兰登书屋评选的20世纪百部经典英文小说书目
兰登书屋评选的20世纪百部经典英文小说书目
美国兰登书屋的《当代文库》编辑小组於1998年7月间选出了二十世纪一百大英文小说。这份排名书单一公布，即引起举世回响和评论。百大小说之圈选，以英国航海作家康拉德（Joseph Conrad）入选四本最多；其他如乔伊斯、福克纳、劳伦斯、福斯特、詹姆斯、渥夫各有叁本入选。乔伊斯的《尤里西斯》是第一名，这本书在其他名单也都名列前茅。就出版年代而言，出版最早的是1900年的《嘉莉妹妹》和《吉姆爷》；最近的则是1983年的《紫苑草》；1985年以後尚无入选作品。
20世纪百大英文小说名单：
1. 乔伊斯（James Joyce）爱尔兰《尤里西斯》（Ulysses）1922
2. 费兹杰罗（F. S. Fitzgerald）美国《大亨小传》（The Great Gatsby）1925
3. 乔伊斯（James Joyce）爱尔兰《青年艺术家的画像》（A Portrait of the Artistas
a Young Man）1916
4. 纳巴科夫（Vladimir Nabokov）俄裔美籍《洛莉塔》（Lolita）1955
5. 赫胥黎（Aldous Huxley）英国《美丽新世界》（Brave New World）1932
6. 福克纳（William Faulkner）美国《声音与愤怒》（The Sound and Fury）1929
7. 海勒（Joseph Heller）美国《第22条军规》（Catch-22）1961
8. 柯斯勒（Arthur Koestler）匈牙利《中午的黑暗》（Darkness at Noon）1941
9. 劳伦斯（D. H. Lawrence）英国《儿子与情人》（Sons and Lover）1913
10. 史坦贝克（John Steinbeck）美国《愤怒的葡萄》（The Grapes of Wrath）1939
11. 劳瑞（Malcolm Lowry）英国《在火山下》（Under the Volcano）1947
12. 巴特勒（Samuel Butler）英国《众生之路》（The Way of All Flesh）1903
13. 欧威尔（George Orwell）英国《一九八四》（1984）1949
14. 格雷夫斯（Robert Graves）英国《我，克劳狄》（I, Claudius）1934
15. 吴尔芙（Virginia Woolf）英国《到灯塔去》（To the Lighthouse）1927
16. 德莱赛（Theodore Dreiser）美国《人间悲剧》（An American Tragedy）1925
17. 玛克勒丝（Carson McCullers）美国《同是天涯沦落人》（The Heart Is a Longly Heart）1940
18. 冯内果（Kurt Vonnegut）美国《第五号屠宰场》（Slaughterhouse-Five）1969
19. 埃利森（Ralph Ellison）美国《隐形人》（Invisible Man）1952
20. 莱特（Richard Wright）美国《土生子》（Native Son）1940
21. 贝娄（Saul Bellow）美国《雨王韩德森》（Henderson the Rain King）1959
22. 奥哈拉（John O'Hara）美国《在萨马拉的会合》（Appointment in Samarra）1934
23. 多斯帕索斯（John Dos Passos）美国《美国》（U. S. A. ）1936
24. 安德生（Sherwood Anderson）美国《小城故事》（Winesburg, Ohio）1919
25. 福斯特（E. M. Forster）英国《印度之旅》（A Passage to India）1924
26. 詹姆斯（Henry James）美国《鸽翼》（The Wings of the Dove）1902
27. 詹姆斯（Henry James）美国《奉使记》（The Ambassadors）1903
28. 费兹杰罗（F. S. Fitzgerald）美国《夜未央》（Tender Is the Night）1934
29. 法雷尔（James T. Farrell）美国《「斯塔兹?朗尼根」三部曲》（Studs Lonigan-trilogy）1935
30. 福特（Ford Madox Ford）英国《好兵》（The Good Soldier）1915
31. 欧威尔（George Orwell）英国《动物农庄》（Animal Farm）1945
32. 詹姆斯（Henry James）美国《金碗》（The Golden Bowl）1904
33. 德莱赛（Theodore Dreiser）美国《嘉莉妹妹》（Sister Carrie）1900
34. 渥夫（Evelyn Waugh）英国《一掬尘土》（A Handful of Dust）1934
35. 福克纳（William Faulkner）美国《出殡现形记》（As I Lay Dying）1930
36. 华伦（Robert Penn Warren）美国《国王供奉的人们》（All the King's Men）1946
37. 威尔德（Thornton Wilder）美国《圣路易?莱之桥》（The Bridge of SanLuis Rey）1927
38. 福斯特（E. M. Forster）英国《此情可问天》（Howards End）1910
39. 包德温（James Baldwin）美国《向苍天呼吁》（Go Tell It on the Mountain）1953
40. 葛林（Graham Greene）英国《事情的真相》（The Heart of the Matter）1948
41. 高汀（William Golding）英国《苍蝇王》（Lord of the Flies）1954
42. 迪基（James Dickey）美国《解救》（Deliverance ）1970
43. 鲍威尔（Anthony Powell）英国《与时代合拍的舞蹈》（A Dance to the Music of Time）1975
44. 赫胥黎（Aldous Huxley）英国《针锋相对》（Point Counter Point）1928
45. 海明威（Ernest Hemingway）美国《太阳照样升起》（The Sun Also Rise）1926
46. 康拉德（Joseph Conrad）英国《特务》（The Secret Agent）1907
47. 康拉德（Joseph Conrad）英国《诺斯特罗莫》（Nostromo）1904
48. 劳伦斯（D. H. Lawrence）英国《彩虹》（Rainbow）1915
49. 劳伦斯（D. H. Lawrence）英国《恋爱中的女人》（Women in Love）1920
50. 米勒（Henry Miller）美国《北回归线》（Tropic of Cancer）1934
51. 梅勒（Norman Mailer）美国《裸者和死者》（The Naked and Dead）1948
52. 罗斯（Philp Roth）美国《波特诺伊的抱怨》（Portnoy's Complaint）1969
53. 纳巴科夫（Vladimir Nabokov）俄裔美籍《苍白的火》（Pale Fire）1962
54. 福克纳（William Faulkner）美国《八月之光》（Light in August）1932
55. 克洛厄（Jack Kerouac）美国《在路上》（On the Road）1957
56. 汉密特（Dashiell Hammett）美国《马尔他之鹰》（The Maltese Falcon）1930
