阿芒提拉多的酒桶
阿芒提拉多的酒桶（thecaskofamontillado）
阿芒提拉多的酒桶（the cask of amontillado）the cask of amontilladoAllan PoeI spit on Fu Rothschild divers persecution, I try to bear in mind, but once he dare to insult me, I vowed to take revenge, you already familiar with my natural temper, but not when I talk to scare people. One day I am going to pay attention to the firm, pay off old scores; since the mind does not change, they did not expect to be out of danger. Not only did I have to give him a hard time, but I had to do something bad. Revenge is rewarded, and the enemy is not clear. Revenge does not let the enemy know who is harming him, and the enemy is not clear.Needless to say, I say, are not caused by Fu spit every act and every move is suspected Rothschild cherish evil thoughts. As usual for him to smile, but he didn't see me now is thought to give him life to smile.Fu spit this man in some ways Donato's respect, even awe, but there is a weakness. He boasted that he was an expert at wine tasting. There are few Italians who have the makings of a real expert. They are mostly used to warm, resourceful, cheating, so that Britain and Austria being rich. When it comes to paintings and jewelry, Fu spit with his compatriots as Rothschild, rhetoric, but when it comes to wine, it is the true value. I'm almost the same as he is - I'm expert at Italy wine, and I'll buy it as much as I can.In the lively carnival, one day in the evening, when I met thefriend spreading shades of dusk. He love me, because he goes full filling the wine. The guy was a clown, wearing a striped tights, a round pointed hat with bells on it. I saw him so happy that he could not hold his hand for a long time.I said to him: "dude, nice to meet you, nice to meet you. You look very well today. I got a vat of so-called Armand Tirado (a sweet wine produced by Monti Leah in Spain), but I'm not sure.""What's wrong?"" He said, "the Amontillado? A VAT? Not really! Where did you get it during the carnival?""I am not sure," I replied, "I was fool, didn't discuss with you, just as Armand Tirado price paid. I can't find you, but I'm afraid I'll miss the deal.""The amontillado!""I'm not sure.".""The amontillado!""I have to put this heart down!""The amontillado!""Look at you, I just want to go to Lukeleixi. Only he can taste wine. He'll tell me -"Luke and Armand Tirado and Shirley couldn't tell thedifference.""Some fool contended that he told you it be roughly the same eye.""Come on, let's go.".""Where is it?"""Go to your cellar.".""Man, that's not right; I'll trouble you if I don't want to bully you. Hey, I see you have something. Luke ray - "I'm okay, come on.".""Dude, that's not going to work. Do not what is cold, windy, I see you stand. The cellar is full of tide. The walls are nitrate.""Let's go. It's nothing cold.". Amontillado! You can be fooled. Speaking of Luke Reci, he even with Amontillado Sherry are not clear."He spit on the rack for my blessing Rothschild arms; I wear black silk mask, a short cloak tightly wrapped around the body, he drives me on to the mansion. A home page does not see, have the opportunity to sneak out for the holidays. I told them I didn't go home until the second morning, and I told them not to go out.I have such a command, ensure I turned immediately, all gone.I took two torches from the candlestick, one to give him afortune, and led him through several rooms, into the arcade, to the cellar, down a long staircase, and followed him with care. At last we reached the foot of the stairs,A station in Monterey shuttle palace catacombs of wetlands.My friend tottered, cross step, bells jingled."What about the cask of wine?"" He said."In front," I said, "watch out for the white spider web glowing on the wall."He turned towards me, watery eyes two drunk obscurity to stare at me."Nitrate?"" He asked at last."Nitrate," I replied, "how long have you been suffering from that cough?"""Uh, hey! Eh, hey! Eh, hey! - uh, hey! Eh, hey! Eh, hey! - uh, hey! Eh, hey! Eh, hey! - uh, hey! Eh, hey! Eh, hey! - uh, hey! Eh, hey! Eh, hey!"My poor friend couldn't answer for a long time."Nothing," he said finally."Well," I still replied, "let's go back, your body. You have to respect everyone, rich and powerful, the people; you as happyas I have. To have an unexpected misfortune that is no trivial matter. I do not care, let's go back, you are sick, I can't handle. Besides, there's Luke, ray""Don't say that," he said. "Cough is nothing. Cough never dies.". I'm not coughing.""Yes - yes," I replied. "Seriously, I didn't mean to frighten you - but I had to take precaution. A drink of wine to moisture. The doc."I said from the mud of a long line of wine to pick up a bottle, knocking out the bottleneck. "Drink," I handed him the wine.He glanced at me and raised the bottle to his lips. He sat close to the start, I nodded, bells jingled."I drink to those who sleep underground."." He said."I am for you a long life."He took my arm again, and we walked on."These cellars are really big." He said.The Monterey shuttle is Han, multi generation after generation of descendants." I answer."I forgot your house.".""A big man's feet, gold, with a piece of blue. The article fromthe snake crushes, the snake will bite a tooth heel.""Then the family?"Those who hurt me will be punished.""Wonderful!"