英国文学史名词解释
bgijeAAA英国文学名词解释大全(整理版)
b g i j e A A A英国文学名词解释大全(整理版) -CAL-FENGHAI.-(YICAI)-Company One1名词解释1.Epic(史诗)（appeared in the the Anglo-Saxon Period ）It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf （ the pagan（异教徒），secular(非宗教的) poetry）Iliad 《伊利亚特》，Odyssey 《奥德赛》 Paradise Lost 《失乐园》，The Divine Comedy《神曲》2.Romance （传奇）(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form: long composition, in verse, in proseContent: description of life and adventures of a noble heroCharacter: a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king•Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table （亚瑟王和他的圆桌骑士）●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur （亚瑟王之死）②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone（the most important part基石）of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized（supported 庇护,保护） by the noble.3. Alliteration（押头韵）: a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise. 2.Sing a songof southern singer4. Understatement（低调陈述）（for ironical humor）not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》（a monument of Old English prose）6. Ballads （民谣）（The most important department of English folk literature ）①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic （风格上） Features of the Ballads1. Composed in couplets （相连并押韵的两行诗,对句） or in quatrains （四行诗） known as the ballad stanza （民谣诗节）, rhyming abab or abcb, with the first and third lines carrying 4 accented syllables （重读音节） and the second and fourth carrying 3.2. Simple, plain language or dialect （方言，土语） of the common people with colloquial （口语的，会话的）, vivid and, sometimes, idiomatic （符合当地语言习惯的） expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension （方面） to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet （英雄双韵体）（introduced by Geoffrey Chaucer）Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体：用于史诗或叙事诗，每行十个音节，五个音部，每两行押韵。
(完整word版)吴伟仁--英国文学史及选读--名词解释
①Beowulf: The national heroic epic of the English people. It has over 3,000 lines. It describes the battles between the two monsters and Beowulf, who won the battle finally and dead for the fatal wound. The poem ends with the funeral of the hero. The most striking feature in its poetical form is the use if alliteration. Other features of it are the use of metaphors(暗喻) and of understatements(含蓄).②Alliteration: In alliterative verse, certain accented(重音) words in a line begin with the same consonant sound(辅音). There are generally 4accents in a line, 3 of which show alliteration, as can be seen from the above quotation.③Romance: The most prevailing(流行的) kind of literature in feudal England was the Romance. It was a long composition, sometimes in verse(诗篇), sometimes in prose(散文), describing the life and adventures of a noble hero, usually a knight, as riding forth to seek adventures, taking part in tournament(竞赛), or fighting for his lord in battle and the swearing of oaths.④Epic: An epic is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significantly to a culture or nation. The first epics are known as primacy, or original epics.⑤Ballad: The most important department of English folk literature is the ballad which is a story told in song, usually in 4-line stanzas(诗节), with the second and fourth lines rhymed. The subjects of ballads are various in kind, as the struggle of young lovers against their feudal-minded families, the conflict between love and wealth, the cruelty of jealousy, the criticism of the civil war, and the matters and class struggle. The paramount(卓越的) important ballad is Robin Hood(《绿林好汉》).⑥Geoffrey Chaucer杰弗里.乔叟: He was an English author, poet, philosopher and diplomat. He is the founder of English poetry. He obtained a good knowledge of Latin, French and Italian. His best remembered narrative is the Canterbury Tales(《坎特伯雷故事集》), which the Prologue(序言) supplies a miniature(缩影) of the English society of Chaucer’s time. That is why Chaucer has been called “the founder of English realism”. Chaucer affirms men and women’s right to pursue their happiness on earth and opposes(反对) the dogma of asceticism(禁欲主义) preached(鼓吹) by the church. As a forerunner of humanism, he praises man’s energy, intellect, quick wit and love of life. Chaucer’s contribution to English poetry lies chiefly in the fact that he introduced from France the rhymed stanza of various types, especially the rhymed couplet of 5 accents in iambic(抑扬格) meter(the “heroic couplet”) to English poetry, instead of the old Anglo-Saxon alliterative verse.