英文原版小说,提供双语英文原版小说在线阅读与下载!_0
英语阅读网站推荐

这个真的非常棒~~只要你的英语足够好~~~来源:梅中畅的日志1.喜欢读英文书的朋友差不多都知道这个在线书库,该书库几乎每天都有新书增加进来,目前其所拥有的在线免费图书已超过2万本,内容涉及众多领域,阅读格式也多种多样。
最好的是,你可以通过每本书所提供的链接,还能顺藤摸瓜地找到其他很多非常有价值的在线书库和丰富多彩的内容。
本文所提供的其他一些书库就是本人通过这一书库的线索找到的。
2./m/moa/Making of America(MOA)是研究美国从南北战争到重建时期社会、历史、文化的极佳的网上资源,当然其收藏内容远不止于此,欧洲各国的历史以及著名作家的经典著作也非常之多,比如英国湖畔派诗人的全集、休谟的英国史(6卷本)、基佐的法国文明史(8卷本)等等,而且所有图书皆为图形格式或PDF格式,并且都是扫描输入的,原汁原味。
遗憾的是,出于版权保护的考虑,所收图书的作者差不多都是已故距今至少70年以上的。
其中很多书都有极高的收藏价值。
遗憾之处是其PDF格式不能整本下载。
3. /Posner/这里还要向大家极力推荐Posner先生的这个个人藏书网站,书籍的数量虽然不是很多,但每本差不多都是善本,甚至可能有孤本。
比如他所收藏的莎士比亚戏剧集居然是第一个剧团演出本!吉本的《罗马帝国兴衰史》好像也是第一版的。
所有图书皆为原书扫描输入,保留了这些善本书的全貌,非常值得藏书家收藏!缺点也跟MOA一样,不能整本下载。
个人非常推荐!~4. /details/textsInternet Archive也是一个不错的在线书库,其中的百万书库项目(Million Book Proje ct)号称到2005年底要将百万册图书数字化,不过到目前为止该书库好像只有1万多本书,但这样的成绩也很不错啦。
其中的很多书都有DjVu、PDF版,也有不少好书,值得一看。
5. /敢号称自己是“Great Books Online”当然有其理由,因为光它的“哈佛经典丛书”就多达100卷,哪位读者要是能将其读完,我看成为大师级人物应该不成问题。
在线听著名英文原版小说

在线听著名英文原版小说(朗读版超赞)傲慢与偏见[Jane.Austen](Pride.And.Prejudice)/showDetail.asp?ID=1999&txtID=101307终极骗术[DAN.BROWN](Deception Point)/showDetail.asp?ID=1998&txtID=101307天使和恶魔[DAN.BROWN](Angels.&.Demons)/showDetail.asp?ID=1997&txtID=101307爱丽丝梦游奇境(Alice's.Adventures.in.Wonderland)/showDetail.asp?ID=1996&txtID=101307乱世佳人.飘[Margaret_Mitchell](Gone.With.The.Wind)/showDetail.asp?ID=1995&txtID=101307 The Old Man and the Sea/showDetail.asp?ID=1983&txtID=101307魂断蓝桥英文原版录音剪辑/showDetail.asp?ID=1982&txtID=101307星球大战3.西斯的复仇(Star.Wars.Ep3)/showDetail.asp?ID=1972&txtID=101307星球大战2.克隆人的进攻(Star.Wars.Ep2)/showDetail.asp?ID=1971&txtID=101307星球大战1.幽灵的威胁(Star.Wars.Ep1)/showDetail.asp?ID=1970&txtID=101307魔戒.王者归来[JRR.Tolkien](Lord.of.Rings-The.Return.Of.The.King) /showDetail.asp?ID=1949&txtID=101307魔戒.双塔奇谋[JRR.Tolkien](Lord.of.Rings-The.Two.Towers) /showDetail.asp?ID=1948&txtID=101307魔戒.魔戒现身[JRR.Tolkien]/showDetail.asp?ID=1947&txtID=101307魔戒.霍比特人[JRR.Tolkien](Lord.of.Rings-The.Hobbit)/showDetail.asp?ID=1946&txtID=101307小王子(The.Little.Prince.)/showDetail.asp?ID=1930&txtID=101307理智与情感(Sense.and.sensibility.)/showDetail.asp?ID=1929&txtID=101307Speak Smart - Public Speaking/showDetail.asp?ID=1926&txtID=101307指环王(Lord Of The Rings)/showDetail.asp?ID=1918&txtID=1013072005年史瓦辛格的北大讲演/showDetail.asp?ID=1888&txtID=101307捕梦网(Dreamcatcher)/showDetail.asp?ID=1928&txtID=101307怎样停止忧虑开始生活[Dale.Carnegie](How.to.Stop.Worrying&Start.Living) /showDetail.asp?ID=1832&txtID=101307控制时间和生活[kein](Get.Control.of.Your.Time.&.Your.Life) /showDetail.asp?ID=1831&txtID=101307教父[Mario_Puzo](The_Godfather)/showDetail.asp?ID=1830&txtID=101307汤姆·索耶历险记(The.Adventures.of.TOM.SAWYER)/showDetail.asp?ID=1825&txtID=101307马语者(The_Horse Whisperer[Nicholas.Evans])/showDetail.asp?ID=1813&txtID=101307Theory_of_Everything/showDetail.asp?ID=1728&txtID=101307The_Crazed.Ha_Jin/showDetail.asp?ID=1727&txtID=101307名人英文演讲/showDetail.asp?ID=1703&txtID=101307尽管去做--无压力工作的艺术(Getting_Things_Done) /showDetail.asp?ID=1690&txtID=101307纳尼亚王国传奇(The.Lion,.the.Witch.and.the.Wardrobe) /showDetail.asp?ID=1663&txtID=101307世界是平坦的.21世纪简史(The.World.Is.Flat)/showDetail.asp?ID=1662&txtID=101307玫瑰之名白金珍藏版[Umberto.Eco](.of.the.Rose) /showDetail.asp?ID=1658&txtID=101307小霍比特人.J.R.R.Tolkien(THE.HOBBIT)/showDetail.asp?ID=1657&txtID=101307达芬奇密码[Dan.Brown](The.Da.Vinci.Code)/showDetail.asp?ID=1656&txtID=101307纳尼亚王国传奇[C.S.Lewis](The.Chronicles.of.Narnia)/showDetail.asp?ID=1655&txtID=101307伯恩三部曲.伯恩的最后通牒(The.Bourne.Ultimatum)/showDetail.asp?ID=1654&txtID=101307伯恩三部曲.伯恩的霸权(The.Bourne.Supremacy)/showDetail.asp?ID=1653&txtID=101307伯恩三部曲.伯恩的身份(The.Bourne.Identity)/showDetail.asp?ID=1652&txtID=101307荒野的呼唤[Jack London](The.Call.of.the.Wild)/showDetail.asp?ID=616&txtID=101307从优秀到卓越(Good.To.Great)/showDetail.asp?ID=1646&txtID=101307温情杀手(Killing.Me.Softly)/showDetail.asp?ID=1647&txtID=101307汤姆·索耶历险记(The.Adventures.of.TOM.SAWYER)/showDetail.asp?ID=1651&txtID=101307最坏的女巫(Murphy,.Jill.-.The.Worst.Witch)/showDetail.asp?ID=1650&txtID=101307价值百万(Million.Dollar.Habits)/showDetail.asp?ID=1649&txtID=101307独自生还[David Baldacci].mp3.(Last.Man.Standing)/showDetail.asp?ID=2803&txtID=101307当下的力量[Eckhart.Tolle](Practicing.The.Power.of.NOW.)