In-Medium Effects in Photo- and Neutrino-Induced Reactions on Nuclei

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像素级融合的英语

像素级融合的英语

像素级融合的英语Dive into the realm of pixel-level fusion, where the artof blending images reaches a new zenith of precision and clarity. This technique, a marvel of modern technology,allows for the seamless integration of multiple images into a single, cohesive visual masterpiece. Imagine landscapes that defy the boundaries of reality, where the vibrant hues of a sunset merge with the tranquility of a moonlit night, all within the same frame. Pixel-level fusion isn't just about combining images; it's about creating a narrative that transcends the ordinary, where every pixel tells a story, and every detail is meticulously aligned to create a visual symphony.This advanced process involves the careful manipulationof individual pixels, ensuring that the final output is free from any telltale signs of artificial merging. It's adelicate dance of light and shadow, where the contrast, color balance, and texture must be in perfect harmony. The resultis an image that appears as if it was captured in a single, perfect moment, yet it holds within it the depth and complexity of multiple perspectives.Whether it's for professional photography, graphic design, or even in the creation of digital art, pixel-level fusion opens up a world of possibilities. It challenges thetraditional limits of image editing, pushing the boundariesof what can be achieved with digital imagery. As we explorethis fascinating technique, we uncover a world where creativity meets technology, and the potential for visual storytelling is limitless.。

英语电影影评英语作文

英语电影影评英语作文

When it comes to writing an English composition about a movie review,there are several key elements to consider.Heres a detailed guide on how to approach this task:1.Introduction:Start your essay by introducing the movie.Mention the title,the director, the main actors,and the genre of the film.Set the tone for your review by indicating whether you enjoyed the movie or not.Example:The film Inception,directed by the visionary Christopher Nolan and starring Leonardo DiCaprio,is a mindbending science fiction thriller that challenges the boundaries of reality.2.Plot Summary:Provide a brief summary of the movies plot without giving away any major spoilers.This section should be concise and focus on the main storyline. Example:The story revolves around Dom Cobb,a skilled thief who steals information from peoples minds while they are dreaming.He is offered a chance at redemption by performing an inception planting an idea into someones subconscious.3.Analysis:Dive deeper into the movie by analyzing its themes,characters,and narrative structure.Discuss the movies strengths and weaknesses,and why you think it succeeds or fails in delivering its message.Example:Nolans intricate storytelling and the films complex narrative structure are its greatest strengths.The characters are welldeveloped,with Cobbs internal struggle adding depth to the plot.However,the complexity of the story may leave some viewers feeling confused.4.Cinematography and Visual Effects:Comment on the films visual aspects,including the cinematography,special effects,and set design.Discuss how these elements contribute to the overall experience of the movie.Example:The visual effects in Inception are nothing short of spectacular,creating dream landscapes that are both surreal and captivating.The cinematography by Wally Pfister enhances the films dreamlike quality,making the audience question the nature of reality.5.Performances:Evaluate the performances of the actors,focusing on the main characters.Discuss how their portrayals contribute to the films impact.Example:Leonardo DiCaprio delivers a powerful performance as Cobb,effectivelyconveying the characters emotional turmoil.The supporting cast,including Joseph GordonLevitt and Ellen Page,also provide strong performances that add to the films dynamic.6.Soundtrack and Score:Mention the films soundtrack and score,and how they contribute to the movies atmosphere and emotional impact.Example:Hans Zimmers haunting score perfectly complements the films themes of dreams and reality,adding an additional layer of depth to the narrative.7.Conclusion:Wrap up your review by summarizing your thoughts and providing a final verdict on the movie.Recommend the film to specific audiences or discuss its overall appeal.Example:In conclusion,Inception is a thoughtprovoking and visually stunning film that will leave viewers questioning the nature of reality long after the credits roll.It is highly recommended for fans of science fiction and those who appreciate complex narratives and exceptional storytelling.8.Personal Reflection:Optionally,you can include a personal reflection on how the movie affected you,what you learned from it,or how it resonated with you on a personal level.Example:Watching Inception made me reflect on the power of our subconscious mind and the impact of our dreams on our waking lives.Its a film that stays with you,inviting multiple viewings to unravel its many layers.Remember to maintain a formal tone throughout your essay and provide specific examples to support your points.This will help your review to be both informative and engaging for the reader.。

