英文文献综述样本 威尼斯商人

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威尼斯商人-英语版

威尼斯商人-英语版

plot
In 1596, in the liberal Venice, Bassanio asks for a large amount to his friend, the merchant Antonio, to travel to Belmont (贝尔蒙特, 美国)and propose the gorgeous Portia
Antonio – a merchant of Venice Bassanio – Antonio‘s friend; suitor(求婚者) to Portia Portia – a rich heiress Shylock – a rich Jew, moneylender, father of Jessica Jessica – daughter of Shylock, Lorenzo's girlfriend Lorenzo – friend of Antonio and Bassanio, in love with
《威尼斯商人》 是莎士比亚早期的重要作品,是一部具有极大讽刺性的喜剧 。大约作于1596~1597年。
Play praises of love, friendship and love, but also reflects the early commercial capitalism, the contradiction between the bourgeoisie and the usurer, the performance of the author of bourgeois society, money, legal and religious issues of Humanism. This plays an important literary achievement, the mercenary is shaped Shylock, the typical image of a ruthless loan shark.

文献综述首页格式

文献综述首页格式

On Shakespeare’s Humanism in The Merchant of V enice (四号粗体)论《威尼斯商人》中莎士比亚的人文主义(四号黑体)
Literature Review (四号粗体)
2003级2班景涵(小四号黑体)
Abstract: (四号粗体) William Shakespeare is a great playwright in the history of English literature. He and his works have become the hot topics of literary criticism for a long time. The research on The Merchant of Venice mainly focuses on the characterization,the dramatic conflict and Shakespeare’s humanism. So, this paper makes a survey of these researches done to this comedy. (小四)
摘要:(四号黑体)莎士比亚是英国文学史上一个伟大的剧作家,他和他的作品一直是评论家评论的热点。

迄今,对《威尼斯商人》的研究主要集中在三个方面:剧中人物塑造、戏剧冲突以及莎士比亚的人文主义思想。

因此,本文对这部喜剧已做过的研究进行一个综合论述。

(小四仿宋)
注:英文都采用Times New Roman字体
1。

威尼斯商人 英语版

威尼斯商人 英语版
巴萨尼奥 (Bassanio):将家产挥霍一空的落魄贵族,后娶波西亚。 波西亚 (Portia):才貌双全的富家女嗣。 夏洛克 (Shylock):以放高利贷致富的犹太人。 洁西卡 (Jessica):夏洛克的女儿,后袭卷父亲财产与罗伦佐私奔。 罗伦佐 (Lorenzo):安东尼奥与巴萨尼奥的朋友,洁西卡的情人。 奈莉莎 (Nerissa):波西亚的贴身女侍。 葛莱西安诺 (Gratiano):安东尼奥和巴萨尼奥之友,后娶奈莉莎。
剧本歌颂仁爱、友谊和爱情,同时也反映了资本主义早期商业资产阶级与高 利贷者之间的矛盾,表现了作者对资产阶级社会中金钱、法律和宗教等问题 的人文主义思想。这部剧作的一个重要文学成就,就是塑造了夏洛克这一惟 利是图、冷酷无情的高利贷者的典型形象。
The main characters
Main characters:
When Shylock’s daughter Jessica runaway from home with all his money and jewels, he becomes furious(狂怒的). Meanwhile, the load of Antonio sinks with three different vessels(船只) and he is not able to pay his debts with Shylock, and the Jew goes to court of Venice claiming the execution(实施) of his deal.
莎士比亚(英国) 1564—1616年
简介:
The Merchant of Venice is the important early works of Shakespeare,is a comedy with a great satirical 。It’s about to make in 1596 ~ 1597

