《所罗门之歌》成长主题分析

合集下载

《所罗门之歌》主人公“奶娃”的成长历程新论-最新文档

《所罗门之歌》主人公“奶娃”的成长历程新论-最新文档

《所罗门之歌》主人公“奶娃”的成长历程新论《所罗门之歌》是托尼?莫里森的第三部不同反响的著作。

小说的影响力在于它不仅描绘了20世纪中期非裔美国人的生活际遇,同时也表明了莫里森坚决主张对那位不合群主人公奶娃?戴德的灵魂“进行疗伤的必要性”[1]。

奶娃意识到过去的黑人南方传统文化依然在20世纪的美国从各个方面起着重大作用,这种认识对于奶娃的成熟和疗伤是极为重要的。

评论家通常将奶娃的成长和疗伤置于其神秘探险和传统的成长小说背景下去理解。

当然,莫里森的小说反映了西方文学中的原型成长小说模式,譬如,奶娃遵循了这样一个寻求之路:先是寻找金子,然后寻找有关祖先的知识。

正如其他成长小说中的前辈一样,奶娃也是从一个自私的不成熟的少年成长为一个思想深刻的成年人。

然而,莫里森不仅仅是在重新刻画成长主题。

相反,这部小说颠覆了通常美国小说中尤其是非裔文学中存在占主导模式的成长主题。

莫里森用第三代麦肯?戴德,绰号为奶娃,一个在北方工业城市密西根长大的物质上富有但精神上孤立的、不合群的黑人青年,替代了传统小说中来自乡下贫穷的、天真的青年形象。

小说主人公之所以年轻,是因为他“那种无忧无虑的男孩子时代已经延伸到了三十一岁”。

作为一名三十来岁的青年,他仍旧和父母住在一起,帮自己的父亲收房租,奶娃在情感和社会经验方面亟待成熟。

奶娃的贫穷是精神上的而非物质上的;他的敏感在于他的青少年自我为中心行为。

他的成长自他从北部城市出发向弗吉尼亚的沙里玛的祖先的家寻求祖上的历史开始的。

从最初的自私地追寻金子,寻求物质上的成功和逃避,到后来变成寻求家族历史和对家族历史的认同。

一、姓名的缺失与疏远《所罗门之歌》中的名字具有重大意义。

名字在西非传统社会具有重大意义,在那里名字被视为与个人的本质紧密联系的,是一个人的核心所在。

对美国奴隶们来说,名字与非洲的过去相联系;在新大陆,奴隶们举行秘密的命名仪式,在他们白人奴隶主不在场的情况下他们会偷偷地使用他们的非洲名字。

《所罗门之歌》的歌谣分析

《所罗门之歌》的歌谣分析

《所罗门之歌》的歌谣分析《所罗门之歌》的歌谣分析《所罗门之歌》是古代希伯来文学中的一部重要作品,它是圣经旧约中的一卷,被认为是智慧文学的代表之一。

这首歌谣据传是因其智慧的作者,以色列国王所罗门而得名。

本文将从诗歌的结构、主题和文化背景等方面对《所罗门之歌》进行分析。

首先,我们来看《所罗门之歌》的结构。

这首歌谣由八个独立的分节组成,每个分节由不同的主题而构成。

这些分节包括恋爱情歌、对话、讽刺、寓言、赞美和叙述等。

整体来说,《所罗门之歌》的结构多样,有时候出现并列的情节,有时候则是通过对话展开人物之间的关系。

这种编排方式使得整首歌谣充满了独特的韵律和节奏感,使读者更加容易跟随故事情节。

其次,我们来探讨《所罗门之歌》的主题。

这首歌谣主要描绘了两位恋人之间甜蜜的情感和性爱的美好。

其情节包括了两人的相互约会、恋爱的描绘以及情感的诉说。

通过对话形式的交流,诗人以浪漫的笔触描绘了两位恋人之间的精神和肉体的和谐统一。

这不仅体现了古代东方文化中对爱情和婚姻的理解,也展现了人类对美好情感的追求。

同时,《所罗门之歌》也反映了犹太民族在古代的社会背景。

在这首歌谣中,通过描绘农田、葡萄园和羊群等景象,可以看出以色列是一个以农业为主要生产方式的社会。

这反映了以色列国王所罗门时代的社会生活,也体现了当时以色列人对土地和农业的依赖。

同时,这首歌谣还通过赞美国王的描写,反映了当时以色列国王的权威和影响力。

此外,《所罗门之歌》中的一些描写也涉及了自然界和宇宙的表现。

通过描绘太阳、月亮、星星等自然现象,诗人打开了人类对神秘力量和宇宙奥秘的思考。

这种自然和宇宙的表现也可以理解为对至高无上的上帝的赞美和敬畏,以及对人类在宇宙中微小存在的反思。

综上所述,《所罗门之歌》作为一部古代智慧文学的代表作,通过其独特的结构和描写方式,展示了恋爱情感的美好,并反映了当时以色列国王所罗门时代的社会背景和对自然和宇宙的思考。

这首歌谣不仅是一种文学的表达形式,更是向我们展示了古代东方文化的智慧和美妙综上所述,《所罗门之歌》作为一部具有浪漫情感和古代智慧的作品,通过描绘恋爱情感、反映社会背景和探索自然宇宙,展现了古代东方文化的智慧和美妙。

莫瑞森的《所罗门之歌》:成长小说结构;妇女主义内容

莫瑞森的《所罗门之歌》:成长小说结构;妇女主义内容

莫瑞森的《所罗门之歌》:成长小说结构;妇女主义内容
美国黑人女作家托尼·莫瑞森的小说《所罗门之歌》讲述了男主人公奶娃·戴德的美国南部之旅寻找自我、家族历史及非洲传统的经历。

