王力宏演讲稿
王力宏牛津‘认识华流’英文演讲稿
力宏在牛津大学以“认识华流”主题演讲的英文演讲稿。
【Leehom Wang Full Address Oxford Union】Thank you all for being here today, and the late comers as well. Thank you for coming in quietly.I want to start off today just to take a moment of silence for the victims of the Sichuan e arthquake and for the victims of the Boston American bomb. So let‟s take a minute to pay our respect to them. Thank you.I never thought I would be addressing you, the esteemed members of the Oxford Union, without guitar or Erhu, without my crazy stage hair and costumes . But I did perform at the O2 Arena in London last week. I am not sure any of you would make that. But in many ways, that would be similar to what I am talking about today, that is, introducing Chinese pop music to you. I am actually a Chinese ambassador of Chinese pop whether you like it or not. Both music and movies. And today I am here to give you the state of the union address. It‟s not the Oxford Union.It‟s the union of east and west. I want to frankly, openly and honestly talk about h ow we‟ve done a good job or how we‟ve done a bad job of bringing Chinese pop to the west. And I also want to press upon all of you here today the importance of that soft culture, that soft power‟s change and how each of us is involved in that change.Soft power, a term I am sure you are all familiar with coined by Rhodes Scholar and Oxford alumnus Joseph Nye is to defined as the ability to attract and persuade. Shashi Tharoor called it in a recent TEDTalk, …the ability for a culture to tell a compelling sto ry and influence others to fall in love with it‟. I like that definition. But I want to put it in college terms for all you students and you audience. The way I see it, east and west are kind like freshman roommates. You don‟t know a lot about each other but suddenly you are living together in the same room. And each one is scared the others gonna steal his shower time or wants a party then the other one wants to study. It has the potential to be absolute hell, doesn‟t it? We all had horror stories of that roommate without heard about those stories. I know for a lot of students here inOxford have your own separate bedrooms. But when I was a freshmen at Williams College, I was not so fortunate. You‟re kidding me!Woohoo! All right！Great. Well, I had a room mate, and he was that roommate. Let‟s just call him Frank. So Frank was my roommate and Frank liked nothing more than to smoke weed.[laughter] And he did it every day. And Frank had a two-foot long bung under his bed that was constantly being fired up. Fo r those Chinese speakers and audience. Frank would “火力全开” on that bong every day. So, yes I guess I was kind of opposite of Bill Clinton who tried America but didn‟t inhale. I didn‟t try a but I did inhale. Every single day, second hand. And strangely enough every time I go into our bedroom, I mysteriously end up late for calss. I don‟t know what happened. It was like …Dude, is it already ten o‟clock ?‟ So, how many of you have live lived with that Frank ,or be a Frank Gat? Having a roommate can be a recipe for disaster, but it has the potential for being the greatest friendship you have ever had. See, Frank, he didn‟t make it to second year. And I got two new roommates in the second year, Stephen and Jason. And these days, the three of us are the best of friends. So going back to my analogy, of east and west, and roommates. Do we want to be Frank, or do we want to be Stephen and Jason? And I think, in this year of 2013, we should all be striving for the later, shouldn‟t we?I mean I am assuming that we all agree that this is the goal that we should all be strving for.Let‟s look at where we are in reality. Recent headlines in the media include foreign policy magazine. Chinese victim complex. Why are Chinese leaders so paranoid about the United States? Or the AFP, Agence France-Presse, human rights in China worsening US fines? Bloomberg says, in the cover of this magazine, Yes, The Chinese Army is Spying on You. And It‟s such a great one I just want to show you the cover of the magazine . yes,be very afraid! So, it actually in extremely high