近代西方高等学校音乐教育的发展(The development of music education in modern Western Universities)
近现代声乐发展历程

近现代声乐发展历程近现代声乐发展历程,是指从19世纪末到20世纪末的一段时间内,声乐艺术在欧美地区的发展过程。
在这段时间里,声乐技巧得到了极大的突破和发展,声乐作品的创作风格也发生了重大变化。
19世纪末,欧洲声乐界最重要的事件之一是意大利歌剧的兴起。
意大利歌剧以其旋律优美、情绪热烈、技巧要求高等特点,吸引了大量的观众。
正是在这个时期,出现了众多著名的意大利歌剧作曲家,如贝利尼、多尼采蒂、威尔第等,他们的作品为声乐技巧的发展提供了极大的空间。
20世纪初期,德国声乐艺术开始崛起。
德国声乐注重演唱技巧的深度和表达的细腻,以及对歌词意境的理解和诠释。
德国著名作曲家理查德·瓦格纳对声乐技巧的发展有着重要的推动作用。
他在创作中引入了新的声乐技巧,如悬嗓、颓音等,为声乐艺术带来了新的风格。
到了20世纪中叶,现代声乐的发展取得了突破性的进展。
美国歌唱家贝琪·斯密斯首次引入了“扩声器”,使声音在大型音乐厅中也能表现得淋漓尽致。
同时,电视和录音技术的发展也促进了声乐艺术的普及,让更多的观众能够欣赏到优秀的声乐演出。
与此同时,现代声乐作品的创作风格也发生了巨大变化。
现代作曲家更加关注声乐技巧的极致展示,追求声音的独特性和个性化。
此时期出现了一批具有创新思想的作曲家,如斯特拉文斯基、布里顿等,他们的作品既挑战了歌唱家技巧的极限,又给观众带来了全新的审美体验。
到了20世纪末,声乐艺术已经达到了一个新的高度。
越来越多的歌唱家以其高超的技巧、独特的艺术表达和个人风格成为世界级的音乐巨星,他们的演唱会在各大音乐厅中广受欢迎。
与此同时,声乐教育也得到了更多的关注,很多国家建立了声乐专业的学院和学府,培养出了众多优秀的声乐演员和教育家。
总的来说,近现代声乐发展历程是一段充满创新和突破的时期。
声乐技巧的不断发展、声乐作品的创作风格的变化,以及现代技术的应用,共同推动了声乐艺术的进步。
声乐不再局限于传统的歌剧和古典音乐,更多元化、个性化的表达方式不断涌现。
当代音乐教育的发展概况及特色构建

当代音乐教育的发展概况及特色构建当代音乐教育的发展概况及特色构建音乐作为人类文化的重要组成部分,对于个体和社会的发展起着重要的作用。
随着科技和社会的快速发展,音乐教育也在不断演变和进步。
本文将探讨当代音乐教育的发展概况及其特色构建。
首先,现代音乐教育的发展可以追溯到19世纪末20世纪初的欧美。
当时的教育家对音乐教育的研究和推广起到了重要的推动作用。
同时,音乐教育的发展也受到了社会和科技的影响。
随着技术的进步,音乐录音和放映设备的出现,音乐教育也开始融入到学校教育系统中,为更多的学生提供丰富多样的音乐教育资源。
在当代,音乐教育不仅停留在音乐技能的传授上,更重视培养学生的创造力、表演力和艺术修养。
当代音乐教育的特色可以归纳为以下几个方面。
首先,跨学科教育的融合是当代音乐教育的重要特色之一。
音乐教育与其他学科的融合有助于培养学生的综合素质。
例如,音乐与数学的结合可以培养学生的逻辑思维能力;音乐与文学的结合可以提高学生的语言表达能力。
这些跨学科的教学模式有助于学生全面发展,并更好地理解和欣赏音乐作品。
其次,音乐教育的教学方法和手段也得到了大幅改进。
传统的音乐教育注重技巧的传授和考级的培养,但现代音乐教育更注重培养学生的创造力和批判性思维。
在教学中,教师会采用更多的小组合作和实践性的教学方法,鼓励学生自主探究和创作。
例如,学生可以在小组中合作编写一首歌曲或者演绎一段舞蹈,从而提高学生的创造力和团队合作精神。
另外,音乐教育还注重培养学生的审美能力和音乐鉴赏能力。
在当今消费主义的社会背景下,音乐教育的重要性更加凸显。
学生需要学会从众多音乐作品中辨别和欣赏高品质的音乐,了解音乐作品背后的文化和艺术内涵。
因此,音乐教育的目标之一是培养学生的审美情趣和鉴赏能力。
与此同时,音乐教育也面临着一些挑战。
首先,音乐教育在学校课程中的地位不容忽视。
尽管音乐对于学生的个人和社会发展都至关重要,但在一些教育体系中,音乐教育却常常被忽视甚至被削减。
中外声乐教学发展简述

中外声乐教学发展简述2019-08-09内容摘要:⽂章主要对国内外声乐教学的起源及发展做了概述,旨在让学习声乐的学⽣从中能更直观地了解和掌握好的学习⽅法,从⽽培养学⽣的学习兴趣,为声乐学习打下扎实根基。
关键词:声乐教学起源发展⼀、国外声乐教学的起源及发展公元前约7世纪末到6世纪初,据记载有⼀位名为萨福的⼥诗⼈创建了第⼀所歌唱学校,当时的歌唱已经有声部之分,男⽣分为⾼、中、低三个声部。
到公元前4世纪,歌唱艺术进⼊了古希腊的戏剧舞台,成为了后来的歌剧的雏形,⽽那时也已有专业的歌唱演员了。
古希腊声乐的类型分为弗兰(Fran),即悼歌,葬礼仪式上的⼀部分;潘(Pan),即颂歌,为奉献阿波罗的胜利颂歌;酒神之歌(Gifirami),即歌曲,是节⽇庆典及竞赛所使⽤的歌曲,后发展成为了舞台剧。
古罗马时期,⾳乐作为表演艺术开始独⽴,歌唱学校中的教师有了明确分⼯,有专门训练学⽣扩展⾳域的,增强嗓⾳⼒度的;有专门训练学⽣如何改善⾳⾊、调节共鸣的;还有训练学⽣⾳准、节奏及艺术表现的。
到了中世纪(5―14世纪),歌唱艺术分成了两⼤类:⼀类是宗教圣咏,⼀类是世俗的(包括民歌和游吟演唱),特别是宗教演唱,为欧洲歌唱艺术的辉煌奠定了基础。
当时的教皇格⾥⾼利⼀世、格⾥⾼利⼆世、塞求斯⼀世、塞求斯⼆世、埃天奈⼆世、保罗⼀世、雷奥三世等全部是著名的歌唱家。
但当时有关圣咏演唱技巧及教学⽅⾯的理论著作⼏乎没有,只有⼀些有关声乐教学⽅⾯的个别见解,如勃爱齐亚(470―527年)指出:“声⾳是传到听觉的空⽓的振动……发展嗓⾳的⽅法甚多,要看⼈们是在唱歌还是在说话,嗓⾳可以或多或少地加以扩张(指⾳域),它可以有不同的性质……呼吸这⼀活动制约着声⾳的延续……⼈的嗓⾳就像⼈体⼀样,有其⽆法逾越的限度(指⾳域)。
以科学为根据的技能和由智慧所操纵的听觉好像是管理歌唱艺术的两个机构。
”①中世纪声乐理论家、教育家、⾳乐美学家叶罗尼姆·莫拉弗斯基认为:“嗓⾳应当是⾼亢的,⾼亢的声⾳在远处⽅能够听清;应当是柔美的,声⾳柔美能感染听众;应当是清晰(嘹亮)的,清晰嘹亮的声⾳⽅能萦绕于⽿际。
外国音乐教育学的发展历史及现状

外国音乐教育学的发展历史及现状摘要:本文将外国音乐教育学的发展历史分为两个时期,即形成时期和发展时期;文中主要描述了美国、英国、德国、日本等世界上音乐教育较为发达国家的音乐教育学发展概况,以为我国音乐教育学学科建设提供借鉴经验。
关键词:外国;音乐教育学;发展概况音乐教育学是研究音乐教育的实践及其理论的一门学科。
音乐教育学作为音乐学和教育学相结合的一门新兴边缘学科,它研究音乐教育的全过程,揭示音乐教育规律,注重实践性与理论性相结合,从而全面指导音乐教育的实施。
音乐教育学的研究内容包括实践与理论两方面。