⑦【William Langland威廉.朗兰: Piers the Plowman《农夫皮尔斯》】The English Bible: The first complete English Bible was translated by John Wycliffe(约翰?威克里夫). The Authorized Version is King James Bible made in 1611. The result is a monument of English language and English literature.Renaissance: Renaissance or the birth of letters is an intellectual movement. Its two features are a thirsting curiosity for the classical literature and the keen interest in the activities of humanity. Humanism is the key-note of the Renaissance.William Caxton威廉.卡克斯顿: He is the first English printer and invented in England the profession of publisher.Thomas More托马斯.莫尔: The greatest of the English humanists was Thomas More, the author of Utopia《乌托邦》. He is also one of such “giants”(巨匠) of the Renaissance. He distinguished himself as a learned scholar, a master of Latin, a witty talker, a lover of music, an honest statesman , and a man of noble character, modest but steadfast(坚定的), to his convictions. He was a far-sighted thinker, aspired for a totally new society with happy, classless, and free from poverty and exploitation. He was one of the forerunners of modern socialist thought.Utopia: It is More’s masterpiece, written in the form of a conservation between More and Hythloday, a returned voyager. It is divided into two books. The first book contains a long discussion on the social conditions of England. In the second book is described in detail an ideal communist society, Utopia. The name “Utopia”comes from Greek words meaning “no place”and was adopted by More as the name of his ideal commonwealth.Philip Sidney菲利普.锡德尼: He is well-known as a poet and critic of poetry. His collection of love sonnets, Astrophel and Stella《爱星者与星》, was published in 1591.Edmund Spenser埃德蒙.斯宾塞(莎翁之前最杰出的英国诗人)：The poet’s poet of the period was ES who was buried beside Chaucer in Westminster Abbey. ES has held his position as a model of poetical art among the Renaissance English poets, and his influence can be traced in the works of Milton, Shelley, and Keats. ES is the first master to make that language the natural music of his poetic effusions(感情的流露). His sonnets in Amoretti, together with Sidney’s Astrophel and Stella and Shakespeare’s sonnets ,are the most famous sonnet sequences of the Elizabeth Age. 【In 1579 he wrote The Shepherd’s Calendar《牧人日记》which marked the budding(萌芽) of the Renaissance flower in the northern island of England. The faerie Queen 《仙后》is his greatest work which was dedicated to Queen Elizabeth.】Francis Bacon: He is the founder of English materialist philosophy and the founder of modern science in England. His New Instrument is called the Inductive Method of reasoning. He is also the first English essayist. To give a few, “Men fear death as children fear to go in the dark..”“Studies serve for delight.”“Reading makes a full man; conference a ready man; and writing an exact man.”Drama: The Miracle Play圣迹剧The Morality Play道德剧寓意剧The Interlude幕间节目Christopher Marlowe克里斯托弗.马洛: The most gifted of the “university wits”was Christopher Marlowe. His best work include 3 of his plays, Tamburlaine《帖木儿大帝》(1587), The Jew of Malta《马耳岛的犹太人》(1592), and Doctor Faustus《浮士德博士》(1588). He was the greatest of the pioneers of English drama. His work paved the way for the plays of the greatest English dramatist——Shakespeare——whose achievements were the monument of the English Renaissance.【His plays show the spirit of the rising bourgeoisie, its eager curiosity for knowledge, its towering pride, its insatiable(不知足的) appetite for power won by military, might, knowledge, or gold. The theme of his plays is the praise of individuality freed from the restraints of medieval dogmas and law, and the conviction of the boundless possibility of human efforts in conquering the universe. The heroes in his plays are merely individualists, their individualistic ambition often brings ruin to the world and sometimes to themselves.】William Shakespeare: Shakespeare is one of the founders of realism in world literature. His dramatic creation often used the method of adaptation（改革）. Shakespeare long experience with the stage and his intimate knowledge of dramatic art thus acquired make him a master hand for playwriting. Shakespeare was skilled in many poetic forms: the song, the sonnet, the couplet, and the dramatic blank verse. He was especially at home with the blank verse. Shakespeare was a great master of the English language. Shakespeare has been universally acknowledged to be the summit of the English Renaissance, and one of the greatest writers over the world.①The great comedies: A Midsummer Might’s Dream, The Merchant of Venice, As You Like It, Twelfth Night.②The great tragedies: Hamlet, Othello, King Lear, Macbeth.The Merchant of Venice: 威尼斯富商安东尼奥Antonio为了成全好友巴萨尼奥Bassanio的婚事，向犹太人高利贷者夏洛克Shylock借债。