威尼斯商人英文简介

威尼斯商人英文简介

Set in the lavish era of 16th century Venice, Shakespeare's most powerf ul play comes to bear in Michael Radford's THE MERCHANT OF VENIC E, which follows the interlocking lives of a captivating assortment of clas sic Shakespearean characters.Bassanio (Joseph Fiennes) is the typical Elizabethan lover and aristocrat �young, impulsive and romantic �whose lavish lifestyle has left him d eep in debt and desperately in love with the fair Portia (Lynn Collins) of Belmont. But to win her hand, he must prove his worth. To prove his worth, he must not only raise money he doesn't have, but he must also correctly solve the riddle of matrimony bequeathed by Portia's late fathe r.Determined to call Portia his bride, Bassanio employs the support of his dear friend Antonio (Jeremy Irons), a successful merchant residing in Ve nice. But with no word from his trading fleet, Antonio is short of resourc es and must use his credit for a loan. This loan comes in the form of S hylock (Al Pacino), a Jewish loan shark who, like all his people, is force d to live in "ghettoes" and has limited access to the city.Yet, all is not as it appears between Antonio and Shylock. Antonio has publicly denounced Shylock and other Jews for their practice of usury (lo aning money at exorbitant rates of interest), and consistently hurts their business by offering loans with no interest. This set of circumstances, al ong with the persecution of Jews at the time, has made Shylock spiteful towards Antonio, who jumps at the chance to have the merchant in his debt.However, this time Shylock decides to offer his loan at no interest; inste ad, he demands a pound of flesh from Antonio if his loan is not repaid on time. Confident that Bassanio will return his good fortune three times over, Antonio agrees to the unusual terms.As Bassanio travels to Belmont with Gratiano (Kris Marshall) to woo his beloved, other events threaten to ruin his quest before it is fulfilled. Porti a, in the company of her lady-in-waiting Nerissa (Heather Goldenhersh), has already been welcoming potential suitors, who at any time could sol ve the mystery of her father's will which states that she must marry theman who correctly chooses one of three caskets.Then Antonio's trade ships fail to produce any profit for the merchant. A nd, Shylock's daughter Jessica (Zuleikha Robinson) impulsively elopes wit h Bassanio's friend Lorenzo (Charlie Cox); in the process, she escapes with a fair amount of her father's personal wealth. This shatters Shylock to the core and causes him to focus all his energy on the repayment of the debt, almost taking out a lifetime of discrimination on the merchant.Upon hearing of his friend's set of circumstances, Bassanio leaves Belm ont and rushes home to find a solution to Antonio's predicament. But bef ore Bassanio can arrive home, the loan is declared in default and the di straught and semi-deranged Shylock demands his pound of flesh from A ntonio in order to fully seek his revenge.The Duke (Anton Rodgers), the reigning power in the city, has called a l egal expert to the court to proceed over these extraordinary hearings �i s Antonio truly in default on his loan? Is the payment that Shylock is as king for justified? Can Bassanio return in time to save Antonio? In true Shakespearean fashion, all is not as it seems in a story wrought with m orality, revenge, redemption and love./~rbear/shake/mv.html英文原版/wg/s/shashibiya/wnss/中文版评论|27beret12345 |五级采纳率27%擅长:暂未定制按默认排序|按时间排序其他2条回答2006-03-12 21:43亚特兰蒂雅|五级Merchant of Venice 《威尼斯商人》by William Shakespeare/shakespeare/merchant//shakespeare/merchant/summary.htmlPlot OverviewAntonio, a Venetian merchant, complains to his friends of a melancholy t hat he cannot explain. His friend Bassanio is desperately in need of mo ney to court Portia, a wealthy heiress who lives in the city of Belmont. Bassanio asks Antonio for a loan in order to travel in style to Portia’s e state. Antonio agrees, but is unable to make the loan himself because hi s own money is all invested in a number of trade ships that are still at sea. Antonio suggests that Bassanio secure the loan from one of the cit y’s moneylenders and name Antonio as the loan’s guarantor. In Belmont, Portia expresses sadness over the terms of her father’s will, which stip ulates that she must marry the man who correctly chooses one of three caskets. None of Portia’s current suitors are to her liking, and she and her lady-in-waiting, Nerissa, fondly remember a visit paid some time befo re by Bassanio.In Venice, Antonio and Bassanio approach Shylock, a Jewish moneylen der, for a loan. Shylock nurses a long-standing grudge against Antonio, who has made a habit of berating Shylock and other Jews for their usur y, the practice of loaning money at exorbitant rates of interest, and who undermines their business by offering interest-free loans. Although Antoni o refuses to apologize for his behavior, Shylock acts agreeably and offer s to lend Bassanio three thousand ducats with no interest. Shylock adds, however, that should the loan go unpaid, Shylock will be entitled to a p ound of Antonio’s own