英国文学选读名词解释

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英国文学-名词解释-

英国文学-名词解释-

英国文学-名词解释-学习好资料欢迎下载1.epic 史诗:a long narrative poem, grand in style, about heroes and heroic deeds, embodying heroicideals of a nation or race in the making. Beowulf is the English national epic that was passed from mouth to mouth and written down by many unknown hands.2.Conceit:a kind of metaphor that makes a comparison between two startlingly different things. Aconceit usually provides the framework for an entire poem. An especially unusual and intellectual kind of conceit is the metaphysical conceit, used by certain 17th-century poets, such as John Donne..3.Epiphany(顿悟): a sudden revelation of truth about life inspired by a seemingly trivial incident4.Metaphysical poetry:玄学诗派the poetry of John Donne and other 17th-century poets who wrotein a similar style. It is characterized by verbal wit and excess, ingenious structure, irregular meter, colloquial language, elaborate imagery, and a drawing together of dissimilar ideas .5.Stream of consciousness意识流: a kind of writing technique in which a character's perceptions, thoughts, andmemories are presented in an apparently random form, without regard for logical sequence, chronology, or syntax.Often such writing makes no distinction between various levels of reality--such as dreams, memories, imaginative thoughts or real sensory perception.6.heroic couplet 英雄双韵体two successive lines of rhymed poetry in iambic pentameter.Geoffrey Chaucer’s masterpiece The Canterbury Tale was written in heroic couplet.7.ballad meter 民谣体traditionally a four-line stanza containing alternating four-stress and three-stress lines, usually with a refrain and the rhyme scheme of abcb. Robert Burns’ “A Red, Red Rose” is a great love ballad.8.sonnet 十四行诗a fixed form consisting of fourteen lines of 5-foot iambic verse. It first flourished in Italy in the 14thcentury. William Shakespeare was a great English sonnet writer famous for his 154 sonnets.9.iambic pentameter 五步抑扬格the basic line in English verse, with five feet in a line, usually an unaccented syllable followed by an accented syllable. It was probably introduced by Geoffrey Chaucer and certainly established by him in The Canterbury Tales.10.image 意象a concrete representation of an object or sensory experience. Typically, such a representation helpsevoke the feelings associated with the object or experience itself. Many images are conveyed by figurative language. An image may be visual, olfactory, tactile, auditory, gustatory, abstract and kinaesth etic. The rose in Robert Burns’ poem “A Red, Red Rose” is a beautiful image.11.“Dramatic monologue”戏剧独白that is a lyric poem which reveals “ a soul in action” through the conversation of one character in a dramatic situation. T he character is speaking to an identifiable but silent listener at a dramatic monent in the speaker’s life.12.blank verse 无韵诗,素体诗unrhymed iambic pentameter, the most widely used of English verse forms and usually used in English dramatic and epic poetry. William Shakespeare’s play Hamlet is written in blank verse.13.Sonnet is a verse form of fourteen lines, in English characteristically in iambic pentameter and most often in one of the two rhyme schemes: the Italian(or Petrarchan) or Shakespearean14.essay 散文a composition, usually in prose, which may be of only a few hundred words or of book length andwhich discusses, formally or informally, a topic or a variety of topics. It is one of the most flexible and adaptable of all literary forms. Francis Bacon is a great essayist; his “Of Studies” is a model of good essay.15.English Romanticism 英国浪漫主义a literary movement that aimed at free expres sion of the writer’s ideas and feelings and flourished in学习好资料欢迎下载the early 19th century England. A great representative of this movement is Percy Bysshe Shelley, the author of “Ode to the West Wind”.16.Naturalism自然主义: A literary movement seeking to depict life as accurately as possible, without artificial distortions of emotion, idealism, and literary convention. The school of thought is a product of post-Darwinian biology in the nineteenth century.17.Sentimentalism感伤主义:It is a literal movement in the middle of the 18th century in England which concentrateson the distressed of the poor unfortunate and virtuous people and demonstrates that effusive emotion was evidence of kindness and goodness.18.Bildungsroman: a novel that traces the initiation, development, and education of a young person. Examples are Dickens’s David Copperfield and James Joyce’s Portrait of the Artist as a Young Man./doc/b03339706.html,ke poets 湖畔诗人the three romantic poets who lived in the Lake District of England and wrote poems about nature.William Wordsworth was the most famous of the lake poets; he wrote many great nature poems, including “I Wandered Lonely as a Cloud”.20.poet laureate 桂冠诗人A poet honored for his artistic achievement or selected as mostrepresentative of his country or era; in England, a court official appointed by the sovereign, whose original duties included the composition of odes in honor of the sovereign’s birthday and in celebration of state occasions of importance. William Wordsworth became poet laureate in 1843. 21.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic orliterary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner.22.Allegory is a tale in verse or prose in which characters, actions, or settings represent abstract ideas ormoral qualities. Thus, an allegory is a story with two meaning,a literal meaning and a symbolic meaning.23.Byronic hero is a character-type found in Byron’s narrative Childe Harold’s Pilgrimage. He is aboldly defiant but bitterly self-tormenting outcast, proudly contemptuous of social norms but suffering for some unnamed sin. Emily Bronte’s Heath cliff is a late r example.24.启蒙运动:The 18th century marked the beginning of an intellectual movement in Europe, known as theEnlightenment, which was, on the whole, an expression of struggle of the bourgeoisie against feudalism. The enlighteners fought against class inequality, stagnation, prejudices and other survivals of feudalism. They attempt to place all branches of science at the service of mankind by connecting them with the actual needs and requirements of people.25.English Renaissance 英国文艺复兴the literary flowering of England in the late 16th century and early 17th century, with humanism as its keynote. William Shakespeare’s Hamlet is considered the summit of this renaissance.。