/showDetail.asp?ID=2802&txtID=101307王尔德童话合集/showDetail.asp?ID=2795&txtID=101307艺伎回忆录[阿瑟高登](Memoirs.of.a.Geisha)/showDetail.asp?ID=2792&txtID=101307老人与海[海明威](Old.Man.and.The.Sea)/showDetail.asp?ID=2791&txtID=101307谁动了我的奶酪[斯宾塞约翰逊].(Who.Move.My.Cheese)/showDetail.asp?ID=2790&txtID=101307傀儡主人[Robert.Heinlein](The_Puppet_Masters)/showDetail.asp?ID=2706&txtID=101307积极思考的力量[Scott_W._Ventrella](The_Power_Of_Positive_Thinking_In_Business) /showDetail.asp?ID=2705&txtID=101307异乡异客[Robert.Heinlein](Stranger_In_A_Strange_Land)/showDetail.asp?ID=2704&txtID=101307宗教与科学[Bertrand_Russell](Religion&Science)/showDetail.asp?ID=2703&txtID=101307手机[Stephen_King](Cell)/showDetail.asp?ID=2702&txtID=101307谎言和说谎者[Al_Franken](Lies_and_the_Lying_Liars_Who Tell_Them) /showDetail.asp?ID=2701&txtID=101307孙子兵法[Sun-Tzu,.trans.by.John.Minford](Art_of_War)/showDetail.asp?ID=2700&txtID=101307上下五千年/showDetail.asp?ID=2699&txtID=101307汤姆叔叔的小屋[比彻·斯托夫人]/showDetail.asp?ID=2694&txtID=101307澳洲烤焦了[Bill.Bryson](Bill.Bryson.Down.Under.)/showDetail.asp?ID=2680&txtID=101307看我怎么教你,三十亿人生[Donald.Trump](How.to.Get.Rich)/showDetail.asp?ID=2679&txtID=101307男人来自火星女人来自金星(Men Are From Mars Women Are From Venus) /showDetail.asp?ID=2654&txtID=101307慈善巨人[Roald Dahl](The BFG)/showDetail.asp?ID=2677&txtID=101307The.Rape.Of.Nanking南京暴行-被遗忘的大屠杀[张纯如]/showDetail.asp?ID=2527&txtID=101307独闯天下[Roald Dahl](Going.Solo.)/showDetail.asp?ID=2520&txtID=101307肖申克的救赎[Stephen.King](The.Shawshank.Redemption)/showDetail.asp?ID=2502&txtID=101307神秘窗神秘园[Stephen.King](Secret.Window.Secret.Garden)/showDetail.asp?ID=2501&txtID=101307玛蒂尔达[Roald Dahl](Matilda)/showDetail.asp?ID=2500&txtID=101307双星[Robert Heinlein](Double Star)/showDetail.asp?ID=2494&txtID=101307奇异故事集[Roald Dahl](Tales Of The Unexpected)/showDetail.asp?ID=2487&txtID=101307最后十四堂星期二的课[Mitch Albom](Tuesday.With.Morrie) /showDetail.asp?ID=2476&txtID=101307鲁滨逊漂流记[丹尼尔笛福](Robinson Crusoe)/showDetail.asp?ID=2475&txtID=101307茶花女[Dumas](dy.Of.the.Camellais)/showDetail.asp?ID=2467&txtID=101307禅者的初心(Zen.Mind,.Beginners.Mind[Shunryu.Suzuki]) /showDetail.asp?ID=2461&txtID=101307金银岛(Treasure.Island[Robert.Louis.Stevenson].)/showDetail.asp?ID=2460&txtID=101307。
初一必读英文原版书

初一必读英文原版书随着全球化的进程,英语的学习越来越受到重视。
初一作为学生英语学习的重要阶段,读一些英文原版书籍对于提高英语阅读能力、增加词汇量以及培养英语语感都有着重要的作用。
以下是几本适合初一学生阅读的英文原版书籍及其分析:1.《小王子》《小王子》是法国作家安托万·德·圣-埃克苏佩里的一部经典小说,以小王子的冒险故事为主线,讲述了生命、友情、爱情等主题。
这本书的词汇量适中,句式简单,初一学生可以较为轻松地阅读。
同时,小王子的故事富有哲理,有助于初一学生在阅读中思考人生。
2.《夏洛的网》《夏洛的网》是美国作家E.B.怀特的一部经典小说,讲述了一只蜘蛛夏洛与小猪威尔伯之间的友情故事。
这本书的词汇量和句式难度适中,初一学生可以通过阅读这本书学习到更多的英语词汇和表达方式。
同时,这本书的故事情节生动有趣,有助于初一学生增强对英语阅读的兴趣。
3.《了不起的麦瑟尔夫人》《了不起的麦瑟尔夫人》是美国作家Rachel Kushner的一部小说,讲述了一个女性在20世纪50年代美国的社会背景下追求自我价值的故事。
这本书的词汇量较大,句式较为复杂,对于初一学生来说有一定的挑战性。
但是,通过阅读这本书,初一学生可以学习到更多的英语词汇和高级表达方式,提高英语阅读能力。
4.《哈利·波特》系列《哈利·波特》系列是英国作家J.K.罗琳创作的一系列魔幻小说,讲述了一个年轻巫师哈利·波特的冒险故事。
这个系列的书籍词汇量较大,句式较为复杂,但是故事情节生动有趣,初一学生可以通过阅读这个系列的书籍提高英语阅读能力,并且增强对英语阅读的兴趣。
以上是几本适合初一学生阅读的英文原版书籍及其分析,这些书籍不仅有助于提高学生的英语阅读能力,同时也具有丰富的文化内涵和人生哲理,有助于初一学生的成长和发展。
适合高中生看的英文原版书

适合高中生看的英文原版书高中是英语学习的重要阶段,阅读英文原版书不仅可以提高英语水平,还可以开阔视野,丰富思想。
以下是一些适合高中生看的英文原版书:1.《小王子》这是一本充满哲理和人生智慧的童话故事,语言简单易懂,适合高中生阅读。
通过小王子的冒险旅程,读者可以了解到人类的弱点和生命的真谛。
2.《杀死一只知更鸟》这是一本描写美国南方小镇生活的小说,讲述了一个律师父亲为保护无辜黑人孩子,与南方白人社会展开斗争的故事。
这本书的语言简单易懂,故事情节引人入胜,适合高中生阅读。
3.《1984》这是一本反乌托邦小说,描写了一个极权主义国家中人民的生活和思想。
这本书的语言简单易懂,情节引人入胜,适合高中生阅读。
4.《了不起的盖茨比》这是一本描写美国20世纪20年代社会的小说,讲述了一个穷小子变成富豪的故事。
这本书的语言优美,故事情节引人入胜,适合高中生阅读。
5.《哈姆雷特》这是一本描写复仇和阴谋的戏剧作品,是莎士比亚的经典之作。
这本书的语言优美,情节引人入胜,适合高中生阅读。
6.《傲慢与偏见》这是一本描写英国19世纪社会的小说,讲述了一个富家女和穷小子的爱情故事。
这本书的语言优美,故事情节引人入胜,适合高中生阅读。
7.《乌合之众》这是一本社会心理学经典著作,主要探讨群体心理和行为。
这本书的语言简单易懂,理论深入浅出,适合高中生了解人类行为和社会心理学的知识。
8.《麦田里的守望者》这是一本描写青少年内心世界的长篇小说,讲述了一个中学生霍尔顿·考尔菲德在离开学校后的一段经历。
这本书的语言简洁明了,人物形象鲜明,适合高中生了解青少年心理和成长的烦恼。
这些书都有不同的主题和风格,读者可以根据自己的兴趣和爱好选择适合自己的书籍。
在阅读时,可以根据自己的英语水平选择合适的阅读材料,并逐渐提高难度。
同时还可以通过阅读笔记、摘抄好词好句等方式提高阅读效果和英语写作能力。
【英文原版小说】欧·亨利短篇小说-TheLastLeaf最后一片叶子