在音乐教育的实践研究方面,主要包括音乐教学法、音乐课程设置、音乐教学目标、音乐教学原则、音乐教学过程、音乐教学内容、音乐教学大纲、音乐教材、音乐教学评价、音乐教学管理等。
在音乐教育的理论研究方面,主要包括音乐教育哲学、音乐教育史、音乐教育心理学、音乐教育社会学、比较音乐教育学等。
音乐艺术教育一、音乐教育学的形成时期1640年至1688年在英国进行的资产阶级革命,标志着英国资本主义制度取代封建专制的开始,同时也标志着世界近代史的开端。
从这开始直到19世纪末的巴黎公社无产阶级革命时期,欧美和亚洲一些国家相继进行了资产阶级革命与改革,使资本主义制度确定与巩固下来。
从18世纪60年代开始的各国资本主义产业革命极大地促进了资产阶级经济实力的增长,同时它必然要求新的教育的发展,以致各资本主义国家几乎都在这一历史时期确立了本国的资本主义教育制度。
[1]从这一时期开始,这些国家随着教育事业的发展,学校音乐教育同时也得到发展,由此音乐教育学研究开始起步。
在英国,从1800年后陆续建立了一些由教徒捐款筹建的学校,在这些学校里开设有音乐课。
1833年英国政府首次批准国家教育,学校音乐教材建设开始不久,由赫勒编著的《手册》于1841年获政府许可作为中小学音乐课教材使用。
20世纪初英国一些音乐教师提倡将音乐欣赏纳入音乐教学内容,麦克佛森著的《请你作为一门语言文学教音乐》(1908)标志着"音乐欣赏运动"的开始;留声。
高中二年级音乐课程西方音乐的发展与演变

高中二年级音乐课程西方音乐的发展与演变西方音乐是世界音乐历史上的重要组成部分,具有丰富的发展与演变历程。
它承载着西方文化与历史的痕迹,是人类音乐创作与演奏的重要体系。
本文将从中世纪到现代,几个不同的时期来探讨西方音乐的发展演变,以及其对音乐艺术的影响和实践意义。
一、中世纪:宗教音乐的主导中世纪是西方音乐发展的起始阶段。
宗教在人们的生活中占据重要地位,因此宗教音乐成为主导。
教堂颂歌、圣咏、格里高利圣咏和宗教剧是中世纪宗教音乐的代表作品。
在教堂音乐的影响下,人们对音乐的认识逐渐加深,音乐创作与表演形式不断演变。
二、文艺复兴:人文主义的崛起文艺复兴时期,人文主义思想的崛起对西方音乐产生了深远的影响。
人们开始将人作为中心,追求个性与人类本质的表达。
音乐作品中的声部结构、和声规则以及多声部演唱等概念被发展完善。
多位重要的作曲家如巴赫、莫扎特、亨德尔等应运而生,在他们的作品中,音乐形式更加丰富多样,技巧更加复杂。
三、巴洛克时期:表现力的追求巴洛克音乐时期强调的是音乐的装饰性和表现力。
音乐中的装饰性扩展为复杂的曲式、华丽的乐句以及富于变化的音乐形象。
贝多芬、巴赫等作曲家的作品中,音乐情感的表达更加直接而深刻,对后世音乐的影响力持久。
四、古典时期:理性主义的主导古典音乐时期,音乐进一步追求纯粹的美和理性的探索。
约翰·施特劳斯、海顿、莫扎特等音乐家开创了交响乐与室内乐的新篇章,音乐结构更加严谨,音乐形式更加完善。
古典音乐的特点是明快、流畅,主题的发展与变化充满艺术魅力。
五、浪漫时期:情感的迸发19世纪浪漫音乐在作品中追求个人情感与内在体验的表达。
肖邦、舒伯特、柴可夫斯基等作曲家的音乐作品情感充沛,旋律优美动人,富有戏剧性。
浪漫音乐通过巧妙的旋律构建,表达了丰富多彩的情感。
六、现代主义:前卫与实验20世纪的现代主义音乐以独特的创新和前卫的声音风格为特征。
斯特拉文斯基、德彪西、勋伯格等作曲家的音乐作品大胆创新,音乐形式得以重塑,以及对和声、节奏和乐器运用等方面的实验成为当时的热点。
当代美国学校音乐教育的发展特征及概述

当代美国学校音乐教育的发展特征及概述作者:王珂来源:《丝路艺术》2018年第02期摘要:本文从分析美国学校音乐教育的概况开始,对美国学校音乐教育的理念进行梳理,为我国学校音乐教育改革提供一定的经验和参考模式。
关键词:当代;美国;音乐教育一、早期美国学校音乐教育的概况美国学校音乐教育,最早可以追溯到18世纪殖民时期的歌咏学校。
由于殖民地时期教民参加教堂音乐仪式时的歌唱水平不高,在此背景下出现了歌咏学校。
因此,兴办歌咏学校最初的目的是为了提高教民在参加基督音乐仪式时的歌唱质量。
由于教会仪式的需要,第一所歌咏学校于1717年在波士顿出现。
这一时期,很多业余音乐教师对此进行学习,歌咏学校为提高教会的歌唱质量起到了重要的作用。
歌咏学校是美国学校音乐教育的起源,随着歌咏学校的发展,产生了美国第一代学校音乐教师,与此同时在音乐教学内容、音乐教材、音乐教学法等方面为美国学校音乐教育的发展奠定了基础,培养了人们对音乐活动的兴趣。
从19世纪中叶到20世纪初,经过五、六十年的发展,美国学校音乐教育的基本模式初步形成,促进了美国学校音乐教育的健康发展,也为当代美国学校音乐教育发展奠定了良好的基础。
二、美国学校音乐教育改革1.曼哈顿维尔音乐课程方案20世纪50年代开始,受到布鲁纳的《教育过程》为核心教育改革思潮的影响,美国出现了课程改革的浪潮,召开了伍兹霍尔会议,讨论除艺术学科以外的其他学科。
伍兹霍尔会议召开以后,在布鲁纳的学习理论和课程编制的学科结构模式思想影响下,由美国教育部资助,在1965年始于纽约州迫切斯的曼哈顿威尔音乐课程方案公布。
曼哈顿维尔音乐课程方案以其螺旋型课程设计模式组织音乐教学内容,这种根据不同年龄阶段学生的认知水平而设计的螺旋式课程模式符合学生的音乐学习的基本规律,使学生容易掌握学习内容。
曼哈顿维尔音乐课程方案分为“互动”和“综合”两部分,前者用于小学3年纪以前的儿童,后者适用于3年纪以后的中小学生。
《西方音乐史》在高校中的教学革新

《西方音乐史》在高校中的教学革新西方音乐史在高校中的教学一直是一项重要的学科,这是因为对于中国学生来说,了解西方音乐历史可以更好的了解不同文化之间的差异,同时也可以拓宽学生的音乐思维。
然而,随着时代的变化,传统的西方音乐史教学方式已经无法满足学生的需求。
因此,高校在西方音乐史教学上开展了一系列教学革新,并采取了多项智能化方式,来激发学生的学习兴趣,拓宽学生的知识面,提高课程的实用性。
一、由单纯的讲授转向多元化的教学方式作为历史学科的一部分,传统的西方音乐史教学通常采用直接讲授的方式,教师向学生简单介绍音乐的各个时期,重点介绍音乐大师的生平和作品,而学生则是被动的记忆听讲。
这种单一的教学方式已经无法满足学生的需求,因此,目前高校的西方音乐史教学以多元化为主,教师往往会采取不同的方式,如投影、视频、实地考察等方法,来展示音乐的不同侧面,让学生充分的感受不同时期的音乐特点,提高学生的学习兴趣与对音乐的理解。
例如,教师会通过展示当时的音乐乐器、舞蹈和娱乐活动等多个方面来介绍音乐的时代背景、文化背景,还会通过生动的演示,让学生亲身感受不同乐器的发声原理,从而理解不同音乐作品中经常使用的音乐元素和技巧。
同时,学生也会根据自己的兴趣,自主挑选所感兴趣的音乐文化进行深入学习,并在班级中分享自己的所学所思,从而提高学生的学习效率和学习兴趣。
二、采用智能化教学方式如今,智能教育正在逐步普及,且应用于西方音乐史教育中。
