罗伯特勃朗宁 Robert Browning My Last Duchess
Robert Browning 罗伯特.布朗宁

574 letters were exchanged between the couple over a 20 month period; Robert visits her and declares his love early in the summer of 1845;
The Serap hair and Other Poems, 1838 《天使及 其它诗歌》 Poems, 1844, 《诗集》 Sonnets from the Portuguese, 1850, 《葡萄牙十 四行诗集》 Poems Before Congress, 1860, 《大会前的诗歌》 Aurora Leigh, 1857 《奥罗拉.利》 The Runaway Slave at Pilgrim’s Point, 1846 《逃跑的奴隶》
Dramatic Monologue
Dramatic monologue is a kind of poem in which a single fictional or historical character other than the poet speaks to a silent “audience” of one or more persons. Such poems reveal not the poet’s own thoughts but the mind of the impersonated character, whose personality is revealed in the presence of an listener, which distinguishes from a soliloquy. Robert Browning is associated with the term. His My Last Duchess is a case in point.
my last duchess格律-概述说明以及解释

my last duchess格律-概述说明以及解释1.引言1.1 概述概述部分的内容应该对整篇文章进行简要的介绍和概括,让读者对文章的主题和要点有一个初步的了解。
针对"my last duchess"这个主题,可以在概述部分引入以下内容:概述部分:"my last duchess"是一首由罗伯特·勃朗宁(Robert Browning)创作的著名诗歌,属于威尼斯重心派(Victorian Era)时期的文学作品。
本文将深入探讨这篇诗歌的格律以及其中所描绘的故事情节。
本文章的结构将分为引言、正文和结论三个部分。
在引言部分,我们将提供一个概述,通过对整篇文章的框架和目的的说明,让读者了解本文的主要内容和目标。
接下来,文章将在背景介绍部分(2.1)对《my last duchess》的创作背景和时代背景进行简要介绍。
在分析主题部分(2.2),我们将深入探讨这首诗所表达的主题,包括权力与控制、男性至上、婚姻关系中的失衡等。
最后,在结论部分,我们将对文章进行总结,概括出重点论述,并对诗歌主题进行深入的理解和思考。
通过这篇文章,我们将通过对"my last duchess"这首诗的格律分析,揭示其中所隐含的深意,并对这个时代的社会背景和文学风格进行一定的解读。
通过深入剖析,我们希望能够进一步理解这首诗背后的情感和诗人的创作意图。
1.2文章结构1.2 文章结构本文主要分为引言、正文和结论三个部分。
每个部分的内容如下:1. 引言部分:在引言部分,将对文章进行概述,给读者提供背景信息,并明确文章的目的。
1.1 概述:首先,简要介绍"My Last Duchess"这篇诗歌的作者罗伯特·勃朗宁,以及他的创作背景和时代背景。
"My Last Duchess"是一首被广泛研究和赞赏的短诗,它以第一人称的方式讲述了一位贵族男性对他去世的前妻的回忆和观察。
my last duchness诗歌分析

my last duchness诗歌分析“一个一流的、无双的现代人”是亨利·詹姆士对维多利亚时代优秀诗人罗伯特·勃朗宁(1812-1889)成就的评价。
勃朗宁对英国诗歌最具独创性的成就在于成功地发展了“戏剧”独白体裁,使这一诗歌形式臻于完美。
所谓戏剧独白诗即以假设人物口吻所写的第一人称诗歌。
勃朗宁的诗歌大多采用“戏剧独白”形式。
然而,最能代表勃朗宁在“戏剧独白”诗歌形式上成就的是他的典型戏剧独白诗。
这些诗中存在虚构的说话人,一个或多个听者,戏剧场景以及说话人和听者之间的相互作用、相互影响。
勃朗宁最杰出的诗歌几乎都归于此类。
《我已故的公爵夫人》堪称其中最具代表性的一种。
在《我已故的公爵夫人》一诗中,说话人是意大利文艺复兴时代的一位公爵,他正预备再度结婚。
对象是一位伯爵的千金。
为了确定嫁妆的数目,伯爵派了一位使者来谈判。
公爵领着这位使者在他的宫殿内参观艺术收藏,其中就有他已故公爵夫人的画像。
在整首诗中,公爵滔滔不决,尽情抒发;而使者缄默不语,似在凝听。
在勃朗宁的诸多戏剧独白诗中,这首诗典型地呈现了戏剧独白诗的特色。
因此,本文从此诗人手,对勃朗宁戏剧独白诗的特色作出较为详尽的分析。
一、勃朗宁戏剧独白诗的戏剧性“勃朗宁是最早明确揭示戏剧性独白的性质的人。
尽管他从未使用过这个术语,但没有任何一个诗人像他那样对‘戏剧性’情有独钟。
他在四部诗作的书名中都使用了‘戏剧性’这个定语:《戏剧性抒情诗》、《戏剧性浪漫传奇和抒情诗》(Dramatic Romances and Lyrics,1845)、《戏剧性代言人》(Dramatic Personae,1864)和《戏剧性田园诗》(Dramatic Idyls,1879)勃朗宁的戏剧独白诗具有很强的戏剧性,“表现了客观抒情诗的原则和方法”。
勃朗宁曾经给他的诗歌下过这样一个定义:“它们尽管在表达上是抒情的,其内容是戏剧的,是诸多想象人物的表达,而不是我的。
MyLastDuchess翻译和赏析

