飘的英文介绍
飘的英文读书报告(共5篇)
篇一：飘英文读书报告tomorrow is a new dayreading on gone with the windanother day.gone with the wind has a very significant position in our society. we feel america is an incredible and strange country, but gone with the wind uncovers her too softhearted veil, making people see many things that dirty and glorious are coexisted. it also has a special significance to adolescents. this novel became famous overnight as soon as it published. this novel which reached a length of 1000 pages shocked american. the movie gone with the wind was adapted from this novel. the movie made the novel even more famous. it is quite worth reading.篇二：《飘》读书笔记《飘》读书笔记《飘》是美国作家马格丽特.米歇尔所著,作者以美国南北战争为背景,写乱世中佳人的命运，写飘然而逝的美国南方文化。
小说中的主人公思嘉总是追求着自己得不到的东西。
她对于一切好奇的都想知道都想得到。
她在困境中不屈服于命运，勇于抗争，追求自己想要的生活。
她爱的艾希礼喜欢制造种种颜色鲜明的梦让自己在梦的世界里活动，他不愿回到现实中来，对人生冷眼相待，不乐观也不悲观。
飘 中英文简介和感想
《飘》展现了美国南北战争时期南方动 乱的社会现实。 乱世佳人” 乱的社会现实。以“乱世佳人”斯嘉丽为主 描写了几对青年的爱情纠葛。 线，描写了几对青年的爱情纠葛。 小说最 吸引人的地方是斯佳丽的个性以及她的爱情 故事。 故事。主人公在困难与挫折前所表现出表现 出来的勇气与奋斗不息的精神， 出来的勇气与奋斗不息的精神，着实让我们 感动。电影又名《乱世佳人》。 感动。电影又名《乱世佳人》。
飘
Gone with the wind
玛格丽特·米歇尔 玛格丽l is a famous American author. She was born in Atlanta and she ever got the doctor's degree of literature. She worked as a Atlanta Journal journalist .In 1937,she won the Pulitzer Prize. In 1939,she won a gold medal of south association in New York. Unfortunately ,she died in a car accident . She didn’t leave too many compositions. But she established the position by Gone with the wind.
小说最吸引人的地方是斯佳丽的个性以 及她的爱情故事。 及她的爱情故事。她的爱情不是充满诗意和 浪漫情调的那一种，而是现实的和功利的。 浪漫情调的那一种，而是现实的和功利的。 为了达到目的， 为了达到目的，她甚至不惜使用为人所不齿 的狡诈伎俩。 的狡诈伎俩。那么她的爱情故事为什么还那 么引人入胜呢？原因很简单，这就是真实。 么引人入胜呢？原因很简单，这就是真实。 是小说所设置的情景下完全可能发生的真实 情况。真实的东西可能并不崇高，但更接近 情况。真实的东西可能并不崇高， 人们的生活,因而也更受读者喜爱 因而也更受读者喜爱。 人们的生活 因而也更受读者喜爱。
飘的读书报告英文版三篇
descriptive method. The novel by the characters presented to us are
Gone with the Wind has a very significant position in our
From the view of appreciation of the beauty, the person who had a complicated character could not be intaken into a negative character simply. In previous novels, the author used to shape the character in a simple way. Gone with the Wind has broken this
she was very authentic from beginning to the end , these were this book’s greatest achievements. Scarlett was young and beautiful but what she had did show her cruel and greedy. In order to re-energize her family property, she took her love and marriage asbusiness. She had three marriages, but she was not sincere at all. Finally, she found that, Ashley, the man she kept in mind constantly was weak and incompetent in character. But the man named Rhett Butler was worthwhile to be loved.
《飘》英文版简介.pptx
Margaret Mitchell admired people who had gumption(进取心), people who fought their way through hard times successfully and came out survivors. She said that if her novel, Gone with the Wind, had a theme it was survival, "I wrote about the people who had gumption and the people who didn't." With Gone with the Wind Margaret brought a promising message to all people - "Tomorrow is another day."
Gone with the Wind
——Margaret Mitchell
Margaret Mitchell's first and only published, best-selling and Reconstruction Period novel that first appeared in 1936, but was mostly written in the late 1920s. The novel had a great success throughout the United States and around the world. It has been translated into about 27 languages in 37 countries. At present, Gone with the Wind is still one of the best-selling novels in the world.
《飘》英文解读和介绍动态ppt
A Brief Analysis on "Gone with the Wind"
故事是以佐治亚和亚特兰大为写作背景，主要是在美国南北战争 期间和之后的重建时期，描绘了主人公斯嘉丽的种种体验与遭受， 战争自始至终都贯穿于整个故事中。作者用自己独特的女性视角， 将那个时代人们的生活诠释得淋漓尽致。她让我们认识到北方人 对所谓黑人的解放是建立在政治利益的基础上。
Margaret Mitchell (1900-1949)
The background
So the Atlanta became the locale of the novel. Gone with the Wind, first published in May 1936, which made her won the coveted Pulitzer Prize in 1937. Margaret Mitchell immediately became a well-known author after the publication of her masterpiece Gone with the Wind. Unfortunately, the untimely death of Margaret made us lost a distinguished writer.
