乱世佳人简介及经典台词翻译英文.
乱世佳人简介和台词翻译-英文专题培训课件
The book The film
Gone with the Wind, first published in 1936, is a romance novel written by Margaret Mitchell, who received the Pulitzer Prize for Fiction for the book in 1937. The story is set in Clayton County, Georgia, and Atlanta during the American Civil War and Reconstruction, and depicts the experiences of Scarlett O'Hara, the spoiled daughter of a well-to-do plantation owner, who must use every means at her disposal to come out of the poverty she finds herself in after Sherman's March to the Sea.
Gone with the Wind is a 1939 American historical epic film adapted from Margaret Mitchell's Pulitzer-winning 1936 novel of the same name. It was produced by David O. Selznick and directed by Victor Fleming from a screenplay by Sidney Howard. Set in the 19th-century American South, the film stars Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland, and Hahers, and tells a story of the American Civil War and Reconstruction era from a white Southern point of view.
乱世佳人简介及经典台词翻译-英文解读
ASHLEY: How could I help loving you? You have all the passion for life that I lack. But that kind of love isn‘t enough to make a successful marriage for two people who are as different as we are. SCARLETT: Why don‘t you say it, you coward? You‘re afraid to marry me. You‘d rather live with that silly little fool who can‘t open her mouth except to say "yes", "no",and raise a houseful of mealy-mouthed brats just like her! 翻译：希礼：我怎么能够不爱你？你拥有我所缺少的生活的热情。但是这样的爱并 不足以让我们两个如此不同的人有一个成功的婚姻。
The film received ten Academy Awards (eight competitive, two honorary), a record that stood for 20 years until Ben-Hur surpassed it in 1960. In the American Film Institute's inaugural Top 100 Best American Films of All Time list of 1998, it was ranked fourth, and in 1989 was selected to be preserved by the National Film Registry. The film was the longest American sound film made up to that time – 3 hours 44 minutes, plus a 15-minute intermission – and was among the first of the major films shot in color (Technicolor), winning the first Academy Award for Best Cinematography in the category for color films. It became the highest-grossing film of all-time shortly after its release, holding the position until 1966. After adjusting for inflation, it has still earned more than any other film in box office history.
乱世佳人简介和经典台词翻译_英文
Mr.O'Hara: What difference does it make whom you marry? So long as he's a Southerner and thinks like you. And when I'm gone, I leave Tara to you. Scarlett: I don't want Tare, plantations don't mean anything when... Mr.O'Hara: Do you mean to tell me, Katie Scarlett O'hara that Tara...that land doesn't mean anything to you? Why, land's the only thing in he world worth working for, worth fighting for, worth dying for, because it's the only thing that lasts. Scarlett: Oh, Pa. You talk like an Irishman. Mr.O'Hara: It's proud I am that I'm Irish, and don't you be forgetting, Missy, that you're half-Irish, too. And, to anyone with a drop of Irish blood in them...why, the land they live on is like their mother. Oh, but there, there. Now, you're just a child. It'll come to you, this love of the land. There's no getting away from it if you're Irish.
礼仪用词-乱世佳人剧本台词(中英文) 精品
乱世佳人剧本台词(中英文)ROMAN HOLIDAYTRANSCRIBED BY Graham (hepburn@unforgettable.)(A newsreel begins:)--PARAMOUNT NEWS--NEWS FLASH(A mentator describes the newsreel showing Princess Ann at several ceremonies in various European locations.)NEWSREELParamount News brings you a special coverage of Princess Ann\'s visit to London, the first stop on her much publicised goodwill tour of European capitals. She gets a royal wele from the British as thousands cheer the gracious young member of one of Europe\'s oldest ruling families. After three days of continuous activity and a visit to Buckingham Palace, Ann flew to Amsterdam where Her Royal Highness dedicated the new International Aid Building and christened an ocean liner. Then went to Paris where she attended many official functions designed to cement trade relations between her country and the Western European nations. And so to Rome, the eternal city, where the Princess\' visit was marked by a spectacular military parade highlighted by the band of the crack Piersa Yeri Regiment. The smiling young Princess showed no sign of the strain of the week\'s continuous public appearances. And at her country\'s embassy that evening, a formal reception and ball in her honor was given by her country\'s ambassador to Italy.