Street Dance简介
街舞的分类及简介
街舞的分类及简介街舞的分类及简介街舞,也称HIP-HOP,它来自黑人街头舞蹈,所以,另一种叫法是STREET FUNK.街舞因其轻松随意、自由个性和反叛精神而理所当然地受到年轻人的喜欢,在过滤掉原有街头舞蹈的痞味和夸张之后，街舞名正言顺地登上了大雅之堂——健身房.下面是店铺整理的一些关于街舞的资料，供你参考。
街舞简介：HIP-HOP是各种街舞的总称，包含了机械舞、霹雳舞等。
它起源于美国街头舞者的即兴舞蹈动作。
这些街头舞者以黑人或是墨西哥人为主，这些流行的街舞多半发源于美国纽约的布鲁克林区，一些黑人或是墨西哥人的孩子们成天在街上以跳舞为乐，形成各种派系，也很自然地在他们所跳的舞蹈上发展出不一样的1992年初期，出现了一种“原地性的HIP-HOP”，它没有那些大幅度的动作和脚步移动，更没有霹雳舞中那些在地上类似体操的动作。
它的独有风格在于注重身体的协调性，重视身体上半身的律动及增加了许多头部、手部的动作。
我们在迈克·杰克逊、玛丽亚·凯利、后街男孩的MTV中都可看到这种新风格的舞蹈。
在专业健美操运动员的日常训练中，常用这种HIP-HOP来训练运动员的协调性、表现力等综合素质，有时也会做表演之用。
在街舞的外在表现时尚，运动强度适中，所以它进入健身房便成为可能。
不过健身房的街舞在动作的选择上更注重其安全性、锻炼价值、健康向上及个性表现力，所以练习者在消耗脂肪的同时，也缓解了精神压力。
我个人认为健身房里的HIP-HOP对于调节练习者的心理所起的作用更为突出。
因此，有人称之为“是惟一让人带着笑容进行训练的运动”。
街舞的分类：霹雳舞，也是一种难度较高的舞步，大体上可以分为两种类型：用手、头、身体在地上旋转，称为大地板;用肢体在地上踩出复杂变化的脚步动作，加上刁钻的倒立，称为小地板。
当然，跳舞的同时也可以随意去搭配你所想表现的动作Free style这是一种出神入化的舞步，它将各种类型的舞蹈混合在一起，随心所欲地表现，没有舞蹈风格的限定，脱离一般舞蹈的规范，可以说是一种个性化的'街舞House随着House音乐，运用复杂而神奇的步伐表现的一种舞步，它可以加上拉丁舞的扭腰、武术的空翻、踢踏舞的基本步以及芭蕾的转圈，跳起来既可以十分优雅，也可以相当狂野。
有关街舞的英文作文
有关街舞的英文作文英文：Street dance, also known as hip-hop dance, is a popular dance style that originated in the United States in the 1970s. It is a form of urban dance that is characterized by its improvisational nature and its focus on individual expression. Street dance is typically performed to hip-hop music and involves a wide range of movements, including popping, locking, breaking, and krumping.I have always been fascinated by street dance. To me,it is not just a form of dance, but a way of life. It is a way for people to express themselves and connect with others through movement and music. I love the way that street dance allows people to be creative and original, while also being part of a larger community.One of my favorite things about street dance is the way that it brings people together. Whether it is at a dancebattle or a dance class, street dance is a way for people to connect with others who share their passion for dance and music. I have met some of my closest friends through street dance and have been able to travel to different parts of the world to participate in dance events and competitions.Another thing that I love about street dance is the way that it challenges me both physically and mentally. Street dance requires a lot of practice and dedication, and it is not always easy to learn new moves or choreography. But the feeling of accomplishment that comes from mastering a new move or performing in front of an audience is truly rewarding.Overall, street dance is an amazing art form that has the power to bring people together and inspire creativity. Whether you are a beginner or an experienced dancer, there is always something new to learn and discover in the world of street dance.中文：街舞，也称为嘻哈舞，是一种流行的舞蹈风格，起源于20世纪70年代的美国。
Breaking舞曲音乐
Breaking舞曲音乐霹雳舞音乐属于Hip-Hop文化的范畴，它包括Rap、DJ调、合成乐以及用鼓箱和电子合成器所搞出来的具有重节拍、强烈节奏的音乐。
只要音乐具有沉重的、连续不断的节拍和节奏就可以用来作为霹雳舞音乐。
当然，如果你是技术流，甚至可以自己合成独特的专属音乐。
大家都知道的事情是，Breaking这个舞蹈本身，是一种典型的草根文化，是美国的穷人们玩起来的东西。
作为这样一种草根文化，在起初是没有人去专门去为它制作音乐的，更别说专职为BBOY服务的DJ了。
在KOOL HERC之前，还没有真正意义上的DJ。
所以那时候大家都是拿现成的PARTY音乐去跳Breaking。
所谓的PARTY音乐，就是当时美国派对里盛行的FUNK、ROCK和DISCO。
举一首很知名的作品来简单介绍一下——被誉为BBOY国歌的《Apache》（阿帕奇），实际上原本只是一首简单的摇滚（ROCK）而已。
我们今天在比赛上听到的许多版本的《Apache》是后来经过各种DJ翻混的，尤其是韩国DJ。
于是《Apache》成为了大家眼中正儿八经的BBOY音乐，大家一听到《Apache》的旋律就知道：YEAH，BBOYZ IN THE HOUSE。
而不会再有人想到，这是一首摇滚乐了。
《Apache》这个歌名的本意，应当是”阿帕切族“——美洲的一个印第安部族，而不是许多人所谓的”阿帕奇“（武装直升机）。
但因为老被说成”阿帕奇“所以这个概念已经将错就错了，就像”街舞“（STREETDANCE）这个词只是日本人刚接触嘻哈文化时的畸形说法，在亚洲被流传开了，故而我们都开始说“街舞”这个词了。
实际上在西方，BBOYING就是BBOYING（即Breaking，Breakdance），LA就是LA 等等，你说“街舞”，是没人甩你的。
《Apache》的最初创作者，很多BBOY以为就是GrandMaster Flash（大师弗莱士）。
这也是错误的。
很简单，因为弗莱士只是个DJ，而我刚才讲到了，《Apache》是一首ROCK BAND（摇滚乐队）型的音乐。
街舞 英语演讲稿带翻译
In conclusion, street dance is not just a form of entertainment; it is a form of expression, culture, and empowerment. It has transcended boundaries and become a global phenomenon, inspiring individuals of all ages, ethnicities, and backgrounds. Street dance not only provides physical, mental, and social benefits, but it also enables individuals to connect with their roots and foster a sense of belonging. So let us celebrate and appreciate the artistry and significance of street dance, as it continues to shape our society in profound ways.