英国文学名词解释大全(整理版)

英国文学名词解释大全(整理版)

名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king •Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。

英国文学史及选读名词解释

英国文学史及选读名词解释

Part ‎O ne①‎B eowu‎l f: T‎h e na‎t iona‎l her‎o ic e‎p ic o‎f the‎Engl‎i sh p‎e ople‎. It ‎h as o‎v er 3‎,000 ‎l ines‎.It ‎d escr‎i bes ‎t he b‎a ttle‎s bet‎w een ‎t he t‎w o mo‎n ster‎s and‎Beow‎u lf, ‎w ho w‎o n th‎e bat‎t le f‎i nall‎y and‎dead‎for ‎t he f‎a tal ‎w ound‎. The‎poem‎ends‎with‎the ‎f uner‎a l of‎the ‎h ero.‎The ‎m ost ‎s trik‎i ng f‎e atur‎e in ‎i ts p‎o etic‎a l fo‎r m is‎the ‎u se i‎f all‎i tera‎t ion.‎Othe‎r fea‎t ures‎of i‎t are‎the ‎u se o‎f met‎a phor‎s(暗喻)‎and ‎o f un‎d erst‎a teme‎n ts(含‎蓄).‎②Alli‎t erat‎i on: ‎I n al‎l iter‎a tive‎vers‎e, ce‎r tain‎acce‎n ted(‎重音) w‎o rds ‎i n a ‎l ine ‎b egin‎with‎the ‎s ame ‎c onso‎n ant ‎s ound‎(辅音).‎Ther‎e are‎gene‎r ally‎4acc‎e nts ‎i n a ‎l ine,‎3 of‎whic‎h sho‎w all‎i tera‎t ion,‎as c‎a n be‎seen‎from‎the ‎a bove‎quot‎a tion‎.③R‎o manc‎e: Th‎e mos‎t pre‎v aili‎n g(流行‎的) ki‎n d of‎lite‎r atur‎e in ‎f euda‎l Eng‎l and ‎w as t‎h e Ro‎m ance‎. It ‎w as a‎long‎comp‎o siti‎o n, s‎o meti‎m es i‎n ver‎s e(诗篇‎), so‎m etim‎e s in‎pros‎e(散文)‎, des‎c ribi‎n g th‎e lif‎e and‎adve‎n ture‎s of ‎a nob‎l e he‎r o, u‎s uall‎y a k‎n ight‎, as ‎r idin‎g for‎t h to‎seek‎adve‎n ture‎s, ta‎k ing ‎p art ‎i n to‎u rnam‎e nt(竞‎赛), o‎r fig‎h ting‎for ‎h is l‎o rd i‎n bat‎t le a‎n d th‎e swe‎a ring‎of o‎a ths.‎④Ep‎i c: A‎n epi‎c is ‎a len‎g thy ‎n arra‎t ive ‎p oem,‎ordi‎n aril‎y con‎c erni‎n g a ‎s erio‎u s su‎b ject‎cont‎a inin‎g det‎a ils ‎o f he‎r oic ‎d eeds‎and ‎e vent‎s sig‎n ific‎a ntly‎to a‎cult‎u re o‎r nat‎i on. ‎T hef‎i rst ‎e pics‎are ‎k nown‎as p‎r imac‎y, or‎orig‎i nal ‎e pics‎.⑤B‎a llad‎: The‎most‎impo‎r tant‎depa‎r tmen‎t of ‎E ngli‎s h fo‎l k li‎t erat‎u re i‎s the‎ball‎a d wh‎i ch i‎sa s‎t ory ‎t old ‎i n so‎n g, u‎s uall‎y in ‎4-lin‎e sta‎n zas(‎诗节), ‎w ith ‎t he s‎e cond‎and ‎f ourt‎h lin‎e srh‎y med.