The Last Leaf最后一片叶子IIn a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places." These "places" make strange angles and curves. One Street crosses itself a time or two. An artist once discovered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account!So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and eighteenth-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth Avenue, and became a "colony."At the top of a squatty, three-story brick Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at the table d'h?te of an Eighth Street "Delmonico's," and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted.That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy fingers.Over on the east side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown "places."Mr. Pneumonia was not what you would call a chivalric old gentleman. A mite of a little woman with blood thinned by California zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window-panes at the blank side of the next brick house.One morning the busy doctor invited Sue into the hallway with a shaggy, grey eyebrow."She has one chance in - let us say, ten," he said, as he shook down the mercury in his clinical thermometer. " And that chance is for her to want to live. This way people have of lining-u on the side of the undertaker makes the entire pharmacopoeia look silly. Your little lady has made up her mind that she's not going to get well.Has she anything on her mind?""She - she wanted to paint the Bay of Naples some day." said Sue."Paint? - bosh! Has she anything on her mind worth thinking twice - a man for instance?""A man?" said Sue, with a jew's-harp twang in her voice. "Is a man worth - but, no, doctor; there is nothing of the kind.""Well, it is the weakness, then," said the doctor. "I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten."After the doctor had gone Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing board, whistling ragtime.Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep.She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature.As Sue was sketching a pair of elegant horseshow riding trousers and a monocle of the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside.Johnsy's eyes were open wide. She was looking out the window and counting - counting backward."Twelve," she said, and little later "eleven"; and then "ten," and "nine"; and then "eight" and "seven", almost together.Sue look solicitously out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away.An old, old ivy vine, gnarled and decayed at the roots, climbed half way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks."What is it, dear?" asked Sue."Six," said Johnsy, in almost a whisper. "They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy.There goes another one. There are only five left now.""Five what, dear? Tell your Sudie.""Leaves. On the ivy vine. When the last one falls I must go, too. I've known that for three days. Didn't the doctor tell you?""Oh, I never heard of such nonsense," complained Sue, with magnificent scorn. "What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were - let's see exactly what he said - he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and pork chops for her greedy self." "You needn't get any more wine," said Johnsy, keeping her eyes fixed out the window. "There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too.""Johnsy, dear," said Sue, bending over her, "will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by to-morrow. I need the light, or I would draw the shade down.""Couldn't you draw in the other room?" asked Johnsy, coldly."I'd rather be here by you," said Sue. "Beside, I don't want you to keep looking at those silly ivy leaves.""Tell me as soon as you have finished," said Johnsy, closing her eyes, and lying white and still as fallen statue, "because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves.""Try to sleep," said Sue. "I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move 'til I come back."Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along with the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe.He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in any one, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above.Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away, when her slight hold upon the world grew weaker.Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings."Vass!" he cried. "Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der brain of her? Ach, dot poor leetle Miss Yohnsy.""She is very ill and weak," said Sue, "and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibbertigibbet.""You are just like a woman!" yelled Behrman. "Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! yes."Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit miner on an upturned kettle for a rock.When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade."Pull it up; I want to see," she ordered, in a whisper.Wearily Sue obeyed.But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last one on the vine. Still dark green near its stem, with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from the branch some twenty feet above the ground."It is the last one," said Johnsy. "I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time.""Dear, dear!" said Sue, leaning her worn face down to the pillow, "think of me, if you won't think of yourself. What would I do?"But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed.The day wore away, and even through the twilight they could see the lone ivy leaf clinging to itsstem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves. When it was light enough Johnsy, the merciless, commanded that the shade be raised.The ivy leaf was still there.Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove."I've been a bad girl, Sudie," said Johnsy. "Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring a me a little broth now, and some milk with a little port in it, and - no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook."And hour later she said:"Sudie, some day I hope to paint the Bay of Naples."The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left. "Even chances," said the doctor, taking Sue's thin, shaking hand in his. "With good nursing you'll win." And now I must see another case I have downstairs. Behrman, his name is - some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable."The next day the doctor said to Sue: "She's out of danger. You won. Nutrition and care now - that's all."And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all."I have something to tell you, white mouse," she said. "Mr. Behrman died of pneumonia to-day in the hospital. He was ill only two days. The janitor found him the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colours mixed on it, and - look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece - he painted it there the night that the last leaf fell."在华盛顿广场西边的一个小区里,街道都横七竖八地伸展开去,又分裂成一小条一小条的“胡同”。
the little prince英文原版

the little prince英文原版English: The Little Prince is a beloved novella written by Antoine de Saint-Exupéry, originally published in 1943. The story follows a young prince who travels from planet to planet, encountering a variety of strange and often absurd adults, before finally landing on Earth. Through his interactions with a stranded pilot in the desert, the little prince shares his unique perspective on human nature, love, friendship, and the importance of maintaining childlike wonder and innocence. The novella touches on deep existential themes, encouraging readers to look beyond the material world and delve into deeper truths about life, relationships, and the passage of time. The Little Prince has been translated into numerous languages and has captured the hearts of readers of all ages around the world, becoming a timeless classic that continues to inspire and provoke thought.中文翻译: 《小王子》是安托万·德·圣-埃克苏佩里所写的一部备受喜爱的中篇小说,最初出版于1943年。
91reading英文原版分级阅读

91reading英文原版分级阅读
91reading英文原版分级阅读是指使用91reading平台提供的分级阅读服务,将英语读物按照难度分为不同的等级,方便不同水平的学生阅读。
该平台提供的分级阅读服务基于学生的英语水平和阅读兴趣,将英语读物分为9个等级,从易到难,覆盖了初学者到高级读者的所有需求。
学生可以通过91reading平台选择自己感兴趣的读物,并根据英语水平选择相应的等级,轻松地阅读原版英文读物。
除了提供分级阅读服务外,91reading平台还提供了丰富的阅读内容,包括小说、新闻、杂志、漫画等,学生可以根据自己的兴趣选择阅读内容。
此外,91reading平台还提供了智能化的阅读推荐系统,可以根据学生的阅读水平和个人偏好,为学生提供个性化的阅读建议。
91reading英文原版分级阅读的服务为学生阅读原版英语读物提供了方便,同时也为英语学习者提供了一个平台,让他们可以更轻松地接触到原版英语读物,提高英语水平。
【英文原版小说】欧·亨利短篇小说-ACosmopoliteinaCafe咖啡馆里的世..