--------------------------------------------------------------------------------(The Embassy ballroom. People fill the floor of the room. A fanfare sounds. The Master of Ceremonies appears and the people clear a path down the middle of the hall in front of him. The Master of Ceremonies announces "Her Royal Highness"--first in Italian, then in English.)(The orchestra starts playing as the Master of Ceremonies walks down the newly-formed aisle. Princess Ann, resplendent in her ballgown, diamond tiara, and necklace, appears at the door acpanied by the Ambassador in formal military dress. Behind them follow together the Countess Vereberg and General Provno, and others. As the pany walks slowly down the aisle, Princess Ann smiles and nods her head to acknowledge the guests who line their path. They bow as the Princess walks past them.)(As they reach the front, the Princess and the others step onto the dais as the orchestra finishes playing. The dais is furnished with chairs--a large one in the center. The Princess and the others stand, facing the guests. Princess Ann is about to sit when the Ambassador discreetly stops her with a hand on her arm.)(As they stand waiting, the guests form in a line in front. The Master of Ceremonies announces them as they walk forward to greet her, in turn.)MASTER OF CEREMONIESHis Excellency, the Papal Nuntius, Monsignor Altomonto.(Ann greets him warmly in Italian, shaking his hand; he replies, in Italian.)MASTER OF CEREMONIESSir Hugo Macy de Farmington.ANN(he bows to her)Good evening, Sir Hugo.SIR HUGO(shaking her hand)Good evening, Your Royal Highness.MASTER OF CEREMONIESHis Highness, The Maharajah of Kalipur; and The Rajkumari.ANN(shaking the Rajkumari\'s hand)I\'m so glad that you could e.THE RAJKUMARIThank you.THE MAHARAJA(shaking Ann\'s hand)Thank you, madame.(The Master of Ceremonies announes the next couple, in German.)ANN(hidden beneath her dress, she takes her right foot out of its shoe and stretches it)Guten Abend.MASTER OF CEREMONIES(as Ann puts her foot back)Prince Istvan Barossy Nagyavaros.ANNHow do you do?(he kisses her hand)(The Master of Ceremonies announces the long German name and title of the next guest.)ANN(holding the woman\'s hand as she curtsies)Guten Abend.(She greets the man as he kisses her hand.)(The Master of Ceremonies announces the next couple. As she greets them, Ann rubs her tired right foot against her leg.)(Much later on and Ann is still greeting the guests.)ANN(greeting another couple)So happy.MASTER OF CEREMONIESThe Count and Countess von Marstrand.ANNGood evening, Countess(holding her hand the woman curtsies. To the Count.)Good evening.COUNT(kissing her hand)Good evening.(Suddenly, Princess Ann loses her balance as her foot slips over her shoe, knocking it over. The Count\'s eyeglass pops out in surprise and he smiles back as she regathers herself. The Ambassador looks down in disappointment at her error. The Master of Ceremonies introduces the next couple--a Senor and Senora.)ANN(she tries to manipulate her shoe back into position which has been knocked over and she greets the couple, disguising her disfort)Good evening(the man kisses her hand.)(The Master of Ceremonies announces the next guest as Ann pushes her shoe again in an effort to right it.)ANN(as the man bends, gesturing with his hand in greeting)How do you do?(As the last guest moves back Ann looks around anxiously, trying again to right her shoe, resulting in her pushing it further away. The Ambassador then motions her to sit down. As she sits back into the chair with the Ambassador and the Countess on either side her dress pulls back, revealing the shoe.)