美国文学简史1 Chapter+2
美国文学简史复习资料精华版

A Concise History of American LiteratureChapter 1 Colonial PeriodI.Jonathan Edwards1.life2.works(1)The Freedom of the Will(2)The Great Doctrine of Original Sin Defended(3)The Nature of True Virtue3.ideas – pioneer of transcendentalism(1)The spirit of revivalism(2)Regeneration of man(3)God’s presence(4)Puritan idealismII.Benjamin Franklin1.works(1)Poor Richard’s Almanac(2)Autobiography2.contribution(1)He helped found the Pennsylvania Hospital and the AmericanPhilosophical Society.(2)He was called "the new Prometheus who had stolen fire <electricityin this case> from heaven〞.(3)Everything seems to meet in this one man –"Jack of all trades〞.Herman Melville thus described him "master of each and masteredby none〞.Chapter 2 American RomanticismSection 1 Early Romantic PeriodI.Washington Irving1.several names attached to Irving(1)first American writer(2)the messenger sent from the new world to the old world(3)father of American literature2.works(1)A History of New York from the Beginning of the World to the Endof the Dutch Dynasty(2)The Sketch Book of Geoffrey Crayon, Gent. <He won a measure ofinternational recognition with the publication of this.>(3)The History of the Life and V oyages of Christopher Columbus(4)A Chronicle of the Conquest of Granada(5)The Alhambra3.Literary career: two parts(1)1809~1832a.Subjects are either English or Europeanb.Conservative love for the antique(2)1832~1859: back to US4.style – beautiful(1)gentility, urbanity, pleasantness(2)avoiding moralizing – amusing and entertaining(3)enveloping stories in an atmosphere(4)vivid and true characters(5)humour – smiling while reading(6)musical languageII.James Fenimore Cooper1.works(1)Precaution <1820, his first novel, imitating Austen’s Pride andPrejudice>(2)The Spy <his second novel and great success>(3)Leatherstocking Tales <his masterpiece, a series of five novels>The Deerslayer, The Last of the Mohicans, The Pathfinder, ThePioneer, The Prairie2.point of viewthe theme of wilderness vs. civilization, freedom vs. law, order vs.change, aristocrat vs. democrat, natural rights vs. legal rights3.style(1)highly imaginative(2)good at inventing tales(3)good at landscape description(4)conservative(5)characterization wooden and lacking in probability(6)language and use of dialect not authentic4.literary achievementsHe created a myth about the formative period of the American nation. If the history of the United States is, in a sense, the process of the American settlers exploring and pushing the American frontier forever westward, then Cooper’s Leatherstocking Tales effectively approximates the American national experience of adventure into the West. He turned the west and frontier as a useable past and he helped to introduce western tradition to American literature.Section 2 Summit of Romanticism – American TranscendentalismI.Appearance1836, "Nature〞by EmersonII.Features1.spirit/oversoul2.importance of individualism3.nature – symbol of spirit/Godgarment of the oversoul4.focus in intuition <irrationalism and subconsciousness>III.Influence1.It served as an ethical guide to life for a young nation and brought aboutthe idea that human can be perfected by nature. It stressed religious tolerance, called to throw off shackles of customs and traditions and go forward to the development of a new and distinctly American culture.2.It advocated idealism that was great needed in a rapidly expandedeconomy where opportunity often became opportunism, and the desire to "get on〞obscured the moral necessity for rising to spiritual height.3.It helped to create the first American renaissance –one of the mostprolific period in American literature.IV.Ralph Waldo Emerson1.works(1)Nature(2)Two essays: The American Scholar, The Poet2.point of view(1)One major element of his philosophy is his firm belief in thetranscendence of the "oversoul〞.(2)He regards nature as the purest, and the most sanctifying moralinfluence on man, and advocated a direct intuition of a spiritual andimmanent God in nature.(3)If man depends upon himself, cultivates himself and brings out thedivine in himself, he can hope to become better and even perfect.This is what Emerson means by "the infinitude of man〞.(4)Everyone should understand that he makes himself by making hisworld, and that he makes the world by making himself.3.aesthetic ideas(1)He is a complete man, an eternal man.(2)True poetry and true art should ennoble.(3)The poet should express his thought in symbols.(4)As to theme, Emerson called upon American authors to celebrateAmerica which was to him a lone poem in itself.4.his influenceV.Henry David Thoreau1.works(1)A Week on the Concord and Merrimack River(2)Walden(3)A Plea for John Brown <an essay>2.point of view(1)He did not like the way a materialistic America was developing andwas vehemently outspoken on the point.(2)He hated the human injustice as represented by the slavery system.(3)Like Emerson, but more than him, Thoreau saw nature as a genuinerestorative, healthy inf luence on man’s spiritual well-being.(4)He has faith in the inner virtue and inward, spiritual grace of man.(5)He was very critical of modern civilization.(6)"Simplicity…simplify!〞(7)He was sorely disgusted with "the inundations of the dirtyinstitutions of men’s odd-fellow society〞.(8)He has calm trust in the future and his ardent belief in a newgeneration of men.Section 3 Late RomanticismI.Nathaniel Hawthorne1.works(1)Two collections of short stories: Twice-told Tales, Mosses from andOld Manse(2)The Scarlet Letter(3)The House of the Seven Gables(4)The Marble Faun2.point of view(1)Evil is at the core of human life, "that blackness in Hawthorne〞(2)Whenever there is sin, there is punishment. Sin or evil can be passedfrom generation to generation <causality>.