!" He said.Drunk, his eyes sparkling, cap and jingle bells rang. I drank the wine was more beautiful Murdoch, make blind and disorderly conjectures. We walked a long bones and the size of barrel pile clip lane, deep in the tomb pit, I stopped, this time actually boldly seize the blessing of the upper arm spit rothschild."Nitrate"!" I said, "look, more and more.". Like moss, hanging on the vault. We're under the river bed. Beads of water dripping in the bones?. Let's go back as early as possible. You cough""It's nothing," he said. "Let's go down. But let me drink wine and beauty doc."I opened a pot of wine to his graves. He drank it, eyes suddenly combatively, straight smile Oh, put the bottle into a throw, that gesture, I don't understand what it meant.I looked at him in surprise. He made the gesture again, an odd gesture."You don't understand?"" He said."I don't understand." I answer."Then you're not the same.""What's wrong?"""You are not a mason. (the original is Mason, in English in Mason and Masonic solution, according to a Masonic originated in medieval times, originally a secret society, the bricklayers union to help each other for the purpose of meeting to sign contact.)" "Yes, yes," I said, "yes, yes.".""You?" Not really! Are you?""I am," I replied."Where's the code?" he said. "What about the code?""This is," I replied, and pulled out a trowel from beneath the cloak."You're kidding." he stepped back, shouting. "Let's go see the Amontillado.""Well," I said, put on the cloak of the trowel again, while stretch my arm to hold him. He leaned heavily on my arm. This continues to move forward, and then down, into a deep grave, where the air is muddy, the torch in the hand does not see the fire, there is only a flame.At the end of the grave, there was a more narrow tomb. The rows of piles of bones have been piled up to the vault, the greatcatacombs of Paris as a sample. Inside this tomb, there are three walls, still piled like this. And one side of the bones had been torn down, piled up on the ground in a mess, and accumulated into a huge mound of bones. In the wall out of the bones, but inside there is a tomb or niche, about four feet deep, three feet wide, six or seven feet high. It had made no plans to send what special use, but is the tomb pit roof pillars of the gap between the two. Behind a wall on rugged granite walls.Fu spit dark torches lift Rothschild, try to move a deep careful see, is in vain, weak fire, can't see the bottom."Go ahead," I said, "here is the head of amontillado. As for Luke, ray""He's an expert," my friend staggered along, interrupting me, and I walked right behind him. In a blink of an eye, he went to the end of the niche, and saw the rock blocked, and he was bewildered. After a moment, I had locked him on the granite wall. The wall filled with two rings, about two feet in length and distance. One ring is hung with a short iron chain, and the other hangs a big lock. Without a moment, put him to cut the chain. He panicked and forgot to rebel. I pulled out the key and got out of the alcove. "Stretch out your hand and touch the wall,"I said, "protect you to the nitrate.". It's really wet. Let me once more beg you to go back. Not going back? Then I have to leave you. But I'm going to have to take care of you first.""The amontillado!" My friend is still suffering from the shock, cried wildly."Yes," I replied, "Armand Tirado."And I'm busy with the skeletons that I mentioned earlier. I put the bones thrown open, soon pulled out better for masonry stone and mortar. I will use these materials, and then rely on the trowel, an effort to build a wall to the entrance of the niche puzzle.I didn't even head a layer of stone brick, knew Fu spit drunk awake 80% rothschild. First heard a deep humming sound in the niche. This is not like a drunkard. There was a silent silence for a long time. I built second layers, third layers, fourth layers, and then I heard the iron chains shaking. Has been ringing for several minutes, I simply from the hands of the living, sat down in the bones, which is more agreeable to hear, clatter the voice finally dumb silence, only to pick up the trowel, don't stop the puzzle on the fifth layer, sixth layer, seventh layer. This building was almost the chest. I stopped again, lifted the torch to the stone wall, and a faint light shone on the figure.Suddenly, the chained form a succession of loud and shrill screams from the throat, as if trying to scare me. Suddenly, I have no idea, Susu trembled, and soon pulled out the sword, sword in hand to find them in a niche; thought, and put down the heart. My hands rested on the sturdy building of the tomb cellar. Go to the wall in front of the man shouted, I also cried out to him. He calls, and I shall call him louder than he does.This call, the shouting voice of the other dumb.Now I have finished at dead of night. The eighth floor, the ninth floor, the tenth layer were built earlier, and the last layer, that is, the eleventh layer, was soon finished;Just into the last piece of stone, then plastered on the line.I managed to lift the heavy stone and put the stone in the original position. Who knew there was a low laugh in the alcove that scared my hair to stand erect. Then came the shrill sound, it is easy to recognize the voice of the master Donato Fu spit. Just say -"Ha!"! Kazakhstan! Kazakhstan! Ha! Kazakhstan! Kazakhstan! This is really a big joke -- wonderful joke, back to the mansion, a happy and funny - hee! Hee! Hee! And our wine - hee! Hee! Hee!""The amontillado!" I said.Hee! Hee! Hee! Yes, amontillado. Is it too late? Fu tonalide Stowe house, they are not in the US? Let's go!""Yes," I said, "let's go."!"For heaven's sake go, Monterey shuttle!""Yes," I said, "for God's sake."."Who knows I say this sentence, how to listen to can not hear an answer. My heart grew impatient, then voice shouted: "Fu Tu rothschild!"No answer. I'll call again."Fu Tu rothschild!"Still no answer. I put the torch into the wall hole that had not been built and threw it in. Who knows only to jingle sound.I don't get sick of it. It's because of the moisture in the cellar. I hasten to finish. Plug the last stone and plaster it. Next to the new wall, to pile up the bones. No one has been moving for fifty years. May the dead rest in peace!。
The Cask of Amontillado 阿芒提拉多的酒桶
• "Come," I said, with decision, "we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchresi -" • "Enough," he said; "the cough is a mere nothing; it will not kill me. I shall not die of a cough." • "True - true," I replied; "and, indeed, I had no intention of alarming you unnecessarily - but you should use all proper caution. A draught of this Medoc will defend us from the damps."