英国文学史名词解释(吴伟仁)
英国文学史名词解释（仅供参考）1.sonnetThe sonnet is one of the poetic forms that can be found in lyric poetry from Europe. The term "sonnet" derives from the Occitan word sonet and the Italian word sonetto, both meaning "little song". By the thirteenth century, it had come to signify a poem of fourteen lines that follows a strict rhyme scheme and specific structure. The conventions associated with the sonnet have evolved over its history. The writers of sonnets are sometimes referred to as "sonneteers," although the term can be used derisively. One of the best-known sonnet writers is Shakespeare, who wrote 154 of them. A Shakespearean sonnet consists of 14 lines, each line contains ten syllables, and each line is written in iambic pentameter in which a pattern of a non-emphasized syllable followed by an emphasized syllable is repeated five times. The rhyme scheme in a Shakespearean sonnet is ABAB CDCD EFEF GG, in which the last two lines area rhyming couplet.2. Iambic pentameterIambic pentameter is a commonly used metrical line in traditional verse and verse drama. The term describes the particular rhythm that the words establish in that line. That rhythm is measured in small groups of syllables; these small groups of syllables are called "feet". The word "iambic" describes the type of foot that is used (in English, an unstressed syllable followed by a stressed syllable). The word "pentameter" indicates that a line has five of these "feet."3. Heroic coupletHeroic couplet is a traditional form for English poetry, commonly used for epic and narrative poetry; it refers to poems constructed from a sequence of rhyming pairs of iambic pentameter lines. The rhyme is always masculine. Use of the heroic couplet was first pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales. Chaucer is also widely credited with first extensive use of iambic pentameter.4. Stream of consciousnessThe continuous flow of sense-perceptions, thoughts, feelings, and memories in the human mind: or a literary method of representing such a blending of mental processes in fictional characters, usually in an unpunctuated or disjoint form of interior monologue.5. The RenaissanceThe Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historic era, but since the changes of the Renaissance were not uniform, this is a very general use of the term. 6. HumanismHumanism is a literary and philosophical view emphasizing humankind as its center concerns.Humanism originated in the Renaissance, the term has been used many ways, but always suggests humanity as the central concern, with the natural world (science) and the spiritual world (religion) valued for their relation to people.7. The EnlightenmentThe Enlightenment was an intellectual movement originating in France，which attracted widespread support among the ruling and intellectual classes of Europe and North America in the second half of the 18th century. It characterizes the efforts by certain European writers to use critical reason to free minds from prejudice, unexamined authority and oppression by Church or State. Therefore the Enlightenment is sometimes called the Age of Reason.8. RomanticismRoughly the first third of the 19th century makes up English literature’s romantic period. Writers of romantic literature are more concerned with imagination and feeling than with the power of reason. A volume of poems called Lyrical Ballads written by William Wordsworth and Samuel Taylor Coleridge is regarded as the romantic poetry’s “Declaration of Independence.”Keats, Byron and Shelley, the three great poets, brought the Romantic Movement to its height. The spirit of romanticism also occurred in the novel.9. Critical RealismCritical realism is a philosophical view of knowledge. On the one hand it holds that it is possible to acquire knowledge about the external world as it really is, independently of the human mind or subjectivity. That is why it is called