英语笔译：文学文本的翻译共34页文档
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文学文本翻译
In the twilight, a myriad of rosy clouds were shining upon the sky, with which the sky blended in one color that it was hard to tell the clouds from the water. Adding an animate touch to sheep at browse on the riverside, too occupied to look up at the beautiful dusk. It seemed that they were seizing the day to snatch one more feed before heading home. This is a scene on the
汉英词汇语义美与翻译
句（1）也就在这一幅绚烂的图画旁边，在河湾之 畔，一群羊正在低头觅食。 Some sheep; a herd of sheep; the cattle of sheep; a crowd of sheep; a term of sheep; a group of sheep; 汉语一个量词在英语中常有许多相应的名词来表达 相应的概念。 A group of people; a herd of cattle; a flock of sheep; a pack of wolves; a swarm of bees. 试卷中出现的a pack of sheep把羊变成了“狼”， a gang of sheep 把羊变成了“盗贼”，a swarm of sheep把羊变成了“昆虫”。
(3) Beside this splendid picture a flock of sheep were browsing on the riverside, too occupied to look up at the beautiful dusk.
英语笔译：文学文本的翻译
e.g.
“Why, my dear, you must know, Mrs. Long says that Netherfiield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it that he agreed Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week.” (Jane Austin, Pride and Prejudice)
一般来说，就体裁而言，文学翻译是只对狭义文学作品和惯例文学 作品的翻译，即对主要文学体裁如诗歌、散文、小说、戏剧，以及文学 性较强的杂文、传记、儿童文学等的翻译。
文学文本的语言特点
（一）形象性
Don West had seen her wave and he came walking across the station toward her, a quizzical, surprised look on his tanned face.
3. 充分的环境描写
小说中的环境是指人物活动的历史背景、社会背景、自然环 境和具体生活场所。小说中的环境描写具有多方面的功能： 可以烘托人物性格，塑造人物形象。 可以交代人物身份，暗示人物性格，洞察人物心理。 有助于展示故事情节。 可以随时变换场景，为故事情节的展开提供自由灵活的时
文学文本英译
也就在这一幅绚烂的图画旁边，在河湾之畔，一群羊正在低头觅食。
Beside this picture with profusions of colors, a group of sheep are lowing their heads, eating by the river bank. Just beside this splendid picture, a flock of sheep are grazing with bent heads by the riverside. 中文中的动词转化
增加句子主语
文学文本
信息功能
表情功能
文学文本主要功能
美感功能 呼唤功能
信息功能
Just beside this splendid picture, a flock of sheep are grazing with bent heads by the riverside. This is a scene taking place on the shore of the Yellow River.
Here the water grass is so luxuriant and tender that the sheep have battened on them
表（达）情（感）功能
Hardly any of them cares to look up and throw a glance at the beautiful twilight.
They are, perhaps, taking use of every minute to enjoy their last chew before being driven home. The ample fresh water and exuberant plants had nurtured the sheep, making them grow as round as chubby babies. When approaching near, you would find their lovely faces with white teeth and a variety of innocent facial impressions.
文学文本的翻译
• 青春不是年华，而是心境。青春也不是玫瑰般娇媚的面容，如 火的双唇和柔和的膝盖。青春是一种积极的意志，美妙的想像， 炙热的情感，是心底生命之泉的激涌。
• 青春不是年华，而是心境；青春不是桃面、丹唇、柔膝，而是 深沉的意志、恢宏的想象、炽热的感情；青春是生命的深泉在 涌流。
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• 岁月能在脸上刻上痕迹，但倘若抛弃热情，衰却的则是心灵。 忧愁，恐慌，妄自菲薄都会给我们的心灵和精神蒙上尘土。 • 岁月悠悠，衰微只及肌肤；热忱抛却，颓唐必至灵魂。忧烦、 惶恐、丧失自信，定使心灵扭曲，意气如灰。
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• Whether 60 or 16, there is in every human being’s heart the lure of wonders, the unfailing childlike appetite of what’s next and the joy of the game of living. In the center of your heart and my heart there is a wireless station: so long as it receives messages of beauty, hope, cheer, courage and power from men and from the infinite, so long as you are young. • 不论是六旬老者，还是二八青年，心中都有欢乐，一种永无止境 孩童般的好奇和对生活的热爱。在你我心中都有一个无线接收台： 只要它能感知到美，希望，欢乐，勇气和力量，你就能永远年轻。 • 无论年届花甲，抑或二八芳龄，心中皆有生命之欢乐，奇迹之诱 惑，孩童般天真久盛不衰。人人心中皆有一台天线，只要你从天 上人间接受美好、希望、欢乐、勇气和力量的信号，你就青春永 驻，风华常存。
