景点的标语翻译
景点英语警示标识语
景点英语警示标识语在旅游过程中，景点的警示标识语起到非常重要的作用。
它们用简洁明了的语言向游客传递信息和警示，以保障游客的安全和秩序。
以下是一些常见的景点英语警示标识语：1. 注意安全•Caution: Wet Surface（注意湿滑）：用于警示游客道路或地面湿滑的情况，提醒游客小心行走。
•Watch Your Step（注意脚下）：用于提醒游客留意脚下，以防止意外摔倒。
•Beware of Falling Rocks（注意坠落石块）：用于危险地区，警示游客有可能发生石块坠落，请提高警惕，避免逗留该区域。
•Mind the Gap（留心缝隙）：用于警示游客在站台与列车之间可能存在的缝隙，提醒旅客小心。
2. 保护环境•Protect Nature, Do Not Litter（保护大自然，不要乱丢垃圾）：用于景区保护环境的标识，提醒游客不要乱丢垃圾。
•Stay on the Designated Pathway（请在指定路径上行走）：用于规定游客只能在指定的路径上行走，保护植被和生态系统。
•No Flash Photography（禁止使用闪光灯拍照）：用于博物馆、艺术展览等场所，禁止使用闪光灯拍照，以保护珍贵的展品。
•Do Not Touch the Artifacts（请勿触摸展品）：用于博物馆、艺术展览等场所，提醒游客不要触摸展品，以防止损坏。
3. 注意安全设施•Emergency Exit. Keep Clear（应急出口，请保持通畅）：用于公共场所，指示游客不要阻碍应急出口，以便在紧急情况下尽快疏散。
•Fire Alarm. Do Not Block（火警报警器，请勿遮挡）：用于指示火警报警器，告诉游客不要遮挡，以便在火灾发生时能及时报警。
•No Smoking（禁止吸烟）：用于室内或规定区域内，提醒游客禁止吸烟，以保护他人的健康和防止火灾。
•No Swimming（禁止游泳）：用于非指定游泳区域，警示游客不要在该区域内游泳，以避免意外事故。
旅游景区汉英公示语的meiyong
Chapter Two Literature ReviewBefore a thorough review of literature available on the topic, let’s examine two examples, 1) 爱护文物，人人有责 (The Great Wall, App 1)A: Everybody should protect cultural relics.B: Please help to protect the cultural relics.2) 美景深藏蔚竹庵 (Mount Laoshan, App 2)A: Beautiful sights are hidden in the Weizhu Nunnery.B: For beautiful sight, please come to Weizhu Nunnery.Example 1) is a public sign at Badaling. Example 2) is a public sign in the Mount Laoshan in Qingdao. The first example calls for travelers to protect the cultural relics; the second advices travelers to visit the sight. Version A of both examples may be proper if they are used elsewhere. However in scenic spots, they are not regarded as quite satisfactory. Version As did not arouse enough attention of target readers (foreign travelers). That is they fail to exert the same effect on a target reader as the original (source text) on a source text reader (Chinese traveler). Although version Bs are different from the original in sentence structure and tone, they read more attractive. And they almost have the same functions as that of the source text. According to different purposes, the above two examples can be translated in different ways. English public signs in scenic spots are in the service of target readers. Their reaction should be taken into prime consideration. Translations in functional approach can best serve target readers. So the functional approach to translation is the key theory discussed in this thesis.2.1 Review of the Functional ApproachChristiane Nord defines “functionalism” as follows,Functionalism is a broad term for various theories that approach translation in this way. Although what will call Skopostheorie has played a major role in the development of this trend; a number of scholars subscribe to functionalism and draw inspiration from Skopostheorie without calling them anything like “skopos”. We shall thus be looking at functionalism as a broad approach, trying to distinguish between its parts wherever possibleand necessary (Nord, 2001: 1)From what Nord defines in her book, we may understand that functionalism is a broad concept, pooling together a variety of scholars and theirs approaches to translation. Functional approach includes the German school with Katharina Reiss as the founder, British scholar Peter Newmark and his semantic vs. communicative translation as well as American scholar Eugene. A. Nida and his functional equivalence.In the German school the best known names are Katharina Reiss, Hans J. Vermeer and Christiane Nord. As founder of Skopostheorie, Reiss first established a general relationship between translation strategies and text functions. Reiss’s student Vermeer put forward the concept of Skopostheorie. He defines that every translation is directed at an intended audience, since to translate means “to produce a text in a target setting for a target purpose and target addressees in target circumstances”. (Nord, 2001: 12). Later on Nord put forward the rule of “Function plus Loyalty” with regard to the limitation of Skopostheorie and the problems of radical functionalism.Peter Newmark suggests three main textual functions: informative, expressive and vocative. Different text types require different translation strategies. Semantic translation is used for expressive texts; communicative translation is used for informative and vocative texts. Of vocative texts he put forward the focus of translation is the readership. In translating informative and vocative texts, the translator is supposed to produce a version which is readily acceptable and comprehensible to the readership both in content and language and he /she is justified to improve the original text if it is poorly translated. (Newmark, 1981: 42) This provides useful guidelines for the translation of public signs, which fall in to the categories of informative and vocative texts.According to Eugene Nida, the governing principle of dynamic equivalence is to “reproduce in the receptor language the closest natural equivalent of the source language, first in terms of meaning, and secondly in terms of style” (Nida and Taber, 2004: 12) He explains it is essential that the target text functions in the same manner as the source text. The target readers are able to respond to it in substantially the same manner as the source text readers respond to the original text.In the following passages, the German school and Peter Newmark’s theory would bediscussed in detail.2.2 The Functional Approach2.2.1 Katharina Reiss and Her Text Typology TheoryIn 1971, Reiss in her book Possibilities and Limits of Translation Criticism developed a model of translation criticism based on the functional relationship between source and target texts. To her target text should be equivalent to source text in terms of conceptual content, linguistic form and communicative function. From this point we can see that she still took equivalence as the basis. However, in practice “she knew that real life presents situations where equivalence is not possible and in some cases, not even desired. (Nord, 2001: 9) Especially, when the target