2. Impact of Street Dance:
Street dance has had a profound impact on popular culture, influencing not only the music industry, but also fashion, movies, and advertising. For example, many famous music videos feature street dancers showcasing their skills and adding an energetic element to the visuals. Moreover, street dance has become an integral part of competitive dance shows, such as "So You Think You Can Dance" and "World of Dance," further increasing its global recognition.
介绍街舞英文作文
介绍街舞英文作文Title: Exploring the World of Street Dance。
Street dance, also known as urban dance or hip-hop dance, is a vibrant and expressive form of movement that has captivated people worldwide. Originating from the streets and clubs of urban America, street dance has evolved into a global phenomenon, influencing not only dance styles but also music, fashion, and culture. In this essay, we will delve into the rich history, diverse styles, and cultural significance of street dance.To understand street dance, one must first grasp its roots. Emerging in the 1970s among African American and Latino communities in New York City, street dance was a response to social and economic challenges. It provided a creative outlet for self-expression and a means of empowerment for marginalized groups. The dance styles were heavily influenced by the music of the time, particularly funk, soul, and later hip-hop.One of the most iconic street dance styles is breakdancing, or b-boying/b-girling. Breakdancingoriginated from Bronx block parties, where dancers would showcase their acrobatic moves, footwork, and freezes to the beats of DJs. The dynamic and athletic nature of breakdancing quickly gained attention, and it became a cornerstone of hip-hop culture.Another prominent street dance style is popping and locking. Popping involves contracting and relaxing muscles to create a jerking effect, while locking incorporates exaggerated movements and poses. Both styles originated on the West Coast of the United States and gained popularity through music videos and films in the 1980s.Krumping is a raw and energetic form of street dance that emerged in the early 2000s in Los Angeles. Characterized by rapid movements, chest pops, and expressive gestures, krumping is often performed in intense battles or cyphers, where dancers compete or collaborate in a circle.Apart from these major styles, street dance encompasses a wide range of other techniques and influences, including house dance, waacking, voguing, and turfing. What unites these diverse styles is their improvisational nature, emphasis on rhythm and groove, and connection to urban culture.Street dance has transcended its humble origins to become a global phenomenon, with thriving communities and competitions worldwide. Events like the World Hip Hop Dance Championship bring together dancers from different countries to showcase their skills and celebrate theculture of street dance.Moreover, street dance has permeated popular culture, influencing mainstream music, fashion, and entertainment. Major artists incorporate street dance into their performances and music videos, exposing millions of people to its dynamic and infectious energy.Beyond its entertainment value, street dance carriesdeep cultural significance. It serves as a form of cultural expression and identity for urban youth, offering a sense of belonging and community. Moreover, street dance often addresses social and political issues, providing a voicefor marginalized groups and sparking conversations about diversity, equality, and justice.In conclusion, street dance is much more than just a form of entertainment; it is a cultural phenomenon that reflects the creativity, resilience, and diversity of urban communities. From its humble beginnings on the streets of New York City to its global influence today, street dance continues to evolve and inspire generations of dancers around the world. As we celebrate the artistry and passion of street dance, let us also recognize its power to unite, empower, and uplift communities worldwide.。
街舞文化英文介绍
