虞美人--历年中考阅读鉴赏试题

虞美人--历年中考阅读鉴赏试题
虞美人--历年中考阅读鉴赏试题

《虞美人》赏析题

译文:一年一度的春花秋月什么时候才能了结,往事又知道有多少!小楼上昨天夜里又刮来了春风,在这皓月当空的夜晚,怎承受得了回忆故国的伤痛。精雕细刻的栏杆、玉石砌成的台阶应该还在,只是所怀念的人已衰老。若要问我心中有多少哀愁,就像这不尽的滔滔春水滚滚东流。

1.“问君能有许多愁?恰是一江春水向东流”是千古传诵的名句,它抒发了词人怎样的情感?你认为它好在哪里?

答:抒发了词人深重、难以遏制的愁绪。以春水来比喻愁绪,呼应了“春花”“东风”等点明季节的词语,又把抽象的愁绪形象化,写出了愁绪的奔腾不息和连绵不绝的特点。

2.“问君能有几多愁?恰似一江春水向东流”运用了什么修辞手法?有何作用?

答:运用了设问和比喻的修辞手法。把心中无形的愁苦比作滚滚东去的长江水,具体形象。3.这首词表达了作者怎样的思想感情?

答:达了作者痛失家国的无限愁绪。

4.词的上阕一共写了哪些意象?这些意象的特点是什么?作者通过这些意象的描写抒发了什么思想感情?这是什么写法?

答:词的上阕一共写了“春花”“秋月”“小楼”“东风”“明月”五个意象,这些意象的共同特点是“美”,它们是良辰美景,作者写这些是为了表明自己对人生的厌倦,这是以美景写哀情的反衬手法。

5.“雕栏玉砌应犹在,只是朱颜改”中的“朱颜改”如何理解,这三句词蕴涵了词人什么样的思想感情?答:“朱颜改”三字,既可以理解为古国宫殿的颜色已经陈旧,也可以理解为旧时宫女的容貌已经衰老、憔悴,又可理解为原为故国君主的词人自己已经沦为“阶下囚”而憔悴不堪,更可以理解为国家易主,江山变色,这三句词抒发词人物是人非,江山易主的深沉的亡国之痛。

6.结尾两句把“愁”比做“一江春水向东流”,突出了“愁”的哪些特点?这样写有什么好处?

答:结尾两句把“愁”比做“一江春水向东流”,突出了“愁”的深重、强烈和无穷无尽。这种比喻性的写法可以化抽象为形象,把“愁”写得具体可感,给人留下鲜明、深刻的印象。

7.理解性阅读。

(1)

(2)“问君能有几多愁,恰似一江春水向东流”的诗句,将“离愁”写得如此真切、深刻。(李煜《虞美人》)

(2)“明月”与“东风”是古诗词中常用的意象,在李煜的诗词中也用了这两个意象,这两句是“小楼昨夜又东风,故国不堪回首月明中”。(李煜《虞美人》)

(3)李商隐的《五绝·登乐游原》中的“夕阳无限好,只是近黄昏”表示对美好而又行将消逝的事物的留恋。而在李煜的《虞美人》中那美好的事物却使李煜倍添烦恼,劈头怨问苍天,你什么时候才能了结呢。这句诗是:“春花秋月何时了”。(李煜《虞美人》)

(4)崔护《题都城南庄》中“人面不知何处去,桃花依旧笑春风”两句写出了桃花依旧,但人面不见,人去楼空的物是人非的情景。李煜的《虞美人》中,也有两句写出了这样的物是人非之感,这两句是“雕栏玉砌应犹在,只是朱颜改”,由此勾起作者无穷幽怨和仇恨之情。(李煜《虞美人》)

(5)找出本首词中运用对比手法的词句“雕栏玉砌应犹在,只是朱颜改”。

8.“春花秋月”是美景,作者为什么要追问它“何时了”?

答:春花秋月——春花美,秋月亮,但丝毫也唤不回亡国之君欣赏的兴趣。春花秋月是美景,面对美景更触发了诗人内心的悲苦和对自己当前处境的慨叹何时了——一年一度的春花秋月之意味着这种屈辱生活的延续罢了,这样的日子何时才是尽头呢?

“问君能有几多愁?恰是一江春水向东流”是以水喻愁的名句,请说说这个比喻句的表达效果。

答:含蓄地显示出郁结已久的愁绪长流不断,无穷无尽,并且将要达到迸发奔放,纵横恣肆的程度。比喻,化抽象为具体形象化

10.“故国不堪回首月明中”一句中“不堪”一词表达了作者对故国的怀念;对往事的愧悔;对亡国的痛心。

11.“问君能有几多愁?恰似一江春水向东流”一句历来是词中名句,请加以赏析。

答:用满江的春水来比喻满腹的愁恨,极为贴切形象,不仅显示了愁恨的悠长深远,而且显示了愁恨的汹涌翻腾,充分体现出奔腾中的感情所具有的力度和深度。

12.

13.“小楼昨夜又东风”中的“又”表现了作者怎样的思想感情?

答;“又东风”点明他归宋后又过了一年,时光在不断流逝,与开头句照应。季节的变化引起他的无限感慨,感慨人的生命随着花谢月残而长逝不返,感慨复国之梦随着花开月圆而逐步破灭。

13.选择题。

下面对李煜《虞美人》的理解和分析,不正确的一项(D)

A.“春花秋月”本是美好的事物,词人却殷切企盼它早日“了”却,小楼“东风”带来春天的信息,却反而引起作者“不堪回首”的嗟叹,因为一年一度的“春花秋月”只是意味着亡国之君屈辱生活的延续,并引发了作者物是人非的慨叹。

B.在前六句中,“何时了”“又东风”“应犹在”一脉相承,专说宇宙永恒不变;而“往事知多少”“不堪回首”“朱颜改”则指向人事之沧桑无常。

C.结句“一江春水向东流”,是以水喻愁的名句,不仅显示出愁思的悠长深远,而且显示了愁思的汹涌翻腾,形象地传达出词人的故国之思和人生无常的悲伤和感慨。

D.结全词以问起,以答结;由问天、问人而到自问,通过凄楚中不无激越的音调和曲折回旋、流走自如的艺术结构,使作者沛然莫御的愁思贯穿始终,形成沁人心脾的美感效应。

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