MyLastDuchess翻译和赏析\最后的公爵夫人\-诗歌欣赏:罗伯特。
布朗宁)-我的已故公爵夫人(:我的前任公爵夫人\我的前任公爵夫人罗伯特·勃朗宁那是我最后一幅画在墙上的公爵夫人,看上去好像她还活着。
我打电话这是一个奇迹,现在:弗拉·潘多夫的手忙碌了一天,她站在那里。
你能坐下来看看她吗?我故意说了一句“福拉·潘朵夫”,因为我从来没有读过像你这样的陌生人,那副生动的面孔,那热切的目光的深度和激情,但是他们转向了我自己(因为没有人把我为你拉上的窗帘拉上,只有我)似乎他们会问我,如果他们敢,这样的一瞥是怎么来的;所以,你不是第一个这么问的人。
“先生,这不仅仅是她丈夫的出现,把那个欢乐的地方叫做公爵夫人的脸颊:也许弗拉·潘多夫偶然说了一句,‘她的斗篷在我夫人的手腕上绕得太多了’,或者‘画师绝不能希望再现她喉咙里微弱的半红:‘这种东西是礼貌的,她想,足以唤起那个欢乐的地方。
她有一颗心——我该怎么说呢?-太快使高兴,太容易印象深刻;她喜欢什么她看着,她的目光无处不在。
先生,这是一个整体!我在她胸前的恩宠,西方白昼的消逝,某个好管闲事的傻瓜在果园里为她折断的樱桃树枝,她在阳台上骑着的白色骡子——所有的人都会从她身上得到同样的赞许,或者脸红,至少。
她感谢男人,-好!但不知何故地感谢——我不知道怎么感谢——好像她把我九百年前的礼物与任何人的礼物相提并论。
谁会屈尊责备这种琐事?甚至有你的技巧在演讲中(我没有)-使你的意志非常清楚这样一个人,并说,“只是这个或那个在你厌恶我;这里你错过了,或者有超过的标志——如果她让自己如此,也没有明显地把她的智慧给你,当然,和借口——那么将会是一些弯腰;我选择永不弯腰。
哦,先生,当我经过她身边时,她笑了,毫无疑问;但是谁没有带着同样的微笑走过呢?这种增长;我有命令;然后所有的微笑都停止了。
她站在那里,好像还活着。
请你起来好吗?那我们就在下面见公司。
英国维多利亚时代名人诗歌

维多利亚时代(1837年-1901年)是英国女王维多利亚在位时期,这一时期对英国文学产生了深远的影响。
以下是一些维多利亚时代的名人诗人及其代表作品:1. 阿尔弗雷德·吉尔伯特 (Alfred Lord Tennyson):- 代表作品:《乌鸦》(The Raven)、《风之召唤》(The Call of the Wind)等。
2. 罗伯特·布朗宁 (Robert Browning):- 代表作品:《卡桑诺瓦的夫人》(The Lady of Shalott)、《我的最后的那一世》(My Last Duchess)等。
3. 伊丽莎白·巴雷特·勃朗宁 (Elizabeth Barrett Browning): - 代表作品:《葡萄酒瓶》(A Musical Instrument)、《葡萄酒之歌》(Wine of Cyprus)等。
4. 马修·阿诺德 (Matthew Arnold):- 代表作品:《孟德斯曼》(Mycerinus)、《长诗朗读》(The Scholar Gipsy)等。
5. 克里斯蒂娜·罗塞蒂 (Christina Rossetti):- 代表作品:《时间的奴隶》(Goblin Market)、《冬天的灰色》(Winter: My Secret)等。
6. 戈弗雷·查尔斯·奇斯滕 (G. K. Chesterton):- 代表作品:《球的权力》(The Ballad of the White Horse)、《底比斯的圣人》(The Feast of Barchester)等。
7. 艾米莉·狄金森 (Emily Dickinson):- 代表作品:《希望是羽毛》(Hope is the thing with feathers)、《因为我不能停留》(Because I could not stop for Death)等。
王守仁《英国文学选读》(第4版)配套题库-章节题库-第11-15单元【圣才出品】