小说遵循传统成长小说的构架,但试图颠覆传统成长小说模式,向读者展现妇女主义思想。

结构上,奶娃的南方之旅符合坎贝尔的“隔离——成长——回归”模式,内容上《所罗门之歌》颠覆了传统成长小说的模式,莫瑞森旨在以此宣传妇女主义思想:作者试图对控制压迫黑人的白人主导文化提出挑战,以及向世人展示宣传黑人的价值观、信念、文化、传统。

本论文可分成四章。

第一章是介绍,主要讨论本论文研究的理论依据,即坎贝尔的原型人物成长之旅以及沃克尔的妇女主义思想。

第二章分析小说主人公奶娃的南方之旅,通过分析得出奶娃的南方之旅是发现成长之旅,作者采用的就是坎贝尔的“隔离——成长——回归”成长模型。

第三章主要讨论《所罗门之歌》如何在内容上超越并颠覆成长之旅传统,旨在展示莫瑞森的妇女主义思想。

对传统的颠覆是通过作者对白人主导价值观的挑战以及对黑人文化的宣传赞扬来实现的。

第四章是结论部分。

基于前面的分析讨论,本论文认为小说《所罗门之歌》不仅仅反映了原型人物的成长之旅,同时也是对这种成长之旅传统的一种超越和颠覆,旨在向读者展示莫瑞森的妇女主义思想。

《所罗门之歌》中派拉特的爱之升华

《所罗门之歌》中派拉特的爱之升华

所罗门之歌》中派拉特的爱之升华非裔美国女作家托尼?莫尼森于1993 年获诺贝尔文学奖,成为近百年来获此殊荣的首位非裔女作家。

特殊的身份造就了她的作品中视角各异、丰富多彩,具有魔幻现实主义特质的各类黑人女性角色。

然而,在莫里森的八部长篇小说中,也有一部作品是以黑人男性为主人公的,这就是1977 年的《所罗门之歌》 (Song of Solomon)。

故事以一位绰号“奶娃”的黑人男性的精神成长历程为主线,讲述了他从幼年受父亲“白人价值观内化”的影响而狂放不羁,随后在其姑妈派拉特的传统民族意识影响下进行的自我挣扎和灵魂的蜕变,向读者展现了一条美国黑人从梦回非洲到自我认同再到回归传统的精神探寻之路。

“奶娃”虽然是小说的主人公,但引导这位主人公解开精神枷锁、发生全面蜕变的人并不是种族主义下自认为与众不同的他的父亲,也不是受制于男权主义并一味隐忍的母亲,而是无视传统束缚、随性善良却始终坚持原则的姑妈派拉特,一个神秘古怪的黑人女性。

安?道格拉斯(Ann Douglas )在其著作《美国文化的女性化》( The Feminization of American Culture )中表示:“有时候道德、美学或文化价值观掌握在女性的手中,在她们画画喝茶的时候,就不知不觉地传染给社会――即使一切都在男性的严格掌控之中――告诉社会什么是应该做的,是道德的。

”该观点也无形中抨击了诗人考文垂?巴特摩尔( Coventry Patmore )在自己的一首长诗中对女性的描述一一“家中的天使”(theangel in the house ),道格拉斯认为:“女人不光是在家中洗盘子,带孩子的天使,虽说这也是她们的重要任务之一,她们还应该起到判断家庭生活中道德标准的作用。

”在派拉特这一角色上,托尼?莫尼森就赋予了其作为道德准绳的作用,正是她刚正不阿的性格和对道德标准的正确判断及把握在无形间影响着男主人公的成长和蜕变,牵引着他从道德缺失的人生黑洞中摸索前行,获得了超越自我的勇气,实现了精神上的“飞翔”。