A Cosmopolite in a Cafe咖啡馆里的世界公民At midnight the cafe was crowded. By some chance the little table at which I sat had escaped the eye of incomers, and two vacant chairs at it extended their arms with venal hospitality to the influx of patrons.And then a cosmopolite sat in one of them, and I was glad, for I held a theory that since Adam no true citizen of the world has existed. We hear of them, and we see foreign labels on much luggage, but we find travellers instead of cosmopolites.I invoke your consideration of the scene--the marble-topped tables, the range of leather-upholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garcons, the music wisely catering to all with its raids upon the composers; the melange of talk and laughter--and, if you will, the Wurzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay. I was told by a sculptor from Mauch Chunk that the scene was truly Parisian.My cosmopolite was named E. Rushmore Coglan, and he will be heard from next summer at Coney Island. He is to establish a new "attraction" there, he informed me, offering kingly diversion. And then his conversation rang along parallels of latitude and longitude. He took the great, round world in his hand, so to speak, familiarly, contemptuously, and it seemed no larger than the seed of a Maraschino cherry in a table d'hote grape fruit. He spoke disrespectfully of the equator, he skipped from continent to continent, he derided the zones, he mopped up the high seas with his napkin. With a wave of his hand he would speak of a certain bazaar in Hyderabad. Whiff! He would have you on skis in Lapland. Zip! Now you rode the breakers with the Kanakas at Kealaikahiki. Presto! He dragged you through an Arkansas post-oak swamp, let you dry for a moment on the alkali plains of his Idaho ranch, then whirled you into the society of Viennese archdukes. Anon he would be telling you of a cold he acquired in a Chicago lake breeze and how old Escamila cured it in Buenos Ayres with a hot infusion of the chuchula weed. You would have addressed a letter to "E. Rushmore Coglan, Esq., the Earth, Solar System, the Universe," and have mailed it, feeling confident that it would be delivered to him.I was sure that I had found at last the one true cosmopolite since Adam, and I listened to his worldwide discourse fearful lest I should discover in it the local note of the mere globe-trotter. But his opinions never fluttered or drooped; he was as impartial to cities, countries and continents as the winds or gravitation. And as E. Rushmore Coglan prattled of this little planet I thought with glee of a great almost-cosmopolite who wrote for the whole world and dedicated himself to Bombay. In a poem he has to say that there is pride and rivalry between the cities of the earth, and that "the men that breed from them, they traffic up and down, but cling to their cities' hem as a child to the mother's gown." And whenever they walk "by roaring streets unknown" they remember their native city "most faithful, foolish, fond; making her mere-breathed name their bond upon their bond." And my glee was roused because I had caught Mr. Kipling napping. Here I had found a man not made from dust; one who had no narrow boasts of birthplace or country, one who, if he bragged at all, would brag of his whole round globe against the Martians and the inhabitants of the Moon.Expression on these subjects was precipitated from E. Rushmore Coglan by the third corner to our table. While Coglan was describing to me the topography along the Siberian Railway theorchestra glided into a medley. The concluding air was "Dixie," and as the exhilarating notes tumbled forth they were almost overpowered by a great clapping of hands from almost every table.It is worth a paragraph to say that this remarkable scene can be witnessed every evening in numerous cafes in the City of New