文学翻译
Translate the following story into Chinese.THIS SON-LESS LIFE爱子逝去，生命成空Frank Leatherland弗兰克，莱斯兰德I hear his car pull in and park. The sound of his footsteps. The door opens and, as usual, he says: “Hi, Dad. Sorry I’m late.” He came to have a meal with me three times a week and he was always late. He has gone now. He will not be with me for dinner ever again.我听到他的停车声，脚步声。
紧接着门开了，他像往常一样说道：“对不起，父亲，我回来晚了。
”他每周回来三次与我一起共进晚餐，但他总是回来得很晚。
现在，他已逝去，永远不会再与我一起共享晚餐了。
It’s four weeks since my son Stephen died, and I am s truggling to come to terms with his death and the circumstances. He did not show up to meet my flight from Melbourne. There was no answer to my calls or text messages.我的孩子，史蒂夫已经去世四周了，但我一直在与他已死去的事实和一切做挣扎。
当我乘飞机从墨尔本返回时他没有来接我，我给他的电话以及短讯都没有了回音。
Thirty-six hours later, on Wednesday at 6:30 am, the police told me his car had been found. As soon as I heard the location I prepared for the worst. The rest of that day is a blur of activity and shock. I went to see his mother at 8 am to break the news. There was a continuous flow of calls to and from the police.他逝去的三十六小时后，周三早晨六点三十分，警察通知我发现了他的车子所在位置。
Lecture 7 文学文体的翻译
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（一）形象性
文学语言最显著的特点是其形象性。无论是小说、散文、戏剧 文学语言最显著的特点是其形象性。 无论是小说、 散文、 还是诗歌， 还是诗歌，都力图以各种语言手段在读者的脑海中塑造生动鲜 明的形象， 明的形象，以达到表情达意的效果 He was a lovely boy, clad in skeleton leaves and the juices that ooze out of trees but the most entrancing thing about him was that he had all his grownfirst teeth. When he saw she was a grown-up, he gnashed the little pearls at her. ----Peter ----Peter Pan’s World
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（三）含蓄性
通篇直白的文学作品很难说是好的文学作品。 通篇直白的文学作品很难说是好的文学作品 。 好的文 学作品往往留下足够的空间让读者去想像、 去思索、 学作品往往留下足够的空间让读者去想像 、 去思索 、 去回味。因此，含蓄性也是文学语言的一大特色。 去回味。因此，含蓄性也是文学语言的一大特色。 When they entered, they found hanging upon the wall a splendid portrait of their master as they had last seen him, in all the beauty. wonder of his exquisite youth and beauty. Lying on the floor was a dead man, in heart. evening dress, with a knife in his heart. He was withered, wrinkled, and loathsome of visage. visage. It was not till they had examined was. the rings that they recognized who it was.
翻译学文学文本的翻译(最全版)PTT文档
在英语文学的发展过程中，作家们总是在不断地寻新求异，文学式样和创作手法总是随着时代和社会的变化而不断更新，其文体特征
也不断变化，绝做不象到科技“文体言或新如闻文其体那人样，”虽然。有变小化但说变化的的速人度相物对缓千慢。姿万态，对话的场合
She was a women of mean understanding, little information, and uncertain temper.
▪ 在这个例子中，作者叙述部分用的是标准引语， 而Janie和她丈夫之间的对话则属非标准英语-----黑人英语， 如Ah=I, kin=can, de=the, lak=like,
fust=first, tuh=to, dat=that, uh=a, heah=here
▪ 如马克·吐温的The Adventures of Huckleberry Finn, 小说的叙述部分即采用了经过锤炼的 当代口语， 书中的人物对话更是原原本本的生活语言的照录， 请看哈克与黑奴吉姆的对话：
人物语言的个性化是小说语言的一个显著特征，它是刻画人物形象的中欧冠要标志，通常是通过各种对话方式(如直接引语、间接引语
能是方言俚语，极不规范。例如 黑人作家Zora Neale 等)来表现的。
形象思维是作家的主要思维方式，想象力是小说家的重要禀赋，而好的译者应在这两个方面最大限度地接近作家。
Hurston写的小说Their Eyes Were Watching God中 在这个例子中，作者叙述部分用的是标准引语，而Janie和她丈夫之间的对话则属非标准英语------黑人英语， 如Ah=I, kin=can, de=the,
▪ “Hello, Jim, have I been asleep? Why didn’t you stir me up?” “Goodness gracious, is dat you, Huck? En you ain’ dead-you ain’ drownded-you’s back agin? It’s too good for true, honey, it is too good for true. Lemme look at you, chile, lemme feel o’you…
也不断变化，绝做不象到科技“文体言或新如闻文其体那人样，”虽然。有变小化但说变化的的速人度相物对缓千慢。姿万态，对话的场合
She was a women of mean understanding, little information, and uncertain temper.
