金驰 “枢机主教”(Chimera)豪华版音箱
既好看又好听Focal KantaN°3音箱与NAD Master M12前级+M22后级的搭配
EDUIPmENT REVIEUJ点指兵兵既好看又好听Focal Kanta N°3音箱与NAD Master M12前级+M22后级的搭配文/晨光图/晨光、小路产品代理：尊宝音响说起音箱，是不是大家只会想到黑色、白色以及各种木材的原色或贴皮？相信不少发烧友家中的“大管家”，都会对这些黑漆漆、没有半点美感可言的产品感到厌倦，特别是越来越注重家居环境的年轻人，要让他们摆这些黑不溜秋到客厅当中，可能难度相当之大。
现时，不少的音响厂牌都关注到这点，陆续推出了设计更加美观、现代化的产品，这次试听的Focal Kanta N°3音箱便是这样的取向。
14以家居化为最大特色的Focal Kanta N°3箱体设计是Focal Kanta系列音箱的一大特色，一改以往的MDF木质箱体，Kanta音箱采用聚合物铸造而成，其密度比MDF材质的箱体提高了70%、硬度提高了15%,其内阻则提高了25%O前障板经过精密设计，并且采用一体成形技术，可完全消除声波绕射。
Kanta系列的前障板采用了时间轴修正设计，用以调整各单体的时间相位。
这样的设计，与Utopia和Sopra有着异曲同工的味道。
Kanta N°3—共有8种样式和颜色可选，后罩有高光黑漆和胡桃木贴皮两种饰面。
高光黑色的外壳有四种挡板：高光卡拉拉白，古洛伊斯蓝、太阳黄和黑漆。
木质饰面的外壳有四种挡板：哑光象牙白饰面、暖灰褐色、古洛伊斯蓝和深灰色，用家可根据自己的喜好进行搭配。
此外，单元位置有磁吸式面网，因此前面板完全没有孔洞，外观更简洁。
箱体底部设有金属支撑架，以脚钉着地，除了让音箱更加美观之外，对声音也有着正面的帮助。
应用最新的单元技术单元方面，Focal从来不吝啬，Kanta N°3为3路4单元设计，使用了一只27mm的镀振膜凹盆高音，这是Focal的当家绝活，而这颗高音更是最新一代的IAL3单元，该单元仅见于Kanta系列之上；此单元融合了Focal目前IAL (Infinite Acoustic Loading)和IHL(In f inite Horn Loading)两大技术：当高音工作时，在单元的后腔会产生空气压缩，IHL内有一个喇叭筒其内部填充了阻尼材料，可以有效地吸收高音单元的振动，同时高音单元工作起来也会更加顺畅，从而打造更为清晰的音色，让高频延伸可达至40kHz。
PreSonus DM-7鼓麦克风套装说明书
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¡Gracias por comprar el juego de micrófonos para batería PreSonus® DM-7! El juego de micros para batería PreSonus DM-7 le aporta todo lo que necesita para capturar fielmente su batería. Use el BD-1 para capturar el bombo; los cuatro micrófonos ST-4 sacarán lo mejor de los toms y la caja; y los dos OH-2 con condensadores de pequeño diafragma para añadir espacio y movimiento a su batería. Con soportes incluidos y un estuche de transporte rígido, el juego de micrófonos para batería DM-7 es una grata incorporación a cualquier caja de juego de micros.
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Thank you for purchasing the PreSonus® DM-7 Drum Microphone Set! The PreSonus DM-7 drum mic set gives you everything you need to authentically capture your drum kit. Use the BD-1 to capture your kick drum; the four ST-4 microphones will bring out the best in toms and snare drums; and the two OH-2 smalldiaphragm condensers to add space and movement to your drums. With included mounts, and a hardshell carrying case, the DM-7 drum microphone set is a welcome addition to any mic locker.
EAW 音箱技术参数
Avalon -- 娱乐场所系列DC系列DC 系列是为舞厅、夜总会等娱乐场所扩声而度身定制的高水准固定安装型扬声器系统。
低频部分采用双重或四重低音单元设计,产生了激荡轰鸣、震撼人心的节奏和效果，充分拓展并彰显了厚重的低音；中高频部分采用性能卓著的中频和高频单元，呈现同样出色的中高音音质，确保在整个中高频段、最大长期声压级情况下纯净、自然、水晶般清澈透明的音色。
DCS子系列为装载有号筒的超低频扬声器系统，用来强有力地增强低音效果.DCT子系列为用来进一步增强高音效果的超高频扬声器系统。
DC1全频三分频扬声器系统；4x15”低频单元, 10”号筒中频单元，2 ”高频单元；非对称下倾式涵盖；包括3/8”-16螺纹安装/吊装点;双路功放驱动 (采用数字信号处理)频响范围: . . . . . . 46Hz－16 kHz覆盖角度 : . . . . . 90°x 40°(+10°－ -30°垂直) 功率/最大长期声压级/阻抗低频1: . . . . . . . . 1600W/129dB/4Ω低频2: . . . . . . . . 1600W/129dB/4Ω低频1+ 低频2: . .3200W/135dB/2Ω中频/高频: . . . . .350 W/133dB/8Ω连接: . . . . . . . . . . NL4和NL8 Speakon尺寸(mm): . . . . . 1016高x1770前/1133后宽x652深重量(kg): . . . . . . .182.3产品编号: . . . . . . .999968选件DC1系统悬吊杆将低频部分与中/高频部分固定为一体 , 每一DC1系统需要2个产品编号 . . . . . . . 179114DC2全频三分频扬声器系统；2x15”低频单元, 10”号筒中频单元，1.4 ”高频单元；配有3/8”-16螺纹安装/吊装点; 双路功放驱动 (采用数字信号处理)频响范围: . . . . . . 45 Hz － 18 kHz覆盖角度 : . . . . . .90° x 40°功率/最大长期声压级/阻抗低频: . . . . . . . . . 1600W/132dB/4Ω中频/高频: . . . . 350 W/133dB/8Ω连接: . . . . . . . . . . NL4 Speakon尺寸(mm): . . . . . 572前高/489后高x1449宽x483 深重量(kg): . . . . . . 86.4产品编号 . . . . . . . 999969DC3全频三分频扬声器系统；2x12”低频单元, 8”号筒中频单元，1”高频单元；配有3/8”-16螺纹安装/吊装点;双路功放驱动 (采用数字信号处理)频响范围: . . . . . . 50 Hz － 18 kHz覆盖角度 : . . . . . 90°x 40°功率/最大长期声压级/阻抗低频: . . . . . . . . . 800W/128dB/4Ω中频/高频: . . . . 250W/128dB/8Ω连接: . . . . . . . . . . NL4 Speakon尺寸(mm): . . . . . 476前/406后高x 1321宽 x406 深重量(kg): . . . . . . 54.5产品编号 . . . . . . .999970DC4全频三分频扬声器系统；2x12”低频单元, 8”中频单元1 ”高频单元；配有3/8”-16螺纹安装/吊装点;双路功放驱动 (采用数字信号处理)频响范围: . . . . . . . 45 Hz － 17.5kHz覆盖角度 : . . . . . . 90° x 40°功率/最大长期声压级/阻抗低频: . . . . . . . . . . .800W/128dB/4Ω中频/高频: . . . . . .220W/120dB/8Ω连接: . . . . . . . . . . . NL4 Speakon尺寸(mm): . . . . . . 486前/354后高 x959宽 x 508 深重量(kg): . . . . . . . .45产品编号 . . . . . . . . 999937DC5全频二分频扬声器系统；12”低频单元；1.4 ”高频单元；配有3/8”-16螺纹安装/吊装点;单路功放驱动频响范围: . . . . . . . .50 Hz － 18 kHz覆盖角度 : . . . . . . .90°x 45°功率/最大长期声压级/阻抗全频: . . . . . . . . . . 500W/124dB/8Ω连接: . . . . . . . . . . . NL4 Speakon尺寸(mm): . . . . . . 395前/306后高 x 762宽 x 346深重量(kg): . . . . . . . .29.5产品编号 . . . . . . . . 999972DC6全频二分频扬声器系统；2x8”低频单元, 1”高频单元；包括3/8”-16螺纹安装/吊装点;单路功放驱动频响范围: . . . . . . .50 Hz － 19 kHz覆盖角度 : . . . . . . 90° x 60°功率/最大长期声压级/阻抗全频: . . . . . . . . . . . 400W/121dB/4Ω连接: . . . . . . . . . . . NL4 Speakon尺寸(mm): . . . . . . 270前高/189后高x762宽x297深重量(kg): . . . . . . . .25.5kg产品编号 . . . . . . . . 997207D C S 系列EAW工程师发现，现代舞厅音乐的频谱具有这样一个特点：50Hz至60Hz低频段的声压级要比其他频段高出10-20dB。
Denon AVR-S970H 高性能7通道音频接收器说明书