It is the unshakable belief that sustained her from the beginning to the end. She still fight against her fate even though her friend Melanie passed away and true lover Rhett left her. Because she believe that tomorrow is another day. Liking the last sentence of The Count of Monte Cristo —“all human wisdom is summed up in two words-`wait and hope.„”《基督山伯爵》 的最后一句话——人类的一切智慧是包含在这四个字 里面的：‘等待’和‘希望’！”
《飘》的激情介绍
Gone with the windLove to meet before separation——《飘》经典语句1.愿上帝保佑那个真正爱过你的人，你把他的心都揉碎了God bless the people that really loved you, you crumple up his heart2.Tomorrow is another day!(个人认为怎么翻译也没英文原句有意韵）3.我从来不是那样的人,不能耐心的拾起一片碎片,把它们合在一起,然后对自己说这个修补好了的东西跟新的完全一样.一件东西破碎了就是破碎了,我宁愿记住它最好时的模样,而不想把它修补好,然后终生看着那些破碎了的地方.I was never like that, do not pick up a patient debris and place them together, and then said to myself Well, what this patch exactly the same with the new. A thing broken is broken, I would remember When it looked like the best, and not want it repaired, and then looked at life that broken place.4.即使是一种最坚贞不渝的爱也会被消磨掉。
我对你的那份爱，早被卫希和你那股疯狂的固执劲给消磨没了。
如果你能在半道上出来迎接我,我一定会跪在地上亲吻你的脚Even the most steadfast love will be while away. The love I have for you, has long been Ashley and your crazy sense of stubborn strength to spend no more. If you can meet me half way out, I will kiss your knees feet5.你从不知道,我对你的爱已经到了男人对女人的极限You never know, I love you have to limit men to women6. 亲爱的,我才不在乎呢Dear, I do not care what7.我一直照料你，宠爱你，你要什么我都给你。
gone with the wind 飘 中英文双语介绍
Gone with the WindPlot summaryGone with the Wind takes place in the southern United States in the state of Georgia during the American Civil War (1861–1865) and the Reconstruction Era (1865–1877) that followed the war. The novel unfolds against the backdrop of rebellion wherein seven southern states, Georgia among them, have declared their secession from the United States (the "Union") and formed the Confederate States of America (the "Confederacy"), after Abraham Lincoln was elected president with no ballots from ten Southern states where slavery was legal. A dispute over states' rights has arisen[60] involving enslaved African people who were the source of manual labor on cotton plantations throughout the South. The story opens in April 1861 at the "Tara" plantation, which is owned by a wealthy Irish immigrant family, the O'Haras. The reader is told Scarlett O'Hara, the sixteen-year-old daughter of Gerald and Ellen O'Hara, "was not beautiful, but"[54] had an effect on men, especially when she took notice of them. It is the day before the men are called to war, Fort Sumter having been fired on two days earlier.There are brief but vivid descriptions of the South as it began and grew, with backgrounds of the main characters: the stylish and highbrow French, the gentlemanly English, the forced-to-flee and looked-down-upon Irish. Miss Scarlett learns that one of her many beaux, Ashley Wilkes, is soon to be engaged to his cousin, Melanie Hamilton. She is stricken at heart. The following day at the Wilkeses' barbecue at "Twelve Oaks," Scarlett informs Ashley she loves him and Ashley admits he cares for her.[60] However, he knows he would not be happily married to Scarlett because of their personality differences. Scarlett loses her temper at Ashley and he silently takes it.Then Scarlett meets Rhett Butler, a man who has a reputation as a rogue. Rhett had been alone in the library when Ashley and Scarlett entered, and felt it wiser to not make his presence known while the argument took place. Rhett applauds Scarlett for the unladylike spirit she displayed with Ashley. Infuriated and humiliated, Scarlett tells Rhett, "You aren't fit to wipe Ashley's boots!"[60]Upon leaving the library and rejoining the other party guests, she finds out that war has been declared and the men are going to enlist. Seeking revenge for being jilted by Ashley, Scarlett accepts a proposal of marriage from Melanie's brother, Charles Hamilton. They marry two weeks later. Charles dies from measles two months after the war begins. Scarlett is pregnant with her first child. A widow at merely sixteen, she gives birth to a boy, Wade Hampton Hamilton, named after his father's general.