flesh. Despite Bassanio’s warnings, Antonio agree s. In Shylock’s own household, his servant Lancelot decides to leave Sh ylock’s service to work for Bassanio, and Shylock’s daughter Jessica sch emes to elope with Antonio’s friend Lorenzo. That night, the streets of V enice fill up with revelers, and Jessica escapes with Lorenzo by dressing as his page. After a night of celebration, Bassanio and his friend Grazi ano leave for Belmont, where Bassanio intends to win Portia’s han d.In Belmont, Portia welcomes the prince of Morocco, who has come in a n attempt to choose the right casket to marry her. The prince studies th e inscriptions on the three caskets and chooses the gold one, which pro ves to be an incorrect choice. In Venice, Shylock is furious to find that his daughter has run away, but rejoices in the fact that Antonio’s ships are rumored to have been wrecked and that he will soon be able to claim his debt. In Belmont, the prince of Aragon also visits Portia. He, too, studies the caskets carefully, but he picks the silver one, which is also i ncorrect. Bassanio arrives at Portia’s estate, and they declare their love f or one another. Despite Portia’s request that he wait before choosing, B assanio immediately picks the correct casket, which is made of lead. He and Portia rejoice, and Graziano confesses that he has fallen in love wi th Nerissa. The couples decide on a double wedding. Portia gives Bassa nio a ring as a token of love, and makes him swear that under no circu mstances will he part with it. They are joined, unexpectedly, by Lorenzo and Jessica. The celebration, however, is cut short by the news that Ant onio has indeed lost his ships, and that he has forfeited his bond to Sh ylock. Bassanio and Graziano immediately travel to Venice to try and sa ve Antonio’s life. After they leave, Portia tells Nerissa that they will go to Venice disguised as men.Shylock ignores the many pleas to spare Antonio’s life, and a trial is call ed to decide the matter. The duke of Venice, who presides over the trial, announces that he has sent for a legal expert, who turns out to be Por tia disguised as a young man of law. Portia asks Shylock to show merc y, but he remains inflexible and insists the pound of flesh is rightfully his. Bassanio offers Shylock twice the money due him, but Shylock insists o n collecting the bond as it is written. Portia examines the contract and, f inding it legally binding, declares that Shylock is entitled to the merchant’s flesh. Shylock ecstatically praises her wisdom, but as he is on the ver ge of collecting his due, Portia reminds him that he must do so without causing Antonio to bleed, as the contract does not entitle him to any blo od. Trapped by this logic, Shylock hastily agrees to take Bassanio’s mon ey instead, but Portia insists that Shylock take his bond as written, or n othing at all. Portia informs Shylock that he is guilty of conspiring agains t the life of a Venetian citizen, which means he must turn over half of h is property to the state and the other half to Antonio. The duke spares Shylock’s life and takes a fine instead of Shylock’s property. Antonio als o forgoes his half of Shylock’s wealth on two conditions: first, Shylock m ust convert to Christianity, and second, he must will the entirety of his e state to Lorenzo and Jessica upon his death. Shylock agrees and takes his leave.Bassanio, who does not see through Portia’s disguise, showers the youn g law clerk with thanks, and is eventually pressured into giving Portia th e ring with which he promised never to part. Graziano gives Nerissa, who is disguised as Portia’s clerk, his ring. The two women return to Belm ont, where they find Lorenzo and Jessica declaring their love to each ot her under the moonlight. When Bassanio and Graziano arrive the next d ay, their wives accuse them of faithlessly giving their rings to other wom en. Before the deception goes too far, however, Portia reveals that she was, in fact, the law clerk, and both she and Nerissa reconcile with their husbands. Lorenzo and Jessica are pleased to learn of their inheritance fro m Shylock, and the joyful news arrives that Antonio’s ships have in f act made it back safely. The group celebrates its good fortune.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~/Shakespeare/merchant/full.html英文版/book/book/waiguo/shakespeare/wnss/index.html中文版评论(1)|1检举|2006-03-10 20:39飓风飘颻|八级《威尼斯商人》英文简介:Maurice, Sami, Simon, Elie and Edouard are still unknown actors despite their late thirties. But one day, Grinchenberg, the famous American director, comes to Paris looking for the lead role in hi s Yiddish adaptation of the Merchant of Venice. Maurice gets the part! It is the major breakthrough he has been waiting for. He rushes home to proudly announce the big news to his wife Perla. But Perla also has n ews for him: she is very ill. Unfortunately, the part eventually goes to a famous American star. Maurice doesn't have the heart to tell Perla, so w ith his friends' help, he will go all the way to make his wife believe that he still has the part, and will end up playing the role of his life to prot ect her。