Philips S329 Silver 双卡双待手机说明书

Philips S329 Silver 双卡双待手机说明书

S329SilverFDD-LTE/TDD-LTE/WCDMA/GSMCTS329SVAlways there for youMeet the latest Philips S329 with a whole array of powerful smart features packed in a slim body! 3000mAh battery, 5.0'' HD IPS oncell display with 2.5D arc cover lens and metal body, all setting you free to explore the exciting world.Designed for youDual SIM for 2 groups of contactsFingerprint access to your personal applicationsExcellent surfing experience with Dual 4G (TDD-LTE/FDD-LTE)Superlative 3000mAh lithium batteryExtras in lifeAwesome shots with 13 megapixel autofocus camera with flash5" HD IPS display for rich viewing details16GB built-in memory and 2GB RAM for excellent experienceHighlightsDual SIMOrganize your life better and keep yourcontacts separate by using 2 different phone numbers. With Dual SIM, you don't need to carry 2 phones around.13 MPixel AF camera with flashGet trigger-happy with the amazing 13megapixel camera of your Philips mobile phone that delivers quality picture ever. Plus jazz up your images with a fantastic array of creative effects for your snapshots. Withdifferent shooting modes like automatic faceretouch, makeup effects, high-dynamic-range imaging (HDR), panorama and continuous frame shooting, you're just a click away from photographic genius.Dual 4G (TDD-LTE and FDD-LTE)Your Philips mobile phone incorporatesdual-mode 4G radio, that allows you to use mobile internet on a blazing speeds both in TDD-LTE and FDD-LTE networks. Now you can enjoy wider LTE coverage with just one phone.16GB ROM, 2GB RAMYour Philips mobile phone comes with a 16GB built-in memory, so you can pack more into your life on the go. With such generous storage available for your ever expanding needs, there is more room for your favorite apps, photos and important documents. The 2GB ROM can let you enjoy excellent performance duringplaying games and watching movies in spare time.5" HD IPS displayYour Philips mobile phone comes endowed with an awesome 5" high definition display that brings you truly vibrant colors and razor-sharp detail. The IPS technology ensures great viewing from any angle, while the vibrant colors and vivid images render a full-bodied viewing experience. To top it off, navigating onthe wide screen is also swift and effortless.Whether you are surfing your favorite websites or viewing your latest snapshots and videos,the 5" screen gives you an unbeatable visual treat while on the go.3000mAh Lithium BatteryYour Philips mobile phone comes packed with a standout 3000mAh lithium battery forseamless and long lasting connections on the go. With such exceptional battery performance,you can banish nagging worries about missing important calls from both your professional and personal contacts. And when both work and family matters have been tackled to yoursatisfaction, you can hone in on transcendent gaming and surfing experiences on a single charge, thanks to the phone's best-in-class power technology.Fingerprint authenticationSmart fingerprint authentication restricts your Philips mobile phone and data to be accessed only by you - using your unique fingerprint. All you need to do is to register your fingerprint via the phone's built-in fingerprint sensor. A quick swipe of your finger will verify the match and allow you exclusive use of your phone and its amazing functions and applications.SpecificationsOSAndroid: Android7.0DimensionsAntenna: IntegratedForm Factor: Persional Digital Assistant Handset color: SilverHandset dimensions: 143.4mm x 70.4mm x 9.15mmHandset weight: About 144 g (with battery) Network FeaturesGPRS (Rx+Tx): Class 12, Class BGSM band: 850, 900, 1800, 1900 MHz Messaging: Concatenated SMS (Long SMS), E-mail, MMS,Multimedia Message Service, Predefined messages (SMS,MMS), SMS (Short Message Service), SMS multi-target,Predefined SMSServices: OTA provisioning (WAP,MMS), WAP 2.0, Internet on mobileVoice Codec: FR/EFR/AMR/HREDGE3G: WCDMAGSM band(Primary SIM): 1800, 1900, 900, 850 MHzGSM band(Secondary SIM): 1800, 1900, 850, 900 MHzWCDMA band: 1900MHz, 2100MHz, 850MHz, 900MHzWiFi: IEEE 802.11 b,g,n4G FDD-LTE: 1800(B3), 2100(B1), 2600(B7), 800(B20), 900(B8)4G TD-LTE: 1900(B39), 2300(B40),2600(B38), 2600(B41)Picture/DisplayDiagonal screen size (inch): 5.0 inchMain Display Colors: 16.7MMain Display Resolution: 720X1280 pixel Main Display Technology: TFT IPSTouch panelCapacitive touchscreen Still Picture CapturingCamera: IntegratedFlash: built-inImage sensor type: CMOSPreview frame rate: 30 frames/secondPicture file format: JPEGPicture resolution: 5M (2592x1944), 13M(4096X3072)Still Picture PlaybackPicture Compression Format: BMP, GIF, JPEG,PNG, WBMPRotation: 90 degree stepsSlide showVideo CapturingVideo format: 3GPVideo resolution: QCIF, VGA, HDVideo PlaybackCompression formats: MPEG4, 3GP, MKV,MP4Frame rate (fps): 30Resolution (pxl): 1280x720Audio CapturingVoice recording: Yes, 3GPPAudio PlaybackAudio supported formats: AMR, MP3, FLAC,WAV, OGGSoundRingers: MP3 ringer, Polyphonic (64 tones),AMR ringerStorage MediaBuilt-in memory (RAM): 2 GBMemory Card Types: Micro SDMemory management: Memory status,Dynamic memory allocationMaximum memory card capacity: 64 GBBuilt-in memory (ROM): 16 GBUser Memory: Available about 10.58 GBConvenienceButtons and controls: Power On/Off, SidekeysCall Management: Call Forwarding, Call onHold, Call Time, Call Waiting*, Caller ID*,Emergency Call, Microphone mute, MissedCalls, Received CallsClock/Version: Digital, International clockEase of Navigation: Touch panelEase of Use: Blinking Lights, Graphical UserInterface, Hands free mode, Hot Keys, In-flight mode, Screen Saver Digital Clock, VibraAlert, Dual SIM cards, Screen saverGames and applications: Alarm Clock,Calculator, Calendar, Stopwatch, Countdowntimer, Document Viewer, Photo Editor, Widget,File ManagerLanguage available: UI: Arabic, English,French, Hindi, Indonesian, Farsi, Filipino, UrduMultimedia: FM RadioPersonal Info Management: Time Zone,Smart Phonebook, International clockPersonalisation/Customization:Downloadable Picture, DownloadableRingtones, Wallpaper, RingtonesVibratorVolume controlGPSBuilt-in GPSSupports A-GPSConnectivityHeadset: Via 3.5mm jack connector-CTIAModem Capabilities: GPRS, WCDMA, EDGE,HSDPA 42Mbps, HSUPA 11.5Mbps, UL50Mbps, DL 150Mbps, CSFB, LTE, LTE Cat4PC Link: USB 2.0Serial connections: USB-MicroUSB data cableWireless connections: Bluetooth, Wi-Fi b/n/g2.4GHzBluetooth profiles: A2DP, File transfer profile,FTP, HFP, HSP, OPP, GAP, HS-HFP, BIPBluetooth version: 4.1AccessoriesStandard Package Includes: Charger, StereoHeadset, USB data cable, QSG(Quick startguide), Eject pin, Warranty card* Availability of certain features is subject to valid servicesubscription from your network operator.* All visuals provided are for reference purposes only.Actual product features such as phone colors andscreenshots may vary from those pictured.* Actual available memory for end user usage may varyfrom market to market due to pre-configuration.© 2019 Koninklijke Philips N.V.All Rights reserved.Specifications are subject to change without notice. Trademarks are the property of Koninklijke Philips N.V. or their respective owners.Issue date 2019‑10‑24 Version: 1.0.112 NC: 8670 001 50988 EAN: 87 12581 74963 7。