mount of negative fear and anxiety about China ,Sinophobia , that I think is not just missing form, but also misleading and also ultimately dangerous, very dangerous. And what about how westerners are viewed by Chinese? Well, we have terms for westerners. The most common of which are …gwailo‟, in Cantonese, which means the “old devil”, …laowai‟, meaning …the old outsider‟ in Mandarin, …ang moh‟, which means the “red hair one” inTaiwanese. The list goes on and on. So are these roommates headed for a best-friend relationship? I think we need a little help. And as China arises to be a global power, I think it‟s more important than ever for us to be discerning about what we believe, because after all, I think that‟s the purpose of a higher education. And that‟s why we are here to be able to think for ourselves and make our own decisions. China is not just those headlines, the burgeoning economy, the unique politics. It‟s not just the world‟s fa ctory or the next big superpower,it‟s so much more. A billion people, with rich culture, amazing stories and as a product of both of those cultures. I want to help faster understanding between the two and help create that incredible relationship. Because knowing both sides of the coin, I really think that there is a love story waiting to be told, willing to be unfold. And I am only having joking when I say love story because I believe it is, the stories that will save us, will bring us together. And my thesis statement for today‟s talk i s that, the relationship between the east and west needs to be and can be fixed via pop culture. That‟s a big fat claim. And I am going to try to back it up. The UN Secretary Journal, Bun ki Moon said …There are no language required in musical world.‟ That is power of music and that is the power of the heart. Through this promotion of arts, we can better understand that the culture and civilization of other people in this era of instability and intolerance, we need to promote better understanding through the power of music. Now the UN Secretary Journal said we need more music, and I think he is right. Music and arts have always played a key role in my life in building relationships, replacing what once was the ignorance fearing and hatred with acceptance, friendships and even love. So I have a strong case for promoting music between cultures because it happened to me early in my life.I was born in Rochester in New York. I barely spoke a word of Chinese. I didn‟t know the difference between Taiwan or Thailand. I was. It‟s true. I was a American as an apple pie. Until one day, on the third grade playground, the inevitable finally happened. I got tease for being Chinese. Now we can get tease for making fun on the playground, but this was fundamentally different. And I knew right there. This kid, let‟s call him Brian. He started making fun of me, saying “ Chinese, Japanese, dirtyknees, look at this.” I can‟t believe you are laughing at it. It hurts. OK, I am just kidding. I can still remember how I felt. I felt ashamed. I felt embarrassed. But I laughed along with them, with everyone. I didn‟t know what else to do. It was like having a out-of-body experience, as if I could laugh at that Chinese kid on the playground with all the Americans because I was one of them. Right? Wrong. On many levels. And I was facing the first, but definitely not the last time, the harsh reality that I was in minority in Rochester, which in those days, an Asian population of 1%. And I was confused. I wanted to punch Brian. I want to hurt him for putting me in that situation. But he was faster than me and he was stronger than me. And he would kick my butt and we both knew that. So I just took it in. And I didn‟t tell anyone or share with anyone these feelings. I just held them in and I let them fester. And those feelings would surface in a strangely therapeutic way for me through music. And I wan coincidence that around that time I started getting good at violin, and guitar, and drums. And I soon discovered that by playing music or singing, other kids would, for brief moment, forget about my race and color and accept me