英语一阅读翻译2010

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2010年考研英语阅读理解第一篇全文翻译及分析

2010年考研英语阅读理解第一篇全文翻译及分析

忠告:想要把考研英语考好,不在考场上⼼理崩盘,只有详细研究真题和精读外刊,否则绝⼤部分考⽣对⽂章的理解注定是只⾔⽚语和模糊不清的,⽽考研英语强调的是精细、精确地理解。

很多学⽣反映看不懂外刊,但是如果我们不在平时崩盘,那么就会在考试时崩溃。

请⼤家仔细体会我们的忠告! (1)①Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage. ②Not only have many newspapers done away with their book-review sections, but several major papers, including the Chicago Sun-Times and the Minneapolis Star-Tribune, no longer employ full-time classical-music critics. ③Even those papers that continue to review fine-arts events are devoting less space to them, while the “think pieces” on cultural subjects that once graced the pages of big-city Sunday papers are becoming a thing of the past。

[译⽂] 过去的25年,在英⽂报纸发⽣的所有变化中,或许有深远意义的变化就是这些报纸⽂艺报道的范围在缩⼩,严肃性在减弱,势头不可阻挡。

2010年考研英语一真题阅读理解及参考答案

2010年考研英语一真题阅读理解及参考答案

2010年考研英语一Text 2Over the past decade, thousands of patents have seen granted for what are called business methods.Amazon com received one for its“one-click”online payment system Merrill Lynch got legal protection for an asset allocation strategy.One inventor patented a technique for lying a box。

Now the nation’s top patent court appears completely ready to scale hack on business-method patents, which have been controversial ever since they were first authorized 10 years ago. In a move that has intellectual-property lawyers abuzz the U.S court of Appeals for the federal circuit said it would use particular case to conduct a broad review of business-method patents. In re Bilski, as the case is known, is “a very big deal”, says Dermis'D, Crouch of the University of Missouri School of law.It “has the potential to eliminate an entire class of patents”Curbs on business-method claims would be a dramatic about-face because it was the federal circuit itself that introduced such patents with is 1998 decision in the so-called state Street Bank case, approving a patent on a way of pooling mutual-fund assets. That ruling produced an explosion in business-method patent filings, initially by emerging internet companies trying to stake out exclusive pints to specific types of online transactions. Later, move established companies raced to add such patents to their files, if only as a defensive move against rivals that might bent them to the punch. In 2005, IBM noted in a court filing that it had been issued more than 300 business-method patents despite the fact that it questioned the legal basis for granting them. Similarly, some Wall Street investment films armed themselves with patents for financial products, even as they took positions in court cases opposing the practice。

英语一阅读翻译2010

英语一阅读翻译2010

英语一阅读翻译2010第一篇:英语一阅读翻译20102010年Text1 Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.过去的25年,在英文报纸发生的所有变化中,或许最具有深远意义的变化就是这些报纸的文艺报道范围不断缩小,严肃性不断减弱,这是个无法逆转的必然趋势。

It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews.To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.对于年龄低于40岁的普通读者来讲,让他们想象一下当年可以在许多大城市报纸上读到精品的文艺评论简直几乎是天方夜谭。

2010考研英语真题Text1(答案解析)范文

2010考研英语真题Text1(答案解析)范文

Text 1①Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.【考点分析】灭绝师太常考(the most)本句的意思是"过去这些年英语报纸上所发生的最有影响力的变化的可能是艺术评论的在报道范围和严肃性的堕落".①It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.②Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. ③To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.【考点分析】①to the point of "到...地步" ②转折常考,出21题。

2010年英语一真题翻译

2010年英语一真题翻译

2010年全国硕士研究生入学考试英语(一)试题文章翻译Section I Use of English1924年美国国家调查委员会派出两名工程师监督在芝加哥附近的霍桑工厂的电话配件生产车间进行实验。