中考英语摄影艺术的表现力提升单选题40题

中考英语摄影艺术的表现力提升单选题40题

中考英语摄影艺术的表现力提升单选题40题1.In photography, a “lens” is an important _____.A.toolB.equipmentC.deviceD.instrument答案:A。

本题考查名词辨析。

“tool”通常指用于完成某项工作的工具;“equipment”指设备、装备,比较宽泛;“device”装置;“instrument”乐器、仪器。

在摄影中,“lens”(镜头)是一种重要的工具,所以选A。

2.Which one is not a part of a camera?A.shutterB.flashC.paperD.lens答案:C。

本题考查相机的组成部分。

“shutter”(快门)、“flash”(闪光灯)、“lens”((镜头)都是相机的组成部分,而“paper”((纸)不是相机的一部分。

3.A good photographer knows how to use different _____ to create beautiful pictures.A.anglesB.viewsC.scenesD.objects答案:A。

本题考查名词辨析。

“angles”角度;“views”观点、景色;“scenes”场景;“objects”物体。

一个好的摄影师知道如何使用不同的角度来创造美丽的照片,所以选A。

4.The _____ of a photograph can make it more attractive.A.colorB.contrastpositionD.brightness答案:C。

本题考查名词辨析。

“color”颜色;“contrast”对比;“composition”构图;“brightness”亮度。

照片的构图可以使它更具吸引力,所以选C。

5.In photography, “aperture” is a kind of _____.A.settingB.featureC.attributeD.function答案:A。

