新编英国文学下term+诗歌鉴赏
英国诗歌赏析
英国诗歌赏析随着文艺复兴以及罗马教会的发展，英国诗歌种类活跃了。
英国的诗歌以它独特的风格，丰富的内容和强烈的感受性受到了许多读者的喜爱，占据了有影响力的位置。
英国诗歌的艺术可以追溯到古代。
古典时期，诗歌一般用于崇拜神明或歌颂英雄，以及其他有关宗教和历史的话题。
在中世纪，随着宗教改革，英国诗人开始发展更为多样的话题，包括现代的爱情，忧郁，乐观主义等。
英国的先驱诗人如温斯顿，哥伦布，莎士比亚等，他们的诗歌不仅表达了他们的思想，而且在今天的文学历史上仍留有灿烂的芳华。
17世纪是英国诗歌的全盛时期，出现了一批杰出的诗人，如安德鲁撒克逊，拜伦，埃弗拉姆，布莱克等。
它们以更加强烈的感情和深刻的思想，把英国诗歌发展到更高的水平。
安德鲁撒克逊对诗歌的赞美，拜伦的天性诗，埃弗拉姆的感伤等，都是他们诗歌特点的典范。
19世纪，英国诗歌出现了新的变化，新的浪潮。
神游古典神话，以及追求高尚的理想的诗歌也出现了。
这些诗人包括诗人布朗，拉米，斯莱恩等等，他们的作品，以及他们对英国诗歌的富有创造性的批评，对今天的诗歌写作有着深远的影响。
20世纪以来，英国的诗歌受到各种新潮流的影响。
具体而言，现代诗歌写作被认为是一种艺术形式，关注表达自我，讨论社会问题，以及追求更深远的见解。
现代英国诗歌的代表作家有威尔金斯，格雷厄姆，弗罗斯特，马克斯等。
他们的诗歌以其独特的艺术形式渗透了现代人的思想和情感，成为现实生活中的反映。
英国诗歌的演变是一个历史的过程，其不断发展的变化和不断增强的影响力，让它成为中外文学史上有重要地位和价值的文学作品。
从古代到现代，从宗教到现实，英国诗歌让我们感受到童真的梦想，令人难忘的感动，以及理想与现实中的平衡，从而让英国诗歌受到了无数赞美和欢迎。
英国文学诗歌赏析格式
英国文学诗歌赏析格式可以遵循以下步骤：
1.了解背景：首先了解诗歌的创作背景，包括诗人的生平和时代背景，以及诗歌的创作时间和背景。
这些信息有助于理解诗歌的主题和情感。
2.细读诗歌：仔细阅读诗歌，注意诗歌的韵律、节奏和语言特点。
分析诗歌中的意象、象征和修辞手法，这些都是诗人表达情感和主题的重要手段。
3.确定主题和情感：概括诗歌的主题和情感，分析诗人如何通过意象、象征和修辞手法来表达这些主题和情感。
4.比较分析：将这首诗歌与其他诗人或诗派的诗歌进行比较，分析它们在主题、风格和技巧方面的异同。
5.总结评价：对诗歌进行总结评价，包括对诗人的技巧和风格的评价，以及对诗歌主题和情感的评价。
同时也可以提出自己的见解和感受。
在撰写英国文学诗歌赏析时，需要注意行文流畅、逻辑清晰，避免出现语法和拼写错误。
同时，也需要引用可靠的资料来源，避免出现学术不端行为。
英国诗歌鉴赏
英国诗歌鉴赏英国诗歌作为世界文学的重要组成部分，以其深厚的文化底蕴和丰富的艺术表现力，为世界文化宝库增添了无数的瑰宝。
从古老的史诗到现代的自由诗，英国诗歌无不彰显着其独特的魅力和无限的艺术可能。
英国诗歌的魅力首先体现在其语言之美。
英国诗人善于运用语言的韵律、节奏和音韵，创造出优美的诗歌语言。
如莎士比亚的十四行诗，其独特的韵脚和节奏使得诗歌既有节奏感又有旋律感，给人以极大的美的享受。
在诗歌的主题方面，英国诗歌同样丰富多样。
无论是描绘自然风光的田园诗，还是表现人性复杂面貌的心理诗，英国诗人都能用独特的笔触展现出不同的情感和思考。
如华兹华斯的《我孤独地漫游，像一朵云》，以细腻的笔触描绘了自然的美丽与和谐，给人以心灵的慰藉。
此外，英国诗歌还善于运用象征、隐喻等修辞手法，赋予诗歌更深层次的内涵和寓意。
这些修辞手法不仅丰富了诗歌的艺术表现力，也使得诗歌更具深度和广度。
如T∙S∙艾略特的《荒原》中，通过象征和隐喻等手法，深刻揭示了现代社会的荒芜和人们的精神困境。
在英国诗歌的发展历程中，涌现出了许多杰出的诗人和作品。
从古老的史诗《贝奥武甫》到乔叟的《坎特伯雷故事集》，再到现代诗人如艾略特、休斯等人的作品，英国诗歌始终保持着旺盛的生命力和创造力。
这些诗人和作品不仅为英国诗歌史留下了宝贵的遗产，也为世界文学的发展做出了巨大的贡献。
英国诗歌的价值不仅在于其艺术成就，更在于其对社会和人类的深刻思考。
诗人们通过诗歌表达了对自然、人性、社会等问题的独到见解和思考，使得诗歌成为了人类智慧的重要载体。
这些思考和见解不仅为我们提供了认识世界和自身的新的视角和思路，也为我们提供了面对困境和挑战的勇气和力量。
总之，英国诗歌作为世界文学的瑰宝，以其深厚的文化底蕴、丰富的艺术表现力和深刻的社会思考，为我们展现了人类智慧的无穷魅力。
在未来的发展中，我们应该继续传承和发扬英国诗歌的优良传统，让其在新的时代背景下焕发出更加璀璨的光芒。
同时，我们也应该积极学习和借鉴英国诗歌的艺术手法和思考方式，不断提高自身的文化素养和审美能力，为推动人类文化的进步和发展贡献自己的力量。
英国文学 术语英文版term
1.METAPHYSICAL POETS refer to a school of poets at the beginning of the 17th century England who wrote under the influence of John Donne. The works of the Metaphysical poets are characterized, generally speaking, by mysticism in content and fantasticality in form. The most eminent poets are John Donne, George Herbert & Andrew Marwell2.Renaissance: The DefinitionThe rise of the bourgeoisie showed its influence in cultural life. The result is an intellectual movement known as the Renaissance, or the rebirth of literature. Renaissance sprang in Italy and spread to France, Germany, the Low Countries, and lastly to England. Two features are striking of this movement. One is the thirst for classical literature, the other is the rise of Humanism.3.Humanism was the keynote of the Renaissance. People ceased to look upon themselves as living only for God and a future world. They began to admire human beauty and human achievement. Man is no longer the slave of the external world. He can mould the world according to his desires, and attain happiness by removing all external checks.4.The Enlightenment Movement was a progressive intellectual movement that flourished in France and swept though the whole Western Europe at that time. Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas. The enlighteners celebrated reason of rationality, equality and science. They also advocated universal education5.NeoclassicismThe Enlightenment brought about a revival of interest in the old classical works. This tendency is known as neoclassicism. According to neoclassicists, all forms of literature were to be modeled after the works of ancient Greek and Roman writers and those of contemporary French ones.6. sentimentalismIn the middle of the 18th century, sentimentalism made its appearance. Sentimentalism came into being as the result of a bitter discontent among the enlightened people with social reality. Dissatisfied with reason, sentimentalists appealed to sentiment, to the human heart. Sentimentalism turned to the countryside for its material.7. RomanticismEnglish Romanticism begins in 1798 with the publication of Wordsworth and Coleridge’s The Lyrical Ballads and ends in 1832 with Walter Scott’s death. William Blake and Rob ert Burns also belong to this literary genre, though they live prior to the Romantic period.English Romanticism is a revolt of the English imagination against the neoclassical reason. The French Revolution of 1789-1794 and the English Industrial Revolution exert great influence on English Romanticism. The romanticists express a negative attitude towards the existing social or political conditions. They place the individual at the center of art, as can be seen from Lord Byron’s Byronic Hero. The key words of English Romanticism are nature and imagination. English Romantic tend to be nationalistic, defending the greatest English writers. They argue that poetry should be free from all rules8. Lake PoetsWordsworth, Coleridge and Southey were known as Lake Poets because they lived and knew one another in the last few years of the 18th century in the district of the great lakes in Northwestern England. The former two published The Lyrical Ballads together in 1798, while all three of them had radical inclinations in their youth but later turned conservative and received pensions and poet laureateships from the aristocracy。