Upgrade Y our Home TheaterSINCE 1910 | DEFINING AUDIO EXCELLENCEDENON AVR-S970HHIGHLIGHTSYOUR BENEFITSHigh-performance discrete 7-channel amplifier Discrete high-current amplifiers on all channels to deliver up to 90W per channel (at 8 ohms, 20-20kHz, THD 0.08%)—enough power to drive any speaker.Immersive audio experienceGet immersed in music and movies with Dolby Atmos® and DTS:X® plus Dolby Surround and DTS Neural:X upmixer to optimize older content.Advanced 8K home theater8K video is supported on three of six HDMI inputs and one of the two outputs. Enjoy easy video compatibility and great picture quality with HLG, HDR, Dolby Vision, HDR10+, and Dynamic HDR pass-through.HEOS® Built-in technology Stream music wirelessly to compatible HEOS-enabled components from a variety of streaming services. Add Denon Home speakers to more rooms and control it all with the HEOS app.Built-in Wi-Fi and BluetoothProvides both Wi-Fi and Bluetooth connectivity for your wireless network or direct music streaming from your smart devices. Use AirPlay to stream Apple Music.Simple setup and Audyssey room correction technologyOur award-winning guided setup assistant provides clear, step-by-step instructions to get youstarted. Includes Audyssey MultEQ XT32 software for accurate calibration that optimizes the listening experience in your room.Over a century of innovationFounded in 1910, Denon enables the moments that matter through the relentless pursuit of quality, innovation, and audio performance.Powering 90W per channel, the Denon AVR-S970H 7.2 channel 8K AV receiver delivers a fully immersive 3D audio experience, amazing picture quality and lag-free gaming experience thanks to Dolby Atmos, DTS:X, and the latest HDMI technology featuring HDR10+, Dolby Vision™, and 8K/60 and 4K/120 passthrough. Powered by HEOS® Built-in technology, stream wirelessly your favorite music tracks through Spotify, Tidal,Amazon Music HD, AirPlay 2, and more. With our award-winning Denon Setup Assistant and Audyssey MultEQ room correction technology, the AVR-S970H ensures your system sounds better than ever.HEOS logo is trademark or registered trademark in the US and/or other countries. Availability of music services may vary by region. Not all services may be available at time of purchase. Some services may be added or discontinued from time to time based on decisions of the music service providers or others. Visit for announcements and details. HEOS app and brand is not affiliated with any manufacturer of any smart phone. The Bluetooth word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by D&M Holdings Inc. is under license.Dolby AtmosFeel every dimension in Dolby Atmos. Upgrade your home theater with a 5.1.2 speaker setup to unleash a fully immersive 3D audio experience from Dolby Atmos content. Dolby Surround upmixer engages all speakers to create 3D audio sensations from legacy content. Dolby Atmos Height Virtualization T echnology creates the sensation of overhead sound even without a 5.1.2 system.DTS:XDTS:X immersive audio content places sound where it wouldnaturally occur in space, creating life-like, multidimensional audio. DTS Neural:X upmixer offers improved immersion and heightened realism for legacy content. DTS Virtual:X provides immersive audio without height channels, creating virtual height effects in a 7.1, 5.1, or 2.1 speaker setup.HDMI Connectivity with ARC/eARCSupports the latest technology on all HDMI inputs and the output. ARC (Audio Return Channel) or eARC (Enhanced Audio Return Channel) makes playing TV audio through your AV receiver simple with just a single HDMI connection. eARC provides HD and 3D audio transmission such as Dolby TrueHD, DTS HD Master Audio, and Dolby Atmos while ARC is limited to conventional 5.1ch audio formats or PCM.8K/HDCP 2.3Enjoy pristine 8K picture quality on your 8K TV or projector.Supports both 8K pass-through and 8K upscaling of 4K content. Supports HDCP 2.3, the latest copy protection standard, for peace of mind when streaming copy protected content.Brilliant color from HDR 10+Supports HDR (High Dynamic Range), HLG (Hybrid Log Gamma), as well as Dynamic HDR and HDR10+ pass-through. HLG offers HDR technology over broadcast content. Both Dynamic HDR and HDR10+ use dynamic metadata to optimize shadows and highlights as screens change.Dolby VisionCompatible with Dolby Vision so you can enjoy Dolby Vision content from a compatible source device and TV. Dolby Vision is a stunning HDR imaging technology that brings extraordinary color, contrast, and brightness to the screen.Next-generation gamingSupports Variable Refresh Rate (VRR), Quick Frame Transport (QFT), and Auto Low Latency Mode (ALLM) for smooth, lag- free gaming experience when connected with the compatible gaming devices.HEOS Built-inWith HEOS® Built-in, your AV receiver can stream music wirelessly across compatible HEOS components from a variety of free and premium streaming services. Consumers can also enjoy their favorite music in any room of the home wirelessly. Play the same song in every room or select a different song for each connected room via a variety of streaming sources. Add Denon Home speakers to more rooms and control it all with the HEOS app.Airplay 2 and Apple Siri Voice ControlUse AirPlay 2 to stream Apple music wirelessly to the AV receiver, or group with other AirPlay compatible speakers to fill your home with music.Works with Amazon AlexaControl your AV receiver handsfree