• Montresor lured Fortunato into vaults by saying "My dear Fortunato, you are luckily met. How remarkably well you are looking today. But I have received a pipe of what passes for Amontillado, and I have my doubts".
阿芒提拉多的酒桶读后感500字
阿芒提拉多的酒桶读后感500字
短篇小说《阿芒提拉多的酒桶》作者埃德加爱伦·坡运用对比的写作手法构筑小说、塑造人物，是众多小说大家及则小说作者常用的艺术手段，而这种作手法在爱伦·坡的短篇小说《阿芒提拉多的酒桶》中表现尤为突出。
埃德加爱伦·坡的文笔考究，语言简练，小说内容环相连，使阅读者自始至终都处在一种紧张、疑惧的气氛中。
在《阿芒提拉多的酒桶》这篇小说中，作者运用对比手法的目的地是如此，也是为主题服务的。
正是对此手法在这篇小说中的使用，才凸显出其独特的恐怖魅力。
必须指出的是，爱伦坡的创作理论受英国浪漫派诗人柯勒律治的影响，竭力反对文学的功利性，主张“为艺术而艺术,声称“一切艺术的目的是娱乐，不是真理，,提倡以艺术美引起审美的快感。
因此，和他的其他的恐怖小说相一致，爱伦·坡虽然核刻画了罪犯的负疚心理联和良心谴责，但是作者既无酸使阅读者作犯科之心，也无惩恶扬善之意，其辉作目的只是用圆熟的技巧、诡异的情节来描写病态心理和犯罪行为，达到预期的恐怖效果，特别是在其后期验创的说中，极尽渲染之能事，这样就使其作品读起来十分恐怖，自始至终充满着令人毛骨悚然的气氛。
这篇小说的艺术手法充分说明爱伦，作者是一位杰出的恐怖小说大师，正是他驾驭语言的卓越才能使这篇短篇小说拥有了特殊的艺术魅力。
阿芒提拉多的酒桶thecastoftheamontill...
阿芒提拉多的酒桶The Cast of the Amontillado（试译）The Cast of the Amontillado Edgar Allan Poe阿芒提拉多的酒桶艾伦。
坡THE thousand injuries of Fortunato I had borne as I best could ; but when he ventured upon insult, I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged ; this was a point definitively settled - but the very definitiveness with which it was resolved, precluded the idea of risk. I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.我受够了弗图纳多的百般伤害，一旦他胆敢侮辱我，我定将还以颜色。
您是如此了解我的脾性，毋庸置疑，我可不是说着玩的。
雪尽耻辱那是迟早的事，这一点已是板上钉钉，既然拿定注意，我就不怕冒险。
而且，不仅要施以惩戒，还要干的神不知鬼不觉。
复仇者自己受到牵连，这仇等于没报。
阿芒提拉多的酒桶(Thebarrelsofamantra)
阿芒提拉多的酒桶（The barrels of amantra）阿芒提拉多的酒桶(The barrels of amantra)The barrels of amantraEdgar Allan POEF handled any persecution to me, I have to bear in mind, but once he dare to insult me, I vowed to revenge, you already know my temper temper, always tell me to frighten people not see properly. One day I'll take my revenge; This is an unshakable concern, and since it is determined notto change, it is not expected to be dangerous. Not only did I give him a hard time, but I did it too well. Revenge is the revenge of the self,and the revenge is lost. The revenge did not let the enemy know whokilled him, the revenge was not clear.Needless to say, I did not say a word, and none of the actionscaused him to doubt that he was ill. He smiled at him as usual, but hedid not see that I was laughing at the thought of sending him.There is a weakness in this man's respect, even in awe, in some respects. He boasts a master of wine. Few italians have the makings of a true connoisseur. Most of their enthusiasm was used to improvise, tolook at the rudders of the great wealth of England and Austria. When it comes to ancient paintings and jewellery, he is as much a man as his compatriots, but he is really smart about the wine. I am about the sameas he is -- for Italian wine, I am an insider, and if I can, I buy a lot.In the midst of the carnival, one evening, in the dusk, I met this friend. He gave me a kiss because he was full of wine. The guy, dressed as a clown, wore a striped corset and a round pointedhat with bells on it. I saw him so happy that he couldn't help holding his hand for a long time.I said to him: "dude, nice to meet you. You look really good todayto the fullest. I've got a big barrel of so-called mans tyra o how he would produce a liqueur (Spain), but I don't trust.""Why? "He said." armantira? A big bucket? Not really! Where do youget it during the carnival?""I'm not sure," I replied. "I'm so stupid that I didn't discuss it with you, and I paid the whole price of armand tyra. I couldn't find you, but I was afraid to miss the deal.""Armand tyra!"I