beebe's church."I told him of my plan to lure you hither, and he is in complete agreement"and says he is writing today to urge youto consider our little corner of Surrey. "Yours sincerely, Lucy Honeychurch." There. - Goodnight.- Goodnight.Oh, dear.- Goodnight.- Goodnight.Goodnight. See you Friday.- That will be all, Rose. Thank you.- Thank you, madam.Goodnight, Rose.Make Lucy one of us.Lucy's becoming wonderful.Her music always was wonderful.But she's purging off that Honeychurch taint. You know what I mean.Not quoting the servantsor asking how the pudding is made.Mind you marry her next January.Her music, the style of her...how she kept to Schubert when,like an idiot, I wanted Beethoven. Schubert was right for this evening. Mother, I shall have our childreneducated just like Lucy.Bring them up among honest country folk for freshness,send them to Italy for... subtlety.And not till then bring them to London.Not a day beyond January.Cecil... darling.So, you do love me, little thing?Lucy!I want to show her this letterfrom the Miss Alans.The tiresome Miss Alans.I hate their "if"-ing and "but"-ing.Well, now they're really coming.I had a letter from Miss Teresaasking how often the butcher called.My reply impressed her favorably. Lucy? Go for her. Get her round the shins.- Freddy, be careful!- You really are savages, you know. Impossible to make oneself heard.Don't you want to hear about the Miss Alans? - Who?- Sir Harry's new tenants.- That wasn't the name.- Wasn't whose name?Sir Harry's tenants.I met him this morning and he said,"I have procured desirable tenants."I said, "Hurray,"and slapped him on the back.- Exactly. The Miss Alans.- More like Anderson.I knew there'd be another muddle.I'm always right.Only Freddy's muddle,who doesn't even know their name.Yes, I do. I've got it. It was Emerson.- What a weathercock Sir Harry is.- I hope they're the right kind of people. Yes, Freddy,there is a right and a wrong sort.These must be all right.They're friends of Cecil's.- Cecil?- So you can all call in perfect safety.- Cecil?!- We met some Emersons in Florence.The oddest people, Mrs. Honeychurch,but we rather liked them.Emerson's a common enough name."So really desirable. I've telegraphed them." Don't be silly, Freddy. You always overdo it.A most remarkable father and son.Father's something of a radical.The son, full of possibilities.Don't move.Stay where you are. "Ginevra de Benci"!Did you know you were a Leonardo,smiling at things beyond our ken?What's this about Sir Harry's new tenants?I have found him tenants for his Cissie Villa.I've won a great victory for the comic muse. After all the trouble I took over the Miss Alans. Of course I'd prefer friends of yours... Friends of mine? The joke is to come.They're strangersI met in the National Gallery.They had been to Italy.A father and son. The oddest couple.In the course of conversazione,they said they wanted a country cottage.A simple burrowwhere they could smell the earth.Of course, London has its own character,but we've a longing for green things growing, don't we, George?The sweetness of the English countryside...of wet hedgerowswith birds singing inside them.I know we should makeour heaven and earth where we are. However, I fear I've falteredand need some help from outside.Well, in short, sir, what I seek is a country cottage where George can come at weekends.I happen to know of just the place.Not exactly a cottage, more... a villa.Dear sir, I implore you...If you'd give me your card...I fear we have no card,but George will write down the address.Sir Harry Otway. It is in Surrey,a place called Summer Street.Summer Street! I've dreamed of Summer Street. It will teach that snob Sir Harry a lesson.The classes should mix, there should be intermarriage. I believe in democracy.No, you don't!You don't know what the word means.It isn't fair! I've probably met them before. Perfectly fair if it punishes a snob.I blame you. You had no businessto undo my work about the Miss Alans.You've scored off Sir Harry, but at my expense. It was most disloyal of you.Temper, Lucy, temper. Please!- Hello?- Hello.- I've brought someone to see you.- One minute.Byron. Exactly."A Shropshire Lad".Never heard of it."The Way of All Flesh".Never heard of it.Hello? George reads German.I'm certain that's old Emerson.What are those people doing? Hello!Wait on, Mr. Beebe.- This is Mr. Honeychurch.- How do you do?How do you do? Come in.Come and have a bathe!I'd like that.What a conversational opening!"How do you do? Come and have a bathe."Emerson, this is Honeychurch.You remember his sister.Oh, yes. How do you do? Glad to see you. Very glad to hear your sister is marrying. I'm sure she'll be... happy.We know Mr. Vyse, too.He's been very... kind.Go and bathe. It will do you good.Then all come back for some tea.- Do you really want this bathe?- Yes, I've said so.Bye, Emerson.Bring some milk and honeyand... er, cakes. Cakes!Yours is glorious country, Honeychurch! As a matter of fact,coincidence is much rarer than we suppose. For example, on reflection,it's not coincidental that you're here now.I have reflected. It's fate. Everything is fate. You've not reflected.Let me cross-examine you.Where did you meet Mr. Vyse?- The National Gallery.- Looking at Italian art.You see? You talk of coincidence and fate. You're naturally drawn to things Italian,as are we and all our friends.That narrows the field immeasurably.It is fate, but call it Italyif it pleases you, Vicar.Are you bathing, Mr. Beebe?- Don't be shy!- Why not?Oh, it's wonderful! Simply ripping.Hurry up, Emerson!- Come along, Mr. Beebe!- I may as well wash, too.Here goes.Race you round it!"In Xanadu did Kubla Khana stately pleasure dome decree..."You've gone too far! Really, I...I have a boot!。