照片美学分析英语作文

照片美学分析英语作文

照片美学分析英语作文Photography is an art form that has evolved significantly over the years, and it has become an integral part of our everyday lives. The art of photography is not just about capturing a moment in time, but also about understanding the aesthetic principles that govern the creation of a visually compelling image. In this essay, we will explore the concept of photographic aesthetics and how it can be used to create stunning and impactful images.One of the fundamental elements of photographic aesthetics is composition. The way in which the various elements within the frame are arranged can have a significant impact on the overall impact of the image. The rule of thirds is a widely recognized compositional technique that involves dividing the frame into a grid of nine equal parts and placing the subject or focal point at the intersection of these lines. This creates a sense of balance and harmony within the image, drawing the viewer's eye to the most important elements.Another important aspect of photographic aesthetics is the use of light. The way in which light interacts with the subject and the environment can create a range of visual effects, from dramatic shadows to soft and ethereal lighting. Photographers who are skilledin the use of light can create images that evoke a particular mood or emotion, whether it's the warm glow of a sunset or the stark contrast of a high-contrast black and white image.Color is also an important consideration in photographic aesthetics. The choice of color palette can have a significant impact on the overall tone and mood of an image. Some photographers may opt for a more vibrant and saturated color scheme, while others may prefer a more muted and subdued palette. The use of color can also be used to create a sense of balance and harmony within the frame, as well as to draw the viewer's attention to specific elements.Another important aspect of photographic aesthetics is the use of negative space. Negative space refers to the areas within the frame that are not occupied by the subject or main elements of the image. Skillful use of negative space can create a sense of balance and visual interest, as well as draw the viewer's attention to the most important elements of the image.Perspective is also an important consideration in photographic aesthetics. The way in which the photographer chooses to position the camera can have a significant impact on the way in which the subject is perceived. For example, shooting from a low angle can create a sense of power and dominance, while shooting from a high angle can create a sense of vulnerability or smallness.Finally, the choice of lens and camera settings can also play a role in the overall aesthetic of an image. Different lenses can create different effects, such as a wide-angle lens that creates a sense of depth and drama, or a telephoto lens that compresses the image and creates a more intimate and isolated feel.In conclusion, photographic aesthetics is a complex and multifaceted field that requires a deep understanding of the various elements that contribute to the creation of a visually compelling image. Whetherit's the use of composition, light, color, negative space, perspective, or camera settings, the skilled photographer can create images that not only capture a moment in time, but also convey a sense of emotion and beauty. By mastering the principles of photographic aesthetics, photographers can create images that truly stand out and leave a lasting impression on the viewer.。

什么照片最吸引你英语作文

什么照片最吸引你英语作文

As a high school student with a keen interest in photography, there are countless images that have the power to captivate me. However, the photograph that stands out the most is one that encapsulates a moment of raw human emotion, a snapshot that tells a story without the need for words. This particular photo is not just a visual treat its a window into the soul of humanity, a testament to the power of a single moment frozen in time.The photograph Im referring to was taken during a visit to a local community center where I volunteered. It was a simple, unassuming shot of an elderly man and a young child, both with their eyes closed, their hands clasped together. The old mans face was etched with lines of wisdom and experience, while the childs was a canvas of innocence and hope. The sun was setting in the background, casting a warm glow over the scene, and the air was filled with the scent of freshly bloomed flowers.What makes this photo so compelling is the story it tells. The elderly man was a war veteran who had seen the worst of humanity, yet here he was, sharing a moment of peace and tranquility with a child who represented the future. It was a poignant reminder that despite the hardships and tragedies life can throw at us, there is always room for hope and connection.The composition of the photo is also noteworthy. The photographer skillfully used the rule of thirds, placing the subjects offcenter to create a sense of balance and harmony. The soft lighting and the warm colors added a layer of depth and emotion to the image, making it feel intimateand personal.Moreover, the photo serves as a powerful reminder of the importance of empathy and understanding. In a world that often seems divided and disconnected, this image is a testament to the power of human connection. It shows that despite our differences in age, background, and experiences, we can still find common ground and share moments of genuine connection.I also appreciate the technical aspects of the photo. The photographers choice of a wide aperture allowed for a shallow depth of field, which helped to isolate the subjects and draw attention to their faces. The use of natural light added a sense of authenticity and realism to the image, making it feel more grounded and relatable.In conclusion, the photograph that most attracts me is one that speaks to the heart and soul. Its a reminder of the power of human connection and the beauty of shared moments. Its a testament to the skill and artistry of the photographer, who was able to capture a fleeting moment and turn it into a timeless piece of art. As a high school student, I am inspired by such images and aspire to capture similar moments in my own photography journey.。

2019年雅思核心词汇:与数码相机规格相关的雅思词汇

2019年雅思核心词汇:与数码相机规格相关的雅思词汇

2019年雅思核心词汇:与数码相机规格相关的雅思词汇影像分辨率 Image SizeISO 感光度 Sensitivity镜头性能 Lens数字变焦 Digital Zoom自动对焦 Autofocus手动对焦 Manualfocus一般对焦范围 General Shooting Distance近拍对焦范围 Macro Shooting Distance光圈范围 Aperture Range白平衡 White Balance快门速度 Shutter内建闪光灯 Built-in Flash外接闪光灯 Supported Speedlights闪光灯模式 Flash Mode曝光补偿 Exposure Compensation测光方式 Exposure Metering光圈先决 Aperture-Priority Auto快门先决 Shutter-Priority Auto连拍 Continuous Capture Modes远程遥控 Remote三角架使用 Tripod Mount自拍 Self-Timer储存媒体 Storage Media随机附赠内存 Attached Storage不压缩格式 Uncompressed Image Format 压缩格式 Compressed Image Format画质选择 Tuning观景窗 Viewfinder液晶屏幕 LCD Display视讯输出 Video Output序列接口 Serial InterfacesUSB 接口 USB InterfacesIrDA 接口(红外线) IrDA Interfaces自动对焦控制方式 Autofocus Control闪光灯指数 Guide Number重量 Weight尺寸规格 Dimensions使用电池/电池寿命 Power/ Battery Life。