英国文学期末考试-诗歌鉴赏分析部分
英国⽂学期末考试-诗歌鉴赏分析部分莎⼠⽐亚1.Sonnet 18(B1,P118)（theme：It talks about the poet’s faith in the permanence of poetry.The message is that in this world no beauty (in Nature) can stay except poetry or art; and your beauty can only last if I write it down in my poetry. Transiency of time is also the themes of Sonnet 18. Content: On the surface, the poem is a statement of praise about the beauty of the beloved woman. The beloved's "eternal summer" shall not fade precisely because it is embodied in the sonnet. To him, her beauty must be like the eternal summer, but he does not want it to fade with time. Thus the best way to preserve her beauty is to keep it in this poem. The final couplet explains that the beloved’s ―eternal summer‖ will continue as long as there are people alive to read this sonnet. Comments: Actually, the writer wanted to express his view that art can keep the beauty forever. Art not only can make people enjoy the beauty by reading it, but also be a beauty itself. Natural beauty would be knocked out with the passing of the time. Only the art brings the eternity. For the speaker, love transcends nature. The poet’s love is so powerful that even death is unable to curtail(减少) it. The speaker’s love lives on for future generations to admire through the power of the written word-through the sonnet itself.Figures of Speech:Rhetorical questioning: the 1st line, to used to create a tone of respect, and to engage the audience;Metaphor: Shakespeare opens the poem with a metaphor, comparing the woman he loves to all of the best characteristics of a summer's day and she is far more beautiful and even tempered than the most desirable summer weather; Personification:It is worth mentioning Shakespeare's use of personification here. He gives the sun an eye, a human attribute, and in the next line, a complexion.Parallelism:The final couplet, used to emphasize the message: the beauty of the subject will be immortalized by the power of his art.）2.Sonnet 29(B1,P119)(theme: The theme of Sonnet 29 is to show the importance of love which can overpower the feelings of self-hate. Content: it starts with the speaker talking about how much he dislikes his life. The speaker sites many examples of why this is how he feels. Then the speaker talks about how he by change thinks about his love and it lifts his spirits. The whole poem expresses the changes of the author's inner feelings,which are from disappoint to hopeful,from negative to positive ,from desperate to affectionate ,from self-abased to confident.Figures of Speech:Metaphors: It were used in lines 10-12. In these lines, he compares his love to the lark who sings songs to the heavens. Shakespeare uses this metaphor because he wants to show the reader how happy the thought of his true love makes him feel. Symbolizes: In the first three lines, he symbolizes that he is jealous of everything in society. He uses symbolism here because he wants the reader to know that the speaker feels like an outcast compared to the rest of society.symbolism In the eleventh line, the symbolism is that the speaker is describing his lover as a lark. He uses this symbolism because he is portraying that his lover is as lovely as a songbird singing to the heavens.Personification: It can be found in line 3. Shakespeare is giving Heaven human like characteristics, such as the ability to hear. He includes this in his sonnet because this adds to the lonesomeness the speaker is feeling, since even God will not answer his wishes.Repetition:―like him‖ and ―mans‖ in lines 6 and 7, This emphasizes that he wants to me like the other men other than remaining like himselfAlliteration(头韵): ―think, thee, then‖ in line 11Rhyme:follows pattern: abab cdcd ebeb ff, ex. ―state, fate, gate‖ and ―brings, kings‖ The use of rhyme is very common in sonnets.)