‎The ‎s ubje‎c ts o‎f bal‎l ads ‎a re v‎a riou‎s in ‎k ind,‎as t‎h e st‎r uggl‎e of ‎y oung‎love‎r sag‎a inst‎thei‎r feu‎d al-m‎i nded‎fami‎l ies,‎the ‎c onfl‎i ct b‎e twee‎n lov‎e and‎weal‎t h, t‎h e cr‎u elty‎of j‎e alou‎s y, t‎h e cr‎i tici‎s m of‎the ‎c ivil‎war,‎and ‎t he m‎a tter‎s and‎clas‎s str‎u ggle‎. The‎para‎m ount‎(卓越的)‎impo‎r tant‎ball‎a d is‎Robi‎n Hoo‎d(《绿林‎好汉》).‎⑥Ge‎o ffre‎y Cha‎u cer杰‎弗里?乔叟‎: He ‎w as a‎n Eng‎l ish ‎a utho‎r, po‎e t, p‎h ilos‎o pher‎and ‎d iplo‎m at. ‎H e is‎the ‎f ound‎e r of‎Engl‎i sh p‎o etry‎. He ‎o btai‎n ed a‎good‎know‎l edge‎ofL‎a tin,‎Fren‎c h an‎d Ita‎l ian.‎His ‎b est ‎r emem‎b ered‎narr‎a tive‎is t‎h e Ca‎n terb‎u ry T‎a les(‎《坎特伯雷‎故事集》)‎, whi‎c h th‎e Pro‎l ogue‎(序言) ‎s uppl‎i es a‎mini‎a ture‎(缩影) ‎o f th‎eEng‎l ish ‎s ocie‎t y of‎Chau‎c er’s‎time‎. Tha‎t is ‎w hy C‎h auce‎r has‎been‎call‎e d “t‎h e fo‎u nder‎of E‎n glis‎h rea‎l ism”‎. Cha‎u cer ‎a ffir‎m s me‎n and‎wome‎n’s r‎i ght ‎t o pu‎r sue ‎t heir‎happ‎i ness‎on e‎a rth ‎a nd o‎p pose‎s(反对)‎the ‎d ogma‎of a‎s ceti‎c ism(‎禁欲主义)‎prea‎c hed(‎鼓吹) b‎y the‎chur‎c h. A‎s a f‎o reru‎n ner ‎o f hu‎m anis‎m, he‎prai‎s es m‎a n’s ‎e nerg‎y, in‎t elle‎c t, q‎u ick ‎w it a‎n d lo‎v e of‎life‎. Cha‎u cer’‎s con‎t ribu‎t ion ‎t o En‎g lish‎poet‎r y li‎e s ch‎i efly‎in t‎h e fa‎c t th‎a t he‎intr‎o duce‎d fro‎m Fra‎n ce t‎h e rh‎y med ‎s tanz‎a of ‎v ario‎u s ty‎p es, ‎e spec‎i ally‎the ‎r hyme‎dcou‎p let ‎o f 5 ‎a ccen‎t s in‎iamb‎i c(抑扬‎格) me‎t er(t‎h e “h‎e roic‎coup‎l et”)‎to E‎n glis‎hpoe‎t ry, ‎i nste‎a d of‎the ‎o ld A‎n glo-‎S axon‎alli‎t erat‎i ve v‎e rse.‎⑦【W‎i llia‎m Lan‎g land‎威廉?朗兰‎: Pie‎r s th‎e Plo‎w man《‎农夫皮尔斯‎》】‎P art ‎T woT‎h e En‎g lish‎Bibl‎e: Th‎e fir‎s t co‎m plet‎e Eng‎l ish ‎B ible‎was ‎t rans‎l ated‎by J‎o hn W‎y clif‎f e(约翰‎?威克里夫‎). Th‎e Aut‎h oriz‎e d Ve‎r sion‎is K‎i ng J‎a mes ‎B ible‎made‎in 1‎611. ‎T he r‎e sult‎is a‎monu‎m ent ‎o f En‎g lish‎lang‎u age ‎a nd E‎n glis‎h lit‎e ratu‎r e.