智能教学具有多种优点,可以配合互联网等科技手段,使教材的呈现更加形象,丰富教学内容,同时也可以极大地激发孩子的学习兴趣和对知识的探究欲望。
在西方音乐史的课堂中,教师可以使用多媒体教学设备,将教材与音乐作品融合,让学生在观看南亚音乐的太鼓、爵士乐的歌声等节目互联网视频时,不仅能够听到音乐声,也可以直接通过画面来了解不同地区的音乐文化特点,这样既可以开拓学生的视野,又可以深化他们对音乐文化的理解。
一些智能设备技术的应用,如音乐作品的画面化呈现、可交互性学习、个性化学习、自我测评与核查等都可以增强西方音乐史课程的吸引力和实用性,提高教学效果。
外国音乐教育学的发展历史及现状

外国音乐教育学的发展历史及现状古代文明时期,音乐教育在埃及、巴比伦和古希腊文明中得到了重视。
在埃及,音乐教育是为了培养祭司和阳神合唱团的人才。
在巴比伦,音乐教育主要是为了培养王宫歌舞团的人才。
在古希腊,音乐教育是古希腊教育体系的一部分,被视为一个全面培养人的重要组成部分。
中世纪时期,音乐教育主要围绕宗教和修道院开展。
音乐教育的中心是教堂唱诗班,主要培养歌唱和演奏技巧。
这是由于教堂音乐在该时期被视为神圣的。
文艺复兴时期,音乐教育开始与文学、哲学、自然科学和视觉艺术等学科相结合,形成了更为科学和综合的音乐教育体系。
音乐教育开始出现各种理论和方法,如约翰内斯·克普勒的《赋格学》和奥尔特格·古尔利特的《音乐教育论》。
18世纪后期到19世纪初,音乐教育逐渐成为一门正式的学科,并开始在欧洲各国的大学中设立音乐系或音乐学院。
德国、奥地利和法国成为主要的音乐教育中心。
音乐教育的内容逐渐扩展,不仅局限于音乐演奏和作曲,还包括音乐理论、音乐史和音乐欣赏等方面的知识。
20世纪,音乐教育进一步发展,教学方法和内容得到不断改进和丰富。
音乐教育开始注重培养学生的音乐欣赏能力,强调音乐的审美价值和文化意义。
同时,音乐教育还开始加强与其他艺术学科的融合,如舞蹈、戏剧和视觉艺术等。
现代音乐教育已经成为一个全球性的学科,不仅在欧美等发达国家得到高度重视,也在亚洲、非洲和拉丁美洲等地区得到迅速发展。
随着信息技术的快速发展,音乐教育也开始采用线上教学、远程教育和移动应用等新的教学手段和平台。
同时,音乐教育也面临一些挑战和问题。
一方面,随着科技的发展,音乐教育逐渐与商业化结合,音乐产业和商业利益开始对音乐教育产生影响。
另一方面,面临的社会文化多样性和全球化的挑战,音乐教育也需要更加关注跨文化的交流和融合。
总的来说,外国音乐教育学的发展历史及现状反映了人类社会对音乐教育的需求和关切。
从古代文明到现代社会,音乐教育一直在不断演变和发展,适应不同的时代和文化要求。
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近代西方高等学校音乐教育的发展(The development of music education in modern Western Universities)The development of music education in modern western colleges and universities Fan QinwenFirst, western early music educationWestern music education institutions originated from the affiliated church schools in the Middle Ages, 476-1453 ad. "In the middle ages, school education basically monopolized by the church, the church and the monastery, the Romans followed the ancient Greek philosophers such as Platon's educational thought, the music and the grammar, rhetoric, logic, arithmetic, geometry, astronomy together (" seven arts ") as the basic subject of schools at all levels of education in school education the implementation of." "In fourth Century, Pope Sylvester I of Rome in Rome has created a special" professional school hymn ', then the Catholic Church hymn singing by the church children bear, select the right children into "chant schools" for training students, after seven years of singing hymns, notation, music theory the history of music and instrumental music, after learning, assigned to the cathedral and Abbey Church as support of the clergy position priest and priest and served as chorus, play etc.." [1] to the late Middle Ages, a school gradually became professional music school, due to the nature of their strong religious atmosphere and the main service in the church, so the education and examination content is around the philosophy, religion and Theology to.With music as a means of livelihood and the establishment ofthe school of music, the earliest start in Italy, the creation of the church and other charitable organizations in the school for orphans to provide students living and learning singing hymns and taught the necessary skills and instrumental. "In 1346, Venice created the world's