(3)He is of the opinion that evil educates.(4)He has disgust in science.3.aesthetic ideas(1)He took a great interest in history and antiquity. To him these furnishthe soil on which his mind grows to fruition.(2)He was convinced that romance was the predestined form ofAmerican narrative. To tell the truth and satirize and yet not to offend:That was what Hawthorne had in mind to achieve.4.style – typical romantic writer(1)the use of symbols(2)revelation of characters’ psychology(3)the use of supernatural mixed with the actual(4)his stories are parable <parable inform> – to teach a lesson(5)use of ambiguity to keep the reader in the world of uncertainty –multiple point of viewII.Herman Melville1.works(1)Typee(2)Omio(3)Mardi(4)Redburn(5)White Jacket(6)Moby Dick(7)Pierre(8)Billy Budd2.point of view(1)He never seems able to say an affirmative yes to life: His is theattitude of "Everlasting Nay〞<negative attitude towards life>.(2)One of the major themes of his is alienation <far away from eachother>.Other themes: loneliness, suicidal individualism <individualismcausing disaster and death>, rejection and quest, confrontation ofinnocence and evil, doubts over the comforting 19c idea of progress3.style(1)Like Hawthorne, Melville manages to achieve the effect of ambiguitythrough employing the technique of multiple view of his narratives.(2)He tends to write periodic chapters.(3)His rich rhythmical prose and his poetic power have been profuselycommented upon and praised.(4)His works are symbolic and metaphorical.(5)He includes many non-narrative chapters of factual background ordescription of what goes on board the ship or on the route <MobyDick>Romantic PoetsI.Walt Whitman1.work: Leaves of Grass <9 editions>(1)Song of Myself(2)There Was a Child Went Forth(3)Crossing Brooklyn Ferry(4)Democratic Vistas(5)Passage to India(6)Out of the Cradle Endlessly Rocking2.themes –"Catalogue of American and European thought〞He had been influenced by many American and European thoughts: enlightenment, idealism, transcendentalism, science, evolution ideas, western frontier spirits, Jefferson’s individualism, Civil W ar Unionism, Orientalism.Major themes in his poems <almost everything>:●equality of things and beings●divinity of everything●immanence of God●democracy●evolution of cosmos●multiplicity of nature●self-reliant spirit●death, beauty of death●expansion of America●brotherhood and social solidarity <unity of nations in the world>●pursuit of love and happiness3.style: "free verse〞(1)no fixed rhyme or scheme(2)parallelism, a rhythm of thought(3)phonetic recurrence(4)the habit of using snapshots(5)the use of a certain pronoun "I〞(6)a looser and more open-ended syntactic structure(7)use of conventional image(8)strong tendency to use oral English(9)vocabulary –powerful, colourful, rarely used words of foreignorigins, some even wrong(10)sentences –catalogue technique: long list of names, long poemlines4.influence(1)His best work has become part of the common property of Westernculture.(2)He took over Whitman’s vision of the poet-prophet and poet-teacherand recast it in a more sophisticated and Europeanized mood.(3)He has been compared to a mountain in American literary history.(4)Contemporary American poetry, whatever school or form, bearswitness to his great influence.II.Emily Dickenson1.works(1)My Life Closed Twice before Its Close(2)Because I Can’t Stop for Death(3)I Heard a Fly Buzz – When I died(4)Mine – by the Right of the White Election(5)Wild Nights – Wild Nights2.themes: based on her own experiences/joys/sorrows(1)religion – doubt and belief about religious subjects(2)death and immortality(3)love – suffering and frustration caused by love(4)physical aspect of desire(5)nature – kind and cruel(6)free will and human responsibility3.style(1)poems without titles(2)severe economy of expression(3)directness, brevity(4)musical device to create cadence <rhythm>(5)capital letters – emphasis(6)short poems, mainly two stanzas(7)rhetoric techniques: personification –make some of abstract ideasvividparison: Whitman vs. Dickinson1.Similarities:(1)Thematically, they both extolled, in their different ways, an emergentAmerica, its expansion, its individualism and its Americanness, theirpoetry being part of "American Renaissance〞.(2)Technically, they both added to the literary independence of the newnation by breaking free of the convention of the iambic pentameterand exhibiting a freedom in form unknown before: they werepioneers in American poetry.2.differences:(1)Whitman seems to keep his eye on society at large; Dickinsonexplores the inner life of the individual.(2)Whereas Whitman is "national〞in his outlook, Dickinson is"regional〞.(3)Dickinson has the "catalogue technique〞<direct, simple style>which Whitman doesn’t have.Edgar Allen PoeI.Works1.short stories(1)ratiocinative storiesa.Ms Found in a Bottleb.The Murders in the Rue Morguec.The Purloined Letter(2)Revenge, death and rebirtha.The Fall of the House of Usherb.Ligeiac.The Masque of the Red Death(3)Literary theorya.The Philosophy of Compositionb.The Poetic Principlec.Review of Hawthorne’s Twice-told TalesII.Themes1.death –predominant theme in Poe’s writing"Poe is not interested in anything alive. Everything in Poe’s writings is dead.