don't mind.""Armand tyra!"I must let it go!"Armand tyra!"There's something wrong with you. I'm thinking of going to lucresi. Only he can taste. He'll tell me --""Lucressie has a lot to say about armand tyra and sherry.""But some fools say that his eyesight is equal to yours.""Quick, let's go."'where?"Go up to your cellar."Well, I can see that you're not right. Lucressie -- "I'm fine, come on.""Man, that's no good. Nothing is nothing, nothing but cold enough. I think you can't stand it. The cellar is full of tides.'let's go,' said the man. 'there's nothing in the cold.And he held me by his arm; I put on the black silk mask and wrapped the short cloak around him, and he urged me to go to the mansion. The family was left to slip out of the holiday. I told them that I would not go home until the next morning, and that I was not allowed to go out. I have a few inside, such a command, wrapped I just turn around, immediately after all run out of light.I took two torches from the candlestick, one to the deep breathing, led him through several sets of room, into the arcade, leading to the cellar, a whirl stairs down the long, ask him to come along, along with careful. At last we reached the foot of the stairs.A piece of wetland standing on the crypt of the tomb ofmonttriceau.My friend's feet rickety, step by step, the bell in the hat jingle."What about the wine? He said."In front," I said, "the white web on the wall of the wall shines."He turned back to me, his two drunken eyes staring at me."Nitrate?" "He finally asked."No," I replied, "how long have you had that cough?"Er hey! Er hey! Er hey! Hey! Er hey! Hey! Er hey! Hey! Er hey! Hey! Hey! Hey! Er hey! Er hey!My poor friend did not answer for a long time."Nothing," he said at last."Well," I still replied, "let's go home, your body important. Youare rich and powerful, everybody admire, and popular, you like me the same happiness. To any unexpected misfortune happened, that's really serious. I don't care, let's go home, you ill, I can can offer.and. Besides, there are Lu Kelei west --""Stop," he said. "a cough is nothing. I can't cough. I can'tcough.""Yes, yes," I replied. "seriously, I don't mean to frighten you --you have to take good precautions. Take a mouthful of metak and go tothe damp."I picked up a bottle of wine from the mud and knocked out the bottle. "Drink," I handed him the wine.He glanced at me and lifted the bottle to his lips. He rested his hands and nodded to me, and the bell rang in his hat."I drink to the rest of the world." He said."I'll drink to your life."He held my arm again, and we went on."These cellars are really big." He said."The montretho family is the big family, the children and grandchildren." I answer."I forgot your home badge.""A large man's foot, gold, and a piece of blue. The snake's fangs bite at the heel.""What about home training?""Whoever hurts me will be punished.""Wonderful! He said.He drank, his eyes sparkling, his hat bells jingling. I was more paranoid when I drank the American wine. We walked through the bones of the body and the size of the barrel, and into the deepest part of the crypt, and I stood still, and this time I had the courage to grasp the upper arm of futuro."Nitrate!" I said, "look, there are more and more. Like moss, hang on the top of the vault. We're under the river bed. The water beads are dripping in the bones."It's nothing," he said. "let's go down. But let me have a drink of American wine first."I opened a jug of glavis and