is intended to achieve a purpose or function other than that of the original. “In such a situation, she thinks that the functional perspective takes precedence over the normal standards of equivalence. Then translation critic can no longer rely on features derived from source-text analysis but has to judge whether the target text is functional in terms of the translation context”. (Nord, 2001: 9)Reiss is also aware that it is the overall text type, rather than the subdivisions that decide the type of equivalence to be sought and the translation strategy to be followed. If the text function is to provide information, then content must be preserved at all cost, and any “flourishes of style” can safely be sacrificed to that purpose, so that the translation method will be “plain-prose”. When there is a conflict between the functions of the ST and the TT, Reiss uses an “author-adapted” translation method to produce the same or at least a similar effect.She further divides text into three main types as content-focused text, form-focused text and appeal-focused text. Reiss generalizes her typology theory in the following form, (Reiss, 2000: 26)language function representation expression persuasion language dimension logic esthetics dialoguetext type content-focused(informative) form-focused(expressive)appeal-focused(operative)Content-focused text emphasizes content and the form is comparatively less important. When such a text is translated, the original information should be retained as intact as possible and the linguistic form of the translation should be adjusted to the target language conventions. For expressive text, form plays a vital role. Authors of form-focused texts such as literary prose and poetry often employ some formal elements to attain the original aesthetic effect. They should use similar form in translation to produce corresponding impression. The third type is appeal-focused text. This type intends convey information or provoke certain reaction. The translation must undergo certain adaptation to match the target language and the target culture.However there is not a pure informative, expressive or persuasive text. Reiss states that “…a further point should be clarified. If we draw a distinction between content-focused and from-focused text, this is not to imply that content-focused text do not have a form. Just as there can be no form of communication without some kind of content, there can be no kind of content that does not have some form.” (Reiss, 2000: 28) This is quite applicable for C-E translation of public signs which fall somewhere between informative and evocative (operative) text.Reiss’s text typology shed light on C-E translation of public signs. As one of foreign publicity material, public signs are classified as both the informative and evocative (operative) texts. Typology theory is particular valuable for the translators of public signs. They are encouraged to shift from the locking chains imposed by source text. The translators can hold a balance while selecting appropriate strategies to cope with various translation problems.2.2.2 Hans. J. Vermeer and His SkopostheorieSkopos is a Greek word for ‘purpose’. According to Skopostheorie, the prime principle determining any translation process is the purpose (skopos) of the overall translation action. (Nord, 2001: 27)Skopostheorie first assumes that translation must be a purposeful human activity. The purpose has three explanations: the translator’s purpose; the communicative purpose of the translated text; and the purpose to reach by exploiting certain special translation method. Usually the communicative purpose is the main purpose of the translated text.Skopostheorie also defines an intratextual coherence and intertextual coherence. Intratextual coherence implies a translation should be acceptable when it is coherent with the norms of the target culture. A communicative interaction can only be regarded successful if the receivers interpret it as being sufficiently coherent with their situation. (Nord, 2001: 32) For intertextual coherence, a translation is expected to bear some kind of relationship with the corresponding source text. Intertexual coherence should exit between source and target text. (Nord, 2001: 32) Intertextual coherence is considered subordinate to intratextual coherence and both are subordinate to the skopos rule. (Nord, 2001: 33)The theory prescribes a mode of thinking that will allow the translator to explore new approaches to the task of producing a successful target text. The theory particularly emphasizes target-orientation of translation. And it also stresses the translation situation which always determines the translation strategies to be used.This rule is intended to solve the eternal dilemmas of free vs. faithful translation, dynamic vs. formal equivalence, good interpreters vs. slavish translators and so on. It means that the skopos of a particular translation task may require a ‘free’ or a ‘faithful’ translation, or anything between these two extremes, depending on the purpose for which the translation is needed. (Nord, 2001: 29)Skopostheorie bears on C-E translation of public signs. Nord points out that “a text is made meaningful by its receiver and for its receiver.” (Nord, 2001: 31) The reaction of target readers’ should be taken into prime consideration. That is translation of public signs should be target-reader oriented.2.2.3 Christiane Nord and Her “Functions plus Loyalty”Christiane Nord further develops functional theory in the early 1990s and puts forward a rule of “Functions plus Loyalty”.Nord indicates that “My personal version of the functionalist approach stands on two pillars: function plus loyalty. Function refers to the factors that make a target text work in the intended way in the target situation. Loyalty refers to the interpersonal relationship between the translator, the source-text sender, the target-text addresses and the initiator. (Nord, 2001: 126). She holds that the translator should be responsible bilaterally