英语威尼斯商人 (1) 2

英语威尼斯商人 (1) 2



When Shylock’s daughter Jessica runaway(逃亡) home with all his money and jewels, he becomes furious(狂怒的). Meanwhile, the load of Antonio sinks with three different vessels(船只) and he is not able to pay his debts with Shylock, and the Jew goes to court of Venice claiming the execution(实施) of his deal. To save Antonio’s life, Barcelona(巴萨尼奥) posing counsel, she agreed to Shylock's request, but demands a pound of meat must be cut by just a pound of flesh, no more and no less, but are not allowed to bleed. Shylock can not be performed due to the lost, evil without even losing the property.
简介:
The Merchant of Venice is the important early works of Shakespeare,Is a comedy with a great satirical 。It’s about to make in 1596 ~ 1597
《威尼斯商人》 是莎士比亚早期的重要作品,是一部具有极大讽刺性 的喜剧。大约作于1596~1597年。

《威尼斯商人》莎士比亚【英文】

《威尼斯商人》莎士比亚【英文】

Trade of Venice
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce. During this time, Venice's leading families vied with each other to build the grandest palaces and support the work of the greatest and most talented artists.
Theatrical Traditions of Jews
犹太人在戏剧上的传统体现
• Roots of Shakespearean drama begin with mystery and miracle plays of the Middle Ages, which were performed by the church for a largely illiterate(文盲) audience about Old and New Testament stories. Jews were often viewed as responsible for Christ‟s crucifixion(钉死在十字架 上). • Jews became the evil villains(反派角色) of Elizabethan drama. They were one-dimensional (一元空间) stereotypical characters. • The Jew of Malta(马耳他岛的犹太人), written in 1589 by Christopher Marlowe, is one such work. Marlowe was Shakespeare greatest rival.