实验旨在了解车间照明是否影响工人的生产效率。

研究最终总结为一个极具影响力的概念——“霍桑效应”,也正是实验所研究的行为改变了工人们的表现。

这种观点之所以产生是因为工厂的女工令人困惑的行为。

根据实验的描述,当灯光变亮或者变暗时,工人每小时的产量都有所提高。

至于实验中做了什么并不重要;只要改变了条件,产量就有所提高。

工人知道自己本身是被研究对象——这一意识就足以改变他们的行为。

几十年后,同样的数据也被应用在计量经济学分析中。

霍桑试验在仓储业方面有了另一个令人惊奇的结果。

和记录的描述相反,〖JP+2〗并没有发现系统的证据来证明生产力水平与照明变化有关。

〖JP〗 结果表明,实验中使用的特别方法或许会误导对实验室数据的解释。

举例来说,周日对照明进行改变。

周一再工作时,产量与上周六相比有所提高,这一趋势将会持续几日。

然而,通过对没有做实验前的几周数据对比发现,周一的产量总是提高。

工人们无论在什么状况下在一周的最初几日工作非常勤快,然后就到达平稳水平,最后又懈怠下来。

这表明所谓的“霍桑效应”是很难确定的。

Section II Reading ComprehensionPart AText 1在过去的25年里发生在英语报纸上的所有变化中,或许最具有深远意义的就是艺术评论报道范围缩小和严肃性上的降低。

年龄在40岁以下的普通读者无法想象那样一个能够在大部分的大城市报纸上找到高质量的文艺评论的时代。

然而,发表在20世纪的大量的评论集是由大量报纸评论所组成。

如今去读这种书籍会使人们对这样一种事实感到大为惊讶,那就是这些广博的内容曾经被人们认为很适合刊登在面向大众的日报上。

我们离20世纪初期和二战前夕期间在英国发表的东拉西扯的报纸评论甚至更远,当时,新闻用纸非常便宜,而且时髦的文艺评论被认为是一种对刊登这种内容的出版物的装饰。

2010年考研英语(一)阅读理解全文翻译及解析

2010年考研英语(一)阅读理解全文翻译及解析

Text 1①Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.①It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. ②Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. ③To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.① We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. ②In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. ③Theirs was a serious business. and even those reviews who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. ④These men believed in journalism as a calling, and were proud to be published in the daily press. ⑤So few authors have brains enough or literary gift enough to keep their own end up in ournalism,Newman wrote, "that I am tempted to define "journalism" as "a term of contempt applied by writers who are not read to writers who are".①Unfortunately, these critics are virtually forgotten. ②Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. ③During his lifetime, though, he was also one of England's foremost classical-music critics, and a stylist so widely admired that his Autobiography (1947) became a best-seller. ④He was knighted in 1967, the first music critic to be so honored.⑤Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists.①Is there any chance that Cardus's criticism will enjoy a revival? ②The prospect seems remote.③Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly uphostered Vicwardian prose in which he specialized. ④Moreover,the amateur tradition in music criticism has been in headlong retreat.全文翻译:在过去的25 年英语报纸所发生的变化中,影响最深远的可能就是它们对艺术方面的报道在范围上毫无疑问的缩小了,而且这些报道的严肃程度也绝对降低了。

考研英语一真题手译阅读2010-Text1

百度官方认证店铺:考研资料2010-1Text11-Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.2-It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.Yet a considerable number of the most significant collections of criticism published in the20th century consisted in large part of newspaper reviews.To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.3-We are even farther removed from the unfocused newspaper reviews published in England between the turn of the20th century and the eve of World War II,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared.分享考研资料,助力考研成功!。

2010年英语一第四篇阅读译文

2010年英语一第四篇阅读译文(实用版)目录1.概述:英语一 2010 年第四篇阅读译文的文本内容2.第一段:原文及翻译3.第二段:原文及翻译4.第三段:原文及翻译5.第四段:原文及翻译6.总结:对整篇文章的翻译进行评价和分析正文【概述】本文是 2010 年英语一第四篇阅读的译文,文章主要讲述了一种名为“生态足迹”的概念,以及这个概念如何被用来衡量人类对环境的影响。

文章首先介绍了“生态足迹”的定义和计算方式,然后阐述了“生态足迹”如何反映人类对环境的压力,最后探讨了如何通过减少“生态足迹”来保护环境。

【第一段】原文:The concept of "ecological footprint" has been widely discussed in recent years.It refers to the amount of land and water needed to support a person, city, or country"s lifestyle.翻译:近年来,“生态足迹”的概念引起了广泛的讨论。