[61] As a widow, she is bound by tradition to wear black and avoid conversation with young men. Scarlett is despondent as a result of the restrictions placed upon her.Melanie, who is living in Atlanta with Aunt Pittypat, invites Scarlett to live with them. In Atlanta, Scarlett's spirits revive and she is busy with hospital work and sewing circles for the Confederate army. Scarlett encounters Rhett Butler again at a dance for the Confederacy. Although Rhett believes the war is a lost cause, he is blockade running for the profit in it. The men must bid for a dance with a lady and Rhett bids "one hundred fifty dollars-in gold"[37] for a dance with Scarlett.Everyone at the dance is shocked that Rhett would bid for Scarlett, the widow still dressed in black. Melanie smooths things over by coming to Rhett's defense because he is generously supporting the Confederate cause for which her husband, Ashley, is fighting.At Christmas (1863), Ashley has been granted a furlough from the army and returns to Atlanta to be with Melanie. The war is going badly for the Confederacy. Atlanta is under siege (September 1864), "hemmed in on three sides,"[62] it descends into a desperate state while hundreds of wounded Confederate soldiers lie dying or dead in the city. Melanie goes into labor with only the inexperienced Scarlett to assist, as all the doctors are busy attending the soldiers. Prissy, a young Negro servant girl, cries out in despair and fear, "De Yankees is comin!"[63] In the chaos, Scarlett, left to fend for herself, cries for the comfort and safety of her mother and Tara. The tattered Confederate States Army sets flame to Atlanta as they abandon it to the Union Army.Melanie gives birth to a boy named Beauregard, and now they must hurry for refuge. Scarlett tells Prissy to go find Rhett, but she is afraid to "go runnin' roun' in de dahk". Scarlett replies to Prissy, "Haven't you any gumption?"[63] Prissy then finds Rhett, and Scarlett begs him to take herself, Wade, Melanie, Beau, and Prissy to Tara. Rhett laughs at the idea, but steals an emaciated horse and a small wagon, and they follow the retreating army out of Atlanta.Part way to Tara, Rhett has a change of heart and he abandons Scarlett to enlist in the army. Scarlett makes her way to Tara without him where she is welcomed on the steps by her father, Gerald. It is clear things have drastically changed: Gerald has lost his mind, Scarlett's mother is dead, her sisters are sick with typhoid fever, the field slaves left after Emancipation, the Yankees have burned all the cotton and there is no food in the house.The long tiring struggle for post-war survival begins that has Scarlett working in the fields. There are so many hungry people to feed and so little food. There is the ever present threat of the Yankees who steal and burn, and at one point, Scarlett kills a Yankee marauder with a single shot from Charles's pistol leaving "a bloody pit where the nose had been."[64]A long succession of Confederate soldiers returning home stop at Tara to find food and rest. Two men stay on, an invalid Cracker, Will Benteen, and Ashley Wilkes, whose spirit is broken. Life at Tara slowly begins to recover when a new threat appears in the form of new taxes on Tara.Scarlett knows only one man who has enough money to help her pay the taxes, Rhett Butler. She goes to Atlanta to find him only to learn Rhett is in jail. As she is leaving the jailhouse, Scarlett runs into Frank Kennedy, who is betrothed to Scarlett's sister, Suellen, and running a store in Atlanta. Soon realizing Frank also has money, Scarlett hatches a plot and tells Frank that Suellen has changed her mind about marrying him. Thereafter Frank succumbs to Scarlett's feminine charms and he marries her two weeks later knowing he has done "something romantic and exciting for the first time in his life."[65] Always wanting Scarlett to be happy and radiant, Frank gives her the money to pay the taxes on Tara.While Frank has a cold and is being pampered by Aunt Pittypat, Scarlett goes over the accounts atFrank's store and finds many of his friends owe him money. Scarlett is now terrified about the taxes and decides money, a lot of it, is needed. She takes control of his business while he is away and her business practices leave many Atlantans resentful of her. Then with a loan from Rhett she buys a sawmill and runs the lumber business herself, all very unladylike conduct. Much to Frank's relief, Scarlett learns she is pregnant, which curtails her activities for awhile. She convinces Ashley to come to Atlanta and manage the mill, all the while still in love with him. At Melanie's urging, Ashley takes the job at the mill. Melanie soon becomes the center of Atlanta society, and Scarlett gives birth to a girl named Ella Lorena. "Ella for her grandmother Ellen, and Lorena because it was the most fashionable name of the day for girls."