▪ 在这个例子中，作者叙述部分用的是标准引语， 而Janie和她丈夫之间的对话则属非标准英语-----黑人英语， 如Ah=I, kin=can, de=the, lak=like,
fust=first, tuh=to, dat=that, uh=a, heah=here
▪ 如马克·吐温的The Adventures of Huckleberry Finn, 小说的叙述部分即采用了经过锤炼的 当代口语， 书中的人物对话更是原原本本的生活语言的照录， 请看哈克与黑奴吉姆的对话：
人物语言的个性化是小说语言的一个显著特征，它是刻画人物形象的中欧冠要标志，通常是通过各种对话方式(如直接引语、间接引语
能是方言俚语，极不规范。例如 黑人作家Zora Neale 等)来表现的。
形象思维是作家的主要思维方式，想象力是小说家的重要禀赋，而好的译者应在这两个方面最大限度地接近作家。
Hurston写的小说Their Eyes Were Watching God中 在这个例子中，作者叙述部分用的是标准引语，而Janie和她丈夫之间的对话则属非标准英语------黑人英语， 如Ah=I, kin=can, de=the,
▪ “Hello, Jim, have I been asleep? Why didn’t you stir me up?” “Goodness gracious, is dat you, Huck? En you ain’ dead-you ain’ drownded-you’s back agin? It’s too good for true, honey, it is too good for true. Lemme look at you, chile, lemme feel o’you…
文学文本的翻译(一) - 211.64.240.63.
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（三）含蓄性
通篇直白的文学作品很难说是好的文学作品。好的文 学作品往往留下足够的空间让读者去想像、去思索、 去回味。因此，含蓄性也是文学语言的一大特色。 When they entered, they found hanging upon the wall a splendid portrait of their master as they had last seen him, in all the wonder of his exquisite youth and beauty. Lying on the floor was a dead man, in evening dress, with a knife in his heart. He was withered, wrinkled, and loathsome of visage. It was not till they had examined the rings that they recognized who it was.
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（六）讽刺和幽默
文学作品的含蓄性与讽刺和幽默是密不可分的。借助讽刺和幽 默，往往能收到比直接批判或直接赞扬更好的效果，因为与其 把观点强加给读者，不如引导读者自己去得出结论。 It is a truth universally acknowledged, that a single man in possession pf a good fortune must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighborhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.
中英文学类翻译
Hold infinity in the palm of your hand And eternity in an hour ------by William Blake
一花一世界， 一沙一天国。 君掌盛无边， 刹那含永劫。
用到了“互文”的修辞手法，但是，精
彩已经不需要解释
长句的翻译
长句，尤其是流水句的翻译最是困 难，一方面要做到忠于原文，另一方 面又不能翻得平淡无奇，空洞乏味。
• 精译：她美丽依旧，若非风华正茂，也未 到迟暮之年。
仿文言文译法。
-hose who are the most distrustful of themselves , are the most envious of others ; as the most weak and cowardly are the most revengeful
例子
Give me the clear blue sky over my head, and the green turf beneath my feet, a winding road before me, and a three hours' march to dinner -- and then to thinking! It is hard if I cannot start some game on these lone heaths. I laugh, I run, I leap, I sing for joy.
• 粗译：我可不能带了脚镣来跳舞。
• 译文：击链而舞，非吾所能。（钱钟书 译）
• 例2．She has beauty still, and, if it be not in its heyday, it is not yet in its autumn.
一花一世界， 一沙一天国。 君掌盛无边， 刹那含永劫。
用到了“互文”的修辞手法，但是，精
彩已经不需要解释
长句的翻译
长句，尤其是流水句的翻译最是困 难，一方面要做到忠于原文，另一方 面又不能翻得平淡无奇，空洞乏味。
• 精译：她美丽依旧，若非风华正茂，也未 到迟暮之年。
仿文言文译法。
-hose who are the most distrustful of themselves , are the most envious of others ; as the most weak and cowardly are the most revengeful
例子
Give me the clear blue sky over my head, and the green turf beneath my feet, a winding road before me, and a three hours' march to dinner -- and then to thinking! It is hard if I cannot start some game on these lone heaths. I laugh, I run, I leap, I sing for joy.
• 粗译：我可不能带了脚镣来跳舞。
• 译文：击链而舞，非吾所能。（钱钟书 译）
• 例2．She has beauty still, and, if it be not in its heyday, it is not yet in its autumn.
英语笔译：文学文本的翻译
e.g.
“Why, my dear, you must know, Mrs. Long says that Netherfiield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it that he agreed Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week.” (Jane Austin, Pride and Prejudice)
3. 充分的环境描写
小说中的环境是指人物活动的历史背景、社会背景、自然环 境和具体生活场所。小说中的环境描写具有多方面的功能： 可以烘托人物性格，塑造人物形象。 可以交代人物身份，暗示人物性格，洞察人物心理。 有助于展示故事情节。 可以随时变换场景，为故事情节的展开提供自由灵活的时
空范围。 可以奠定作品的情感基调，具有象征等功能。
It was true, a few pounds heavier, a little older, but the same Don West she had fallen in love with long ago --and never quite got over.
（二）含蓄性
“Jeanne,” he said. “Jeanne. You look good enough to eat.” He sighed and then frowned handsomely. “You don’t know how swell it is to see you. I’ve wondered so many times whatever became of you.”