它指的是支持一个人、城市或国家的生活方式所需的土地和水资源。

【第二段】原文:The ecological footprint is calculated by multiplying theaverage amount of land and water required by each person in a country by the country"s population.翻译:生态足迹是通过将一个国家每个人所需的平均土地和水资源乘以该国的人口来计算的。

【第三段】原文:An ecological footprint that is larger than the available land and water in a country means that the country is using more resources than it has, and that its lifestyle is not sustainable.翻译:如果一个国家的生态足迹大于该国可用的土地和水资源,这意味着该国使用的资源超过了其实际拥有量,其生活方式不可持续。

2010年英语一第四篇阅读译文

2010年英语一第四篇阅读译文Ⅰ. 原文When we speak of the contrast between marble and mud, we generally think of the time-honored contrast between good and evil or between the beautiful and the ugly. In terms of marble and mud, one is a valuable and aesthetically pleasing material used in the construction of monuments and statues, while the other is simply a dirty substance found on the ground. However, in the eyes of a potter, there are two kinds of mud, or clay: one ismon clay, the other is a valuable material for making porcel本人n.This contrast serves as a metaphor for the distinction between ordinary individuals and those who possess exceptional ability or potential. Just asmon clay can be transformed into valuable porcel本人n in the hands of a skilled potter, so can ordinary people be elevated to greatness through hard work, perseverance, and a strong sense of purpose.In this regard, many successful individuals can be likened to porcel本人n, as they have undergone a process of refinementand transformation to be valuable and beautiful in their own right. By exerting their efforts and striving for excellence, they have been able to rise above the limitations of their circumstances and achieve success beyond what was once thought possible.This principle of transformation also applies to society as a whole. By cultivating a culture that encourages and supports the development of individual potential, societies can nurture and elevate their citizens to new heights. This not only benefits the individuals themselves, but also contributes to the overall progress and prosperity of themunity.In conclusion, the metaphor of marble and mud serves as a powerful reminder that every individual has the potential to rise above their circumstances and achieve greatness. By recognizing and nurturing the inherent value within each person, we can collectively contribute to the creation of a society that is rich in diversity, talent, and the pursuit of excellence.Ⅱ. 译文当我们谈到大理石和泥土的对比时,通常会想到传统的善恶或美丑的对比。