莫里森《所罗门之歌》的成长主题解读

莫里森《所罗门之歌》的成长主题解读

第39卷第7期Vol.39 No.7长春师范大学学报Journal of Changchun Normal University2020年7月Jul.2020莫里森«所罗门之歌»的成长主题解读安㊀娜(淮南师范学院ꎬ安徽淮南232000)[摘㊀要]«所罗门之歌»是由首位获得诺贝尔文学奖的美国非裔女作家莫里森所写的一部非常畅销的小说ꎮ本文从自我认知㊁时空转变㊁身份认同以及民族意识的觉醒四个方面对该小说的成长主题进行解读ꎬ更深入地理解美国种族不平等以及非裔美国人对其族裔的文化认同等问题ꎮ[关键词]成长ꎻ自我认知ꎻ时空转换ꎻ身份认同ꎻ民族意识[中图分类号]I712㊀㊀[文献标志码]A㊀㊀[文章编号]2095-7602(2020)07-0148-02«所罗门之歌»是由美国非裔女作家托妮 莫里森所写的一部非常成功的成长小说ꎮ这部小说讲述的是美国非裔男主人公奶娃的成长历程ꎮ作者通过对主人公成长经历中一系列事件的描写ꎬ向读者展示出美国社会所存在的种族不平等以及美国非裔的阶层矛盾等问题ꎮ该小说的问世标志着作者在写作方面的成熟ꎬ显示出她对美国非裔文化的思考达到了一个新的深度与高度ꎮ这部小说有着非常高的文学研究价值ꎬ很多学者从不同角度对这部小说进行研究ꎮ本文从主人公的成长㊁非裔美国人种族和社会身份的构建及族裔意识觉醒等不同方面对«所罗门之歌»的成长主题进行分析ꎬ进一步深刻解读小说的内涵ꎮ一㊁成长小说的简述文学作品中的体裁很多ꎬ其中小说更能反映影响个人成长的诸因素之间相互牵连的复杂关系ꎮ正是那种欲将这些相互牵连的因素讲述出来的欲望ꎬ催生出一种独特的小说类别 成长小说[1]4ꎮ以青少年成长为主题的作品在美国文学中有着突出的地位ꎮ许多著名的小说都以成长为主题来描绘主人公的成长历程ꎬ通过描绘主人公在成长过程中所经历的各种苦难和挫折来揭示一定的社会现象或表现一种美好的精神诉求ꎮ根据芮渝萍的观点ꎬ按照语言难度㊁思想深度和性描写程度三个标准ꎬ当代美国成长小说明显可以分为两类:一是适合青少年读者的成长小说ꎻ二是适合青春期后的青年乃至成人阅读的成长小说ꎮ第一类成长小说语言简单㊁内容易懂ꎬ不涉及性描写ꎻ第二类成长小说有一定的语言难度ꎬ思想内容深刻㊁丰富ꎬ甚至较为隐晦ꎬ可能包含性描写[1]57ꎮ«所罗门之歌»属于第二类中比较具有代表性的作品ꎮ作者用主人公的成长ꎬ向读者展现出当代非裔美国人所处的社会地位和对本族裔的文化认同与回归ꎮ从小说内容来看ꎬ主人公的成长表现在多个方面ꎮ不同方面的成长最终促使主人公真正成熟起来ꎬ使其在精神上得到进一步的升华ꎮ二㊁小说主题解读(一)自我认知的成熟«所罗门之歌»中的主人公奶娃从小生活在一个比较富裕的非裔中产阶级家庭ꎬ生活中的衣食无忧使奶娃在三十岁之后仍像个无知的孩子ꎮ作为家里的独子ꎬ他对社会缺乏足够的责任感ꎬ对自身没有清醒的认识ꎮ他对母亲和来自姐妹之间的呵护并不懂得尊重和感激ꎬ而是持一种不满和鄙视的态度ꎮ他觉得母亲是依赖父亲的可怜虫ꎬ认为他的姐妹招摇过市㊁不懂矜持ꎮ在非裔奴隶问题上ꎬ他的朋友问他:要是他在蒙哥马利生活ꎬ他会作何想ꎮ他说会买张机票离开那里ꎮ从奶娃的回答便可以看出他对自己的非裔同胞所遭受的苦难没有深入的了解ꎬ对生活在底层的同胞的现状知之甚少ꎮ他有优越的生活环境ꎬ但没有得到父亲的疼爱ꎮ亲情的缺失使他不懂如何去爱自己的家人甚至爱人ꎮ从他对待女朋友夏甲的方式可见一斑ꎮ最初ꎬ他与夏甲一见钟[收稿日期]2020-01-22[作者简介]安娜ꎬ女ꎬ助教ꎬ硕士研究生ꎬ从事英美文学㊁英语语言学及应用语言学研究ꎮ841情ꎬ后来不爱夏甲了ꎬ就毫不犹豫地抛弃了她ꎮ他的狠心最终让夏甲郁郁而终ꎮ直到去南方寻找传说中的金子ꎬ他才开始真正成长ꎮ他去南方的本意是希望找到传说中的金子ꎬ继而脱离父亲的掌控ꎬ开始自己的人生ꎮ在南方ꎬ奶娃找到了比金子更重要的财富 自己的根ꎮ南方之行让他了解到自己的家族史㊁自己的种族文化ꎮ这些知识的获得完全改变了奶娃的生命轨迹ꎬ把他从自我主义中解放出来ꎬ成为一个懂得爱别人并且具有自己种族文化身份的新人[2]ꎬ真正的成长起来ꎮ他开始想念他的家人和曾经的爱人ꎬ开始理解父亲的所作所为只是源自对祖父的纪念ꎮ(二)时空转变中的成长在主人公奶娃的成长过程中ꎬ外部时空的变化起到了非常重要的作用ꎮ巴赫金认为ꎬ在成长小说中ꎬ时间进入人的内部ꎬ进入人物形象本身ꎬ极大地改变了人物命运及生活中一切因素所具有的意义[3]ꎮ一成不变的生活环境无法使主人公真正得到成长ꎮ只有生活环境改变了ꎬ主人公的生活方式才能出现新的变化ꎬ主人公才能真正成长ꎮ当奶娃为了寻找金子而毅然决然地离开熟悉的家时ꎬ他的生活环境发生变化ꎬ促使他不断成长ꎮ奶娃刚到南方时就和当地青年大打出手ꎬ使他受到巨大的刺激ꎬ开始重新思考很多以前视为理所当然的事情和理念ꎮ在路途上ꎬ奶娃从老人的口中陆续地了解到非裔的历史和风俗ꎮ从祖父的讲述中ꎬ奶娃了解到非裔的优秀文化和非裔遭受的歧视ꎮ他重新审视了自己的身份ꎬ不再为身为非裔而感到痛苦ꎮ他来到沙里马村庄之后ꎬ发现这里是一个世外桃源ꎬ没有白人ꎬ只有非裔ꎬ保存着完整的非裔文化ꎮ在沙里马村ꎬ奶娃不用再担心种族歧视ꎬ不用再承受来自于白人的异样眼光ꎮ这使他能够用更加冷静的眼光来看待非裔文化ꎬ使他的思维更趋于理智ꎮ(三)身份认同的重构对于主人公的身份ꎬ可以从两个角度进行阐释ꎮ首先ꎬ从奶娃的名字来看主人公的身份ꎮ 奶娃 这个绰号源于主人公的母亲一直对主人公进行母乳喂养ꎬ并持续了快十三年ꎮ直到有一天吃奶的场景被看门人看到ꎬ他便被起了 奶娃 这个绰号ꎬ成为其不成熟㊁不独立的象征ꎮ其次ꎬ从主人公的姓氏来看主人公的身份ꎮ关于奶娃家族姓氏 戴德 的由来ꎬ既荒唐可笑ꎬ又透漏着无奈与无助ꎮ当奶娃的祖父 吉克 所罗门获得自由之身后ꎬ一个醉酒白人误将吉克父亲的死亡(Dead)填至姓名栏ꎬ吉克家族因此被赋予了荒唐㊁错误的姓氏 戴德[4]ꎮ家族的姓氏对每个人来说都是至关重要的ꎬ它是一个人与家族之间血脉相连的最好诠释ꎮ姓氏的错误使奶娃的身份处于困境之中ꎮ在去南方追寻黄金的过程中ꎬ奶娃的身份得以重构ꎮ在经历了一系列的遭遇后ꎬ奶娃发现了自己家族的真正姓氏ꎬ获得了对非裔身份的认同感ꎬ使他不断用新的视角看待自己和周围的一切ꎬ更加客观地对待自己非裔的美国公民身份ꎬ更从容地融入到自己的种族之中ꎮ(四)民族意识的觉醒奶娃出生于美国的中产阶级家庭ꎬ父亲是个只知道追逐金钱的冷酷商人ꎬ缺乏对非裔的归属感和同情心ꎮ他对金钱的贪婪与崇拜ꎬ使他良心逐渐泯灭ꎬ成了唯利是图㊁遭同族唾弃的人[5]ꎮ从某种程度来说ꎬ奶娃父亲的理念更加接近于美国主流文化下白人的价值观ꎮ在这样的家庭背景之下长大的奶娃对自身的非裔种族的认知和归属感必然是模糊的ꎮ但在南下寻金的过程中ꎬ奶娃了解到了更多的关于自身家族㊁种族的信息ꎬ他的民族意识觉醒了ꎬ更好㊁更自然地融入到当地非裔群体之中ꎬ并为之感到自豪ꎮ南方之行使奶娃获得了族裔归属感ꎬ使他真正成为非裔群体的一份子ꎮ三㊁结语本文从自我认知㊁时空转变㊁身份认同以及族裔意识的觉醒四个方面对莫里森«所罗门之歌»的成长主题作了研究ꎬ揭示出奶娃的成长实际上是众多因素共同作用的结果ꎮ莫里森通过这部小说向世人展现出她对非裔美国人未来走向的思考ꎮ借助于奶娃的成长心路ꎬ作者重新审视了非裔美国人的身份认同和身份重建的可能性以及非裔美国人应如何面对种族间的不平等问题ꎬ而这也正是«所罗门之歌»的意义所在ꎮ[参考文献][1]芮渝萍ꎬ范谊.成长的风景 当代美国成长小说研究[M].北京:商务印书馆ꎬ2012.[2]陈惠良.«所罗门之歌»中的话题对话及奶娃的成长之路分析[J].河南广播电视大学学报ꎬ2017(1):46-52. [3]白春仁ꎬ晓何译.巴赫金:小说理论[M].石家庄:河北教育出版社ꎬ1998.[4]苗志强.探究黑人身份认同的困境 以«所罗门之歌»为例[J].英语广场ꎬ2017(1):5-6.[5]贾兴蓉.«所罗门之歌»主题探索[J].上海理工大学学报(社会科学版)ꎬ2013(2):140-146.941。