全息照相的原理英语作文

全息照相的原理英语作文

全息照相的原理英语作文The principle of holographic photography is based on the interference pattern created by the interaction oflight waves. This pattern captures the three-dimensional information of an object, allowing us to reproduce a realistic and detailed image.Holographic photography uses a laser beam to illuminate the object and a photosensitive material to record the interference pattern. The laser light is coherent, meaning that all the light waves have the same frequency and phase, which is essential for creating a clear and sharp hologram.When the laser light reflects off the object, it combines with the reference beam to create an interference pattern on the photosensitive material. This pattern contains information about the object's shape, size, and texture, allowing us to reconstruct a lifelike image when the hologram is illuminated with laser light.Unlike traditional photography, holographic photography captures the complete wavefront of light, preserving both the intensity and phase information. This allows us to reproduce not only the appearance of the object but alsoits depth and spatial relationships, creating a truly realistic representation.One of the key advantages of holographic photography is its ability to capture and display three-dimensional images without the need for special glasses or viewing devices. This makes holograms an ideal tool for scientific research, medical imaging, and artistic expression, opening up new possibilities for visual communication and storytelling.In conclusion, holographic photography offers a unique and powerful way to capture and reproduce three-dimensional images with unparalleled realism and detail. By harnessing the principles of interference and wavefront reconstruction, holograms enable us to experience the world in a new and immersive way, pushing the boundaries of visual representation and storytelling.。