弥尔顿3.On His Blindness(B1，P148）(Theme: Its theme is that people use their talent for God, and they serve him best so can endure the suffering best. This sonnet is written as a result of Milton’s grief, as he lost his eye sight at his middle age.Content:Lines 1-8: Milton gets rather impatient at the thought of his blindness in the middle age. Blindness prevents him from using his poetic talent by writing something great to glorify God. In an impatient mood Milton doubts if God would be just in demanding work from a blind man like him.Lines 8-14: Milton’s attitude of doubt passes off in a moment. His inner conscience rises up with its faith in God’s justice. He realizes that God does not need man’s work by way of service to him; nor does he care whether man uses His gifts. He has a lot of angels working for him. So, patient submission to His will is the best service to Him.Figures of Speech:Alliteration: my days in this dark world and wide (line 2)Metaphor: though my soul more bent / To serve therewith my Maker (lines 3-4). The author compares his soul to his mind. Personification/Metaphor: But Patience, to prevent / That murmur, soon replies . . . (lines 8-9).Paradox: They also serve who only stand and wait.Rhyme: This sonnet is written in iambic pentameter rhymed in abba abba cde cde, typical of Italian sonnet. )多恩4.Song(B1, P134)（Theme：Negative view about love. Content: The whole poem focus on the argument of whether beautiful women will be loyalty to love. In the first stanza, he use 6 impossible things to clarify his view that such women who both beautiful and loyalty do not exist in the world. In the second stanza, he describes the journey of a man who was born to strange sights and sware that there were no women true, and fair. In the last stanza, he agreed that it would be sweet if there were women true, and fair, but he won’t change his belief that there exist no women who are both true and fair. Figures of Speech: 第⼀节中⽤了imperative sentence祈使句，像在对话；metaphor将找到美丽⽽忠贞的⼥⼦⽐作第⼀节中的做那些离奇怪诞的事）5.Valediction: Forbidding Mourning: (B1,P135)（Theme:farewell and love. Content:In the first two stanzas the departure of the lovers is compared with the death of virtuous men. Then, he clarify that their love is high to the soul and the body departure cannot influence them any more. Their two souls are united into one like the gold that has excellent ductility. If souls are still two, then they will just like the compasses, separated but never really divided. At last, he asked his wife to take care of the family so that he can complete his missions without worries, just like the moving compass complete a full circle with the help of the fixed point.Figures of Speech:comparison⾼尚男⼈的死和他们的分离；Metaphor(Conceit):The two lovers are likened to the two points of a compass. The idea of the wife staying and minding the house while the husband goes away is old-fashioned now, but we can still comprehend it.Pun: Take the lines Thy firmness makes my circle just,/ And makes me end, where I begun.. Here the compass is doing two different things, and both have significance. "End where I begun" implies the finish of a circle as drawn by a compass; only through his wife's stability in the centre, Donne argues, can his circle be drawn correctly. However it also implies the closing of the compass - and Donne coming home to be with his wife.Symbolism: symbolism of gold is very important, as it is also the most precious and noble of all the metals. It is also the least reactive of all metals, which ties in with Donne's placing of the lovers above the emotional layer and makes their love difficult to destroy.Comments:Donne's basic argument was that most people's relationships are built on purely sensual things - if they are not together at all times, the relationship breaks down. I agree with him, because a real love should have no restrictions of distance or time, so long as lovers’ hearts and souls are bound to each other, there will be no reason for them to worry abouta temporary separation.）布莱德6.Songs of Innocence-The Chimney Sweeper(Theme: This poem protest the living working and conditions, and the overall treatment of youngchimney sweepers in the cities of England; also it expresses sympathy for these young chimney sweepers. Content:The first stanza tells the narrator's life story: abandoned by parents, working in thedark chimney and sleeping in dark, dirty soot. Probably it's the reflection of all the little chimney sweepers' life story. In the thir d line, the cry "'weep! 'weep! 'weep! 'weep!" is actually the child's attempt at saying "Sweep! Sweep! Sweep!", which was the c himney sweeper's street cry.The poem goes on to talk about Tom Dacre, one of the narrator's fellows in the second and third stanzas. The second stanza intr oduces Tom Dacre, who acts as a foil to the speaker. Tom is upset about his lot in life, then the narrator comforts little Tom, sha ving his curl white hair and getting bare, so that he needn't worry that his hair would get spoiled until Tom falls asleep. Here To m's family name "Dacre" is a homophone for the word "dark". In next three stanzas, the poem describes Tom's dream. He drea ms of an angel opening the coffins and freeing the sweepers. It shows the freeing of Tom and other sweeps from the oppressive lifestyle.When the angel tells Tom that ―if he’d be a good boy, He’d have God for his father and never want joy‖, he gives Tom hope that if he is good and does his job, God will be his father and bless him in the next life. Figures of