57. 福特（Ford Madox Ford）英国《行进的目的》（Parade's End）1928
58. 华顿（Edith Wharton）美国《纯真年代》（The Age of Innocence）1920
59. 毕尔邦（Max Beerbohm）英国《朱莱卡?多卜生》（Zuleika Dobson）1911
60. 柏西（Walker Percy）美国《热爱电影的人》（The Moviegoer）1961
61. 凯赛（Willa Cather）美国《总主教之死》（Death Comes to Archbishop）1927
62. 钟斯（James Jones）美国《乱世忠魂》（From Here to Eternity）1951
63. 奇佛（John Cheever）美国《丰普肖特纪事》（The Wapshot Chronicles）1957
64. 沙林杰（J. D. Salinger）美国《麦田捕手》（The Catcher in the Rye）1951
65. 柏基斯（Anthony Burgess）英国《装有发条的橘子》（A Clockwork Orange）1962
66. 毛姆（W. Somerset Maugham）英国《人性枷锁》（Of Human Bondage）1915
67. 康拉德（Joseph Conrad）英国《黑暗之心》（Heart of Darkness）1902
68. 刘易士（Sinclair Lewis）美国《大街》（Main Street）1920
69. 华顿（Edith Wharton）美国《欢乐之家》（The House of Mirth）1905
70. 达雷尔（Lawrence Durrell）英国《亚历山大四部曲》（The Alexandraia Quartet）1960
71. 休斯（Richard Hughes）英国《牙买加的风》（A High Wind in Jamaica）1929
72. 耐波耳（V. S. Naipaul）特立尼达和多巴哥《毕斯瓦思先生之屋》（A House for Mr. Biswas）1961
73. 威斯特（Nathaniel West）美国《蝗虫的日子》（The Day of the Locust）1939
74. 海明威（Ernest Hemingway）美国《战地春梦》（A Farewell to Arms）1929
75. 渥夫（Evelyn Waugh）英国《独家新闻》（Scoop ）1938
76. 丝帕克（Muriel Spark）英国《琼?布罗迪小姐的青春》（The Prime of Miss Jean Brodie）1961
77. 乔伊斯（James Joyce）爱尔兰《为芬尼根守灵》（Finnegans Wake）1939
78. 吉卜林（Rudyard Kipling）英国《金姆》（Kim）1901
79. 福斯特（E. M. Forster）英国《窗外有蓝天》（A Room with a View）1908
80. 渥夫（Evelyn Waugh）英国《梦断白庄》（Bride shead Revisited）1945
81. 贝娄（Saul Bellow）美国《阿奇正传》（The Adventures of Augie March）1971
82. 史达格纳（Wallace Stegner）美国《安眠的天使》（Angle of Repose）1971
83. 耐波耳（V. S. Naipaul）特立尼达和多巴哥《河曲》（A Bend in the River）1979
84. 鲍恩（Elizabeth Bowen）英国《心之死》（The Death of the Heart）1938
85. 康拉德（Joseph Conrad）英国《吉姆爷》（Lord Jim）1900
86. 达特罗（E. L. Doctorow）美国《爵士乐》（Ragtime）1975
87. 贝内特（Arnold Bennett）英国《老妇人的故事》（The Old Wives' Tale）1908
88. 伦敦（Jack London）英国《野性的呼唤》（The Call of the Wild）1903
89. 格林（Henry Green）英国《爱》（Loving）1945
90. 鲁西迪（Salman Rushdie）（印裔英籍）《午夜的孩子们》（Midnight's Children）1981
91. 考德威尔（Erskine Caldwell）美国《烟草路》（Tobacco Road）1932
92. 甘耐第（William Kennedy）美国《紫苑草》（Ironweed）1983
93. 佛勒斯（John Fowles）英国《占星家》（The Magus）1966
94. 里丝（Jean Rhys）英国《辽阔的藻海》（Wide Sargasso）1966
95. 默多克（Iris Murdoch）英国《在网下》（Under the Net）1954
96. 斯蒂隆（William Styron）美国《苏菲亚的抉择》（Sophie's Choice）1979
97. 鲍尔斯（Paul Bowles）美国《遮蔽的天空》（The Sheltering Sky）1949
98. 凯恩（James M. Cain）美国《邮差总按两次铃》（The Postman Always Rings Twice）1934
99. 唐利维（J. P. Donleavy）美国《眼线》（The Ginger Man）1955
100. 塔金顿（Booth Tarkington）美国《伟大的安伯森斯》（The Magnificent Ambersons）1918
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answer.一愚发问，七智结舌。 · A fool attempting to be witty is an object of profoundest pity.蠢人装聪明，实在最可怜。 · A fool and his money are soon parted.笨蛋难聚财。 · A fool always rushes to the fore.傻瓜总爱强出头。 · A fool always comes short of his reckoning.愚人常缺算计。 · A flow of words is no proof of wisdom.口若悬河不能作为才智的证明。 · Affairs that are done by due degrees are soon ended.事情要安步就班地做，就会很快地做完。 · A fault confessed is half redressed.承认错误，等於改正一半。 · A father is a treasure, a brother is a comfort, but a friend is both.父亲是财富，兄弟是安慰，朋友兼而有之。 · A fall into the pit, a gain in your wit.吃一堑，长一智。 · A faithful friend is hard to find.益友难得。 · A fair face may hide a foul heart.人不可貌相。 · A fair death honours the whole life.死得光明，终身荣耀。 · Adversity successfully overcome is the highest glory.成功地克服困难是最大的光荣。 · Adversity makes strange bedfellows.身处逆境不择友。