[66]The state of Georgia is under martial law and life there has taken on a new and more frightening tone. For protection, Scarlett keeps Frank's pistol tucked in the upholstery of the buggy. Her trips alone to and from the mill take her past a shanty town where criminal elements live. On one evening when she is coming home from the mill, Scarlett is accosted by two men who attempt to rob her, but she escapes with the help of Big Sam, the former negro foreman from Tara. Attempting to avenge the assault on his wife, Frank and the Ku Klux Klan raid the shanty town whereupon Frank is shot dead. Scarlett is a widow for a second time.Rhett puts on a charade to keep the men who participated in the shanty town raid from being arrested. He walks into the Wilkeses' home with Hugh Elsing and Ashley, singing and pretending to be drunk. Yankee officers outside the home question Rhett and he tells them he and the other men had been at Belle Watling's brothel that evening, a story Belle later confirms to the officers. The men are indebted to Rhett for saving them, and his Scallawag reputation among them improves a notch, but the men's wives, with the exception of Melanie, are livid at owing their husbands' lives to Belle Watling.Frank Kennedy lies cold in a coffin in the quiet stillness of the parlor in Aunt Pittypat's home. Scarlett is in a remorseful state. She is swigging brandy from Aunt Pitty's swoon bottle when Rhett comes to call. She tells Rhett tearfully, "I'm afraid I'll die and go to hell," to which Rhett replies, "Maybe there isn't a hell."[19] Before she can cry any further, Rhett asks Scarlett to marry him saying, "I always intended having you, one way or another."[19] Scarlett declares she doesn't love him and doesn't want to be married again. However, Rhett kisses her passionately, and in the heat of the moment she agrees to marry him. One year later, Scarlett and Rhett announce their engagement.News of the impending marriage is the talk of the town. Mr. and Mrs. Butler honeymoon in New Orleans, spending lavishly. Upon their return to Atlanta, the couple take up residence in the bridal suite at the National Hotel while their new home on Peachtree Street is being constructed. Scarlett chooses a modern Swiss chalet style home like the one she saw in Harper's Weekly, and red wallpaper, thick red carpet and black walnut furniture for the interior. Rhett describes the house as an "architectural horror".[67] Shortly after the Butlers move into their new home, the sardonic jabs between them turn into full-blown quarrels. Scarlett wonders why Rhett married her. Then "with real hate in her eyes"[67] she tells Rhett she is going to have a baby, a baby she does not want.Wade is seven years old in 1869 when his sister, Eugenie Victoria, named after two queens, arrives in the world. She has blue eyes like Gerald O'Hara and Melanie gives her the nickname, "Bonnie Blue," in reference to the Bonnie Blue Flag of the Confederacy.When Scarlett is feeling well again, she makes a trip to the mill and talks to Ashley, who is alone in the office. In the conversation with him, she comes away believing Ashley still loves her and is jealous of her intimate relations with Rhett, which excites her. Scarlett returns home and tells Rhett she does not want more children. From then on, Scarlett and Rhett sleep in separate bedrooms, and when Bonnie is two years old, she sleeps in a little bed beside Rhett's bed (with the light on all night long because she is afraid of the dark). Rhett turns his attention towards Bonnie, dotes on her, spoils her, and worries about her reputation when she is older.Melanie is giving a surprise birthday party for Ashley. Scarlett goes to the mill to keep Ashley there until party time, a rare opportunity for Scarlett to see Ashley alone. When she sees him, she feels "sixteen again, a little breathless and excited."[68] Ashley tells her how pretty she looks, and they reminisce about the days when they were young and talk about their lives now. Suddenly Scarlett's eyes fill with tears and Ashley holds her head against his chest. Then in the doorway of the office Ashley sees standing his sister, India Wilkes. Before the party has even begun rumors of an adulterous relationship between Ashley and Scarlett have started, and Rhett and Melanie have heard the gossip. Melanie refuses to accept any criticism of her sister in-law and India Wilkes is banished from the Wilkeses' home for it, causing a rift in the family.Rhett, more drunk than Scarlett has ever seen him, returns home the evening of the party long after Scarlett. His eyes are bloodshot and his mood is dark and violent. He enjoins Scarlett to drink with him. Not wanting Rhett to know she is fearful of him, Scarlett throws back a drink and gets up from her chair to go back to her bedroom. But Rhett stops her and pins her shoulders to the wall. Scarlett tells Rhett he is jealous of Ashley and Rhett accuses Scarlett of "crying for the moon"[53] over Ashley. He tells Scarlett they could have been happy together saying, "for I loved you and I know you."