《所罗门之歌》的主题阐释

《所罗门之歌》的主题阐释

主义描绘 。… ” 啪现代小说 运用魔幻现实 主义超越了 现实主义的局限性 , 而且充分运用了寓言、 民间传说 和神话的活力服务于强烈的时代社会气息。魔幻现 实主义总是采用“ 漂浮 、 飞翔、 心灵感应 、 心灵遥感 ” 等 方 式 来 描 绘 他 们 的 人 物 从 而 反 射 现 当 代 社
石 O
140 ] 莫里森 的第三部小说《 所罗门之歌)17。 ( 7)以非 厶 [1, 9 洲人会飞的神话为基础展开 , 受到广泛好评 。 畅销至 莫里森运用 非洲人会飞 的神话来描绘 她 的小 极 。 获得国家 图书奖和 书信奖。此外 。 并 它还是继 说 。 带有明显的魔幻现实主义的色彩。一个极为 明 《 土生子》 之后第一篇被选人当月最佳 图书的黑人小 显的例子就是在小说第一章 中罗伯特 ・ 史密斯在 慈 说。因此 , 正如“ 当月最佳 图书俱乐部” 所极力称赞 善医院屋顶上 的飞翔。让读 者迷 惑不解的是 。 观看 的:一部 富于生命 力 的不平 常 的小说 ……美妙奇 飞行 的黑人们在医院的屋檐下热切地等待着而不是 “ 特, 非常感人 , 陶醉 。 令人 充满 了巧妙 的精心制作 的 飞奔过去阻止这次飞翔。“ 从慈善医院房顶上跳下 神秘色彩 。这是 自《 看不见的人》 以来最佳的黑人小 来是他所能做的一切 中最 吸引人 的一件事 , 谁也没 说。《 ”民族》 也为这本小说高唱赞歌 :莫里森使人们 想到他会 干这个。人们彼此低语着 : “ 就是为 了表 现 为之赞叹不已……她创造了一个黑人社区……然而 自己。你是永远也不能真 正 了解一个 人 的O [ 没 "1 2 9 又从未与 白人世界相脱离……一双如玻璃般尖锐的 有一个黑人认为史密斯的飞行是企 图自杀 , 相反 , 他 耳朵使她倾听了黑人 的音乐并把它当作调色刀而创 们都期待他飞走 以获得 自由。 以逃 离此地 的种族歧 造了黑人的生活 , 提供 了至今为止最佳 的小说语 篇 视 。正如莫里森 自己所解释的: 语言与思想 的完 美平衡 。 19 ”93年的诺贝尔 文 让我给你们举一个例子, 那就是< 所罗门之歌> 学奖确立了莫里森作为一名作 家 , 在美 国黑人女作 中的飞翔神话……关于黑人会飞一事。那一直是 家中、 至世界顶尖作家中的地位。以黑人 社区作 甚 讲 述我生活的 民间传说 的一部 分 。飞翔 是我 们 的 为背景 , 莫里森的杰作《 所罗门之歌》 主题丰富 , 值得 天赋之 一。这看起 来很可 笑, 但我 不在 乎。到处都