first female orphans, hospital music art." [2] charity adoption students must receive several years of strict singing and organ playing skills and skills training at school. This is mainly because the organ has had a history of more than two thousand years of age is a necessary instrument rule of the medieval church church, the monastery is essential, plays the organ must become a required course attached to the church's singing school and later music college students. Therefore, the main content of the charity adoption center is to learn music theory, singing, organ and other musical instruments and the corresponding religious knowledge around the church music.Journal Library of China -- the most authoritative publication website! Your paper experts!During the Renaissance, people get rid of the shackles of the great medieval theology, strongly advocated the spirit of humanism, regard people as the measure of all things, so that people gradually realize their own creativity and value. At this time, the school music education is no longer the absolute center of religion, the teaching content and teaching form began to multi-level, diversified and free development. In addition to the traditional music theory, some universities have begun to teach and cultivate students' practical music skills, and set up practical courses such as composition. In a British university, music is the only other single subjectof art, which fully reflects the special status of music in college. In addition to composition courses, the Renaissance music performance courses (such as singing, playing, etc.) are still taught in private, and have not yet entered the university curriculum system.Two. Modern higher music education in the WestIn the middle of the seventeenth Century, France established the first truly modern music institution, the national music and recitation Institute (the predecessor of the Paris National Conservatory of music). This conservatory had two functions at that time: one is to provide music service for public ceremony; two, to train special music performing talents. Since then, music education has entered the regular university classroom from the state of private teaching in the past. Since nineteenth Century, Europe has established music schools in major cities to cultivate special music talents, which has greatly promoted the education and development of European music." [3]In germany,Almost all big cities have their own music schools or music schools. The German music students in general college of music as the starting point, held in the second test at the end of the year, according to the examination results to decide which students continue to enter the University, what learning "curriculum standard" teacher training, which students were singing and playing music and commanding professional learning. Students who have entered the stage of music performance learning should further study solfeggio, musical instruments,vocal