(The orchestra starts playing a waltz. Ann tries as inconspicuously as possible to drag her shoe back with her foot. The General, standing behind her frowning, motions to the Countess to look at the shoe. She looks down at it and closes her eyes in horror. The Princess stirs in her seat trying to get her shoe back, fiddling with her gloves as cover. A man standing behind the Ambassador motions to him and he shrugs and gets up, bowing and presenting his arm to the Princess. The Princess rises and, pausing for time to regather her shoe, is lead onto the ballroom floor by the Ambassador. Taking her up to dance he looks at the area in front of the eat and, relieved that the shoe isn\'t to be seen, continues dancing with her as the other guests watch. )(Later on and the dance floor is filled people. Princess Ann dances with a short, lively gentleman who rattles off rapid Spanish phrases to her. She listens, nodding and smiling politely. Still later and she dances with a short, elderly gentlemen. They smile and nod to each other silently. Later again and Ann dances with a somewhat remote gentlemen. She almost speaks so as to strike up a conversation, but thinks better of it.)--------------------------------------------------------------------------------(Later that night in Princess Ann\'s bedchamber. She stands on her bed dressed in her nightgown, her hair let down. She picks up the skirt of her nightgown and drops it.)ANN(brushing her hair)I hate this nightgown. I hate all my nightgowns. And I hate all my underwear too.COUNTESS(ing over to tend to her bed, dressed in a bedrobe and wearing glasses)My dear, you have lovely things.ANNBut I\'m not two hundred years old!(Dropping down on the bed)Why can\'t I sleep in pyjamas?COUNTESS(looking up as she folds the sheets into place)Pyjamas!ANN(Just)the top half.(The Countess takes off her glasses, shocked, then walks over to the window. Ann pulls the covers over her, sitting up)Did you know there are people who sleep with absolutely(nothing)on at all?COUNTESS(opening the window)I rejoice to say that I did not.ANN(lying against the headboard, smiling as she hears distant music ing in through the window)Listen.(She jumps up out of bed and runs over to the window, looking out.)COUNTESSOh, and your slippers.(She goes to fetch them from beside the bed as Ann looks out with pleasure at the dancing going on far below in the distance)Please put on your slippers and e away at the window.(Ann walks back to the bed, dejected, as the Countess shuts the window. The Countess holds a tray)Your milk and crackers.ANN(taking the tray; as the Countess helps her pull the covers over her) Everything we do is so wholesome.COUNTESSThey\'ll help you to sleep.ANN(stubbornly)I\'m too tired to sleep--can\'t sleep a wink.COUNTESS(putting on her glasses, taking a diary from the bedtable)Now my dear, if you don\'t mind: tomorrow\'s schedule--or schedule((skedule),)whichever you prefer--both are correct.(Running through the items with a pen)Eight thirty, breakfast here with the Embassy staff; nine o\'clock, we leave for the Polinory Automotive Works where you\'ll be presented with a small car.ANN(disinterested; absently playing with a napkin)Thank you.COUNTESSWhich you will not accept.ANNNo, thank you.COUNTESSTen thirty-five, inspection of food and agricultural organisation will present you with an olive tree.ANNNo, thank you.COUNTESSWhich you(will)accept.ANNThank you.COUNTESSTen fifty-five, the Newfoundling Home For Orphans. You will preside over the laying of the cornerstone; same speech as last Monday.ANNTrade relations?COUNTESSYes.ANN(chewing a cracker)For the orphans?COUNTESSNo, no, the other one.ANN\'Youth and progress\'.COUNTESSPrecisely. Eleven forty-five, back here to rest. No, that\'s wrong... eleven forty-five, conference here with the press.ANN\'Sweetness and decency\'(she rolls her eyes.)COUNTESSOne o\'clock sharp, lunch with the Foreign Ministry. You will wear your white lace and carry a small bouquet of ( ANN) very small pink roses.(The Countess looks up, unimpressed. Continuing, as Ann drinks her milk from a glass)Three-o five, presentation of a plaque.(ANN (to an imagined guest:) Thank you.)Four-ten, review special guard of * Police.(ANN No, thank you.)Four forty-five (ANN How do you do?) back here to change (ANN (being distressed) Charmed.) to your uniform (ANN So happy.) to meet the international--.ANN(screaming at the Countess)STOP!!!(Looking away, her hair covering her face)Please stop! stop...!COUNTESS(retrieving the tray)It\'s alright, dear, it didn\'t spill(she places the tray on the table.)ANNI don\'t care if it\'s spilled or not. I don\'t care if I(throws her head into the pillow)drown in it!COUNTESS(putting her hands on her shoulders to fort her)My dear, you\'re ill. I\'ll send for Doctor Bonnachoven.ANN(turning over, facing the opposite way)I don\'t want Doctor Bonnachoven; please let me die in peace!COUNTESSYou\'re not dying.ANN(facing the Countess)Leave me.