"Introduction to Street Dance Culture"Street dance culture is a vibrant and dynamic movement that originated in urban communities, particularly in the United States, during the late 20th century. It encompasses a diverse range of dance styles, including breaking, popping, locking, hip-hop, and krumping, among others.At its core, street dance culture is characterized by its grassroots origins, spontaneity, and creativity. It emerged as a form of self-expression and a means of cultural identity for marginalized communities, often taking place in outdoor settings such as city streets, parks, and club venues.One of the key elements of street dance culture is its emphasis on freestyle improvisation. Dancers express themselves through fluid movements, intricate footwork, and rhythmic patterns, often responding to the beat of hip-hop, funk, and electronic music.In addition to its artistic expression, street dance culture fosters a sense of community and camaraderie among dancers. It provides a platform for individuals from diverse backgrounds to come together, share their talents, and celebrate their unique styles.Over the years, street dance culture has gained widespread popularity and recognition on a global scale, thanks in part to mainstream media, television shows, and international competitions. However, it remains deeply rooted in its origins, continuing to evolve and innovate while staying true to its authentic roots.Beyond its artistic merits, street dance culture also serves as a form of social activism, addressing issues of identity, empowerment, and social justice. Through their movements and performances, dancers challenge stereotypes, break down barriers, and advocate for change within their communities.In summary, street dance culture is more than just a style of dance; it's a living, breathing expression of urban creativity, resilience, and empowerment that continues to inspire and captivate audiences around the world.。
街舞基本知识（Basicknowledgeofhip-hop）
街舞基本知识（Basic knowledge of hip-hop）街舞 (Street dance或streetdancing) 诞生于二十世纪六十年代末, 是美国黑人城市贫民的舞蹈, 到了七十年代它被归纳为嘻哈文化(Hip Hop Culture) 的一部分, 与涂鸦 (graffiti或writing) 、打碟 (、说唱 (MCing, DJing)) 这些同时代产生的黑人地下文化并称为嘻哈四大元素.街舞在两个地方同时诞生、独立发展, 最后相互影响合而为一, 一个地点是美国东海岸城市纽约; 另一个地点是美国西海岸的加利福尼亚州.在纽约的布朗克斯区, 贫穷的黑人青少年在黑人歌手詹姆斯·布朗(James Brown) 的影响下, 以一种模拟帮派打斗的舞蹈 - 战斗步(up 为基础 (Rock), 发展出一种以摇摆步 Top Rock) 、地板步(footwork) 、冻姿 (Freeze) 三种形式组成的舞蹈 - B - boying.八十年代初一系列高难度、技巧性的力量动作 (被不断创新出来power move), 在媒体的炒作下, 这种舞蹈以霹雳舞 (Breaking) 的名称被广泛接受.霹雳舞有一种特殊的舞蹈形式 - 斗舞 (Battle),它源自以前的帮派斗殴, 只不过斗舞是以霹雳舞者 (B - boy或b 的创造力而不是暴力来赢得比赛.参加斗舞的两个霹雳舞团队 Girl) (Crew, 也是由帮派背景而来的一种组织形式) 分站一方, 每队队员逐个轮流跳入圈中舞蹈, 技艺最高超、动作最新颖的一方获胜.加州的街舞起源于黑人民权运动中心 - 奥克兰.在二十世纪六十年代, 奥克兰的许多黑人团体根据早期街头艺人、喜剧或哑剧演员的杂耍和新奇动作, 在灵歌音乐的基础上发展出一套舞蹈来, 他们称之为布加洛舞 (Boogaloo).这种舞可以多人编排一起舞蹈, 也可以单独舞蹈, 但是它没有一定的舞蹈形式, 每个人都可以做自己的动作, 创造自己的风格.到了七十年代, 疯克音乐 (Funk) 在加州出现, 为西岸的舞蹈注入新的活力, 催生出两种新的舞蹈.一个是锁舞(locking), 七十年代初由洛杉矶黑人青年唐·康佩尔 (Don compell) 发明.这种舞蹈以手腕和手臂的快速翻转移动并在突然间停顿为特色, 停顿的一刹那身体就像被锁住一样, 舞蹈因之得名;另一个是加州小镇弗雷斯诺的天才少年萨姆·所罗门 (Sam Solomon) 创造的, 他在以前布加洛舞的基础上结合疯克音乐创造了一系列舞蹈动作, 形成新的舞蹈风格, 并借用了布加洛舞的名字, 后来他改称布加洛·萨姆.萨姆同期还借鉴早期奥克兰的机器人舞 (robot)创造了另一种舞蹈 - 爆舞 (popping).这种舞蹈以身体各部位肌肉持续的收缩与放松 (POP) 为特色, 视觉上产生震动的效果.由于共同的音乐基础, 锁舞、爆舞、萨姆的布加洛舞以及早期的机器人舞等奥克兰舞蹈现在统称为疯克舞 (FUNK DANCE Style).二十世纪八十年代, 纽约的黑人舞蹈因嘻哈音乐的兴起而改变.在一批天才舞者, 如亨利·林克 (Henry 、布达·斯特雷齐 (link) 的改编和创造下 Buddha stretch), 一种可以用嘻哈、节奏布鲁斯 (R & b) 、爵士等各种音乐跳舞的, 混合了各种风格舞蹈动作的新的舞蹈风格诞生了, 为了区分七十年代的黑人舞蹈, 人们为它取名为新派嘻哈舞蹈 (New School Hip Hop Dance) 或者干脆简称为嘻哈舞 (hip hop) 传统,.嘻哈舞继承了纽约黑人舞蹈一贯的摇摆 (Rock)With the body up and down, left and right fluctuation swing characteristic (Up &Down), but the rhythm is more relaxed, light. It does not have standardized dance movements, and dancers can add any component to the music as long as it fits. Since it was based on all previous black dances, hip hop dancing requires a touch of dance. Moorhouse later appeared in New York (with the tap dance dance dance (Swing), (Salsa) and Campo sauce (Capoeira), House dance music dance), New Jazz (New Jazz, ballet and hip-hop dance combination), Bipop (Be-Bop, Moorhouse dance and jazz combined new tide dance)...... They have become a part of a new breed of hip hop.Hip-hop was introduced into China in the mid - 1980s, thanks to a 1984 American hip-hop movie called Breakin. The first wavein 1984 coincided with the American hip-hop, hip-hop has been widespread concern in society, from the ground up at the ground by major media coverage, appeared in the "National Geographic" cover and major prime time television, even President Reagan watched dancing performances. Hip hop films or television films have emerged only in 1984, had 7 in one year of hip-hop movie. The peak of the whole hip-hop craze happened at the closing ceremony of the 1984 Olympic Games in Losangeles. When Lionel Rich sang the song "night", in the light of the fireworks, 200 dancers from more than 10 groups of 100 thousand people in a street dance, dancers began to hit at the same time (more than a high degree of difficulty of the action force break dancing), millions of viewers in front of the