英语文献综述样本威尼斯商人

英语文献综述样本威尼斯商人

毕业论文(或毕业设计)文献综述文献综述题目(中文小二号黑体居中或英文Times New Roman小二号加粗居中或日文明朝体小二号加粗)学生姓名指导教师二级学院专业名称班级学号年月日(标题Times New Roman三号加粗)The Literature ReviewofThe Mystery of Antonio’s Sadness in The Merchant of Venice (正文用Times New Roman小四,1.5倍行距,各段首行空4个字符,书名用斜体加粗)Written sometime between 1596 and 1598, The Merchant of Venice is classified as both an early Shakespearean comedy (more specifically, as a "Christian comedy") and as one of the Bard's problem plays; it is a work in which good triumphs over evil, but serious themes are examined and some issues remain unresolved.In The Merchant of Venice , Shakespeare wove together two ancient folk tales, one involving a vengeful, greedy creditor trying to exact a pound of flesh, the other involving a marriage suitor's choice among three chests and thereby winning his (or her) mate. Shakespeare's treatment of the first standard plot scheme centers around the villain of Merchant, the Jewish moneylender Shylock, who seeks a literal pound of flesh from his Christian opposite, the generous, faithful Antonio. Shakespeare's version of the chest-choosing device revolves around the play's Christian heroine Portia, who steers her lover Bassanio toward the correct humble casket and then successfully defends his bosom friend Antonio from Shylock's horrid legal suit. Antonio, as the title character, is sad from the beginning to the end of the play but never names the cause of his melancholy even when his friends ask him. Antonio plays the role as an outcast in the play. Shakespeare uses Antonio’s sadness simply as the device to set the tragic tone in the comedy or make Antonio be one of his melancholic characters in his works? Or Antonio is the representative of the complicated human nature? Antonio's unexplained melancholy is a significant element in understanding the play.1. Studies on The Merchant of V enice(Times New Roman + 四号+首缩进4字符,下同)Karl Marx once cited that Shakespeare is the greatest playwright in the world.Shakespeare’s comedy The Merchant of Venice is one of the most influential comedies in his works. Shylock has mostly been the center of the research on the play.The Merchant of Venice was first printed in 1600 in quarto, of which nineteen copies survive. This was followed by a 1619 printing, and later an inclusion in the First Folio in 1623. The play was written shortly after Christopher Marlowe’s immensely popular Jew of Malta (1589), a play wherein a Jew named Barabas plays a greatly exaggerated villain. The portrayal of Shakespeare's Jew was and remained comic until the late 1700s at which time he was first played as a true villain. In 1814 Shylock’s role was depicted as a character to be pitied, and in 1879 he was first portrayed as a tragic character. Subsequent interpretations have varied greatly over the years, but since World War II he has most often been conceived of as tragic. The Merchant of Venice has been described as a great commentary on the nature of racial and religious interactions.2. Deficiencies of Previous Studies on the Mystery of Antonio’s Sadness in The Merchant of V eniceThe title character, Antonio, begins the play intriguingly: "In sooth, I know not why I am so sad; / It wearies me" (I.i.1-2). Much ink has been spilled with conjectures about Antonio's melancholy: that he's simply melancholic of temperament, that his devotion to Bassanio is homoerotic and the news that this friend seeks to marry has depressed him (Antonio is a name Shakespeare uses also in Twelfth Night for a character with an intense devotion to another male), or that he has an "ominous foreboding" about the events that will transpire in the course of this play. Although those pioneers aroused people to think much of The Merchant of Venice and left us invaluable and systematic reference, and made many achievements in description and explanation of the cause of Antonio’s sadness, there remain many deficiencies.First, The Merchant of Venice, which is co nsidered to be one of Shakespeare’s four great comedies, actually functions as Shakespeare's farewell to comedy. Antonio is one of Shakespeare’s melancholic characters. Shakespeare in The Merchant of Venice is undermining all that passes for comic entertainment. Shakespeare uses Antonio’ssadness as a device to set the tragic tone in the comic atmosphere.Second, a lot of issues that are argued about regarding The Merchant of Venice can be considerably clarified if we know something about the audience it was written for. In the modern, post-Holocaust readings of the play, the problem of anti-Semitism in the play has been discussed a lot. Given that Antonio decides not to seize Shylock’s goods as punishment, we might consider Antonio to be merciful. But we may also question whether it is merciful to return to Shylock half of his goods, only to take away his religion and his profession. Antonio’s compassion seems to stem as much from self-interest as from concern for his fellow man. Shakespeare thus shows a balance of prejudice on both sides. The question whether Antonio is a homosexual in love with Bassanio can also interpreted differently.5. ConclusionDespite the researches already done and achievements already made on the subject, many frontiers are still waiting to be explored. On the basis of the previous researches by forerunners and adopting new approaches we are to make a deeper and more comprehensive understanding of this subject. We don't mean to suggest that other ways of looking at the play are "wrong." In fact, one of the things that is so great about Shakespeare is that there are so many different ways of interpreting his plays that all work.References (Times New Roman四号加粗)参考文献不应少于10条,参考文献应按英文26个字母的顺序排列,先列外文文献后列中文文献,中文用宋体小四,外文用Times New Roman小四。