music and composition courses step by step. Every year, you have to compete for 30 scholarships through rigorous examinations, and only the winners can enter the next phase of the study. In the United Kingdom, with the establishment of the Royal College of Music in 1823, it marked a school specializing in music performance in the uk. The content and system of examination of professional music at the Royal Academy of music, from the beginning of the play is very strict, students must choose 10 music from Bach, Beethoven, Chopin, Schumann, Brahms, List and his works played for examination; to obtain professional musician degree students, in addition to playing test outside, but also for the advanced research and practice, such as games, concerts, music, education, etc.. The evaluation standards had to have the professional technology, good music performance ability, can read a score, analysis of music, harmony, counterpoint and composition simulation etc, the excellent students will receive bonuses and medals. In addition to the Royal College of Music, in 1872, another church choir and church music school devoted to church music was established in. It was renamed as the 31 Conservatory of music in 1875. 31 College of music and other music school in Europe was the biggest difference lies in that the college students from around the world, many of which are not in school learning in students (similar correspondence students), 31 College of music students in the local set up a special examination institution to test this kind of students.Three. The curriculum setting of music education in contemporary western colleges and UniversitiesThe development history of western music "s center" fullyexplains the historical status of music education in germany. According to the data, there are 37 music schools in, Berlin, Hannover, Munich conservatory, Cologne College of music and so on (including private). The music industry in Europe and the visibility of the equivalent of University of Oxford, Harvard University in the world academia the status of the Hannover Conservatory of music, the professional music teaching in the world's top level. Master with the Hannover School of music including some five years without graduation still continue to go to school (German university education learning period) students, only 1000 students, the college is not divided into vocal and keyboard, also set up two colleges, offering nearly 30 professional. After three years of study, the students take part in the final examination (some schools are four semesters), and at the same time, they need to submit a paper of about 50 pages, and they can get the degree of music education after their academic assessment. If the students have a certain musical talent, but also want to further study, after 1-2 years of learning and after the assessment to get concert concert Diploma (our previous "two section" educational system is similar to this). At the Hannover School of