〞2.disintegration <separation> of life3.horror4.negative thoughts of scienceIII.Aesthetic ideas1.The short stories should be of brevity, totality, single effect, compressionand finality.2.The poems should be short, and the aim should be beauty, the tonemelancholy. Poems should not be of moralizing. He calls for pure poetry and stresses rhythm.IV.Style – traditional, but not easy to readV.Reputation: "the jingle man〞<Emerson>VI.His influencesChapter 3 The Age of RealismI.Three Giants in Realistic Period1.William Dean Howells –"Dean of American Realism〞(1)Worksa.The Rise of Silas Laphamb.A Chance Acquaintancec. A Modern Instance(2)Features of His Worksa.Optimistic toneb.Moral development/ethicscking of psychological depth2.Henry James(1)Literary career: three stagesa.1865~1882: international theme●The American●Daisy Miller●The Portrait of a Ladyb.1882~1895: inter-personal relationships and some plays●Daisy Miller <play>c.1895~1900: novellas and tales dealing with childhood andadolescence, then back to international theme●The Turn of the Screw●When Maisie Knew●The Ambassadors●The Wings of the Dove●The Golden Bowl(2)Aesthetic ideasa.The aim of novel: represent lifemon, even ugly side of lifec.Social function of artd.Avoiding omniscient point of view(3)Point of viewa.Psychological analysis, forefather of stream of consciousnessb.Psychological realismc.Highly-refined language(4)Style –"stylist〞nguage: highly-refined, polished, insightful, accurateb.V ocabulary: largec.Construction: complicated, intricate3.Mark Twain <see next section>Local Colorism1860s, 1870s~1890sI.Appearance1.uneven development in economy in America2.culture: flourishing of frontier literature, humourists3.magazines appeared to let writer publish their worksII.Mark Twain – Mississippi1.works(1)The Gilded Age(2)"the two advantages〞(3)Life on the Mississippi(4)A Conne cticut Yankee in King Arthur’s Court(5)The Man That Corrupted Hardleybug2.style(1)colloquial language, vernacular language, dialects(2)local colour(3)syntactic feature: sentences are simple, brief, sometimesungrammatical(4)humour(5)tall tales <highly exaggerated>(6)social criticism <satire on the different ugly things in society>parison of the three "giants〞of American Realism1.ThemeHowells – middle classJames – upper classTwain – lower class2.TechniqueHowells – smiling/genteel realismJames – psychological realismTwain – local colourism and colloquialismChapter 4 American NaturalismI.Theodore Dreiser1.works(1)Sister Carrie(2)The trilogy: Financier, The Titan, The Stoic(3)Jennie Gerhardt(4)American Tragedy(5)The Genius2.point of view(1)He embraced social Darwinism – survival of the fittest. He learned toregard man as merely an animal driven by greed and lust in astruggle for existence in which only the "fittest〞, the most ruthless,survive.(2)Life is predatory, a "game〞of the lecherous and heartless, a junglestruggle in which man, being "a waif and an interloper in Nature〞, a"wisp in the wind of social forces〞, is a mere pawn in the generalscheme of things, with no power whatever to assert his will.(3)No one is ethically free; everything is determined by a complex ofinternal chemisms and by the forces of social pressure.3.Sister Carrie(1)Plot(2)Analysis4.Style(1)Without good structure(2)Deficient characterization(3)Lack in imagination(4)Journalistic method(5)Techniques in painting。
美国文学史及选读复习笔记(1-2册)

美国文学史及选读复习笔记(1-2册)History And Anthology of American Literature (V olumeⅠⅡ)美国文学史及选读1、2PartⅠThe Literature of Colonial America殖民主义时期的文学1. 17世纪早期English and European explorers开始登陆美洲。
在他们之前100多年Caribbean Islands, Mexico and other Parts of South America已被the Spanish占领。
2. 17th早期English settlements in Virginia and Massachusetts(弗吉尼亚和马萨诸塞)开始了美国历史3. 美国最早殖民者(earliest settlers)included Dutch ,Swedes ,Germans ,French ,Spaniards ,Italians and Portuguese (荷兰人,瑞典人,德国人,法国人,西班牙人,意大利人及葡萄牙人等)。
4. 美国早期文学主要为the narratives and journals of these settlements采用in diaries and in journals(日记和日志),他们写关于the land with dense forests and deep-blue lakes and rich soil.5. 第一批美国永久居民:the first permanent English settlement in North America was established at Jamestown,Virginia in 1607(北美弗吉尼亚詹姆斯顿)。
6. 船长约翰?史密斯Captain John Smith他的作品(reports of exploration)17th 早期出版,被认为是美国第一部真正意义上的文学作品in the early 1600s,have been described as the first distinctly American literature written in English.他讲述了filled with themes, myths, images, scenes, character and events,吸引了朝圣者和清教徒前往lure the Pilgrims and the Puritans.7. 美国第一位作家:1608年Captain John Smith写了封信《自殖民地第一次在弗吉尼亚垦荒以来发生的各种事件的真实介绍》“A True Relation of Such Occurrences and Accidents of Note as Hath Happened in Virginia Since the First Planting of That Colony”.8. 他的第二本书1612年《弗吉尼亚地图,附:一个乡村的描述》“A Map of Virginia: with a Description of the Country”.9. 他一共出版了八本书,其中有关于新英格兰的历史及描述。
美国文学史

(2) American literature is based on a myth, i.e.
1. Status: a puritan writer, theologian, colonial American preacher 2. Comments:
• He is known as one of the greatest and most profound of American theologians and revivalists. (born for religion and died for science)
B.
Works
The Autobiography Poor Richard’s Almanack
• •
Life D. Franklin’s Contributions to Society
C.
He helped found the Pennsylvania Hospital. He founded an academy which led to the University of Pennsylvania. He helped found the American Philosophical Society.
Independent war(1776-1783),the formation of a Federative bourgeois democratic republic - the United States of Amerian
美国文学史chapter 1

• In 1729, he owned his own printing shop and published the newspaper Pennsylvania Gazette.
• In 1730, he married Deborah Read. • By 1748, at the age of 42, he had acquired
• In 1785, he returned to Philadelphia and served two terms as governor of the State of Pennsylvania.
• His identity includes: printer, postmaster, writer, essayist, scientist, orator, statement, political economist, ambassador, patriot and businessman.
Chapter 1 Literature of Colonial America
His Life • He was born on October 5, 1703. His father was a minister.