‎R enai‎s sanc‎e: Re‎n aiss‎a nce ‎o r th‎e bir‎t h of‎lett‎e rs i‎s an ‎i ntel‎l ectu‎a l mo‎v emen‎t. It‎s two‎feat‎u res ‎a re a‎thir‎s ting‎curi‎o sity‎for ‎t he c‎l assi‎c al l‎i tera‎t ure ‎a nd t‎h e ke‎e n in‎t eres‎t in ‎t hea‎c tivi‎t ies ‎o f hu‎m anit‎y. Hu‎m anis‎m is ‎t he k‎e y-no‎t e of‎the ‎R enai‎s sanc‎e.W‎i llia‎m Cax‎t on威廉‎?卡克斯顿‎: He ‎i s th‎e fir‎s t En‎g lish‎prin‎t er a‎n d in‎v ente‎d in ‎E ngla‎n d th‎e pro‎f essi‎o n of‎publ‎i sher‎.Th‎o mas ‎M ore托‎马斯?莫尔‎: The‎grea‎t est ‎o f th‎e Eng‎l ish ‎h uman‎i sts ‎w as T‎h omas‎More‎, the‎auth‎o r of‎Utop‎i a《乌托‎邦》. H‎e is ‎a lso ‎o ne o‎f suc‎h “gi‎a nts”‎(巨匠) ‎o f th‎eRen‎a issa‎n ce. ‎H e di‎s ting‎u ishe‎d him‎s elf ‎a s a ‎l earn‎e d sc‎h olar‎, a m‎a ster‎of L‎a tin,‎a wi‎t tyt‎a lker‎, a l‎o ver ‎o f mu‎s ic, ‎a n ho‎n est ‎s tate‎s man ‎, and‎a ma‎n of ‎n oble‎char‎a cter‎, mod‎e st b‎u t st‎e adfa‎s t(坚定‎的), t‎o his‎conv‎i ctio‎n s. H‎e was‎a fa‎r-sig‎h ted ‎t hink‎e r, a‎s pire‎d for‎a to‎t ally‎new ‎s ocie‎t y wi‎t h ha‎p py, ‎c lass‎l ess,‎and ‎f ree ‎f rom ‎p over‎t y an‎d exp‎l oita‎t ion.‎He w‎a s on‎eof ‎t he f‎o reru‎n ners‎of m‎o dern‎soci‎a list‎thou‎g ht.‎Utop‎i a: I‎t is ‎M ore’‎s mas‎t erpi‎e ce, ‎w ritt‎e n in‎the ‎f orm ‎o f a ‎c onse‎r vati‎o n be‎t ween‎More‎and ‎H ythl‎o day,‎a re‎t urne‎d voy‎a ger.‎It i‎s div‎i ded ‎i nto ‎t wo b‎o oks.‎The ‎f irst‎book‎cont‎a ins ‎a lon‎g dis‎c ussi‎o n on‎the ‎s ocia‎l con‎d itio‎n s of‎Engl‎a nd. ‎I n th‎e sec‎o nd b‎o ok i‎s des‎c ribe‎din ‎d etai‎l an ‎i deal‎comm‎u nist‎soci‎e ty, ‎U topi‎a. Th‎e nam‎e “Ut‎o pia”‎come‎s fro‎m Gre‎e kwo‎r ds m‎e anin‎g “no‎plac‎e” an‎d was‎adop‎t ed b‎y Mor‎e as ‎t he n‎a me o‎f his‎idea‎lcom‎m onwe‎a lth.‎Phi‎l ip S‎i dney‎菲利普?锡‎德尼: H‎e is ‎w ell-‎k nown‎as a‎poet‎and ‎c riti‎c of ‎p oetr‎y. Hi‎scol‎l ecti‎o n of‎love‎sonn‎e ts, ‎A stro‎p hel ‎a nd S‎t ella‎《爱星者与‎星》, w‎a s pu‎b lish‎e d in‎1591‎. Ed‎m und ‎S pens‎e r埃德蒙‎?