music, instrumental music performing arts students to obtain professional of the highest degree of Diplom (Solo) "concert cellist, in addition to the graduation exam also asked to play for about an hour and 1.5 hour chamber music solo concert, but also less than three games in cooperation with a large band. Hanover conservatory professors is the educator, performer, and most of them have many performances and as competition judges, although very busy but also practicing daily Buchuo, Hanover College of music almost every day students, professors, teachers and students on the same stage concert or show the size of A.The German School of music piano professional is generally divided into professional piano education, professional piano, art director (chamber music or vocal accompaniment) three professional training direction, curriculum according to the professional direction of different colleges and universities, curriculum and assessment form is the same. Compulsory courses and optional courses are also basically similar, or our "subject" and "auxiliary course", the piano professional general courses: Piano, chamber music / piano accompaniment, solfeggio, music / musical instruments / work analysis, science, history, music, chorus medieval music, new music, music and music education, music teaching method.In addition to the individual extracurricular professional subjects, there will be some schools each week (or other time period arrangement) group class piano teacher by their students together regardless of grade, not limited to music played in rotation, small group teaching by students and teachers to comment or say is open class (the general will allow other people to attend). This form of teaching has a positive effect on students' learning enthusiasm, psychological quality and the accumulation of playing practice. Chamber music is a compulsory course for music majors, ensemble class combination course learning practice can broaden their horizons, and strengthen students' ability of cooperation in the process of playing and the spirit of cooperation, in order to avoid the students in addition to their learning play tracks and will not, can not be absolutely ignorant of good cooperation that is common in the domestic professional in the teaching of the phenomenon. In addition to his college course Quartet teachersalso employ professional orchestra (or duo) playing home to school teaching, students can follow the piano trio, Quartet in five piano teacher outside the band strings, the teacher in the class.The national Stuttgart music and performance student from University of the Arts, grade one to grade three, has to attend about fourteen musical performances every semester. In these activities, students can freely mix with chamber music performances, small orchestral performances, for music teachers and solo, solo, Concerto Concert accompaniment or school music groups concerts, local community concert and his own solo recital