Speech:symbolism,irony)7.Songs of Experience-The Chimney Sweeper(B1，P289)(Theme: This poem protest the living working and conditions, and the overall treatment of youngchimney sweepers in the cities of England; also it expresses sympathy for these young chimney sweepers.Content: In the first two lines, Blake gives us an image of an anguished child in a state of agony. In the second stanza, the child is pictured in a very more happier and playful mood. This soon changes when he decides to tell the stranger more about his parents. They are showed to be punishing their child for being so happy by "clothing in clothes of death and teaching him to sing notes of woe." It is very obvious the sweeper’s feels hate towards his parents for putting him in such sadness, but inst ead he chooses to hide it by making himself look happy and satisfied.It is clear in the last Stanza that Blake’s criticizing the Church, especially, and the state for letting a lot of these things happen. During this time many children were dying from being, either, worked to death or from malnutrition. Neither the state or the church did any thing to stop this and is obviously why Blake feels so much anger towards them. The sweeper’s parents are really no help towards their own child. This makes the reader wonder, if they are worshiping god, the source of good doings, why do they chose to ignore their own child. They would rather turn their heads the other way and instead find love at church. Figures of speech:partial tone:T he cry "'weep! 'weep! " is actually the child's attempt at saying "Sweep! Sweep! ‖,whichwas the chimney sweeper's direct cry. The use of the partial tone creates an ironic effect. It makes readers feel that the chimney children are weeping for their living and working conditions.symbolism,Contrast:In the first two lines, t he color black seems to be very important because it is used to represent sin against innocence, the color of the white snow.)8.Holy Thursday --From Songs of Innocence'(Theme: portrays unfortunate children as blessings to society and shows their gratitude towards God for all that he has done. Figures of speech: simile, metaphor, symbolismBlake tries to express an optimistic and hopeful image of innocent children singing to Christ onthe day of ascension. The poem’s rhythm is playful and childish and effectively carries out Blake’s image.In the first four lines, colorful children are marching into St Paul’s cathedral for the celebration of the ascension of Christ. From the footnote, one learns that these children are from the charity s chools in London, meaning that they are very poor and probably don’t have a family. Despite their hardships, the children are still described in a joyful, harmonic wayWith an ABAB rhyming pattern, the poem starts with a bouncing, nursery rhyme quality. The children’s problems are not an iss ue; they are still cute, innocent, and alive, like a river. The beadles that must keep the kids in order are portrayed as old and lifel ess men who have lost their childhood innocence. Even though these children are poor and homeless, they are showing hopeful ness and optimism when they go to sing the Lord’s praisesIn the next stanza, the children are again portrayed as sweet and innocent, and there is no mention of the hardships they must fa ce every other day in their life. There are a few different images that Blake gives the reader to express his idea that children are pure and free–flowing characters:Here, the children are a beautiful and vital part of the London society. They are ―flowers‖ that give pleasure to all men and wom en. Blake fails to mention that these children are a blight and burden to mankind. They are victims of a cruel and harsh world, a nd as a result, they reflect images of misery and poverty. However, in this stanza, the children are innocent lambs who have a ―r adiance all their own.‖ They are beautiful flowers and are pleasing to the entire world.In the final stanza, the children are singing to the heavens with songs of joy. They are singing the praises of the Lord to heaven on this glorious day.Here, the children are powerful and mighty and are capable of communicating with the heavens above. They believe that God tr uly loves them in spite of the fact that they are really the wretched of the earth. Even though they are penniless and homeless, the children raise their hands and sing their praise and thanks to Jesus.)9.Holy Thursday---From Songs of Experience(Theme: the condemn for the church or the god; sympathy for the poor childrenFigures of speech: contrast, irony, metaphorThis poem is negative and pessimistic and it questions the nature or existence of a God. The children are rejected and abused by society and they are exactly the opposite of the children in the first poem.This procession into the cathedral has religious intentions, but the speaker wonders how holy it is to have so many pitiful and