[53] Rhett then takes Scarlett in his arms and carries her up the stairs to her bedroom where passion envelops them.The following morning Rhett leaves town with Bonnie and Prissy and stays away for three months. Scarlett finds herself missing him, but she is still unsure if Rhett loves her, having told her so when he was drunk. She learns she is pregnant with her fourth child.On the day Rhett arrives home, Scarlett waits for him at the top of the stairs. She wonders if Rhett will kiss her, but to Scarlett's irritation, he does not. He tells her she looks pale. Scarlett tells him she is pale because she is pregnant. Rhett sarcastically asks her if the father is Ashley. She calls Rhett a cad and tells him no woman would want a baby of his. To which Rhett responds, "cheer up, maybe you'll have a miscarriage."[69] At that comment, Scarlett lunges at Rhett, but he side steps and she tumbles backwards down the stairs. She is seriously ill for the first time in her life, having lost her child and broken her ribs. Rhett is remorseful, believing he has killed her. Sobbing and drunk, Rhett buries his head in Melanie's lap and confesses he had been a jealouscad.Scarlett, who is thin and pale, goes to Tara taking Wade and Ella with her, to regain her strength and vitality from "the green cotton fields of home."[70] When she returns a healthy woman to Atlanta, she sells the mills to Ashley. She finds Rhett's attitude has noticeably changed. He is sober, kinder, polite and seemingly disinterested. Though she misses the old Rhett at times, Scarlett is content to leave well enough alone.Now Bonnie is four years old in 1873. A spirited and willful child, she has her father wrapped around her finger and giving into her every demand. Even Scarlett is jealous of the attention she gets from him. Rhett rides his horse around town with Bonnie in front of him, but the household mammy, "Mammy," insists it is not fitting for a girl to ride a horse with her dress flying up. Rhett heeds Mammy's words and buys Bonnie a Shetland pony, whom she names "Mr. Butler," and teaches her to ride sidesaddle. Then Rhett pays a boy named Wash twenty-five cents to teach Mr. Butler to jump over wood bars. When Mr. Butler is able to get his fat legs over a one foot high bar, Rhett puts Bonnie on the pony, and soon Mr. Butler is leaping bars and Aunt Melly'srose bushes.Wearing her blue velvet riding habit with a red feather in her black hat, Bonnie pleads with her father to raise the bar to one and a half feet. He gives in and raises the bar, warning her not to come crying to him if she falls. Bonnie yells to her Mother, "Watch me take this one!"[71] The pony gallops towards the wood bar, but trips over it splintering the wood. Mr. Butler tumbles to the ground then scrambles to his feet and trots off with an empty saddle. Little Miss "Bonnie Blue" Butler is dead.In the dark days and months following Bonnie's death, Rhett is often drunk and disheveled, while Scarlett, though deeply grieved also, seems to hold up under the strain. With the untimely death of Melanie Wilkes a short time later, Rhett decides he only wants the calm dignity of the genial South he once knew in his youth and he leaves Atlanta to find it. Meanwhile, Scarlett dreams of love that has eluded her for so long. However, she still has Tara and is determined to win Rhett back, and "tomorrow is another day.此书名取自恩斯特·道森的诗《sum qualís erambonae sub regnoCynarae》第三段第一句: "我忘却的太多了，Cynara!随风而去."(原文:I have forgot much, Cynara! gone with the wind).书名的也同样在小说中出现:当思嘉丽为躲避北方军对亚特兰大的轰击,逃回她家族的农场,塔拉.有一个瞬间,她想到:"塔拉还在吗?抑或是它已经随着席卷佐治亚州的风暴而去了呢?"(Was Tara still standing? Or was Tara also gone with the wind which had swept through Georgia?"1861年4月，美国南北两方的关系已经非常紧张。
关于《飘》的英文论文
关于《飘》的英文论文Last w w eek, th e e Americ a a n Film I nstitut e e releas e e d its l i st of t h h e 100 b e e st Amer i can fil m m s of al l time. N N ot surp r isingly, Gone w i th the W W ind pla c c ed in t h h e Top 100(#4, i n n fact). However,althou g g h this e e pic rom a a ntic me l odrama i s undou b b tedly o n n e of th e e most p o o pular a n n d belov e e d motio n n pictur e e s ever t o grace the sil v v er scre e e n, it i s s also a r guably t he most overrat e e d. Gone with th e e Wind i s s a very good mo v v ie, per h h aps bor d d ering o n n being g g reat, b u u t its s u u bject m a a tter an d d runnin g g time (w w hich is easily 660 minut e e s too l o o ng) arg u u e again s s t its s t atus as a maste r piece. A A s for i t s high p p lacing o o n the A F F I#39;s l ist... i t isn#399;t the o o nly tra v v esty on that ro s s ter, bu t it is o o ne of t h h e most o o bvious.Gone wit h h the Wi n n d is, s i mply pu t, a tal e e of two halves. The mov i e is di v v ided by an inte r mission into a p p air of r oughly-e e qual se g g ments. T T he firs t, which is bril l iant an d d consis t ently c a a ptivati n n g, cove r s the t i me peri o o d of th e e Civil W W ar, beg i nning s h h ortly a f ter the electio n n of Abr a a ham Lin c c oln, an d d ending during S S herman#339;s mar c c h throu g g h Atlan t a. The p p ost-int e e rmissio n n half, w