York. Tons of brew have bee n consumed over theories to account for it. Some have conjectured hastily that all Southerners in town hie themselves to cafes at nightfall. This applause of the "rebel" air in a Northern city does puzzle a little; but it is not insolvable. The war with Spain, many years' generous mint and watermelon crops, a few long-shot winners at the New Orleans race-track, and the brilliant banquets given by the Indiana and Kansas citizens who compose the North Carolina Society have made the South rather a "fad" in Manhattan. Your manicure will lisp softly that your left forefinger reminds her so much of a gentleman's in Richmond, Va. Oh, certainly; but many a lady has to work now--the war, you know. When "Dixie" was being played a dark-haired young man sprang up from somewhere with a Mosby guerrilla yell and waved frantically his soft- brimmed hat. Then he strayed through the smoke, dropped into the vacant chair at our table and pulled out cigarettes.The evening was at the period when reserve is thawed. One of us mentioned three Wurzburgers to the waiter; the dark-haired young man acknowledged his inclusion in the order by a smile and a nod. I hastened to ask him a question because I wanted to try out a theory I had."Would you mind telling me," I began, "whether you are from--"The fist of E. Rushmore Coglan banged the table and I was jarred into silence."Excuse me," said he, "but that's a question I never like to hear asked. What does it matter where a man is from? Is it fair to judge a man by his post-office address?Why, I've seen Kentuckians who hated whiskey, Virginians who weren't descended from Pocahontas, Indianians who hadn't written a novel, Mexicans who didn't wear velvet trousers with silver dollars sewed along the seams, funny Englishmen, spendthrift Yankees, cold-blooded Southerners, narrow- minded Westerners, and New Yorkers who were too busy to stop for an hour on the street to watch a one-armed grocer's clerk do up cranberries in paper bags. Let a man be a man and don't handicap him with the label of any section.""Pardon me," I said, "but my curiosity was not altogether an idle one. I know the South, and when the band plays 'Dixie' I like to observe. I have formed the belief that the man who applauds that air with special violence and ostensible sectional loyalty is invariably a native of either Secaucus, N.J., or the district between Murray Hill Lyceum and the Harlem River, this city. I was about to put my opinion to the test by inquiring of this gentleman when you interrupted with your own--larger theory, I must confess."And now the dark-haired young man spoke to me, and it became evident that his mind also moved along its own set of grooves."I should like to be a periwinkle," said he, mysteriously, "on the top of a valley, and sing tooralloo-ralloo."This was clearly too obscure, so I turned again to Coglan."I've been around the world twelve times," said he. "I know an Esquimau in Upernavik who sends to Cincinnati for his neckties, and I saw a goatherder in Uruguay who won a prize in a Battle Creek breakfast food puzzle competition. I pay rent on a room in Cairo, Egypt, and another in Yokohama all the year around. I've got slippers waiting for me in a tea-house in Shanghai, and I don't have to tell 'em how to cook my eggs in Rio de Janeiro or Seattle. It's a mighty little old world. What's the use of bragging about being from the North, or the South, or the old manor house in the dale, orEuclid avenue, Cleveland, or Pike's Peak, or Fairfax County, Va., or Hooligan's Flats or any place? It'll be a better world when we quit being fools about some mildewed town or ten acres of swampland just because we happened to be born there.""You seem to be a genuine cosmopolite," I said admiringly. "But it also seems that you would decry patriotism.""A relic of the stone