realism. On the other hand it rejects the view of naïve realism that the external world is as it is perceived. Recognizing that perception is a function of, and thus fundamentally marked by, the human mind, it holds that one can only acquire knowledge of the external world by critical reflection on perception and its world. That is why it is called critical.10. ModernismModernism refers to a form of literature mainly written before WWII. It is characterized by a high degree of experimentation. It can be seen as a reaction against the 19th century forms of Realism. Modernist writers express the difficulty they see in understanding and communicating how the world works. Often, Modernist writing seems disorganized, hard to understand. It often portrays the action from the viewpoint of a single confused individual, rather than from the viewpoint of an all-knowing impersonal narrator out side the action. One of the most famous English modernist writers is Virginia Woolf.。
英国文学名词解释大全（整理版）
英国文学名词解释大全（整理版）1，alliteration 2，kenning 3，caesura 4,romance 5,chivalery 6,quatrain 7,meter:rhyme 8,heroic couplet 9iambic pentameter 10,bob and wheel 11,realism 12,idealism 13,renaissiance 14,blank verse 15,sonnet 16,comedy 17,tragedy 18,humanism 19,cavalier poets 20,metaphysical poets 21,metaphysical conceit1. Epic(史诗)（appeared in the Anglo-Saxon Period ）Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people are also called epic.E.g. Beowulf （the pagan（异教徒），secular(非宗教的) poetry）Iliad 《伊利亚特》，Odyssey《奥德赛》Paradise Lost 《失乐园》.1.Romance （传奇）(Anglo-Norman feudal England)Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble hero Character:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king ?Romance lacksgeneral resemblance to truth or reality.It exaggerates the vices of human nature and idealizes the virtues.It contains perilous (dangerous) adventures more or less remote from ordinary life.It lays emphasis on supreme devotion to a fair lady.3. Alliteration（押头韵）: a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.4. Heroic couplet （英雄双韵体）（introduced by Geoffrey Chaucer）Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体：用于史诗或叙事诗，每行十个音节，五个音部，每两行押韵。
英国文学 名词解释
英国文学名词解释
英国文学是指英格兰、苏格兰、威尔士和北爱尔兰地区的文学作品。
它的历史可以追溯到中世纪，经历了文艺复兴时期、启蒙时代、浪漫主义时期、维多利亚时代等不同的文学风格和时期。
英国文学的特点之一是其丰富多样的文学形式。
从中世纪的骑士传奇和中世纪诗歌到现代小说和诗歌，英国文学涵盖了各种各样的文学体裁。
其中一些最重要的文学体裁包括史诗、戏剧、诗歌、小说和散文。
这些不同的文学形式为英国文学带来了不同的风格和主题。
英国文学的另一个重要特点是其丰富多样的主题和风格。
从中世纪的宗教作品和史诗到现代小说和诗歌，英国文学涵盖了各种各样的主题。
它反映了社会、政治、宗教和文化变革的演变。
一些最常见的主题包括爱情、战争、自然、宗教、社会道德和个人发展。
不同的作家和时代也采用了不同的文学风格和技巧来表达这些主题。
英国文学的另一个重要方面是它的历史和文化意义。
通过阅读英国文学作品，我们可以了解英国历史的演变，了解英国社会和文化的发展。
英国文学作品中经常出现的历史事件、人物和地点也成为了文学研究和文化遗产的重要组成部分。
在英国文学中，有很多重要的作家和作品。
莎士比亚、狄更斯、奥斯卡·王尔德、简·奥斯汀和弗吉尼亚·伍尔夫都是英国文学史上的重要人物。
他们的作品不仅在英国有着广泛的影响力，也
对世界文学产生了重要的影响。
总之，英国文学是一个丰富多样的文学传统，它的作品涵盖了各种各样的文学形式、主题和风格。
通过阅读和研究英国文学作品，我们可以深入了解英国的历史、文化和文学发展。
英国文学的一些名词解释
英国文学的一些名词解释英国文学是世界文学宝库中的明珠，众多文学名著诞生于这片土地上。
提到英国文学，我们不仅仅要了解其中众多名著的作者和故事情节，我们还需要掌握一些专业术语和概念。
在本文中，我将为大家解释一些与英国文学相关的名词，帮助读者更好地理解英国文学的精髓。
一、浪漫主义浪漫主义是18世纪末到19世纪初兴起的一种文学运动，它强调个人感受、想象力和超凡脱俗的体验。
浪漫主义充满了激情和对自然、人类内心世界的热爱。
在英国文学史上，浪漫主义给予了众多优秀的作品，如《弗兰肯斯坦》、《唐吉诃德》等。
二、维多利亚时代维多利亚时代是指1837年至1901年英国女王维多利亚统治下的时期。
这个时代是英国工业革命达到巅峰的时期，但也是社会动荡和不平等的时期。
维多利亚时代的文学作品通常描写社会阶级落差、人性的复杂以及对女性地位的思考。
其中最著名的代表作品包括《雾都孤儿》、《呼啸山庄》等。
三、现代主义现代主义是20世纪初兴起的一种文学运动，它试图打破传统的叙事形式，挑战读者的理解和想象力。
现代主义作品通常以碎片化的结构、内心独白和流露出的不确定性为特点。
英国文学史上的现代主义代表作品有《尤利西斯》、《荒原》等。
四、战后文学战后文学是指第二次世界大战结束后，英国文学的新兴潮流。
在这一时期，英国文学持续呈现多样性和实验性。
战后文学关注社会变革、性别政治以及民族认同，并通过多种不同的写作风格和技巧来探索个体心理和文化理解。
该时期的代表作品包括《动物农场》、《1984》等。
五、北方现实主义北方现实主义是19世纪中叶至20世纪初期在英国出现的文学派别，它对于社会的现象和底层人民的生存状况进行了深刻而真实的描写。
北方现实主义作品通常关注社会困境和阶级冲突，以真实主义的手法展现人物的命运和社会环境的影响。
代表作品有《红与黑》、《战争与和平》等。
六、文学奖项文学奖项是评选和表彰优秀文学作品和作者的机构或组织举办的活动，也是文学界的重要盛事。
英国文学史作业 名词解释
III .Explain the following literary terms:1. epic :a long poem about the actions of great men and women orabout a nation’s history2. alliteration : the use of the same letter or sound at the beginningof words that are close together3. iambic pentameter : a poetic meter consisting of lines with five"feet" (groups of syllables) in each, and having an "iamb" foot (unstressed then stressed syllable) dominant in each4. romance : a story of excitement and adventure5. ballad : a song or poem that tells a story ,a slow popular songabout loveIV. Choose one from each of the following two groups of questions and write a short essay of about 300 words to the first and about 500 for the secondGroup two :1. Analyse