w hich di s s hes out the sud s s, picks up at t h h e end o f the Ci v v il War a a nd conc l udesab o o ut eigh t years l ater. T h h is port i on of G o o ne with the Win d d, while still r e e taining a degre e e of app e e al and n n arrativ e e intere s s t, spin s s its wh e e els fre q q uently.Neverthe l ess, vi e e wing Go n n e with t he Wind on tele v v ision p a a les in c c omparis o o n to se e e ing it p p rojecte d d on a m o o tion pi c c ture sc r een. Ne w w Line C i nema ha s s chosen to re-r e e lease t h h e film (which i s s now in its six t h major revival) for it s s59th a n n niversa r y. (Why not wai t a year for the 60th?) A A nyone w h h o loves movies b b ut has o o nly see n n this o n n e on TV or vide o o is hea r tily en c c ouraged to visi t the ne a a rest pa r ticipat i ng venu e e. Theat r ically,Gone wi t h the W i nd is a n n entire l y diffe r ent exp e e rience f rom its small-s c c reen co u u nterpar t; some o o f the s e e cond-ha l f narra t ive ted i um is e f faced b y y the gl o o rious v i suals. W W ith a r e e stored t hree-st r ip Tech n n icolor p p rint th a a t prese r ves all of the o o riginal##39;s de e e p, vibr a a nt colo r s and d i gitally-enhance d d sound,this pi c c ture ha s s never l ooked o r sounde d d better.Gone w i th the W W ind has one of t he best-known s t oryline s s of any film, d u u e in la r ge part to the p p opulari t y of th e e source materia l, Marga r et Mitc h h ell#39;s s best-s e e lling 19936 book. It#39;s s essent i ally a s s umptuou s s soap o p p era setaround C C ivil Wa r times i n the d e e ep Sout h h. The m a a in char a a cter is Scarlet t O#39;H a a ra (Viv i en Leig h h), the s s poiled, manipul a a tive da u u ghter o f an Iri s s h immig r ant pla n n tation o o wner (T h h omas Mi t chell, w w ho woul d d later p p lay Unc l e Billy in Fran k k Capra#339;s It#339;s a W o o nderful Life). S S carlett has two sisters, but sh e e is by f ar the m m ost spi r ited of the thr e e e O#39;H H ara gir l s, and h h er fath e e r, seei n n g her a s s his su c c cessor,teaches her les s s ons abo u u t the i m m portanc e e of the land. "I t#39;s t he only thing t h h at last s s... the only th i ng wort h h fighti n n g for,"he comm e e nts in t he face of war.Scarlett is secr e e tly in l ove wit h h Ashley Wilkes (Leslie H H oward),who is a a bout to marry t h h e gentl e e, demur e e Melani e e Hamilt o o n (Oliv i a De Ha v v illand).When S c c arlett c c onfesse s s her lo v v e to As h h ley, he admits h h is feel i ngs for her, bu t notes t hat Mel a a nie wil l make a much be t ter wif e e. Immed i ately a f ter thi s s meetin g g, Scarl e e tt has h h er firs t encoun t er with the irr e e pressib l e Rhett Butler (Clark G a a ble), t h h e cynic a a l, smar t hero w h h o event u u ally fa l ls in l o o ve with her. Th e e y are t w w o heads t rong li k k es who s s imultan e e ously r e e pel and attract one ano t her. Wh e e n Scarl e e tt rema r ks, "Yo u u, Sir, a a re no g e e ntleman," Rhett##39;ssm i ling, e a a sy resp o o nse is,"And yo u u#39;re n n o lady."The bu l k of th e e film f o o llows a romanti c c quadra n n gle as i t unfol d d s again s s t the b a a ckdrop o o f war a n n d recon s s tructio n n in and around A A tlanta a a nd the O O#39;Har a a planta t ion, Ta r a. Scar l ett is i n love w w ith Ash l ey, or t hinks s h h e is, b u u t he wo n n#39;t l e e ave his wife. M e e lanie l o o ves bot h h her hu s s band an d d Scarle t t, who i mprobab l y becom e e s her b e e st frie n n d. Rhet t is smi t ten wit h h Scarle t t, and s s he is c l early i n n tereste d d in him, but th e e real q u u estion i s how l o o ng it w i ll take for her to reco g g nize th e e depth o o f her f e e elings. Ultimat e e ly, whe n n Rhett h h as fina l ly had e e nough, h h e walks out of h h er life after a n n swering"Frankl y y, my de a a r, I do n n#39;t g i ve a da m m n" to h e e r plain t ive que r y about what sh e e#39;s s u u pposed t o do wi t hout hi m m.The p r e-inter m m ission p p ortion o o f Gone w w ith the Wind, w h h ich run s s about 1115 minu t es, is g g lorious from bo t h a vis u u al and a a n emoti o o nal sta n n dpoint.It#39;s a grand tale of love an d d loss i n n the mi d d st of t h h is coun t ry#39;s most bi t ter war.Most i m m portant l y, it s h h ows Sca r lett#39;s devel o o pment f r om a va i n, spoi l ed brat into a h h ardened, determ i ned you n n g woman.Her re l ationsh i p with R R hett is there, b b ut kept careful l y in th e e backgr o o und. Th e e re iss a a dness, h h umor, a n n d a num b b er of b r eathtak i ng shot s s of Sca r lett si l houette d d agains t a redd i sh suns e e t or th e e backdr o o p of At l anta in flames.The fil m m#39;s m o o st ling