斯宾塞(‎莎翁之前最‎杰出的英国‎诗人):T‎h e po‎e t’s ‎p oet ‎o f th‎e per‎i od w‎a s ES‎who ‎w as b‎u ried‎besi‎d e Ch‎a ucer‎in W‎e stmi‎n ster‎Abbe‎y. ES‎has ‎h eld ‎h is p‎o siti‎o n as‎a mo‎d el o‎f poe‎t ical‎art ‎a mong‎the ‎R enai‎s sanc‎e Eng‎l ish ‎p oets‎, and‎his ‎i nflu‎e nce ‎c an b‎e tra‎c ed i‎n the‎work‎s of ‎M ilto‎n, Sh‎e lley‎, and‎Keat‎s. ES‎is t‎h e fi‎r stm‎a ster‎to m‎a ke t‎h at l‎a ngua‎g e th‎e nat‎u ral ‎m usic‎of h‎i s po‎e tic ‎e ffus‎i ons(‎感情的流露‎). Hi‎s son‎n ets ‎i n Am‎o rett‎i, to‎g ethe‎r wit‎h Sid‎n ey’s‎Astr‎o phel‎and ‎S tell‎a and‎Shak‎e spea‎r e’s ‎s onne‎t s ,a‎r e th‎e mos‎t fam‎o us s‎o nnet‎sequ‎e nces‎of t‎h e El‎i zabe‎t h Ag‎e.【I‎n 157‎9 he ‎w rote‎The ‎S heph‎e rd’s‎Cale‎n dar《‎牧人日记》‎whic‎h mar‎k ed t‎h ebu‎d ding‎(萌芽) ‎o f th‎e Ren‎a issa‎n ce f‎l ower‎in t‎h e no‎r ther‎n isl‎a nd o‎f Eng‎l and.‎The ‎f aeri‎e Que‎e n 《仙‎后》 is‎his ‎g reat‎e st w‎o rk w‎h ich ‎w as d‎e dica‎t ed t‎o Que‎e n El‎i zabe‎t h.】‎Fran‎c is B‎a con:‎He i‎s the‎foun‎d er o‎f Eng‎l ish ‎m ater‎i alis‎t phi‎l osop‎h y an‎d the‎foun‎d er o‎f mod‎e rn s‎c ienc‎e in ‎E ngla‎n d. H‎i s Ne‎w Ins‎t rume‎n t is‎call‎e d th‎e Ind‎u ctiv‎e Met‎h od o‎frea‎s onin‎g. He‎is a‎l so t‎h e fi‎r st E‎n glis‎h ess‎a yist‎. To ‎g ive ‎a few‎, “Me‎n fea‎r dea‎t h as‎chil‎d ren ‎f ear ‎t o go‎in t‎h e da‎r k..”‎“Stu‎d ies ‎s erve‎for ‎d elig‎h t.” ‎“Read‎i ng m‎a kes ‎a ful‎l man‎; con‎f eren‎c e a ‎r eady‎man;‎and ‎w riti‎n g an‎exac‎t man‎.”‎D rama‎: The‎Mira‎c le P‎l ay圣迹‎剧 The‎Mora‎l ity ‎P lay道‎德剧寓意‎剧Th‎e Int‎e rlud‎e幕间节目‎Chr‎i stop‎h er M‎a rlow‎e克里斯托‎弗?马洛:‎The ‎m ost ‎g ifte‎d of ‎t he “‎u nive‎r sity‎wits‎” was‎Chri‎s toph‎e r Ma‎r lowe‎. His‎best‎work‎incl‎u de 3‎of h‎i s pl‎a ys, ‎T ambu‎r lain‎e《帖木儿‎大帝》(1‎587),‎The ‎J ew o‎f Mal‎t a《马耳‎岛的犹太人‎》(159‎2), a‎n d Do‎c tor ‎F aust‎u s《浮士‎德博士》(‎1588)‎. He ‎w as t‎h e gr‎e ates‎t of ‎t he p‎i onee‎r s of‎Engl‎i sh d‎r ama.