for the target reader aswell as the original author. The translator should respect the source text producer and try to adjust the purpose of the target text and the source text author’s intention. The notion of loyalty not only means conveying the content and style of the source text, but also proposes necessary adaptation based on the source text in order to achieve the intended function of the target text, such as in the case of pragmatic translation. (Chen Xiaowei, 2006: 17) The principle of loyalty limits the range of justifiable target-text functions for one particular source text and raises the need for a negotiation of the translation assignment between translators and their clients. (Nord, 2001: 126). Thus the loyalty principle reduces the probability of “radical” functionalism. It is also an answer to those critics who argue that the functional approach leaves translators free to do whatever they like with any source text.The combination of function plus loyalty further improved the Skopostheorie. It grants translators some liberty in the translation process to achieve the intended function of the target text. Meanwhile it also keeps them from going far away from the original author’s intention. Moreover, Nord also proposes her documentary and instrumental translation. Documentary translation and instrumental translation are different in their emphasis on the source text and the target text. The former focused on source text, translators try to keep the language features or culture of the source text in the translated version, so this strategy is used with the classic works or serious literature. The latter resembles domestication translation, which produces equivalent effect by cultural adaptation; the target readers generally can not feel the text is a translation. The criterion for judging whether it is documentary or instrumental translation is that “the target audience is supposed to be aware or not they are reading a translation” (Nord, 2001: 50)According to Nord’s theory, translators of Chinese public signs should always bear in mind the priority of target text readers. Public signs should be translated according to the specific target functions. However it does not mean that translators have the right to change the functions at will. Any translation, regardless of its different specific purposes, should be based on the source texts.2.3 Peter Newmark and His Semantic vs. Communicative TranslationPeter Newmark’s major contribution to functionalism is his semantic translation versuscommunicative translation. “Communicative translation attempts to produce on its readers an effect as close as possible to that obtained on the readers of the original. Semantic translation attempts to render, as closely as the semantic and syntactic structures of the second language allow, the exact contextual meaning of the original” (Newmark: 1981: 39)It is quite obvious that communicative translation focuses on producing similar effect on the target readers. On the contrary, semantic translation remains within the original language convention and culture. He proposes that semantic translation is used for expressive texts and communicative translation for informative and vocative texts. That is in translating expressive texts, the expressive components should be rendered completely, original culture tend to be transferred intact and even badly and/or inaccurately written passages must remain so. However, for informative and vocative texts, the translator should focus on the accuracy of message and the main function of the source text, trying to produce an equivalent effect on target readers.He also proposes that different texts require different translation criteria and methods. He points out that for informative and vocative text the core is the accuracy of information and the readership. Accessibility and comprehensibility of the translation is very important as the reader does not anticipate difficulties or obscurities and would expect a generous transfer of foreign elements into his own culture as well as his language where necessary. (Newmark, 1981: 39)Peter Newmark’s theory also shed light on C-E translation of public signs. The translator is supposed to use language forms which read naturally to the target reader and he/she is entitled to improve the original text if it is badly and/or inaccurately written. Public signs should not be translated mechanically without an eye to the effect of the target texts on the target readers. Newmark’s semantic vs. communicative translation share some similarities with Nord’s documentary vs. instrumental translation. Semantic and documentary translations remain with the original linguistic and cultural conventions, while communicative and instrumental translations are target language oriented. But their difference is also quiet obvious. Nord holds that the skopos of the translation determines the choice of translation strategies, while Newmark proposes that the choice of translation methods is determined by the source text. However in translation practice, the methods of translation are not determined by the functionof the source text, but that of the target text. Very frequently the translation involves substantial adaptation of the source text in order to achieve the intended function of the target text.2.4 Enlightenments of the Functional Approach on C-E Translation of Public SignsAccording to Newmark’s typology (Newmark, 1981: 15), the features of public signs can be summarized from the functionalist point of view in the following graph.Functional analysis of Chinese public sings and English public signsNotes:1. Cpb: Chinese public signs; Epb: English public signs2. Culture, “low” means there are not many culture elements in public signs.3. Politeness, “low” means the public signs which do not read polite.The above graph gives us a general idea of the features of Chinese public signs and English public signs from the functional approach. Chinese public signs and English public signs are both in the