第11单元维多利亚时代的诗人Ⅰ. Fill in the blanks.1. Mrs. Browning’s poem _____ describes the miserable life of child-workers in the factories and mines.【答案】Cry of the Children【解析】勃朗宁夫人对当时英国的社会政治问题予以极大的关注,1844年发表了短诗《孩子们的哭声》,愤怒抗议资本家对儿童的摧残和剥削。
2. The most important poet of the Victorian Age was _____ Next to him were Robert Browning and his wife.【答案】Alfred Tennyson【解析】阿尔弗雷德·丁尼生(Alfred Tennyson)是维多利亚时期最优秀的诗人之一,他的诗歌题材广泛,内容丰富,艺术高雅。
3. _____ has been criticized for his obscurity.【答案】Robert Browning【解析】罗伯特·勃朗宁的诗作常被指责晦涩难懂。
4. _____ is Robert Browning’s masterpiece which tells a horrible story of a man’s murder of his beautiful young wife.【答案】The Ring and the Book【解析】《指环与书》是勃朗宁的代表作。
该诗以17世纪末发生在罗马的一个老夫杀少妻的故事为题材,全诗由12组戏剧独白组成。
5. The two greatest Victorian poets are _____ and Robert Browning. They both began writing poetry in emulation of the major Romantic poets, such as George Gordon Byron, Percy Bysshe Shelley and John Keats.【答案】Alfred Tennyson【解析】英国维多利亚时期最为著名的两位诗人是阿尔弗雷德·丁尼生(Alfred Tennyson)和罗伯特·勃朗宁(Robert Browning)。
《我已故的公爵夫人》功能文体学分析

《我已故的公爵夫人》功能文体学分析作者:赵巧燕来源:《赤峰学院学报·哲学社会科学版》 2011年第2期赵巧燕(浙江大学外国语言文化与国际交流学院,浙江杭州 310028)摘要:本文从功能文体学的角度,通过及物性分析及语气和情态系统分析,来把握勃朗宁的《我已故的伯爵夫人》这首诗的独特风格和写作手法,以达到对作品更深的理解。
关键词:功能文体学;及物性;语气和情态系统中图分类号:H314 文献标识码:A 文章编号:1673-2596(2011)02-0170-02罗伯特·勃朗宁(1812-1889)是维多利亚时期代表诗人之一,以其戏剧独白诗形式和细腻的心理探索而独步诗坛。
《我已故的公爵夫人》是勃朗宁早期戏剧独白诗中的代表作。
诗中的独白者是一位意大利文艺复兴时期的公爵。
本文从韩礼德的系统功能语法角度入手,对诗歌的及物性系统、语气和情态系统进行了深入分析,以全面挖掘诗歌的内在涵义和表现风格。
一、及物性分析及物性(transitivity)是表达概念功能的一个语义系统,其作用在于把人们在现实世界中的见闻和作为分成若干种“过程”(process),并指明与各种过程有关的“参与者”(participant)和“环境成分”(circumstantial element),这三者构成了及物系统中有意义的语法单位“小句”(clause)。
及物性系统包括6个过程:物质过程、关系过程、心理过程、言语过程、行为过程和存在过程,本文着重对诗歌中出现的物质过程、关系过程和心理过程进行深入分析。
对诗歌《我已故的伯爵夫人》中小句的逐个分析后,其及物性系统可由表1归纳:(一)物质过程通过归纳可见,诗歌中总共出现39个物质过程,其中涉及52个物质参与者。
这些物质过程参与者中,包含了22个动作者(actors),这些物质过程的动作者中,“the Duke”(公爵)占了大部分,而且“the Duke”(公爵)后面所带的大部分动词为及物性动词,也就意味着公爵总是作用于某物,对他物实施物质过程,表明了公爵的权利以及他对他物的影响力。
罗伯特 .布朗宁Robert Browning