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a r X i v :n u c l -t h /0608037v 1 14 A u g 2006International Journal of Modern Physics A cWorld Scientific Publishing Company IN-MEDIUM EFFECTS IN PHOTO-AND NEUTRINO-INDUCEDREACTIONS ON NUCLEIT.LEITNER,U.MOSEL ∗,L.AL VAREZ-RUSOInstitut fuer Theoretische Physik,Universitaet Giessen,GermanyReceived Day Month YearRevised Day Month YearIn this talk various aspects of in-medium behavior of hadrons are discussed with an emphasis on observable effects.It is stressed that final state interactions can have a major effect on observables and thus have to be considered as part of the theory.This is demonstrated with examples from photo-nucleus and neutrino-nucleus interactions.Keywords :hadrons in medium;photoproduction;neutrino scattering.PACS numbers:25.20.Lj,25.30.Pt1.IntroductionHadrons,embedded inside nuclei,obviously change some of their properties.They acquire complex selfenergies with the real parts reflecting the binding (or non-binding)properties and the imaginary parts reflecting the interactions and possibly their changes inside the medium.Particles that are produced through resonances or –at high energies –through strings become physical,on-shell particles only after some formation time.In this case the nuclear medium may affect the formation pro-cess and can thus act as a micro-detector for the early stages of particle production.Naively,one expects that in lowest order all in-medium effects go linearly with the density of nuclear matter,ρ,around the hadron.This has triggered a series of experiments with relativistic and ultrarelativistic heavy-ions,which can reach high densities,that have looked for such effects and have indeed reported in-medium changes of the ρmeson 1,2,3.However,it has been pointed out quite early 4that also experiments with microscopic probes on nuclei can yield in-medium signals that are as large as those obtained in heavy-ion collisions.Although,of course,the density probed here is always below ρ0the observed signal is cleaner in the sense that it does not contain an implicit integration over very different phases of the reaction and the nuclear environment.The signal to be expected is also nearly as large as that seen in heavy-ion collisions.This idea has been followed up in recent∗electronicaddress:mosel@theo.physik.uni-giessen.de12T.LEITNER,U.MOSEL,L.ALVAREZ-RUSOexperiments with photons on nuclei5,6,where indeed changes of theωmeson in medium have been reported6.In Ref.7,8we have discussed the relevant questions and theoretical studies of in-medium properties in some detail.Such calculations necessarily rely on a num-ber of simplifying assumptions,foremost being that of an infinite medium at rest in which the hadron under study is embedded.In actual experiments these hadrons are observed through their decay products and these have to travel through the surrounding nuclear matter to the detectors.Except for the case of electromagnetic signals(photons,dileptons)this is connected with often sizeablefinal state inter-actions(FSI)that have to be treated as realistic as possible.For a long period the Glauber approximation which allows only for absorptive processes along a straight-line path has been the method of choice in theories of photonuclear reactions on nuclei.This may be sufficient if one is only interested in total yields.However,it is clearly insufficient when one aims at,for example,reconstructing the spectral function of a hadron inside matter through its decay products.Rescattering and sidefeeding through coupled channel effects can affect thefinal result so that a realistic description of such effects is absolutely mandatory.In this talk we will give an overview of thisfield with an emphasis on observable effects in photonuclear and neutrino-induced reactions.More details can be found in two previous reviews7,8.2.In-medium effectsThe model we are using for the description of photon-und neutrino-induced re-actions factorizes into three ingredients.First,there is shadowing in the entrance channel that comes about by a quantum mechanical coherence effect.This is essen-tial for photon energies of about1GeV on upwards and for small virtualities Q29. Second there is an elementary interaction of the incoming probe with individual nu-cleons,the assumption being here that the processes under study are all one-body processes.At this stage also’trivial’many-body effects,such as Fermi motion and Pauli-blocking,can be taken into account.How these effects influence the inclusive cross section is shown in Fig.1for the example of neutrino scattering offa Fe nucleus.The left peak is due to∆excitation, the right one to quasielastic scattering.The dashed line shows the elementary cross section for∆production.The position of theδ-function of the QE cross section is indicated by the arrow.We subsequently include Fermi motion and Pauli blocking as well as the binding of the nucleons in a mean-field potential.Furthermore,we include the in-medium modification of the width of the∆resonance by taking into account that the decay might be Pauli blocked and that there are additional channels for the∆in the medium like two and three body collisions which therefore yield to a collisional broadening of resonances in the nuclear medium.Including all these effects leads to a significant change of the cross section compared to the vacuum result.IN-MEDIUM EFFECTS IN PHOTO-AND NEUTRINO-INDUCED REACTIONS ON NUCLEI3d 2σ/d E µd Q 2 [10-38 c m 2/Ge V 3]E µ [GeV]Fig.1.Inclusive double differential cross section dσ/dQ 2dE µfor charged current scattering of νµon 56Fe at E ν=1GeV and Q 2=0.15GeV 2(from Ref.10).The third step is the propagation of the produced particles from their produc-tion through the nuclear medium out to the detector.During this propagation the particle originally produced can loose parts of its energy and change its direction or even charge through rescattering.It can also be absorbed,thus transferring its energy and momentum to nucleons.These nucleons can then either be knocked out of the nucleus or produce other,secondary hadrons in collisions with other nucle-ons.The hadron ultimately seen leaving the nucleus may thus not be that that was originally,in the first interaction of the probe with a nucleon,produced.The latter step is handled by a semiclassical coupled channel transport theory with the help of the GiBUU code 11that takes Fermi motion and Pauli blocking into account and allows for a propagation of all hadrons in their mean field potentials.Originally it has been developed for the description of