the themes and artistic features of Beowulf .Themes : The main theme of Beowulf is heroism. This involves far more than physical courage. It also means that the warrior must fulfil his obligations to the group of which he is a key member. Although Beowulf is in some respects a Christian poem, its social code emphasizes justice rather than mercy. There are manyreferences in the poem to the Christian belief in one almighty God who takes a personal interest in human affairs.artistic features : The most outstanding of all is perhaps alliteration. Alliteration is the repetition of initial sounds, usually consonants, or consonant clusters. It usually occurs on stressed syllables. A famous example of alliteration is this line from Samuel Taylor Coleridge’s “Kubla Khan”: “Five miles meandering with a mazy m otion.” Alli teration is used off and on in modern poetry but it is an important device in Anglo-Saxon poetry. In fact, most of Anglo-Saxon poetry is alliterative verse which is not only the repetition of initial sounds, but repetition in each poetic line. Another characteristic of Beowulf is the picturesque usage called kenning, compound-words served as indirect metaphors. Some kennings in Beowulf are almost poetic clichés which recur throughout Anglo-Saxon poetry.。
英国文学史名词解释
The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene. Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'Alexandrine' line in iambic hexameter. The rhyme scheme of these lines is "ababbcbcc."A ballad is a form of verse, often a narrative and set to music. Ballads were particularly characteristic of British and Irish popular poetry and song from the later medieval period until the 19th century and used extensively across Europe and later North America, Australia and North Africa. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century it took on the meaning of a slow form of popular love song and the term is now often used as synonymous with any love song.The sonnet is one of the poetic forms that can be found in lyric poetry from Europe. The term "sonnet" derives from the Occitan word sonet and the Italian word sonetto, both meaning "little song". By the thirteenth century, it had come to signify a poem of fourteen lines that follows a strict rhyme scheme and specific structure. The conventions associated with the sonnet have evolved over its history. The writers of sonnets are sometimes referred to as "sonneteers," although the term can be used derisively. One of the best-known sonnet writers is William Shakespeare, who wrote 154 of them (not including those that appear in his plays). A Shakespearean, or English, sonnet consists of 14 lines, each line containing ten syllables and written in iambic pentameter, in which a pattern of an unemphasized syllable followed by an emphasized syllable is repeated five times. The rhyme scheme in a Shakespearean sonnet is ababcdcdefef gg; the last two lines are a rhyming couplet.Traditionally, English poets employ iambic pentameter when writing sonnets. In the Romance languages, the hendecasyllable and Alexandrine are the most widely used metres.Romanticism is a complex artistic, literary, and intellectual movement that originated in the second half of the 18th century in Western Europe, and gained strength in reaction to the Industrial Revolution.[1] In part, it was a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature,[2] and was embodied in the visual arts, music, and literature.The movement validated strong emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as trepidation, horror andterror and awe—especially that which is experienced in confronting the sublimity of untamed nature and its picturesque qualities, both new aesthetic categories. It elevated folk art and ancient custom to something noble, and argued for a "natural" epistemology of human activities as conditioned by nature in the form of language and customary usage.Romanticism reached beyond the rational and Classicist ideal models to elevate a revived medievalism and elements of art and narrative perceived to be authentically medieval, in an attempt to escape the confines of population growth, urban sprawl, and industrialism, and it also attempted to embrace the exotic, unfamiliar, and distant in modes more authentic than chinoiserie, harnessing the power of the imagination to envision and to escape.The modern sense of a romantic