age," declared Coglan, warmly. "We are all brothers--Chinamen, Englishmen, Zulus, Patagonians and the people in the bend of the Kaw River. Some day all this petty pride in one's city or State or section or country will be wiped out, and we'll all be citizens of the world, as we ought to be.""But while you are wandering in foreign lands," I persisted, "do not your thoughts revert to some spo--some dear and--""Nary a spot," interrupted E. R. Coglan, flippantly. "The terrestrial, globular, planetary hunk of matter, slightly flattened at the poles, and known as the Earth, is my abode. I've met a good many object-bound citizens of this country abroad. I've seen men from Chicago sit in a gondola in Venice on a moonlight night and brag about their drainage canal. I've seen a Southerner on being introduced to the King of England hand that monarch, without batting his eyes, the information that his grandaunt on his mother's side was related by marriage to the Perkinses, of Charleston. I knew a New Yorker who was kidnapped for ransom by some Afghanistan bandits. His people sent over the money and he came back to Kabul with the agent. 'Afghanistan?' the natives said to him through an interpreter. 'Well, not so slow, do you think?' 'Oh, I don't know,' says he, and he begins to tell them about a cab driver at Sixth avenue and Broadway. Those ideas don't suit me. I'm not tied down to anything that isn't8,000 miles in diameter. Just put me down as E. Rushmore Coglan, citizen of the terrestrial sphere."My cosmopolite made a large adieu and left me, for he thought he saw some one through the chatter and smoke whom he knew. So I was left with the would-be periwinkle, who was reduced to Wurzburger without further ability to voice his aspirations to perch, melodious, up on the summit of a valley.I sat reflecting upon my evident cosmopolite and wondering how the poet had managed to miss him. He was my discovery and I believed in him. How was it? "The men that breed from them they traffic up and down, but cling to their cities' hem as a child to the mother's gown."Not so E. Rushmore Coglan. With the whole world for his--My meditations were interrupted by a tremendous noise and conflict in another part of the cafe.I saw above the heads of the seated patrons E. Rushmore Coglan and a stranger to me engaged in terrific battle. They fought between the tables like Titans, and glasses crashed, and men caught their hats up and were knocked down, and a brunette screamed, and a blonde began to sing "Teasing."My cosmopolite was sustaining the pride and reputation of the Earth when the waiters closed in on both combatants with their famous flying wedge formation and bore them outside, still resisting.I called McCarthy, one of the French garcons, and asked him the cause of the conflict."The man with the red tie" (that was my cosmopolite), said he, "got hot on account of things said about the bum sidewalks and water supply of the place he come from by the other guy." "Why," said I, bewildered, "that man is a citizen of the world--a cosmopolite. He--" "Originally from Mattawamkeag, Maine, he said," continued McCarthy, "and he wouldn't standfor no knockin' the place."半夜,咖啡馆拥挤不通。
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英文原版小说,提供双语英文原版小说在线阅读与下载!篇一:中小学生正确的阅读英文原版小说方法中小学生正确的阅读英文原版小说方法(一)心态关于阅读英语原版小说的方法,仁者见仁,智者见智。
这里是根据自己英语学习和指导娃儿英语阅读时总结的一些经验与大家分享,也算抛砖引玉,请各位青蛙妈踊跃分享下自己的经验。
不要急功近利。
刚开始阅读的阶段也是最容易放弃的阶段。
毕竟英语原版小说与我们接触的考试或作业中的英语文章在遣词造句上都有很大差异所以这样的心理准备一定要做好:刚开始不会很容易的。
尤其是前两个月的阅读,主要目的是用来调整个语言体系和记忆新的词汇短语。
绝大多数英语小说的阅读者都会遇到这个阶段,克服的方法也只有一个就是持续不断的阅读和记忆。
只有在掌握了基本的小说词汇之后,欣赏才有可能。
就拿七初初三青蛙Jerry和嘉祥初二青蛙Ray来说他们也是经过了这样一个适应的过程。
刚开始还未掌握方法时也较艰难,但通过matt 老师阅读课上的不断引导、鼓励和训练后,他们逐渐尝到了读英语原版小说的成就和乐趣。
现在两个青蛙正沉浸在马克吐温的经典小说AconnecticutYankeeinKingArthur?scourt《亚瑟王朝廷上的康涅狄格州美国人》的阅读中。
他们目前也仅上了18次课,但英语的阅读、写作能力已经达到了一个质的飞跃。
Jerry在申请美国高中时写出如此有思想和地道的英语文章就是一个有力的见证。