《所罗门之歌》主题剖析

《所罗门之歌》主题剖析

主要参考文献
托尼· 莫里森著,胡允桓译《所罗门之歌》,上海译文出 版社,2005年。 王守仁、吴新云著《性别· 种族· 文化——托尼· 莫里森的小 说创作》,北京大学出版社,2004年。 Valerie Smith:New Essay on Song of Solomon(《所罗门 之歌》新论,英文影印版),北京大学出版社,2007年。
女性主义解读
理想的化身——彼拉多:独立自主,智慧神秘, 与自然的天然联系,充满爱和关怀,平等待人。 卑微而觉醒——露丝和两个女儿:怯懦,受父权 压迫,边缘化;女儿科林西安丝的反抗,不顾父 亲和弟弟的反对,与低一等的黑人恋爱,女性意 识的觉醒。 有缺陷——哈格尔:从小在溺爱中长大,热情更 专情,被奶娃抛弃后,曾疯狂复仇,迷失了自我, 为爱而死。
主要人物
奶娃(Milkman) 独子,出身于富有的黑人家庭,却苦于不能自立。 不愿呆在死气沉沉的家里,而在姑妈彼特拉家找 到了爱和温情的港湾。与外甥女哈格尔的不伦之 恋而始乱终弃。与好友吉他的相伴成长,却反目 成仇,被吉他误解追杀。(生活在矛盾和混乱之 中,有所求而无所得的人) 回乡:丹维尔和沙利玛 到南方寻金未得,却发现了自己真正的姓氏和祖 先。
《所罗门之歌》SoFra bibliotekg of Solomon
其人其作
《所罗门之歌》(Song of Solomon 1977)是莫里森的第三部小说。
一部黑人男青年的成长小说,讲述主人 公奶娃(Milkman)文化寻根、找回自 我的成长历程。 小说分为两部分:北方成长与南方寻 金,进而寻根。
全国图书评论界奖 (National Book Critics Circle Award in 1978)
主要人物

《所罗门之歌》主人公“奶娃”的成长历程新论

《所罗门之歌》主人公“奶娃”的成长历程新论


要性 。
要: 成 长话题是 当代 美国文学的重要主题 , 它也是 非裔女作 家托 妮 ・莫里森文 学作 品 中始终如一 的关 注
点。通过 对小说《 所罗门之歌》中“ 奶娃” 的成 长经历, 揭示 出新一代黑人如何对本 民族传统文化进行 重新认 识的 必 关键 词 : 成长历程 ; 托尼 ・ 莫里森 ; 《 所 罗门之歌》
人 的生活 际遇 , 同时也表明了莫 里森 坚决 主张对那位不合群
主人公奶娃 ・ 戴德 的灵魂 “ 进行疗 伤的必要 性” … 。奶娃 意
统社会具有重大意义 , 在那里名字被视为与个人的本质 紧密 联 系的 , 是一个人的核心 所在 。对 美 国奴 隶们来 说 , 名字 与 非洲 的过去相联 系 ; 在新大陆 , 奴隶们举行秘密 的命名仪式 , 在 他们 白人 奴隶 主不 在场 的情况下他 们会 偷偷地 使用 他们 的非洲名字。然 而 , 小说又表明姓氏身份在美 国非裔美 国人
d o i : 1 0 . 3 9 6 9 / j . i s s n . 1 0 0 1 - 7 8 3 6 . 2 0 1 6 . 1 1 . 0 3 7
《 所 罗 门之歌》 主人公 “ 奶娃 " 的成长历程新论
祁 继 香
( 河北对外经贸职业学 院, 河北省 秦 皇岛 0 6 6 3 1 1 )

姓名 的缺失 与疏远
《 所罗 门之歌》 中的名 字具有重 大意义 。名 字在西非 传
收 稿 日期 : 2 0 1 6 - 0 7 - 1 9
另外 , 他延 长的母乳 喂养也将他 和别 的小孩 隔离开来 。四岁
的时候 , 当他 得知 自己不 能飞 时 , 奶娃 对一 切 失 去 了兴 趣 ,
  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