and other forms of performance. In addition, the students who major in music performance have the obligation to undertake the guidance and rehearsal work of local primary and secondary schools or social amateur performing groups, and arrange concerts for them and participate in concerts. In general, the German music education attaches great importance to the practical ability of cultivating students. In the course of teaching practice, it also pays more attention to the practicality after the students go to the society." [4]The Paris School of music as the world mainstream music school like trying to provide "music education" all for students, but the aim is designed to provide opportunities for students to make their creative genius or performance skills perfect. Even today, students at the Paris Conservatory of music only require six courses: Music Foundation, sight playing, music analysis, chamber music, a theoretical elective, and an elective course of applied studies." Institutional arrangements [5] Paris School of music with the strength standard, according to theage of the students from primary school to university in order to make the students accept the continuous music education has always been the subject for special classes to teach, different age and different professional students of the same class gathered in learning, competition. Students must obtain the first prize or the two prize within the prescribed period, otherwise they will not be eligible to participate in the class study of the required chamber music and other classes. The graduation examination held in public, usually by the president, vice president, professor and the school of famous musicians don't wait around ten as assessors, the professor only on the sidelines and does not participate in the study of scoring, completed the first phase of the study in 5 years after two years of post-graduate courses can continue. In addition to professional courses, the Paris conservatory also offers courses such as psychology, pedagogy and pedagogy as a required course to enable students to learn how to better communicate with people from such courses,Also can better undertake every "musician" should do the role of music inheritance, more realistic is after graduation to make a living, employment needs. The general course of psychology at least by two teachers and courses, there is no fixed unified textbook and reference books recommended by teachers, according to different topics, subject teaching in the form of lectures, students discussion."Julia Conservatory of music is one of the world's top music schools, mainly for individual music performers."