今天嘉祥青蛙妈把我们准备的测试文章Amodestproposal拿给Ray试读,他因本周准备期末考试比较忙,他只粗读了一下,只借助字典查少量单词就能读懂60%到70%的内容。
因嘉祥青蛙妈说第一批试听的孩子英语应试水平和她儿Ray的水平相当,所以matt推荐了此篇文章。
这是一篇英国非常经典的文学作品,是美国孩子分别在他们8年级和10年级的时候被要求重复阅读的作品,这个作品的内容甚至有在Ap考试中出现。
但是我们第一组的孩子们普遍反映单词多,难度大,有些读不下去,强烈要求换一本简单的小说。
青蛙妈妈现在更坚定了让孩子继续坚持读英文小说了,因为通过比较两组孩子阅读前后的感受,效果明显摆在眼前。
其实Jerry和Ray也是今年2月才开始读英文小说的,每周读两个章节,周末只上1.5小时美国老师的指导课,现在一共也就18次课吧,可是现在就能相比同年级的孩子比较轻松读下美国10年级孩子水平的Amodestproposal这篇经典作品,这是显而易见的进步,关键是两个孩子已经养成了读英文小说的良好习惯和摸索出自己读英文小说的正确方法。
今天Ray听说青蛙妈妈们把这个课程推广给家长,他着急的担心起自己暑假的课程会受影响,他说他和小满早决定暑假一星期至少要上两次课程呢,要求青蛙妈必须保证安排好他俩的课程。
呵呵,两孩子的兴趣正浓着呢。
孩子们,当你们也和Jerry和Ray一样读完2本小说后,相信也能从初期的2级读物进入到美国老师试听课发的这篇5级读物的阅读快感中来青蛙妈们应多多鼓励自己的青蛙早日找到正确的方法进入原版英语小说的王国!中小学生正确的阅读英文原版小说方法(二)挑选作品(这个很重要,它直接关系到孩子是否能有兴趣地、坚持地读下去。
选择时需要考虑以下几点:1.小说的内容和风格。
自己孩子喜欢什么风格、类型的小说?浪漫的、喜剧的、科幻的还是侦探类的?选择孩子感兴趣的内容,即使在遇到较多生词困难时容易坚持,并且想办法弄懂。
在确定好风格的同时,尽量选择经典的名著。
(这和我们汉语阅读一是样的)当然个人认为家长也可以用自己的方法引导和激发孩子的兴趣。
2.阅读适合自己英语水平的作品。
阅读的驱动力主要还是兴趣和成就感保证良好的阅读效果,不同级别的英语学习者就需要阅读与自己水平相适应的文学作品。
太难和太易都不能激发学习的动感。
在不翻阅字典的情况下尝试阅读第一至二个章节,如果自己能理解60%-80%左右的内容既可以说水平合适。
有的作品貌似有大量生词但也不会影响阅读(这类词汇主要包括地名、人名、专业领域的名词和部分形容词,还有少部分可以猜测意思的动词和动词短语),所以还是主张以通篇理解程度来判断。
中小学生正确的阅读英文原版小说方法(三)怎样阅读1.拿到小说后首先对其写作背景和作者进行了解,这样才有助于从整体上把握和理解内容。
2.养成良好的阅读习惯,切忌看到生词就查字典,把自己搞得疲惫不堪后,了无兴趣。
3.培养猜测词语含义的能力。
遇到生词时尽量联系上下文或其它联想猜测词义。
如:大写的词语一般是专属的名词,可以表示特定的机构和人物,也可以表示现实地区名、河流、山脉某一类特殊的群体以及作者文章中虚构出来的地方和人物。
有些动词可以根据主语和宾语猜测出来。
还有一些名词,如各种不同的生物,和医学物理学器具,是不需要知道中文的意思的,就像汉语里的专业词汇一样,有许多我们也看不懂;只是熟悉了就不在乎了。
4.注意掌握阅读速度刚开始阅读第一本小说,速度一定不快。
但是应该强迫自己把速度提高上去。
因为据心理学研究表明,高速度阅读不但有利于提高阅读的理解能力,还能在一定程度上改善阅读疲乏的症状;可以保证更长时间的持续阅读。
因此可以每天给自己设定一个阅读目标,如10页每天或1章每天,读顺后可以逐渐增加页数。
中小学生正确的阅读英文原版小说方法(四)阅读时该留意哪些字词句呢?1.留意小词的灵活用法英语中象come,go等一类的小词用法特别灵活,一个词能表达好多意思。
我们平时搜肠刮肚想了半天才找到个词表达的意思,一个小词往往就可以解决。
比如,要表达“他在我们公司说了算”,我们可以轻松地说?Inourcompany,whathesaysgoes?。
2.留意已学过的词的新用法不要以为你学过某个单词就没事啦。
阅读小说时,你会经常发现明明是已学过的单词,可意思怎么也对不上号。
比如hewasliftedhighupintheair,legswhiskingdesperatelyasiftheyweretryingtog ainapurchase.这里的purchase似乎怎么也跟购买扯不上关系,但从小学到大学,似乎也没哪位老师提过purchase还有别的意思。
其实,这里是指Aposition,asofaleverorone'sfeet,affordingmeanstomoveorsecureaweight.支撑的位置:如杠杆上的位置或某人的双脚等用于移动或支撑重量的位置。
3.留意好句子从学英语的角度说,好句子大致可分几种情况a.生活化口语(Iheardalotaboutyou久仰大名)b.评论性话语(可以拿来套用在你的议论文写作上,比如michaelcrichton的侏罗纪公园的引子里有大量评论现代科技发展的文字,非常值得借鉴)c.一些中文耳熟能详的句子但地道英文不知咋说(数量有限,欲购从速limitedavailability,ordersoon)d.一些中文耳熟能详的句子、地道英文也知道咋说,可小说中又有别的或补充表达(魔戒中表达良药苦口,忠言逆耳是并未用我们熟知的goodmedicinetastesbitter,goodadviceisharshtotheear,而是用了Faithfulheartmayhaveforwardtongue)。
4.留意文中的描写片段我们中国学生最不会写的就是用英语描写人物、场景。
学会一些常见的场景描述对写作绝对有好处。
例如,在自传体小说soundsoftheRiver 里,作者在登上火车进入车厢时,对车厢内那种气味,人群混杂作了一段精彩的描述。
这种场景相信大家挤火车时都见过,但用英文恐怕还不是那么好说的。
再比如,雨水拍打在窗户上,然后蜿蜒流下的场景大家都知道吧,但英文该怎么讲呢?在一篇小说里就看到过这段文Alightrainpatteredtinywetfingersonthewindowsandwaterbeadedandrando wninmeanderingrivulets.篇二:我读英文原版小说的实践经验总结我读英文原版小说的实践经验总结【转】有空看看给点意见我读英文原版小说的实践经验总结20XX310一个人阅读情况描述:最近6个月读过几本英文原版小说,包括《佛尔摩斯侦探小说集》(只读了中间的5篇)《热爱生命》《老人与海》《小妇人》《理智与情感》最后一本今天为止基本上读完2遍了,其他的都只读了一遍。
二感受描述前几本书都是只读了一遍,有的甚至只读了一部分,因为很多原因吧。
可是基本上都有一个生单词多,情节不了解不熟悉的问题。
另一方面,我读《理智与情感》的时候,受到了两个人的影响一个是我学生讲他读《三国演义》的经历,另一个是VIcToR讲过的自己背单词的经历(我学生说起他小时侯读《三国演义》开始读的时候因为是古代的白话文,他读不大懂,可是,后面因为自己有兴趣读了10几遍什么都懂了,夸张一点说,每一个情节都可以背诵出来讲出来---------当然,做一个理性分析的话其实他懂的是情节,可能中间看过三国的电视什么的或者就是直接去读那书从而对于里面的情节从不知道到知道再到了详细的揣摩---这个就是我后面分析中说的情节带动语言理解了)(而VIcToR他当时好象是背几万字的一个字典,他采取的办法是,背第一遍花的时间好象是15天,第二遍10天,第三遍5天,第四遍3天,具体数字我不记得了,可是这个趋势是记得的,他连续的这样背了10几遍,花了好象一个多月还是2个月时间。
他当时的感受是,最开始最难,越到后面越容易,关键是挺过前面几天。
当然我现在觉得其实“不间断”和“不断重复”也是他很重要的秘诀)所以在读完第一遍以后自己就开始读第二遍了,结果发现越读越容易,以前不能联系起来的人物一个一个的建立了横向和纵向的关系,人物关系建立起来以后,情节就不难了,情节不难了,细节也就不难了,因为读不懂的细节也可以往情节这个大的方向上面靠拢了。
读完第二遍的时候,基本上情节上可以理解白分之九十五了,细节上也可以理解白分之八十五了(自己的预测不一定很准确,但是可以看出大的趋势)当然,有一点需要指出,我读第一遍基本上是做泛读,速度很快,第二遍却是精读,尽量去理解每一个细节,所以,其实第二遍虽然读文章懂的东西更多了,速度上,我估计了一下却只有第一遍的一半左右了。
我现在打算再读第三遍,还想借助一本别人翻译的中文本来攻克前面剩下的难点(虽然不可能读完第三遍白分之百理解全文,因为毕竟涉及到很多东西的差异会干扰理解,比如文化背景差异等)三经验总结就象我们做完型填空试题要先略读全文再填写细节一样,我们应该先读小说大意再读细节,因为二者的共同点是--用对于情节的理解推动对于细节对于文字的理解当然,水平高的人我也见过,他们一天两天可以读完一本400版的小说,可是,这是因为他们的文字能力已经很强了,可以用文字突破情节,带动情节。