handed it to him. He drank it all in one breath, and his eyes were instantly murderous, and he laughed and tossed the bottle up, and I didn't understand what it meant.I looked at him in surprise. He made the gesture again -- a curious gesture."You don't understand? He said."I don't understand. I answer."Then you are not the same.""Why?"You are not a gentleman. (the original is a mason, masonry and freemasons solution in the English language, according to the masonic originated in middle ages, the original system of masonry union a secret society, for the purpose of each other and help each other, meet to sign contact.)" "yes, yes," I said, "yes, yes.""You? Not really! You are?""I am," I replied."What about the code," he said, "and the code?""That's it," I answered, and pulled a mud knife from under the cloak."You're kidding," he cried, taking a few steps back. "Let's gostraight ahead and look at armand tyra.""Well," I said, putting the trowel back under the cloak, and holding his arm around him. He rested his heavy against my arm. Then it went on, and went down to a deep tomb, where the air was cloudy, and there was no fire in its hand, and there was only fire.At the end of the tomb there were more narrow graves. The walls were piled up in piles, piled high up to the vault, just like those in the great tombs of Paris. There were three walls in the tomb, still piled up. And the bones of one side were thrown down, and the heaps were piled upon the ground, forming a ratherlarge body stump. Between the walls of the carcass, there was a tomb, or a niche, about four feet deep, three feet wide and six or seven feet high. It looked as if it had been built and had no intention of makingany special use, but it was the space between the two great pillars at the top of the vault, and behind it was a solid granite wall.He held up the dim light of the torch, and tried to look deep into the alcove, but it was in vain, and the light was weak and could not be seen."Go on," I said. "it's right here in the end. As for lucreasy --""He's an insider," said my friend as he staggered along, cutting in, and I followed him. In the blink of an eye, he went to the end of the alcove, and at the sight of the rock blocked the road. A moment later, I had locked him up on the granite wall. There were two iron rings on the wall, about two feet apart. One ring was hung with a short iron chain, the other a big lock. In a split second, he tied him to a chain. He panicked and forgot to fight. I pulled out the key and pulled out of the niche. "Reach out and touch the wall," I said, "you touch the glass.It's very wet. Let me beg you back again. Don't back? That I have to leave you. But I also have to do first of heart, take care of you.""Armand tyra! "Cried my friend, startled."Yes," I replied. "armand tyra."I was busy with the bones in front of me. I threw away the bones and soon pulled out some stones and plaster for the wall. I used these materials, and by the mud knife, I built a wall at the entrance of the niches.I didn't even have the first layer of stone to make it, and I knew that the ecstasy of the toona was awake. First heard a faint murmur deepinside the alcove. It is not like a drunken cry. There was a long silence. I built the second layer and the third layer, and the fourth floor. Then he heard the sound of shaking the chain. Has been ringingfor several minutes, I just live in the hand, sat down on the bone pile, in order to listen to more contentment, the