2010考研英语一阅读及答案

Text 1(2010)Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business, and even those reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men believed in journalism as a calling, and were proud to be published in the daily press. “So few authors have brains enough or literary gift enough to keep their own end up in journalism,” Newman wrote, “that I am tempted to define ‘journalism’ as ‘a term of contempt applied by writers who are not read to writers who are.’”Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England’s foremost classical-music critics, a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967, the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists.Is there any chance that Cardus’s criticism will enj oy a revival? The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong retreat.21. It is indicated in Paragraphs 1 and 2 that __________.[A] arts criticism has disappeared from big-city newspapers.[B] English-language newspapers used to carry more arts reviews.[C] high-quality newspapers retain a large body of readers.[D] young readers doubt the suitability of criticism on dailies.22. Newspaper reviews in England before World War II were characterized by __________.[A] free themes.[B] casual style.[C] elaborate layout. [D] radical viewpoints.23. Which of the following would Shaw and Newman most probably agree on?[A] It is writers' duty to fulfill journalistic goals.[B] It is contemptible for writers to be journalists.[C] Writers are likely to be tempted into journalism.[D] Not all writers are capable of journalistic writing.24. What can be learned about Cardus according to the last two paragraphs?[A] His music criticism may not appeal to readers today.[B] His reputation as a music critic has long been in dispute.[C] His style caters largely to modern specialists.[D] His writings fail to follow the amateur tradition.25. What would be the best title for the text?[A] Newspapers of the Good Old Days[B] The Lost Horizon in Newspapers[C] Mournful Decline of Journalism[D] Prominent Critics in MemoryText 2(2010)Over the past decade, thousands of patents have seen granted for what are called business methods. Amazon com received one for its “one-click” online payment system Merrill Lynch got legal protection for an asset allocation strategy. One inventor patented a technique for lying a box.Now the nation’s top patent court appears completely ready to scale hack on business-method patents, which have been controversial ever since they were first authorized 10 years ago. In a move that has intellectual-property lawyers abuzz the U.S court of Appeals for the federal circuit said it would use particular case to conduct a broad review of business-method patents. In re Bilski, as the case is known, is “a very big deal,”says Dennis D. Crouch of the University of Missouri School of law. It “has the potential to eliminate an entire class of patents.”Curbs on business-method claims would be a dramatic about-face because it was the federal circuit itself that introduced such patents with is 1998 decision in the so-called state Street Bank case, approving a patent on a way of pooling mutual-fund assets. That ruling produced an explosion in business-method patent filings, initially by emerging internet companies trying to stake out exclusive pints to specific types of online transactions. Later, move established companies raced to add such patents to their files, if only as a defensive move against rivals that might bent them to the punch. In 2005, IBM noted in a court filing that it had been issued more than 300 business-method patents despite the fact that it questioned the legal basis for granting them. Similarly, some Wall Street investment films armed themselves with patents for financial products, even as they took positions in court cases opposing the practice.The Bilski case involves a claimed patent on a method for hedging risk in the energy market. The Federal circuit issued an unusual o rder stating that the case would be heard by all 12 of the court’s judges, rather than a typical panel of three, and that one issue it wants to evaluate is whether it should “reconsider” its state street Bank ruling.The Federal Circuit’s action comes in t he wake of a series of recent decisions by the supreme. Count that has narrowed the scope of protections for patent holders. Last April, for example the justices signaled that too many patents were being upheld for “inventions” that are obvious. The judges on the Federal circuit are “reaction to the anti-patent trend at the supreme court” says Harol d C. Wegner, a patent attorney and professor at Washington University Law School.26. Business-method patents have recently aroused concern because of __________.[A] their limited value to business[B] their connection with asset allocation[C] the possible restriction on their granting[D] the controversy over authorization27. Which of the following is true of the Bilski case?[A] Its ruling complies with the court decisions[B] It involves a very big business transaction[C] It has been dismissed by the Federal Circuit[D] It may change the legal practices in the U.S.28. The word “about-face” (Line 1, Para 3) most probably means __________.[A] loss of good will [B] increase of hostility[C] change of attitude[D] enhancement of disunity29. We learn from the last two paragraphs that business-method patents __________.[A] are immune to legal challenges[B] are often unnecessarily issued[C] lower the esteem for patent holders[D] increase the incidence of risks30. Which of the following would be the subject of the text?[A] A looming threat to business-method patents[B] Protection for business-method patent holders[C] A legal case regarding business-method patents[D] A prevailing tread against business-method patentsText 3(2010)In his book The Tipping Point Malcolm Aladuell argues that “social epidemics” are driven in large part by the actions of a tiny minority of special individuals, often called influentials, who are unusually informed, persuasive, or well connected. The idea is intuitively compelling, but it doesn't explain how ideas actually spread.The supposed importance of influentials derives from a plausible-sounding but largely untested theory called the “two-step flow of communication”:Information flows from the media to the influentials and from them to everyone else. Marketers have embraced the two-step flow because it suggests that if they can just find and influence the influentials, those selected people will do most of the work for them. The theory also seems to explain the sudden and unexpected popularity of certain looks, brands, or neighborhoods. In many such cases, a cursory search for causes finds that some small group of people was wearing, promoting, or developing whatever it is before anyone else paid attention. Anecdotal evidence of