character may be expressed in Byronic ideals of a gifted, perhaps misunderstood loner, creatively following the dictates of his inspiration rather than the mores of contemporary society.Although the movement is rooted in the German Sturm und Drang movement, which prized intuition and emotion over Enlightenment rationalism, the ideologies and events of the French Revolution laid the background from which Romanticism and the Counter-Enlightenment emerged. The confines of the Industrial Revolution also had their influence on Romanticism, which was in part an escape from modern realities; indeed, in the second half of the 19th century, "Realism" was offered as a polarized opposite to Romanticism.[3] Romanticism elevated the achievements of what it perceived as heroic individualists and artists, which would elevate society. It also legitimized the individual imagination as a critical authority which permitted freedom from classical notions of form in art. There was a strong recourse to historical and natural inevitability, a zeitgeist, in the representation of its ideas.The word carol is derived from the Old French word carole, a circle dance accompanied by singers (in turn derived from the Latin choraula). Carols were very popular as dance songs from the 1150s to the 1350s, after which their use expanded as processional songs sung during festivals, while others were written to accompany religious mystery plays (such as the Coventry Carol, written in 1591).[1]Following the Protestant Reformation (and the banning of many religious festivities during the British Puritan Interregnum), carols went into a decline due to Calvinist aversion to "nonessential" things associated with Roman Catholicism. However, composers such as William Byrd composed motet-like works for Christmas that they termed carols; and folk-carols continued to be sung in rural areas. Nonetheless, some famous carols were written in this period, including 'The Holly and the Ivy' and they were more strongly revivedfrom the nineteenth century and began to be written and adapted by eminent composers.[2]In modern times, songs that may once have been regarded as carols are now classified as songs (especially Christmas songs), even those that retain the traditional attributes of a carol - celebrating a seasonal topic, alternating verses and chorus, and danceable music.Some writers of carols, such as George Ratcliffe Woodward who wrote Ding Dong Merrily on High and William Morris who wrote Masters in this Hall, reverted to a quasi-mediaeval style; this became a feature of the early twentieth century revival in Christmas Carols.Some composers have written extended works based on carols. Examples include Benjamin Britten (A Ceremony of Carols), Ralph Vaughan Williams (Fantasia on Christmas Carols) and Victor Hely-Hutchinson (Carol Symphony).In the philosophy of perception, critical realism is the theory that some of our sense-data (for example, those of primary qualities) can and do accurately represent external objects, properties, and events, while other of oursense-data (for example, those of secondary qualities and perceptual illusions) do not accurately represent any external objects, properties, and events.Contemporary critical realism most commonly refers to a philosophical approach associated with Roy Bhaskar. Bhaskar's thought combines a general philosophy of science (transcendental realism) with a philosophy of social science (critical naturalism) to describe an interface between the natural and social worlds. Critical realism can, however, refer to several other schools of thought, such as the work of the American critical realists (Roy Wood Sellars, George Santayana, and Arthur Lovejoy). The term has also been appropriated by theorists in the science-religion interface community. The Canadian Jesuit Bernard Lonergan developed a comprehensive critical realist philosophy and this understanding of critical realism dominates North America's Catholic Universities.。
英国文学史名词翻译