His mother, daughter of a minister too, seems to have been a woman of unusual mental gifts and independence of character. Jonathan, their only son, was the fifth of eleven children. • He entered Yale College in 1716, at just
讲殖民地时期美国文学

* To seek a new Garden of Eden
* To build “City of God on earth”
Puritans came to America out of various reasons, but it should be remembered that they were a group of serious, religious people, advocating highly religious and moral principles. It is true that they wished to escape religious persecution—and the English government regarded its American colony as an ideal dumping ground for the undesirables, but they were also determined to find a place where they could worship in the way they thought true Christians should. They regarded themselves as God's chosen people, they were meant to reestablish a commonwealth based on the teachings of the Bible, restore the lost paradise, and build the wilderness into a new Garden of Eden.
American Puritanism
Puritanism is the practices and beliefs of the Puritans. The first settlers who became the founding fathers of the American nation were quite a few of them Puritans. It is a religious and political movement. Through it, one sees emerging the right of the individual to political and religious independence. As a culture heritage (n.遗 产,继承物,传统), Puritanism did have a profound (a.深度 的深远的;见解深刻的;深奥的) influence on the early American mind. American Puritanism also had an enduring (持久的) influence on American literature.
美国文学简史

It was the work of immigrants from England. It was an interesting mixture of travel accounts and religious writings. John Smith, William Bradford, John Winthrop Anne Bradstreet, the “Tenth Muse” Philip Freneau,important poet of 18th century
American Romanticism
Features: “pioneering”, a new experience;
American Puritanism; “new” country as a result: imitative and independent
Washington Irving(1783-1859)
the first settlers in America; Mayflower ship; features of Puritans;
“doctrinaire opportunist” (practical idealist)
cultural heritage
The Literary Scene in Coloniicism,Irving, Cooper
American Romanticism Background democracy and political equality, the ideals of new nation spread of industrialism, sudden influx of immigrants, “pioneers” further west—ecnomic boom, optimism and hope—cried for literary expression foreign influences:Romantic movement in England and Europe, a model for American romantic writing
美国文学简史常耀信版Chapter 1and 2

Forms (genres) of literature? Poetry, novel (fiction), drama, prose, essay, epic, elegy, short story, journalism, sermon, (auto) biography, travel accounts, novelette, etc. Non-fiction : Essay (4 categories) It contains fiction & non-fiction. Fiction: (4 genres) • description • Poetry • narration • novel • exposition • drama • argumentation • short story
2.
Brief Outline of American literature
1.
Colonial period (1607-1775)
Anne Bradstreet Edward Taylor
5.
Realism (1861-1914)
Mark Twain Henry James
2.
Revolutionary period
Chapter One
Colonial Period (1607-1775)
Contents
Historical
background
பைடு நூலகம்
The
definition of literary terms
The
Literary Scene
Historical background
The
first permanent English settlement in North America at James town, Virginia in 1607. In 1630 the puritans established the Massachusetts Bay Colony. Independent War (1776-1783); the foundation of a Federative bourgeois democratic republic—the United States of America.
美国文学简史

Chapter 1 Colonial PeriodI. Background: Puritanism1. features of Puritanism(1) Predestination: God decided everything before things occurred.(2) Original sin: Human beings were born to be evil, and this original sin can be passed down from generation to generation.(3) Total depravity(4) Limited atonement: Only the “elect” can be saved.2. Influence(1) A group of good qualities –hard work, thrift, piety, sobriety (serious and thoughtful) influenced American literature.(2) It led to the everlasting myth. All literature is based on a myth –garden of Eden.(3) Symbolism: the American puritan’s metaphorical mode of perception was chiefly instrumental in calling into being a literary symbolism which is distinctly American.(4) With regard to their writing, the style is fresh, simple and direct; the rhetoric is plain and honest, not without a touch of nobility often traceable to the direct influence of the Bible.II. Overview of the literature1. types of writingdiaries, histories, journals, letters, travel books,autobiographies/biographies, sermons2. writers of colonial period(1) Anne Bradstreet(2) Edward Taylor(3) Roger Williams(4) John Woolman(5) Thomas Paine(6) Philip FreneauIII. Jonathan Edwards1. life2. works(1) The Freedom of the Will(2) The Great Doctrine of Original Sin Defended(3) The Nature of True Virtue3. ideas – pioneer of transcendentalism(1) The spirit of revivalism(2) Regeneration of man(3) God’s presence(4) Puritan idealismIV. Benjamin Franklin1. life2. works(1) Poor Richard’s Almanac(2) Autobiography3. contribution(1) He helped found the Pennsylvania Hospital and the American Philosophical Society.(2) He was called “the new Prometheus who had stolen fire (electricity in this case) from heaven”.(3) Everything seems to meet in this one man –“Jack of all trades”. Herman Melville thus described him “master of each and mastered by none”.Chapter 2 American RomanticismSection 1 Early Romantic PeriodWhat is Romanticism?l An approach from ancient Greek: Platol A literary trend: 18c in Britain (1798~1832)l Schlegel Bros.I. Preview: Characteristics of romanticism1. subjectivity(1) feeling and emotions, finding truth(2) emphasis on imagination(3) emphasis on individualism – personal freedom, no hero worship, natural goodness of human beings2. back to medieval, esp medieval folk literature(1) unrestrained by classical rules(2) full of imagination(3) colloquial language(4) freedom of imagination(5) genuine in feelings: answer their call for classics3. back to naturenature is “breathing living thing” (Rousseau)II. American Romanticism1. Background(1) Political background and economic development(2) Romantic movement in European countriesDerivative – foreign influence2. features(1) American romanticism was in essence the expression of “a real new experience and contained “an alien quality” for the simple reason that “the spirit of the place” was radically new and alien.(2) There is American Puritanism as a cultural heritage to consider. American romantic authors tended more to moralize. Many American romantic writings intended to edify more than they entertained.