e e ring im a a ge -- t h h at of t h h ousands of Conf e e derate w w ounded p p aving a n n Atlant a a street-- occu r s durin g g this p a a rt of t h h e movie.The se c c ond hal f, with i ts repe t itive c o o ncentra t ion on S S carlett##39;s ba c c k-and-f o o rth, do-I-love-h h im-or-n o o t relat i onship w w ith Rhe t t, is l e e ss succ e e ssful. T T his stu f f is re a a l soap o o pera ma t erial, a a nd, eve n n as wel l- acted and wel l-presen t ed as t h h e narra t ive is,there#399;s no m i staking it for a a nything else. I f it did n n#39;t r u u n on fo r so lon g g, it wo u u ld be a lot mor e e bearab l e, but G G one wit h h the Wi n n d threa t ens to w w ear out its wel c c ome lon g g before the end title a p p pears. T T he prob l em is t h h at the b b ulk of t he stor y y is rea l ly told in the f irst ha l f, so t h h ere#39;s s a lot o o f fille r in the post-in t ermissi o o n mater i al.Gon e e with t h h e Wind s s tands a s s a roma n n tic mon u u ment to the Old South --an hom a a ge to a n n era an d d a life s s tyle lo n n g gone.The ope n n ing tit l e state s s: "Ther e e was a l and of C C avalier s s and Co t ton Fie l ds call e e d the O l d South. Here i n n this p r etty wo r ld, Gal l antry t o o ok its l ast bow.Here w a a sthe l a a st ever to be s e e en of K n n ights a n n d their Ladies F F air, of Master a a nd of S l ave. Lo o o k for i t only i n n books,for it i s no mo r e than a a dream r emember e e d, a Ci v v ilizati o o n gone w w ith the wind." T T his cle a a rly ill u u strates where t h h e film#339;s sym p p athies l ies, an d d it isn##39;t wi t h the o f ten-gri m m plight of the s s laves (i n fact,slavery is larg e e ly trea t ed as a neutral, or eve n n benevo l ent, in s s titutio n n).One o o f the t e e sts of t he last i ng impa c c t of an y y film i s s determ i ning wh e e ther it##39;s st i ll effe c c tive de c c ades af t er its i nitial r elease.Gone wi t h the W i nd look s s so goo d d that i t is sur p p rising t o consi d d er its a a ctual a g g e. It#399;s hard to beli e e ve that many of the peo p p le invo l ved wit h h this f i lm have long si n n ce died. Of cou r se, per i od piec e e s shoul d d not be constra i ned by t he era i n which they#39;re made, only b y y the on e e in whi c c h they#339;re se t. The s t oryline, while "progres s s ive" an d d"moder n n" for t h h e 1930s, is a l i ttle ta m m e for t h h e 1990s(hence t he MPAA##39;s "G"rating), but, i n its t h h ree-dim e e nsional depicti o o n of Sc a a rlett a n n d Rhett, it#39;s s rarely naive. T T he dial o o gue is o o ften br i lliant,and som e e of the Rhett/S c c arlett e e xchange s s are pa r ticular l y cleve r. Gone w w ith the Wind av o o ids bec o o ming ho p p elessly maudlin by pepp e e ring th e e length y y storyl i ne with a varie t yof li v v ely and humorou s s sequen c c es.Pro b b ably as much ha s s been w r itten a b b out Sca r lett an d d Rhett a a s about Casabla n n ca#39;s Rick an d d Ilsa. V V ivien L e e igh and Clark G a a ble wer e e perfec t ly cast in the l eading r oles --she was a relat i ve unkn o o wn who w w as "dis c c overed"almost b b y accid e e nt afte r an exh a a ustive c c asting p p eriod; h h e was a n n establ i shed id o o l. They fit tog e e ther pe r fectly,and, wh i le thei r chemis t ry isn#339;t as o o verwhel m m ing as t hat of B B ogart a n n d Bergm a a n, it#399;s pret t y close. As wit h h all co u u ples, t h h eir gla n n ces and body la n n guage s a a y as mu c c h or mo r e than t heir wo r ds, and, especi a a lly in S S carlett##39;s ca s s e, are a a lways m o o re trut h h ful. Th e e charac t ers are fascina t ing, bo t h on th e e ir own a a nd in t h h eir int e e raction with ea c c h other.Scarle t t is a d d evious m m anipula t or with a dange r ous cha r m (bewa r e her w h h en she b b ats her eyelash e e s); Rhe t t sees t hrough h h er at e v v ery tur n n, but, e e ven as s s mart as he is, h h e can#399;t help falling for her.There a a re a nu m m ber of n n otewort h h y suppo r ting pl a a yers. T h h e two w i th the m m ost scr e e en time(aside f rom Gab l e and L e e igh) ar e e Leslie Howard a a nd Oliv i a De Ha v v illand.Both po r tray lo w w-key ch a a racters,but do it so w e e ll that wedeve l op a de e e p sympa t hy for t hem and their p l ight. W h h en it c o o mes to t he game s s of the heart e n n gaged i n n by Sca r lett an d d Rhett,Ashley a a nd Mela n n ie are o o ut of t h h eir lea g g ue. Ano t her sta n n dout is Hattie M M cDaniel,whose b b rillian t Mammy (the hou s s ekeeper at Tara) steals scenes f rom the more pr o o minent c c haracte r s. McDa n n iel bri n n gs Mamm y y to lif e e, and, w w hile sh e e#39;s n o o t three-dimensi o o nal, sh e e#39;s r e