service of their respective target readers. For most public signs, the source text and the target text share the same functions, informative, evocative or a combination of the two. There are other public signs: the function of the target text is different from that of the source text. An evocative public sign may be translated into an informative one or vice versa.This is because Chinese and English are different in language conventions and cultural traditions. Chinese public signs and English public signs differ in the ways they appeal to their respective readers. The source text readers (Chinese travelers) are prone to be affected by flowery expressions; while the target readers (foreign travelers) prefer more concrete information.Chinese public signs are therefore more descriptive. The language used is ornate and figurative, containing many flowery expressions like idioms or poems or quotations of famous persons’ remarks. English public signs are more informative. They read simple and concise. The language is plain and factual. When translating Chinese public signs into English, translators are usually required to apply various translation strategies, such as literal or liberal translation or adaptation.The main point of Skopostheorie is: it is the prospective function or skopos of the target text, not the source text that determines the translation process. Translators of public signs should apply various translation strategies in order to produce a version that will arouse the same effect on target text readers as that of the source text does on the source text readers.2.5 SummaryIn this part the writer discusses functional approach and its enlightenments on C-E translation of public signs. Reiss’s typology, Vermeer’s Skopostheorie, Nord’s function plus loyalty and Newmark’s semantic vs. communicative translation are the key theories involved in this chapter. According to the functional approach, it is the intended function of the target text that determines the overall translation process including the selection of translation strategies. The source text can’t be neglected either, as it serves as the main source of information. Translators of public signs should be aware of the status of target text readers. And the translations should always fulfill the need of target readers. The following chapter further explores the features and functions of public signs, giving us an insight on how functional approach applied to C-E translation in this area.Chapter Three A Functional Analysis of Public Signsin Scenic SpotsThe functional approach fits better in public signs translation as discussed in the previous chapter. The definition of a public sign, its categorization and the features are mainly discussed in the following paragraphs from the functional perspective.3.1 Definitions of Public SignsPublic signs are also called public notices, slogans, the languages of public notices, expressions on public signs.According to Longman Dictionary of Contemporary English1a sign is “a piece of paper, metal etc. in a public place with words or drawings on it that gives people information, warn them not to do something etc. e.g. a road sign, a no-smoking sign.”A Pubic sign can be defined as a piece of paper, metal or billboard in a public place with words or drawings on it that provides information or arouse people’s attention.The counterparts of public signs in Chinese are: 公示语、标志、标示语、告示语、标语、标牌语、标识. The most widely used one is “公示语”.Public signs and other related definitions in Chinese are as follows,1) 标语：用简短的文字写出的具有宣传鼓动作用的口号。
景区游客中心标语
景区游客中心标语(中英文实用版)英文文档：Title: Slogans for Tourist Attraction Visitor CentersContent:The visitor center in a tourist attraction is a crucial hub where visitors gather for information, guidance, and assistance.An effective slogan at the visitor center can set the tone for the visitors" experience, evoke emotions, and create a lasting impression.Here are some slogan ideas for tourist attraction visitor centers:1."Unlock Memories, Explore [Attraction Name]!"2."Discover the Wonders, [Attraction Name] Awaits!"3."Where Stories Begin.[Attraction Name] - Experience It!"4."Step into Adventure at [Attraction Name]!"5."Preserving [Attraction Name], Inspiring Generations!"6."Experience the Magic of [Attraction Name]!"7."Immerse Yourself in [Attraction Name]"s Wonders!"8."[Attraction Name]: A Journey Through Time and Nature!"9."Unleash Your Curiosity at [Attraction Name]!"10."Where History Meets Innovation - [Attraction Name]!"中文文档：标题：景区游客中心标语内容：景区的游客中心是游客聚集获取信息、指导和帮助的关键场所。
旅游景点标识语(英语)
禁止性功能柴
• 要求公众必须采取行动萧
• 语言直白、强硬、没灶有商量的余地。
• 请勿罐登踏
Don’t Step彻 On
• 请勿乱扔废弃物 No Litteri湾ng
• 珍惜文物古迹，勿乱 • No Graffit阎i! 刻吭乱涂
• 爱护草坪，足下窖留 • Keep O枷ff the Gra图ss
• 草Caution: S芍teep & nar娃row zigzag椅 road. Wat遥ch your steps.
小心碰头掘
• Be careful粉 of your h寅ead. • Mind 孰your head • 恃Caution: L福ow Ceiling
残疾人卫生间破
• Disabled T略oilet • Whee碴lchair Acc琶essible
• 小心台猴阶间跨度 • 仅作火警安棘全出口
og. • Ring f卷or Assista真nce
• 请勿在此倒垃叹圾 • 免费上网
• Mind t靴he Gap • Fir力e Exit Onl孺y
• No Litte磊ring
• Free Internet Access
• 请勿在本餐厅内进食非姑麦当劳食品
1.由于不考虑中英文虏的不同语用原则，有的寿译 文语气生硬，不符合浇英文的语用原则(中文逞强硬， 英文委婉)
• 爱护草地，请勿入内 • 废Care of th剂e green, P化lease do n零ot
enter. • 持Keep off t囊he grass. • 薛禁止吸烟 • Smoki测ng is not 邵allowed in砒 this hall儿. • Nonsmoki稼ng
景点标识的翻译
NOTICE No overloading; Dangerous actions-standing, swaying and
playing on the board are forbidden Follow instructions of the park staff. Do not get
follow instructors of the park staff, and go ashore at safe sites as soon as possible
人与动物照相须知
1 拍照前，请到动物照相售票处购票，凭票入场 Please buy an Animal Photograph Ticket in
the boat until safely anchored 四 请你爱护公物， 不要损坏游船设备设施 Protect facilities and the boat
五 请您自觉维护公共卫生， 不要将废弃物抛到水 里
Keep the environment clean. Do not throw anything into the water
Each ticket is only valid for one kind of animal 5 与动物合影时，必须由工作人员带进防护栏，
不准给动物投喂自带食物；严禁打逗、戏耍动物
Visitors must be accompanied by staff to enter the field. It is prohibited to feed animals with the food you brought into the park. Teasing, scaring or petting animals are not allowed.