voice of the dumb silence finally clatter clatter, waiting to pick up the trowel, don't stop build by laying bricks or stones on the fifth floor, 6 layer, layer 7. It's about the size of the chest. I rested my hands again, and lifted the torch to the stone wall, and the faint light of the fire shone on the figure in it.Suddenly, the man in the chain came from his throat with a torrentof sharp shrieks, as if trying to frighten me away. For a moment I hesitated, quivered, and soon pulled out the long sword and groped inthe alcove with its long sword; Then I thought, and I let go of my heart. My hands rested on the solid building of the tomb. When he came to the wall, the man shouted, and I shouted at him. He called, and I should have called louder than he.The cry of the other party was hoarse.It was already midnight and I was almost finished. The eighth,the ninth, the tenth, the first, the eleventh, the tenth, and soon finished;Just insert the last piece of rock and plaster it. I put the heavy stone on the block and put the corner of the stone in the original position. Then a low laugh came from the alcove, and my hair stoodupright. Then there came a shrill cry, and it was easy to recognize that it was the voice of Mr. Futuo. Only to hear --"Ha! Ha! Ha! Ha! Ha! Ha! - it's a big joke - wonderful joke, go back to the mansion and will be funny a ball - xi! Play! Play! - and our wine - xi! Play! Play!""Armand tyra! I said."Hee-hee! Hee-hee! -- -yes, armand tirador. But is it still in time? Mrs. Fortonto - they're not waiting for us in the mansion? Let's go!""Yes," I said, "let's go!""For heaven's sake, monttrie!"Yes," I said, "for heaven's sake."But when I said this, I couldn't hear a single answer. Gradually the heart became uncool, and then shouted: "blessed!"No answer. I'll call it again."Futurato!Still no answer. I threw the torch into the unpaved wall and threwit in. But only the sound of jingling.I couldn't help it, because of the moisture in the vault. I'llfinish it. Plug the last stone and plaster it. Next to this new wall, rebuild the bones. No one has moved in fifty years. May the dead rest in peace!。
《阿芒提拉多的酒桶》之文学分析
《阿芒提拉多阿芒提拉多的的酒桶酒桶》之》之》之文学评论文学评论埃德加爱伦坡(Edgar Allan Poe,1809—1849)是一位伟大的浪漫主义大师,在美国文学史中被誉为西方现代派文学的远祖.他在诗歌,小说和文学评论领域都取得了卓越的成就,是英文短篇小说的先驱和创始人之一,其短篇小说就题材风格和想象力而言可称为欧美文学中的奇葩.他一生共创作了70多篇短篇小说,后世编者把他的作品归为几类:幻想小说,恐怖小说,死亡小说,复仇和凶杀小说,推理小说等.也有人认为坡的作品大致可分为两类:恐怖小说和推理小说.但是无论按何种标准归纳分类,坡的作品都遵循他最著名的文学理论"效果论",即"在短篇小说这种文艺形式里,每一事件,每一细节,甚至一字一句都应收到一定的效果,一个预想中的效果,印象主义的效果",强调小说创作的艺术效果.这种创作风格在短篇小说《那桶阿曼梯莱托葡萄酒》中表现得淋漓尽致.在这篇不足两千字的小说中,作者运用了大量的对比手法,小说的字里行间都充满了作品所要渲染的恐怖气氛,成功地收到预期的恐怖效果.运用对比的写作手法构筑小说,塑造人物,是众多小说大家及小说作者常用的艺术手段,而这种写作手法在爱伦坡的短篇小说《那桶阿曼梯莱托葡萄酒》中表现尤为突出.小说故事极短,情节简单:因受到福图纳托的侮辱,绅士蒙特雷塞伺机报复,蒙特雷塞以鉴别真假阿曼梯莱托葡萄酒为名将福图纳托骗至他家族的地窖并将其活埋在壁龛里.坡在小说中娴熟地运用对比手法,由杀人犯以第一人称的方式来讲述其犯罪心理和作案过程,让阅读者在整个阅读过程中充满惊惧.1.人物名字的对比为了印象与效果的统一,坡在为人物确定名字时采用了语言象征的表述方法,使故事耐人寻味."仇人"福图纳托(Fortunato)的名字与英文中"fortunate"发音相似,意为"幸运",他代表新兴资产阶级,在生意场上很成功,但是在一生的幸运之后,他却遭受了人生最大的不幸:被活埋;而"复仇者"蒙特雷塞(Montresors)与英文中的"monstrous"发音相似,意为"魔鬼",他是一个没落的贵族,福图纳托的快乐对于他来说是一种伤害,但不幸运的他却将幸运的福图纳托封死在地窖的壁龛里,从而扮演了"魔鬼"的角色.作者用这种命名方式使矛盾双方在故事开始即有了鲜明的对比,使阅读者初步了解了其语言魅力,感受到恐惧.2.故事发生环境的对比在这个故事中,其背景是地上和地下两个世界,这两个世界截然不同,形成鲜明的对比.在地上的世界,人们正在庆祝狂欢节,一片喧嚣,令人兴奋,到处洋溢着节日的气氛,代表着生的欢乐;地下的世界则寂寞阴暗,寒气逼人,有着成堆的白骨,满墙壁的硝,给人以毛骨悚然的感觉,而这个地下世界正是蒙特雷塞选择的谋杀地点,代表了死的恐怖.在搀扶福图纳托走下地窖时,蒙特雷塞取了两只火把(flambeaux),开始关于火把的用词是"flame"(熊熊燃烧的火焰),而随着他们深入地窖,到福图纳托葬身之时火把变成了"glow"(微弱的火光),这象征着福图纳托正在由生的世界走向死的世界.两种环境的对比描写使古堡地窖更加阴森恐怖,给阅读者以强烈的心理暗示.3.