m iserable children in a world that is so rich and prosperous. It doesn’t seem possible to him that these children are singing to the Lord out of pure happiness and thanksgivingThe speaker finds it hard to believe that these children are actually singing out praises of the Lord. He sees them so unhappy an d so poor, and yet they are thanking Jesus for all that he has done for them. The series of questions by the speaker in this stanza implies a tone of disbelief and amazement that heightens throughout the poem.In the last two stanzas, the speaker offers an explanation as to why these children are so poor and pitiful.The speaker believes that the life of the children is always dark, bleak, and bare. It will always be difficult, cold, and barren. He believes that the children are poor because they never have any sunshine or any rain. In other words, these kids don’t have the wonderful and plentiful eye of the Lord upon them. Blake believes that man could not decline into such a pitiful state if God is constantly watching over him. Throughout the ceremony, the children are praising God and all of His works. This prai se now seems very ironic since these children are not under the watchful eye of the Lord)10.The Lamb" --From Songs of Innocence(Theme: the origin of human, blessing for the human and GodContent: The poem begins with the question, ―Little Lamb, who made thee?‖ The speaker, a child, asks the lamb about its origins: how it came into being, how it acquired its particular manner of feeding, its ―clothing‖ of wool, its ―tender voice.‖ In the next stanza, the speaker attempts a riddling answer to his own question: the lamb was made by one who ―calls himself a Lamb,‖ one who resembles in his gentleness both the child and the lamb. The poem ends with the child be stowing a blessing on the lamb.Figures of speech:repetition:Repetition in the first and last couplet of each stanza makes these lines into a refrain, and helps to give the poem its song-like quality.rhetoric questionsSymbolism:The lamb symbolizes Jesus and the image of the child is also associated with Jesus.Comment:The poem is a child’s song, in the form of a question and answer. The first stanza is rural and descriptive, while the second focuses on abstract spiritual matters and contains explanatio n and analogy. The child’s question is both naive and profound. The question (―who made thee?‖) is a simple one, and yet the child is also tapping into the deep and timeless questions that all human beings have, about their own origins and the nature of cr eation. The poem’s apostrophic form contributes to the effect of naivety, since the situation of a child talking to an animal is a believable one, and not simply a literary contrivance. Yet by answering his own question, the child converts it into a rhetorical one, thus counteracting the initial spontaneous sense of the poem. The answer is presented as a puzzle or riddle, and even though it is an easy one—child’s play—this also contributes to an underlying sense of ironic knowingness or artifice in the poem. The child’s answer, however, reveals his confidence in his simple Christian faith and his innocent acceptance of its teachings.)11.The Tiger(B1,P288)(Theme:humans are incapable of fully understanding the mind of God and the mystery of his handiwork.But considering the social background of this poem, It could destroy the old system and establish a new one.Content:This poem begins with the author presents a series of questions that embodies the central problem: Who created the tiger? Or w as it Satan? Blake presents his question in Lines 3 and 4: What immortal hand or eye/ Could frame thy fearful symmetry? However, to express his bewilderment that the God who created the gentle lamb also created the terrifying tiger, he includes Satan as a possible creator while raising his rhetorical questions, the one he asks in Lines 5 and 6: In what distant deeps orskies/Burnt th e fire of thy eyes?Figures of speech:Symbolism:The tiger is symbolic of the revolutionary forces:the French people in the French Revolution to which Blake was a s upporter and it can also symbolizes evil, or the incarnation of evil.And that the lamb represents goodness, or Christ. Metaphor&alliteration:In Lines 3 and 4the author uses alliteration and metaphor to make comparison the tiger and his eyes to fi re.Symbol&Allusion:In Lines 5 and 6: In what distant deeps or skies/Burnt the fire of thy eyes? In these sentences, “Deeps” ap pears to refer to hell and “skies” refer to heaven which is the expression of symbol and Allusion.Comments:It is said that human souls have two sides: a good side, and an evil side."The Lamb" and "The Tyger," by William B lake, are both poems of deep meaning. They seem to explain both sides of human nature: the light and the dark, the yin and the yang, the good and the evil. They can also represent the transition from a child to an adult or even