(Sitting up, shouting at her)Leave me!COUNTESSIt\'s nerves; control yourself Ann.ANN(throwing herself on the pillow, beating it with her fist) I don\'t want to!COUNTESS(standing up straight, speaking with authority)Your Highness(Ann continues blubbing.)I\'ll get Doctor Bonnachoven(she heads for the door.)ANN(looking up as she leaves)It\'s no use; I\'ll be dead before he gets here(she gives a defiant blub.)(Later, the Countess enters the bedchamber, followed by Doctor Bonnachoven and the General. They walk to her bed and the doctor looks at Ann, who doesn\'t move.)DOCTOR(to the Countess, puzzled)She is asleep.COUNTESSShe was in hysterics three minutes ago, Doctor.DOCTOR(he puts his Doctor\'s bag on the table and bends over to her; quietly)Are you asleep, ma\'am?ANN(without moving)No!DOCTOROh.(He feels her forehead then takes a thermometer from his bag)I\'ll only disturb Your Royal Highness a moment, ah?ANNI\'m very ashamed, Doctor Bonnachoven; I-(the Doctor places the thermometer in her mouth)suddenly I was crying.DOCTOR(reassuring)To cry--a perfectly normal thing to do.GENERALIt most important she be calm and relaxed for the press conference, Doctor.ANNDon\'t worry, Doctor: I-(takes the thermometer out)I\'ll be calm and relaxed and I-I\'ll bow and I\'ll smile and- I\'ll improve trade relations and I, and I will..(she throws herself onto the pillow, in hysterics again.)COUNTESSThere she goes again. Give her something, Doctor, please.DOCTOR(holding up a syringe from the bag)Uncover her arm, please, hmm?(The Countess uncovers her arm as the General looks away.)ANN(calming down; without looking up)What\'s that?DOCTORSleep and calm. This will relax you and make Your Highness feel a little happy. It\'s a new drug, quite harmless.(As he injects her the General faints behind them, unnoticed)There.ANNI don\'t feel any different.DOCTORYou will; it may take a little time to take hold. Just now, lie back, ah?ANNCan I keep just one light on?DOCTOROf course. Best thing I know is to do exactly what you wish for a while.ANN(smiling)Thank you, Doctor.COUNTESS(the Countess looks round at the General on the floor) Oh, the General! Doctor, quick!DOCTOROh!ANN(sitting up)Hah!(she puts her hand over her mouth, covering her smile.)GENERAL(embarrassed; straightening his bedrobe)I\'m perfectly alright.(To the Princess)Goodnight, ma\'am.(He bows and leaves.)DOCTOR(bowing, smiling at the Princess)Goodnight, ma\'am.ANNGoodnight, Doctor.(The Doctor leaves, followed by the Countess, who turns off the light and, looking back at the Princess, shuts the door behind her.)(Alone, the Princess looks around the large room at the lavish, ancient ornamentation on the ceiling and the huge sculpted headboard. She lies back, and then, remembering, eagerly climbs out of bed and runs to the window.She looks out longingly at the dancing below, the breeze blowing in herface then out over the city, the buildings lit up in the night far in the distance. Thinking, she looks back at the door and then back out the window, then she runs to her wardrobe, and starts rummaging in the clothes hung there.)--------------------------------------------------------------------------------(Later, dressed in a plain white blouse and skirt and picking up her gloves from the dresser, she peers out the door of the bedchambers. She sees a guard sat at the end of the wall stir in his semi-sleep. Pausing as she closes the door, she goes out of the side window onto the balcony outside. She walks along to the edge of the adjacent balcony, jumping down with a slight noise onto the ground. Glancing furtively around she goes inside toa large, empty room. She pauses for moment to look around on either sideand then continues. Going through the door she finds herself on a corridor upstairs, encircling the large central area. She runs along to the end, turning the corner and then onto the other side. She continues on, reachesa staircase and goes down it towards the exit.)(Outside, still in the grounds of the Embassy, she runs along a courtyard area. The shadow of a man walking appears where she has just e from but she reaches safety at the other end before he can see her.)