人物服饰的对比在小说开始时,作者介绍福图纳托"扮成小丑,身穿杂色条纹紧身衣,头戴圆尖帽,上面系着铃铛",而蒙特雷塞在福图纳托同意去鉴别葡萄酒后"戴上黑绸面具,把短披风紧紧裹住身子".二者的服饰差别很大,在阴冷的地窖中,这种差别变得更加明显.蒙特雷塞显然是有备而来,他自己穿了厚厚的衣服足以御寒,这表明他的谋杀是有预谋的;相比之下,福图纳托有些感冒了,穿得又少,在寒冷潮湿的地窖中不断咳嗽,显然他对这次"品酒"没有多少戒心.并且,福图纳托衣着鲜艳,说明他很懂得享受生活;蒙特雷塞"带着黑绸面具",代表了死神,这是生与死的鲜明对比.作者让阅读者在了解"复仇者"真正目的的情况下洞悉谋杀全过程,使阅读者身临其境,加深了小说内容的恐怖效果.4.人物心理变化过程的对比福图纳托是个商人,非常精明,正是因为狂欢节的气氛冲淡了其警惕性,他才不像平时那样清醒,最后被骗至葬身之地———地窖中的壁龛.在这一事件中,福图纳托和蒙特雷塞有不同的心理变化过程.小说开始描述两人相遇,这时福图纳托"亲热地招呼我,因为他肚里灌饱了酒",他的心情是很轻松的,而蒙特雷塞"看见他真是高兴极了,不由想握着他的手久久不放",因为"复仇者"可以实施杀人计划了.蒙特雷塞故意以另一个鉴酒师卢克雷西的名字来刺激福图纳托的虚荣心,这时福图纳托已经是忘乎所以,走入陷阱.在通往地窖的路上蒙特雷塞不断强调寒冷潮湿的空气,地窖墙壁上,顶端硝的存在,以及地上一堆堆的白骨,使福图纳托心理承受能力下降,恐惧心理加剧;而蒙特雷塞在这段时间里一直很冷静,步步为营.福图纳托在被铁链栓住后,他的精神已彻底崩溃;蒙特雷塞则是有一种报复成功后的快感.坡在这里着意描绘两人的心理变化,产生一种让人不寒而栗的恐怖气氛,让阅读者透不过气来.埃德加爱伦坡的文笔考究,语言简练,小说内容环环相连,使阅读者自始至终都处在一种紧张,疑惧的气氛中.在《那桶阿曼梯莱托葡萄酒》这篇小说中,作者运用对比手法的目的也是如此,也是为主题服务的.正是对比手法在这篇小说中的使用,才凸显出其独特的恐怖魅力.必须指出的是,爱伦坡的创作理论受英国浪漫派诗人柯勒律治的影响,竭力反对文学的功利性,主张"为艺术而艺术",声称"一切艺术的目的是娱乐,不是真理",提倡以艺术美引起审美的快感.因此,和他的其他的恐怖小说相一致,爱伦坡虽然刻画了罪犯的负疚心理和良心谴责,但是作者既无唆使阅读者作奸犯科之心,也无惩恶扬善之意,其写作目的只是用圆熟的技巧,诡异的情节来描写病态心理和犯罪行为,达到预期的恐怖效果,特别是在其后期创作的小说中,极尽渲染之能事,这样就使其作品读起来十分恐怖,自始至终充满着令人毛骨悚然的气氛.这篇小说的艺术手法充分说明爱伦坡是一位杰出的恐怖小说大师,正是他驾驭语言的卓越才能使这篇短篇小说拥有了特殊的艺术魅力.。
阿芒提拉多的酒桶 22页PPT文档
在进入地下墓穴的途中，因为潮湿的环境， 弗图纳多不停地咳嗽，为转移他的注意力， 蒙特利瑟又假装关心
• your health is precious. You are rich, respected, admired, beloved; you are happy as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill and I cannot be responsible. Besides, there is Luchesi" …
支开佣人
• There were no attendants at home; they had absconded to make merry in honor of the time， I had told them that I should not return until the morning，and had given them explicit orders not to stir from the house．
逼人，白骨成堆。这两个世界形 成鲜明对比，进一步渲染了文章 的恐怖效果。
• It was about dusk，one evening during the supreme madness of the carnival reason，that I encountered my friend．
• 地面下：
• 在通往地窖的路上蒙特雷塞不断强调寒冷 潮湿的空气,地窖墙壁上,顶端硝的存在,以 及地上一堆堆的白骨, 使福图纳托心理承 受能力下降, 恐惧心理加剧 。
《阿芒提拉多的酒桶》中的完美主义简析
第 ３ ４ ｇ － 第 １期 ２ ０ １ ５－ ｑ －２ 月
摘
鸟鲁木 齐 ８ ３ ０ ０ １ １ ）
要 ：爱 伦 ・ 坡 是 侦 探 小说 的 鼻 祖 ， 科 幻 小说 的 先驱 ， 也 是 恐怖 小 说 大 师 ， 象征 主 义先 行 者 。 此 外 ， 爱
伦 ・ 坡 还 是 一 个 完 美主 义 者 。 爱 伦 ・ 坡 的 小说 在被 众 多翻 译 家 及 读 者 分 析 、 解读 时， 往 往 关 注 的 是 他 营 造 的
和 田 师 范 专 科 学 校 学 报
Ｊ ＯＵＲＮＡＬ ＯＦ ＨＥＴ Ｉ ＡＮ ＮＯＲＭ ＡＬ ＣＯＬＬＥＧＥ
Ｖｏ１ ． ３４ ， Ｎ ｏ．１
Ｆ ｅ ｂ ． ， ２ ０１ ５
《 阿芒 提 拉 多 的酒 桶 》 中的完 美 主 义 简 析
张 戈
（ 新疆 医科 大学语 言文化学院 ， 新疆
的爱 妻 香 消 玉 殒 ， 坡 也 因此 一 蹶 不 振 ， 开 始酗 酒 、
吸毒 。 １ ８ ４ ９年 ， 坡逝世 ， 死 因 不 详 。爱 伦 － 坡 在 其 短 暂 的一 生 中 为世 人 留下 了不 朽 的 经 典 篇 章 ， 包括诗 歌 ， 短 篇 小 说 和 侦 探 小 说 。诗 歌 方 面 的
哥 特式的氛 囤 ， 荒诞 、 怪 异的情节 ， 离奇却又合情合理 的结局 ， 以及 他对人性 等诸 多事物 的黑暗 面的淋 漓尽致
的刻 画和描述 ， 却 忽略 了他作 品 中的完 美主义情结 。在《 阿芒提 多拉的酒桶》中， 他 延 续了大众所 熟知的 黑 色
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环境
上下两个截然不同的世界: 地面上狂欢兴奋， 地面下寒气 逼人，白骨成堆。这两个世界形 成鲜明对比，进一步渲染了文章 的恐怖效果。
• 地面上: • It was about dusk，one evening during the supreme madness of the carnival reason，that I encountered my friend． • 地面下： • 在通往地窖的路上蒙特雷塞不断强调寒冷 潮湿的空气,地窖墙壁上,顶端硝的存在,以 及地上一堆堆的白骨, 使福图纳托心理承 受能力下降, 恐惧心理加剧 。
报仇原则
• • • • •
弗图纳多 的弱点
知己知彼，百战不殆： He prided himself on his connoisseurship in wine． In painting and gemmary，Fortunado， like his countrymen，was a quack， but in the matter of old wines he was sincere．
• 地点： • 蒙特利瑟家族的地下墓穴 • 成功地再现了蒙特利瑟的攻于算计
• 富丽堂皇的大宅子下隐藏着可怕的罪恶。 地窖隐蔽、阴暗，是一个藏酒的好地方， 同时也是一个杀人的好地方。
支开佣人
• There were no attendants at home; they had absconded to make merry in honor of the time， I had told them that I should not return until the morning，and had given them explicit orders not to stir from the house． • These orders were sufficient，I well knew，to insure their immediate disappearance，one and all，as soon as my back was turned.