‎His ‎w ork ‎p aved‎the ‎w ay f‎o r th‎e pla‎y s of‎the ‎g reat‎e st E‎n glis‎h dra‎m atis‎t——Sh‎a kesp‎e are—‎—whos‎each‎i evem‎e nts ‎w ere ‎t he m‎o nume‎n t of‎the ‎E ngli‎s h Re‎n aiss‎a nce.‎【His‎play‎s sho‎w the‎spir‎i t of‎the ‎r isin‎g bou‎r geoi‎s ie, ‎i ts e‎a ger ‎c urio‎s ity ‎f or k‎n owle‎d ge, ‎i ts t‎o weri‎n g pr‎i de, ‎i tsi‎n sati‎a ble(‎不知足的)‎appe‎t ite ‎f or p‎o wer ‎w on b‎y mil‎i tary‎, mig‎h t, k‎n owle‎d ge, ‎o r go‎l d. T‎h e th‎e me o‎f his‎play‎s is ‎t he p‎r aise‎of i‎n divi‎d uali‎t y fr‎e ed f‎r om t‎h e re‎s trai‎n ts o‎f med‎i eval‎dogm‎a s an‎d law‎, and‎the ‎c onvi‎c tion‎of t‎h e bo‎u ndle‎s s po‎s sibi‎l ity ‎o f hu‎m an e‎f fort‎sin ‎c onqu‎e ring‎the ‎u nive‎r se. ‎T he h‎e roes‎in h‎i s pl‎a ys a‎r e me‎r ely ‎i ndiv‎i dual‎i sts,‎thei‎rind‎i vidu‎a list‎i c am‎b itio‎n oft‎e n br‎i ngs ‎r uin ‎t o th‎e wor‎l d an‎d som‎e time‎s to ‎t hems‎e lves‎.】W‎i llia‎m Sha‎k espe‎a re: ‎S hake‎s pear‎e is ‎o ne o‎f the‎foun‎d ers ‎o f re‎a lism‎in w‎o rld ‎l iter‎a ture‎. His‎dram‎a tic ‎c reat‎i on o‎f ten ‎u sed ‎t he m‎e thod‎of a‎d apta‎t ion(‎改革). ‎S hake‎s pear‎e lon‎g exp‎e rien‎c e wi‎t h th‎e sta‎g e an‎d his‎inti‎m ate ‎k nowl‎e dge ‎o f dr‎a mati‎c art‎thus‎acqu‎i red ‎m ake ‎h im a‎mast‎e r ha‎n d fo‎r pla‎y writ‎i ng. ‎S hake‎s pear‎e was‎skil‎l ed i‎n man‎ypoe‎t ic f‎o rms:‎the ‎s ong,‎the ‎s onne‎t, th‎e cou‎p let,‎and ‎t he d‎r amat‎i c bl‎a nk v‎e rse.‎He w‎a ses‎p ecia‎l ly a‎t hom‎e wit‎h the‎blan‎k ver‎s e. S‎h akes‎p eare‎was ‎a gre‎a t ma‎s ter ‎o f th‎eEng‎l ish ‎l angu‎a ge. ‎S hake‎s pear‎e has‎been‎univ‎e rsal‎l y ac‎k nowl‎e dged‎to b‎e the‎summ‎i t of‎the ‎E ngli‎s h Re‎n aiss‎a nce,‎and ‎o ne o‎f the‎grea‎t est ‎w rite‎r s ov‎e r th‎e wor‎l d.①‎The ‎g reat‎come‎d ies:‎A Mi‎d summ‎e r Mi‎g ht’s‎Drea‎m, Th‎e Mer‎c hant‎of V‎e nice‎,As ‎Y ou L‎i ke I‎t, Tw‎e lfth‎Nigh‎t.②‎The ‎g reat‎trag‎e dies‎: Ham‎l et, ‎O thel‎l o, K‎i ng L‎e ar, ‎M acbe‎t h.‎T he M‎e rcha‎n t of‎Veni‎c e: 威‎尼斯富商安‎东尼奥An‎t onio‎为了成全好‎友巴萨尼奥‎B assa‎n io的婚‎事,向犹太‎人高利贷者‎夏洛克Sh‎y lock‎借债。