heavy-ion collisions and has since then been applied to -and tested against -various more elementary reactions on nuclei with protons,pions,elctrons,photons and neutrinos in the entrance chan-nel.In this method the spectral phase space distributions of all particles involved are propagated in time,from the initial first contact of the probe with the nucleus all the way to the final hadrons leaving the nuclear volume on their way to the de-tector.The spectral phase space distributions F h ( r , p ,µ,t )give at each moment of time and for each particle class h the probability to find a particle of that class with a (possibly off-shell)mass µand momentum p at position r .Its time-development is determined by the BUU equation(∂∂ p∂∂ r∂4T.LEITNER,U.MOSEL,L.ALVAREZ-RUSOinelastic collisions between the hadrons.Here the term inelastic collisions includes those collisions that either lead to particle production or particle absorption.The former is described by the gain term G h a h on the rhs in(1),the latter process (absorption)by the loss term L h F h.Note that the gain term is proportional to the spectral function a of the particle being produced,thus allowing for production of off-shell particles.On the contrary,the loss term is proportional to the spectral phase space distribution itself:the more particles there are the more can be absorbed.The terms G h and L h on the rhs give the actual strength of the gain and loss terms, respectively.They have the form of Born-approximation collision integrals and take the Pauli-principle into account.The free collision rates themselves are taken from experiment or are calculated12.The collision term on the rhs of(1)is responsible for the collision broadening that all particles experience when they are embedded in a dense medium.Collisions either change energy and momentum of the particles are absorb them alltogether. Both processes contribute to collisional broadening.The detailed structure of the gain and loss terms can be obtained from quantum transport theory13,14.A very dramatic example,which demonstrates the importance of coupled chan-nel effects,is provided by the charged current neutrino-induced neutron knockout offnuclei.Since charged current interactions by themselves always change the charge of the hit nucleon by one unit there cannot be any charged current knock-out neu-trons in a quasielastic process.This is indeed born out in the results of calculations (see Fig.2,left)10.The few events visible in that picture at Q2≈0.05GeV2and Eµ≈0.6GeV stem from events wherefirst a∆+is produced that then decays into π+n.Whenfinal state interactions are turned on,this picture changes dramatically (see Fig.2,right).Now a significant neutron knockout signal appears at Eµ≈0.9GeV with a long ridge in Q2.In addition the∆-like events now show also considerably more strength.The former effect is caused by charge-transfer reactions where in afirst interaction a proton is knocked on that then travels through the nucleus and transmits its energy and momentum to a hit neutron that is being knocked out of the nucleus.The same applies to the∆-like events:due to charge-exchange FSI now also the initial decay channels∆+→π0p and∆++→π+p can contribute tofinal neutrons being knocked out.We shall now present two more applications,namely photon and neutrino in-duced neutral current pion production on nuclei.3.Photoproduction of pions on nucleiAn example for the method and the quality of its results is shown in Fig.3.Here we show the momentum-differential distributions for neutral pions produced by real photons on the nuclei Ca and Pb.The overall behavior of the spectra is described quite well by the BUU calculations.The clear deficiencies that show up at the lowest photon energy of250MeV,where the calculated cross section is only about2/3ofIN-MEDIUM EFFECTS IN PHOTO-AND NEUTRINO-INDUCED REACTIONS ON NUCLEI 5Q 2[GeV 2]E µ [G e V ]0.20.40.60.810.2 0.40.6 0.8n, w/o FSIQ 2[GeV 2]E µ [G e V ]0.20.40.60.8 10.20.40.60.8n, w FSIFig.2.Double differential cross section dσ/dQ 2dE µfor neutron knockout induced by charged current scattering of νµon 56Fe at E ν=1GeV.Left:without FSI,right:with FSI (from Ref.10).the experimental one,is due to the fact that the data here contain a significant contribution from coherent pion production 15which cannot be described by the transport calculations.At the higher photon energies a distinct shape emerges –in agreement with experiment –that reflects the πN ∆dynamics in nuclei.The spectra always start out at zero momentum with zero cross section reflecting the p -state coupling of pions to the ∆.The following peak drops offsteeply at momenta of around 200MeV reflecting the strong pion absorption through the ∆resonance.After the fall-offthe spectrum flattens and smoothly decreases to zero,as mandated by phase-space limitations.The structure just described shows up in the data and the calculations as well only for photon energies above about 450MeV where the ∆resonance is well excited.4.Neutrino induced neutral current pion productionExactly the same behavior as for photoproduction of pions on nuclei also shows up in the neutrino-induced pion production from nuclear targets 10,16.We illustrate this in Fig.4with the momentum-differential spectrum of pions produced by neutral current scattering of neutrinos on 56Fe for 3neutrino energies.While the overall shape of the result without FSI (dashed line)is again dictated by the predominant p -wave production mechanism through the ∆resonance,the shape of the solid lines which denote the full calculation is influenced by the energy dependence of the pion absorption and rescattering.The main absorption mechanism for pions above p π≈0.2GeV is πN →∆followed by ∆N →NN which leads to a considerable reduction of the cross section.Elastic scattering πN →πN redistributes the kinetic energies and thus also shifts the spectrum to lower energies.While this is equivalent to the photoproduction case,we want to point out an interesting feature specific to neutrino reactions.As a direct consequence of the6T.LEITNER,U.MOSEL,L.ALVAREZ-RUSO00.50.20.20.40.20.2d σ/d p π/A [µb /Me V ]0.10.10.1500p π[MeV/c ]Fig.3.Photoproduction of π0on Ca (left)and Pb (right)as a function of pion momentum.Shown is the BUU calculation in comparison with data.The photon energies are given in the individual frames (from Ref.15).isospin structure of the resonance decay,the cross section for π0production is significantly higher than those of the π+and π−channels.When FSI are included,we find an enhancement of the peaks in the middle and bottom