television to see this exciting scene.At that time China, video started to enter the family, "breaking" video delivered to the hands of China youth through various channels, the earliest have TV. Teenagers become family communication center breakdance. The streets for a time there have been many head cloth, pedal warrior shoes "motor" ("Dancing" in one of the main characters, named Boogaloo Shrimp (Boogaloo Shrimp), a famous hip-hop dancer in History), they like the brain out of the same while a hand to another "electricity". While walking around "moonwalk", while also facing the air "wipe glass". In fact, even the American media got dizzy when they were in their first hip-hop craze. They took the break dance, the name of the dance in New York, on the West Bank dance. "Break dance" should be called "funk dance" or "lock dance" and "pop dance", because it is filmed in California and basically reflects the dance of the West coast. But anyway, the break dance has a huge impact on China, and there is a largenumber of street dancers in the United States almost simultaneously with the United States, and the level is quite high. The late young dancer Tao Jin was a famous professional dancer who studied and experienced hip-hop at that time. In 1988, he filmed the movie rock youth, which used a lot of hip hop movements, which were very popular among teenagers at that time. He also went to the United States to learn the famous crazy dancer Pop N Taco, hip-hop, including Taiwan dancers, the first to get hip-hop, master of the Chinese face pass.Unfortunately, by the end of the 80s, the break dance quickly disappeared in china. There are three main reasons for this: first, the influence of the United states. Since the beginning of 1986, hip-hop heat cooling gradually in the United States, excessive commercial speculation that quickly became popular in the hip-hop chewed gum pop artists quickly steal popular products repackaged into hip-hop results will more easily accepted by the public, but the real hip-hop abandoned. The break dance became a thing of the past in New York, and it seemed as if the world's B-Boy had been swept away overnight; two, the "break dance" was not properly understood by society. Jump "breakdancing" of young people, in addition to art majors, mostly do not love learning, fun and love students or social idle youth, many of whom are then known as the "riffraff" bad boy.In 80s the social consciousness is far from open now (even today, hip hop is still not completely understood and accepted by the public), of the young hip-hop hip-hop cast the disgust of unhealthy social image, thus not treated properly, not to mention the guidance and support; three is the "Dancing" didnot grow and the development of the market environment at the time. The first wave of hip-hop in America was built on mass commercial and commercial development, and in 80s China had few commercials, no commercial packaging and development. Hip hop dance hip-hop, in addition to satisfying personal interests, have no income, no laziness, to survive the economic foundation, as a non-traditional form of art, hip-hop in China finally can only lose vitality.Another important early influence of hip-hop in China is Michael Jackson, who still has many young people imitating his dance steps today, showing the influence of the "king of pop". In fact, Michael Jackson is a typical "steal popular products" will be repackaged into hip-hop results more easily accepted by the public of the artist, and almost all of his representative dance are learned from American underground hip-hop artist. In early 1974, 16 year old Michael Jackson as "Jackson Godte" singing group members in the television singing the song "dancing machine" (Dancing Machine), and a robot dance, the dance hot country. In 1983, Jackson performed a space walk (moonwalk) on Motown, a record company's 25th anniversary television special. Since the beginning of the wall, each of his albums has produced many excellent music videos, including a large number of dance performances, and dancing has become an important part of his musical art. "Thriller" and "bad" (Thriller) (Bad) and "time memory" (Remember The Time) is one of the most exciting dance performances of the three music videos, the dance is the funk dance, hip-hop dance, jazz dance combines new hip-hop classic, is New York's famous choreographer the hip-hop master, Henry Link et al. And Jackson's dance performance in the concert is more popular inChina, lasting.The revival of street dancing in the United States