Heaven and Hell. "The Lamb " is a poem that is referring to the good side of the human soul, while "The Tyger" is referring to the dark side. The lamb brings to mind innocence,purity,children,or Jesus; the tiger brings to mind viciousness, cunning, danger, or death. )彭斯12.John Anderson my jo, John(B1, P294)（theme: love. Content:It’s a simple but warm poem about the commonplace feeling of a ordinary couple. The old wife recalls their encounter at their young ages and compare her husband’s young appearance with that of now. They has gone through so many years, and she blesses her husband and wishes joint happiness until their death.Figures of Speech:Metaphor/contrast: In line3 and line6, John’s locks are said to be as black as the raven when young but as white as snow now. The metaphor is so properly used, while the contrast between John’s young and aged years is also very vivid in delivering the massage of their peaceful and lasting marriage.Rhyme:Comments: This poem is very simple, but it remind me of a Chinese saying, ― I’ll take your hand and grow old with you.‖The love I dreamed of is just like this, more stability and less impulsion.）华兹华斯13.The Solitary Reaper(B2，P22)（theme：T he poet is fascinated with a Scottish peasant girl’s beautiful song.Content: Stanza 1: The poet heard a Scottish girl singing while reaping in the wheat field.Stanza 2: The poet is surprised to hear such a beautiful song in so remote aplace.Stanza 3: The poet doesn’t understand her song but knows it is about something sad. Stanza 4: The poet was so moved by her song that he could never forget it.Figures of Speech:Contrast:反衬⽤夜莺和杜鹃反衬少⼥歌声的优美Metaphor/synaesthesia：暗喻、通感声⾳在作者眼中变为有形的事物Vocative：呼语BEHOLD HER /O LISTEN，像在与⼈对话，拉近读者和说话者的距离Repetition：反复同源词反复Analogy：少⼥的歌声与夜莺和杜鹃的歌唱诗⼈与旅⼈及赫布⾥群岛Symbolism: 象征MOUNT UP THE HILL象征着⼈⽣的旅途Rhyme：iniambic tetrameter with the rhyme of ababccdd (except lines 1 & 3 In stanzas 1 and 4）Comments:⽣活中有时停下匆匆的脚步可能会有惊喜。
英国文学复习提纲加诗歌赏析方法
英国⽂学复习提纲加诗歌赏析⽅法I. PART ONE. EARLY&MEDIEV AL1. Beowulf: the national epic史诗of the Anglo-SaxonsBeowulf against: monster Grendel, she-monster and a fire dragonArtistic features: Using alliteration（头韵）Using metaphor（⽐喻）and understatement（陈述）2. The Class Nature of the Romance: They were composed for the noble, of the noble, and in most cases by the poets patronized by the noble.3. Geoffery Chaucer: The father of English poetry/ the founder of English poetry The Canterbury Tales坎特伯雷故事集：英国⽂史上现实主义第⼀部杰作fir st time to use ‘heroic couplet’(双韵体) by middle EnglishII. The Renaissance Period1. The Renaissance & Humanism: R: 2 features: a curiosity for classical literature (Greek & Latin)→dissatisfaction at Catholic & feudal ideas/ activities of humanit y→new feeling of admiration for human beauty & achievementH: the key-note of R, new outlook of the rising bourgeois class2. Francis Bacon弗兰西斯?培根: Essays随笔(famous quotas: Of studies)3.Drama: the miracle P奇迹剧(Bible story); the morality P道德剧(abstract characters/conflict of good&evil with allegorical personages); the interlude幕间喜剧(short/interesting); the classical drama(+Greek&Latin/rules&structure&style/5 acts);4. Shakespeare:Four Comedies: As You Like It皆⼤欢喜; Twelfth Night; A Midsummer Night’s Dream; Merchant Of Venice威尼斯商⼈Four Tragedies: Hamlet; Othello奥赛罗; King Lear李尔王; Macbeth麦克⽩154 Sonnet: Three quatrain and one couplet, ababcdcdefefggA sonnet is a lyric consisting of 14 lines, usually in iambic抑扬格pentameter 五步格诗restricted to a definition rhyme scheme. III. REVOLUTION1. John Milton约翰?弥尔顿①Epic: Paradise Lost 失乐园: it is a long epic in 12 books, written in blank verse. The stories were taken from the Old Testament: the creation; the rebellion in Heaven of Satan & his fellow-angels; their defeat & expulsion from Heaven; the creation of the earth & of Adam & Eve; the fallen angels in hell plotting against God; Satan’s temptation of Eve; & the departure of Adam & Eve from Eden.②Paradise Regained 复乐园2. John Bunyan约翰?班扬The P ilgrim’s Progress天路历程: religious allegory宗教寓⾔; the spiritual pilgrimage of Christian, who flies from the City of Destruction, meets the perils and temptation of the Slough of Despond, Vanity Fair, and Doubting Castle, faces and overcomes the demon Appollyon, and finally comes to the Delectable Mountains and the Celestial City.3. John Donne: (the founder) the Metaphysical poet(⽞学派诗⼈).（⽤语）the diction is simple, the imagery is from the actual, the form is frequently an argument with the poet’s beloved, with god, or with himself.（主题：love, religious, thought）Artistic features: conceits or imagery奇思妙喻syllogism三段论The Flea 虱⼦IV The 18th Century：Enlightenment1. The Enlightenment: clear away the feudal ideas with bourgeois ideology资阶思Classicism: 重理性rationality/follow principles in drama, poetry & prose/tidy up capitalist social order2. Jonathan Swift乔纳森?斯威夫特: Gulliver’s Travel格列佛游记(fictional work) Four parts: Lilliput ⼩⼈国、Brobdingnag ⼤⼈国Flying Island 飞岛、Houyhnhnm 智马岛A Tale of a Tub⽊桶的故事3. Daniel Defoe丹尼尔?