学习必备欢迎下载英美文学史名词翻译Neoclassicism (新古典主义) Renaissance (文艺复兴) Metaphysical poetry (玄学派诗歌) Classism (古典主义)Enlightenment (启蒙运动) Romanticism (浪漫主义)Byronic Hero (拜伦式英雄) Aestheticism（美学主义）Stream of consciousness (意识流)the Age of Realism (现实主义时期) Naturalism (自然主义)Local Colorist (乡土文学)Imagism (意象主义)The Lost Generation (迷惘的一代) Surrealism (超现实主义)The Beat Generation (垮掉的一代) Metaphysical poets (玄学派诗人）New Criticism (新批评主义) Feminism(女权主义)Hemingway Code Hero (海明威式英雄) Impressionism (印象主义)Post modernity (后现代主义) Realism (现实主义)Allegory (寓言)Romance (传奇)epic(史诗)Blank Verse (无韵诗或素体广义地说Essay (随笔)Masques or Masks (假面剧) Spenserian Stanza (斯宾塞诗节) Three Unities (三一.原则)Meter (格律)Soliloquy (独白)Cavalier poets (骑士派诗人)Elegy (挽歌) .Action/plot (情节)Atmosphere (基调)Epigram (警句)The Heroic Couplet (英雄对偶句) Sentimentalism (感伤主义文学)Aside (旁白)Denouement (戏剧结局) [deɪnuː'mɒŋ] parable (寓言) Genre (流派)Irony (反讽)Satire (讽刺)Lyric (抒情诗)Ode (颂歌)Pastoral (田园诗)Canto (诗章)Lake Poets (湖畔诗人)Image (意象)Dramatic monologue（戏剧独白Psychological novel (心理小说)Allusion (典故)Protagonist and Antagonist (正面人物与反面人物)Symbolism (象征主义)Existentialism (存在主义)Anti-hero (反面人物)Round Character (丰满的人物)Flat character (平淡的人物)Oedipus complex (俄狄浦斯情结/蛮母厌父情结) ['i:dipəs; 'e-]Rhyme (押韵)Iambic pentameter (五音步诗)Poetic license (诗的破格)Legend (传说)Myth (神话)Pessimism (悲观主义)Tragicomedy (悲喜剧)Comedy of manners (风俗喜剧)Free Verse (自由体诗歌)Magic realism (魔幻现实主义) Autobiography (自传)Biography (传记)Foot (脚注)Protagonist (正面人物)Psychological Realism (心理现实主义) Setting (背景)。
英国文学名词解释
1．Romance: a long composition; in verse or in prose; describing the life and adventures of a noble hero; especially for the knight. The most popular theme employed was the legend of King Arthur and the round table knight.2．Ballad民谣: a story told in song; usually in four-line stanzas; with the second and fourth lines rhymed.3．Heroic Couplet英雄偶句诗: a couplet consisting of two rhymed lines of iambic pentameter; and written in an elevated style. 4．Renaissance: a revival or rebirth of the artistic and scientific revival which originated in Italy in the 14th century and gradually spread all over Europe. It has two features: a thirsting curiosity for the classical literature and keen interest in activities of humanity.5．Sonnet 14行诗: 14-line lyric poem; usually written in rhymed iambic pentameter.6．Blank verse无韵诗: poetry written in unrhymed iambic pentameter. 7．Enlightenment启蒙运动: a revival of interest in the old classical works; logic; order; restrained emotion and accuracy. 8．Neoclassicism新古典主义: the Enlightenment brought about a revival of interest in Greek and Roman works. This tendency is known as Neoclassicism.9．Sentimentalism感情主义: it was one of the important trends inEnglish literature of the later decades of the 18 century. It concentrated on the free expression of thoughts and emotions; and presented a new view of human nature which prized feeling over thinking; passion over reason.10．Romanticism: imagination; emotion and freedom are certainly the focal points of romanticism. The particular characteristics of the literature of romanticism include: subjectivity and an emphasis on individualism; freedom from rules; solitary life rather then life in society; the beliefs that imagination is superior to reason; and love of and worship of nature.11．Lake Poets: the English poets who lived in and drew inspiration from the Lake District at the beginning of the 19th century. 12．Byronic Heroes拜伦式英雄: a variant of the Romantic heroes as a type of character enthusiasm; persistence; pursuing freedom; named after the English Romantic Poet Gordon Byron. 13．Aestheticism唯美主义: an art movement supporting the emphasis of aesthetic values more than socio-political themes for literature; fine art; music and other arts.14．Stream-of-Consciousness: it is a literary technique that presents the thoughts and feelings of a character as they occur without any clarification by the author. It is a narrative mode. 15．Dramatic Monologue戏剧独白16．Iambic Pentameter抑扬格五音步: a poetic line consisting of five verse feet; with each foot an unstressed syllable followed by a stressed syllable; that is; with each foot an iamb.17．Epic史诗: a long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated.18．Elegy挽歌: a poem of mourning; usually over the death of an individual; may also be a lament over the passing of life and beauty or a meditation of the nature of death; a type of lyric poem. 19．Spenserian Stanza斯宾塞诗体: a nine-line stanza made up of 8 lines of iambic pentameter ending with an Alexandrine. Its thyme scheme is ababbcbcc. This stanza was common to travel literature.1.杰弗里乔叟：the Father of English Poetry; The Canterbury Tales 埃特伯雷故事集24stories2.Thomas More: Utopia乌托邦- the communication between more and the traveler which just came back from Utopia.3.: the first English Essayist; Essays随笔集- Of Studies; Of Truth philosophical and literary works4. Poet's poet; The Fairy Queen仙后to Queen Elizabeth I四大悲剧：1奥瑟罗叙述摩尔人贵族瑟罗由于听信手下旗官伊阿古的谗言;被嫉妒所压倒;掐死了无辜妻子苔丝狄蒙娜;随后自己也悔恨自杀..