and then be able to see me for who I truly am, a human being, who‟s emotional, spiritual and curious about the world and has the need for love, just like everyone else. By the six grade. Guess who asked me if I would be the drumer for his band? Brian. And I said yes. That‟s when we together formed our elementary rock band called Nirvana . I am not kidding. I was in the rock band called Nirvana before Kurt Cobain everyone knows. So when Nirvana came, Brain and I were like “Hey, he‟s stealing our name.” But, really what attracted me to music at this young age was just this and it still work. I love about music is that it breaks down the wall between us and shows us so quickly the truth that we are much more alike than we are different. And then in high school, I learned that music wasn‟t just connecting with other, like Brian and I were connected through music. It was a powerful tool of influence and inspiration. Sam Nguyen was my high school janitor, He was an immigrant from Vietnam who barely spoke a word of English. Sam scraped the floors and cleaned the bathrooms in our school for twenty years. And he never talked to the kids and the kids never talked to Sam. But one day, before our opening night of our school‟s annual musical, hewalked up to me, holding a letter. And I was taking a back. I was taking, “Why is Sam the janitor approaching me? And he gave me this letter that I have kept to this day. It was scrawled in a sha ky hand written in all capitals. And it read: “In all my years of working as a janitor at Sutherland, you are the first Asian boy to play the lead role. I am going to bring my six-year-old daughter to watch you perform tonight. Because I want her to see th at Asians can be inspiring.” And that letter just floored me. I was fifteen years old and I was absolutely stunned. That‟s the first time I realized how music was so important.With Brian, music helped two kids who were initially enemies become friends. But with Sam, music went beyond the one on one. It was a in a higher level. It influenced others I didn‟t even know in ways I can never imagine. I can‟t tell how grateful I am, just to Sam, the genitor, to this day. He really is one of the people who helped me discover my life‟s purpose. And I had no idea that something I did could mean more than I ever imagined to an immigrant from Vietnam who barely spoke English. Pop culture, music, and other methods of story telling, movies, TV dramas, they are so key and they do connect us like me and Brian and do influence us and inspire us.Then let‟s take another look at the stated union. The east-west union with this soft power bias. How is soft power exchanged between these two roommates? Are the songs in English that become hits in China? Sure. How about movies? Well, there are so many, that the China has the a limit of the number Hollywood movies imported in the country so that local movies can even have a chance at success. What about the flips(14:20) at that. The Chinese songs that have hit on the west. yeah! And movies. Well there was Crouching Tiger, that was thirteen years ago. And, well I think there is a bit of an imbalance here. And I think that‟s soft power deficit, let‟s call it then we look in this direction. That is to say, the west influences the east more than the vise versa. And forgive me for using east and west kind of loosely but I think it‟s easier to say to understand English-speaking language or the Ansian speaking language of Chinese, I‟m making generalization and I hope you can go with me on this. And is this [15:15]? the problems, this imbalance in pop culture influence. And I think so. I think in any healthy relationship or friendship or marriage, is it important for bothsides to make efforts to understand the other? And that exchange needs to have healthy balance. And how do we address this as an ambassador for Chinese pop nusic and movies, I have to ask myself the question, Why does this deficit exist? Is it because Chinese music is just lame? Don‟t answer that, please. Yeah, I can stop complaining ,write a hit song!Psy did it !But there is truth in that. And the argument being