My Last Duchess
Lucrezia de Medici, Duchess to Alphonse II of Ferrara
Setting: Italian Renaissance
It was a time when morally dissolute men like the Duke in this poem exercised absolute power. A time that produced magnificent art like the Duchess's portrait. The poem clearly refers to the historical Alfonso II, Duke of Ferrara (a city in northeast Italy), whose first wife died suspiciously within two years of their marriage
That's my last Duchess painted on the wall
Stress "That's" and Ferrara reduces a woman, once his spouse, to something he casually points out, a thing on a wall. Emphasize "my" and Ferrara reveals his sense of owning her. Pause over "last" and we might infer that duchesses, to him, come in sequence, like collectibles that, if necessary, having become obsolescent, are to be replaced. If "Duchess" gets the stress, he implies that he acquires, not just works of art, but persons; and that Duchesses are no different from paintings. The line suggests self-satisfaction.
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My Last Duto face. eloped from England to Italy. 1846 secret marriage. 1861 died in Browning's arms.
Poetic Style
• Similes and metaphors are overused. • Allusions and implications are odd. • Syntax is usually clipped and highly compressed with conversational features. • His theme is obscure and hard to understand. • His poetic style foreshadows the 20th-century poetry rather than belonging to the Victorian Age.
Feminism in his works
• In Victorian Age, the queen was in power, but woman's rights were low. Women from upper class were only regarded as a kind of ornaments. • We can find many Browning's works have women characters. For example, in My Last Duchess, we can see Browning's sympathy for the women and his effort to speak for the women. • Although he could not get rid of the limitations of that time, we can find he had noticed the value of woman in artistic creation.
Marriage
• Elizabeth Barrett Browning(1806-1861) • born in 1806 in a rich family. • At age 15, she injured her spine in a riding accident and became a helpless invalid confined to her own room.
• distinguishes from Soliloquy.
It consists of the following features
• 1.The speaker in the poem is obviously unidentical to the poet himself, who narrates the entire poem in a particular situation at a critical moment.
• 2. The purpose of the form is to inadvertently reveal the speaker's character, temperament, and interior psychology instead of the subject discussed in it.
• 3. The form parallels the novelistic experiment with the point of view in which the reader is privileged to make an assessment of the intelligence and credence of the speaker.
Early Life
• Born in a well-to-do family in 1812 in London. • His father was a learned man with a library of around 6,000 books. • His mother was was a accomplished pianist. • He disliked the institutionalized education制度化教育 and became talented through self-study. • Browning set his heart early on being a poet and began to write poetry at 12.
• 4. The auditor's presence and response are merely inferred from the clues of the speech of the single speaker.
Six parts:
• • • • • •
speaker listener scene interaction between the listener and speaker an exposure of the characters' personality the present actions
My Last Duchess
Robert Browning(1812-1889)
Robert Browning
• Robert Browning was an English poet and playwright whose mastery of dramatic verse, espcially dramatic monologue, made him one of the foremost Victorian poets.
Main Achievement
• His significant contribution to English poetry: the verse form called Dramatic Monologue.
Dramatic Monologue
• Dramatic monologue is a type of poetry in which a single fictional or historical character other than the poet speaks to a silent audience of one or more persons. It reveals not only the poet's own thoughts but also the mind of the impersonated character, whose personality is revealed unwittingly. • the implied presence of an auditor/listener
Pippa Passes《皮帕走过了》 is the first of a series of poems published between 1841 and 1846 under the general title of Bells and Pomegranates.
"Or from Browning some pomegranate which, if cut deep down the middle, Shows a heart within blood-tinctured of a veined humanity."
Browning's Works
• • • • • • • • • • Pauline modeling on Shelley's personal style, showed his enthusiasm for Shelley. Sordello (1834-1840) a long poem about the 15th century troubadour of that name. Paracelsus (1835) first work published under Browning's own name. Because of it, Thomas Noon Talfourd praised him as "the youngest poet of England". Porphyria's Lover (1836) his first really distinctive monologue. Pippa Passes (1841) is the first of a series of poems published between 1841 and 1846 under the generl of "Bells and Pomegranates".
My Last Duchess
• Published in 1842. • Browning's best known dramatic monologue.
Historical background
• Alfonso II is the fifth Duke of Ferrara(1533–1598) • He married Lucrezia. The duke poisoned her. Then arranged another marriage for himself; in order to ensure the amount of dowry嫁妆, the duke had to negotiate with the agent sent by his father-in-law. • Here the silent listener in the poem was Madruz, a chief entourage. The other characters named in the poem, painter Frà Pandolf and sculptor Claus of Innsbruck, are fictional creation of Browning.