(Running through the buildings further she pauses, her back against a wall. Looking round the corner she sees a man jump out of a small supply truck. While he is gone she runs over and quietly hops into the back of the truck. The man es back and throws a couple of bags into the back where she is hiding. He then gets in, starts the motor, and drives off. Guards at the entrace of the Embassy grounds open the doors and the little truck drives out. Ann peers back over the top of a bag to see the guards closing the doors again as the Embassy recede into the distance. She looks round with delight, moving the bag out of the way, leaning her arm on some goods tosee out the back better. She watches the truck go past a sidewalk cafe,busy with people, then waves to a couple driving behind on a scooter; thewoman waves back at her. The goods rattle in the back as the truck bounces around, and Ann rests on a box, closing her eyes.)(The truck continues through the city but Ann is awakened when the truck stops for a couple walking across the street in front. As it is stopped she hops out, running to the footpath as the truck screeches away. She leans against a tree, yawning then continues on.)(Crossing a street, she walks straight across the passenger cabin of a horse-drawn carriage parked alongside the pavement, to the bewilderment of the passengers and driver. The cab drives away as Ann continues on.)(A light pours from the window of a room on the second floor of thebuilding the carriage was parked in front of...)--------------------------------------------------------------------------------(Inside the room are sat Joe Bradley, Irving Radovich, and several other men around a poker table.)CARD PLAYER 1Bet five hundred.JOE(placing his bet down, firmly)Five hundred. How many?IRVING(placing his bet)One.(The others still in the game place theirs.)CARD PLAYER 1I\'ll take one.CARD PLAYER 2Three.JOEFool, boy.(Checks his cards; bets more)Two for papa.CARD PLAYER 1(places a note in the pool)Five hundred more.JOE(following)Without lookin\'.IRVINGFive hundred; and, er(clears his throat,)raise you a thousand.(Joe looks at him suspiciously. Irving rubs his beard but stays unemotional. Joe places his money in the pool.)CARD PLAYER 1(laying his cards down)Two pairs.JOEOh, well I got three(shy)little sevens.IRVINGEr, a nervous straight(lays his cards down; Then, with relish)e home, you beauties.(Counting his money as he picks it up; Joe looks on grimly)Now, look at that: six thousand five hundred--ah, not bad, that\'s ten bucks.(As the dealer gathers the cards back and Joe does up his tie)Er, one more round and I\'m gonna throw you gents right out in the snow... (The remaining players objective to his leaving:)Say-; what-; wait a minute-, etc.IRVINGI got to get up early: date with Her Royal Highness who will(dramatically)graciously pose for some pictures.JOEWhat do you mean, early? My personal invitation says eleven forty-five.CARD PLAYER 1Couldn\'t be anything to do with the fact that you\'re ahead?IRVING(smiling)It could.JOEIt works out fine for me: this is my last five thousand and you hyenas are not gonna get it.(Putting his money in his pocket, patting Irving on the back)Thanks a lot, Irving.IRVINGYeah.JOE(getting up)See you at Annie\'s little party in the morning.IRVINGCiao, Joe.JOE(picking up his jacket off the back of the chair)Yeah, ciao.(The other men say goodbye: )Goodnight, Joe; Ciao; Stay sober, etc.IRVING(as Joe leaves)Alright! a little seven card stud.CARD PLAYER 1Ok with me.--------------------------------------------------------------------------------(Joe Bradley walks along the street, hands in pockets. He slows down by a park bench. Princess Ann is lying on it and Joe glances at her curiously as he walks by.)ANN(sounding drunk because of the drug\'s effect)Sooooo happy.(Joe stops, turning round to look at her. Interrupting, as Joe almost walks on)How are you this evening?(She stirs on the bench, luxuriously)Mmmmmmmmm.... hmmmmm.... mmmmmmmmmmm..."JOE(rushing over to prevent her from falling off)Hey! hey, hey, hey.(Turning her on her back)Hey, wake up!ANNThank you very much, delighted.JOEWake up.ANNNo, thank you.