that the content we‟ve created just isn‟t as internationally competitive, and why should be? Well look at Korean pop, look at K pop for example. Korean is an export-based economy and they are outward looking. And they must be outward looking. Chinese pop, on the other hand, can just stay domestic, tour all over Chinese-speaking territories and comfortably sustain. So whe n you‟re that big and powerful, over 160 cities in China with a million or more people. It turned in kind of turn-inward and be complacent. So it certainly can be an argument made for Chinese pop being not marked with international sensibilities in mind. But the other side of the argument, I think is more interesting and thought provoking and even more true that ears aren‟t familiar with, therefore don‟t really understand how to appreciate Chinese music .Ouch! The reason I think the arguement hold water tho ugh is because that‟s exactly what I went through. So I happen to know a thing or two about learning to appreciate Chinese pop as a westerner. Cause I was 17 years old when I went from being a Asian kid in America to being an American kid in Asia. And the entire paradise I was in suddenly got flipped on its head. I grew up listening to BC Boys, Led Zeppelin,Guns and Roses. And I found myself in Taiwan, listening to the radio and thinking, “where is the B? Where is the screeching guitar solos?” Here I am a A merican kid in Asia, listening to Chiness music for the first time and thinking “this stuff is lamb. I don‟t like it.” I thought it was cheesy, production value is low, the singers couldn‟t bell like Axe or Rose, or Maria Carrie. But then one day, I went t o my first Chinese pop concert and it was Yu Chengqing, performing in the Taibei Music Center. And as he performed, I looked around the audience and I saw their faces. And I looked in their eyes and their responses to his music. And it was clear to me, fin ally, where the problem lay. It wasn‟t that the music was lacking. It was my ability to appreciate it and to hear it in the right way. The crowd, they were singingalong and be totally inmmersed in his music and I had an epiphany that I was missing the point. And from now on, I was going to somehow learn how to get it. I was going to learn how to hear with local ears and I deconstructed and analysed what it was made Chinese audiences connect with certain type of melodies, rhythms and song structures and lyr ics. That‟s what I‟ve been doing for the past almost twenty years. And it took me a long time and I am still learning. But to some point, I not only began to be able to appreciate the music, but also I started to be able to contribute to it and create my own fresh spins on the tried-and-true. And I think this happens to everyone, really, who is on the outside looking in, it always looks strange. If you look at things from your perspective, you will always think these people are weirdoes .What‟s wrong with them? Why are they listening to this stuff? And I am saying that you can make an effort and get it. It can be done and I am a living proof of that. And as an ambassador of Chinese pop, I am trying to get people to open up to a sound that they may not feel is palatable as they first listen.What else can we do to reduce imbalance in our popular cultures. Well maybe give a talk to Oxford union. Tour more outside of China. But seriously, actually I think the ties are already starting to change very slowly, very cautiously, almost calculatingly. You see more cross-culture now more exchange interest in China definitely a lot of joint ventures, a lot of co-productions in recently years, Iron Man 3, Transformers 53 . Resident Evil,really it‟s beginning to be kind of a world pop. And that‟s what I am looking forward to, that‟s what I am focusing on these days. There was J-pop, there was K-pop, there was C-pop. And there is like this W-pop That‟s kind of starting to emerge. This world pop. And I think. Yeah, I love that idea. It‟s not world music. There used to be a section HMV called world music .Now it‟s like ethnomusicology musical class in college. But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines that have kept us apa rt for a way too long.It‟s a melting pot and it‟s mozic(21:00) that even when we look up close we will still see the colors and flavors of each culture in detail. And where can we go to listen to the world pop? I don‟t think there is a world pop station or a magazine unfortunately. there are none. There should be. But there is an Internet and Yutube has proven to be a drving force for world pop and Britain hasgot Talent, made Susan Boil the hottest act in the world. And she achieved that not through the record labors or the networks, but through grassroots sharing. Gangnam Style is another great example. How that just took over and became a huge worldwide world pop phenomenon. So world pop also suggests a worldwide pop culture and something that can be shared by all of us and give us a lot of common ground.So today, what‟s my called action? I want to help to prove and promote cultures exchange between the east and the west. I think I‟ve made that clear. But how? I think you can all be a pop singer. That‟s the answer.I am just kidding, unless that‟s really what you want to do. My call of action is this: build and protect that roommate-relationship between the east and the west. Value this relationship and take ownership of it. Don‟t come to Oxford as an excha nge student from Taiwan and only hang out with other Chinese students. Why would you do that? You could do that back in Wuhan or Nanjing or wherever you came from.Don‟t buy into the headlines or the stereotypes or in the hypernationalism . Think for yours elves ,and think for yourselves and don‟t believe the hype .For just a moment ,if we could just disregard the governments and what the media are saying ,just for the sake of the argument ,with our own tools of critical thinking ,can we build relationships that actually see one another as individual human beings and not faces or members of a particular ethnicity or nationality ? Of course we can do that .And that‟s the goal and dream ,I think of the romantic artists and the musicians ,I think it‟s always been there .And that‟s what I reach for ,and that makes music so powerful and so true ,that breaks down instantly and disintegrates all the artificial barriers that we create between each other ,government ,nationality ,black ,brown , yellow ,white ,whatever colour you are ,and shows each other our hearts ,our fears ,our hopes ,our dreams ,and it turns out in end that the East isn‟t that far after all ,and the west ,well the west ,aren‟t so white .and through understanding each other‟s popular cultures ,we gain insight into each other‟s heart and true selves.And for those of you who are just beginning that journey ,the west and east ,I want to invite you today on this amazing journey with me ,and I ,as an experienced traveler on this road ,on this West and Ea st road ,I‟ve prepared a mixtape for all of you today ,often songs that I love .There ,that‟s a C-pop mixtape that you can check out .I was gonna bring you all CDs but my publicist reminded me lovingly that would be illegal .that as a professional recordi ng artist ,I shouldn‟t do that .but I still think that it workshop out nicely because you get to see the music videos as well on a lot of these songs .these ten songs are songs that I love and ten different Chinese artists to start you off on getting to know and love Chinese pop and I think this got all *&.27‟12‟‟I just wanna wrap up by saying that being here in the Oxford campus really makes me nostalgic for my days at Williams and when I look back on those four years ,some of my finest memories are spending time with my roommates Stephan Papiano and and Jason Price. In fact Jason is here in the audience today ,and made this special trip from London just to see me. And I suppose in the beginning we were strangers ,who didn‟t know much about the other, and sometimes we did compete for the shower and there were times when we did intrude on each other‟s privacy, but I always loved listening to Stephan‟s stories about growing up in a Greek family and his opinions on what authentic Greek food really was; or Ja son‟s