笛福The father of novel.Robinson Crusoe鲁宾逊漂流记It praises the fortitude of the human labor and the Puritan.Robinson grew from a naive and artless youth into a shrewd and hardened man, tempered by numerous trials in his eventful life.It is an adventure story, Robinson, narrates how he goes to sea, gets shipwrecked and marooned on a lonely island, struggles to live for 24-years there and finally gets relieved and returns to England.4.Henry Fielding亨利?菲尔丁“Father of English realistic novel” He was the first to write a “Comic epic in prose”(散⽂体史诗), and the first to give the modern novel its structure and style.弃婴汤姆?琼斯约瑟夫?安德鲁5. Sentimentalism & Pre-Romanticism in Poetry：anti-rationalism/anti-classicism6. William Blake威廉?布莱克(Pre-R)Songs of Innocence天真之歌A happy and innocent world from children’s eye.< the chimney sweeper> 扫烟囱的孩⼦Songs of Experience经验之歌7. Robert Burns罗伯特?彭斯(Pre-R)The greatest Scottish poet in the late 18th C Poems Chiefly in the Scottish Dialect主要⽤苏格兰⽅⾔写的诗A Red, Red Rose⼀朵红红的玫瑰Auld Lang Syne 友谊地久天长My Heart’s in the Highlands我的⼼在那⾼原上, The Tree of LibertyV The Romantic Period1. William Wordsworth威廉?华兹华斯Lyrical Ballads抒情歌谣集2. George Gordon Byron乔治?⼽登?拜伦Don Juan唐?璜She Walks In Beauty3. 4. Persy Bysshe Shelley波西?⽐希?雪莱A Defence of Poetry诗辩Ode to the West Wind西风颂Theme: The author expresses his eagerness to enjoy the boundless freedom from the reality. Compare the west wind to destroyer of the old who drives the last signs of life from the trees, and preserver of the new who scatter the seeds which still come to life in the spring. This is a poem about renewal, about the wind blowing life back into dead things, implying not just an arc of life (which would end at death) but a cycle, which only starts again when something dies.Comment: it is written in iambic pentameter. It contains five sonnet length stanzas诗节, each with a closing couplet. The rhyming scheme form is aba bcb cdc ded ee. The tone is poignant. Many will agree that this poem is an invocation for an unseen force to take control and revive life.Artistic features: Using rerza rima(三⾏诗aba bcb cdc de d efe …)4. John Keats约翰?济慈Four great odes: Ode on a Grecian Urn希腊古瓮颂Ode to a Nightingale夜莺颂Ode to Psyche⼼灵颂Ode On Melancholy 忧郁颂Ode to Autumn秋颂Theme: The theme is that change is both natural and beautiful. The poem praises the glories of the fall season by using almost every type of imagery to both charm and appeal to the reader.Comment: The speaker in the poem acknowledges that time passes by, but also asserts that this change usually yields something new and better than what came before. Each of the poem's three stanzas represents the evolving of two different types of change. One type of change shown in the poem is the change of periods in a day.VI CRITICAL REALISM1. Charles Dickens查尔斯?狄更斯（批判现实主义⼩说家）critical realist writer Oliver Twist雾都孤⼉;David Copperfield⼤卫?科波菲尔;Hard Times艰难时世Great Expectations远⼤前程2. William Makepeace Thackeray威廉?麦克匹斯?萨克雷Vanity Fair名利场3. Jane Austen简?奥斯丁Sense and Sensibility理智与感情；Pride and Prejudice傲慢与偏见；Emma爱玛4. Charlotte Bronte夏洛蒂?勃朗特Jane Eyre简?爱Emily Bronte艾⽶莉?勃朗特Wuthering Heights呼啸⼭庄5. George Eliot乔治?艾略特（批判现实）The Mill on the Floss弗洛斯河上的磨坊Middlemarch⽶德尔马契ⅦMid and Late 19th Century1. Robert Browning罗伯特?⽩朗宁My Last Duchess我已故的公爵夫⼈Elizabeth Barrett Browning: Sonnet from the Portuguese葡萄⽛⼗四⾏诗2. Christina. G. Rossetti: Seek and Find; Song3. Literary Trends at the end of the century: naturalism: environmental force & internal impulse/pessimism & determinism;aestheticism: art should serve no religious, moral or social end, nor any end except itself: Oscar Wilde王尔德Salomo Ⅷ20th Century1. Henry James(stream of consciousness): a portrait of a woman贵妇画像2. Thomas Hardy托马斯?哈代Tess Of The D’Urbervilles德伯家的苔丝; Jude The Obscure⽆名的裘德3.George Bernard Shaw乔治?伯纳?萧critical realistic dramatistMrs. Warren’s Pro fession华伦夫⼈的职业; Widowers’ Houses鳏夫的房产Man And Superman⼈与超⼈; The Apple Cart苹果车; Saint Joan圣⼥贞德4. Imagism: free verse/conventional/ common speech/ new rhythms/ clear images5. 1.William Butler Yeats威廉?勃特勒?叶茨,Ireland when you are old celebrated & accomplished symbolist poet/ use an elaborate system of symbols6. Thomas Sterns Eliot: The Waste Land; Four Quartets7. David Herbert Lawrence戴维?赫伯特?劳伦斯Sons And Lovers⼉⼦与情⼈;The Rainbow虹；Women In Love恋爱中的⼥⼈8. James Joyce詹姆斯?乔伊斯stream-of-consciousness：Ulysses尤利西斯9. Virginia Woolf弗吉尼娅?沃尔芙stream-of-consciousnessMrs. Dalloway达洛维夫⼈；To The Lighthouse到灯塔去；The Waves浪；the mark on the wall墙上的斑点ⅨSecond War1. E. M. FosterA Passage To India印度之⾏Hawards End霍华兹别墅 a room with a view看得见风景的房间2. George Orwell: 19843. William Golding: Lord of the Flies蝇王4. Doris Lessing多丽丝?莱⾟The Golden Notebook⾦⾊笔记5. Samuel Beckett: waiting for godat6. Harold Pinter: the room诗歌评论抑扬格（iamb, iambic）扬抑格（trochee, trochaic）抑抑扬格（Anapaest, anapaestic）扬抑抑格（dactyl, dactylic）. Meter步律英⽂诗⾏的长度范围⼀般是⼀⾳步⾄五⾳步。
新编英国文学选读下卷课文翻译整理
William wordsworth（1）威斯敏斯特桥上有感大地从未展示过比这更美的景物：只有心灵麻木者才会默然走过，对如此壮丽动人的景色熟视无睹。