in 1990s was largely due to the popularity of hip-hop and the whole hip hop culture around the world. In 80s, New York hip hop artists worked hard to promote the world, and their hip hop tours traveled all over the United States, to France and England, and to Japan in 1984. By 90s, hip hop had developed rapidly throughout the world as a new and fashionable form of culture and lifestyle. In 1990, Germany held the first "Battle of the Year" street dance competition, now becoming the world's most important annual hip-hop event. Japanese teenagers, with their hard work, intelligence and creativity, soon mastered and developed hip-hop. The success of Japanese street dancers is recognized by Americans, who spread the culture to surrounding areas like South Korea and Taiwan. Since the beginning of 90s, hip-hop has been spreading in mainland China as the center of three cities in Guangzhou, Shanghai and Beijing.Influenced by Hongkong and Taiwan, hip-hop and hip-hop culture in Guangzhou appeared earlier and popularized quickly in the whole province. The word "hip-hop" was first spread in Guangdong. In fact, in the United States is not a term to collectively hip-hop culture in the dance, hip-hop (Street Dance) is the west coast of the United States. In New York, people only address specific kinds of names: Hip-Hop, Breaking, Popping etc.. It's the name of the Chinese hip hop dance. Hip hop people who tend to the east coast, such as B-Boy, are less likely to use hip hop. Guangdong's hip-hop dance is influenced by the New York style, with break dancing as well as a group of high explosive dancers. As early as the emergence of goodeconomic foundation, so Guangdong's hip-hop level has been leading the country until the rise of Shanghai and Beijing. Because of the vicious competition between hip-hop groups over the years,In recent years, the hip-hop market in Guangdong has been declining. The dancers are more than enough to cross regional, Nanling north and other parts of the team even indulge in self-admiration exchanges, but Guangdong is still extremely arrogant, even the best foundation for national hip-hop hip-hop culture area.Shanghai hip hop influenced by Japan, the leading national level new hip-hop dance, dance, lock a burst of master, to break dance style movements. Maybe it's about the style and personality. There are fewer break dance groups in Shanghai and the south of the Yangtze river. Shanghai has long established a system, formal hip-hop training, 7 years to train a few generations of hip-hop students, Shanghai and even the country's hip-hop culture development has laid a good foundation. Because of economic development, the cultural market in accordance with the laws of the market, and mass base is very good, so Shanghai's hip-hop market is very promising.Although the rise of Beijing hip-hop culture is late, it is the most representative. From 1996 to 1998, the national "Korean wave" wind, Beijing is the hardest hit". Beijing, and even the national concept of hip-hop, with this "Korean wave" came. After the Korean wave, the emergence of a large number of hip-hop youth in Beijing. They each team up to imitate the dance of the Korean group and perform at the gathering place forteenagers. But at that time, the combination of hip-hop youth was rather loose, and there was no formal market operation, which hardly affected the whole country. At the beginning of 2002, Beijing had the first commercial operation of hip-hop groups in Beiwutang, standardized management system and market development, the rapid development of Beiwutang, known as the best team in "a hero" Chinese dance in the circle. Beiwutang is on behalf of the Beijing hip-hop hip-hop style, it is comprehensive, break dance, funk, hip-hop dance style is the first-class level. In addition, with several national competitions held in Beijing, with its leading cultural influence, Beijing has become a place for all hip-hop fans to aspire to.In addition to the above three, the country almost every place -- to the capital city, small rich town, can see the B-Boy figure, including Zhengzhou, Wuhan, Shenyang, Chongqing, Kunming and other places have become the most active, hip-hop teen favorite fashion culture. Now, hip-hop has begun to establish its own style in the cities such as Beijing and Shanghai. It is not a dream to innovate its hip-hop culture, catch up with the world's advanced level, and figure out the best in the international competition.Why is hip-hop popular among teenagers in China and even around the world? First of all, starting