stories,about wanting to make violins and to live in Cremona, Italy like Antonio Stradivari and he did do that. And I will never forget many years later when I played a Jason Price handmade violin for the first time, and how that felt .They were always attentive and respectful when I tell them about what it was like for me growing up in a Chinese household with strict parents who made me study. So we shared stories ,but the strongest bonds between us were formed just sitting around and listening to music together. And I really do see that as a model for East and West, so that‟s why I wanna share Chinese music with you today because it‟s the best way I know how to create the lasting friendships that transcend all barriers and allow us to know each other truly ,authentically and just as we are .。
王力宏中美关系演讲稿原文
王力宏中美关系演讲稿原文
尊敬的各位领导、各位嘉宾，大家好！
今天我非常荣幸能够站在这里，与大家分享我对中美关系的一些想法。
作为一
个华裔音乐人，我有着深厚的中美情感，也有着对两国关系的深刻理解。
在我看来，中美关系不仅仅是两个国家之间的关系，更是世界和平稳定的重要基石，是全球经济繁荣发展的关键因素。
首先，我想谈谈中美关系的历史。
中美两国之间的交往可以追溯到几个世纪以前，早在19世纪，就有了一些贸易往来。
而如今，中美两国已经成为全球最大的
两个经济体，两国之间的合作领域也越来越广泛。
无论是经济、文化、教育还是科技，中美合作都取得了丰硕的成果。
其次，我想强调的是中美关系的重要性。
中美两国都是世界上最重要的国家之一，两国之间的关系不仅关乎自身利益，更关乎全球的和平与发展。
中美关系的健康发展，对世界的稳定和繁荣具有重要意义。
因此，我们需要以开放的心态，积极寻求合作，共同应对全球性挑战，推动世界的发展进步。
最后，我想谈谈中美关系的未来。
中美两国之间存在一些分歧和挑战，但我相信，只要双方以平等和相互尊重为基础，就一定能够找到解决问题的有效途径。
我们应该加强沟通，增进了解，寻求共同利益，推动中美关系不断向前发展。
总之，中美关系是当今世界最重要的双边关系之一，我们应该以开放的心态，
积极推动两国关系的发展。
我相信，通过双方的共同努力，中美关系一定会迎来更加美好的未来。
谢谢大家！。
王力宏牛津大学演讲稿
篇一：王力宏牛津大学演讲稿中英文全篇leehom wang oxford union speechexception。
because knowing both of a coin i reallythink thatthere’s a love story willing to be told and willing tounfold。
i’m willing to tointerpret the love storybecause i believe it is the story that will save us，will bring ustogether。
and my thesisstatement for today’s talk is that the relationship between east and west needs to be and can be fixed via pop culture。
（laughing。
）i’m going to try toback it up！the united nationssecretary general ban ki-moon said：“there are no languages required in a music world。
that is the power of music and that’s the power of theheart。
through this promotion of arts we can better understand theculture and civilizations of the other people。
in this eraofinstability and intolerance we need to promote better understanding throughthe power of music。
开讲啦王力宏演讲稿：梦想造就软实力
开讲啦王力宏演讲稿：梦想造就软实力本文是关于励志演讲的，仅供参考，如果觉得很不错，欢迎点评和分享。
开讲啦王力宏演讲稿：梦想造就软实力各位同学，请坐。
王老师今天要讲很严肃的话题。
要…要打屁股了。
没有没有，开玩笑。
可以开始了，那就开讲了。
非常的谢谢你们今天的到来，然后我今天很兴奋，很兴奋，难得可以在一个比较正式的场合看到这么多年轻的朋友们，然后和你们一起讲一些比较深入的比较有意思的议题。
啊，我今天想要跟大家分享的其实是，我去年在一个论坛跟马英九先生，我们在清华大学的时候，讲了一个叫做《梦想造就软实力》可是因为那个是清华大学，我们今天的主持人是北大的所以我们就不提~额，清华大学（坏笑，全场笑）当时啊，那个是另外一个议题。
可是因为我们今天这个有很多年轻在现场，而且我们的，我们的嘉宾们啊，很多我知道是对我们的流行文化非常有兴趣的，是学唱歌的，学演戏的，很多对流行文化是非常感兴趣的。
所以我就觉得可以跟你们一起聊一聊「软实力」是非常有意义的。
我觉得，今天我想要传达给大家的就是一种，一种鼓励你们去做梦。
去，去追求自己的梦想。
当然我觉得，其实讲很容易。
谁有梦想？看看，举一下手。
你看，每个人都有梦想！其实很容易说，你的梦想是什么？你的梦想是……和我握手？工程师。
太好了！好，工程师，你以后肯定会成功的！加油！加油！好，大家举手举手举手，导播给我们？？。
谁有梦想？你！你的梦想是什么呢？歌迷妹子：力宏，你好你好！我已经喜欢你十五年了。
王力宏：好，谢谢。
歌迷妹子：然后我的梦想是成为一个工程师。
因为我的专业是工程热物理专业。
然后同时我也非常喜欢你和你的音乐，还有你的电影。
谢谢！王力宏：谢谢，谢谢！很高兴听到你的梦想。
她是做了非常非常好的示范，而且有点出乎我的意料之外。
她毫不犹豫的就回答了这个问题，而且她很清楚自己的梦想是什么。
其实我发现身边的很多的年轻人现在是，你问他们，他们有梦想。
可是他们也回答不出来，或是这个梦想不是很具体化。
演讲稿：音乐才子王力宏的故事
演讲稿：音乐才子王力宏的故事
尊敬的各位领导、亲爱的同事们，
大家好！今天我非常荣幸能够在这里为大家分享音乐才子王力宏的故事。
王力宏作为一位杰出的音乐家，他的音乐才华、执着追求和深厚的文化底蕴让人为之折服。
王力宏从小展露出对音乐的天赋，他擅长多种乐器并具备出色的演唱和创作能力。
但是，他不仅仅满足于自己的才华，他还坚持接受系统的音乐培训，不断提升自己的技术水平。
他在美国某著名音乐学院研究，获得了音乐学硕士学位，展示了他对音乐的专业追求和发展。
除了才华和学识，王力宏深知音乐的力量和责任。
他利用自己的影响力参与了各种慈善事业，通过音乐传递爱与关怀。
他曾组织音乐会募捐，为贫困地区的孩子们提供教育机会；他还发起了环境保护运动，通过音乐唤起人们对环境问题的关注。
这些举措展示了他作为一位音乐家的社会责任感和影响力。
回顾王力宏的音乐生涯，我们不得不提到他的独特创新。
他勇于尝试不同的音乐风格和元素，将流行音乐与古典元素相结合，创造出新的音乐风格。
他的音乐作品不仅具有商业上的成功，更代表了他对音乐的探索和创造力。
最后，我想分享王力宏的坚持不懈和追求梦想的精神。
他在音乐道路上经历了很多困难和挫折，但他从未放弃。
他用自己的努力和才华证明了音乐是他的梦想，为之奋斗是值得的。
他的故事鼓舞着我们每一个人，勉励我们追逐自己的梦想，永不言弃。
感谢大家聆听，谢谢！。
王力宏牛津大学英文演讲稿：传递音乐的力量