(3) The “newness” of Americans as a nation is in connection with American Romanticism.(4) As a logical result of the foreign and native factors at work, American romanticism was both imitative and independent.III. Washington Irving1. several names attached to Irving(1) first American writer(2) the messenger sent from the new world to the old world(3) father of American literature2. life3. works(1) A History of New York from the Beginning of the World to the End of the Dutch Dynasty(2) The Sketch Book of Geoffrey Crayon, Gent. (He won a measure of international recognition with the publication of this.)(3) The History of the Life and V oyages of Christopher Columbus(4) A Chronicle of the Conquest of Granada(5) The Alhambra4. Literary career: two parts(1) 1809~1832a. Subjects are either English or Europeanb. Conservative love for the antique(2) 1832~1859: back to US5. style – beautiful(1) gentility, urbanity, pleasantness(2) avoiding moralizing – amusing and entertaining(3) enveloping stories in an atmosphere(4) vivid and true characters(5) humour – smiling while reading(6) musical languageIV. James Fenimore Cooper1. life2. works(1) Precaution (1820, his first novel, imitating Austen’s Pride and Prejudice)(2) The Spy (his second novel and great success)(3) Leatherstocking Tales (his masterpiece, a series of five novels)The Deerslayer, The Last of the Mohicans, The Pathfinder, The Pioneer, The Prairie3. point of viewthe theme of wilderness vs. civilization, freedom vs. law, order vs. change, aristocrat vs. democrat, natural rights vs. legal rights4. style(1) highly imaginative(2) good at inventing tales(3) good at landscape description(4) conservative(5) characterization wooden and lacking in probability(6) language and use of dialect not authentic5. literary achievementsHe created a myth about the formative period of the American nation. If the history of the United States is, in a sense, the process of the American settlers exploring and pushing the American frontier forever westward, then Cooper’s Leatherstocking Tales effectively approximates the American national experience of adventure into the West. He turned the west and frontier as a useable past and he helped to introduce western tradition to American literature.、Section 2 Summit of Romanticism – American TranscendentalismI. Background: four sources1. Unitarianism(1) Fatherhood of God(2) Brotherhood of men(3) Leadership of Jesus(4) Salvation by character (perfection of one’s character)(5) Continued progress of mankind(6) Divinity of mankind(7) Depravity of mankind2. Romantic IdealismCenter of the world is spirit, absolute spirit (Kant)3. Oriental mysticismCenter of the world is “oversoul”4. PuritanismEloquent expression in transcendentalismII. Appearance1836, “Nature” by EmersonIII. Features1. spirit/oversoul2. importance of individualism3. nature – symbol of spirit/Godgarment of the oversoul4. focus in intuition (irrationalism and subconsciousness)IV. Influence1. It served as an ethical guide to life for a young nation and brought about the idea that human can be perfected by nature. It stressed religious tolerance, called to throw off shackles of customs and traditions and go forward to the development of a new and distinctly American culture.2. It advocated idealism that was great needed in a rapidly expanded economy where opportunity often became opportunism, and the desire to “get on” obscured the moral necessity for rising to spiritua l height.3. It helped to create the first American renaissance –one of themost prolific period in American literature.V. Ralph Waldo Emerson1. life2. works(1) Nature(2) Two essays: The American Scholar, The Poet3. point of view(1) One major element of his philosophy is his firm belief in the transcendence of the “oversoul”.(2) He regards nature as the purest, and the most sanctifying moral influence on man, and advocated a direct intuition of a spiritual and immanent God in nature.(3) If man depends upon himself, cultivates himself and brings out the divine in himself, he can hope to become better and even perfect. This is what Emerson means by “the infinitude of man”.(4) Everyone should understand that he makes himself by making his world, and that he makes the world by making himself.4. aesthetic ideas(1) He is a complete man, an eternal man.(2) True poetry and true art should ennoble.(3) The poet should express his thought in symbols.(4) As to theme, Emerson called upon American authors to celebrateAmerica which was to him a lone poem in itself.5. his influenceVI. Henry David Thoreau1. life2. works(1) A Week on the Concord and Merrimack River(2) Walden(3) A Plea for John Brown (an essay)3. point of view(1) He did not like the way a materialistic America was developing and was vehemently outspoken on the point.(2) He hated the human injustice as represented by the slavery system.(3) Like Emerson, but more than him, Thoreau saw nature as a genuine restorative, healthy influence on man’s spiritual well-being.(4) He has faith in the inner virtue and inward, spiritual grace of man.(5) He was very critical of modern civilization.(6) “Simplicity…simplify!”(7) He was sorel y disgusted with “the inundations of the dirty institutions of men’s odd-fellow society”.(8) He has calm trust in the future and his ardent belief in a new generation of menSection 3 Late RomanticismI. Nathaniel Hawthorne1. life2. works(1) Two collections of short stories: Twice-told Tales, Mosses from and Old Manse(2) The Scarlet Letter(3) The House of the Seven Gables(4) The Marble Faun3. point of view(1) Evil is at the core of human life, “that blackness in Hawthorne”(2) Whenever there is sin, there is punishment. Sin or evil can be passed from generation to generation (causality).(3) He is of the opinion that evil educates.(4) He has disgust in science.4. aesthetic ideas(1) He took a great interest in history and antiquity. To him these furnish the soil on which his mind grows to fruition.(2) He was convinced that romance was the predestined form of American narrative. To tell the truth and satirize and yet not to offend: That was what Hawthorne had in mind to achieve.5. style – typical romantic writer(1) the use of symbols(2) revelation of characters’ psychology(3) the use of supernatural mixed with the actual(4) his stories are parable (parable inform) – to teach a lesson(5) use of ambiguity to keep the reader in the world of uncertainty –multiple point of viewII. Herman Melville1. life2. works(1) Typee(2) Omio(3) Mardi(4) Redburn(5) White Jacket(6) Moby Dick(7) Pierre(8) Billy Budd3. point of view(1) He never seems able to say an affirmative yes to life: His is the attitude of “Everlasting Nay” (negative attitude towards life).