with Amazon Alexa and your voice. Adjust the volume, skip to the next track, switch inputs for your different media players, and more—“Just Ask.” Download the free HEOS Home Entertainment Skill to enable Amazon Alexa voice commands. Requires Alexa app and Amazon Echo, Dot, or equivalent.High-resolution audio via USB inputDiscover the incredible fidelity of high-resolution audio tracks and enjoy music as the artist intended. A front USB port supports up to 24bit/192kHz hi-res audio playback from a USB drive. Supported audio formats are MP3, WMA, WAV, MPEG- 4/AAC, FLAC, and ALAC. Bluetooth audio transmitterPair your favorite Bluetooth headphones with your AV receiver to continue listening to your favorite music, movies, or TV programs at night. You can also play audio from both speakers and Bluetooth headphones simultaneously. If you have a family member or a friend who is hearing impaired, we recommend this setup. You can connect one pair of headphones at a time.Multi-source, multi-roomBy connecting a pair of speakers in a second room to the AV receiver, it’s possible to enjoy 5.1 channel surround sound in the main room and a separate source or music stream in the second room, such as a den or patio. You can also play the same audio in both so that everyone in your home can enjoy and cheer your favorite team on Sunday evening or listen to the same song in both rooms. The AV receiver supports 2-source, 2-zone audio.Denon Setup AssistantAward-winning guide Denon Setup Assistant supplies simple, clear instructions to get started. Just connect your AV receiver to your TV and follow the instructions on the TV screen to connect your speakers, perform speaker measurements, and connect source devices. For additional convenience, the AV receiver renames HDMI inputs automatically when connected or you can rename manually at your convenience.Audyssey suite of room correction technologyDenon AV receivers use the Audyssey suite of EQ software forsimple, accurate setup and calibration. With the supplied Audyssey measuring microphone, Audyssey measures all the speakers in your home theater, and tunes the AV receiver to provide the smoothest, most optimal overall listening experience for your room. This AV receiver supports Audyssey MultEQ room-correction technology. The other supported Audyssey features are Dynamic EQ and Dynamic Volume.Audyssey MultEQ Editor appYou can go even further with the Audyssey MultEQ Editor app, going “under the hood” to view and adjust settings for detailed tuning—allowing you to customize the sound more precisely to the specific problems in your room and tailor the sound to your personal preferences. With this comprehensive app, you can harness the power of Audyssey MultEQ to take total control of the way your home cinema sounds. The app is available for purchase in iOS and Google Play stores.Denon AVR Remote appThis iOS or Android control app allows you to turn the receiver on and off, select an input source, adjust volume level, andbrowse music from your phone or in a USB drive when connected to the receiver.Works with Google AssistantStart music in the HEOS app, then ask your Google Assistant to control volume, play, pause, skip tracks, mute, and unmute.Josh.aiStart music in the HEOS app, then ask your Google Assistant to control volume, play, pause, skip tracks, mute, and unmute.。
亚特兰斯声音 126.5dB最大音量的250W扬声器说明书
©2013 A t l a s S o u n d L .P . A l l r i g h t s r e s e r v e d . A t l a s S o u n d a n d S t r a t e g y S e r i e s a r e t r a d e m a r k s o f A t l a s S o u n d L .P . A l l o t h e r t r a d e m a r k s a r e t h e p r o p e r t y o f t h e i r r e s p e c t i v e o w n e r s . A T S 004763 R e v A 11/13Features• Efficiency rating of 102.5dB (1 W/1 M)• 250 watts power handling• Maximum output of 126.5dB (Rated Power @ 1 M)•C onstant directivity design offers controlled coverage of 90˚ H by 40˚V (2kHz octave band)• Excellent low frequency response provides bass you can feel • D river complement includes a 15" cast frame woofer with aconcentrically mounted 1" exit compression driver coupled to a 90˚ H x 40˚V HF horn• Full range frequency response of 75Hz – 14.5kHz (±5dB)• E asy, weather resistant connection via a 4-pole terminal blockconnector• 8Ω nominal system impedance • H eavy duty stainless steel mounting bracket (included) allows foreasy installation to almost any flat surface• Three forged eyebolts also included for suspended installationApplicationsAtlas Sound model AH94-15-BSG stadium horn is ideal for shorter throw and wide coverage where full range reproduction, maximum intelligibility, and high sound pressure levels are required. Applicationsinclude football stadiums, sports arenas, baseball fields, convention centers, and auditoriums.Weather resistant construction features of the AH94-15-BSG include a multiple screen configuration to prevent moisture from damaging internal components: A perforated aluminum screen covers thelarge horn mouth, a secondary screen is in place forward of the high frequency driver, and a third tightly perforated screen