王力宏牛津大学英文演讲稿：传递音乐的力量Ladies and gentlemen,It is a great honor for me to stand here today in frontof you all at such an esteemed institution, the University of Oxford. I must say, it is a long way from where I grew up in Rochester, New York. To be able to speak to you on a topicthat is so close to my heart, music, is truly a privilege.As an artist, I have been blessed to have a platform to share my music with people all over the world. It is my hope that through my music, I can connect with people and sharewith them a message of love, hope, and positivity. I believe that music has the power to transcend language, cultural, and social barriers, and bring people together in a common bondof emotion and experience.Growing up, music was always an essential part of my life. My parents were both musicians, and I began playing theviolin at the age of four. However, it wasn't until I started playing the piano at the age of seven that I truly fell inlove with music. I found that playing the piano was not justa matter of pressing keys and producing sounds, but it was anopportunity to express myself, to convey my emotions and tell a story.Music is a universal language that speaks to the heart and soul of all human beings. It has the power to transport us to a different time and place, to evoke emotions of joy, sadness, hope, and love. It is this power of music that I believe can bring about positive change in our world.In my travels around the world, I have seen firsthand the transformative power of music. I have seen how it can bring together people from different cultures, backgrounds, and beliefs. I believe that music is a force for good, and thatit can bridge divides and heal wounds.In many ways, music is a reflection of the world around us. It is a mirror of our experiences, our joys, our sorrows, and our hopes. As musicians, we have a responsibility to use our art to make a positive impact on the world. We must use our voices to speak out against injustice, to promote and encourage understanding and acceptance, and to inspire others to join us in the pursuit of a better world.I firmly believe that music has the power to change the world. Music can break down barriers, create bonds of friendship and love, and bring about positive social and cultural change. It is my hope that through my music, I can inspire others to carry on this work and continue to spread this message of love and hope throughout our world.In conclusion, I would like to thank you all for having me here today. It has been an honor to speak with you all about the power of music and the ways in which it can bring about positive change. I encourage you all to continue to use your voices and your art to promote love, acceptance, and understanding in our world. Together, we can make adifference and create a brighter future for all.Thank you.。
英语演讲稿-王力宏牛津大学演讲稿
英语演讲稿
王力宏牛津大学演讲稿
演讲背景
王力宏受邀于伦敦时间2013年4月21日中午12点在牛津辩论社辩论室(Oxford Union debating chamber)进行演讲。
据悉，牛津辩论社(Oxford Union)是一个有190年历史的组织，他们的目标是要成为有趣的和有影响力的人谈判和辩论的聚集点。
主办方表示：“此次邀请力宏来演讲，因为他在全亚洲，特别是中国，有很大的影响力，非常有资格谈论中国文化的传播。
”对于此次受邀，力宏也表示非常荣幸：“很高兴有多个机会促成我的使命——把东方流行文化带到全世界。
”
在演讲正式开始前，王力宏特别带领现场所有人为在四川雅安地震和波士顿马拉松爆炸案中的遇难者默哀一分钟，并为他们祈福。
对此王力宏说道：“近期在东西方四川，波士顿都发生了天灾和人祸，所以，诚心祈祷世界上各民族的人，都尽量可以以‘爱’去包容世间万物。
”而力宏也表示接下来将继续通过一直合作的“世界展望会”
以最实际的行动去帮助需要帮助的人。
此次王力宏牛津演讲的主题是“认识华流”，他在现场跟大家分享了不少生活轶事，其中不乏切身感受：“童年时会觉得自己完全是个西方的人，可是还是觉得疏远。
我曾经走过这条道路，所以更想在这个征途上引导别人。
”谈到中西方融合时，他也深感自己肩负的使命：“东方和西方就像大学一年级室友，如果想要愉快地共存，必须了解、理解对方。
双方像室友一样，都需要尽自己的努力改善关系，并共同成型全球流。
我一直想把东方文化带到世界各地，之前音乐里面也有用过很多中国的元素，让。
王力宏牛津大学演讲稿
王力宏牛津大学演讲稿尊敬的评委老师，亲爱的同学们：大家好！我很荣幸在这里今天发表演讲，首先感谢评委耐心听我演讲，也感谢同学们的聆听。
今天，我将跟大家分享我的看法，也希望能够通过这次演讲，给大家带来些许启发。
如题所述，我所讲的是“三好生”，三好生是中学生的一种荣誉称号，意为品德好、学业好、身心健康好。
这是一种富有社会责任感和使命感的称号，更是一种荣誉和鼓励。
那么，究竟如何才能成为一名三好生呢？我认为，三好生不仅需要追求卓越的学业表现，更应该注重个人品德的培养和身心健康的保持。
首先，卓越的学业表现是成为一名三好生的必要条件之一。
作为中学生，我们的学习任务很重，每天要进行课堂学习、课后作业、测试考试等等。
然而，卓越的学业表现并不仅仅是在高分和提高成绩上，而是在课程学习的同时，注重培养自己的思考能力和创新意识。
要想取得好的成绩，必须用心去听课，注重课堂笔记的整理和巩固，灵活运用所学知识进行拓展应用。
此外，通过参加各种学科竞赛，运用所学知识解决实际问题，也是提高学习成绩、培养创新意识的有效途径之一。
其次，品德好也是成为一名三好生的重要标志。
品德教育是中学教育的重要组成部分，中学生应该从小事做起，自觉遵守社会公德、职业道德和个人道德标准，落实到日常行为和学习生活中。
对于中学生而言，要养成良好的行为习惯和处事方式，要具备诚实守信的个人品质、尊重他人的社会意识、自信独立的人格魅力、充满爱心的善良品质等美德，成为一个体面、自律、克己、扎实努力的学生，发扬家庭美德、民族传统和时代风尚。
只有这样，我们才能在成长的道路上不断进步，走得更远。
最后，身心健康同样是成为一名三好生的重要基础。
身体健康是一切事业发展的基础，而心理健康同样也是必不可少的重要因素。
学习的过程中不仅需要关注知识、技能和能力的培养，还需关注心理健康的保持和发展。
因此，我们需要保持良好的作息习惯，适度地进行体育锻炼，保证充足的睡眠时间，锻炼自我调节能力，增强心理适应能力。
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王力宏演讲稿
王力宏演讲稿
Thank you, Plena. Thank you, Jun. Thank you, Peishan for helping this set up.