(2) One of the major themes of his is alienation (far away from each other).Other themes: loneliness, suicidal individualism (individualism causing disaster and death), rejection and quest, confrontation of innocence and evil, doubts over the comforting 19c idea of progress4. style(1) Like Hawthorne, Melville manages to achieve the effect of ambiguity through employing the technique of multiple view of his narratives.(2) He tends to write periodic chapters.(3) His rich rhythmical prose and his poetic power have been profusely commented upon and praised.(4) His works are symbolic and metaphorical.(5) He includes many non-narrative chapters of factual background or description of what goes on board the ship or on the route (Moby Dick) Chapter 3 The Age of RealismI.Background: From Romanticism to Realism1.the three conflicts that reached breaking point in this period(1)industrialism vs. agrarian(2)culturely-measured east vs. newly-developed west(3)plantation gentility vs. commercial gentility2.1880’s urbanization: from free competition to monopoly capitalism3.the closing of American frontierII.Characteristics1. truthful description of life2.typical character under typical circumstance3.objective rather than idealized, close observation and investigation of life“Realistic writers are like scientists.”4.open-ending: Life is complex and cannot be fully understood. It leaves much room for readers to think by themselves.5.concerned with social and psychological problems, revealing the frustrations of characters in an environment of sordidness and depravity III.Three Giants in Realistic Period1.William Dean Howells –“Dean of American Realism”(1)Realistic principlesa.Realism is “fidelity to experience and probability of motive”.b.The aim is “talk of some ordinary traits of American life”.c.Man in his natural and unaffected dullness was the object of Howells’s fictional representation.d.Realism is by no means mere photographic pictures of externals but includes a central concern with “motives” and psychological conflicts.e.He condemns novels of sentimentality and morbid self-sacrifice, and avoids such themes as illicit love.f.Authors should minimize plot and the artificial ordering of the sense of something “desultory, unfinished, imperfect”.g.Characters should have solidity of specification and be real.h.Interpreting sympathetically the “common feelings of commonplace people” was best suited as a technique to express the spirit of America.i.He urged writers to winnow tradition and write in keeping with current humanitarian ideals.j.Truth is the highest beauty, but it includes the view that morality penetrates all things.k.With regard to literary criticism, Howells felt that the literary critic should not try to impose arbitrary or subjective evaluations on books but should follow the detached scientist in accurate description, interpretation, and classification.(2)Worksa.The Rise of Silas Laphamb.A Chance Acquaintancec.A Modern Instance(3)Features of His Worksa.Optimistic toneb.Moral development/ethicscking of psychological depth2.Henry James(1)Life(2)Literary career: three stagesa.1865~1882: international themeThe AmericanDaisy MillerThe Portrait of a Ladyb.1882~1895: inter-personal relationships and some playsDaisy Miller (play)c.1895~1900: novellas and tales dealing with childhood and adolescence, then back to international themeThe Turn of the ScrewWhen Maisie KnewThe AmbassadorsThe Wings of the DoveThe Golden Bowl(3)Aesthetic ideasa.The aim of novel: represent lifemon, even ugly side of lifec.Social function of artd.Avoiding omniscient point of view(4)Point of viewa.Psychological analysis, forefather of stream of consciousnessb.Psychological realismc.Highly-refined language(5)Style –“stylist”nguage: highly-refined, polished, insightful, accurateb.V ocabulary: largec.Construction: complicated, intricate3.Mark Twain (see next section)Local Colorism1860s, 1870s~1890sChapter 4 American NaturalismI.Background1.Darwin's theory: "natural selection"2.Spenser's idea: "social Darwinism"3.French Naturalism: ZoraII.Features1.environment and heredity2.scientific accuracy and a lot of details3.general tone: hopelessness, despair, gloom, ugly side of the societyIII.significanceIt prepares the way for the writing of 1920s’“lost generation” and T. S. Eliot.IV.Theodore Dreiser1.life2.works(1)Sister Carrie(2)The trilogy: Financier, The Titan, The Stoic(3)Jennie Gerhardt(4)American Tragedy(5)The Genius3.point of view(1)He embraced social Darwinism – survival of the fittest. He learned to regard man as merely an animal driven by greed and lust in a struggle for existence in which only the "fittest", the most ruthless,survive.(2)Life is predatory, a "game" of the lecherous and heartless, a jungle struggle in which man, being "a waif and an interloper in Nature",a "wisp in the wind of social forces", is a mere pawn in the generalscheme of things, with no power whatever to assert his will.(3)No one is ethically free; everything is determined by a complexof internal chemisms and by the forces of social pressure.4.Sister Carrie(1)Plot(2)Analysis5.Style(1)Without good structure(2)Deficient characterization(3)Lack in imagination(4)Journalistic method(5)Techniques in paintingChapter 5 The Modern PeriodSection 1 The 1920sI. IntroductionThe 1920s is a flowering period of American literature. It is considered “the second renaissance” of Americ an literature. The nicknames for this period:(1) Roaring 20s – comfort(2) Dollar Decade – rich(3) Jazz Age – Jazz musicII. Backgrounda) First World War –“a war to end all wars”(1) Economically: became rich from WWI. Economic boom: newinventions. Highly-consuming society.(2) Spiritually: dislocation, fragmentation.b) wide-spread contempt for law (looking down upon law)1. Freud’s theoryIII. Features of the literatureWriters: three groups(1) Participants(2) Expatriates(3) Bohemian (unconventional way of life) – on-lookersTwo areas:(1) Failure of communication of Americans(2) Failure of the American societyImagismI. BackgroundImagism was influenced by French symbolism, ancient Chinese poetry and Japan ese literature “haiku”II. Development: three stages1. 