景点公示语中英对照收集
景点公示语中英对照收集1.欢迎光临！Welcome!2.请勿随地乱扔垃圾。
Please do not litter.3.禁止吸烟。
No smoking.4.为确保您的安全，请遵守规定。
To ensure your safety, please follow the regulations.5.请保持安静。
Please keep quiet.6.请勿触摸展品。
Please do not touch the exhibits.7.请勿攀爬树木或其他设施。
Please do not climb trees or other facilities.8.注意保管好您的贵重物品。
Please keep your valuables safe.9.请勿擅自进入私人区域。
Please do not enter private areas without permission.10.请勿摄影。
No photography.11.请勿违规使用无人机。
Please do not use drones without permission.12.请勿喂食动物。
Please do not feed the animals.13.请尊重动植物，爱护环境。
Please respect the animals and plants, and protect the environment.14.穿高跟鞋进入部分区域需谨慎。
Please be cautious when entering certain areas wearing high heels.15.请不要随意碰动或更改展示布置。
Please do not touch or alter the exhibition layout.16.禁止带宠物入内。
No pets allowed.17.禁止骑行。
No cycling.18.请遵守交通规则，保持公共秩序。
Please abide by traffic rules and maintain public order.19.请勿在景区内乱扔烟蒂。
旅游景点标识语(英语)
这是为了保护游客和工作人员的健康， 确保非吸烟区的空气质量不受影响， 同时减少火灾等安全风险。
04
Information prompt language
Opening hours of tourist attractions
Opening hours
Our scenic spots are open from 8:00am to 6:00pm daily.
Welcome to your visit, we wish you a pleasant stay and an enjoyable time during your visit. Our destination is a perfect blend of natural beauty, rich history, and vibrant culture.
Information about the availability of family restrooms, handicap accessible facilities, and any specific requirements
or instructions for use.
Parking Lot
Welcome to our tourist attractions, a place where you can immerse yourself in the rich history and culture of our region. We are excited to share our local treasures with you.
A place where tourists can obtain information about the attraction, including hours of operation, admission prices, and any rules or regulations.
各类公示语翻译
各类公示语英文翻译汇总旅游景区的标识语翻译1、湖区水深，注意安全。
Deep water! Beware.2、珍惜文物古迹，勿乱刻乱涂。
No graffiti!3、购票中请当面清点票款，门票售出，恕不退款。
Check the change before you leave. No refund for tickets sold.4、游客必须每人持票入内，废票、伪造票不得入内。
Admission by valid tickets only.5、爱护草坪，足下留情。
Keep off the grass.6、心触一片净土，爱博一片蓝天。
Keep the environment clean.7、禁止摆卖。
No venders.8、六点停止入园。
Last admission: 6:009. 请按门票所示线路参观Please follow the visitor route indicated on your guide ticket.10. 请勿在本区域堆弃垃圾Please refrain from dumpling rubbish in this area.乘车的标识语翻译11.请沿站台过往Pass along the platform please.12.请在乘车前购买好车票Please buy your ticket before you board the train.13.请将机票或登机牌准备好接受安检Please have your ticket or boarding card ready for inspection.14.请协助确保列车准点运行Please help to run trains on time15.请将此座位留给老年人、残疾人和抱孩子的人。
Please offer this seat to elderly or disabled people or those carrying children.16.请仅在紧急情况下使用Please only use in an emergency.17.请您在返回车前先付费Please pay before returning to your car.18.需要帮助请按按钮Please press for assistance.19.请系好安全带Please wear the seatbelt provided.20.存放时请务必索取行李票。
旅游英文广告语