this kind fits nicely with the idea that only certain special people can drive trends.In their recent work, however, some researchers have come up with the finding that influentials have far less impact on social epidemics than is generally supposed. In fact, they don’t seem to be required at all.The researchers’ argument stems from a simple observation about social influence: With the exception of a few celebrities like Oprah Winfrey — whose outsize presence is primarily a function of media, not interpersonal, influence — even the most influential members of a population simply don't interact with that many others. Yet it is precisely these non-celebrity influentials who, according to the two-step-flow theory, are supposed to drive social epidemics, by influencing their friends and colleagues directly. For a social epidemic to occur, however, each person so affected must then influence his or her own acquaintances, who must in turn influence theirs, and so on; and just how many others pay attention to each of these people has little to do with the initial influential. If people in the network just two degrees removed from the initial influential prove resistant, for example, the cascade of change won't propagate very far or affect many people.Building on the basic truth about interpersonal influence, the researchers studied the dynamics of social influence by conducting thousands of computer simulations of populations, manipulating a number of variables relating to people’s ability to influence others and their tendency to be influenced. They found that the principal requirement for what is called “global cascades”— the widespread propagation of influence through networks — is the presence not of a few influentials but, rather, of a critical mass of easily influenced people.31. By citing the book The Tipping Point the author intends to __________.[A] analyze the consequences of social epidemics[B] discuss influentials’ function in spreading ideas[C] exemplify people’s intuitive response to social epidemics[D] describe the essential characteristics of influentials32. The author suggests that the “two-step-flow theory” __________.[A] serves as a solution to marketing problems[B] has helped explain certain prevalent trends[C] has won support from influentials[D] requires solid evidence for its validity33. What the researchers have observed recently shows that __________.[A] the power of influence goes with social interactions[B] interpersonal links can be enhanced through the media[C] influentials have more channels to reach the public[D] most celebritiea enjoy wide media attention34. The underlined phrase “these people” in paragraph 4 refers to the ones who __________.[A] stay outside the network of social influence [B] have little contact with the source of influence[C] are influenced and then influence others[D] are influenced by the initial influential35. What is the essential element in the dynamics of social influence?[A] The eagerness to be accepted [B] The impulse to influence others[C] The readiness to be influenced [D] The inclination to rely on othersText 4(2010)Bankers have been blaming themselves for their troubles in public. Behind the scenes, they have been taking aim at someone else the accounting standard-setters. Their rules, moan the banks, have forced them to report enormous losses, and it’s just not fair. These rules say they must value some assets at the price a third party would pay, not the price managers and regulators would like them to fetch.Unfortunately, banks’ lobbying now seems to be working. The details may be unknowable, but the independence of standard-setters, essential to the proper functioning of capital markets, is being compromised. And, unless banks carry toxic assets at prices that attract buyers, reviving the banking system will be difficult. After a bruising encounter with Congress, America’s Financial Accounting Standards Board (FASB) rushed through rule changes. These gave banks more freedom to use models to value illiquid assets and more flexibility in recognizing losses on long0term assets in their income statement. Bob Herz, the FASB’s chairman, cried out against those who “question our motives.” Yet bank shares rose and the changes enhance what one lobby group poli tely calls “the use of judgment by management.”European ministers instantly demanded that the International Accounting Standards Board (IASB) do likewise. The IASB says it does not want to act without overall planning, but the pressure to fold when it completes it reconstruction of rules later this year is strong Charlie McCreevy, a European commissioner, warned the IASB that it did “not live in a political vacuum” but“in the real wor l d” and the Europe could yet develop different rules.It was banks that were on the wrong planet, with accounts that vastly overvalued assets. Today they argue that market prices overstate losses, because they Largely reflect the temporary illiquidity of markets, not the likely extent of bad debts. The truth will not be kn own for years. But bank’s shares trade below their book value, suggesting that investors are skeptical. And dead markets partly reflect the paralysis of banks which will not sell assets for fear of booking losses, yet are reluctant to buy all those supposed bargains.To get the system working again, losses must be recognized and dealt with. America’s new plan to buy up toxic assets will not work unless banks mark assets to levels which buyers find attractive. Successful markets require independent and even combative standard-setters. The FASB and IASB have been exactly that, cleaning up rules on stock options and pensions, for example, against hostility interests. But by giving in to critics now they are inviting pressure to make more concessions.36. Bankers complained that they were forced to __________.[A] follow unfavorable asset evaluation rules[B] collect payments from third parties[C] cooperate with the price managers[D] reevaluate some of their assets37. According to the author, the rule changes of the FASB may result in __________.[A] the diminishing role of management[B] the revival of the banking system[C] the bank’s long-term asset losses[D] the weakening of its independence38. According to Paragraph 4, McCreevy objects to the IASB’s att empt to __________.[A] keep away from political influences[B] evade the pressure from their peers[C] act on their own in rule-setting[D] take gradual measures in reform39. The author thinks the banks were “on the wrong planet” in that they __________.[A] misinterpreted market price indicators[B] exaggerated the real value of their assets[C] neglected the likely existence of bad debts[D] denied booking losses in their sale of assets40. The author’s attitude towards standard-setters is one of __________.[A] satisfaction [B] skepticism [C] objectiveness [D] sympathy。