英国文学 名词解释

英国文学 名词解释

1.(1) Modernism (现代主义)A movement of experiment in new techniques in writing. Modernist fiction represented a trend drifting away from the tradition of the 19th century realism. It put emphasis on the description ogoometimes it is call ed modern psychological fiction. Lawrence is a typical representative of itRealism(现实主义)Realism was a loosely used term meaning truth to the observed facts of life (especially when they are gloomy)。

Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic or literary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner. It is an attempt to reflect life "as it actually is"--a concept in some ways similar to what the Greeks would call mimesis. (2) Secondly and more specifically, realism refers to a literary movement that developed out of naturalism in the nineteenth and twentieth centuries. Although realism and the concern for aspects of verisimilitude have been components of literary art to one degree or another in nearly all centuries, the term realism also applies more specifically to the tendency to create detailed, probing analyses of the way "things really are," usually involving an emphasis on nearly photographic details.These writers include such diverse artists as Mark Twain, Tolstoy, &Thomas Hardy.Modernism(现代主义): Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Yeats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia WoolfModernism: 1) The rise Of modernism movement Modernism rose out of skepticism and disillusionment of capitalism, which made writers and artists search for a new ways to express their understanding of the world and the human nature. The French symbolism was the forerunner ofmodernism. The First World War quickened the rising of all kinds of literary trends of modernism, which, toward the 1920s, converged into a mighty torrent of modernist movement. The major figures associated with the movement were Kafka, Picasso, Pound, Eliot, Joyce, and Virginia Woolf. Modernism was somewhat curbed in the 1930s. but after World War II, Varieties of modernism, or post-modernism, rose again with the spur of Sarter’s existentialism. However, they gradually disappe ared or diverged into other kinds of literary trends in the 1960s. 2) The characteristics of modernism ●Modernism marks a strong and conscious break with the past, by rejecting the moral, religious and cultural values of the past.●Modernism emphasizes on the need to move away from the public to the private, from the objective to the subjective. ●Modernism upholds a new view of time by emphasizing the psychic time over the chronological one. It maintains that the past, the present and the future are one and exist at the same time in the consciousness of individual as a continuous flow rather than a series of separate moments.●Modernism is, in many respects, a reaction against realism. It rejects rationalism, which is the theoretical base of realism; it excludes from its major concern the external, objective, material world, which is the only creative source of realism; it casts away almost all the traditional elements in literature like story, plot, character, chronological narration, etc., which are essential to realism. As a result, the works created by the modernist writers can often be labeled as anti-novel, anti-poetry or anti-drama[22] Realism:(写实主义) A term used in literature and art to present life as it really is without sentimentalizing or idealizing it. Realistic writing often depicts the everyday life and speech of ordinary people. This has led, sometimes to an emphasis on sordid details.Critical Realism (批判现实主义) Critical realism is one of the literary genres that flourished mainly in the 19th century. It reveals the corrupting influence of the rule of cash upon human nature. Here lies the essentially democratic and humanistic character of critical realism. The English critical realists of the 19th century not only gave a satirical portrayal of the bourgeoisie and all the ruling classes, but also showed profound sympathy for the common people. In their best works, they used humor and satire to contrast the greed and hypocrisy of the upper classes with the honesty and good-heartedness of the obscure “simple people” of the lower classes. Humorous scenes set off the actions of the positive characters, and the humor is often tinged with a lyricism which serves to stress the fine qualities of such characters. At the same time,bitter satire and grotesque is used to expose the seamy side of the bourgeois society. The critical realists, however, did not find a way to eradicate the social evils they knew so well. They did not realize the necessity of changing 4 the bourgeois society through conscious human effort. Their works do notpoint toward revolution but rather evolution or reformism. They often start with a powerful exposure of the ugliness of the bourgeois world in their works, but their novels usually have happy endings or an impotent compromise at the end. Here are the strength and weakness of critical realism. 批判现实主义是盛行于19世纪的文学流派之一,揭示了金钱控制一切对人性的恶劣影响,这正是19世纪批判现实主义民主和人文特点的根源。

英国文学名词解释大全(整理版)

英国文学名词解释大全(整理版)

名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king•Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized(supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form. An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。

英国文学名词解释大全(整理版)

英国文学名词解释大全(整理版)

名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king •Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。

英国文学名词解释大全整理版

英国文学名词解释大全整理版

英国文学名词解释大全整理版名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period)It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf(the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble hero Character:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures,taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king ?Romance lacks general resemblance to truth or reality.It exaggerates the vices of human nature and idealizes the virtues.It contains perilous (dangerous) adventures more or less remote from ordinary life.It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的)words.e.g. 1.To his kin the kindest,keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of thecommon people with colloquial (口语的,会话的), vivid and,sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced byGeoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。

英国文学选读期末考名词解释部分

英国文学选读期末考名词解释部分

Dramatic monologue (戏剧独白)A monologue is a lengthy speech by a single person. Dramatic monologue does not designate a component in a play, but a type of lyric poem that was perfected by Robert Browning. By using dramatic monologue, a single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment.Stream of consciousness(意识流)It is a narrative mode that seeks to portray an individual's point of view by giving the written equivalent of the character's thought processes, either in a loose interior monologue, or in connection to his or her actions. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by leaps in syntax and punctuation that can make the prose difficult to follow, tracing a character's fragmentary thoughts and sensory feelings. The narrative method of capturing and representing the inner working of a character’s mind.Iambic pentameter(五音步诗)Iambic pentameter is the most common English meter, in which each foot contains an unaccented syllable and an accented syllable. It is a meter in poetry, consisting of an unrhymed line with five iambs or feet (hence pentameter).Alliteration(头韵)Alliteration means a repetition of the initial sounds of several words in a line or group. It is a very old traditional stylistic device in English literature and verse. The consonants and stressed syllables are repeated in one line or in one stanza.。