《所罗门之歌》成长主题分析[Abstract]Song of Solomon by Toni Morrison is an initiation story and a tragic song glorifying African-Americans. By analyzing Milkman’s initiation process of growing from a purposeless and empty boy into a mature man with a sense of belonging, taking pride in his own race, this thesis aims to illustrate that only when the black return to nature and know their own culture and root, can they survive and grow mature in the drastic cultural conflict.[Key words]Toni Morrison,Song of Solomon,black people,initiation[WTBZ]I. IntroductionToni Morrison is the first black woman writer in American literature who has won the Nobel Prize. Her works have attracted great attention from literary critics at home and abroad for a long time. In her life, she has produced eight famous works, including The Bluest Eye, Sula, Song of Solomon, Beloved and so on, thus receiving the National Book Critics Award, Pulitzer Prize and other prizes.Song of Solomon, Toni Morrison’s third novel, is the only oneregarding a male as protagonist among her eight works. This novel has won highly evaluation from critics and is considered the best black American work after the publication of Invisible Man by Ralph Ellison. It is a typical initiation story of black people. The protagonist, Milkman’s maturity of affection and awakening of male consciousness make up the initiation theme of this novel. There is no direction in Milkman’s life. He does not know his own name, nor comprehends the cultural tradition. Being selfish, he never thinks over others’ideas. With the guidance of his aunt and friend, he becomes an inheritor of African American culture, finally finding the root of his nation and going mature gradually.Song of Solomon has got much focus from critics in America after its publication. The main critical aspects are: the importance of naming, racism, culture and other problems. Karen Carmean’s Toni Morrison’s World of Fiction is one of achievements. Scholars in China began to examine Toni Morrison’s works in the late of 1980s. The number has multiplied after her winning Nobel Prize in 1993. In 1999, the research on her had important breakthrough, for Peking University Press published Gender·Race·Culture, which was the first book studying Toni Morrison and her works very systematically and deeply in China, written by professors Wang Shouren and Wu Xinyun. It shows that China’s research on Toni Morrison has entered a new era. This thesis mainly talks about initiation of the protagonist Milkman by analyzing his growing up withflying and understanding tradition.Ⅱ. A Brief Introduction to Initiation StoryInitiation story originates in Germany in the middle of the 17th century and its representative work is The Adventurous Simplicissimus, written by Hans. J. C. von Gimmelshausen. It flourishes in the late half of the 18th century, exemplifying by Goethe’s Wilhelm Meister’s Apprenticeship. There are a lot of similarities in initiation story in Germany. All of them emphasize adolescences’characters’growing and moralities shaping. But ways of achieving its goals are different. Before the Enlightenment, the initiation story focused on the internal shaping of figures’moral growth. This type of story lacks external plot and objective descriptions of social life and character’s psychology. Initiation story in Germany after the Enlightenment begins to concentrate on character’s education, transforming from internal shaping to external experience, emphasizing the significant role of social life, in the hope of getting rid of the conflicts between human and society by means of the character’s socialization. Goethe’s The Sorrows of Young Werther and Wilhelm Meister’s Apprenticeship are representative works. The protagonist Meister in the latter work was born into a commercial and rich family. His father wants him to inherit the family business and to become a merchant. But the young Meister prefers dramatic performanceand mode of free life. Hoping to enlighten the public and improve the condition of society through drama, he leaves his family and starts the journey of realizing his dream. After a series of ordeals and frustrations, he begins to introspect his dream and location, finding that he is short of dramatic genius. So he leaves dramatic world and embarks on a new stage, achieving the purification of spirit and shaping of character. Goethe creates an important tradition of Initiation story in Germany.The English initiation story has a long traditional history. It can be traced back into The Pilgrim’s Progress by John Bunyan in 1678, which is a significant work on initiation theme. Daniel Defoe’s Robinson Crusoe in 1719 has a detailed description of a young man’s initiation after Robinson’s struggling against nature, loneliness and enemy, eventually returning to motherland.The novel of initiation has become very popular in England in Victorian period. Charles Dickens’s Great Expectations and David Copperfield trace the protagonists’growth from adolescence to adulthood. Novels in this period are always ended with a pleasant result—the main characters receiving love. The plots are less complicated than those before the Victorian period. They just concentrate on the figures’personal emotion. In his Season of Youth, Jerome Buckley advances an outline of an initiation story plot, which can be regarded asthe unified definition of Victorian Initiation story:A sensible child who is restricted socially and intellectually in his country hometown leaves the repressive atmosphere to live independently in a city where his true education begins. After a series of ordeals and hardships, he casts off innocence and becomes mature. (Buckley, 1974: 13)The novel of initiation in England has a pleasant ending generally and the protagonists hold a positive attitude towards growth. This kind of novel keeps record of human’s maturity and the state of existence in different times and situations in a mode of epitome and moving.In American literature, writers began to care the problem of youth’s growth in the middle of the 19th century. Nathaniel Hawthorne is the first writer who centers on the novel of youth. The Scarlet Letter, his most important work, is a novel on sin and initiation. In the late half of the 19th century, industrialization and urbanization in America throw the youth in this period into the circumstances of social reform, providing lively and fresh material for novel of initiation. Mark Twain’s The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn show his great concern for the problem of youth’s growth. They also mark the maturity of American novel of initiation.In general, novel of initiation has three conspicuous features. First, the protagonist’s age is between 13 and 20, not an absolute criteria. Most scholars call the protagonist “adolescent”. Blackberry Winter by Robert Penn Warren is considered as a typical initiation story, whereas the protagonist is only 9 years old. The protagonist Milkman in Song of Solomon by Toni Morrison is already 30 years old when he finishes his journey of maturation. Second, structure is rather modeling: innocence-temptation-leaving home-bewilderment-trials-losing innocence-recognizing life and himself or herself. This general mode applies to all initiation novels. Each work has its uniqueness. The time of journey is not regular, several days to more than ten years. But leaving home to journey is the most fundamental factor in character’s maturation. Third, in terms of result, the protagonist recognizes society, life and self in a new way after experiencing all kinds of trials in life.These features are summarized from most of the typical initiation novel. It can not be said that each initiation story contains all these features. It is peculiarities of these novels that add infinite vitality and diversity to novel of initiation.