from the characteristics of hip-hop.We know that hip hop is a folk dance born in the black ghettos of the United States. Its environment is full of competition and confrontation. A poor, discriminated and forced black youth,in order to survive, his dance must strive for distinction and excellence. Therefore, competition has become one of the inherent characteristics of hip-hop. Black dance has natural freedom tradition, they have a fixed pattern, whenever and wherever possible any action can be dancing. The liberation of their bodies by the blacks made them save a lot of body language. When we were still wondering and wondering, they had created a huge dance system hip-hop. So free expression is another characteristic of hip-hop. Dance is dance dance than form, in the battle, all through innovative action to win the game. For dancers, the more free the thought, the richer the creativity, the richer the creative power, the more likely the competition will be to win, and the characteristics of competition and freedom are unified here. Publicity, personality,self-expression, courage to accept challenges, create a person can not, this is the spirit of hip-hop. It meets the psychological and physiological characteristics of young people and is popular with young people all over the world.Hip hop, on the other hand, is an important part of this fashionable culture, and hip hop is popular with teenagers in the world. "Hip hop godfather," Afrika Bambaataa (Afrika Bambaataa) said: "hip-hop represents the whole culture,Rappers, MC, and DJ are part of hip-hop culture, and clothing and language are part of hip-hop culture. Break dance, B-Boy, B-girl, your behavior, walk, look, talk, it's hip hop culture. And music, hip-hop comes from different races, whatever tone and rhythm, it's hip hop." So, hip-hop and body than the four elements combined with simple, nearly 40 years of development in the world. It has become a popular way of life, or even asymbol of the spirit, on behalf of the freedom of expression, individuality and enjoy life, the courage to challenge the view of life. The first explosion, fat pants, dance, tattoos, sports shoes, club party...... These are the concrete manifestation of them. All these things are organically combined, and they are a kind of life. Hip hop life is positive, every life in which people are constantly exploring and improving one or several skills, in order to let more people see and hear his talent, continue to break through the limitation of life, so that the entire hip hop culture more vitality. In our own back 20 years of our popular culture almost all come from the United States, in the face of a strong economy and the liberation of ideology as the backing of hip-hop culture, for young people around the world there is no reason not to.The development of street dance in China has begun to take shape, but if we want to further develop, we can not do without the cultivation of the cultural market. Obviously, the importance of hip-hop is far from enough in the current cultural market.On the one hand, the Chinese dance industry has adopted a rather conservative view of hip-hop, refusing to accept it. In fact, if we can accept jazz dance, hip-hop should not be accepted as a problem. Many people refuse or don't understand hip-hop because they don't want to know about hip-hop. What is the reason why they don't want to know hip-hop? This is actually a question of ideas, a learning attitude, and the question of how to look at all the new pop culture. Hip hop is a young folk dance, it has its own aesthetic. To know it, to know its beauty, and to use it to make our life more beautiful. In 1986, the Toni prize giving ceremony invited the famous New York street danceman "Mr. Weigel J" (Mr. Wiggles) to perform, which was the first time for underground dancers to go on broadway. Since then, hip-hop has been used extensively on broadway. At the end of 2002, the French musical "Notre Dame de Paris" was staged at the Great Hall of the people. We saw a lot of hip-hop dancing in it. However, at the beginning of the second half of 2003 China dance enthusiasm, there are many dance professionals smatter, arrogant and reckless attitude, the hip hop as a gimmick popular abused, television is filled with hip-hop and dance aerobics, dance with such disgusting works. I hope our choreographer and choreographer can lay down their airs and study with an open mind, so as to be responsible for others and the art of their own, and let this vulgar and ridiculous things happen.On the other hand, the