(Raising her gloved hand to him)Charmed.JOE(tentatively, shaking her hand)Charmed too.ANN(after a pause)You may sit down.JOEI think you better sit up; much too young to get picked up by the police.ANN(as he straightens her)Police?JOEYep, po-lice.ANNTwo-fifteen and back here to change. Two forty-five..(she wavers slightly, not fully awake.)JOE(putting a foot up on the bench)You know: people who can\'t handle liquor shouldn\'t drink it.ANN(she looks up at him)If I were dead and buried and I heard your voice beneath the sod my heartof dust would still rejoice. Do you know that poem?JOEHuh, what do you know?(Sitting down)You\'re well-read, well-dressed; you\'re snoozing away in a public street. Would you care to make a statement?ANNWhat the world needs is a return to sweetness and decency in the souls ofits young men and--(unable to support it, her head falls on his shoulder) mmmmmhhhhhhhhmmmmm.....JOE(he takes his money from his breast pocket and puts it into his trouser one) Yeah, I er, couldn\'t agree with you more, but erm--(hears a car approaches and whistles. A taxi pulls up. Joe gets up, patsher on the shoulder.)Get yourself some coffee; you\'ll be alright.(He goes over to the cab, looks back to see her lying back down. The driver notices too and looks away innocently when he sees Joe looking at him. Joe goes back over to Ann, trying to stir her)Look: you take the cab.ANN(without stirring)Mmmmm.(Joe looks back at the driver who rests his arm against the window, impatiently.)JOEe on;(takes her up by the arm)climb in the cab and go home.ANN(as she drags herself to her feet, helped by Joe)Mmmmm...mmmmmm, so happy.JOEYou got any money?ANNNever carry money.JOEThat\'s a bad habit.ANNMm.JOEAlright, I\'ll drop you off; e on.(He leads her to the taxi.)ANN(brightly; noticing it for the first time) It\'s a taxi!JOEWell, it\'s not the superchief.(He follows her into the cab.)CAB DRIVER(says something in Italian)Where are we going?JOE(to Ann)Where do you live?ANNMmmmmm?(Closing her eyes)Colliseum.JOENow, e on, you\'re not that drunk.ANN(laughing)If you\'re so smart I\'m not drunk at all. I\'m just being(her head falls against his chest)verrrrry haaaappy......JOEHey, now, don\'t fall asleep again.CAB DRIVER(first speaks something in Italian)Where are we- we going?(Joe says something in Italian, impatiently.)Ok.(Turns back around.)JOELook, now where do you wanna to go? Hmmm? Where shall I take you?(Holding her jaw, shaking her head; Ann moans in annoyance)Where do- where do- where do you live? Huh? huh? e on. e on,(lightly slapping her face with his hand)where do you live?(The driver looks back, unimpressed)e on, where do you live?!ANN(mumbling, half-asleep)I....ohhhhh....Colliseum.JOE(hopelessy; to the cab driver)She lives in the Colliseum.CAB DRIVER(shakes his head)It\'s wrong address. Now look, senor: for me it is very late tonight ...(some Italian)... wife ...(more Italian)... I have three bambinos--three bambinos, you know, bambino?(he pretends to cry like a small child)My- my taxi go home, I- I go home er to- together. Senor--.JOE(giving up, sitting back)Villa Marguta, fifty-one.CAB DRIVER(pleased, finally)Villa Marguta, fifty-one.(Pleased)Oh, some Italian!(The taxi drives off. The cab arrives outside the address.)CAB DRIVERYes, Villa Marguta fifty-one.some Italian I am very happy.(Joe looks grimly at Ann, asleep beside him)Thousand lira some Italian.(Joe responds in Italian. He reaches into his breast pocket then, remembering, his trouser one and gives the driver the money.)CAB DRIVEROne, two, three, four mila*.(Gives him back some.)JOEOk.(Says something in Italian then gives him back the money. The driver thanks him in Italian.)Ok, ok. Now look: take a little bit of that; take her wherever she wants to go.(The cabbie thinks for a moment, unsure)Hmmm? Capito? Capito.(Some Italian. The driver nods and they say goodbye to each other. The driver takes one look at Ann sitting asleep and quickly calls out to Joe as he leaves.)CAB DRIVEROh- no, no; moment, moment, moment! No, no, no(the cabbie pulls him over by the arm)(JOE Alright). No, no, no.JOE(leaning down to the window)Alright, alright; look: as soon as she wakes up, see? she tell you where she want to go. Ok.CAB DRIVERMoment, moment: my taxi not for sleep; my taxi--no sleep. You understand? you understand?JOELook, look, pal: this is not my problem, see? I never see her before. Huh? Ok.CAB DRIVERIt\'s not your problem, it\'s not my problem. What you want: you don\'t want girl, yeah? Me don\'t want girl--. Police: maybe she want girl.JOE(he relents)Stay calmo, stay calmo, ok, ok, ok.