Ⅲ. Milkman’s Growing up with FlyingOne of the significant factors leading to Milkman’s maturation is his leaving home. Not being able to stand the pressure of his family, hechooses to journey to the south solely. This journey enrich Milkman’s knowledge about society and social experiences. More importantly, he finally achieves the enhancement of sense of independence.3.1 Tremendous burden from his familyMilkman’s father Macon Dead is a selfish, greedy, irresponsible man. His aim in life is to make money as much as possible. Milkman’s grandfather is an intelligent and hard-working farm owner and has a happy childhood. Unfortunately, the white want to plunder their farm “Lincoln’s Heaven” and shoot his father. Losing family, property and his father, he holds the concept that money is everything. In accumulation of money, he loses humanity and becomes very violent and vicious. He marries a rich woman. He does not admit his sister. After being a wealthy man, he infills all his doctrines into Milkman and urges Milkman to make money illegally with him. Milkman grows up in the environment without love. The only thing Milkman has learned from his father is accumulating money as much as possible. Under the influence of his father, he holds that women are weak and inferior. He regards his girlfriend Hagar as a sexual tool and discards her ruthlessly.Milkman’s mother Ruth was born into a prestigious family. Her mother died when she was very young. It is love from herfather that makes Ruth a docile dependent person. Ruth hopes Milkman will be a little boy in her arms, never growing up. On the other hand, she wants Milkman to grow quickly and treats Milkman as a substitute for her father and husband.3.2 The enhancement of a sense of independenceMilkman is doted by his mother and loved by his sisters during his childhood. He is controlled by his father to squeeze wealth from the black. At 32, he has the desire to leave home, since he can not bear the things around him. He is also tired of his purposeless and pointless life. At that time, Milkman considers possession of money as the only tool to bring liberty for him. Under the persuasion of his father, he sneaks into Pilate’s house and steals away the so-called gold-bag. Finding that there is no money in it, he goes to the south himself. Hoping to leave home and get rid of his father’s domination and the stressful family shows Milkman’s beginning of sense of independence.In his journey to the south, Milkman experiences all the difficult trials for the first time in his life when he goes to the cave to find gold. His expensive suit is broken and dirty, the golden watch crashing. Milkman has never learned how to hunt, how to participate in street fights like other poor black youth in the process of growing up. Being short of life experiences and a sense of independence, Milkman loses his balanceand falls in the creek, thus completing his baptism of entering a new life. In the south, he has to live on himself. He walks out of his small world in which he is lazy, greedy and hypocritical, stepping into a new room where he is abandoning the material and pursuing the spirit. When he loses all his valuable possessions and puts on heavy boots, hunting clothes and a hand-woven hat, Milkman has fulfilled the transformation from a rich boy into a man who starts to enter into a black culture and becomes independent gradually. In the process of hunting, Milkman must learn those skills to cross darkness and the rocky zone, the barking of hunting dog, the sound signals to his partners. Finally he hasachieved the goal of independence.Milkman is once an outsider of the black culture. When he watches black children playing games and singing the song of Solomon, he recalls that he has never been invited to join in by his compatriots. But now he has decoded this divine song and integrated into the black community. He says that he has already learned how to play this game and it is also his game. Furthermore, he has mastered the song of Solomon and begins to bear the responsibilities of spreading his nation’s cultural tradition.Ⅳ. Milkman’s Growing up with Understanding TraditionEach person’s initiation is influenced by several factors. Milkman’s aunt Pilate and his friend Guitar have a great impact on him in terms of understanding tradition, thus leading to Milkman’s awakening of race consciousness.4.1 Pilate’s leading rolePilate is a leader and knowledge-conveyor during Milkman’s maturation. In a sense, she is also the woman who gives Milkman life. With Pilate’s help, Milkman’s mother Ruth conceives and raises him successfully. Her name Pilate has the meaning of pilot, signifying her leading role in Milkman’s growth metaphorically. She loves her father, elder brother, daughter, nephew Milkman and every person in her community. She hates gold and always helps others in need with her little money. Although she is poor, other people can not see the sign of poverty. All things around her are natural. She preserves the tradition of black culture—the habit of singing. Pilate’s house is one of places where Milkman likes to stay, for Milkman enjoys the atmosphere of relaxation and pleasure in comparison with his own depressing home. He has been living in his mother’s small world, lacking some qualities of men. The emergence of his aunt fills the vacancy without doubt. But more importantly, she subtly instills into his brain a lot of black cultural factors, arousing recognition of his own cultural traditions, identity and sense of belonging. To much degree, she is a prototype of a black folk singer andstory-teller. Her stories give people some sense of community. When Milkman first comes to Pilate’s house, he is captivated by her singing and the stories she tells. He sees the charming of nature and rustic life in the south, stirring his longing for the past and the south. She is the first person who talks about his grandfather and Lincoln’s Heaven to Milkman. Pilate knows and guards the history of family. Her most favorite song opens Milkman’s spiritual gate to finding the nation’s history and the value of himself. The white gives her a mistaken family name, but she never forgets her real name and black people’s history. No matter where she goes, she carries the old white man’s bones killed by her brother, a geography book and stones which are collected from each place she has traveled. Pilate’s brother hates her, but she still loves him and her nephew Milkman. Her generosity