protects the 15" cast frame woofer.InstallationA heavy-duty stainless steel "C" style mounting bracket is included with the AH94-15-BSG to allow easy mounting to most any flat surface. Three drop forge eyebolts are also pre-installed (2-front of horn plus 1-rear for "pull-up") for suspension mounting via load rated aircraft cable. (Use caution when suspending any object overhead. Refer to the installation manual for more details).The AH94-15-BSG includes a 4 pole terminal block, weather resistant connector on the underside of the device for easy hook-up and daisy chain wiring to other AH94-15-BSG. If 70.7/100V operation is required, the optional Atlas Sound AF140 autoformer may be used. NOTE: Due to the full range operation capabilities of the AH94-15-BSG 70.7/100V operation is possible, but discouraged. Better frequency response and amplifier dampening factor can be realized by using large gauge (#10 to #12) home runs and series/parallel hook-up wiring at the head end location with direct coupled, low impedance amplifiers. Generally speaking, this improvement of frequency response and amplifier dampening factor is worth the sacrifice of line loss over distance - especially if transformer insertion loss at theloudspeaker location is considered.AH94-15-BSG15" 2-way Stadium Horn System 90° x 40°trademarksofAtlasSoundL.P.Allothertrademarksarethepropertyoftheirrespectiveowners.ATS4763RevA11/13Technical SpecificationsPower Handling: 250 watts (45V) RMSSensitivity (1W / 1M): 102.5dB SPL(75Hz – 14.5kHz 1⁄3 octave bands)Frequency Response:75Hz – 14.5kHz (±5dB)Dispersion:90˚ x 40˚Nominal Impedance: 8ΩMinimum Impedance: 5.6Ω @ 9000Hz Nominal -6dBHeight:24.91" (632.71mm)Width:29.57" (751.08mm)Depth:29.65" (753.11mm)Shipping Weight:100 lbs (45.4kg)Driver Type:1" HF & 15" LFArchitect & Engineer SpecificationsLoudspeaker shall be Atlas Sound Model AH94-15-BSG or approvedequal.Loudspeaker shall be a 2-way design incorporating an environment-resistant housing.Loudspeaker shall include a 15", horn loaded, cast frame woofer housedin a 2296 in3 (1.3 ft3) enclosure and an integral, concentrically mounted 1"exit compression driver coupled to a constant directivity high frequencyhorn. The three pole (18dB/octave) dividing network crossover frequencyshall be 1.4kHz. The dividing network shall include a poly switchprotection circuit for the high-frequency component.The loudspeaker system shall be capable of providing a sound dispersionangle of 90˚ horizontal by 40˚ vertical in the 2kHz octave band.Rated power shall be 250 watts based on EIA Standard RS-426B*.Enclosure shall be UV-resistant, steel reinforced, low pressure injectionmolded fiberglass and shall include a 3 stage multiple mesh filter systemfor weather and rodent resistance:A. L arge 20-gauge perforated aluminum screen on front mouthassembly.B. 100 x 100 weave stainless steel mesh between HF horn and HFdriver.C. 100 x 100 weave stainless steel mesh over 15" woofer.Sensitivity shall be 102.5dB SPL (75Hz to 17kHz 1⁄3 octave bands)measured at a distance of 1 meter on axis with a 1 watt input.Overall frequency response shall be 75Hz – 14.5kHz (±5dB).The loudspeaker shall include a stamped and formed, 12-gauge stainlesssteel mounting bracket assembly for surface mounting and three M8drop forged eyebolts for suspension mounting.The input section located on the bottom rear of the loudspeaker shallinclude a 4 pole terminal block connector.Nominal impedance shall be 8Ω.Dimensions shall be: H eight 24.91" (632.71mm)Width 29.57" (751.08mm)Depth 29.65" (753.11mm)Weight 100 lbs (45.4kg)* E IA test spectrum is applied for eight hours.(This procedure provides a rigorous test of both thermal andmechanical failure modes.)©2013 A t l a s S o u n d L .P . A l l r i g h t s r e s e r v e d . A t l a s S o u n d a n d S t r a t e g y S e r i e s a r e t r a d e m a r k s o f A t l a s S o u n d L .P . A l l o t h e r t r a d e m a r k s a r e t h e p r o p e r t y o f t h e i r r e s p e c t i v e o w n e r s . A T S 004763 R e v A 11/13AH94-15-BSG Horizontal Beamwidth (-6dB)AH94-15-BSG Vertical Beamwidth (-6dB)AH94-15-BSG Frequency Resonse©2013 A t l a s S o u n d L .P . A l l r i g h t s r e s e r v e d . A t l a s S o u n d a n d S t r a t e g y S e r i e s a r e t r a d e m a r k s o f A t l a s S o u n d L .P . A l l o t h e r t r a d e m a r k s a r e t h e p r o p e r t y o f t h e i r r e s p e c t i v e o w n e r s . A T S 004763 R e v A 11/13AH94-15-BSG Impedance (ohms) vs. FrequencyAH94-15-BSG Horizontal Polars (Normalized to Zero on Axis) (-6dB)AH94-15-BSG Vertical Polars (Normalized to Zero on Axis) (-6dB)。
Yamaha VXC12-4 双路激光锥头 PA 音箱说明书