此刻的都市，如穿上盛装，批裹着清晨之美：宁静，寂寥，船，塔，穹顶，剧场和寺院一览无余，伸向田野，天宇，在明净的空气中熠熠闪亮出现的晨曦从未如此绚丽沐浴着幽谷，俊岸，山岗；我从未目睹，感觉如此深邃的静谧！河水缓缓流淌，悠然自得：上帝啊！每一幢房屋似乎都在酣睡；强大的心脏，静静而卧多安详！（2）独孤的割麦女看，一个孤独的高原姑娘在远远的田野间收割，一边割一边独自歌唱，——请你站住．或者俏悄走过！她独自把麦子割了又捆，唱出无限悲凉的歌声，屏息听吧！深广的谷地已被歌声涨满而漫溢！还从未有过夜莺百啭，唱出过如此迷人的歌，在沙漠中的绿荫间抚慰过疲惫的旅客；还从未有过杜鹃迎春，声声啼得如此震动灵魂，在遥远的赫布利底群岛打破过大海的寂寥。
她唱什么，谁能告诉我？忧伤的音符不断流涌，是把遥远的不聿诉说？是把古代的战争吟咏？也许她的歌比较卑谦，只是唱今日平凡的悲欢，只是唱自然的哀伤苦痛——昨天经受过，明天又将重逢？姑娘唱什么，我猜不着，她的歌如流水永无尽头；只见她一面唱一面干活，弯腰挥镰，操劳不休…… 我凝神不动，听她歌唱，然后，当我登上了山岗，尽管歌声早已不能听到，它却仍在我心头缭绕。
（3）我好似一朵孤独的流云我好似一片孤的流云我好似一片孤的流云，高高地飘荡在山谷之上，突然我看见一大片鲜花，是金色的水仙遍地开放，它们开在湖畔，开在树下，它们随风嬉舞，随风波荡。
它们密集如银河的星星，象群星在闪烁一片晶莹；它们沿着海湾向前伸展，通向远方仿佛无穷无尽；一眼望去就有千朵万朵，万花摇首舞得多么高兴。
粼粼湖波也在旁欢跳，却不知这水仙舞得欢俏；诗人遇见这快乐的伙伴，又怎能不感到欣喜雀跃；我久久凝视――却未能领悟，这景象所给我的精神至宝。
后来多少次我郁郁独卧，感到百无聊赖心灵空漠；这景色便在脑海中闪现，多少次安慰过我的寂寞。
英国文学诗歌赏析
Ode to the west 雪莱西风颂查良铮译1哦，狂暴的西风，秋之生命的呼吸！你无形，但枯死的落叶被你横扫，有如鬼魅碰到了巫师，纷纷逃避：黄的，黑的，灰的，红得像患肺痨，呵，重染疫疠的一群：西风呵，是你以车驾把有翼的种子催送到黑暗的冬床上，它们就躺在那里，像是墓中的死穴，冰冷，深藏，低贱，直等到春天，你碧空的姊妹吹起她的喇叭，在沉睡的大地上响遍，（唤出嫩芽，像羊群一样，觅食空中）将色和香充满了山峰和平原。
不羁的精灵呵，你无处不远行；破坏者兼保护者：听吧，你且聆听！2没入你的急流，当高空一片混乱，流云象大地的枯叶一样被撕扯脱离天空和海洋的纠缠的枝干。
成为雨和电的使者：它们飘落在你的磅礴之气的蔚蓝的波面，有如狂女的飘扬的头发在闪烁，从天穹的最遥远而模糊的边沿直抵九霄的中天，到处都在摇曳欲来雷雨的卷发，对濒死的一年你唱出了葬歌，而这密集的黑夜将成为它广大墓陵的一座圆顶，里面正有你的万钧之力的凝结；那是你的浑然之气，从它会迸涌黑色的雨，冰雹和火焰：哦，你听！3是你，你将蓝色的地中海唤醒，而它曾经昏睡了一整个夏天，被澄澈水流的回旋催眠入梦，就在巴亚海湾的一个浮石岛边，它梦见了古老的宫殿和楼阁在水天辉映的波影里抖颤，而且都生满青苔、开满花朵，那芬芳真迷人欲醉！呵，为了给你让一条路，大西洋的汹涌的浪波把自己向两边劈开，而深在渊底那海洋中的花草和泥污的森林虽然枝叶扶疏，却没有精力；听到你的声音，它们已吓得发青：一边颤栗，一边自动萎缩：哦，你听！4哎，假如我是一片枯叶被你浮起，假如我是能和你飞跑的云雾，是一个波浪，和你的威力同喘息，假如我分有你的脉搏，仅仅不如你那么自由，哦，无法约束的生命！假如我能像在少年时，凌风而舞便成了你的伴侣，悠游天空（因为呵，那时候，要想追你上云霄，似乎并非梦幻），我就不致像如今这样焦躁地要和你争相祈祷。
哦，举起我吧，当我是水波、树叶、浮云！我跌在生活底荆棘上，我流血了！这被岁月的重轭所制服的生命原是和你一样：骄傲、轻捷而不驯。
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Grammatical terms (lectures 1--20)
1. The grammar of the English language is organized into five ranks: the sentence, the clause, the phrase, the word and the morpheme. Among them, the morpheme is the minimum or smallest grammatical unit, also the smallest meaningful element of speech. Morphemes fall into two categories: free morpheme and bound morphemes.
2. In terms of word formation, words can be divided into simple words, derivatives and compounds. In terms of grammatical function, words can be divided into two main groups: closed-class words(e.g. preposition, pronoun, determiner, conjunction, auxiliary) and open-class words(e.g. noun, adjective, adverb, main verb).
3. Subject-verb concord refers to the agreement between subject and predicate verb in number. There are three guiding principles; they are grammatical concord, notional concord and principle of proximity.
4. Case is a grammatical category. It denotes the changes in the form of a noun or a pronoun showing its relationship with other words in a sentence.
5. In English, most personal pronouns and interrogative/relative pronoun who have three case forms: the subjective case (like I, you), the objective case (like me, him) and the genitive case (my/mine).
6. An independent genitive can sometimes be used as prepositional complementation (traditionally known as prepositional object). The prepositional phrase (usually an of-phrase) that takes an independent genitive as complementation is called a double genitive.
7. Words that precede any pre-modifying adjectives in a noun phrase and which denote such referential meanings as specific reference, generic reference, definite quantity or indefinite quantity are referred to as determiners.
8. According to the potential position, determiners fall into three subclasses: central determiners (e.g. your, this ), predeterminers (e.g. double, twice) and postdeterminers (e.g. one, second). The articles are the most typical of determiners.
9. According to the different rules played in the formation of verb phrases, verbs are divided into two major
classes: main verbs and auxiliaries. According to lexical meaning, main verbs may be dynamic and stative. Auxiliaries fall into three categories:primary auxiliaries, modal auxiliaries and semi-auxiliarie s.
10. English main verbs have two finite forms and three non-finite forms. The two finite forms are the present tense and the past tense; the three non-finite forms are the infinitive (including the bare infinitive and the to-infinitive), the –ing participle and the –ed participle.
11.English verbs have two tenses: the present tense and the past tense.
12.Aspect as a grammatical term indicates whether an action or state at a given time is viewed as complete
or incomplete. English verbs have two aspects: the progressive aspect and the perfective aspect.
13. Mood as a grammatical category, is a finite verb form that indicates whether an utterance expresses a fact (indicative mood), a command or request (imperative mood), or a non-fact and hypothesis (subjunctive mood). There are two forms of subjunctive mood: be-subjunctive and were-subjunctive. 14. Voice is a grammatical category. It is a form of the verb which shows whether the subject of a sentence
acts or is acted on.。