奥瑟罗是个襟怀坦白、英勇豪爽的战士;苔丝德蒙娜天真痴情;毅然爱上了他;不顾家庭的反对和社会的歧视;同他结了婚..但是;他们的爱情虽然战胜了种族歧视;却没有逃脱伊阿古的阴谋陷害..伊阿古假装忠诚;心地奸诈;由于升不上副将;就对奥瑟罗怀恨在心;千方百计害死奥瑟罗夫妇;最后自己也得不到好下场..通过这个形象;莎士比亚对原始积累时期新兴资产阶级中的极端利已主义进行了深刻的揭露和批判..2李尔王描写一个专制独裁的昏君;由于刚愎自用;遭受到一场悲惨的结局..悲剧的目的同样在于揭露原始积累时期的利已主义;批判对于权势、财富的贪欲..悲剧还反映了当时广大农民流离失所的英国现实..在第三幕第四场里;李尔被两个女儿驱逐出门以后;跑到暴风雨的荒野;诅咒女儿忘恩负义..在雷电交加中;李尔对穷苦的人们喊道：“衣不蔽体的不幸的人们;无论你们在什么地方;都得忍受着这样无情的暴风雨的袭击;你们的头上没有片瓦遮身;你们的腹中饥肠雷动;你们的衣服千疮百孔;怎么抵挡得了这样的气候呢”这里;莎士比亚通过李尔的口表达了他对无家可归的农民的同情;同时也是对当代现实的揭露..但是;紧接着上面那段话之后;李尔说道：“安享荣华的人们呵;睁开你们的眼睛来;到外面来体味一下穷人所忍受的苦;分一些你们享用不了的福泽给他们;让上天知道你们不是全无心肝的人吧这种求助于剥削阶级发善心以解决社会矛盾的想法;正是一种调和阶级矛盾的人道主义思想..3麦克白野心家麦克白将军从战场上立功凯旋;由于野心的驱使和妻子的怂恿;利用国王邓肯到自己家中作客的机会;弑君而自立;最后;这个血腥的篡位者被邓肯的儿子和贵族麦克德夫所战败而死去..他的妻子也因精神分裂而死..这出悲剧深刻地揭示出个人野心对人所起的腐蚀作用;是莎士比亚心理描写的杰作..4哈姆莱特1601是莎士比亚戏剧创作的最高成就;写的是丹麦王子哈姆莱特为父复仇的故事..悲剧的情节是这样的：丹麦王子哈姆莱特;在德国威登堡大学接受人文主义教育..因为父王突然死去;怀着沉痛的心情回到祖国；不久;母后又同新王——他的叔父结婚;使他更加难堪..新王声言老王是在花园里被毒蛇咬死的;王子正在疑惑时;老王的鬼魂向他显现;告诉他“毒蛇”就是新王;并嘱咐他为父复仇..哈姆莱特认为他这复仇不只是他个人的问题;而是整个社会、国家的问题..他说自己有重整乾坤;挽狂澜于既倒的责任..他考虑问题的各个方面;又怕泄漏心事;又怕鬼魂是假</PGN0315.TXT/PGN>的;怕落入坏人的圈套;心烦意乱;忧郁不欢;只好装疯卖傻..同时;他叔父也怀疑他得知隐秘;派人到处侦察他的行动和心事..甚至利用他的两个老同学和他的情人去侦察他..他趁戏班子进宫演出的机会;改编一出阴谋杀兄的旧戏文贡札古之死叫戏班子演出;来试探叔父..戏未演完;叔父做贼心虚;坐立不住;仓皇退席..这样;更证明叔父的罪行属实..叔父觉得事情不妙;隐私可能已被发觉..宫内大臣波洛涅斯献计;让母后叫儿子到私房谈话;自己躲在帷幕后边偷听；王子发现幕后有人;以为是叔父;便一剑把他刺死..从此;奸王使用借刀杀人法;派他去英国;并让监视他去的两个同学带去密信一封;要英王在王子上岸时就杀掉他；但被哈姆莱特察觉半路上掉换了密信;反而叫英王杀掉了两个密使；他自己却跳上海盗船;脱险回来..回来后知道情人奥菲莉娅因父死、爱人远离而发疯落水溺死..奸王利用波洛涅斯的儿子雷欧提斯为父复仇的机会;密谋在比剑中用毒剑、毒酒来置哈姆莱特于死地..结果;哈、雷二人都中了毒剑;王后饮了毒酒;奸王也被刺死..王子临死遗嘱好友霍拉旭传播他的心愿.. C:鉴赏与品评:莎士比亚的悲剧主要是理想与现实的矛盾和理想的破灭..如哈剧中安排三条复仇线索;以王子复仇为主线;另两条线索穿插糅合其间..李剧中也有两条平行交错的线索..其次;人物形象鲜明;作者善于深入刻画人物的内心世界;使其性格更丰满深刻..如哈姆雷特的着名独白;富有哲理性..麦克白杀人后精神崩溃的过程更是刻画得细腻真切..此外;作者还善于渲染气氛;营造悲剧性的氛围;烘托人物的心理活动..如麦剧中夜与血的形象贯穿始终;阴森恐怖..李剧中暴雨荒原一场;激烈哀愤喜剧：A Midsummer Night's Dream仲夏夜之梦;The Merchant of Venice 威尼斯商人;As You Like It皆大欢喜；Twelfth Night第十二夜悲喜剧：Romeo and Juliet罗密欧与朱丽叶5. Paradise Lost失乐园a revolt against God's authority; Paradise Regained复乐园how Christ overcame Santa ——stories were taken from Bible6.John Bunyan: the son of Renaissance; Pilgrim's Progress天路历程imagination; shadowing; realistic religious allegory7.George Gordon Byron: vigorous; strong and beautiful; Childe Harold's Pilgrimage恰尔德哈罗尔德游记spenserian stanza; fights for liberty; Don Juan唐璜a broad critical picture of European life; When We Two Parted昔日依依别；She Walks in Beauty她走在美的光影中；The Isles of Greece哀希腊8.: Ode to the West Wind西风颂-赞颂西风;希望与其紧密相连; Prometheus Unbound解放了的普罗米修斯the victory for man's struggle against tyranny and oppression9.Jane Austen: wit; dry humour; subtle irony;realistic; Pride and Prejudice傲慢与偏见Elizabeth and Darcy；Sense and Sensibility理智与情感；Emma爱玛10.: critical realist writer; humour; wit; happy endings; A Tale of Two Cities双城记London & Paris; where there is oppression; there is revolution; David Copperfield大卫科波菲尔；Oliver Twist雾都孤儿；Hard Time艰难时世；Great Expectations远大前程； Dombey and Son董贝父子；Pickwick Papers匹克威克外传11.我已故的公爵夫人 7.The Bronte Sisters: ：简·爱是一个心地纯洁、善于思考的女性;她生活在社会底层;受尽磨难..但她有倔强的性格和勇于追求平等幸福的精神..小说以浓郁抒情的笔法和深刻细腻的心理描写;引人入胜地展示了男女主人公曲折起伏的爱情经历;歌颂了摆脱一切旧习俗和偏见..扎根于相互理解、相互尊重的基础之上的深挚爱情;具有强烈的震撼心灵的艺术力量..其最为成功之处在于塑造了一个敢于反抗;敢于争取自由和平等地位的妇女形象.. Emily: Wuthering Heights呼啸山庄：描写吉卜赛弃儿希斯克利夫被山庄老主人收养后;因受辱和恋爱不遂;外出致富;回来后对与其女友凯瑟琳结婚的地主林顿及其子女进行报复的故事..。
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英国文学史名词解释
英国文学史中的许多术语和名词对于读者来说可能比较陌生。
下面是对一些常见的名词进行解释，以便更好地理解英国文学史。
1. Middle English (中古英语) - 中古英语是指从1066年诺曼征服英格兰到1470年左右的英语阶段。
在这个时期，英语受到了来自法语、拉丁语和英语本土方言的影响。
2. Renaissance (文艺复兴) - 文艺复兴是指在15世纪至17世纪期间，意大利文化的重要思想和艺术运动迅速传播到欧洲其他地区。
文艺复兴时期在英国产生了许多杰出的文学作品，包括莎士比亚的戏剧。
3. Elizabethan Era (伊丽莎白时代) - 伊丽莎白时代是指英国女王伊丽莎白一世统治期间（1558年-1603年）。
这一时期是英国文化的黄金时代，也是莎士比亚最为活跃的时期。
4. Restoration (恢复时代) - 恢复时代是指英国历史上从1660年到1688年的时期，这一时期发生了英国内战和英国共和国的覆灭后，君主制恢复的事件。
恢复时期的文学作品反映了政治和社会的变化。
5. Romanticism (浪漫主义) - 浪漫主义是指18世纪末到19世纪初的一种文学和艺术思潮。
浪漫主义强调个人情感和经验，追求自然、自由和幻想等主题。
浪漫主义的代表作家包括拜伦、雪莱和济慈等。
6. Victorian Era (维多利亚时代) - 维多利亚时代是指英国女王
维多利亚统治期间，即1837年到1901年的时期。
这一时期的文学作品反映了维多利亚时代的道德和社会观念，代表作家包括狄更斯、勃朗特姐妹和汤姆斯·哈代等。
7. Modernism (现代主义) - 现代主义是指20世纪初出现的一种
文学和艺术风格，强调个人和社会对现实世界的体验和认识。
现代主义的作品通常以复杂的叙事结构和主题的多样性而著称。
代表作家包括乔伊斯、伍尔夫和弗兰兹·卡夫卡等。
8. Postmodernism (后现代主义) - 后现代主义是指20世纪后半
叶出现的一种文学和艺术趋势，它挑战了现代主义的理论和形式，关注权力、语言和现实的构造。
后现代主义的作品常常以互文性、幽默和反传统的特点而著称。
代表作家包括厄科、巴特和戈雷·维达尔等。
这些名词和术语代表了英国文学史不同时期的重要特点和思潮。
通过了解这些名词，读者可以更好地理解英国文学的发展和演变，并欣赏不同时期的英国文学作品。