旅游英文广告语篇一：著名旅游景点中英文广告语--广告文案--Spain西班牙：Everythingunderthesun阳光下的一切newyork纽约：iLovenewyork我爱纽约Pennsylvania宾西法尼亚：americaStartsHere美国从这里开始Hershey，Pennsylvania：TheSweetestPlaceonEarth地球上最甜的地方detroit,michigan底特律（密西根州）：TheRenaissancecity再生的城市Boston,massachusetts波士顿（麻省）：TheBicentennialcity两百年的城市Quebec魁北克：itFeelsSodifferent感觉如此不同aruba阿鲁巴：ouronlyBusinessisYou我们唯一的事情就是为你服务篇二：最实用旅游英语广告语广告词spain西班牙：everythingunderthesun阳光下的一切newyork纽约：ilovenewyork我爱纽约pennsylvania宾西法尼亚：americastartshere美国从这里开始hershey，pennsylvania：thesweetestplaceonearth地球上最甜的地方detroit,michigan底特律（密西根州）：therenaissancecity再生的城市boston,massachusetts波士顿（麻省）：thebicentennialcity两百年的城市quebec魁北克：itfeelssodifferent感觉如此不同aruba阿鲁巴：ouronlybusinessisyou我们唯一的事情就是为你服务篇二：旅游宣传经典语中英文翻译旅游宣传经典语中英文翻译宾至如归justbeathome;feelathome天堂之旅atriptotheparadise;explretheparadise人迹罕至theunbeatentrack远离尘嚣atruedeparture;anescapefromthebustling 全新感受anovelexperience耳目一新anewperspective动感之都acityinmove活力北京kickingbeijing世界之都theworldcity东方之珠theorientalpearl文化之都thecityofculture醉在贵州intoxicatedinguizhou食在广州foodinguangzhou味在成都delicaciesinchengdu精英之都thecityofelites纯真世界atrueescape东方独秀likenootherplaceintheorient超乎想象byondyourimagination久负盛名longestabished卓越不俗excellentbutnotfancy中立国aswisslawyerworkingonbehalfoftheiraqijournalistwhothrewshoesatformer uspresidentgeorgew.bushsaidhisclientwillseekpoliticalasyluminswitzerlan d.thelawyersaidhewascontactedbyal-zeidisrelativesbecauseofswitzerlands reputationasasafe,neutralcountry.“扔鞋”事件的主角、伊拉克记者的瑞士代理律师表示他的当事人将向瑞士请求政治避难。
旅游景区的标识语翻译
旅游景区的标识语翻译湖区水深，注意安全。
Deep water! Beware.珍惜文物古迹，勿乱刻乱涂。
——提示：“珍惜……”这些都不用翻出来No graffiti!购票中请当面清点票款，门票售出，恕不退款。
Check the change before you leave. No refund for tickets sold.游客必须每人持票入内，废票、伪造票不得入内。
Admission by valid tickets only.爱护草坪，足下留情。
Keep off the grass.心触一片净土，爱博一片蓝天。
——提示：这种比较有“文采”的标识语，翻译的时候就返璞归真，直接意译。
Keep the environment clean.禁止停车，违者拖走。
Tow away zone!未经允许，不准停车。
Assigned parking only.禁止摆卖。
No venders.当心触电。
Danger! High voltage.暂停服务请谅解。
Temporarily closed. Sorry for the inc onvenience.六点停止入园。
Last admission： 6：00狗便后，请清理。
Clean up after your dog.需要协助，请按按钮/请按铃Press/Ring for assistance小心碰头——提示：千万别说Be careful of your head或者Mind your headCaution： low ceiling小心台阶间跨度Mind the gap仅作火警安全出口Fire exit only请勿在此倒垃圾No littering免费上网Free Internet access请勿在本餐厅内进食非麦当劳食品——提示：这个翻译真的很巧妙，而且很委婉Seating reserved for consumption of McDonald's food only。
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公共场所双语标识英文译法English Translation of Public Signs第2部分景区景点Part2:Tourist Attractions1.1旅游景点通名地名通名通常采用英文直接翻译，英文单词首字母大写，其余小写。
1.1.1植物园译为Botanical Garden，如北京植物园Beijing Botanical Garden。
1.1.2博物馆1.1.2.1一般名称译为xxxx Museum,Museum放在最后，如历史博物馆History Museum。
1.1.2.2某机构的博物馆译为xxxx Museum of xxxx(机构名)，如大钟寺古钟博物馆Ancient Bell Museum of Great Bell Temple。
1.1.3纪念馆1.1.3.1历史名人的纪念馆译为Memorial，人名不加’s，如吴运铎纪念馆Wu Yunduo Memorial。
1.1.3.2历史事件或事迹的纪念馆译为Memorial Museum，如新文化运动纪念馆New Culture Movement Memorial Museum。
1.1.4故居译为Former Residence，如宋庆龄故居Former Residence of Soong Ching Ling。
1.1.5展览馆、陈列馆译为Exhibition Hall/Exhibition Center，会展中心译为Convention&Exhibition Center。
1.1.6陈列室译为Exhibition Room/Display Room。
1.1.7宫、院译为Palace，如颐和园Summer Palace。
有些宫译为Hall，如乾清宫Hall of Heavenly Purity。
1.1.8殿、堂译为Hall，如太和殿Hall of Supreme Harmony、乐寿堂Hall of Longevity in Happiness。
1.1.9寺译为Temple，如云居寺Yunju Temple。
1.1.10亭、阁译为Pavilion，如寄澜亭Jilan Pavilion。
1.1.11一般的塔译为Pagoda，如五塔寺Five-Pagoda Temple；藏式塔译为Dagoba,如白塔寺的白塔White Dagoba。
1.1.12牌楼译为Memorial Archway。
1.1.13高山译为Mountain，如太行山Taihang Mountain或Mt.Taihang。
比较小的山、山丘等译为Hill,如万寿山Longevity Hill。
1.1.14岛译为Island，如南湖岛South Lake Island。
1.1.15湖译为Lake,如昆明湖Kunming Lake。
1.1.16桥译为Bridge,如玉带桥Jade Belt Bridge。
1.1.17器皿译为～ware，如青铜器Bronzeware、玉器Jadeware。
1.1.18朝代名译为拼音，如汉朝Han Dynasty，但朝代名中包含的方位词应译成英文，如西周Western Zhou Dynasty、西汉Western Han Dynasty。