威尼斯商人英文简介

威尼斯商人英文简介

威尼斯商人英文简介Venice, 1596. Melancholy Antonio loves the youthful Bassanio, so when Bassanio asks for 3000 ducats, Antonio says yes before knowing it's to sue for the hand of Portia. His capital tied up in merchant ships at sea, Antonio must go to Shylock, a Jewish moneylender he reviles. Shylock wraps his grudge in kindness, offering a three-month loan at no interest, but if not repaid, Antonio will owe a pound of flesh. The Jew's daughter elopes with a Christian, whetting Shylock's hatred. While Bassanio's away wooing Portia, Antonio's ships founder, and Shylock demands his pound of flesh. With court assembled and a judgment due, Portia swings into action to save Bassanio's friend.Although critics tend to agree that Shylock is The Merchantof Venice’s most noteworthy figure, no consensus has been reached on whether to read him as a bloodthirsty bogeyman, a clownish Jewish stereotype, or a tragic figure whose sense of decency has been fractured by the persecution he endures. Certainly, Shylock is the play’s antagonist, and he is menacing enough to seriously imperil the -happiness of Venice’s businessmen and young lovers alike. Shylock is also, however, a creation of circumstance; even in his single-minded pursuit of a pound of flesh, his frequent mentions of the cruelty he has endured at Christian hands make it hard for us to label him a naturalborn monster. In one of Shakespeare’s most famous monologues, for example, Shylock argues that Jews are humans and calls his quest for vengeance the product of lessons taught to him by the cruelty of Venetian citizens. On the other hand, Shylock’s coldly calculated attempt to revenge the wrongs doneto him bymurdering his persecutor, Antonio, prevents us from viewing him in a primarily positive light. Shakespeare gives us unmistakably human moments, but he often steers us against Shylock as well, painting him as a miserly, cruel, and prosaic figure.Portia Quick-witted, wealthy, and beautiful, Portia embodies the virtues that are typical of Shakespeare’s heroines —it is no surprise that she emerges as the antidote to Shylock’s malice. At the beginning of the play, however, we do not see Portia’s potential for initiative and resourcefulness, as she is a near prisoner, feeling herself absolutely bound to follow her father’s dying wishes. This opening appearance, however, proves to be a revealing introduction to Portia, who emerges as that rarest of combinations—a free spirit who abidesrigidly by rules. Rather than ignoring the stipulations of her father’s will, she watches a stream of suitors passher by, happy to see these particular suitors go, but sad that she has no choice in the matter. When Bassanio arrives, however, Portia proves herself to be highly resourceful, begging the man she loves to stay a while before picking a chest, and finding loopholes in the will’s provision that we never thought possible. Also, in her defeat of Shylock Portia prevails by applying a more rigid standard than Shylock himself, agreeing that his contract very much entitles him to his pound of flesh, but adding that it does not allow for any loss of blood. Anybody can break the rules, but Portia’s effectiveness comes from her ability to make the law work for her. Portia rejects the stuffiness that rigid adherence to the law might otherwise suggest. In her courtroom appearance, she vigorously appliesthe law, but still flouts convention by appearing disguised as a man. After depriving Bassanio of his ring, she stops the prank before it goes to far, but still takes it far enough to berate Bassanio and Graziano for their callousness, and she even insinuates that she has been unfaithful.Antonio Although the play’s title refers to him, Antonio is a rather lackluster character. He emerges in Act I, scene i as a hopeless depressive, someone who cannot name the source of his melancholy and who, throughout the course of the play, devolves into a self-pitying lump, unable to muster the energy required to defend himself against execution. Antonio never names the cause of his melancholy, but the evidence seems to point to his being in love, despite his denial of this idea in Act I, scene i. The most likely object of his affection is Bassanio, who takes full advantage of the merchant’s boundlessfeelings for him. Antonio has risked the entirety of his fortune on overseas trading ventures, yet he agrees to guarantee the potentially lethal loan Bassanio secures from Shylock. In the context of his unrequited and presumably unconsummated relationship with Bassanio, Antonio’s willingness to offer up a pound of his own flesh seems particularly important, signifying a union that grotesquely alludes to the rites of marriage, where two partners become ―one flesh.‖ Further evidence of the nature of Antonio’s feelings for Bassanio appears later in the play, when Antonio’s proclamations resonate with the hyperbole and self-satisfaction of a doomed lover’s declaration: ―Pray God Bassanio come / To see me pay his debt, and then I care not‖ (III.iii.35–36). Antonio ends the play as happily as he can, restored to wealth even if not delivered into love. Without a mate, he is indeed the ―taintedwether‖—or castrated ram—of the flock, and he will likely return to his favorite pastime of moping about the streets of Venice (IV.i.113). After all, he has effectively disabled himself from pursuing his other hobby—abusing Shylock—by insisting that the Jew convert to Christianity. Although a sixteenth-century audience might have seenthis demand as merciful, as Shylock is saving himself from eternal damnation by converting, we are less likely to be convinced. Not only does Antonio’s reputation as an anti-Semite precede him, but the only instance in the play when he breaks out of his doldrums is his ―storm‖ against Shylock(I.iii.132). In this context, Antonio proves that the dominant threads of his character are melancholy and cruelty.。