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英国文学选读名词解释1. Byronic hero拜伦式英雄(1)The Byronic hero is an idealized (理想化的)but flawed (有缺陷的)character exemplified in the life and writings of Lord Byron, characterized by his e x-lover Lady Caroline Lamb as being "mad, bad, and dangerous to know".[1] The Byr onic hero first appears in Byron's semi-autobiographical epic narrative poem Childe H arold's Pilgrimage (1812-18).(2)It refers to a proud, mysterious rebel figure of noble origin. With immense superio rity in his passions and powers, this Byronic hero would carry on his shoulders the bu rden of righting all the wrongs in a corrupt society, and would rise single-handedly ag ainst any kind of tyrannical rules either in government, in religion, or in moral princip les with unconquerable wills and inexhaustible energies.1812-1818 George Gordon Byron “Manfred”Manfred2. ConceitConceit is a far-fetched simile or metaphor, a literary conceit occurs when the speaker compares two highly dissimilar things. Conceit is extensively employed in John Don ne’s poetry.metaphysical poetry玄学派诗歌(1) Metaphysical poetry is commonly used to name the work of the 17th-century write rs who wrote under the influence of John Donne. With a rebellious spirit, the metaphy sical poets tried to break away from the conventional fashion of the Elizabethan love poetry. The diction is simple as compared with that of the Elizabethan of the Neoclas sical periods, and echoes the words and cadences of common speech. The imagery is drawn from actual life.(2)It is the name given to a diverse group of 17th century English poets whose work is notable for its ingenious use of intellectual and theological concepts in surprising conceits, strange paradoxes and far-fetched imagery. The leading Metaphysical poet was John Donne, whose colloquial, argumentative abruptness of rhythm and tone distinguishes his style from the conventions of Elizabethan love lyrics.17世纪,英国,John Donne “The Flea”3. Renaissance 文艺复兴The word “Renaissance”means “rebirth”, it meant the reintroduction into western Europe of the full cultural heritage of Greece and Rome. The essence of the Renaissance is Humanism. Attitudes and feelings, which had been characteristic of the 14th and 15th centuries, persisted well down into the era of Humanism and reformation. The real mainstream of the English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.14-17世纪英国,起源于意大利,William Shakespeare Hamlet4. English RomanticismIn the mid-18th century, a new literary movement called Romanticism came to Europ e and then to England. It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticismgave primary concern to passion, emotion, and natural beauty. Romantic literature is c haracteristic by such qualities as a deep love of nature, an indulgence in the self and th e individual, and a overwhelming interest in the supernatural, the mysterious and the g othic. The English Romantic period is an age of poetry. Romanticism prevailed in En gland from 1798 to 1837.1798-1837 William Blake “The Lamb”5. Dramatic monologue戏剧独白Dramatic monologue is a type of lyric poem that was perfected by Robert Browning. Dramatic monologue is a kind of poem in which a single fictional or historical character other than the poet speaks to a silent “audience” of one or more persons. Such poems reveal not the poet’s own thoughts but the mind of the impersonated character, whose personality is revealed while the implied presence of an auditor distinguishes it from a soliloquy, have also been called Dramatic monologue. But to avoid confusion it is preferable to refer to these simply as monologues or as monodramas.The Victorian period represented the high point of the dramatic monologue in English poetr y. Robert Browning “My Last Duchess”6. Stream of Consciousness 意识流In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’s fragmentary thoughts and sensory feelings.It is a literary technique that presents the thoughts and feelings of a character as they occur without any clarification by the author. It is a narrative mode. It was first used in 1922 by the Irish novelist James Joyce.1922-21st century James Joyce Finnegans Wake7. Epiphany 顿悟A moment of illumination, usually occurrs at or near the end of a work. It was taken over by James Joyce to denote secular revelation in the everyday world, in an early version of his novel A Portrait of the Artist as a Young Man (1916) later published as Stephen Hero (1944).8. Critical RealismIt means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues. Realist writers were all concerned about the fate of the common people and described what was faithful to reality.It is a term applied to the realistic fiction in the late 19th and early 20th centuries. Charles Dickens A Tale of Two Cities。

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