I SERIESPoint Source 600IP6-1122/64MEDIUM POWER 12-INCH TWO-WAY 60° x 40° INSTALLATION LOUDSPEAKERCommunity strives to improve its products on a continual basis. Specifications are therefore subject to change without notice.*Rated continuous maximum input voltage at passive loudspeaker input may be higher than for directly connected transducers due to losses in the passive crossover. Voltages applied to the transducer terminals through the passive crossover shall always be the same or lower than the rated continuous voltagefor each device.FEATURES• Long excursion ferrite LF driver with FEA-optimized motor and symmetric movement suspension • 3-inch voice coil, 1.4” exit HF driver; hybrid titanium/polyimide diaphragm on low compression phase plug • Lightweight and compact with deep LF extension• Large rotatable waveguide with individually voiced crossover, single amp / biamp selectable • Innovative low profile modular bracket systems create elegant arrays with simplified installationAPPLICATIONSMAIN PA (Small to Medium Size Venues)Houses of Worship · Auditoriums · Restaurants Meeting Rooms · Theaters · Corporate A/V Systems DISTRIBUTED OR FILL (Larger Size Venues)Arenas · Stadiums · Night Clubs · TheatersThemed Entertainment · Larger Houses of WorshipDESCRIPTIONI SERIES Point Source 600 loudspeakers provide excellent acoustic performance, modular flexibility and elegant aesthetics for modern performance venues. Designed to support the goals of systems integrators and consultants both acoustically and mechanically, I SERIES includes a wide variety of arrayable, rotatable coverage patterns and a comprehensive selection of modular bracket systems that accelerate system design and system commissioning.FEA-optimized ferrite motors, mechanically mirrored suspension and advanced cooling system combine to provide linear performance with minimal power compression. The custom long-excursion LF driver delivers deep bass response and a detailed midrange at maximum SPL levels. The HF driver delivers excellent sound quality from a hybrid diaphragm of deep drawn titanium and resonance-absorbing polyimide, coupled to a patented low compression, low resonance phase plug for very low distortion performance with abundant headroom.The rotatable 13-inch (330mm) HF waveguide provides well-defined coverage and a smooth off-axis response that enhances arrayability. Individually voiced crossovers produce proper beamwidth matching transitions and identical sonic signatures, permitting horn patterns to be mixed throughout an installation. Additionally, user selectable single-amp or biamp operating modes expand application flexibility.I SERIESPoint Source 600IP6-1122/64MEDIUM POWER 12-INCH TWO-WAY60° x 40° INSTALLATION LOUDSPEAKERI SERIES Point Source 600HORIZONTAL POLAR DATA (30dB Scale, 6dB per major division)IP6-1122/64MEDIUM POWER 12-INCH TWO-WAY 60° x 40° INSTALLATION LOUDSPEAKERVERTICAL POLAR DATA (30dB Scale, 6dB per major division)-6— 100 Hz — 125 Hz — 160 Hz — 200 Hz-90° right 45°135°90° left-45°-135°0°front180°back — 250 Hz — 315 Hz — 400 Hz — 500 Hz— 630 Hz — 800 Hz — 1000 Hz — 1250 Hz-90° right 45°135°90° left-45°-135°0°front 180°back-90° right 45°135°90° left-45°-135°0°front180°back — 10000 Hz — 12500 Hz — 16000 Hz--90° right45°135°90° left-45°-135°0°front180°back — 4000 Hz — 5000 Hz — 6300 Hz — 8000 Hz-90° right45°135°90° left-45°-135°0°front 180°back — 1600 Hz — 2000 Hz — 2500 Hz — 3150 Hz-90° right45°135°90° left-45°-135°0°front 180°back -6— 100 Hz — 125 Hz — 160 Hz — 200 Hz-90° down 45°135°90° up-45°-135°0°front180°back — 250 Hz — 315 Hz — 400 Hz — 500 Hz— 630 Hz — 800 Hz — 1000 Hz — 1250 Hz-90° down 45°135°90° up-45°-135°0°front 180°back-90° down 45°135°90° up-45°-135°0°front180°back — 10000 Hz — 12500 Hz — 16000 Hz-90° down45°135°90° up-45°-135°0°front180°back — 4000 Hz — 5000 Hz — 6300 Hz — 8000 Hz-90° down45°135°90° up-45°-135°0°front 180°back — 1600 Hz — 2000 Hz — 2500 Hz — 3150 Hz-90° down45°135°90° up-45°-135°0°front 180°backI SERIES Point Source 600IP6-1122/64MEDIUM POWER 12-INCH TWO-WAY60° x 40° INSTALLATION LOUDSPEAKERCommunity Professional Loudspeakers333 East Fifth Street, Chester, PA 19013-4511 USA Phone (610) 876-3400 • Fax (610) •*********************CAUTION: Installation of loudspeaker s should only be performed by trained and qualified personnel. It is strongly r ecommended that a licensed and cer tified pr ofessional structural engineer approve the mounting design.IP6-1122/64 [07JUN2016]NOTESTwo-way single ampTwo-way biamp I SERIESPoint Source 600Two-way input panelIP6-1122/64MEDIUM POWER 12-INCH TWO-WAY 60° x 40° INSTALLATION LOUDSPEAKER1. PERFORMANCE SPECIFICATIONS All measurements are taken indoor using a time-windowed and processed signal to eliminate room effects, approximating ananechoic environment, a distance of 6.0 m. All acoustic specifications are rounded to the nearest whole number. An external DSP with settings provided by Community Professional Loudspeakers is required to achieve the specified performance; further performance gains can be realized using Community’s dSPEC226 loudspeaker processor with FIR power response optimization.2. OPERATING RANGE The frequency range in which the on-axis processed response remains within 10dB of the average SPL.3. CONTINUOUS POWER HANDLING Maximum continuous input voltage (and the equivalent power rating, in watts, at the stated nominal impedance) that the system can withstand, without damage, for a period of 2 hours using an EIA-426-B defined spectrum; with recommended signal processing and protection filters. 