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毕业论文(或毕业设计)文献综述文献综述题目(中文小二号黑体居中或英文Times New Roman小二号加粗居中或日文明朝体小二号加粗)学生姓名指导教师二级学院专业名称班级学号年月日(标题Times New Roman三号加粗)The Literature ReviewofThe Mystery of Antonio’s Sadness in The Merchant of Venice (正文用Times New Roman小四,1.5倍行距,各段首行空4个字符,书名用斜体加粗)Written sometime between 1596 and 1598, The Merchant of Venice is classified as both an early Shakespearean comedy (more specifically, as a "Christian comedy") and as one of the Bard's problem plays; it is a work in which good triumphs over evil, but serious themes are examined and some issues remain unresolved.In The Merchant of Venice , Shakespeare wove together two ancient folk tales, one involving a vengeful, greedy creditor trying to exact a pound of flesh, the other involving a marriage suitor's choice among three chests and thereby winning his (or her) mate. Shakespeare's treatment of the first standard plot scheme centers around the villain of Merchant, the Jewish moneylender Shylock, who seeks a literal pound of flesh from his Christian opposite, the generous, faithful Antonio. Shakespeare's version of the chest-choosing device revolves around the play's Christian heroine Portia, who steers her lover Bassanio toward the correct humble casket and then successfully defends his bosom friend Antonio from Shylock's horrid legal suit. Antonio, as the title character, is sad from the beginning to the end of the play but never names the cause of his melancholy even when his friends ask him. Antonio plays the role as an outcast in the play. Shakespeare uses Antonio’s sadness simply as the device to set the tragic tone in the comedy or make Antonio be one of his melancholic characters in his works? Or Antonio is the representative of the complicated human nature? Antonio's unexplained melancholy is a significant element in understanding the play.1. Studies on The Merchant of V enice(Times New Roman + 四号+首缩进4字符,下同)Karl Marx once cited that Shakespeare is the greatest playwright in the world.Shakespeare’s comedy The Merchant of Venice is one of the most influential comedies in his works. Shylock has mostly been the center of the research on the play.The Merchant of Venice was first printed in 1600 in quarto, of which nineteen copies survive. This was followed by a 1619 printing, and later an inclusion in the First Folio in 1623. The play was written shortly after Christopher Marlowe’s immensely popular Jew of Malta (1589), a play wherein a Jew named Barabas plays a greatly exaggerated villain. The portrayal of Shakespeare's Jew was and remained comic until the late 1700s at which time he was first played as a true villain. In 1814 Sh ylock’s role was depicted as a character to be pitied, and in 1879 he was first portrayed as a tragic character. Subsequent interpretations have varied greatly over the years, but since World War II he has most often been conceived of as tragic. The Merchant of Venice has been described as a great commentary on the nature of racial and religious interactions.2. Deficiencies of Previous Studies on the Mystery of Antonio’s Sadness in The Merchant of V eniceThe title character, Antonio, begins the play intriguingly: "In sooth, I know not why I am so sad; / It wearies me" (I.i.1-2). Much ink has been spilled with conjectures about Antonio's melancholy: that he's simply melancholic of temperament, that his devotion to Bassanio is homoerotic and the news that this friend seeks to marry has depressed him (Antonio is a name Shakespeare uses also in Twelfth Night for a character with an intense devotion to another male), or that he has an "ominous foreboding" about the events that will transpire in the course of this play. Although those pioneers aroused people to think much of The Merchant of Venice and left us invaluable and systematic reference, and made many achievements in description and explanation of the cause of Antonio’s sadness, there remain many deficienc ies.First, The Merchant of Venice,which is considered to be one of Shakespeare’s four great comedies, actually functions as Shakespeare's farewell to comedy. Antonio is one of Shakespeare’s melancholic characters. Shakespeare in The Merchant of Venice is undermining all that passes for comic entertainment. Shakespeare uses Antonio’ssadness as a device to set the tragic tone in the comic atmosphere.Second, a lot of issues that are argued about regarding The Merchant of Venice can be considerably clarified if we know something about the audience it was written for. In the modern, post-Holocaust readings of the play, the problem of anti-Semitism in the play has been discussed a lot. Given that Antonio decides not to seize Shylock’s goods as punishment, we might consider Antonio to be merciful. But we may also question whether it is merciful to return to Shylock half of his goods, only to take away his religion and his profession. Antonio’s compassion seems to stem as much from self-interest as from concern for his fellow man. Shakespeare thus shows a balance of prejudice on both sides. The question whether Antonio is a homosexual in love with Bassanio can also interpreted differently.5. ConclusionDespite the researches already done and achievements already made on the subject, many frontiers are still waiting to be explored. On the basis of the previous researches by forerunners and adopting new approaches we are to make a deeper and more comprehensive understanding of this subject. We don't mean to suggest that other ways of looking at the play are "wrong." In fact, one of the things that is so great about Shakespeare is that there are so many different ways of interpreting his plays that all work.References (Times New Roman四号加粗)参考文献不应少于10条,参考文献应按英文26个字母的顺序排列,先列外文文献后列中文文献,中文用宋体小四,外文用Times New Roman小四。

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