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2010年Text1Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.过去的25年,在英文报纸发生的所有变化中,或许最具有深远意义的变化就是这些报纸的文艺报道范围不断缩小,严肃性不断减弱,这是个无法逆转的必然趋势。

It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.对于年龄低于40岁的普通读者来讲,让他们想象一下当年可以在许多大城市报纸上读到精品的文艺评论简直几乎是天方夜谭。

然而,在20世纪出版的最重要的文艺批评集子里,人们读到的大部分评论文章都是从报纸上收集而来。

现在,如果读到这些集子,人们肯定会惊诧,当年这般博学多才的精神食粮竟然被认为适合刊载在面向大众发行的报纸版面上。

We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War Ⅱ, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business, and even those reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men believed in journalism as a calling, and were proud to be published in the daily press. “So few authors have brains enough or literary gift enough to keep their own end up in journalism,” Newman wrote, “that I am tempted to define ‘journalism’ as ‘a term of contempt applied by writers who are not read to writers who are’ .”从20世纪早期到二战以前,报纸纸张极为便宜,由于格调高雅的文艺批评被认为可以装点刊载它的报纸,英国报纸对投来的评论文章来者不拒,对它们涉及什么主题无人在意。

但我们现今的报纸离此已相去更远。

在那些遥远的年代,人们理所当然地认为主流报纸的评论家们都会不遗余力地把他们评论的事实说清楚。

他们写作是严肃的,甚至以文笔轻松风趣著称的George Bernard Shaw和Ernest Newman也知道自己在做什么,这一点足以让人信任。

这些批评家们相信报刊评论是一门职业,并且对于他们的文章能够在报纸上发表感到很自豪。

“鉴于几乎没有作家能拥有足够的思想或足够的文学天赋以保证他们在写批评时能不畏艰难,时刻保持乐观”,Newman曾写道,“我倾向于把‘报刊评论’定义为“被某些作家所使用的一个轻蔑之词。

对真正的作家而言,他们根本就没有学问”。

Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though,he was also one of England’s foremost classical-music critics, and a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967, the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists.可令人悲哀的是,这样的批评家们现在却被人们所遗忘。

从1917年开始一直到1975年去世不久前还在为曼彻斯特《卫报》写文章的Neville Cardus,如今仅仅作为一个撰写关于板球比赛文章的作家被人们所知。

然而,在他的一生中,他也是英国首屈一指的古典音乐评论家之一。

他也是一位深受读者青睐的文体家,所以1947年他的《自传》一书就成为热销读物。

1967年他被授予爵士称号,也是第一位获此殊荣的音乐评论家。

然而,他的书现在只有一本可以在市面上买到。

他大量的音乐批评,除了专门研究音乐评论的人以外,已鲜为人知。

Is there any chance that Cardus’s criticism will enjoy a revival? The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong retreat.Cardus的评论还有可能享有在他死后重新流行吗?前景似乎渺茫。

在他去世以前很久,新闻业的品味早就已经改变了,而且他所擅长的措词华丽的维多利亚爱德华时期的散文风格对后现代的读者一点都没用。

何况,由业余爱好者作音乐批评的传统早已经成为昨日黄花了。

Text 2Over the past decade, thousands of patents have seen granted for what are called business methods. received one for its “one-click” online payment system. Merrill Lynch got legal protection for an asset allocation strategy. One inventor patented a technique for lying a box.在过去的十年中,成千上万的商业方法被授予了专利权。

亚马逊网站获得的专利是在线“单击”付费系统。

美林公司的资产分配方案得到了法律保护。

有个发明者的提箱技巧也获得了专利。

Now the nation’s top patent court appears completely-property lawyers abuzz the U.S. court of Appeals for the federal circuit said it would use a particular case to conduct a broad review of business-method patents. In the Bilski, as the case is known, is a “very big deal”, says Dennis’D Crouch of the University of Missouri School of law. It “has the potential to eliminate an entire class of patents.”现在,该国最高专利法院似乎完全准备好要缩减商业方法专利,因为商业方法专利自从十年前第一次批准授予以来一直有争议。

在一项使得知识产权律师们议论纷纷的提议中,美国联邦巡回上诉法院声称它将利用某个具体案件来对商业方法专利进行广泛的复审。

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