1.2专名1.2.1专用名词作为旅游区标志，指向内容为特定场所时则采用英文，如天坛Temple of Heaven。
1.2.2采用被社会普遍接受的名称。
如颐和园Summer Palace。
1.3经营类信息通常采用英文直接翻译，应符合国际通用惯例。
如旅游纪念品商店Souvenir Shop，礼品店Gift Shop。
景区景点双语标识的英文译法表A.1警告提示信息序号中文名称英文译文1严禁攀登No Climbing2严禁倚靠Stand Clear/No Leaning3严禁攀折No Picking4严禁滑冰No Skating5严禁携带宠物No Pets Allowed6严禁中途下车No Drop Off between Stops7禁止游泳No Swimming8禁止钓鱼No Fishing9禁止排放污水No Waste Water Discharge10禁止无照经营No Unlicensed Vendors11禁止狩猎No Hunting12禁止燃放烟花爆竹No Fireworks Allowed/Fireworks Prohibited13禁止携带易燃易爆物品Inflammables&Explosives Strictly Prohibited 14禁止速降Downhill Skiing Prohibited15禁止雪道中间停留Don’t Stop on Ski Slope16禁止由此滑行No Skiing Here17禁止开窗Keep Windows Closed/Don’t Open Windows 18非机动车禁止入内Motor Vehicles Only19雷雨天禁止拨打手机Cellphones Prohibited during Thunderstorms 20卧床请勿吸烟Don’t Smoke in Bed21殿内请勿燃香Don’t Burn Incense in the Hall22高血压、心脏病患者以及晕车、晕船、酗酒请勿乘坐Drunks,sufferers of hypertension,heart disease and motion sickness not allowed on board.23防洪通道，请勿占用Flood Control Channel.Keep Clear!24非游览区，请勿进入No Admittance/No Visitors251米以下儿童须家长陪同乘坐Children under1meter must be accompanied by an adult. 26酒后不能上船Those under the influence of alcohol not allowed.27请抬起护栏Please Raise the Guardrail28请放下护栏Please Lower the Guardrail29请您不要坐在护栏上边Don’t Sit on Guardrail30前方弯路慢行Bend Ahead.Slow Down!31请自觉维护场内卫生环境Please Keep the Area Clean/Please Don’t Litter32请遵守场内秩序Please Keep Order33请您注意上方Watch Your Head34请在台阶下等候Please Stand Clear of the Steps35请您不要随意移动隔离墩Don’t Move Barriers36请您穿好救生衣Please Wear Life Vest37请爱护洞内景观Please Help to Protect the Cave Scenery38请沿此路上山Climbing Route/To the Top↗39请勿投食Don’t Feed the Animals40请勿惊吓动物Don’t Frighten the Animals41请勿拍打玻璃Don’t Tap on the Glass42请勿将手臂伸出车外Keep Arms inside Carriage43请按顺序出入Please Line Up44请爱请护林木Please Protect the Trees45请保护古树Please Protect Heritage Trees46请保护古迹Please Protect Historic Sites47请爱护景区设施Please Protect Facilities48请爱护文物/保护文物Please Protect Cultural Relics49请尊重少数民族习俗Please Respect Ethnic Customs50参观路线Visitor Route51门票价格/票价Ticket Price52危险路段Dangerous Area53游客须知/游园须知Notice to Visitors54景区简介Introduction55单行线One Way56敬告Attention57当日使用，逾期作废Use on Day of Issue Only58凭票入场Ticket Holders Only59团队入口Group Tour Entrance60缆车入口Cable Car Entrance61临时出口Temporary Exit62火警出口Fire Exit63月票Monthly Ticket64年票Annual Ticket65优惠办法Discount66淡季时间Low Season/Off Season67旺季时间High Season/Peak Season68集体票Group Tour Tickets69允许拍照留念Photos Allowed70票已售完Sold Out71票已售出，概不退换No Refund.No Exchange72开放时间Open Hours/Business Hours73系好安全带Fasten Safety Belt74开园时间Opening Time75闭园时间Closing Time76表演时间Show Time77展板Display Boards78布告栏Bulletin79游客投诉电话Complaints Hotline80游客咨询电话Inquiry Hotline81游客报警电话（110）Police Call11082示意图（导游图）Sketch Map83游览图Tourist Map84有佛事活动，请绕行Detour.Buddhist Ceremony in Progress. 85风力较大勿燃香，请敬香Windy.No Incense Burning!86内部施工，暂停开放Under Construction.Temporarily Closed.87 1.2米以下儿童免票Free for Children under1.2Meters88原路返回Please Return by the Way You Came89二十四小时营业24-Hour Service表A.2功能设施信息序号中文名称英文译法1售票处Ticket Office/Tickets2游客中心Tourist Center3客房部Guest Room Department4游船码头Cruise Terminal5办公区Administrative Area6公园管理处Park Administrative Office7广播室Broadcasting Room8游船Sightseeing Boat9索道Cableway10缆车Cable Car11拱桥Arch Bridge12展览馆/陈列馆Exhibition Hall/Exhibition Center 13陈列室Exhibition Room/Display Room 14展区Exhibition Area/Display Area15展厅Exhibition Hall/Display