1908~1909: London, Hulme2. 1912~1914: England - America, Pound3. 1914~1917: Amy LowellIII. What is an “image”?An image is defined by Pound as that which presents an intellectualand em otional complex in an instant of time, “a vortex or cluster of fused ideas” “endowed with energy”. The exact word must bring the effect of the object before the reader as it had presented itself to the poet’s mind at the time of writing.IV. Principles1. Direct treatment of the “thing”, whether subjective or objective;2. To use absolutely no word that does not contribute to the presentation;3. As regarding rhythm, to compose in the sequence of the musical phrase, not in the sequence of a metronome.V. Significance1. It was a rebellion against the traditional poetics which failed to reflect the new life of the new century.2. It offered a new way of writing which was valid not only for the Imagist poets but for modern poetry as a whole.3. The movement was a training school in which many great poets learned their first lessons in the poetic art.4. It is this movement that helped to open the first pages of modern English and American poetry.VI. Ezra Pound1. life2. literary career3. works(1) Cathay(2) Cantos(3) Hugh Selwyn Mauberley4. point of view(1) Confident in Pound’s belief that the artist was morally and culturally the arbiter and the “saviour” of the race, he took it upon himself to purify the arts and became the prime mover of a few experimental movements, the aim of which was to dump the old into the dustbin and bring forth something new.(2) To him life was sordid personal crushing oppression, and culture produced nothing but “intangible bondage”.(3) Pound sees in Chinese history and the doctrine of Confucius a source of strength and wisdom with which to counterpoint Western gloom and confusion.(4) He saw a chaotic world that wanted setting to rights, and a humanity, suffering from spiritual death and cosmic injustice, that needed saving. He was for the most part of his life trying to offer Confucian philosophy as the one faith which could help to save the West.5. style: very difficult to readPound’s early poems are fresh and lyrical. The Cant os can be notoriously difficult in some sections, but delightfully beautiful in others.Few have made serious study of the long poem; fewer, if anyone at all, have had the courage to declare that they have conquered Pound; and many seem to agree that the Cantos is a monumental failure.6. ContributionHe has helped, through theory and practice, to chart out the course of modern poetry.7. The Cantos –“the intellectual diary since 1915”Features:(1) Language: intricate and obscure(2) Theme: complex subject matters(3) Form: no fixed framework, no central theme, no attention to poetic rulesNovels in the 1920sI. F. Scott Fitzgerald1. life – participant in 1920s2. works(1) This Side of Paradise(2) Flappers and Philosophers(3) The Beautiful and the Damned(4) The Great Gatsby(5) Tender is the Night(6) All the Sad Young Man(7) The Last Tycoon3. point of view(1) He expressed what the young people believed in the 1920s, the so-called “American Dream” is false in na ture.(2) He had always been critical of the rich and tried to show the integrating effects of money on the emotional make-up of his character. He found that wealth altered people’s characters, making them mean and distrusted. He thinks money brought only tragedy and remorse.(3) His novels follow a pattern: dream – lack of attraction – failure and despair.4. His ideas of “American Dream”It is false to most young people. Only those who were dishonest could become rich.5. StyleFitzgerald was one of the great stylists in American literature. His prose is smooth, sensitive, and completely original in its diction and metaphors. Its simplicity and gracefulness, its skill in manipulating the relation between the general and the specific reveal his consummate artistry.6. The Great GatsbyNarrative point of view – NickHe is related to everyone in the novel and is calm and detectedobserver who is never quick to make judgements.Selected omniscient point of viewII. Ernest Hemingway1. life2. point of view (influenced by experience in war)(1) He felt that WWI had broken America’s culture and traditions, and separated from its roots. He wrote about men and women who were isolated from tradition, frightened, sometimes ridiculous, trying to find their own way.(2) He condemned war as purposeless slaughter, but the attitude changed when he took part in Spanish Civil War when he found that fascism was a cause worth fighting for.(3) He wrote about courage and cowardice in battlefield. He defined courage as “an instinctive movement towards or away from the centre of violence with self-preservation and self-respect, the mixed motive”. He also talked about the courage with which to face tragedies of life that can never be remedied.(4) Hemingway is essentially a negative writer. It is very difficult for him to say “yes”. He holds a black, naturalistic view of the world and sees it as “all a nothing” and “all nada”.3. works(1) In Our Time(2) Men Without Women(3) Winner Take Nothing(4) The Torrents of Spring(5) The Sun Also Rises(6) A Farewell to Arms(7) Death in the Afternoon(8) To Have and Have Not(9) Green Hills of Africa(10) The Fifth Column(11) For Whom the Bell Tolls(12) Across the River and into the Trees(13) The Old Man and the SeaSouthern LiteratureI. HeritageAmerican southern literature can date back to Edgar Allen Poe, and reach its summit with the appearance of the two “giants” – Faulkner and Wolfe. There are southern women writers – Katherine Anne Porter,Eudora Welty, and Flannery O’Connor.II. Southern Myths – guilt, failure, poverty1. Chevalier [w]heritage[/w]2. Agrarian virtue3. Plantation aristocracy4. Lost cause5. White supremacy6. Purity of womanhoodSouthern literature: twisted, pessimistic, violent, distortedGothic novel: PoeIII. William Faulkner1. life2. literary career: three stages(1) 1924~1929: training as a writerThe Marble FaunSoldie's PayMosquitoes(2) 1929~1936: most productive and prolific periodSartorisThe Sound and the FuryAs I Lay DyingLight in AugustAbsalom, Absalom(3) 1940~end: won recognition in AmericaGo Down, Moses3. point of viewHe generally shows a grim picture of human society where violence and cruelty are frequently included, but his later works showed more optimism. His intention was to show the evil, harsh events in contrast to such eternal virtues as love, honour, pity, compassion, self-sacrifice, and thereby expose the faults o f society. He felt that it was a writer’s duty to remind his readers constantly of true values and virtues.4. themes(1) history and raceHe explains the present by examining the past, by telling the stories of several generations of family to show how history changes life. He was interested in the relationship between blacks and whites, especially concerned about the problems of the people who were of the mixed race of black and white, unacceptable to both races.