(some Italian, reassuring him as he opens the cab door and drags Ann out.)--------------------------------------------------------------------------------(Joe walks up the steps, followed by Ann, head down barely able to keep awake. He arrives at the front door. As he stops, leaning forward to open it, Ann rests her head on his shoulder. Before going through he straightens causing her to stand up, balancing herself, and then goes through; Ann follows. He shuts the door behind her, taking her by the hand up the steps. Without thinking she walks around the outside of the small spiral stairwell instead of following him up so Joe turns her around with his hand, leaning over the railing from above (ANN blissfully unaware as he leads her around So happy.), and leads her back around to the bottom of the steps (ANN So happy.) and up the right way.)(She staggers up steps after him, stopping by a door as Joe goes to unlock his one a few steps up. In her stupor, she raises her hand and is about to knock on the neighbour\'s door when Joe sees her, running over to catch herhand just in time. He leads her to the door and unlocks it. He goes in and turns on the light.)JOE(muttering as Ann follows him in)Out of my head.(He shuts the door behind her.)ANNIs this the elevator?JOE(offended)It\'s my room.(He turns on a lamp at the other end of the room, by the bathroom door.)ANN(she almost topples over, walking to the bed and putting a gloved hand on the endboard to steady herself)I\'m terribly sorry to mention it, but the dizziness is getting worse.(Looking around)Can I sleep here?JOEThat\'s the general idea.(He walks over and opens a wardrobe on the landing next to the front door.)ANN(poetically)Can I have a silk nightgown with rosebuds on it?JOE(walking over to Ann, presenting her with some pyjamas)I\'m afraid you\'ll have to rough it tonight--in these.ANN(with delight, taking them)Pyjamas!JOESorry, honey, but I haven\'t worn a nightgown in years.(He goes over to open another cupboard by the lamp.)ANNWill you help me get undressed, please?(she stands ready, head raised expectantly.)JOE(pauses, unsure, then goes to her)Er...ok.(He undoes her necktie, sliding it away fom her neck; presenting it to her) Er, there you are; you can handle the rest.(She looks at it, blankly, then takes it.)(Joe walks over to the table by the front door, pouring a drink into a glass from a bottle, and swallowing it.)ANN(just putting down her last glove)May I have some?JOE(firmly)No.(Puts his glass down, going over to her)Now look--.ANN(shaking her head)This is very unusual.(Unbuttoning her cuffs, then the bottom button of her blouse)I\'ve never been alone with a man before, even with my dress on.。
乱世佳人20句英文对白
乱世佳人20句英文对白1.Vase broken, how to fill the cracks are in the.（花瓶碎了，怎么补裂痕都在。
）2.In spite of you and me and the whole silly world going to pieces around us, I love you.（哪怕是世界末日我都会爱着你。
）3.We become the most familiar strangers.(我们变成了世上最熟悉的陌生人。
)4.Whatever comes, I'll love you, just as I do now. Until I die.(无论发生什么事，我都会像现在一样爱你,直到永远。
)5.I never give anything without expecting something in return. I always get paid.（我做任何事不过是为了有所回报，我总要得到报酬。
）6.Now I find myself in a world which for me is worse than death. A world in which there is no place for me.(现在我发现自己活在一个比死还要痛苦的世界，一个无我容身之处的世界。
)7.I wish I could be more like you.(我要像你一样就好了。
)ter, respectively, wander and suffer sorrow.(今后各自曲折，各自悲哀)9.There is a land of knights, over and over.（有一片骑士的土地，遍地棉花。
）10.Sometimes take a wrong step, will be farther and farther away from the original road.(有时候走错了一步，就会离原来的路越来越远。
乱世佳人中英文简短剧本