4. NOMINAL SENSITIVITY Averaged SPL over the operating range with an input voltage that would produce 1 Watt at the nominal impedance and the averaged SPL over the operating range with a fixed input voltage of 2.83V, respectively; swept sine wave axial measurements with no external processing applied in whole space, except where indicated.5. NOMINAL MAXIMUM SPL Calculated based on nominal / peak power handling, respectively, and nominal sensitivity; exclusive of power compression.6. EQUALIZED SENSITIVITY The respective SPL levels produced when an EIA-426-B signal is applied to the equalized loudspeaker system at a level which produces a total power of 1 Watt , in sum, to the loudspeaker subsections and also at a level which produces a total voltage, in sum, of 2.83V to the loudspeaker subsections, respectively; each referenced to a distance of 1 meter.7. EQUALIZED MAXIMUM SPL The SPL produced when an EIA-426-B signal is applied to the equalized loudspeaker system, at a level which drives at least one subsection to its rated continuous input voltage limit, referenced to a distance of 1 meter. The peak SPL represents the 2:1 (6dB) crest factor of the EIA-426-B test signal.8. AXIAL PROCESSED RESPONSE The on-axis variation in acoustic output level with frequency of the complete loudspeaker system with recommended signal processing applied. 1/6 octave Gaussian smoothing applied.9. AXIAL SENSITIVITY The on-axis variation in acoustic output level with frequency for a 1 Watt swept sine wave, referenced to 1 meter with no signal processing. 1/6 octave Gaussian smoothing applied.10. HORIZONTAL / VERTICAL OFF-AXIS RESPONSES The loudspeaker’s magnitude response at various angles off-axis, with recommended signal processing applied in the operating mode which utilizes the largest number of individually amplified pass bands. 1/6 octave Gaussian smoothing applied.11. DIRECTIVITY INDEX The ratio of the on-axis SPLsquared to the mean squared SPL at the same distance for all points within the measurement sphere for each given frequency; expressed in dB. 1/6 octave Gaussian smoothing applied.12. BEAMWIDTH The angle between the -6dB points in the polar response of the loudspeaker when driven in the operating mode which utilizes the largest number of individually amplified pass bands. 1/6 octave Gaussian smoothing applied.Data presented on this spec sheet represents a selection of the basic performance specifications for the model. These specifications are intended to allow the user to perform a fair, straightforward evaluation and comparison with other loudspeaker spec sheets. For a detailed analysis of this loudspeaker’s performance, please download the GLL file and/or the CLF file from our website: .。
最值得珍藏的古董音响
最值得珍藏的古董音響所謂的古董音響Vintage Audio，不是看器材的外觀是不是古色古香，而是指約70 年代(含) 之前所生產，而且稱得上是經典(或至少優秀) 的產品。
在這裡，我們放寬標準，把一些80 年代的傑出器材也列入，讓你有更多機種可以參考，選擇。
...論頻寬、解析、動態，古董音響"大多" 不是現代音響的對手，但是，精準又乾淨的聲音一定令人滿意嗎?!事實證明，聽音樂，絕對不只是科學、科技上的追求而已。
古董音響因為...1. 音樂性絕佳，具有大多數現代音響所沒有的獨特感染力。
2. 零件多為真材實料，且多採手工搭棚方式製造，經久耐用。
3. 外觀具獨特風格，對喜好復古的人，有莫名的吸引力。
4. 價格較現代音響產品合理太多(部分炒作過度者除外)。
因而持續受到許多特定音響迷的喜愛。
...不過，想玩古董音響得先有"心理準備"。
撇開外觀的老舊、生鏽、傷痕... 不談，內部零件的老化，甚至毀壞，通常無可避免，勢必要翻新(摩改)。
但大規模的整修，除了得花上不少錢(可能不比買一台老機器便宜)，還得擔心原有的老零件難尋，若拿現代零件取代，又可能喪失原有的韻味的尷尬局面(尤其是前級)。
不喜歡"麻煩" 的人，最好三思，要不要踏入古董音響的領域?!...另外，由於本地的氣候潮濕，就算你有幸從國外找得保存狀況良好的器材，也不免很快就鏽蝕斑斑。
建議用防鏽油，定期擦拭保養，才能讓她永保美麗。
...以下為部分最負盛名的"名器"。
但不代表這些器材一定無可挑剔，或無可匹敵。
而且選購時，尚必須考量其二手商品的事實，及零件老化、外觀磨損的狀況，仔細評估，是否值得珍藏?! 價格是否合理?!...物超所值: ★炒作過度: ★外型出眾: ★經典古董喇叭Acoustic Research : AR-3 (1959) ★/ AR-3a (1964) ★Advent : Loudspeaker (Large) (Old) (1969) ★/ Loudspeaker (Large) (New) (1978) ★Altec : A5 (1941) / A7 (1945)Apogee : Scintilla (1980) ★B&W : Matrix 801 (1979) ★/ Matrix 802 (1979) ★Dahlquist : DQ-10 (1974) ★Denon : SC-880 (1988) ★★Diatone : P-610 (1958) ★/ DS-251 (1970) ★/ DS-28B (1974) ★/DS-1000 (1983) ★★/ DS-2000 (1985) ★★/ DS-10000 (1985) ★Dynaco : A-25 (1969) ★EIectro V oice : Patrician 600 (1953) / Patrician 800 (1971)Goodmans : Maxim (1961) ★Jbl : Paragon (D44000) (1957) ★/ L101 (1965) / L100 (1971) ★/4310 (1971) ★/ 4350 (1973) / 4343 (1976) / 4344 (1982)Jensen : G610 + Imperial (1950) ★Harbeth : LS 3/5a (1975) ★★Kenwood : LS-M7 (1989) ★★Kef : LS 3/5a (1975) ★★Klh : Model 6 (1968) ★/ Model 9 (1968) ★Klipsch : Klipschorn (1946) / La Scala (1963) ★/ Belle Klipsch (1971) ★Linn : Isobarik (1976)Onkyo : Monitor 500 (1984) ★★/ D-77XG (1989) ★★Pioneer (Exclusive) : EW-302 (Model 2301) (1982) / S-101 (1987) ★★/ S-701 (1987) ★★/ S-707 (1987) ★★/ S-3000 (1987) ★Quad : ESL-57 (1957) ★/ ESL-63 (1982) ★Rogers : LS 3/5a (1975) ★★/ LS 5/8 (1976) ★/ LS 5/9 (1976) ★Snell : Type A (1978) ★Spendor : BC1 (1972) ★/ LS 3/5a (1975) ★★/ SP1 (1983) ★Spica : TC-50 (1983) ★Amesbury (1974) / Arden (1975) / Cheviot (1975) ★/ Arundel (1982)Technics : SB-10000 (1977) / SB-E100 (1978) / SB-E200 (1978) /SB-MX7 (1987) ★★Victor (Jvc) : SX-3 (1973) ★★/ SX-5 (1973) ★★/ SX-511 (1987) ★★/ SX-500 (1988) ★★/ SX-521 (1988) ★★Yamaha : NS-1000 (1978) ★/ NS-100M (1979) ★經典古董後級- 電晶體Crown : DC 300 (1967) ★Jbl : SE460 (1973) ★Mark Levinson : ML-2 (1977)Quad : 303 (1967) ★經典古董後級- 真空管Acrosound : Stereo 120 (1961) ★Altec : 350A (1959) ★Armstrong : A10 Mk2 (1957)Audiomaster : UL-II (1957) ★/ 11A (1959) ★Bbc : AM8/1 (1957 by Sound Sales) ★/ AM8/4 (1960 by Sound Sales) / AM8/6 (?)Beam Echo (Avantic) : DL7-35 (1958) ★★Conrad-Johnson : MV-75 (1983) ★Dynaco : ST-70 (1959) ★/ ST-35 (1964) ★Eico : HF-14 (1958) / HF-22 (1958) ★/ HF-30 (1958) ★/HF-35 (1958) ★/ HF-50 (1958) / HF-60 (1958)Fisher : 50A (1954) ★/ 50AZ (1955) / 55A (1955) / 80AZ (1955) /30A (1958) / SA-100 (1959) / SA-300 (1960) / SA-1000 (1962) ★/680A (1962) ★Harman Kardon : Citation II (1959) ★/ Citation V (1959) ★Heathkit : W-3M (1954) ★/ W-4M (1958) ★/ W-5M (1958) ★★Leak : TL12 (1948) ★/ TL25 (1948) / TL12.1 (1950) ★/TL25A (1953) / TL12+ (1956) ★/ TL25+ (1956) ★/ TL50+ (1957) ★/ST-20 (1958) / ST-50 (1958) / ST-60 (1961)Lowther : LL15S (1960)Luxman : MB-88 (1966) ★★/ MQ-60 (1969) ★★/ MQ-80 (1974) ★★/ MB-3045 (1976) ★★/ MQ-70 (1978) ★★/ MB-88 Ultimate (1982) ★/ MQ-50 (1983) ★/ MB-300 (1984) ★★/ MQ-360 (1985) ★Marantz : 2 (1956) ★/ 9 (1960) ★★/ 8B (1962) ★★Mcintosh : MC30 (1954) / MC60 (1954) / MC40 (1960) / MC75 (1960) ★/ MC225 (1960) / MC240 (1960) ★/ MC275 (1962) ★Michaelson & Austin : TV A-1 (1970) ★Pilot : AA-901 (1952) / SA-232 (1958) ★/ SA-260 (1958) ★/SA-264 (1961) ★Pye : PF91 (1954) / HF25 (1958) / HFS20 (Mozart) (1959)Quad : II (1954) ★Radford : STA12 (1960) / MA15 (1961) / STA15 (1962) / MA25 (1962) ★/ STA25 (1965)Radio Craftsmen : C500 (1953)Rca : MI-9377 (1954) / MI-12191 (SP-20) (1954) ★/ LMI-32216 (1957) ★★Rogers : Cadet II (1963) / Cadet III (1964)Scott : 208 (1961) ★Sound Sales : Model 12/14 (1946) / A-Z Junior (?)Stromberg-Carlson : AP-55 (1955) ★/ AP-428 (1957) ★Western Electric : 86B (1934) ★/ 91A (1936) ★/ 124 (1939) ★/131A (1940) ★/ 142A (1942) ★/ KS-16608 (?) ★經典古董前級- 電晶體Audio Research : SP-5 (1977) ★Jbl : SG520 (1973) ★Marantz : 7T (1967) ★Mark Levinson: LNP-2 (1975) ★/ LNP-2L (1977) ★Quad : 33 (1967) ★經典古董前級- 真空管P.S. 約1956 年前生產的古董前級，只有mono 輸出，所以需要兩台，請注意! Audio Research : SP-3 (1972) ★/ SP-6 (1978) ★/ SP-10 (1982) ★/SP-11 (1985) ★/ SP-9 (1987) ★Beam Echo (Avantic) : SP-21 (1959) ★Conrad Johnson : PV-2a (1981) ★/ Premier 3 (1983) ★Counterpoint : SA-11 (1984) / SA-5000 (1990)Dynaco : PAM-1 (1957)Eico : HF-65 (1956) / HF-85 (1958) / ST-84 (1960) ★Electro V oice : PRC-1 (1955)Fisher : 50-C (1953) ★/ 80-C (1956) / 400-C (1959) ★/400-CX (1961) ★/ 400-CX II (1962) ★Grommes : 211 (1956) / 207 (1957) / 209 (1960)Heathkit : WA-P2 (1954) ★★Lafayette : KT-300 (1957) ★/ KT-600 (1958) ★Leak : Varislope (1952) ★/ Varislope II (1954) ★/ Varislope Ⅲ(1956) ★/ Varislope Stereo (1962) ★/ Varislope 2 Stereo (1965) ★Luxman : CL-35 (1970) ★Marantz : 7C (1959) ★★Mcintosh : C20 (1959) ★/ C11 (1961) ★/ C22 (1962) ★★Pilot : PA-911 (1952) / PA-913 (1955) / SP-210 (1958) ★/SP-215 (1959) / SP-216 (1960)Pye : PF91A (1954) / HF25A (1958) / HFS20 (Mozart) (1959)Quad : 22 (1957) ★Radio Craftsmen : C300 (1953) / C350 (1954)Rca : MI-12150 (1953) / LMI-32215 (1957) ★Scott : 121-A (1953) / 121-C (1956) / 130 (1958) / 122 (1960) ★/LC-21 (1961)Siemens : 6SELA 2154 (1959)Sound Sales : A-Z Junior (?)經典古董綜合擴大機- 電晶體Accuphase : E-303 (1978) ★/ E-302 (1984) ★★Denon : PMA-970 (1980) ★★/ PMA-790 (1982) ★Hitachi (Lo-D) : HA-500F (1975) ★★/ HA-1100 (1975) ★★Jbl : SA600 (1966) ★Kenwood (Trio) : KA-7300 (1975) ★/ KA-9300 (1976) ★/ KA-9900 (1978) ★Kyocera : A-710 (1985) ★★Luxman : L-309 (1973) ★★/ L-100 (1975) ★★/ L-58A (1979) ★★Marantz : 1060 (1971) ★/ 1122DC (1977) ★McIntosh : MA5100 (1966) ★★ / MA6100 (1972) ★★/ MA6200 (1978) ★Nad : 3020 (1978) ★Pioneer (Exclusive) : SA-910 (1973) ★/ SA-9900 (1974) ★/ A-900 (1979) ★Sansui : AU-777 (1967) ★/ AU-9500 (1972) ★/ AU-7700 (1975) ★★/AU-9900 (1975) ★Sony : TA-1120F (1972) ★/ TA-F333ESX (1986) ★Victor : JA-S75 (1976) ★★/ A-X9 (1979) ★★/ A-X77 (1982) ★Yamaha : CA-1000 (1973) ★/ A-9 (1979) ★/ A-2000 (1983) ★經典古董綜合擴大機- 真空管Bell : 2199 (1956) / 3DT (1957) ★Dynaco : SCA-35 (1964) ★Eico : HF-81 (1959) ★/ AF-4 (1964) ★Electro V oice : A-20 (1956)Fisher : X-100 (1959) ★/ X-101 (1961) ★/ X-202 (1962) ★/KX-200 (1962) ★/ X-1000 (1962) ★Heathkit : AA-191 (1954)Luxman : SQ-38D (1964) ★/ SQ-38FD (1970) ★/ SQ-38FD II (1974) ★/L-38 (1978) ★/ LX-38U (1981) ★Mcintosh : MA230 (1963) ★Rogers : Cadet III (1964) ★Sansui : AU-111 (1965) ★★Scott : 299 (1960) ★/ 299C (1961) ★經典古董收音擴大機(Receiver)Fisher : 400 (1964) ★★/ 500-C (1964) ★★Kenwood (Trio) : KR-5600 (1977) ★/ KR-4070 (1978) ★Marantz : 2285 (1977) ★/ 2385 (1977) ★Mcintosh : MAC 1500 (1965) ★★/ MAC 1700 (1967) ★★/ MAC 1900 (1974) ★Pilot : 654 (1962) ★Pioneer (Exclusive) : C-2000 (1969) ★★/ SX-800A (1969) ★★/SX-434 (1973) ★/ SX-1250 (1976) ★/ SX-1980 (1978) ★Sansui : 500 (1964) ★★/ 500A (1964) ★★/ 1000A (1964) ★★/1000X (1967) ★★/ SAX-500 (1967) ★★/ QRX-6500 (1973) ★/9090 (1976) ★經典古董收音機(Tuner)Kenwood (Trio): KT-815 (1980) ★/ KT-917 (1980) ★/ L-01T (1979) ★/L-02T (1982) ★Marantz : 10B (1964) ★★Mcintosh : MR65 (1960) ★★/ MR67 (1963) ★★/ MR71 (1965) ★★/ MR78 (1972) ★/ MR80 (1973) ★Pioneer (Exclusive) : TX-9500 (1977) ★/ TX-9800 (1979) ★Sansui : TU-717 (1977) ★/ TU-919 (1979) ★經典古董LP 轉盤- 惰輪Dual : 1019 (1970) ★/ 1219 (1971) ★Emt : 927 (1951) ★/ 930 (1956) ★Garrard : 301 (1954) ★★/ 401 (1965) ★Lenco : L75 (1967) ★Rek-O-Kut : B-12H (1954) ★Thorens : TD 124 (1956) ★★經典古董LP 轉盤- 皮帶Acoustic Research : AR Turntable (1961) ★/ AR XA (1963) ★Ariston : RD11 (1971) ★/ RD80 (1983) ★/ RD40 (1984) ★Connoisseur : BD2/A (1977) ★Empire : 208 (1960) ★/ 598 (1965) ★Linn : Sondek LP12 (1972) ★★/ Axis (1987) ★★Luxman : PD 300 (1982) ★Micro Seiki : BL-51 (1980) ★★/ BL-71 (1980) ★★/ BL-91 (1980) ★★/ SX-777 (1981) ★/ BL-77 (1982) ★★/ RX-2000 (1982) ★Rega : Planar 3 (1977) ★Thorens : TD 150 (1966) ★/ TD 125 (1969) ★/ TD 160 (1972) ★/經典古董LP 轉盤- 直驅Denon : DP-80 (1978) ★★/ DP-60L (1980) ★★/ DP-75M (1981) ★★/DP-100M (1982) ★Emt : 938 (1982) ★★Kenwood (Trio) : KD-500 (1976) ★★/ L-07D (1979) ★/ KP-700 (1981) ★★/ KP-1100 (1985) ★★Luxman : PD 441 (1978) ★★/ PD 444 (1978) ★★Micro Seiki : DD-100 (1976) ★★Pioneer (Exclusive) : P10 (1979) ★/ PL-50 (1980) ★★/ PL-70 (1981) ★★/ P3a (1983) ★Sansui : SR-838 (1977) ★★/ SR-929 (1977) ★★Sony : PS-X9 (1977) ★/ PS-X800 (1981) ★Technics : SP-10 (1970) ★★/ SL-1200 (1972) ★/ SP-15 (1979) ★Thorens : TD 524 (1982) ★★Toshiba (Aurex) : SR-P90 (1982) ★★Victor : QL-7R (1977) ★★/ QL-A95 (1982) ★★/ QL-A70 (1983) ★★Yamaha : GT-2000 (1982) ★★/ GT-1000 (1983) ★★經典古董唱臂Audiocraft : AC-3000、AC-4000 (1980) ★/ AC-3300、AC-4400 (1984) ★★Empire : 980 (1963) ★/ 990 (1965) ★Fidelity Research : FR-64、FR-66 (1978) ★★Grace : G-707 (1979) ★Linn : Ittok LV II (1979) ★/ Basik Plus (LVX+) (1987) ★Micro Seiki : MA-505 (1980) ★/ MAX-237、MAX-282 (1980) ★★Ortofon : RMG-212、RMG-309 (1959) ★★/ RS-212、RS-309 (1959) ★Rega : RB300 (1983) ★Sme : 3009、3012 (1959)Stax : UA-7、UA-70 (1970) ★★/ UA-9、UA-90 (1979) ★經典古董唱頭從缺(選購時盡量以新品為主)經典古董CD 唱盤從缺(選購時盡量以新品為主)經典古董線材Audio Research : Litz (?) ★Cello : Strings (?) ★Kimber Kable : 4PR (1979) ★/ 4TC (1985) ★Western Electric : 各種線材(1930、40) ★...古董音響中的四大天王P.S.以下排名僅供"趣味性" 或"選購時" 之參考，主要依據目前市場上"大致的評價"，但不代表其品質，或表現，無可匹敵，或無可挑剔。
音乐伙伴金琅乐神3号音箱
声音表现都力求尽善尽共的产 品，它采 用 了 金 琥 ＡＰ 铝 带 高 音 单 元 ． Ｒ２０ Ａ ３ ／ Ｃ２ ＣＫ５２ Ｃ１ ０Ｄ ５ 英寸 中音单元 ，以 及Ａ ２ ０ＤＣ ０ Ｃ ８ 寸低 音单元。 Ｃ ０ ／ ５ Ｃ２ 英 Ａ Ｒ 铝 带高音 是金秘ＡＰ Ｐ ２０ Ｒ系列 中 的
评 论 人 员 ．应 该 具 备 以 下 三 个 基 本 功 ．
一
净重 ：４ ｋ， ０５ ｇ 只 恬饰 ：玫瑰 木钢琴 津 （ 以定购 其它修 饰 也可
膜 电阻。 乐神３ 的箱 体为 抛物 线结 号 构 向后倾斜 的中高 音前障板不但有助 于 高音的垂直扩散 ．而且处处彰显与众
不 同。
参 考 型 号 ， 它 的 外 形尺 寸 与盒 琳 驰 名 中 外 的 Ｇ２ 带 高 音 相 同 ， 不 相 同 的 是 振 铝
膜的构造与变压 船的数值。金郄凭借在 铝带高音单元制 造领域里 的先进技术和 成熟经验，革命 性的开发 了当今独一无 二的复台材料铝 带振膜 ，该振膜 的最大 特点是失真小，声音透 明而不失厚重 ， 细节清 晰且泛音 丰富。ＡＰ ２０ Ｒ 的铝带
、
准确性。对声音质量作出准确的判
断 ．并能运 用专业 的词汇 正确描述 ． 二、灵敏性。感觉器官对声音的感受灵 敏度高 ，能浆别出音质、音色的变化， 包括频率响应、动态范围的变化。三、
再现性。在对同一产品的反复评论中，
能做到每提判断，评论结果基本一致。 乐神３ 号为三路 三单元低音反射 式
卓越的低音单 元性能超群。乐神３ 的 号 分频器 设计精 密，单 元与单 元之问 的衔
接 平 滑 顺 畅 。 该 分 频 嚣 使 用 了 丹 麦 Ｊ ｎ ｚ ｎ 容 和 金 班 定 制 的 高 质 量 ａ ｔｅ 电 ＭＫ Ｐ电 容 ， 殛 ＯＦ Ｃ电感 和 金 属 氧 化
主笔心水之选
系列 所 有合 并机 中声 音最 出色者 ，输 出功 率 为 ６ Ｗ ０ ｘ２，在 ２ ｍ 左 右推 中 等效率 以上 的音箱 已是 绰绰 有余 。 新 ８ ０ Ｓ ０ ００
面 板 设 计 依 旧 一 如 老 款 ，但 却 换 上 银 白 色 以 作 区 别 。 它 以 老 款 ８ ０ Ｓ为 基 础 ， 加 入 了 一 些 从 Ｔ Ｌ ｒｎ引 入 的 新 ００ ＡＧ Ｍｃ ａｅ
的 平 衡 度 、 频 域 延 伸 性 、 质 感 对 比 度 以 及 声 调 的 优 美 性 和 驱 动 控 制 力 都 有 一 定 的 提 高 ，声 音 更 上 一 层 楼 ， 让 人 回 味 再 三 。 但 它 的 七 千 多 元 价 格 却 维 持 在 与 老 款 机 同 一 水 平 ， 如 此 经 典 名 机 又 怎 能 视 之 不 见 ？ ！ 工 薪 发 烧 友 更 应 对 其 大
，
． ．．．．．． ．．．
． ． ． ． ． ． ． ． ． ． ． ． ． ． ．
．．
．．．．．
—
—
２０ ０ ６年 ４ 月号
维普资讯
特辑
ｄｏａ 的 产 品 不 放 。 不 过 ， Ａ ｄｏａ ｉｌ ｂ ｕ ｉｌｂ在 １９ ９ ７年 被 Ｔ Ｇ Ｍｃ ａｅ ｒｕ Ａ Ｌ ｒｎＧ ｏ ｐ收 购 后 以 “ ＡＧ Ｍｃ ａｅ ” （ 拿 伦 ） 牌 示 人 ， Ｔ Ｌ ｒｎ 麦 品 但 业绩 似 乎反 不如 过 往。
维普资讯
维普资讯
主笔心水之选
～ ≯
一 一 一． 一
—
｛ Ｆ Ｄ ６Ｃ ｃ Ｉ ｍ 雅 ＭＪＣ ３ Ｄ机
自 问 是 Ｓ Ｄ 的 拥 戴 者 ，但 这 次 推 荐 音 源 却 是 选 一 台 纯 Ｃ 机 ， 什 么 原 因 ？ 皆 因 它 不 但 声 音 让 我 慨 叹 ，而 且 售 价 ＡＣ Ｄ 也 出乎 意 料 ， 它 就 是 英 国 Ａ ｃｍ （ 骏 ） 在 ２ ０ ｒａ 雅 ０ ５年 推 出 的 旗 舰 Ｃ 机 Ｆ Ｄ ６ Ｄ ＭＪＣ ３ 。 在 英 伦 本 土 生 产 的 Ｆ ＪＣ ３ Ｄ机 外 形 一 如 过 往 Ｆ Ｍ Ｄ ６Ｃ ＭＪ系 列 的 特 点 ，外 观 简 洁 俭 朴 但 却 内 含 玄 机 。 它 的 机 身 采 用 高 成 本 的 多 层 式 铝 金 属 ＋薄 阻 尼 物 料 的 三 明 治 结 构 ， 不 但 抗 ＲＦ干 扰 ，而 且 高 度 防 谐 振 ， 为 准 确 读 取 讯 号 提 供 良 好 基 础 。 它 使 用 四 枚 立 体 声 Ｗｏ ｓｎＷ Ｍ８ ４ ｌ ｏ ｆ ７ ０顶 级 ２ ｂｔ １ ２ Ｈ ４ ｉ ９ ｋ ｚ数 ／ 转 换 芯 片 ， 有 ２ ｂｔ １ ２ Ｈｚ 频 功 能 ，配 有 双 环 牛 ／ 模 ４ ｉ ９ｋ 升 ／ 独立 精 密 电源和 四层 短距 玻 璃纤 维 线路板 以及 高品质 元件 …… 作为 Ｆ ＭＪ的 第 四 代 旗 舰 ，Ｆ ＪＣ ６的 技 术 、 声 音 以 及 Ｍ Ｄ３ 操作都 相 当成 熟 。 论 外 表 与 体 重 ，甚 至 于 Ｈｉ ｎ —Ｅ ｄ最 注 重 的 “ 气 ” Ａ Ｃ Ｍ Ｍ Ｄ ６并 非 个 中 龙 凤 ， 但 在 适 当 的 搭 配 下 ， 的 声 名 ， Ｒ Ａ Ｆ ＪＣ ３ 它 音 效 果 却 是 同 级 机 种 中 之 翘 楚 ， 声 音 平 衡 度 之 出 色 ， 次 、 析 力 和 音 乐 感 之 高 ， 调 之 细 致 优 美 ， 像 的 形 体 感 和 稳 其 层 分 声 结
JBL PartyBox 200 使用者指南说明书
2 - 繁體中文
္၍༟ৃ
௪ൗj本設備已經過測試，符合 FCC 規則第 15 部分有關 B 類數位裝置的各項限制。這些限制性規定旨在防範 安裝在住宅中的裝置產生有害干擾。本設備產生、使用並可能輻射無線電頻率能量，如果不按照指示 安裝和使用，則可能會對無線電通訊造成有害干擾。然而，按照指示安裝並不能保證某些安裝不會發 生干擾。如果本設備確實對無線電或電視接收造成有害干擾（可透過關閉和打開本設備來確定），使用 者可嘗試採取以下一種或多種措施來糾正干擾： • 調整接收天線的方向或位置。 • 增大本設備和接收器的間距。 • 將本設備和接收器電源線插入不同線路上的插座中。 • 請諮詢經銷商或有經驗的無線電/電視技術人員以獲得協助。
ʃːj • 未經授權切勿更改產品；否則可能會影響安全性、合規性、系統效能，並可能使保修失效。 • 長時間高音量收聽音樂可能會造成聽力損傷。使用耳機，尤其是時間較長時，應避免音量過高。
ᙆѓj包含小部件，可能導致窒息危險。不適合 3 歲以下的兒童使用。
ᙆѓj本產品含有磁性材料。如果懷疑此產品會影響植入醫療設備的運行，請諮詢醫生。
經 Dolby Laboratories 授權製造。Dolby 和雙 D 符號是 Dolby Laboratories 的商標。 有關 DTS 專利，請瀏覽 。經 Digital Theater Systems, INC 授權製造。DTS 和 & DTS 都是注冊商標。DTS Digital Surround 是 DTS, Inc. 的商標。© DTS, Inc. 保留所有權利。 HDMI、HDMI High-Definition Multimedia Interface 和 HDMI 徽標是 HDMI Licensing, LLC 在美國及其他國家/ 地區的商標或注冊商標。