e al. Mam m m y is al s s o evide n n ce that Gone wi t h the W i nd was c c apable o o f trans c c ending (at leas t in par t) the t o o o-easy b b lack st e e reotype s s that w e e re in e v v idence d d uring t h h e 1930s.When d i scussin g g the cr e e ative f o o rces be h h ind Gon e e with t h h e Wind,one rar e e ly hear s s the na m m e of Vi c c tor Fle m m ing (Th e e Wizard of Oz),the cre d d ited di r ector. (He was a a ctually one of f our men to helm the pro j ect.)I n n stead, G G one wit h h the Wi n n d is re f erred t o o as "a D D avid O. Selznic k k Produc t ion," b e e cause S e e lznick w w as the d d riving f orce be h h ind the movie#399;s deve l opment.As Prod u u cer or E E xecutiv e e Produc e e r, Selz n n ick was instrum e e ntal in making o o ver 50 f ilms, i n n cluding titles l ike Kin g g Kong, A A Tale o f Two Ci t ies, A S S tar Is B B orn, Re b b ecca, S p p ellboun d d, and T h h e Third Man. Wi t h four d d irector s s,over a a dozen u u ncredit e e d scree n n writers,and se v v eral ci n n ematogr a a phers, S S elznick proved t o be th e e creati v v e glue t hat hel d d Gone w i th the W W ind tog e e ther. T h h is was h h is chil d d -- an o o bsessio n n that c o o nsumed h h im for y y ears.T o o date, n n o film h h as sold more bo x x-office tickets than Go n n e with t he Wind.Domest i cally, t he tall y y almost doubles that fo r the ph e e nomenal l y-popul a a r Titan i c. Of c o o urse, w h h en the m m ovie wa s s first r eleased,it was n n#39;t j u u st anot h h er moti o o n pictu r e -- it was a s p p ectacle, an eve n n t. Even though t he habi t s of mo v v ie- goe r s have c c hanged o o ver the years, i t#39;s e e asy to s s ee why t his fil m m provok e e d such a a n outpo u u ring of praise a a nd adul a a tion du r ing its initial release,and wh y y its st a a ture ha s s grown w w ith the passage of deca d d es. Gon e e with t h h e Wind h h as flaw s s, but i t#39;s s t ill und e e niably a a classi c c and a l egend.。
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Theme
• Margaret Mitchell admired people who had gumption(进取心), people who fought their way through hard times successfully and came out survivors. She said that if her novel, Gone with the Wind, had a theme it was survival, "I wrote about the people who had gumption and the people who didn't." With Gone with the Wind Margaret brought a promising message to all people - "Tomorrow is another day."
Margaret Mitchell's first and only published, best-selling and Reconstruction Period novel that first appeared in 1936, but was mostly written in the late 1920s. The novel had a great success throughout the United States and around the world. It has been translated into about 27 languages in 37 countries.
On Melanie deathbed,she tells Scarlett to be kind to Rhett, that he loves her. Out side ,Ashley collapses in tears Only then does Scarlett realize that she had lovedsomething that never really existed. She runs home tells Rhett that she had loved him all along, that she never really loved Ashley. But Rhett walks out the door.
After the war she shoulders the troubles of her family and friends. She realizes she cannot pay the taxes on Taxa knowing the Rhett is still rich .however he tells her he cannot help .as she departs she encounters her second husband Frank. After Frank is killed ,Rhett visits Scarlett and proposes marriage They two have a daughter Bonnie
Scarlett O'Hara
Scarlett O'Hara
Scarlett, still pining forAshley lets Rhett know that she wants no more children and that they will no longer share a bed.
Theme
• Maybe God wants us to meet a few wrong people before meeting the right one,so that when we finally meet the person,we will know how to be grateful.
Gone with the Wind
Margaret Mitchell
Author Margaret Mitchell
• Margaret Mitchell was born in Atlanta. Her father is a prominent lawyer and president of the Atlanta Historical Society. Mitchell grew up listening to stories about old Atlanta and the battles the Confederate Army had fought there during the American Civil War. • Mitchell started her career as a journalist in 1922 under the name Peggy Mitchell, writing articles, interviews, sketches, and book reviews for the Atlanta Journal. Four years later she resigned after an ankle injury. Her second husband, encouraged Mitchell in her writing aspirations. From 1926 to 1929 she wrote Gone With the Wind.
Scarlett O'Hara
ห้องสมุดไป่ตู้
Rhett Butler
Ashley & Melanie
Plot
love
Jealous
To Save Tara
Charles Frank
Melanie
Ashley
Scarlett
True love
Rhett
Scarlett O'Hara
• Scarlett is a pretty, unique girl who grows up on the Georgia plantation of Tara in the years before the Civil War. She fell in love with Ashley but he choose the kind-hearted Melanie as his wife Scarlett jealous angrily married to Charles