and responsibility have a positive influence on Milkman, causing Milkman to wake and sublimate in psyche.Pilate teaches Milkman personably that one can fly even without leaving ground. She is a symbol of the black culture and national forces. She is not only the successor of the tradition and the protector of the soul, but also the leader of Milkman’s growth. It is her long-term guide that makes Milkman to understand the significance of names and family tradition and also keep his sense of conscience, finally achieving initiation and rebirth.4.2 The influence of Guitar’s blind revengeGuitar is Milkman’s best friend and it is him who compels Milkman to leave home to journey the south and contact with nature. In Milkman’s eyes, Guitar is kind-hearted, intelligent and brave. No matter when Milkman is unhappy, Guitar always talks to him and comforts him. At the same time, Guitar is also the person who points out Milkman’s flaws, making him to step out of his family. The two people come from different families, for Milkman has never experienced those sufferings Guitar has had. He comes to the north with his impoverished family from the south, hoping to live a free life without discrimination and oppression. However, what they get in this place is only prejudice and unfairness. The reason why he hates the white deeply is also because his father was killed in a white man’s company when he was 4 years old. He holds that he has the duty to blame evil and aid good people. As a result, he joins in a violent community— Seven Days. The members in this group advocate violence and brutal behaviour, never believing the possibility of conciliation between the black and the white. Milkman opposes strongly Guitar’s act of killing the white blindly, whereas Guitar thinks that his doings is completely out of love to the black. At last, Guitar is suspicious that Milkman has found and possessed the gold. The behaviour of Guitar’s desire to kill him makes Milkman to understandthat it is not humane nor available to revenge blindly in a cruel way.4.3 The awakening of race consciousnessMilkman’s initial motivation to go to the south is looking for gold his father and aunt have left in the cave. Not finding the gold, he accidentally embarks on a road searching to his ancestors. During this journey, Milkman sees the black compatriots’real living conditions and their spiritual world, and gradually experience the connotation of black culture, and ultimately achieve a spiritual adult. At the same time, his sense of responsibilities is strengthening during the journey.During his journey to Danville, Milkman knows his father and grandfather with a new version through the black people’s recollection of them and stirs his strong sense of pride. His grandfather, a hardworking and kind-hearted old man, would die against the white’s gun rather than give up his farmland. His father changes from an industrious guy into having to accept and succumb to the relentless social reality in the United States, from a being deprived person into a ruthless man who is an exploiter to the black people. However, Milkman is full of respect for his father when he thinks that his father has been working in the fields over the years painstakingly and doing business of renting houses in order to give the family a comfortable life. In Danville, he boards the cave where his father and aunt have stayed under the guidance of an old black manthrough climbing and wading. This journey is not only long but also difficult. Although the motivation of seeking gold is unsuccessful, it means that he is closer to his ancestors in spirit. And those damaged clothes, table, and shoes which are on behalf of the middle-class identity stands for his shaking off the white values in his mind gradually. This trip of Danville is a necessary preparation for Milkman to find the direction of life.The journey of Shalimar makes Milkman’s spirit to be baptized and completely abandons the white’s values and completes the sublimation of the spirit, finally achieving his real initiation. When he first arrives in Shalimar, Milkman has intense conflict with local black people. On the surface, it is contradictionbetween the rich black and the poor black. But in fact it is the conflict between white culture and black culture, because Milkman’s dressing up and principles of dealing with things shows some traces of the white’s cultural values. Later, he surrenders to those black hunters’agility and their blending with nature. It is in Shalimar that Milkman feels closeness to the nature, to his ancestors, to the black nation.Returning from the south, he is ashamed of his previousattitudes towards all the people. He starts to understand and care forhis parents and sisters. He is aware that the relationship between lover is giving and sharing, not demanding and possessing. When he knows that Hagar has died because of his cruelty, he takes a strand of her hair in order to atone and remember her. At the same time, he has learned how to keep a reciprocal relationship with his lover Sweet. In his journey to the south, his act of helping other people to lift luggage for the first time in his life demonstrates his enhancement of responsibility. He buries his grandfather in the platform of Solomon with his aunt Pilate, showing his duty of inheriting the black culture. After this series of baptism and reflection, Milkman has transformed from a receiver to a giver, from an indifferent person to a warm-hearted man. From this moment, he begins to take the responsibilities of protecting and inheriting their nation’s home and culture.Milkman recognizes that those moral concepts of the white which his father has taught him are not suitable to the black. He starts to be pride of his ancestors and culture of the black. This journey to the south is actually a process of Milkman’s searching for his identity, family name, own family and root of the black’s nation.Ⅴ. ConclusionThis paper focuses on the initiation theme, including its origin, development and the black person Milkman’s maturation in Song ofSolomon. Milkman’s neglecting of the black tradition makes him to lead a purposeless and confused life over 30 years, incapable of finding himself. The white values and concepts encroach the traditional culture of the black and the black lives a different life in the tough environment. Therefore, the black must understand their own tradition and return to the nature. Only in this way, can the black achieve freedom and maturation in spirit.【References 】[1]Carmean, Karen. 1993. Toni Morrison’s World of Fiction [M].New York: Whitston.\[2\] Marcus, Mordecai. 1969. What is an initiation story?[C]//William Coyle. The Young Man in American Literature: The Initiation Theme. New York: The Odyssey Press.\[3\] Morrison, Toni. 1997. Song of Solomon[M].New York: Vintage Books.\[4\] Smith, Valerie. 1991. New Essays on Song of Solomon [M].New York: Cambridge University Press.\[5\] 常耀信.美国文学简史[M]. 南开大学出版社,1990.\[6\] 高淑英.《所罗门之歌》的成长主题[J].江西电力职业技术学院学报,2006(3).\[7\] 金莉,等.美国文学[M].外语教学与研究出版社,1999.\[8\] 雷芳.哈佛双语名著导读:《所罗门之歌》[M].天津科技翻译出版有限公司,2008.\[9\] 毛信德.美国黑人文学的巨星:托尼·莫里森小说创作论[M].浙江大学出版社,2006.。

相关文档
最新文档