panels of Fig.4over the value obtained without FSI.This is due to the fact that the π0undergo charge exchange and contribute to the charged channels (side-feeding).The effect in the opposite direction is less important due to the smaller elementary π+and π−production cross section.Pions can also emerge from the initial QE neutrino-nucleon reaction when the produced nucleon rescatters producing a ∆or directly a pion (see dash-dotted line).This contributes mostly to the low energy region of the pion spectra due toIN-MEDIUM EFFECTS IN PHOTO-AND NEUTRINO-INDUCED REACTIONS ON NUCLEI705101520d σ/d p π [10-38 c m 2/Ge V ]56FeE ν=0.5 GeV, π0w/o FSI w FSIw FSI, only ∆w FSI, only QEE ν=1.0 GeV, π0E ν=1.5 GeV, π00246810d σ/d p π [10-38 c m 2/Ge V ]E ν=0.5 GeV, π+E ν=1.0 GeV, π+E ν=1.5 GeV, π+24681000.10.20.30.40.50.6d σ/d p π [10-38 c m 2/G e V ]p π [GeV]E ν=0.5 GeV, π-00.10.20.30.40.50.6p π [GeV]E ν=1.0 GeV, π-00.10.20.30.40.50.60.7p π [GeV]E ν=1.5 GeV, π-Fig.4.Momentum differential cross section for πproduction on 56Fe versus the pion momentum p πat different values of E ν.The dashed lines denote the calculation without FSI;the solid lines denote the one with FSI.Furthermore,it is indicated whether the pion comes from initial QE or ∆excitation (dash-dotted or dotted lines).(cf.Ref.16).the redistribution of the energy in the collisions.However,this process is not very sizable because it is relevant only at high Q 2.Finally,we show in Fig.5our result for the neutral current π0production on 12C.Plotted is the momentum differential cross section versus the pion momen-tum averaged over the incoming neutrino energy distribution of the MiniBooNE experiment 17as given in Ref.18.In principle,our model allows for the inclusion of detector acceptances,however,it is not considered in this calculation.The dashed line shows the spectrum including Fermi motion and Pauli blocking,but no FSI,the solid curve gives the spectrum with the FSI turned on.Again,we find,that the shape of the spectrum changes significantly.5.SummaryIn this talk various aspects of in-medium effects have been demonstrated.Any in-medium signal that involves hadrons in the final states is subject to final state interactions,thus,for a reliable predictions of observables one has to take these final state interactions with all their complications in a coupled channel calculation into account;simple Glauber-type descriptions are not sufficient.It was outlined8T.LEITNER,U.MOSEL,L.ALVAREZ-RUSO0.511.520 0.20.4 0.6 0.8 1d σ/d p π [10-38 c m 2/Ge V /c ]p π [GeV/c]12C, π0MiniBooNE fluxw/o FSI w FSIFig.5.Momentum differential cross section for NC π0production on 12Ccalculated with theMiniBooNE incoming neutrino energy distribution.that transport theory is at present the only reliable method to calculate the observ-able consequences of in-medium properties of hadrons and their interactions;usable quantum-mechanical approaches for the description of semi-inclusive events do not exist.Special emphasis was put on the demonstration of the overwhelming influence of final state interactions using examples from photon-nucleus and neutrino-nucleus interactions.6.AcknowledgementsThis work has been supported by DFG and BMBF.References1.G.Agakichiev et al.[CERES 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B.Krusche et al.,Eur.Phys.J.A22,277(2004).16.T.Leitner,L.Alvarez-Ruso and U.Mosel,arXiv:nucl-th/0606058.17.For details see:18.J.Monroe[MiniBooNE Collaboration],Nucl.Phys.Proc.Suppl.139,59(2005).a r X i v :n u c l -t h /0608037v 1 14 A u g 2006February 9,20080:41WSPC/INSTRUCTION FILE ws-ijmpaInternational Journal of Modern Physics A cWorld Scientific Publishing Company INSTRUCTIONS FOR TYPESETTING MANUSCRIPTS ∗FIRST AUTHOR †University Department,University Name,AddressCity,State ZIP/Zone,Country ‡first nameSECOND AUTHOR Group,Laboratory,Address City,State ZIP/Zone,Countrysecondname Received Day Month YearRevised Day Month YearThe abstract should summarize the context,content and conclusions of the paper in less than 200words.It should not contain any references or displayed equations.Typeset the abstract in 8pt roman with baselineskip of 10pt,making an indentation of 1.5pica on the left and right margins.Keywords :Keyword1;keyword2;keyword3.PACS numbers:11.25.Hf,123.1K1.General AppearanceContributions to International Journal of Modern Physics A are to be in American English.Authors are encouraged to have their contribution checked for grammar.American spelling should be used.Abbreviations are allowed but should be spelt out in full when first used.Integers ten and below are to be spelt out.Italicize foreign language phrases (tin,French).Upon acceptance,authors are required to submit their data source file including postscript files for figures.The text is to be typeset in 10pt roman,single spaced with baselineskip of 13pt.Text area (including copyright block)is 8inches high and 5inches wide for the first page.Text area (excluding running title)is 7.7inches high and 5inches∗Forthe title,try not to use more than 3lines.Typeset the title in 10pt roman,uppercase and boldface.†Typeset names in 8pt roman,e the footnote to indicate the present or permanent address of the author.‡State completely without abbreviations,the affiliation and mailing address,including country.Typeset in 8pt italic.1February9,20080:41WSPC/INSTRUCTION FILE ws-ijmpa2Authors’Nameswide for subsequent pages.Final pagination and insertion of running titles will bedone by the publisher.2.Running HeadsPlease provide a shortened runninghead(not more than eight words)for the titleof your paper.This will appear on the top right-hand side of your paper.3.Major HeadingsMajor headings should be typeset in boldface with thefirst letter of importantwords capitalized.3.1.SubheadingsSubheadings should be typeset in boldface italic and capitalize thefirst letter of thefirst word only.Section number to be in boldface roman.3.1.1.SubsubheadingsTypeset subsubheadings in medium face italic and capitalize thefirst letter of thefirst word only.Section numbers to be in roman.3.2.Numbering and spacingSections,subsections and subsubsections are numbered in e double spac-ing before all section headings,and single spacing after section headings.Flush leftall paragraphs that follow after section headings.3.3.Lists of itemsLists may be laid out with each item marked by a dot:•item one,•item two.Items may also be numbered in lowercase roman numerals:(i)item one,(ii)item two.(a)Lists within lists can be numbered with lowercase roman letters,(b)second item.。

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