Hall16故居Former Residence17团体接待Group Tour18休息处Lounge19导游处Guide Service20表演区Performance Area21游乐场/游乐园Amusement Park22儿童游乐场/儿童乐园Children’s Playground23民族歌舞Folk Dances24手工艺展示Handicraft Display25特色餐饮Food Specialties26民族特色街Ethnic Culture Street27导游亭Tour Guide Booth28模型Model29主廊Main Corridor30车道Vehicle Lane31农家院Farm House32专题展区Theme Display33大石桥Great Stone Bridge34博物馆Museum35塔Pagoda/Dagoba(藏式塔)36宫、院Palace37亭、阁Pavilion38寺Monastery(Temple)39牌楼Memorial Archway40桥Bridge41廊Corridor42牌坊Memorial Gateway43庙Temple44观堂Taoist Temple45遗址Historic Site46书房Study Room47瀑布Waterfall48滑雪场Ski Field49滑雪道Ski Slope50拓展区Outdoor Development Area51狩猎区Hunting Area52XX养殖场XX Farm53宠物乐园Pet Paradise54无障碍售票口Wheelchair Accessible55中央展厅Central Exhibition Hall/Central Display Hall 56报告厅Auditorium57展厅入口Entrance58休闲区Leisure Area59贵宾厅VIP Hall60序厅Lobby61阅览室Reading Room62贵宾通道VIP Only63员工通道Staff Only64租赁车Car Rental65上楼楼梯Upstairs66下楼楼梯Downstairs67步行街Pedestrian Street68货币兑换Currency Exchange69走失儿童认领Lost Children Information70行李手推车Trolley71三轮车接待站Tricycle Tour72电动游览车Sightseeing Trolley73服装出租处Costume Rental74自行车租赁处Bicycle Rental75租船处Boat Rental76旅游纪念品商店Souvenir Shop77字画店Calligraphy&Painting Shop78公园Park79儿童公园Children’s Park80雕塑公园Sculpture Park81体育公园Sports Park82动物园Zoo83植物园Botanical Garden84街旁游园Community Park85盆景园Mini-Scape Garden/Bonsai Garden86景观Scenery87景区Scenic Area88景点Scenic Spot89森林浴Forest Bath90空气浴Air Bath91温泉浴Hot Spring Bath92日光浴Sun Bath93泥沙浴Mud and Sand Bath94摄像室Photo Studio95无烟景区Smoke-Free Scenic Area96大型水滑梯/戏水滑道Water Slide表 A.3服务类信息97收费停车场Pay Parking 98茶室Tea House 99游泳池Swimming Pool 100残疾人客房Accessible Guestroom 101吸烟区Smoking Area 102非吸烟区Non-Smoking Area 103国家级文物保护单位State Protected Historic Site 104市级文物保护单位Municipality Protected Historic Site/City Protected Historic Site 105区级文物保护单位District Protected Historic Site 106爱国主义教育基地Patriotic Education Base 107浅水区Shallow Water 108深水区Deep Water 109采摘区Fruit-Picking Area 110工农业旅游示范点Industrial and Agricultural Site 111游览观光车Sightseeing Trolley/Sightseeing Bus 112标本室Specimen Room 113观赏区Viewing Area 114投喂区Feeding Area 115触摸区Petting Area 116科技馆Science &Technology Hall 117导览册Guide Book 118导览机Audio Guide 119世界文化遗产World Cultural Heritage序号中文名称英文译法1导游服务/讲解服务Tour Guide Service 2照相服务Photo Service 3邮政服务Postal Service 4声讯服务Audio Guide 5票务服务Ticket Service/Tickets 6残疾人服务Service for Disabled 7免费Free Admission 8赠票Complimentary Ticket 9欢迎光临Welcome 10宣传资料Tourist Brochure/Travel Brochure 11半价50%Off/Half Price/50%Discount 12谢谢合作Thanks for Your Cooperation 13信用卡支付Credit Cards Accepted 14提供拐杖Crutches Available 15提供轮椅Wheelchairs Available 16游程信息Itinerary Information/Travel Info表 A.4其他信息序号中文名称英文译法1自动控制Auto-Control2多媒体Multi-Media3地质年代Geologic Age4大事年表Chronology of Events5自画像Self-Portrait6碑记Tablet Inscription7雕塑作品Sculpture8石刻Stone Carving9草原Grassland10古树名木Old and Famous Trees11温室采摘Greenhouse Fruit Picking12数字特技Digital Stunt13花卉Flowers&Plants14野营露营Camping15消闲散步Strolling16郊游野游Outing17垂钓Fishing18登山攀岩Mountaineering/Rock-Climbing19揽胜探险Expedition20科普教育Popular Science Education21游戏娱乐Entertainment22健身Bodybuilding23演艺Art Performance24水上运动Aquatic Sports25滑水Surfing26潜水Scuba Diving27冰雪活动Ice Skating&Skiing28滑草活动Grass Skiing29滑沙Sand Skiing30水上漂流Drifting31数字特技Digital Stunt32电影录音Film Recording33电影剪辑Film Editing34电影洗印Film Processing35电影拍摄Filming36电影动画Film Animation。