Thank you all for being here today and the late comers as well. Thank you for coming in quietly.
谢谢在座的各位，谢谢晚来的同学，也谢谢你们悄悄的进来。
I wanna start off today just to take a moment of silence for the victims of the Sichuan earthquake and also for the victims of the Boston marathon bombing. So let’s just take a minute to pay our respect to that.
Thank you.
今天开始之前，我想要先为四川地震的灾民们以及波士顿马拉松爆炸事件的受害者们默哀。
让我们用一分钟时间，为他们祈福。
谢谢你们。
I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an Erhu, without my crazy stage hair, costumes. But I did perform in the O2 Arena in London last week. I am not sure if any of you were able to make that. But in many ways, that was similar to what I’m talking about today, that is, introducing Chinese pop music here.
尊敬的各位牛津大学辩论会和牛津大学亚太学生会的同学们，万万想不到会以这样的方式跟你们相聚。
没有吉他和二胡，没有夸张的舞台装也没有“火力全开”头。
不过上周确实在伦敦的O2体育馆表演
过了。
不知道大家有没有去看呢。
但是，从各方面来说，这些跟我们
今天的话题都有密切的关联。
那就是-介绍华流音乐。
See, I am actually an ambassador of Chinese pop, whether
I like it or not, both music and movies. And today I’m here
to give you the state of union address. It’s not the Oxford Union. It’s the union of east and west. I wanna frankly, openly and honestly talk about how we’ve done a good job or how we’ve done a bad job of bringing Chinese pop to the west. And I also want to press upon all of you here today the importance of that soft culture, that soft power exchange and how each of us is involved in that exchange.
其实无论我喜不喜欢，我都被认为在代表者华流音乐以及电影。
那么今天，我就要来做一次“国情咨文”报告了。
但是，这个“国”
不是牛津，而是东西方的一个联合体。
我想跟你们聊一聊，我们在将
华语音乐引入西方社会方面所做的事情，无论是成就，还是不足。
我
都会坦诚布公。
同时，我也想借此机会给你们留下这样一个印记：软
实力交流的重要性以及它同我们每个人的相关水准。
Soft power, a term I am sure you are all familiar with
this point
软实力这个词我相信大家都不陌生。
这个概念是由Rhodes
Scholar 和牛津校友Joseph Nye 提出的。
Coined by Rhodes Scholar and Oxford alumnus Joseph Nye is defined as the ability to attract and persuade.
被定义为一种“吸引”和“说服”的水平。
Shashi Tharoor called it, in a recent TED Talk, the
ability for a culture to tell a compelling story and
influence others to fall in love with it.
Shashi Tharoor 在最近的一次TED演讲中把它定义为“一种文化让其他文化在听了他动人的故事之后受到影响并爱上这种文化”的水平。
I like that definition.
我很喜欢这个定义。
But I want to put it in collegiate term for all you students in the audience： The way I see it, east and west are kinda like freshman roommates.
但是我想用贴近你们在做大学生们的方式来解释这个词。
在我看来，东方跟西方在某种水准上，像是两个大一刚入学的新生舍友。
You don’t know a lot about each other but suddenly you are living together in the same room. And each one is scared that the other’s gonna steal his shower time or wants a party when the other wants to study.
两个几乎陌生的人，突然来到同一个屋檐下，其中一个总是怕另一个会跟他抢洗澡的时间，或者在他想要学习的时候大开趴体。
It has the potential to be absolute hell, doesn’t it? We all had horrible stories of THAT roommate. We’ve all heard about those stories. I know a lot of students here in Oxford have your own separate bedrooms. But when I was a freshman at Williams College, I was not so safe and fortunate.
这种关系很可能就变成跟地狱一样了，不是么?“我的室友是”的故事大家都讲得出来。
这些事我都有耳闻。
还有我知道牛津这儿的很多同学都一人一间的对吧，但是，在我刚上威廉姆斯学院的时候，我并不幸运，而且人身安全堪忧。