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my heart beguiles,beguiles my heart, i know not why,and yet, ill love her till i die. thomas ford. 她的一举一动，她的一颦一笑;她的聪慧，她的声音将我的心俘虏;将我的心俘虏。我不明白个中缘由，但我会爱她到永远。 7、for years i had been searching,for that perfect fantasy, but, i find it in my arms, right now,you are all to me. 我已经寻找了多年，为了那个美丽的梦想，但是，现在，我发现它就在我的臂弯里，你就是我的全部。 8、where there is great love. there are great miracles. 哪里有爱，哪里就有奇迹。 9、i just wish someday and somehow,we can be back together, together well stay,always and forever. 我只希望有那么一天，不管怎样;我们能重新在一起;相依相伴，直到永远! 10、a joyful heart is the inevitable result of a heart burning with love. 内心只要有爱在燃烧，就不然有快乐。 11、love and you will be loved. 爱人，你就会被人爱。 12、dont worry about looking handsome,or being strong and brave.just as you love me unconditionally,i love you just the same. 不要担心自己是否英俊，是否强壮，是否勇敢，我将无条件
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The Romance of a Busy Broker by O. Henry Pitcher, confidential clerk in the office of Harvey Maxwell, broker, allowed a look of mild interest and surprise to visit his usually expressionless countenance when his employer briskly entered at half past nine in company with his young lady stenographer. With a snappy "Good-morning, Pitcher," Maxwell dashed at his desk as though he were intending to leap over it, and then plunged into the great heap of letters and telegrams waiting there for him. The young lady had been Maxwell's stenographer for a year. She was beautiful in a way that was decidedly unstenographic. She forewent the pomp of the alluring pompadour. She wore no chains, bracelets or lockets. She had not the air of being about to accept an invitation to luncheon. Her dress was grey and plain, but it fitted her figure with fidelity and discretion. In her neat black turban hat was the gold-green wing of a macaw. On this morning she was softly and shyly radiant. Her eyes were dreamily bright, her cheeks genuine peachblow, her expression a happy one, tinged with reminiscence. Pitcher, still mildly curious, noticed a difference in her ways this morning. Instead of going straight into the adjoining room, where her desk was, she lingered, slightly irresolute, in the outer office. Once she moved over by Maxwell's desk, near enough for him to be aware of her presence. The machine sitting at that desk was no longer a man; it was a busy New York broker, moved by buzzing wheels and uncoiling springs. "Well--what is it? Anything?" asked Maxwell sharply. His opened mail lay like a bank of stage snow on his crowded desk. His keen grey eye, impersonal and brusque, flashed upon her half impatiently. "Nothing," answered the stenographer, moving away with a little smile. "Mr. Pitcher," she said to the confidential clerk, did Mr. Maxwell say anything yesterday about engaging another stenographer?" "He did," answered Pitcher. "He told me to get another one. I notified the agency yesterday afternoon to send over a few samples this morning. It's 9.45 o'clock, and not a single picture hat or piece of pineapple chewing gum has showed up yet." "I will do the work as usual, then," said the young lady, "until some one comes to fill the place." And she went to her desk at once and hung the black turban hat with the gold-green macaw wing in its accustomed place. He who has been denied the spectacle of a busy Manhattan broker during a rush of business is handicapped for the profession of anthropology. The poet sings