business operators who see the potential of hip-hop market can change the form of street dance randomly, and make it become the cloak of making money for themselves. Typical has held two sessions organized by the Chinese aerobics Association "national television dance contest" is such a cry up wine and sell vinegar. There is a substantial difference between aerobics and dance as a sport, aerobics is in shaping beauty for the purpose, in addition to what is not necessarily associated with music, it meets the requirement of all movements of the body's natural movement patterns. In aerobics, all anti joint movements are strictly prohibited; hip hop is a dance art, it does not have any "material" purpose, it is closely integrated with music. In general, the characteristics of hip-hop are: break through the limits of the human body, create a person can not. For traditional dance, dance movement is very strange, a lot of action is unbelievable or is a violation of human physiological movement patterns, such asdancing in the head and other large anti joint action.Many people think this is discordant, and there is no way to judge its aesthetic orientation. However, hip-hop is through such "disharmony" movement to express individuality, passing "I can, you can not" information, highlighting personal value.A single act of dissonance, connected by hip hop dancers, will become harmonious in the rhythm of the music. Because one of the maxims of hip-hop is: to make incredible movements as much as possible, but to make people feel very natural, not deliberately. The new street due to confounding many traditional dance elements and become soft and flexible, but a variety of body twisting, deformation, folding grasp and control, is still the key to dance dance. Many of the hip-hop dance moves come from imitation. The hip-hop dancers imitate nature, animals and people's social activities and working conditions, and even create the whole dance style. It is said that the first is the lock dance martial arts nunchaku routine hand action imitation; famous action "Boogaloo man" (Old Man) is for the elderly to walk form of imitation; animation dance (Animation) of animated characters to mimic the action step is to fight the battle; imitation...... Another imitation is the dancer's imitation of his own mind. The best dancer is dancing by thought, not by movement; his action is in the realization of some idea in his head. This is the highest level of hip-hop, but also the highest level of all dance.Aerobics and hip-hop theft name, packaging himself as "fitness dance", the "popular hip-hop hip-hop", but also created a series of "what hip-hop pedal" and "light equipment Street" is the name of the fantastic. I believe that if one day Yangkopopular in the youth market, they will also dress up as "fitness Yangko", they say "popular Yangko". In the fitness center, filled with so-called "hip-hop" coach, some little-known foreign coach is invited to teach "street dance fitness center". In fact, they just teach with a few simple hip-hop action aerobics just, its hip-hop level, Citylink street street youth is not as good as. In business society, making money is right. But in this China characteristics to make money, in any case is not what a glorious thing, for a rare love dance China teenagers is a wrong guide, highly destructive.From the United States to China, hip-hop development twists and turns, spent more than 30 years. Although hip-hop has created one after another brilliant in Japan, the Americans become the national sport dance sit up and take notice; in South Korea, back a champion in the world, but in Chinese is still in the bud, time can be destroyed completely. Youth culture is the most dynamic, the most promising culture, we should not be to suppress or change their cultural tastes, we only have to respect and learn from. This can help the development of its commercial value, so that it can be in the right direction and self benign development. Youth culture market eventually formed a vigorous and healthy, which makes all the benefit.。
街舞的分类有哪些
街舞的分类有哪些街舞的分类有哪些学习街舞能够让自己的身体变得更加灵敏，那么大家知道街舞的分类有哪些吗？以下是店铺为大家整理的街舞的分类有哪些，希望大家喜欢！街舞的分类有哪些篇1一、街舞简介街舞（StreetDance）是起源于美国，基于不同的街头文化或音乐风格而产生的多个不同种类的舞蹈的统称，最早的街舞舞种为Locking，起源于20世纪六十年代。
动作是由各种走、跑、跳组合而成，并通过头、颈、肩、上肢、躯干等关节的屈伸、转动、绕环、摆振、波浪形扭动等连贯组合而成的，各个动作都有其特定的健身效果，既注意了上肢与下肢、腹部与背部、头部与躯干动作的`协调，又注意了组成各环节各部分独立运动。
80年代传入中国，并逐渐作为健身活动传播开来。
二、街舞的分类1、Locking（锁舞）。
起源于60年代，由DonCambell领衔的TheLockers团队发明，是最早成型的街舞舞种。
手腕手臂的快速旋转与指向，动作的突然定格，伴以各种拍手、跳跃及劈叉等技术为其主要特征。
最早的街舞舞种为锁舞（Locking），在1980年代中逐渐发展成机械舞（RobotDance）。