(2) Deterioration(3) Conflicts between generations, classes, races, man andenvironment(4) Horror, violence and the abnormal5. style/features of his works(1) complex plot(2) stream of [w]consciousness[/w](3) multiple point of view, circular form(4) violation of chronology(5) courtroom rhetoric: formal language(6) characterization: he was able to probe into the psychology ofcharacters(7) “anti-hero”: weak, fable, vulnerable (true people in modernsociety)He has a group of women writers following him, includingO’Connor and Eudora WeltySection 2 The 1930sRadical 1930sI. BackgroundGreat Depression (1929 “Black Thursday”)II. Literature1. Writers of the 1920s were still writing, but they didn’t producegood works.2. The main stream is left-oriented.III. Writers of 1930s1. social concern and social involvement2. revival of naturalistic tradition of Dreiser and NorrisIV. John Steinbeck1. life2. works(1) Cup of Gold(2) Tortilla Flat(3) In Dubious Battle(4) Of Mice and Men(5) The Grapes of Wrath(6) Travels with Charley(7) Short stories: The Red Pony, The Pearl3. point of view(1) His best writing was produced out of outrage at the injustices ofthe societies, and by the admirations for the strong spirit of the poor.(2) His theme was usually simple human virtues, such as kindness and fair treatment, which were far superior to the dehumanizing cruelty ofexploiters.4. style(1) poetic prose(2) regional dialect(3) characterization: many types of characters rather than individuals(4) dramatic factors(5) social protect: spokesman for the poverty-stricken people5. The Grapes of Wrath。
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In these period with the exception of outstanding political writing, such as Common sense, Declaration of Independence, The Federalist Papers and so on, few works of note appeared. Even if there appeared poetry and fiction, they were full of imitativeness and vague universality. So most Americans were painfully aware of their excessive dependence on English literary models. The search for a native literature became a national obsession.
Revolutionary Period (1775-1783)
• ―The Age of Reason‖ ―American Enlightenment‖
• 1700年,新大陆形成殖民地联合体,效忠英王, 以新教为主,主事农业,以英语为主。人们的欲 望:物质+精神。朴实的理想主义+粗俗的物质至 上主义。
• As the first modern American---trying to reconciling Puritan ideas with the new rationalism of John Lock (knowledge is empirical, its sources being the sense) and Newton’s mechanical view of the universe
Historical background
• 1 The great awakening (1730s—1740s) series of religious revivals, led by Jonathan Edwards—the greatness of God’s sovereign and human being’s sinfulness • 2. The enlightenment/the age of reason –it is an intellectual revolution originated in the European Continent, and then its impact found expression in American the enlighteners advocated publicly to study man instead of God • The enlightenment emphasized on “reason”, and required people to pay attention to the social reality, and advocating eduation and scientific research • 3. The War of independence
• Roger Williams (1603-1683) • Preach for civil and religious liberty and against the puritan oligarchy of Boston. • Call for democratic government and oppose to the eviction of the Indians. • Works: The Bloody Tenet of Persecution for the Cause of Conscience
• • • •
John Woolman(1720-1772) From a pious Quaker family Transcendentalism humanitarianism Plea for the rights of all men and the abolition of the slavery system. • Works: Some Considerations on the Keeping of Negroes; A Plea for the Poor.
• As the last medieval man--I have had a …constant sense of the absolute sovereignty of God (1)doctrine of inward communication of soul with God 2) belief in the regeneration of man; urging his people to enjoy “conversion” with the help of God 3) doctrine of the immanence of God in nature)
• His work as a whole is an expression of two themes — the absolute sovereignty of God and the beauty of God's holiness.
Metaphysics
• 2.1 Theological Determinism • 2.2 Occasionalism, Idealism, Mental Phenomenalism, and Views on Identity • 2.3 God as Being in General • 2.4 God's End in Creation
Enlightenment thinkers and writers, such as Benjamin Franklin and Thomas Paine, were devoted to the ideals of justice, liberty, and equality as the natural rights of man.
• Jonathan Edwards (1703–1758) is widely acknowledged to be America's most important and original philosophical theologian
Works
• A History of the Work of Redemption - Series of sermons preached in 1739 and published posthumously by his son of the same name. • Selected Sermons of Jonathan Edwards - EText with seven sermons. 1904 edition with introduction and notes by H. Norman Gardiner. • Sinners in the Hands of an Angry God - Sermon preached at Enfield, Connecticut on July 8, 1741. Evans Early American Imprint Collection. • The Jonathan Edwards Collection
4) Despite these we should pay attention to several points in this period: William Hill Brown (1765-1793) published the first American novel The Power of Sympathy in 1789. Charles Brockden Brown (1771-1810) was the first American author to attempt to live from his writing. He developed the genre of American Gothic. He employed new narrative techniques. Another significance was his description of his characters’ inner world, so his works can be read as psychological novel.
Chapter 2
Jonathan Edwards and Benjamin Franklin
Jonathan Edwards
(1703-1758)
• Jonathan Edwards (1703-1758) the first modern American and the country’s last medieval man • Edwards double identities reflected in his works
1.
The 18th-century American enlightenment as a movement marked by an emphasis on rationality rather than tradition, scientific inquiry instead of unquestioning religious dogma, and representative government in place of monarchy. With Franklin as its spokesman, the 18th century America experienced an age of reason.