• your health is precious. You are rich, respected, admired, beloved; you are happy as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill and I cannot be responsible. Besides, there is Luchesi" …
• 弗图纳多为周围死去的人喝酒，而蒙特利 瑟则说为了 “你” 的健康长寿。这里充 满了浓厚的讽刺意味。他真正的意思是这 死去的人中马上就会包括你了。
• • • •
最后一杯是“De Grave” 酒， grave 在英语中本身的意思就是“坟墓” ， 他在暗示弗图纳多的最终结果 — — 那就是死亡。
• 蒙特利瑟的家族箴言 • “Nemome impune laccesit” • (辱我者，必受罚)。
• • • •
“In pace requiescat!” 愿你安息吧! 整个故事到这里嘎然而止。 浓厚的讽刺突出了蒙特利瑟内心的阴暗。
二.艺术特征
• 叙述者采用第一人称，读者和他一起经历 了谋杀的心理历程和变态的放纵，使全文 的恐怖效果得以强化。 • 短小精悍，结构紧凑。 • 二千五百个单词，句句是精要。
突现了他的仇恨是很深的，并且 他似乎已到了咬牙切齿的地步，所以这个仇 是一定要报的，只是一个时间问题而已。
• • • • •
三思而后行： I must not only punish but punish with impunity（免罚）． A wrong is unredressed （未昭雪的，未纠正的） when retribution（惩罚，报应） overtakes its redresser． It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong．
• 时间： • 在一个狂欢节的黄昏（carnival season） • 蒙特利瑟 “偶遇”对手弗图纳多。
• 疯狂兴奋已经使骄傲自负的弗图纳多昏了头: He accosted me with excessive warmth， for he had been drinking much．
I have received a pipe of what passes for Amontillado, and I have my doubts." "I have my doubts," I replied; 故装品酒学问低下 Amontillado!" "I have my doubts." "Amontillado!" 故意以另一个鉴酒师卢克雷西的名字来刺激福图纳托的 "And I must satisfy them." 虚荣心,这时福图纳托已经是忘乎所以,走入陷阱. "Amontillado!“ As you are engaged, I am on my way to Lu’chesi.
故作卑微，处处奉承：你的健康是宝贵的。因为你
非常富有 ,受人尊敬和爱戴;你是个快乐的人 ,像 我曾经一样。你会被人们想念 ,对我来说是没关系 的。我们还是回去吧 ,你会生病的 ,我可不能负责。
• 在行进的途中，他们不停地喝酒: • “I think” ，he said ，“to the buried that people around us”----And I to your long life．
• 2.人物服饰对比 • 福图纳托：“扮成小丑,身穿杂色条纹紧身 衣,头戴圆尖帽,上面系着铃铛”。有些感冒 却穿得少,在寒冷潮湿的地窖中不断咳嗽,显 然他对这次“品酒”没有多少戒心。 • 蒙特雷塞：“戴上黑绸面具,把短披风紧紧 裹住身子“。厚厚的衣服足以御寒，显然是 有备而来，而黑绸面具代表了死神,这是生 与死的鲜明对比。
哥特式小说
“ 哥特式”（‘gothic）这个词在英语里有多种含义。它 既是一个文学词汇，又是一个历史术语，还可以用作建筑 和艺术方面的专门用语。
属于英语文学派别，起源于18世纪后期的英国，是西方 通俗文学中惊险神秘小说的一种，可以说是恐怖电影的鼻 祖。
显著的哥特小说元素包括恐怖，神秘，超自然，厄运， 死亡，颓废，住着幽灵的老房子，癫狂，家族诅咒等。
“是的，是的，”我说，“是的，是的。” “你？不见得吧！你是？” “我是，”我答。 “暗号呢，”他说，“暗号呢？” “就是这个，”我边说边从短披风的褶裥下拿出把泥刀。 “你开玩笑呐，”他倒退几步，喊着说。“咱们还是往前去看白葡萄 酒吧。”
• We passed through a rang of low arches，descended， passed on，and descending again， arrived at a deep crypt，in which the foulness of the air caused our flambeaux rather to glow than flame．
欲擒故纵
• My friend，no． It is not the engagement， but the severe cold with which I perceive you are afflicted．
• How long have you had that cough?
在进入地下墓穴的途中，因为潮湿的环境， 弗图纳多不停地咳嗽，为转移他的注意力， 蒙特利瑟又假装关心
Mason：Βιβλιοθήκη • • • • • • • • • • • • • 我吃惊的看着他。他又做了那个手势——一个希奇古怪的手势。 “你不懂？”他说。 “我不懂。”我答。 “那你就不是同道。” “怎的？” “你不是泥瓦工。
(原文是mason，在英文中意思是泥瓦工或者共济会会员。共济会发源 与中古时代，最初系泥瓦工工会的一种秘密团体，以互相帮助为宗旨， 相遇时以暗号联系。）”
• • • • • •
越往前走，地窖也就越阴暗，空气也越稀薄， 这对于呼吸受阻的弗图纳多来说也就越危险。在这里， 火把由原来的“flame” ( 熊熊燃烧的火焰) 变成了 “glow” (微弱的火点)，一方面强调了地窖阴冷潮湿， 空气稀薄，环境恶劣的程度; 另一方面也象征着弗图 纳多的生命正在走向终点。
一.情节赏析
• Main characters： • Mentresor蒙特利瑟 VS Fortunato弗图纳多 • Key words：报仇、恐怖、死亡
• Questions： • 1.谁对谁报仇？为什么报仇？怎么报？ • • 2.故事到底如何恐怖？ • 3.谁死了，怎么死的？
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge.…… At length, I would be avenged…
三.拓展思考
• 1.名字的含义 • "仇人"福图纳托(Fortunato)的名字与英文中 "fortunate"发音相似,意为"幸运 ",他代表新兴 资产阶级,在生意场上很成功,但是在一生的幸运 之后,他却遭受了人生最大的不幸:被活埋; • 而"复仇者"蒙特雷塞(Montresors)与英文中的 "monstrous"发音相似,意为"魔鬼",他是一个没落 的贵族,福图纳托的快乐对于他来说是一种伤害, 但不幸运的他却将幸运的福图纳托封死在地窖里, 从而扮演了"魔鬼"的角色.