." [6] Julia School of music curriculum and teaching arrangements and general syllabus of our country is not the same, for theperformance of music professional students, mainly provides three modules, respectively is the comprehensive knowledge of music courses, music theory and music skills course module performance training course module, the three modules have different curriculum goals and all kinds of related courses, is to cultivate excellent talents from the aspects of music performance. For example, music theory skills course module includes music literature and materials, course of solfeggio curriculum, the history of the music curriculum, physical curriculum, course of music appreciation, music keyboard (or vocal) art history course, world music history and works analysis course (including harmony, and orchestration of a musical performance); training courses including professional small class, chamber music courses, advanced courses, performing improvisation and singing courses, courses, courses (Opera Chorus rehearsal playing all students must be served as the band accompaniment piano) (vocal) research, music performance psychology courses. The courses of comprehensive art knowledge are similar to those in our domestic universities, including music appreciation course, western music history course, art painting appreciation course and drama history course, etc..Throughout the history of the development of western higher music education, it has undergone several periods of change, each period has the brand of the social era. The ancient Greek period attached great importance to the influence of music education on human beings. It believed that literature, music and art had a great influence on human character, and music education had more unique charm and power than other education. But in ancient Greece, music curriculum did not get its dueposition in the school curriculum system. During the middle ages and the Renaissance, the church monopolized the cultural education, and religion became the center of the content of music education. Music education, as a professional music education, was mainly carried out by the church. Until the end of the seventeenth Century, the establishment of the music school, the professional music education, and so formally entered the higher education system, began to develop rapidly. In modern times, the western higher music education has gradually presented the characteristics of various forms, rich content, comprehensive curriculum and flexible teaching. Generally speaking, only by summing up and studying the essence of western higher music education, can we promote the development of higher music education in china.Reference:[1] [J]. of Qinwen. Seven arts Peking University education review, 2006 (3): 139.[2][3] Chinese cultural industry network. Musician and Music Academy [EB/OL]. (2008-08-05)[2014-01-15]/content/200885/news_2724 5_p2.shtml[4] Xie Jie, Yang Yanyi, sun Hai. Overview of music education in German schools [M]. Shanghai: Shanghai Education Press, 2011:216.[5] Wu Yuanyuan. The history of French piano playing, [J]. piano art, 2011 (3): 24.[6] Luo yu-jia1. Connotation and highlight: professional music academic evaluation theory and practice [M]. Kunming: Yunnan Education Press, 2012:228.。