旁白It is a sunny day at the barbecue,Twelve Oaks manor is so lively that allcouplesdressuptojoin,atthesametimeScarelettandhersisterinthecarriage has arrived at the manor.6 男GERALDWell, John Wilke,-lt's a grand day for the barbecuS约翰，今天真是烤肉好日子（两个人握手说话）8 男JOHN.-So it seems, Geral d.乎是如此，杰先生1858JOHNWhy isn't Mrs. O'Hara with you?为什么郝太太没跟你一起来1866GERALDShe's settli ng acco unts with the overseer,but she'll be alongtonigh她正在跟我们的工头结帐但她会来参加今晚的舞会1876GARALD-Thank you kindly, lndia.非常谢谢你，英蒂Your daughter's getti ng prettier every day, Joh n 你女儿越来越漂亮了，约翰（临走时捏了INDIA的下巴）1898JOHNHere are the O'Hara girls.We must greet then英蒂，郝家的女孩来了我们得去欢迎她们1907INDIAI ca n't sta nd Scarlett.She throws herself at Ashley我受不了思嘉看她向希礼投怀送抱的德性8JOHNThat's your brother's business.那是你哥哥的事Y oumustremberyourdutiesashostess你别忘了自己的身份是女主人（此时JOHN 接斯嘉丽下车）Good morning, girls. You're looki ng lovely 早，女孩们Good morning, Scarlett.早安，思嘉（斯嘉丽与INDIA握手）1953 女SCARIndia Wilkes,what a lovely dress!英蒂，好漂亮的洋装I just can't take my eyes off it.真的好漂亮，亲爱的-我简直舍不得移动我的视线197 （斯嘉丽向屋内走去，并且调戏路遇的男子）12男BUTLERGood morning, Miss Searle早安，思嘉小姐（随着斯嘉丽转移视线）13男SECOND MAN You look mighty fine今天早上你看起来好美（绅士的鞠躬）It's a pleasure to see you,Miss Scarlett很高兴见到你-早安3SCARAshley希礼（两个人握手，一直没有松开）2014ASHLE YScarlett, my dea亲爱的思嘉2023SCARI've been looking for you everywhere我一直到处在找你rve got something I must tell you.Can't we go someplace quiet?我有些话一定要告诉你-能不能找个安静的地方？4 男ASHLEYYes, I'd like to, but I have something to tell you to好的，我很乐意，但…我也有话要告诉你…Something I hope you'll be glad to hea我希望你会很高兴听到的事Come say hello to my cousin Melanie first先来和我表妹美兰打个招呼207（斯嘉丽很不情愿，并且松开手）3SCAROh, do we have to非去不可吗？2084ASHLE YShe's bee n looki ng forward to see ing you agai n. Melan她一直很想再见到你2094ASHLEY:Here's Scarlett.-Scarlett思嘉来了（此时梅兰妮转过身）2105 女MELANIEScarlett, I'm so glad to see you agai好高兴能再次见到你（两个人握手，阿希礼拿出披肩为梅兰妮披上）2113SCARMela nie, what a surprise to run into you here韩美兰，在这里遇见你让我觉得很意外I hope you'll stay with us a few days我希望这次你能多住几天213214-I do want us to be.-We'll keep her here, wo n't we?我想我们一定会的我们会把她留在这里吧？思嘉2153SCARWe'll make the biggest fuss over he我们一定会让她玩得很开心对吧？Ifan ybodyca ngiveagirlagoodtime,it'sAshley.如果有人知道如何让女孩开心那就是非希礼莫属Our good times must seem silly to you. You're so serious尔可能认为我们的玩法很蠢因为你是那么的正经2185MALANIEOh, Scarlett, you have so much肝思、嘉，你真是活力充沛（此时梅兰妮再次握住斯嘉丽的手，充满羡慕）I've always admired you.I wish Icould be more like you•我一直都很崇拜你好希望我能像你一样2203SCAR You must n't flatter me and say thi ngs you don't meanl用不着恭维我了，美兰净说这些言不由衷的话2214AHSLEYNobody could accuse Melanie of being insincere. Could they,my dear? 不会有人指责美兰不诚恳对不对？亲爱的（阿希礼皱眉，然后阿希礼低头看梅兰妮，深情）。
《乱世佳人》经典台词18条
《乱世佳⼈》经典台词18条 1.Cotton Fields called the Old South ⼈们称之为古⽼的南⽅…… 2.Age of Chivalry took its last bow 折射出骑⼠时代最后的光彩...... 3.Here was the last ever to be seen 这⾥有最后的骑⼠ 4.of knights and their Ladies Fair, 和他们的佳丽 5.of Master and of Slaves 最后的奴⾪主和奴⾪..... 6.Look for it only in books,for it 这⼀切只能在书中看到 7.is no more than a dream remembered, 因为他们不过是记忆中的⼀场梦幻 8.a Civilization gone with the wind... ⼀个业已随风⽽逝的⽂明…… 9.If I have to lie, steal, cheat or kill, as God as my witness, I’ll never be hungry again!即使让我撒谎,去偷,去骗,去杀⼈,上帝作证,我再也不要挨饿了。
10.Now I find myself in a world which for me is worse than death. A world in which there is no place for me.现在我发现⾃⼰活在⼀个⽐死还要痛苦的世界,⼀个⽆我容⾝之处的世界。
11.You’re throwing away happiness with both hands. And reaching out for something that will never make you happy.你把⾃⼰的幸福拱⼿相让,去追求⼀些根本不会让你幸福的东西。
12.Home. I’ll go home. And I’ll think of some way to get him back. After all, tomorrow is another day.家,我要回家.我要想办法让他回来.不管怎样,明天⼜是全新的⼀天。
乱世佳人剧本台词(中英文)-导游词模板
ROMAN HOLIDAY
TRANSCRIBED BY Graham (hepburn@)
(A newsreel begins:)ASH
(A mentator describes the newsreel showing Princess Ann at several ceremonies in various European locations.)
NEWSREEL
Paramount News brings you a special coverage of Princess Ann’s visit to London, the first stop on her much publicised goodwill tour of European capitals. She gets a royal wele from the British as thousands cheer the gracious young member of one of Europe’s oldest ruling families. After three days of continuous activity and a visit to Buckingham Palace, Ann flew to Amsterdam where Her Royal Highness dedicated the new International Aid Building and christened an ocean liner. Then went to Paris where she attended many official functions designed to cement trade relations between her country and the Western European nations. And so to Rome, the eternal city, where the Princess’ visit was marked by a spectacular military parade highlighted by the band of the crack Piersa Yeri Regiment. The smiling young Princess showed no sign of the strain of the week’s continuous public appearances. And at her country’s embassy that evening, a formal reception and ball in her honor was given by her country’s ambassador to Italy.