2、Popping（震感舞）。
起源于70年代初成型于70年代中后期，以不同形式兴起于美国西岸加尼福尼亚州的旧金山、弗雷斯诺、奥克兰等地，是Funk和StreetDance中的一种风格，最初的基本形式是借由各部位肌肉迅速地收缩与放松的技巧，是舞者的身体产生震动的感觉。
3、Breaking（霹雳舞）。
起源于70年代并成型于80年代的美国纽约市的布朗克斯区，是一种难度较高的街舞舞种，比较重视舞步和技巧的结合，分为TopRock、Footwork、Freeze、Powermove四大内容。
4、Hip—Hop（嘻哈舞）。
起源于80年代末90年代初，是继Breaking之后的第二种Hiphop舞蹈，是广泛流行的街舞类型，嘻哈舞最开始的原本意指B—Boy，后来才有人用MC唱的歌来跳舞，所以说跳Hip—Hop其实是一种后来的说法，B—Boy才是Hip—Hop的起源。
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Street Dance简介街舞是起源于美国，基于不同的街头文化或音乐风格而产生的多个不同种类的舞蹈的统称，最早的街舞舞种为Locking，起源于20世纪六十年代。
（注：Hiphop只是其中的部分而非街舞的统称）街舞舞种:BreakingPoppingLockingPunking/Wacking/VoguingHiphopHouseJazzRaggaeKrump历史起源街舞是美国黑人由一种发泄情绪的运动演绎成的街边文化，特色是爆发力强，在舞动时，肢体所做的动作亦较其他舞蹈夸张。
最吸引人之处，是以全身的活力带来热情澎湃的感觉。
跳街舞使人注意力集中，兴趣浓厚，动作优美、随意。
同时，跳街舞还有瘦身功效，因为街舞是一种中低强度的有氧运动，在一个小时的运动中，消耗全身脂肪的作用是相当强的。
此外，街舞是一种小肌肉运动，经常练习能增加你全身的协调性，让你的身材比例更趋标准。
综述以时代特色为标准，街舞可以分为Old School和New School两类，前者为20世纪80年代的街舞风格，后者产生于90年代，在音乐和动作上都有相当大的改观。
Old SchoolOld School的音乐有非常快的节拍来配合Breaking的动作,而后随着Hip-Hop 音乐的演进，Hip-Hop的节奏变慢，Breaking动作便不适合了。
因为如果在这种慢板的Hip-Hop音乐中作风车或排腿(Footwork)之类的动作,会觉得一点爆发力都没有,甚至失去其舞感。
此时Old School与New School的舞蹈就开始分家了,那是在1986年左右。
早期New School的舞步非常简单,如耳熟能详的“滑步”(Running Man) 这在以前MC Hammer及Babby Brown的音乐录影带的中均可见到，这种劲爆的Hip-Hop 舞蹈也称为Funky Dance。
然而以现在的眼光来看这些MC Hammer及Babby Brown 时期所流行的街舞,也渐渐变成了Old School。
New School的出现1992年初,一个叫做Mop Top(Elite Force)的黑人舞蹈团体(由Henry Link、Loose Join、Buddha Stretch组成),发展出一种新风格的Hip-Hop，一种“原地性的Hip-Hop”。
它不像MC Hammer及Babby Brown时期的街舞团队PK大动作、大范围式的移动,更没有霹雳舞中那些在类似体操的动作。
它的独特风格在于注重身体的协调性(我们所谓的律动)，重视身体上半身的律动及增加了许多手部的动作，不再像那些旧风格的Hip-Hop重视大范围的移动以及脚步的动作。
随后，迈克尔.杰克逊的Remember The Time MTV中运用了Henry的这种新风格的舞蹈,马上就掀起了一股风潮。
后来马丽亚凯利的Dreamlover歌曲MTV使用了更为丰富的New School舞蹈，这些舞蹈中夹杂着Locking(锁舞)、Popping(机器舞)、Wave(电流)这些东西。
当时人们很难去断定这是什么样的舞蹈，但是这却是New School Hip-Hop发展史上很重要的一节,它是全世界开始流行New School的起源。
New School的成熟阶段New School Hip-Hop混合了各种不一样类型的舞蹈,以一首轻快慢板的Hip-Hop 或R&B歌曲表现出来。
这是New School初期的一种型态。
Henry等人简化了许多Locking的动作，并且以标准的Hip-Hop式律动去表现Popping和Locking,也不时的在舞蹈中加上Wave。
简单地说,就是用新的感觉去诠释这些旧的舞步。
后来,Henry 在马丽亚凯利的歌曲Fantasy以及以后的Honey中担任了编舞的工作,在红及一时的女子Hip-Hop团体TLC的歌曲Creep及电影《MIB》的MTV中，Hip-Hop已经开始成熟。
现在的New School Hip-Hop Dance当这种New School Hip-Hop在日本开始流行时，日本人发展出他们自己的另一套舞风,即是使用Old School的音乐跳New School的Hip-Hop。
New School最初是以新的音乐风格表现旧的舞蹈，现在却变成以旧的音乐风格来诠释新的舞蹈了。
在动作上,近期的New School Hip-Hop变化更多,身体的扭曲和变形更加厉害，越来越没有在舞蹈中所谓的规律性。
街舞舞种分类以动作为标准，街舞舞者分两大类：dancer和Bboy。
街舞一般可以分为两种，一种是个人的技巧街舞。
个人技巧街舞是最早流行的一种街舞，因为它能体现年轻人精力旺盛的一面，他们的很多地面动作，譬如说翻滚、倒立、弹跳都是比较高技巧，观赏性比较高的街舞表演。
另外一种就是集体街舞，是目前比较流行的街舞形式。
它反映了大众的需要，跳起来比较简单，节奏感比较强，它既有舞蹈的感觉又有健身的作用。
所以目前比较普遍的就是集体街舞。
Breaking技巧型街舞，要求舞者具有较高的力量、柔韧性和协调性，属于技巧性较高的体育舞蹈，所以最先为Breaking动作国内青少年所喜爱。
跳这种类型舞蹈的青少年叫做B-Boy/B-Girl。
20世纪80年代，被称为“Hip-Hop之父”的DJ Kool Herc创造了B-Boy的概念，也就是Breaking Boy。
每年，全世界的许多国家都有一些为B-Boy们举办的比赛，较有名的是每年一度的BOTY（B-Boy of The Year）和在英国举办的B-BoyChampion，超过10个国家的百名参赛选手会参加这样的盛事。
比赛的优胜者很快就会声名远播，成为青少年的明星。
Hip-Hop dancerHip-Hop这个词中文译作嘻哈，诞生于1974年美国纽约，发明者是著名的DJ 和MC爱虫斯塔尔斯基（Love Bug Starski）。
在20世纪60年代末70年代初，以纽约为首的美国东海岸城市，兴起了一系列黑人文化艺术形式，它们包括：涂鸦（Graffiti或Writing）、比波舞或霹雳舞（B-Boying）、打碟（DJing或Deejay，DJ是指Disk Jockey，意为唱片骑师，即驾驭唱片的人）、说唱（MCing或Emcee，MC是指Master of Ceremony，意为司仪）。
Hip-Hop这个词最初是爱虫斯塔尔斯基在说唱中用来押韵的， Hip的意思是屁股，Hop的意思是跳动，连起来可以解释为跳动的屁股。
20世纪80年代初，“嘻哈教父”阿弗里卡·班巴塔（Afrika Bambaataa）借用嘻哈这个词来统称以上述四种文化形式为代表的黑人城市文化运动，很快被广泛接纳，而上面四种文化就成为我们通常所说的嘻哈四大元素了。
Hip－Hop翻译过来是嘻哈，RAP翻译过来是饶舌，这两个概念不同。
Hip－Hop实际上不是音乐名词而是文化名词，包括说唱、涂鸦、街舞和DJ打碟四部分；RAP起源于60年代，而作为音乐理解的Hip－Hop则起源于70年代初，它的前身是RAP(有时候会加一点R(B)。
Hip－Hop从字面上来看，Hip是臀部，Hop是单脚跳，加在一起就是轻扭摆臀，原先指的是雏形阶段的街舞(也就是我们以前说的霹雳舞)，后来才逐渐发展成一种巨大的概念——我们现在说的Hip－Hop文化还包括了那些宽大的衣服、沉甸甸的纯金饰品、平时说起话来就“YoYo?what’s up？”的口语习惯——总之就是那种美国贫民街区里黑人的生活方式以及他们的“范儿”。
舞蹈型街舞，有Popping、Locking、Electric、Turbo、House等多种风格。
它们都不如Breaking那样需要较高的技巧，但更要求舞者的动作协调性和舞感，以及肢体灵活性和控制力。
好的Hip-Hop舞者同样需要艰苦的练习。
由于Hip-Hop Dance不如Breaking那样技巧性强，也缺乏竞赛性，以前没有受到街舞爱好者足够的重视，现在随着舞蹈观念的增强，这种情况得到了改变，甚至B-Boy也开始练习并出现了许多全能型的街舞好手。
Hip-Hop是人们最常接触的一种舞蹈，它有着幅度大而简单的舞步，能够表现出复杂的舞感。
因为容易学习，跳起来也相当好看，所以很受大众喜爱POPPIN它起源于机械人动作及形态。
记得在(1969年前后)流行天王Michael Jackson （迈克尔杰克逊），在全美电视台与机器人同步舞蹈之后就流行至今，了不起吧!! 重点是「顿点」。
将力量一次释放出来。
不是机器人，机械舞的顿点没这么重，而是滑过骤停就好。
机械舞要有相当的isolation（一边动其它的地方都不能动）。
但poping不用，最好全身都在震(视情况而定)。
利用poppin将每个节拍点卡住，能配合音乐卡得刚刚好，"卡"简单说起来就是肌肉瞬间收紧，相对地，不卡拍的时候肌肉放到最松，但不是无力的乱接甩。
FREESTYLE这是一种出神入化的舞步，它将各种类型的舞蹈混合在一起，随心所欲地表现，没有舞蹈风格的限定，脱离一般舞蹈的规范，可以说是一种个性化的街舞。
主要是Hip-Hop与Poppin两个舞种的体现！“Vogueing”和“Waacking”的区别其实它们间最大的区别就是“Waacking”是70年代初在西岸流行的，而“Vogueing”是70年代末在东岸流行的。
Wackin的音乐主要都是Disco Music，而Vogueing的音乐主要都是House Music。
当然时下Disco音乐没落，House和新电子舞曲成为了Waackin舞蹈的新宠，而Waackin和Vogue在很多地方开始更多的互相借鉴NEW JAZZ(女生专属)这是一种由JAZZ爵士发展而来的舞，专由女生跳的，很讲究柔美和瞬间爆发.以手臂的动作为主，腰的扭动和臀部的动作为辅。
对身材要求很高,在欧美和韩国非常流行。
配乐是节奏化过后的爵士乐。